Oasis Wall Quotes

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Jerusalem! My Love,My Town I wept until my tears were dry I prayed until the candles flickered I knelt until the floor creaked I asked about Mohammed and Christ Oh Jerusalem, the fragrance of prophets The shortest path between earth and sky Oh Jerusalem, the citadel of laws A beautiful child with fingers charred and downcast eyes You are the shady oasis passed by the Prophet Your streets are melancholy Your minarets are mourning You, the young maiden dressed in black Who rings the bells at the Nativity Church, On sunday morning? Who brings toys for the children On Christmas eve? Oh Jerusalem, the city of sorrow A big tear wandering in the eye Who will halt the aggression On you, the pearl of religions? Who will wash your bloody walls? Who will safeguard the Bible? Who will rescue the Quran? Who will save Christ, From those who have killed Christ? Who will save man? Oh Jerusalem my town Oh Jerusalem my love Tomorrow the lemon trees will blossom And the olive trees will rejoice Your eyes will dance The migrant pigeons will return To your sacred roofs And your children will play again And fathers and sons will meet On your rosy hills My town The town of peace and olives
نزار قباني
all around the walls there are bookcases. They're filled with books. Books and books and books, right out in plain view, no locks, no boxes. No wonder we can't come in here. It's an oasis of the forbidden.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Have you seen the sand-roses of the Sahara? Such is the violence of the Khamsin that it whips grains of sand together, presses them, finally builds them into great blocks, big enough and solid enough to be used for walls in the oasis. And beautiful! Whew! For all that, they are not real rocks. Leave hem in peace, with no possible interference—what happens? (I brought some home, and put them "in safety" as curiosities, and as useful psychometrical tests.) Alas! Time is enough. Go to the drawer which held them; nothing remains but little piles of dust.
Aleister Crowley (Magick Without Tears)
But all around the walls there are bookcases. They're filled with books. Books and books and books, right out in plain view, no locks, no boxes. No wonder we can't come in here. It's an oasis of the forbidden. I try not to stare.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I’ve been queen for ages and ages,” Sunny went on. She strutted across the cave floor. “No one dares challenge me for my throne! I am the strongest SandWing queen who ever lived!” “Don’t forget the treasure,” Tsunami hissed, pointing at a pile of loose rocks. “Oh, right,” Sunny said. “It’s probably because of all my treasure! I have so much treasure because I’m such an important queen!” She swept the rocks toward her and gathered them between her talons. “Did someone say treasure?” Clay bellowed, leaping out from behind a large rock formation. Sunny yelped with fright. “No!” Tsunami called. “You’re not scared! You’re Queen Oasis, the big, bad queen of the sand dragons.” “R-right,” Sunny said. “Rargh! What is this tiny scavenger doing in the Kingdom of Sand? I am not afraid of tiny scavengers! I shall go out there and eat him in one bite!” Glory started giggling so hard she had to lie down and cover her face with her wings. Even Tsunami was making faces like she was trying not to laugh. Clay swung his stalagmite in a circle. “Squeak squeak squeak!” he shouted. “And other annoying scavenger noises! I’m here to steal treasure away from a magnificent dragon!” “Not from me, you won’t,” Sunny said, bristling. She stamped forward, spread her wings, and raised her tail threateningly. Without the poisonous barb other SandWings had, Sunny’s tail was not very menacing. But nobody pointed that out. “Yaaaaaaah!” Clay shouted, lunging forward with his rock claw. Sunny darted out of the way, and they circled each other, feinting and jabbing. This was Clay’s favorite part. When Sunny forgot about trying to act queenly and focused on the battle, she was fun to fight. Her small size made it easy for her to dodge and slip under his defenses. But in the end Queen Oasis had to lose — that was how the story went. Clay drove Sunny back against the wall of the cave and thrust the fake claw between her neck and her wing, pretending it went right through her heart. “Aaaaaaaargh,” Sunny howled. “Impossible! A queen defeated by a lowly scavenger! The kingdom will fall apart! Oh, my treasure … my lovely treasure . . .” She collapsed to the ground and let her wings flop lifelessly on either side of her. “Ha ha ha!” Clay said. “And squeak squeak! The treasure is mine!” He scooped up all the rocks and paraded away, lashing his tail proudly.
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
He got carried away as he developed his idea: 'The aesthetic quality of towns is essential. If, as has been said, every landscape is a frame of mind, then it is even more true of a townscape. The way the inhabitants think and feel corresponds to the town they live in. An analogous phenomenon can be observed in certain women who, during their pregnancy, surround themselves with harmonious objects, calm statues, bright gardens, delicate curios, so that their child-to-be, under their influence, will be beautiful. In the same way one cannot imagine a genius coming from other than a magnificent town. Goethe was born in Frankfurt, a noble city where the Main flows between venerable palaces, between walls where the ancient heart of Germany lives on. Hoffmann explains Nuremberg - his soul performs acrobatics on the gables like a gnome on the decorated face of an old German clock. In France there is Rouen, with its rich accumulation of architectural monuments, its. cathedral like an oasis of stone, which produced Corneille and then Flaubert, two pure geniuses shaking hands across the centuries. There is no doubt about it, beautiful towns make beautiful souls.
