“
Some of us get dipped in flat, some in satin, some in gloss...." He turned to me. "But every once in a while, you find someone who's iridescent, and when you do, nothing will ever compare.
”
”
Wendelin Van Draanen (Flipped)
“
I still love books. Nothing a computer can do can compare to a book. You can't really put a book on the Internet. Three companies have offered to put books by me on the Net, and I said, 'If you can make something that has a nice jacket, nice paper with that nice smell, then we'll talk.' All the computer can give you is a manuscript. People don't want to read manuscripts. They want to read books. Books smell good. They look good. You can press it to your bosom. You can carry it in your pocket.
”
”
Ray Bradbury (Fahrenheit 451)
“
Shazi,
I prefer the color blue to any other. The scent of lilacs in your hair is a source of constant torment. I despise figs. Lastly, I will never forget, all the days of my life, the memories of last night—
For nothing, not the sun, not the rain, not even the brightest star in the darkest sky, could begin to compare to the wonder of you.
Khalid.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
Crying is one of the highest devotional songs. One who knows crying, knows spiritual practice. If you can cry with a pure heart, nothing else compares to such a prayer. Crying includes all the principles of Yoga.
”
”
Kripalvanandji
“
Dignity
/ˈdignitē/ noun
1. The moment you realize that the person you cared for has nothing intellectually or spiritually to offer you, but a headache.
2. The moment you realize God had greater plans for you that don’t involve crying at night or sad Pinterest quotes.
3. The moment you stop comparing yourself to others because it undermines your worth, education and your parent’s wisdom.
4. The moment you live your dreams, not because of what it will prove or get you, but because that is all you want to do. People’s opinions don’t matter.
5. The moment you realize that no one is your enemy, except yourself.
6. The moment you realize that you can have everything you want in life. However, it takes timing, the right heart, the right actions, the right passion and a willingness to risk it all. If it is not yours, it is because you really didn’t want it, need it or God prevented it.
7. The moment you realize the ghost of your ancestors stood between you and the person you loved. They really don't want you mucking up the family line with someone that acts anything less than honorable.
8. The moment you realize that happiness was never about getting a person. They are only a helpmate towards achieving your life mission.
9. The moment you believe that love is not about losing or winning. It is just a few moments in time, followed by an eternity of situations to grow from.
10. The moment you realize that you were always the right person. Only ignorant people walk away from greatness.
”
”
Shannon L. Alder
“
I raised you so high that every other man on earth is now doomed to live in your shadow.
”
”
Ranata Suzuki
“
Nothing on this planet can compare with a woman’s love—it is kind and compassionate, patient and nurturing, generous and sweet and unconditional. Pure. If you are her man, she will walk on water and through a mountain for you, too, no matter how you’ve acted out, no matter what crazy thing you’ve done, no matter the time or demand. If you are her man, she will talk to you until there just aren’t any more words left to say, encourage you when you’re at rock bottom and think there just isn’t any way out, hold you in her arms when you’re sick, and laugh with you when you’re up. And if you’re her man and that woman loves you—I mean really loves you?—she will shine you up when you’re dusty, encourage you when you’re down, defend you even when she’s not so sure you were right, and hang on your every word, even when you’re not saying anything worth listening to. And no matter what you do, no matter how many times her friends say you’re no good, no matter how many times you slam the door on the relationship, she will give you her very best and then some, and keep right on trying to win over your heart, even when you act like everything she’s done to convince you she’s The One just isn’t good enough.
That’s a woman’s love—it stands the test of time, logic, and all circumstance.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
”
”
William Goldman (The Princess Bride)
“
Imagine your worst day, multiply it by a hundred, and pray to your God
that you never experience what some of the people in this war zone go
through, everyday, without any hope of it getting better. Ever. Compared
to these people, every day, no matter how bad, is the best day ever. I
know nothing about pain, nothing about suffering and hopefully never will.
