Nutcracker Quotes

We've searched our database for all the quotes and captions related to Nutcracker. Here they are! All 100 of them:

The nutcracker sits under the holiday tree, a guardian of childhood stories. Feed him walnuts and he will crack open a tale...
Vera Nazarian (The Perpetual Calendar of Inspiration)
I can see why they named that ballet the Nutcracker. It’s gotta hurt having ‘em crushed in something that tight.
Mark A. Cooper (Face-Off (Jason Steed #5))
He wants to know why my marks aren’t better. Why I don’t speak fluent French. Why I can’t kill a fully grown man with a nutcracker.
Gail Carriger (Manners & Mutiny (Finishing School, #4))
Do you want to dance?" he asked. Amy looked at him in surprise. "With you?" Ty grinned. "No - with the giant nutcracker in the corner." -Ty and Amy/ Chapter 5
Lauren Brooke (One Day You'll Know (Heartland, #6))
Celeste and I had made a few halfhearted attempts to get the kids to church when they were young, and then we gave up and left them in bed. In the city of constant stimulation, we had failed to give them the opportunity to develop strong inner lives for those occasions when they would find themselves sitting through the second act of The Nutcracker.
Ann Patchett (The Dutch House)
You might forget a story, but you can never unhear a story.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Son of a nutcracker.
Kelly Moran (Residual Burn (Redwood Ridge, #4))
For when the world was darkest, I remembered you.
Heather Dixon Wallwork (The Enchanted Sonata)
What exists beneath the sea? I’d always pictured it in colors of emerald and aquamarine, where black velvet fish with sequined eyes swim among plankton. But, when my eyes adjust, I see gray stones, lost anchors, wet wood, buttons, hooks, and eyes, the salem witches who wouldn’t float, stars and stripes, missing vessels, windup toys, the souls of Romeo and Juliet, peaches, cream, pistons, screams, cages of ribs and birds, tunnels, nutcracker soldiers, satin bows, drugstore signs, Pandora box ripped open at its hinges.
Kelly Easton (The Life History of a Star)
All paths lead to the same place, and that place is whatever comes next.
Gregory Maguire (Hiddensee)
Grace has way weirder people than me coming in and out all the time," Dan said. "You, on the other hand, are as boring as it gets. If Grace is worried about anyone cramping her style, I'd point to the gloomy nerd reading about Chucklesky." "Tchaikovsky. He composed the score for the ballet The Nutcracker." Dan thre his hands up. "How am I supposed to get any better at making you sound like a loser if you just do all the work for me?
Clifford Riley (Legacy (The 39 Clues: Rapid Fire, #1))
Traditional histories of technology do not pay much attention to food. They tend to focus on hefty industrial and military developments: wheels and ships, gunpowder and telegraphs, airships and radio. When food is mentioned, it is usually in the context of agriculture—systems of tillage and irrigation—rather than the domestic work of the kitchen. But there is just as much invention in a nutcracker as in a bullet.
Bee Wilson (Consider the Fork: A History of How We Cook and Eat)
In all probability, the man who found the horoscope would also catch Nut and Nutcracker. They had to believe all the more strongly in the astrologer’s new forecast since none of his predictions had ever come true. Sooner or later, his prognoses had to be right, given that the king, who could never be wrong, had made him his Grand Augur.
E.T.A. Hoffmann (Nutcracker and Mouse King and The Tale of the Nutcracker)
Rudy draws his knees up and wraps his hands around his legs, laughing shakily against his thighs. This is not how he planned this, ever, but he can't stop the words bubbling up his throat. "Not gay? Dad, I'm a total nutcracker." Mr Kringle takes a sharp breath as he looks down at Rudy. "What are you saying?" He stands up. "That I am gayer than a rainbow Christmas tree. I'm gayer than a sugarplum fairy. Hell, I am a sugarplum fairy.
Aggy Bird (Make the Yuletide Gay)
This is, indeed, a place where magic happens…
Amanda V. Shane (Snow Maiden (Enchanted Lands #1))
I’m convinced hell is actually an eternity of being a snowflake in Nutcracker.
Kat Howard (Roses and Rot)
He had a face like a nutcracker; a scrawny man of no particular age, with merry secretive eyes.
William Faulkner
Hear this!" he helplessly exclaimed to the elements. "Babies are to be nutcrackered dead, for people's poor grandpapa's positions!" Then he let himself down again, and became silent.
Charles Dickens (Great Expectations)
Marie supposedly is still queen of a land where you can see sparkling Christmas Forests everywhere as well as translucent Marzipan Castles - in short, the most splendid and most wondrous things, if you only have the right eyes to see them with.