Georges Rodenbach (The Bells of Bruges)
Look into the wall of my mind's eye I think I know, but I don't know why The questions are the answers you might need Coming in a mess, going out in style I ain't good looking, but I'm someone's child No one can give me the air that's mine to breathe.
Noel Gallagher
There were only fifty students in the school at any given time. The juniors were currently providing services at different Households; the total number of Bahriji students was approximately one hundred boys per year. Although Bahriji was a Co-ed school, a high wall separated the girls’ section from the boys. It was really two separate schools located on the same expansive oasis compound. This dividing of the sexes is a standard practice throughout the Middle Eastern world.
Young (Initiation (A Harem Boy's Saga Book 1))
The rest of the house had a casual California boho-beach vibe, with its distressed wood floors, ivory furniture, and gauzy curtains, but the bedroom was very Zen. Decorated in a cool palette of sage greens and charcoal grays, with a floor-to-ceiling window along one wall that looked over a tiny tranquility garden of stones and succulents, it was my little oasis.
J.T. Geissinger (Sweet as Sin (Bad Habit, #1))
Grateful for their generosity, Muhammad orders the land to be leveled, the graves dug up, and the palm trees cut down for timber to build a modest home. He envisions a courtyard roofed in palm leaves, with living quarters made of wood and mud lining the walls. But this will be more than a home. This converted drying-ground and cemetery will serve as the first masjid, or mosque, of a new kind of community, one so revolutionary that many years later, when Muslim scholars seek to establish a distinctly Islamic calendar, they will begin not with the birth of the Prophet, nor with the onset of Revelation, but with the year Muhammad and his band of Emigrants came to this small federation of villages to start a new society. That year, 622 C.E., will forever be known as Year 1 A.H. (After Hijra); and the oasis that for centuries had been called Yathrib will henceforth be celebrated as Medinat an-Nabi: “The City of the Prophet,” or more simply, Medina. There
Reza Aslan (No God But God: The Origins, Evolution and Future of Islam)
Chinese chroniclers of the Han and Tang dynasties report tall, fiery-haired, and light-eyed barbarians with full beards and in felt caps and leather leggings in the Western Regions (today Xinjiang), who traded in jade and horses.20 Wall frescoes of the rock-cut Kizil Cave monasteries dating to the fourth through sixth centuries depict some native rulers, merchants, or Buddhist monks with red hair and fair-skinned features. The complex, often known as the Caves of the Thousand Buddhas, is seventy-five miles west of Kucha, a major oasis city on the northern side of the Tarim Basin. Kucha has yielded many documents in Tocharian B. The murals, dating between the third and sixth centuries AD, depict scenes from the life of the Buddha, and share close stylistic similarities to the contemporary art of Gandhara.21
Kenneth W. Harl (Empires of the Steppes)
August Naab’S oasis was an oval valley, level as a floor, green with leaf and white with blossom, enclosed by a circle of colossal cliffs of vivid vermilion hue. At its western curve the Colorado River split the red walls from north to south. When the wind was west a sullen roar, remote as of some far-off driving mill, filled the valley; when it was east a dreamy hollow hum, a somnolent song, murmured through the cottonwoods; when no wind stirred, silence reigned, a silence not of serene plain or mountain fastness, but shut in, compressed, strange, and breathless. Safe from the storms of the elements as well as of the world was this Garden of Eschtah.
Zane Grey (The Heritage of the Desert)
life lived to the fullest asks us to let go: of fears, inhibitions, the walls we build around ourselves every day.
Celinne Da Costa (The Art of Being Human: The Nomad's Oasis)
After a long, winding climb over gravel and boulder, the Igibys, Podo, and Oskar reached level ground. Soft green grass stretched before them for a short distance before the trees of the forest gathered into a green wall. They stood in a clearing roughly the size of the Glipwood Township, an oasis of open space surrounded by glipwood trees. The area was littered with large stones, but they weren’t the rounded boulders of the falls. They were squared, stacked in places, and overgrown with weeds. Beneath the grass, the trail they followed up from the river became a cobbled roadway, the stones the ruins of a cluster of
Andrew Peterson (North! or Be Eaten)
The magic of your larger blooming life has been trying to reach you; pouring through the cracks, seeping up through the ground around you. It has no aim, save one: to save you; to bring back the moist oasis of midnight wine and pillow talk to that dry desert you've become. - from "May These Words Drive You Up A Wall," The School of Soft-Attention
Hawk of the Pines (Frank LaRue Owen)
they lost sight of the dolphins, Clare pointed out the pink horseshoe of Castle Pinckney on Shute’s Folly, the grey walls of Fort Sumter, and the green oasis of their destination in the distance.
Elizabeth Bell (Native Stranger (Lazare Family Saga #3))
Lydia had devoted herself- and her husband's money- toward making their home a "destination." She fancied herself floating through a household of the East Coast elite, dazzling them with continental cuisine, priceless art and antiques, and a perfectly stocked wine cellar. They would tour her gardens and marvel at her ability to create such a cultural oasis in the southern desert. In reality, every evening Lydia watched her guests meander across her yard to the Belles', where they delighted in such southern delicacies as moonshine in Mason jars, bawdy conversation, and shoofly pie.
Paula Wall (The Rock Orchard)