Oaken Quotes

On his brow a leaf of oaken, Cangeling child shall be his fate. Understanding words strange spoken, Chased by anger, fear, and hate.

The soft aroma of old worn cotton from a linen chest, the lingering smell of tobacco on an angora sweater; Jergen's hand lotion, sauteed green peppers and onions; the sweet, nutty smell of peanut butter and bananas, the oaken smell of good bourbon. A combination of lily of the valley, cedar, vanilla, and somewhere, the lingering of old rose. These smells are older than any thought. Mama, Teensy, Neecie, and Caro, each one of them had an individual scent, to be sure. But this is the Gumbo of their scents. This is the Gumbo Ya-Ya. This is the internal vial of perfume I carry with me everywhere I go.

I shall not waste any more words on you," she said coldly. "Your mind is too closed to hear them.

My heart was oaken before you set it on fire. It will continue to smolder, long after the flame that ignited it has gone.

The library would've cheered me up, most days. I loved the heavy oaken tables, the high walls stacked with books to the ceiling, the musty smell of old pages and the heavy brass fixtures that had gone dark with age and wear.

There was something sly about his smile, his eyes so black and sharp, his rufous hair. Something that sent her early to their trysting place, beneath the oak, beside the thornbush, something that made her climb the tree and wait. Climb a tree, and in her condition. Her love arrived at dusk, skulking by owl-light, carrying a bag, from which he took a mattock, shovel, knife. He worked with a will, beside the thornbush, beneath the oaken tree, he whistled gently, and he sang, as he dug her grave, that old song... shall I sing it for you, now, good folk?

Bend like the sapling you are. With time we shall find your oaken core.

In his mind a protective glaze had been applied to the crystal forms of high abstraction: he loved to regard them, and to wonder at their shine, but he had never thought to take them down from their carved and oaken mantel, so to speak, and feel them, supple in his hands.

Only one-tenth of what you write will make it into your manuscript, but when you knock on that tenth” – I rap my knuckles on the table – “you’ll hear oaken solidity, not sawdust and glue.

Have no fear," the voice told her, "for in thee lies the hope of all. Only thou can deliver the land from darkness." "How can I?" she asked. "I am just one against so many." The eyes gleamed behind the dappling leaves. "Yet the smallest acorn may become the tallest oak," came the answer.

=Lost Hope= You cast to ground the hope which once was mine, But did the while your harsh decree deplore, Embalming with sweet tears the vacant shrine, My heart, where Hope had been and was no more. So on an oaken sprout A goodly acorn grew; But winds from heaven shook the acorn out, And filled the cup with dew.

Entering by the carré, a piece of mirror- glass, set in an oaken cabinet, repeated my image. It said I was changed: my cheeks and lips were sodden white, my eyes were glassy, and my eyelids swollen and purple. On rejoining my companions, I knew they all looked at me - my heart seemed discovered to them: I believed myself self-betrayed. Hideously certain did it seem that the very youngest of the school must guess why and for whom I despaired.

At the zoo, I stood in front of the primate cage listening to a woman marvel at how “presidential” the four-hundred-pound gorilla looked sitting astride a shorn oaken limb, keeping a watchful eye over his caged brood. When her boyfriend, his finger tapping the informational placard, pointed out the “presidential” silverback’s name coincidentally was Baraka, the woman laughed aloud, until she saw me, the other four-hundred-pound gorilla in the room, stuffing something that might have been the last of a Big Stick Popsicle or a Chiquita banana in my mouth.

It [Badger's House] seemed a place where heroes could fitly feast after victory, where weary harvesters could line up in scores along the table and keep their Harvest House with mirth and song, or where two or three friends of simple tastes could sit about as they pleased and eat and smoke and talk in comfort and contentment. The ruddy brick floor smiled up at the smoky ceiling; the oaken settles, shiny with long wear, exchanged cheerful glaces with each other; plates of the dresser grinned at pots on the shelf, and the merry firelight flickered and played over everything without distinction.

Four tall stories were stacked haphazardly on top of each other, cresting in a black roofline against the cobalt night sky that made no sense, but leapt whimsically from flat to dangerously steep and back again. Trees with skeletal limbs, badly in need of a trim, scraped against slate, like oaken nails on the lid of a coffin.

Thrice damned she howls like Cerberus to the night Guarding virtues that lie like forgotten stains On oaken floors that pave the willow lined paths of the past That lead to a meadow filled with the detritus of wasted love Rotting under a forgotten sun that no longer shines In a heart gone cold therein lies the haste of anger.