E.T.A. Hoffmann (The Nutcracker)
Is it only in childhood that we are capable of taking in the whole world? What does it do to us that we briefly have that privilege? And, then, what harm , when the fund of novelty in human experience runs dry?
Gregory Maguire (Hiddensee)
It turns out that Clark’s Nutcrackers use a highly sophisticated form of triangulation to determine cache locations. When they make a cache they visually locate two landscape features in order to triangulate their cache.
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
As soon as Marie was alone, she quickly went over to do what was quite properly on her mind and what she could not tell her mother, though she did not know why. Marie still had the wounded Nutcracker wrapped in her handkerchief, and she carried him in her arms. Now she placed him cautiously on the table, unwrapped him softly, softly, and tended to the injuries. Nutcracker was very pale, but he beamed so ruefully and amiably that his smile shot right through her heart.
E.T.A. Hoffmann (The Nutcracker)
Lost is not an address, it's not permission to fail, it's not an excuse.
Gregory Maguire (Hiddensee)
Popularity and true friendship are two different things.
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
There was always a way to fix something, no matter how broken it looked at first glance.
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
Those born dull remain dull
Gregory Maguire (Hiddensee)
One day he would finish the job of dying he'd begun in childhood/
Gregory Maguire (Hiddensee)
in a boat floating down a river of pink lemonade!
E.T.A. Hoffmann (The Nutcracker: The Original Holiday Classic)
Am I not a foolish girl,” she said, “to be so easily frightened, and to think that a wooden puppet could make faces at me? But I love Nutcracker too well, because he is so droll and so good tempered; therefore he shall be taken good care of as he deserves.
E.T.A. Hoffmann (The Nutcracker: The Original 1853 Edition with Illustrations)
Now that Fritz also wanted to eat nuts, the little man passed from hand to hand, unable to halt his snapping open and shut. Fritz kept shoving in the biggest and hardest nuts. All at once, they heard a double crack. Then three little teeth fell out of Nutcracker’s mouth, and his whole lower jaw turned loose and wobbly. “Oh, my poor, dear Nutcracker,” Marie exclaimed, whisking him out of Fritz’s hands.
E.T.A. Hoffmann (The Nutcracker)
What’s missing from the literature of our species are the stories of the peasants. The filthy illiterate. Those with no firm address, no surname. No one to impress, nothing to lose. But the poor tell stories, too.
Gregory Maguire (Hiddensee)
Evil may be strong, but love--love breaks any curse, any spell--any sort of magic.
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
Anyone can say they love someone. But love--real love--is felt and earned... It's more than words. It's action...it's sacrifice. Love is a great many things.
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
I would leave me were I him. I would leave myself if I could.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Death might be the only way forward for someone. Or it might seem so at the time
Gregory Maguire (Hiddensee)
If life gives you nuts then be a nut cracker.
Vikrmn: CA Vikram Verma (Guru with Guitar)
Whispering can disguise the shape of syllables, but not of mood.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Why Do Fairies Let Bad Things Happen to Good People?
Heather Dixon Wallwork (The Enchanted Sonata)
The toys can help in the battle." "Mother Ginger? I doubt it!" "Never underestimate the value of a mother in wartime. She has the most to fight for.
Gregory Maguire (Hiddensee)
Who knows, dear Godfather, if you were spruced up like my dear Nutcracker, and if you had on such lovely, shiny ankle boots, who knows if you wouldn’t be as beautiful as he?
E.T.A. Hoffmann (The Nutcracker)
A first class professional nutcracker who might have done a job about a week ago; stolen some bells.
Philip Kerr (Berlin Noir: March Violets / The Pale Criminal / A German Requiem)
These are just dreams created by her ardent fever.” “None of this is true,” said Fritz. “My red Hussars aren’t such cowards! Goodness, gracious me! Darn it all! How else would I come down?
E.T.A. Hoffmann (The Nutcracker)
It was a bond that represented the safety and easiness of family. A bond that is usually lobbed into the back of the dresser drawer, stashed away, forgotten and allowed to loiter with the unused Christmas cards, nutcrackers and Sellotape, until the day came along when you actually needed it, and you opened the drawer with a rummage saying to yourself, ‘I just know I left it in there somewhere.
Melanie Hudson (The Last Letter from Juliet)
Confectioner’ is our name for an unknown but very ghastly power that we believe can do whatever we like to a human being. It is the doom hanging over this small, cheerful nation. And this little nation is so frightened that the mere mention of its name can silence the loudest tumult, as was just proved by the mayor. Each man then stops thinking about earthly matters, about pokes in the ribs and bumps on the head. Instead, he draws into himself and says: ‘What is man and what can become of him?