”
”
Hendri Coetzee (Living The Best Day Ever)
“
It's not the right word, Eva," he pressed on stubbornly, his lips at my ear. "That's why I haven't said it. It's not the right word for you and what I feel for you."
"Shut up. If you care about me at all, you'll just shut up and go away."
"I've been loved before--by Corinne, by other women...But what the hell do they know about me? What the hell are they in love with when they don't know how fucked up I am? If that's love, it's nothing compared to what I feel for you.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
For nothing, not the sun, not the rain, not even the brightest star in the darkest sky, could begin to compare to the wonder of you.
”
”
Renée Ahdieh
“
Nothing on this planet can compare with a woman’s love—it is kind and compassionate, patient and nurturing, generous and sweet and unconditional. Pure. If you are her man, she will walk on water and through a mountain for you, too, no matter how you’ve acted out, no matter what crazy thing you’ve done, no matter the time or demand. If you are her man, she will talk to you until there just aren’t any more words left to say, encourage you when you’re at rock bottom and think there just isn’t any way out, hold you in her arms when you’re sick, and laugh with you when you’re up. And if you’re her man and that woman loves you—I mean really loves you?—she will shine you up when you’re dusty, encourage you when you’re down, defend you even when she’s not so sure you were right, and hang on your every word, even when you’re not saying anything worth listening to. And no matter what you do, no matter how many times her friends say you’re no good, no matter how many times you slam the door on the relationship, she will give you her very best and then some, and keep right on trying to win over your heart, even when you act like everything she’s done to convince you she’s The One just isn’t good enough.
That’s a woman’s love—it stands the test of time, logic, and all circumstance.
...
Well, I’m here to tell you that expecting that kind of love— that perfection—from a man is unrealistic. That’s right, I said it—it’s not gonna happen, no way, no how. Because a man’s
love isn’t like a woman’s love.
”
”
Steve Harvey
“
i thought maybe if i met someone else that i'd be able to stop thinking about you, but it didn't work. nothing works. when i'm with them, i wish it was you. when they laugh or talk, i can't help but compare them to your voice or your laugh. it's always been you; it'll always be you, angel.
”
”
Kirsty Moseley (The Boy Who Sneaks in My Bedroom Window (The Boy Who Sneaks in My Bedroom Window, #1))
“
…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….
”
”
Bret Easton Ellis (American Psycho)
“
What you just had is nothing compared to what I want to do to you. I want my head between your legs so I can lick you until you scream my name. Then I want to mount you like an animal and look into your eyes as I come inside you. And after that? I want to take you every way there is. I want to do you from behind. I want to screw you standing up, against the wall. I want you to sit on my hips and ride me until I can't breath. - Rhage to Mary
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
What lies ahead of you & what lies behind you is nothing compared to what lies within you.
”
”
Mahatma Gandhi
“
I loved this woman the way you love ... well, nothing," he said, a note of suprise in his voice. "You can’t compare that kind of love to anything, can you? It’s its own unique gift.
”
”
Dennis Lehane (Shutter Island)
“
What if you could pick one day of your life, and everything would stop changing, every day would be similar and comparable to that one day, you'd always have the same people with you? If you could do that, would you do it? Would you pick that day and make that choice? We crave for things to stop changing, we wish that things would never change. But if we got what we wanted, there are so many things that are better, that we would never, ever know about. Sure, things would stay the same as that one wonderful day, but then there would be nothing else out there, ever. So can you remember the very first day when everything really did begin to change? Is there a thing that can remind you? Mine is a blue rose, and that's when everything began to change because that's the day I began to believe in things I never believed in before; the day I found three blue roses. Think about your first day of change, can you remember all the new heights you've soared since that day? All the new people? All the better things and times? Would you throw all of that time away? I wouldn't. Instead, I want to finally accept all the things that I couldn't change, which led to me being right here, right now. Maybe we all carry around inside us one day we wish we could keep forever, something we wished never did change. It's time to let go of that day, and soar.