Yours is a true heart, Vespertilio. Beware of it, for it is surely too large for thy chest to contain.

Curious how even a little time can alter so much.

Bathed in flaming founts of duty She’ll not ask a haughty dress; Carry all that mournful beauty To the scented oaken press.

outstretched arm. “Wonderful to see you as always, James!” she sang and scampered down the hallway. Reaching the oaken banister,

… Birch and fir logs burn too fast Blaze up bright and do not last … But ash green or ash brown Is fit for a queen with golden crown Poplar gives a bitter smoke Fills your eyes and makes you choke Apple wood will scent your room Pear wood smells like flowers in bloom Oaken logs, if dry and old Keep away the winter’s cold But ash wet or ash dry A king shall warm his slippers by Mattie

Jacob Battles the Angel: Or, On the Idea of "You" I. That which is furthest from me, is being closer to me, is named “you.” See how I came to wrestle with myself. In me wrestled “you,” “you,” eyelid, you wrestled, you, hand, you, leg, you wrestled and though I was lying down, I ran around and around my name. Only to myself can I not say “you.” Everything else, including my soul, is “you.” You, O soul. II. – You laughed. I denied it and said: – No, I didn’t. For I was afraid. But he said, Yes, you did. And truly, the name, leaning like my body was his oaken cane, hurled itself against him, the one without a name, the one nothing but body, against “you,” the body of all names, against “you, the father of all names. But he when the dawn poured forth stopped thinking of me. He forgot. III. – Change your name, he said. I responded: I am my name. – Change your name, he said. I responded: – You want me to be someone else, you want me to be no more, you want me to die and be no more. How can I change my name? IV. He said: – You were born on my lap. I have know you since you were born. Do not fear death, remember how you were before you were born. For that is what you will be after you die. Change your name. V. – You cried. I denied it and said: – No, I didn’t. For I was afraid. But he said, Yes, you did, and stopped thinking of me. He forgot. VI. I am only my name. The rest is “you,” I told him. He didn’t hear me, for his mind was elsewhere. Why else would he have said: You wrestled the word itself and won! Was he the word itself? Is name word? … He who is only “you,” you and you and you and you, who surrounds my name?

The time is come," he spoke quietly. "Now, when lesser folk would wither, thou must be true to the blood of thine ancestors. Much greatness is bred in thee; accept now this terrible mantle and take a step nearer thy destiny.

But, to return to my design, what power was it that drew those stony, oaken, and wild people into cities but flattery? For nothing else is signified by Amphion and Orpheus' harp. What was it that, when the common people of Rome were like to have destroyed all by their mutiny, reduced them to obedience? Was it a philosophical oration? Least. But a ridiculous and childish fable of the belly and the rest of the members. And as good success had Themistocles in his of the fox and hedgehog. What wise man's oration could ever have done so much with the people as Sertorius' invention of his white hind? Or his ridiculous emblem of pulling off a horse's tail hair by hair? Or as Lycurgus his example of his two whelps? To say nothing of Minos and Numa, both which ruled their foolish multitudes with fabulous inventions; with which kind of toys that great and powerful beast, the people, are led anyway.

Tread not into the fearsome night But pull the covers high, Step not into the wild dark wood For the Hobbers are dancing nigh

The moles came bearing their lamps and then the most ancient and magical creature that ever danced beneath the moon was lost in darkness once more.

Lies breed distrust, and distrust brings conflict.

Raise thy head, Handmaiden of Orion, thou has borne thyself well thus far.

Lying in a position of classic repose, Winnifred had never been more beautiful. Her silvery gold hair cascaded over the oaken door upon which she lay. A bright waterfall, it pooled on the deep green felt of the billiard table where the door rested. Her sightless blue eyes stared up at the plastered ceiling, her face a study in serenity and peace. I had never seen violent death leave a corpse so lovely.

Hesitating at the last instant, she gazed back at Vesper, and tears brimmed in her eyes as she murmured in a meek voice, "Good-bye, my love." Then she returned to the enchanted device and called out, "May this new vessel serve you well!

The old man with the white beard had gone quite mad. He ripped his robes from his body and ran naked through the forest glade. He was babbling and shouting at the sky. His words were nothing but meaningless sounds — guttural grunts and lunatic ravings. His eyes were wild and his white beard and white hair were tangled with twigs and leaves. He foamed and spit and waved his oaken staff around like a club. He tried to grab squirrels and eat them raw. He rolled around in the dirt and swallowed small stones.

