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The nutcracker sits under the holiday tree, a guardian of childhood stories. Feed him walnuts and he will crack open a tale...
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Vera Nazarian (The Perpetual Calendar of Inspiration)
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I can see why they named that ballet the Nutcracker. It’s gotta hurt having ‘em crushed in something that tight.
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Mark A. Cooper (Face-Off (Jason Steed #5))
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He wants to know why my marks aren’t better. Why I don’t speak fluent French. Why I can’t kill a fully grown man with a nutcracker.
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Gail Carriger (Manners & Mutiny (Finishing School, #4))
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Celeste and I had made a few halfhearted attempts to get the kids to church when they were young, and then we gave up and left them in bed. In the city of constant stimulation, we had failed to give them the opportunity to develop strong inner lives for those occasions when they would find themselves sitting through the second act of The Nutcracker.
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Ann Patchett (The Dutch House)
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Do you want to dance?" he asked. Amy looked at him in surprise. "With you?" Ty grinned. "No - with the giant nutcracker in the corner." -Ty and Amy/ Chapter 5
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Lauren Brooke (One Day You'll Know (Heartland, #6))
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You might forget a story, but you can never unhear a story.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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Son of a nutcracker.
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Kelly Moran (Residual Burn (Redwood Ridge, #4))
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For when the world was darkest, I remembered you.
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Heather Dixon Wallwork (The Enchanted Sonata)
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What exists beneath the sea?
I’d always pictured it in colors of emerald and aquamarine, where black velvet fish with sequined eyes swim among plankton.
But, when my eyes adjust, I see gray stones, lost anchors, wet wood, buttons, hooks, and eyes, the salem witches who wouldn’t float, stars and stripes, missing vessels, windup toys, the souls of Romeo and Juliet, peaches, cream, pistons, screams, cages of ribs and birds, tunnels, nutcracker soldiers, satin bows, drugstore signs, Pandora box ripped open at its hinges.
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Kelly Easton (The Life History of a Star)
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Grace has way weirder people than me coming in and out all the time," Dan said. "You, on the other hand, are as boring as it gets. If Grace is worried about anyone cramping her style, I'd point to the gloomy nerd reading about Chucklesky."
"Tchaikovsky. He composed the score for the ballet The Nutcracker."
Dan thre his hands up. "How am I supposed to get any better at making you sound like a loser if you just do all the work for me?
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Clifford Riley (Legacy (The 39 Clues: Rapid Fire, #1))
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Traditional histories of technology do not pay much attention to food. They tend to focus on hefty industrial and military developments: wheels and ships, gunpowder and telegraphs, airships and radio. When food is mentioned, it is usually in the context of agriculture—systems of tillage and irrigation—rather than the domestic work of the kitchen. But there is just as much invention in a nutcracker as in a bullet.
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Bee Wilson (Consider the Fork: A History of How We Cook and Eat)
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In all probability, the man who found the horoscope would also catch Nut and Nutcracker. They had to believe all the more strongly in the astrologer’s new forecast since none of his predictions had ever come true. Sooner or later, his prognoses had to be right, given that the king, who could never be wrong, had made him his Grand Augur.
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E.T.A. Hoffmann (Nutcracker and Mouse King and The Tale of the Nutcracker)
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Rudy draws his knees up and wraps his hands around his legs, laughing shakily against his thighs. This is not how he planned this, ever, but he can't stop the words bubbling up his throat. "Not gay? Dad, I'm a total nutcracker."
Mr Kringle takes a sharp breath as he looks down at Rudy. "What are you saying?"
He stands up. "That I am gayer than a rainbow Christmas tree. I'm gayer than a sugarplum fairy. Hell, I am a sugarplum fairy.
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Aggy Bird (Make the Yuletide Gay)
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This is, indeed, a place where magic happens…
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Amanda V. Shane (Snow Maiden (Enchanted Lands #1))
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I’m convinced hell is actually an eternity of being a snowflake in Nutcracker.
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Kat Howard (Roses and Rot)
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He had a face like a nutcracker; a scrawny man of no particular age, with merry secretive eyes.
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William Faulkner
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Hear this!" he helplessly exclaimed to the elements. "Babies are to be nutcrackered dead, for people's poor grandpapa's positions!" Then he let himself down again, and became silent.
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Charles Dickens (Great Expectations)
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Marie supposedly is still queen of a land where you can see sparkling Christmas Forests everywhere as well as translucent Marzipan Castles - in short, the most splendid and most wondrous things, if you only have the right eyes to see them with.