E.T.A. Hoffmann (The Nutcracker)
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
It became legend that no one should wander too close to the sorceress's enchanted forest or she would send forth a blizzard, causing them to lose their way and be caught in the land of ice and snow for all time.
Amanda V. Shane (Snow Maiden (Enchanted Lands #1))
In the city of constant stimulation, we had failed to give them the opportunity to develop strong inner lives for those occasions when they would find themselves sitting through the second act of The Nutcracker.
Ann Patchett
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
[W]hen food is placed at the start and end points of the maze, the slime mold withdraws from the dead-end corridors and shrinks its body to a tube spanning the shortest path between food sources. The single-celled slime solves the maze in this way each time it is tested.”23 Toshiyuki Nakagaki, the researcher conducting the study, commented that Even for humans it is not easy to solve a maze. But the plasmodium of true slime mold, an amoeba-like organism, has shown an amazing ability to do so. This implies that an algorithm and a high computing capacity are included in the unicellular organism.24 This capacity for mathematical differentiation and computation is wide spread. All self-organized biological systems possess it. One of the more amazing examples is the Clark’s Nutcracker.
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
Dark, cold, and snowbound, Russia has the sort of climate in which the spirit of Christmas burns brightest. And that is why Tchaikovsky seems to have captured the sound of it better than anyone else. I tell you that not only will every European child of the twentieth century know the melodies of The Nutcracker, they will imagine their Christmas just as it is depicted in the ballet; and on the Christmas Eves of their dotage, Tchaikovsky’s tree will grow from the floor of their memories until they are gazing up in wonder once again.
Amor Towles (A Gentleman in Moscow)
Tell me, Godfather Drosselmeier, is it then really true that you invented mousetraps?” “How can you ask such a silly question?” said his mother, but the Counsellor smiled mysteriously, and said in an under tone, “Am I a skilful watchmaker, and yet not able to invent a mousetrap?
E.T.A. Hoffmann (The Nutcracker and The Mouse King)
Chopin’s theme, a simple descending descant the first time round, articulated itself in the repeat with nuanced embellishment. It was music remembering itself. It meant something different, something more, to hear those simple phrases repeated so soon, qualified by chromatic variations. Clarifications. Not redundancy, but a hypothesis about how consolation works. A second chance at getting it. A second chance at life.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Do tell me, Godfather Drosselmeier, is it really true that you invented the mousetrap?” “How can you ask such a silly question?” the mother cried. But the godfather smiled inscrutably and he murmured: “Am I not enough of a skillful clockmaker and not even enough to invent mousetraps?
E.T.A. Hoffmann (The Nutcracker)
Clad in shoes, one young shaver after another bit himself sore on the Krakatuk’s teeth and jowls without helping the princess in the least. Dentists had been summoned, and when an unfortunate suitor was being carried away half unconscious, he would sigh: “That was a hard nut to crack!
E.T.A. Hoffmann (The Nutcracker)
It is truly no feat to crack a nut, and therefore no one would think to gather an audience for the purpose of entertaining them with nutcracking. But if he should do so, and if he should succeed in his aim, then it cannot be a matter of mere nutcracking. Or alternatively, it is a matter of nutcracking, but as it turns out we have overlooked the art of nutcracking because we were so proficient at it that it is this new nutcracker who is the first to demonstrate what it actually entails, whereby it could be even more effective if he were less expert in nutcracking than the majority of us.
Franz Kafka (Josephine the Singer, or the Mouse Folk (The Metamorphasis, A Hunger Artist, A Penal Colony, and Other Stories))
Do you know what the foundation of mathematics is?" I ask. "The foundation of mathematics is numbers. If anyone asked me what makes me truly happy, I would say: numbers. Snow and ice and numbers. And do you know why?" He splits the claws with a nutcracker and pulls out the meat with curved tweezers. "Because the number system is like human life. First you have the natural numbers. The ones that are whole and positive. The numbers of a small child. But human consciousness expands. The child discovers a sense of longing, and do you know what the mathematical expression is for longing?" He adds cream and several drops of orange juice to the soup. "The negative numbers. The formalization of the feeling that you are missing something. And human consciousness expands and grows even more, and the child discovers the in between spaces. Between stones, between pieces of moss on the stones, between people. And between numbers. And do you know what that leads to? It leads to fractions. Whole numbers plus fractions produce rational numbers. And human consciousness doesn't stop there. It wants to go beyond reason. It adds an operation as absurd as the extraction of roots. And produces irrational numbers." He warms French bread in the oven and fills the pepper mill. "It's a form of madness.' Because the irrational numbers are infinite. They can't be written down. They force human consciousness out beyond the limits. And by adding irrational numbers to rational numbers, you get real numbers.