Alone, her soul destroyed and her heart bereft and empty, the Lady Ninnia touched her amulet and closed her eyes. "No," she breathed, "I was wrong. This time, my wisdom has failed me. Our daughter is not ready. To become the Handmaiden of Orion, one must know terrible grief in order to learn compassion." She gazed after her husband and shook her head sorrowfully. "Even the deaths of us, her parents, are not, I fear, enough. May she find what she needs upon that dark and deadly road upon which I have sent her. My poor, poor child - farewell.

I remember as a child scrambling among the brilliants of books or, battered with agonies, or in the spectral half-life that requires loneliness, retiring to the attic, to lie curled in a great body-molded chair in the violet-lavender light from the window. There I could study the big adze-squared beams that support the roof--see how they are mortised on into another and pined in place with oaken dowels. When it rains from rustling drip to roar on the roof, it i s a fine secure place. Then the books, tinted with light, the picture books of children grown, seeded, and gone...

My thanks for your hospitality, Roran Stronghammer,” he said, raising his voice so that his entire troop could hear. “Mayhap I will soon have the honor of entertaining you within the walls of Aroughs. If so, I promise to serve you the finest wines from my family’s estate, and perhaps with them I will be able to wean you off such barbaric milk as you have there. I think you will find our wine has much to recommend it. We let it age in oaken casks for months or sometimes even years. It would be a pity if all that work were wasted and the casks were knocked open and the wine were allowed to run out into the streets and paint them red with the blood of our grapes.” “That would indeed be a shame,” Roran replied, “but sometimes you cannot avoid spilling a bit of wine when cleaning your table.” Holding the horn out to one side, he tipped it over and poured what little mead remained onto the grass below. Tharos was utterly still for a moment--even the feathers on his helm were motionless--then, with an angry snarl, he yanked his horse around and shouted at his men, “Form up! Form up, I say…Yah!” And with that final yell, he spurred his horse away from Roran, and the rest of the soldiers followed, urging their steeds to a gallop as they retraced their steps to Aroughs. Roran maintained his pretense of arrogance and indifference until the soldiers were well away, then he slowly released his breath and rested his elbows on his knees. His hands were trembling slightly. It worked, he thought, amazed.

The time had finally come when she would have to accept the full power of the Starwife. No longer could she be just Ysabelle. Now she had a land to govern and all the daunting responsibilities that that entailed. The liberty she had experienced since the night she had escaped from the Ring of Banbha seemed to vanish. She was left stripped of her freedom, and only long years of a lonely reign stretched out before her.

Where Western tales begin by shifting us to another time – ‘Once upon a time’ they say, meaning elsewhen, meaning then rather than now – Russian skazki make an adjustment of place. ‘In a certain land’, they start; or, ‘In the three-times-ninth kingdom …’ Meaning elsewhere, meaning there rather than here. Yet these elsewheres are always recognisable as home. In the distance will always be a woodwalled town where the churches have onion domes. The ruler will always be a Tsar, Ivan or Vladimir. The earth is always black. The sky is always wide. It’s Russia, always Russia, the dear dreadful enormous territory at the edge of Europe which is as large as all Europe put together. And, also, it isn’t. It is story Russia, not real Russia; a place never quite in perfect overlap with the daylight country of the same name. It is as near to it as a wish is to reality, and as far away too. For the tales supplied what the real country lacked, when villagers were telling them, and Afanaseyev was writing them down. Real Russia’s fields grew scraggy crops of buckwheat and rye. Story Russia had magic tablecloths serving feasts without end. Real Russia’s roads were mud and ruts. Story Russia abounded in tools of joyful velocity: flying carpets, genies of the rushing air, horses that scarcely bent the grass they galloped on. Real Russia fixed its people in sluggish social immobility. Story Russia sent its lively boys to seek the Firebird or to woo the Swan Maiden. The stories dreamed away reality’s defects. They made promises good enough to last for one evening of firelight; promises which the teller and the hearers knew could only be delivered in some Russian otherwhere. They could come true only in the version of home where the broke-backed trestle over the stream at the village’s end became ‘a bridge of white hazelwood with oaken planks, spread with purple cloths and nailed with copper nails’. Only in the wish country, the dream country. Only in the twenty-seventh kingdom.

In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.