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E.T.A. Hoffmann (The Nutcracker)
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It turns out that Clark’s Nutcrackers use a highly sophisticated form of triangulation to determine cache locations. When they make a cache they visually locate two landscape features in order to triangulate their cache.
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Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
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As soon as Marie was alone, she quickly went over to do what was quite properly on her mind and what she could not tell her mother, though she did not know why. Marie still had the wounded Nutcracker wrapped in her handkerchief, and she carried him in her arms. Now she placed him cautiously on the table, unwrapped him softly, softly, and tended to the injuries. Nutcracker was very pale, but he beamed so ruefully and amiably that his smile shot right through her heart.
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E.T.A. Hoffmann (The Nutcracker)
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in a boat floating down a river of pink lemonade!
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E.T.A. Hoffmann (The Nutcracker: The Original Holiday Classic)
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Popularity and true friendship are two different things.
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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There was always a way to fix something, no matter how broken it looked at first glance.
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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Am I not a foolish girl,” she said, “to be so easily frightened, and to think that a wooden puppet could make faces at me? But I love Nutcracker too well, because he is so droll and so good tempered; therefore he shall be taken good care of as he deserves.
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E.T.A. Hoffmann (The Nutcracker: The Original 1853 Edition with Illustrations)
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Now that Fritz also wanted to eat nuts, the little man passed from hand to hand, unable to halt his snapping open and shut. Fritz kept shoving in the biggest and hardest nuts. All at once, they heard a double crack. Then three little teeth fell out of Nutcracker’s mouth, and his whole lower jaw turned loose and wobbly. “Oh, my poor, dear Nutcracker,” Marie exclaimed, whisking him out of Fritz’s hands.
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E.T.A. Hoffmann (The Nutcracker)
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What’s missing from the literature of our species are the stories of the peasants. The filthy illiterate. Those with no firm address, no surname. No one to impress, nothing to lose. But the poor tell stories, too.
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Gregory Maguire (Hiddensee)
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I would leave me were I him. I would leave myself if I could.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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If life gives you nuts then be a nut cracker.
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Vikrmn: CA Vikram Verma (Guru with Guitar)
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Why Do Fairies Let Bad Things Happen to Good People?
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Heather Dixon Wallwork (The Enchanted Sonata)
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Evil may be strong, but love--love breaks any curse, any spell--any sort of magic.
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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Anyone can say they love someone. But love--real love--is felt and earned... It's more than words. It's action...it's sacrifice. Love is a great many things.
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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Whispering can disguise the shape of syllables, but not of mood.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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Who knows, dear Godfather, if you were spruced up like my dear Nutcracker, and if you had on such lovely, shiny ankle boots, who knows if you wouldn’t be as beautiful as he?
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E.T.A. Hoffmann (The Nutcracker)
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A first class professional nutcracker who might have done a job about a week ago; stolen some bells.
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Philip Kerr (Berlin Noir: March Violets / The Pale Criminal / A German Requiem)
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These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
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Brian Doyle (Mink River)
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These are just dreams created by her ardent fever.” “None of this is true,” said Fritz. “My red Hussars aren’t such cowards! Goodness, gracious me! Darn it all! How else would I come down?
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E.T.A. Hoffmann (The Nutcracker)
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It was a bond that represented the safety and easiness of family. A bond that is usually lobbed into the back of the dresser drawer, stashed away, forgotten and allowed to loiter with the unused Christmas cards, nutcrackers and Sellotape, until the day came along when you actually needed it, and you opened the drawer with a rummage saying to yourself, ‘I just know I left it in there somewhere.
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Melanie Hudson (The Last Letter from Juliet)
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Confectioner’ is our name for an unknown but very ghastly power that we believe can do whatever we like to a human being. It is the doom hanging over this small, cheerful nation. And this little nation is so frightened that the mere mention of its name can silence the loudest tumult, as was just proved by the mayor. Each man then stops thinking about earthly matters, about pokes in the ribs and bumps on the head. Instead, he draws into himself and says: ‘What is man and what can become of him?
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E.T.A. Hoffmann (The Nutcracker)
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It became legend that no one should wander too close to the sorceress's enchanted forest or she would send forth a blizzard, causing them to lose their way and be caught in the land of ice and snow for all time.
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Amanda V. Shane (Snow Maiden (Enchanted Lands #1))
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In the city of constant stimulation, we had failed to give them the opportunity to develop strong inner lives for those occasions when they would find themselves sitting through the second act of The Nutcracker.