Peter Høeg
Swans don’t eat marzipan,” Fritz broke in quite roughly, “and Godfather Drosselmeier can’t make a whole park. Actually, we get little out of his toys. They’re promptly taken away from us. So I much prefer what Mama and Papa give us. We can keep their presents nicely and do whatever we like with them.
E.T.A. Hoffmann (The Nutcracker)
On days her spirits are low, like now, or between ballet seasons, when she has time to think about herself outside of the roles she plays, when she is not Odette in Swan Lake or Clara in The Nutcracker, she finds her feet reason enough to doubt the grace for which she is applauded when she spins on the tips of her toes.
A.A. Patawaran (Manila Was A Long Time Ago - Official)
Celeste and I had made a few halfhearted attempts to get the kids to church when they were young, and then we gave up and left them in bed. In the city of constant stimulation, we had failed to give them the opportunity to develop strong inner lives for those occasions when they would find themselves sitting through the second act of The Nutcracker.
Ann Patchett (The Dutch House)
Ah!” Marie finally exclaimed. “Ah! Dear Father! Who owns that darling little man over on the tree there?” “He,” the father answered. “He, dear child, should work hard for all of us. He should crack the hard nuts for us nicely. And he should belong to Luise as much as he belongs to you and to Fritz.” The father then removed him cautiously from the table and, raising the wooden cape aloft, the manikin opened his mouth wide, wide, and showed two rows of very sharp, very tiny white teeth. When told to do so, Marie inserted a nut and—Crack! Crack!—he chewed up the nut, so that the shell dropped away, and the sweet kernel itself ended up in Marie’s hand. By now, everyone, including Marie, had to know that the dainty little man was an offspring of the dynasty of Nutcrackers and was practicing his profession. She shouted for joy, but then her father spoke: “Since, dear Marie, you love Friend Nutcracker so much, you must shield and shelter him especially, even despite the fact that, as I have said, Luise and Fritz have as much right to use him as you!
E.T.A. Hoffmann (The Nutcracker)
But those are legends and lore; they are faith and fictions. Not everyone is a character in a story.
Gregory Maguire (Hiddensee)
He may have a title, but it does not determine his true worth.
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
To choose--to truly love someone and accept them--was a freedom and a luxury.
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
Can evil every truly be understood?
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
I prefer paths undiscovered.
Chantal Gadoury (Winterdream: A Retelling of The Nutcracker)
In a word, all kinds of wonderful and extraordinary things may there be seen by those who have eyes sharp enough to discover them.
Alexandre Dumas (The Nutcracker)
Perhaps, instead of accusing destiny, the king should have remembered that, as is generally the case with mankind, he was the author of his own misfortunes...
Alexandre Dumas (The Nutcracker)
So much for that scented handkerchief.
Eustacia Tan (The Nutcracker King (Coming from Darkness, #1))
The vagabond human spirit requires a chart of possibilities in order to keep putting one foot in front of another, keep licensing the next heartbeat after the previous.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
You only seem to read in yourself what you have not.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
No one knows his own story, and that’s the way of it, unless you make it up yourself,” she said at last.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Mostly his mind wandered. But it didn’t have anywhere special to wander to.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
You might forget an event but you can never go back to living as you did before it's influence was applied upon you
Gregory Maguire (Hiddensee)
I’m not good, I’m just quiet,
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
By that token, you might forget an event, but you can never go back to living as you did before its hidden influence was applied upon you.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
We are all migrants. We are exiled from the place where meaning meant something.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
How many times in a life, he thought, will I lie down in a darkness whose character I cannot imagine, to see what daybreak reveals of my new circumstances? Or is that every day of my life?
Gregory Maguire (Hiddensee)
You might forget a story, but you can never unhear a story. By that token, you might forget an event, but you can never go back to living as you did before its hidden influence was applied upon you.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
However, their father said, "I handed the Nutcracker over to Marie's particular care, and since I see that he needs it just now, she can do as she likes with him, and no one else is to interfere. What's more, I am really surprised that Fritz would expect a soldier wounded in battle to go straight back on active service. As a good military man, he ought to know that you don't draw the wounded up on parade!