Colette"s "My Mother's House" and "Sido" After seeing the movie "Colette" I felt so sad that it didn't even touch the living spirit of her that exists in her writing. 'What are you doing with that bucket, mother? Couldn't you wait until Josephine (the househelp) arrives?' "And out I hurried. But the fire was already blazing, fed with dry wood. The milk was boiling on the blue-tiled charcoal stove. Nearby, a bar of chocolate was melting in a little water for my breakfast, and, seated squarely in her cane armchair, my mother was grinding the fragrant coffee which she roasted herself. The morning hours were always kind to her. She wore their rosy colours in her cheeks. Flushed with a brief return to health, she would gaze at the rising sun, while the church bell rang for early Mass, and rejoice at having tasted, while we still slept, so many forbidden fruits. "The forbidden fruits were the over-heavy bucket drawn up from the well, the firewood split with a billhook on an oaken block, the spade, the mattock, and above all the double steps propped against the gable-windows of the attic, the flowery spikes of the too-tall lilacs, the dizzy cat that had to be rescued from the ridge of the roof. All the accomplices of her old existence as a plump and sturdy little woman, all the minor rustic divinities who once obeyed her and made her so proud of doing without servants, now assumed the appearance and position of adversaries. But they reckoned without that love of combat which my mother was to keep till the end of her life. At seventy-one dawn still found her undaunted, if not always undamaged. Burnt by fire, cut with the pruning knife, soaked by melting snow or spilt water, she had always managed to enjoy her best moments of independence before the earliest risers had opened their shutters. She was able to tell us of the cats' awakening, of what was going on in the nests, of news gleaned, together with the morning's milk and the warm loaf, from the milkmaid and the baker's girl, the record in fact of the birth of a new day.

Numbers express quantities. In the submissions to my online survey, however, respondents frequently attributed qualities to them. Noticeably, colors. The number that was most commonly described as having its own color was four (52 votes), which most respondents (17) said was blue. Seven was next (28 votes), which most respondents (9) said was green, and in third place came five (27 votes), which most respondents (9) said was red. Seeing colors in numbers is a manifestation of synesthesia, a condition in which certain concepts can trigger incongruous responses, and which is thought to be the result of atypical connections being made between parts of the brain. In the survey, numbers were also labeled “warm,” “crisp,” “chagrined,” “peaceful,” “overconfident,” “juicy,” “quiet” and “raw.” Taken individually, the descriptions are absurd, yet together they paint a surprisingly coherent picture of number personalities. Below is a list of the numbers from one to thirteen, together with words used to describe them taken from the survey responses. One Independent, strong, honest, brave, straightforward, pioneering, lonely. Two Cautious, wise, pretty, fragile, open, sympathetic, quiet, clean, flexible. Three Dynamic, warm, friendly, extrovert, opulent, soft, relaxed, pretentious. Four Laid-back, rogue, solid, reliable, versatile, down-to-earth, personable. Five Balanced, central, cute, fat, dominant but not too much so, happy. Six Upbeat, sexy, supple, soft, strong, brave, genuine, courageous, humble. Seven Magical, unalterable, intelligent, awkward, overconfident, masculine. Eight Soft, feminine, kind, sensible, fat, solid, sensual, huggable, capable. Nine Quiet, unobtrusive, deadly, genderless, professional, soft, forgiving. Ten Practical, logical, tidy, reassuring, honest, sturdy, innocent, sober. Eleven Duplicitous, onomatopoeic, noble, wise, homey, bold, sturdy, sleek. Twelve Malleable, heroic, imperial, oaken, easygoing, nonconfrontational. Thirteen Gawky, transitional, creative, honest, enigmatic, unliked, dark horse. You don’t need to be a Hollywood screenwriter to spot that Mr. One would make a great romantic hero, and Miss Two a classic leading lady. The list is nonsensical, yet it makes sense. The association of one with male characteristics, and two with female ones, also remains deeply ingrained.

At the zoo, I stood in front of the primate cage listening to a woman marvel at how “presidential” the four-hundred-pound gorilla looked sitting astride a shorn oaken limb, keeping a watchful eye over his caged brood. When her boyfriend, his finger tapping the informational placard, pointed out the “presidential” silverback’s name coincidentally was Baraka, the woman laughed aloud, until she saw me, the other four-hundred-pound gorilla in the room, stuffing something that might have been the last of a Big Stick Popsicle or a Chiquita banana in my mouth. Then she became disconsolate, crying and apologizing for having spoken her mind and my having been born. “Some of my best friends are monkeys,” she said accidentally. It was my turn to laugh. I understood where she was coming from. This whole city’s a Freudian slip of the tongue, a concrete hard-on for America’s deeds and misdeeds. Slavery? Manifest Destiny? Laverne & Shirley? Standing by idly while Germany tried to kill every Jew in Europe? Why some of my best friends are the Museum of African Art, the Holocaust Museum, the Museum of the American Indian, the National Museum of Women in the Arts. And furthermore, I’ll have you know, my sister’s daughter is married to an orangutan.