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Ann Patchett
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[W]hen food is placed at the start and end points of the maze, the slime mold withdraws from the dead-end corridors and shrinks its body to a tube spanning the shortest path between food sources. The single-celled slime solves the maze in this way each time it is tested.”23 Toshiyuki Nakagaki, the researcher conducting the study, commented that Even for humans it is not easy to solve a maze. But the plasmodium of true slime mold, an amoeba-like organism, has shown an amazing ability to do so. This implies that an algorithm and a high computing capacity are included in the unicellular organism.24 This capacity for mathematical differentiation and computation is wide spread. All self-organized biological systems possess it. One of the more amazing examples is the Clark’s Nutcracker.
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Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
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Dark, cold, and snowbound, Russia has the sort of climate in which the spirit of Christmas burns brightest. And that is why Tchaikovsky seems to have captured the sound of it better than anyone else. I tell you that not only will every European child of the twentieth century know the melodies of The Nutcracker, they will imagine their Christmas just as it is depicted in the ballet; and on the Christmas Eves of their dotage, Tchaikovsky’s tree will grow from the floor of their memories until they are gazing up in wonder once again.
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Amor Towles (A Gentleman in Moscow)
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Tell me, Godfather Drosselmeier, is it then really true that you invented mousetraps?” “How can you ask such a silly question?” said his mother, but the Counsellor smiled mysteriously, and said in an under tone, “Am I a skilful watchmaker, and yet not able to invent a mousetrap?
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E.T.A. Hoffmann (The Nutcracker and The Mouse King)
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Chopin’s theme, a simple descending descant the first time round, articulated itself in the repeat with nuanced embellishment. It was music remembering itself. It meant something different, something more, to hear those simple phrases repeated so soon, qualified by chromatic variations. Clarifications. Not redundancy, but a hypothesis about how consolation works. A second chance at getting it. A second chance at life.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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Do tell me, Godfather Drosselmeier, is it really true that you invented the mousetrap?” “How can you ask such a silly question?” the mother cried. But the godfather smiled inscrutably and he murmured: “Am I not enough of a skillful clockmaker and not even enough to invent mousetraps?
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E.T.A. Hoffmann (The Nutcracker)
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Clad in shoes, one young shaver after another bit himself sore on the Krakatuk’s teeth and jowls without helping the princess in the least. Dentists had been summoned, and when an unfortunate suitor was being carried away half unconscious, he would sigh: “That was a hard nut to crack!
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E.T.A. Hoffmann (The Nutcracker)
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It is truly no feat to crack a nut, and therefore no one would think to gather an audience for the purpose of entertaining them with nutcracking. But if he should do so, and if he should succeed in his aim, then it cannot be a matter of mere nutcracking. Or alternatively, it is a matter of nutcracking, but as it turns out we have overlooked the art of nutcracking because we were so proficient at it that it is this new nutcracker who is the first to demonstrate what it actually entails, whereby it could be even more effective if he were less expert in nutcracking than the majority of us.
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Franz Kafka (Josephine the Singer, or the Mouse Folk (The Metamorphasis, A Hunger Artist, A Penal Colony, and Other Stories))
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Do you know what the foundation of mathematics is?" I ask. "The foundation of
mathematics is numbers. If anyone asked me what makes me truly happy, I would
say: numbers. Snow and ice and numbers. And do you know why?"
He splits the claws with a nutcracker and pulls out the meat with curved tweezers.
"Because the number system is like human life. First you have the natural numbers.
The ones that are whole and positive. The numbers of a small child. But human
consciousness expands. The child discovers a sense of longing, and do you know
what the mathematical expression is for longing?"
He adds cream and several drops of orange juice to the soup.
"The negative numbers. The formalization of the feeling that you are missing
something. And human consciousness expands and grows even more, and the child
discovers the in between spaces. Between stones, between pieces of moss on the
stones, between people. And between numbers. And do you know what that leads
to? It leads to fractions. Whole numbers plus fractions produce rational numbers.
And human consciousness doesn't stop there. It wants to go beyond reason. It adds
an operation as absurd as the extraction of roots. And produces irrational numbers."
He warms French bread in the oven and fills the pepper mill.
"It's a form of madness.' Because the irrational numbers are infinite. They can't be
written down. They force human consciousness out beyond the limits. And by adding
irrational numbers to rational numbers, you get real numbers.
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Peter Høeg
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Swans don’t eat marzipan,” Fritz broke in quite roughly, “and Godfather Drosselmeier can’t make a whole park. Actually, we get little out of his toys. They’re promptly taken away from us. So I much prefer what Mama and Papa give us. We can keep their presents nicely and do whatever we like with them.