E.T.A. Hoffmann (The Nutcracker)
You hwill follow me!” You did not disobey someone who added h’s to their w’s. Clara and Nutcracker hurried after Mother Svetlana, who could glide down the hall with extreme grace for someone her size. Nuns rushed past them in frocks of beige, their starched wimples brushing Clara. Mother Svetlana parted them like the Red Sea. Something flashed in one of their hands—a butcher knife? “How dare these ungodly creatures assault a house of the Lord!” Mother Svetlana’s voice filled to the arches. “Hwe are hwomen of peace!” “Yes…” Nutcracker eyed a short nun who scampered past with an ax. She looked positively gleeful. “Hwe hwill hold the rats off, with God’s help,” Mother Svetlana continued. Down the hall, gunshots sounded, echoing through the gardens. A nun rushed past, carrying an eye-stinging bucket of lye. Another feeble old woman scuttled past with a huge rifle, gleefully squeaking: Lawks, lawks, I’m just a little old nun!
Heather Dixon Wallwork (The Enchanted Sonata)
The grand master of the ceremonies then stated that the strangers were of a most villainous appearance, and could not possibly be worse dressed. But the king answered that it was wrong to judge the heart by the countenance, and the gown did not make the parson.
Alexandre Dumas (The Nutcracker)
Scared?” Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.” He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango. “Curran! Let . . . “ I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow. “Impressed yet?” he asked with a big smile. Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right. He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.” I gasped, trying to draw air into my lungs. “I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.” As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty. He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare. I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me. All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.” His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened. I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant. He squared his shoulders. “Shall we continue?” “It would be my pleasure.” He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him. Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human. “Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.” Mouse? “I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.” “I’m not filled with catnip.” “Let’s find out.” He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him. “I can stop you with one word,” I said. He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said. “Wedding.” All humor fled his eyes. He let go and just like that, the game was over.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Oh!” exclaimed Marie at last, “who does the charming little fellow in the tree belong to, dearest Papa?” “He should work hard for all of you, dear child,” her father replied. “He can bite the hardest of nuts and crack them open for you, and he belongs to Luise as much as to you and Fritz.
E.T.A. Hoffmann (The Nutcracker and The Mouse King)
Those boys and us—we only seem to be sharing a life here. The young are entirely separate. They are someplace else right now. They won’t join us in our lives, really, until they are grown. And by then, who will they become? People I don’t know. And I may not even be here when they get here.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Oh, thank you!” said Clara, taking a large bite. The rich, thick patty of chocolate filled her mouth and throat. “You don’t eat it like that!” said Alexei, horrified. “You fold it up in the petals and smell it first, then take one tiny, tiny bite—” “Don’t you dare tell me how to eat a chocolate!” said Clara, turning on him with a newfound energy and a mouthful of chocolate. “I’ve had the longest day of my life! I’ve been attacked by rats, I’ve missed my concert, my whole body is burning, you yelled at me, and I will eat this chocolate however I want to eat it!” Nutcracker, Zizi, and Alexei had all taken a step back. Alexei cleared his throat...and managed to say the exact right thing: “Allow me to get you another chocolate.
Heather Dixon Wallwork (The Enchanted Sonata)
So speak quickly. What have you made of your life?” How to answer such a question. “A long road toward a retreating horizon,” he ventured. “Like everyone else’s.” “No horizon but heaven.” “That must be true for you, good father. But the rest of us aren’t so sure of our itineraries.” “Then you become your own destination, Dirk. That is what happens. As long as you are a person of conscience—of merit—one who makes the attempt—you head ever toward the geography of yourself...
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Hey…you okay?” Marlboro Man repeated. My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined. I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hey…you okay?” Marlboro Man repeated. My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined. I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way. “You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip. “Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you. “I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice. “What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices. “I’m not sure,” Marlboro Man answered. The geyser began spraying again. I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Those who sit in the house of grief will someday sit in the garden.
Gregory Maguire (Hiddensee)
How like a spoon with a razor edge is human edge.
Gregory Maguire (Hiddensee)
And yet what now is hidden in shadows below may become more welcome to you in the long run.
Gregory Maguire (Hiddensee)
How like a spoon with a razor edge is human need.
Gregory Maguire (Hiddensee)
Simpatico, it’s Italian for ‘sympathetic.’ Hearts beating to the same pulse. That’s what music does for one, you know—I mean, for two. For more. It trains hearts to lean in the same direction. Sympathetically.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
I’m not slow.” “Well, you’re not hasty,
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Never underestimate the value of a mother in wartime. She has the most to fight for.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
You’re in the finest hands. He’s a very capable soldier.” “He is an old man with a white beard.” “He is a young man inside, and strong.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
The person who asks questions like yours always gets to choose the terms,
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
And so the feast-day of the nativity of the Christ Child approached with its usual panic, uproar, and greed.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
Lost is not an address, it’s not a permission to fail, it’s not an excuse.
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)