Silence fell. Setting down her candle, Celaena crept toward the landing and peered inside the room. The oaken door had been thrown open, a giant key turned in its rusting lock. And inside the small chamber, kneeling before a darkness so black that it seemed poised to devour the world, was Cain.

​He hid three pieces of a wooden puzzle in the forest. Each of his friends would need to find a piece, and then assemble the puzzle together. He was really excited for them to see the puzzle he had made.

That sounds like a lot of fun,

Without mothers, as opposed to “birthing individuals,” you do not have a civilization. Without mothers nurturing their children, no families, no households can exist. Women, not men, were given wombs to carry children. Women, not men, were given breasts to feed children. Women were designed to be the anchor of their households and the bringers and nurturers of life. One must do violence to the glorious image of God that they bear in order to make them wombless, breastless, pathetic and miserable imitations of men. Until we are willing to admit that feminism, even (especially!) the feminism accepted by conservatives, is a demon goddess responsible for our enslavement, we will remain under the shade of the oaken shrines of Trashworld.

Я знаю силу слов я знаю слов набат Они не те которым рукоплещут ложи От слов таких срываются гроба шагать четверкою своих дубовых ножек. I know the sway of words, I know their warnings They’re not those applauded from the boxes From words such as these coffins break free Striding forth on their four oaken legs.

He’d been prowling this bedchamber every night, driven wild by the knowledge only two oaken doors and some fifty paces of wainscoted corridor lay between him and the woman he’d crossed a continent to hold. -Luke's thoughts

He quite literally occupied it. At the end of a long oaken table near the window of the Writing Room was “the Hitler Chair.” It had the best light for painting postcards. Nobody but Adolf dared sit there. Everybody honored his obsession with the chair, partly out of gratitude: If a Männerheim tenant fell short of his week’s rent, Hitler was amazingly fast in organizing a collection.

Before Everything

In retrospect, Autumn could not have chosen a worse night to get drunk for the first time. “So, you’re

She nodded, taking another gulp of the poison her brother had mixed up for her. “Heh. Twins. But you don’t look anything like him. I mean, Luke

And this,' Astrid says, gesturing at a wiry gentleman wearing eyeglasses and a houndstooth suit in need of pressing, standing a little distance away from the rest of the group, looking slightly uncomfortable, 'is Dexter Palmer, and he's a—what?' 'I,' says Dexter Palmer. 'Um.' 'He's a novelist,' Astrid brays, and Harold looks at Dexter, at his right arm rubbing his threadbare left elbow. Harold sees the oaken trunk in the corner of Dexter's filthy downtown loft with an enormous padlock on it, sees the tens of thousands of pages of handwritten manuscript that fill it. He sees the stub of the tallow candle on Dexter's rickety wooden desk, purchased for a dollar-fifty at a rummage sale. He sees the short leg of the desk propped up with a seven-hundred page study of phrenology, printed during the age of miracles. He sees Dexter's eyes going bad by candlelight, a whole diopter lost with each late night. 'Zounds, I am working on my masterpiece,' Dexter Palmer yells hoarsely, disturbing the neighbors. He slings a cup half-full of tepid chamomile tea at the wall, where it shatters. 'Dexter's writing a novel,' Astrid says brightly. After a few minutes of introductory cross-talk, the group of five splits into separate conversations: Harold talks with his sister and Charmaine, while Marlon ends up with Dexter. To Harold, Marlon looks cornered—Harold can't hear what Dexter's saying, but whatever he's talking about, he's clearly going on about it at length and in fine detail. Maybe Marlon is getting to hear all about the novel. Every once in a while Marlon will look at Harold and theatrically roll his eyes and sigh, but Dexter, who's frantically gesticulating, wrapped up in whatever he's chattering about, doesn't notice.

I don't want to be the Starwife!" Ysabelle protested. "It isn't fair!" Her mother wavered; even now, it was not too late. "You must fulfill your destiny," she said at last. "The Starwifeship is already yours. All that remains is for you to bring the amulet and the Starglass together. Once that is done, the power of the heavens will be yours to command. Use it wisely, for the forces locked within the Silver Acorn may be used for good or ill. On your journey, never be parted from it; always wear it about your neck.