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E.T.A. Hoffmann (The Nutcracker)
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On days her spirits are low, like now, or between ballet seasons, when she has time to think about herself outside of the roles she plays, when she is not Odette in Swan Lake or Clara in The Nutcracker, she finds her feet reason enough to doubt the grace for which she is applauded when she spins on the tips of her toes.
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A.A. Patawaran (Manila Was A Long Time Ago - Official)
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Celeste and I had made a few halfhearted attempts to get the kids to church when they were young, and then we gave up and left them in bed. In the city of constant stimulation, we had failed to give them the opportunity to develop strong inner lives for those occasions when they would find themselves sitting through the second act of The Nutcracker.
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Ann Patchett (The Dutch House)
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Ah!” Marie finally exclaimed. “Ah! Dear Father! Who owns that darling little man over on the tree there?” “He,” the father answered. “He, dear child, should work hard for all of us. He should crack the hard nuts for us nicely. And he should belong to Luise as much as he belongs to you and to Fritz.” The father then removed him cautiously from the table and, raising the wooden cape aloft, the manikin opened his mouth wide, wide, and showed two rows of very sharp, very tiny white teeth. When told to do so, Marie inserted a nut and—Crack! Crack!—he chewed up the nut, so that the shell dropped away, and the sweet kernel itself ended up in Marie’s hand. By now, everyone, including Marie, had to know that the dainty little man was an offspring of the dynasty of Nutcrackers and was practicing his profession. She shouted for joy, but then her father spoke: “Since, dear Marie, you love Friend Nutcracker so much, you must shield and shelter him especially, even despite the fact that, as I have said, Luise and Fritz have as much right to use him as you!
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E.T.A. Hoffmann (The Nutcracker)
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The vagabond human spirit requires a chart of possibilities in order to keep putting one foot in front of another, keep licensing the next heartbeat after the previous.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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In a word, all kinds of wonderful and extraordinary things may there be seen by those who have eyes sharp enough to discover them.
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Alexandre Dumas (The Nutcracker)
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Perhaps, instead of accusing destiny, the king should have remembered that, as is generally the case with mankind, he was the author of his own misfortunes...
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Alexandre Dumas (The Nutcracker)
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You only seem to read in yourself what you have not.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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No one knows his own story, and that’s the way of it, unless you make it up yourself,” she said at last.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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Mostly his mind wandered. But it didn’t have anywhere special to wander to.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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I’m not good, I’m just quiet,
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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So much for that scented handkerchief.
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Eustacia Tan (The Nutcracker King (Coming from Darkness, #1))
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By that token, you might forget an event, but you can never go back to living as you did before its hidden influence was applied upon you.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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We are all migrants. We are exiled from the place where meaning meant something.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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He may have a title, but it does not determine his true worth.
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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To choose--to truly love someone and accept them--was a freedom and a luxury.
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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Can evil every truly be understood?
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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I prefer paths undiscovered.
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Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
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How many times in a life, he thought, will I lie down in a darkness whose character I cannot imagine, to see what daybreak reveals of my new circumstances? Or is that every day of my life?
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Gregory Maguire (Hiddensee)
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You might forget a story, but you can never unhear a story. By that token, you might forget an event, but you can never go back to living as you did before its hidden influence was applied upon you.
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Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
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However, their father said, "I handed the Nutcracker over to Marie's particular care, and since I see that he needs it just now, she can do as she likes with him, and no one else is to interfere. What's more, I am really surprised that Fritz would expect a soldier wounded in battle to go straight back on active service. As a good military man, he ought to know that you don't draw the wounded up on parade!
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E.T.A. Hoffmann (The Nutcracker)
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You hwill follow me!” You did not disobey someone who added h’s to their w’s. Clara and Nutcracker hurried after Mother Svetlana, who could glide down the hall with extreme grace for someone her size. Nuns rushed past them in frocks of beige, their starched wimples brushing Clara. Mother Svetlana parted them like the Red Sea. Something flashed in one of their hands—a butcher knife? “How dare these ungodly creatures assault a house of the Lord!” Mother Svetlana’s voice filled to the arches. “Hwe are hwomen of peace!” “Yes…” Nutcracker eyed a short nun who scampered past with an ax. She looked positively gleeful. “Hwe hwill hold the rats off, with God’s help,” Mother Svetlana continued. Down the hall, gunshots sounded, echoing through the gardens. A nun rushed past, carrying an eye-stinging bucket of lye. Another feeble old woman scuttled past with a huge rifle, gleefully squeaking: Lawks, lawks, I’m just a little old nun!
”
”
Heather Dixon Wallwork (The Enchanted Sonata)
“
The grand master of the ceremonies then stated that the strangers were of a most villainous appearance, and could not possibly be worse dressed. But the king answered that it was wrong to judge the heart by the countenance, and the gown did not make the parson.
”
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Alexandre Dumas (The Nutcracker)
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Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Oh!” exclaimed Marie at last, “who does the charming little fellow in the tree belong to, dearest Papa?”
“He should work hard for all of you, dear child,” her father replied. “He can bite the hardest of nuts and crack them open for you, and he belongs to Luise as much as to you and Fritz.
”
”
E.T.A. Hoffmann (The Nutcracker and The Mouse King)
“
Those boys and us—we only seem to be sharing a life here. The young are entirely separate. They are someplace else right now. They won’t join us in our lives, really, until they are grown. And by then, who will they become? People I don’t know. And I may not even be here when they get here.
”
”
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
“
Oh, thank you!” said Clara, taking a large bite. The rich, thick patty of chocolate filled her mouth and throat.
“You don’t eat it like that!” said Alexei, horrified. “You fold it up in the petals and smell it first, then take one tiny, tiny bite—”
“Don’t you dare tell me how to eat a chocolate!” said Clara, turning on him with a newfound energy and a mouthful of chocolate. “I’ve had the longest day of my life! I’ve been attacked by rats, I’ve missed my concert, my whole body is burning, you yelled at me, and I will eat this chocolate however I want to eat it!”
Nutcracker, Zizi, and Alexei had all taken a step back.
Alexei cleared his throat...and managed to say the exact right thing:
“Allow me to get you another chocolate.
”
”
Heather Dixon Wallwork (The Enchanted Sonata)
“
So speak quickly. What have you made of your life?”
How to answer such a question.
“A long road toward a retreating horizon,” he ventured. “Like everyone else’s.”
“No horizon but heaven.”
“That must be true for you, good father. But the rest of us aren’t so sure of our itineraries.”
“Then you become your own destination, Dirk. That is what happens. As long as you are a person of conscience—of merit—one who makes the attempt—you head ever toward the geography of yourself...
”
”
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
“
Hey…you okay?” Marlboro Man repeated.
My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined.
I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Hey…you okay?” Marlboro Man repeated.
My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined.
I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
“You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip.
“Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you.
“I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice.
“What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices.
“I’m not sure,” Marlboro Man answered. The geyser began spraying again.
I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Kitsune Art: Fanboy’s Delight.” Kağan’s body became stock still. His posture stiffened, spine straightening like a nutcracker. A shudder went through his body, visible even through the thick, black fur. It went all the way up from his toes to his head, and then back down again. Small twitches soon followed. Tiny muscles spasms that made his body look like quivering jello. Like a man suffering an epileptic seizure, the spasming grew more intense with each passing second, until the cat yōkai fell onto his back, twitching and jerking, his body seizing up. Froth started pouring from his mouth. Then his eyes rolled up into the back of his head. Several seconds later, Kağan lay still, unmoving save for the stuttering of his chest. Kevin blinked. Once. Then he looked at Iris as she walked over to him. “What kind of illusion did you just cast on him?” Iris’s grin was the kind someone had only when they were immensely pleased with themselves. “I made him watch twenty-four hours of Boku no Pico compressed into six seconds.” Kevin turned green. “I regret asking already. Oh, gods. I think I’m gonna be sick.” “Don’t worry, Stud.” Iris’s reassuring smile did nothing to reassure him. If anything, it did the opposite. “I would never cast that on you.” “I suppose that’s something to feel grateful about.” “After all, if you suddenly became a vegetable, then I would never be able to convince Lily-pad to let me join you two in a threesome.” The sound of Kevin’s palm meeting his face echoed several decibels louder than it should have through the mostly empty street. ***
”
”
Brandon Varnell (A Fox's Rescue (American Kitsune, #8))
“
as Audrius refilled the glasses. “Act one, scene one of The Nutcracker.” “Tchaikovsky!” the German guffawed. “You laugh, mein Herr. And yet, I would wager a thousand crowns that you can picture it yourself. On Christmas Eve, having celebrated with family and friends in a room dressed with garlands, Clara sleeps soundly on the floor with her magnificent new toy. But at the stroke of midnight, with the one-eyed Drosselmeyer perched on the grandfather clock like an owl, the Christmas tree begins to grow. . . .