Now is the time!" Ysabelle cried. "Now do I accede to the throne and claim my place as Handmaiden to Orion!

Remember us, Belle," Cyllinus wept, "when the dangers are past and you sit upon the throne in Greenreach. Think of us. Do not forget me, little one.

Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't. The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories. But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love. Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength. My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go. Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks. Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass. February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring. One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February. I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance. A light snowfall was dotting the night air when

In fact, it is unlikely that all the men on the island went in search of food and water. While some went foraging, others would have set about building rough shelters, thatched with palm fronds, above the high-water mark. At the same time, sailors, probably under the watchful eye of Sir George Somers, made repeated trips to the grounded vessel, salvaging anything that might be of service. Planks above the waterline were torn from the ship’s oaken frames and hauled ashore along with hatches and any undamaged spars that could be removed and metal fittings and canvas and cordage and tools and even books and the important charts from Newport’s cabin and, of course, the instructions and a copy of the new Virginia charter given to Gates by the officers of the Virginia Company in London. Somehow the heavy ship’s bell was hauled ashore, as were several heavy cooking kettles and at least one of the smallest cannon. Within days, though, the salvage operation came to an end as the Sea Venture slipped beneath the waves, to rest where her bones still lie, between the two coral outcroppings that trapped her. Even though the survivors must have known the ship was lost once it struck the reef,

Hold on,” I said to Zoe. “Did you say you infiltrated the principal’s office last night?” “That’s right,” Zoe replied. I looked back at Warren. “Then why are you still camouflaged?” “The paint won’t wash off,” Warren said morosely. He looked as though he might have turned red if he hadn’t been painted brown. “I couldn’t get the perfect oaken tone with standard face paint, so I had to use wood stain instead. Now I can’t remove it.” Zoe snickered despite herself. “It’s not funny!” Warren whined. “Today in self-defense class, Professor Simon mistook me for a table and set a book on my head.

See, God doesn't wait for us to come to him. He comes after us. He moves first, Oaken. Even when it feels like we're the ones running to him.

Exerting the full strength of a female badger, she lifted the massive Cavern Hole dining table. It was a huge solid oaken thing that no dozen mice could even move. Dishes clattered and food spilled as Constance heaved the table above her head. Her voice was a roar. “Get out, rats! Leave this Abbey! I’m weary of your voices. Hurry before I break the laws of hospitality and ask the Abbot’s pardon later. Go, while you still have skulls.

Shirt" I remember once I ran after you and tagged the fluttering shirt of you in the wind. Once many days ago I drank a glassful of something and the picture of you shivered and slid on top of the stuff. And again it was nobody else but you I heard in the singing voice of a careless humming woman. One night when I sat with chums telling stories at a bonfire flickering red embers, in a language its own talking to a spread of white stars: It was you that slunk laughing in the clumsy staggering shadows. Broken answers of remembrance let me know you are alive with a peering phantom face behind a doorway somewhere in the city’s push and fury. Or under a pack of moss and leaves waiting in silence under a twist of oaken arms ready as ever to run away again when I tag the fluttering shirt of you.

Tappington (generally called Tapton) Everard is an antiquated but commodious manor-house in the eastern division of the county of Kent. A former proprietor had been High-sheriff in the days of Elizabeth, and many a dark and dismal tradition was yet extant of the licentiousness of his llfe, and the enormity of his offences. The Glen, which the keeper’s daughter was seen to enter, but never known to quit, still frowns darkly as of yore; while an ineradicable bloodstain on the oaken stair yet bids defiance to the united energies of soap and sand.

I’ve barely seen her since we got here,” went on the voice. “What is it, two weeks now?” The mother was speaking from the breakfast room, out of my field of view. I liked that room a lot, with its long, oaken table and glass walls on three sides. You could see the bright sparkle of the lake through the glass walls, and sunlight shifted through the moving branches of an ancient willow that shaded the house. But the room was teeming with parents every morning. We couldn’t use it. I tried for a voice ID, but when I edged into the doorway the conversation had turned to other matters—war in the news, a friend’s tragic abortion. Alycia had gone AWOL to the nearest town, hitching a ride from a yardman. The town was a gas station, a drugstore that was rarely open, and a dive bar, but she had a boyfriend there. Some decades older than she was.

WITH ITS SOARING ceilings and oily oaken tables, the central branch of the Berkeley Public Library harks back to a grander, more civic-minded era. No other local building embodies more starkly the gulf between 1900s idealism and twenty-first-century reality.