”
”
Amor Towles (A Gentleman in Moscow)
“
Who could have thought that anyone would love a hideous nutcracker?
”
”
Marian H. Rowe (Drosselmeyer's Dream: A Nutcracker Retelling)
“
Modern Christmases are all about stress and expensive presents that none of us can really afford, but what Christmas is really about is time with family and friends and appreciating what you have rather than making lists of stuff you want.
”
”
Jaimie Admans (The Little Christmas Shop on Nutcracker Lane)
“
You want me to un-Grinch you?’ He starts singing, ‘Un-Grinch my heart,’ to the tune of the Toni Braxton classic “Unbreak My Heart”. ‘Say you’ll mistletoe me again.
”
”
Jaimie Admans (The Little Christmas Shop on Nutcracker Lane)
“
Christmas isn’t meant to be about profiteering – it’s meant to be about hope, and joy, and family, and saying goodbye to the year that’s passed and appreciating the good things in life.
”
”
Jaimie Admans (The Little Christmas Shop on Nutcracker Lane)
“
Making wishes isn’t what’s magic here. It’s having something to wish for that makes all the difference. Hope. This has given them all hope. That’s something that’s been in short supply lately. For all of us.
”
”
Jaimie Admans (The Little Christmas Shop on Nutcracker Lane)
“
It’s about the build-up. This is the fun part of Christmas. It’s nothing to do with the day itself. That’s always full of stress and a total let-down. It’s about this – this exact time of year when everything’s bright and twinkly and people are just a little bit kinder than usual.
”
”
Jaimie Admans (The Little Christmas Shop on Nutcracker Lane)
“
Nutcrackers are brimming with magical powers. It’s long been said that if a wish is made at the exact moment a nut is being cracked, when the stars shine bright and the wind rustles his beard, and you can almost hear the sparkling of Christmas magic in the air all around, the nutcracker will grant the wish. Try it!
”
”
Jaimie Admans (The Little Christmas Shop on Nutcracker Lane)
“
His breathing is harsh, rapid and shallow, and I do what every adult does in a situation like this – look around for a better adult. An older adult. An adult who might know what to do. A more adult adult.
”
”
Jaimie Admans (The Little Christmas Shop on Nutcracker Lane)
“
Alice." I sighed. She glared at me. Could I truly trust this girl? "I didn't know if I could trust you. The throne will be yours, you know."
"I don't want the throne! It's so much work and pressure. I just want to be free to lead my own life."
"Then, let's try and warn Peter.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
Okay, fine but when we sneak out, I'm going too. You don't get to have all the fun."
"Fun? I'm scared to death . . .
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
You know. I was thinking it should be the Sugar Plum Princess saving Peter not us." She giggled quietly.
"Sugar Plum Princess? I've never heard of her." I said in confusion.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
Good. I've been so worried about you. It took four days of searching to find you and when I did, your heart was barely beating. I thought you were going to die.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
Squirrel!" She giggled. "Oh dear. I couldn't even imagine. I am heading to the kitchen straight away to save us from that terrible misfortune.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
My kingdom doesn't want me. They'd rather have that tyrant than me. I couldn't find the Sugar Plum Princess. I'm beginning to think she doesn't exist. My father was sure she did. That's why I have been searching still but I think it's time I admit defeat.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
First, it would sound ridiculous. No one would take us seriously as this was probably an old fairytale. And second, word would surely get back to the Mouse King. The last thing we needed was for him to know we were trying to take the thrown back.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
They talk sometimes of l’heure bleue, that segment of evening when the sun has fallen below the horizon but the vegetable world is still visible.
”
”
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
“
Oh, that." She shrugged her shoulder callously. "I only said that that heathen princess has been caught and locked away. I'm just waiting to hear when she and that conspirator she ran off with, will receive their sentences for betraying the King." The woman threw her head back and cackled an evil sound.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
And then I had the sinking realization. If Peter was nowhere to be found, he must have been found by the soldiers.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
Careful ma'am. Talk like that leads to the dungeon for being a traitor to the crown."
"I am the crown! Is my father already gone?"
"Aye. He left not twenty minutes ago." The server replied.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))
“
I had a knife fixed in my dress in case I needed it but my hopes were to somehow manage this without getting blood on my hands. I'd prefer Peter get to make the ultimate decision of what to do with the Mouse King.
”
”
Tayler Marie Brooks (Sugar Plum Princess (Forbidden Dancers, #1))