”
”
C. JoyBell C.
“
Because by now Elinor had understood this, too: A longing for books was nothing compared with what you could feel for human beings. The books told you about that feeling. The books spoke of love, and it was wonderful to listen to them, but they were no substitute for love itself. They couldn't kiss her like Meggie, they couldn't hug her like Resa, they couldn't laugh like Mortimer. Poor books, poor Elinor.
”
”
Cornelia Funke (Inkdeath (Inkworld, #3))
“
That night with you, nothing compared to it. Nothing ever came close.
”
”
Priscilla Glenn (Back to You)
“
Enemies are nothing compared to traitors, after all. It's the people you hold closest who have the most power to make you bleed.
”
”
Ally Carter
“
I had no doubt that Tiny thought he got depressed, but that was probably because he had nothing to compare it to. Still, what could I say? that I didn't just feel depressed - instead, it was like the depression was the core of me, of every part of me, from my mind to my bones? That if he got blue, I got black? That I hated those pills so much because I knew how much I relied on them to live?
No, I couldn't say any of this because when it all comes down to it, nobody wants to hear it. No matter how much they like you or love you, they don't want to hear it.
”
”
John Green (Will Grayson, Will Grayson)
“
I can't help comparing what I have with Gale to what I'm pretending to have with Peeta. How I never question Gale's motives while I do nothing but doubt the latter's. It's not a fair comparison really. Gale and I were thrown together by a mutual need to survive. Peeta and I know the other's survival means our own death. How do you sidestep that?
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Remember, the pain of rejection is nothing compared to the pain of regret.
”
”
Matthew Hussey (Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve)
“
Even if we didn't have you, the years I was able to spend with him are well worth the price of this pain. These moments, these are the ones you cling to, because it may hurt to send him away, but nothing compares to having him back. It makes you more thankful for what you have, more aware of just how precious it is
”
”
Rebecca Yarros (Full Measures (Flight & Glory, #1))
“
Oh, Cameron," Eldon replied in a whisper, moving closer and brushing his lips over Cameron's mouth. "You are literally the very reason my heart beats. Nothing I have lost can compare with the love in you I have found.
”
”
Zathyn Priest (Liquid Glass)
“
Just think,
your not here by chance, but by God's choosing you. His hand formed you, He made you the person you are.
He compares you to no one else --
your on of a kind. You lack nothing His grace can't give you.
He has allowed you to be here at this time in history to fulfill His special purpose for this generation.
”
”
Roy Lessin
“
He blocked me. " What'd you do, Chloe?"
I sidestepped. He sidesteped.
"You like him, don't you?" he said.
"Yes, I like him. Just not..."
"Not what?"
"Talk to Simon. He's the one who thinks..."
"Thinks what?"
Step. Block.
"Thinks what?"
"That there's someone else," I blurted before I could stop myself. I took a deep, shuddering breath. "He thinks there's someone else."
"Who?"
I was going to say I don't know. Some guy from school, I guess. But Derek's expression already knew the answer. The look on his face...It'd been humiliating before, having Simon accuse me of liking Derek, but that was nothing compared to how I felt when I saw Derek's look. Not just surprise, but shock. Shock and horror.
"Me?" he said. "Simon said he thinks you and I are-"
"No, not that. He knows we aren't-"
"Good. So what does he think?"
"That I like you." Again, the words flew out before I could stop them.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
She laughed. 'It won't last. Nothing lasts. But I'm happy now.'
'Happy,' I muttered, trying to pin the word down. But it is one of those words, like Love, that I have never quite understood. Most people who deal in words don't have much faith in them and I am no exception--especially the big ones like Happy and Love and Honest and Strong. They are too elusive and far too relative when you compare them to sharp, mean little words like Punk and Cheap and Phony. I feel at home with these, because they're scrawny and easy to pin, but the big ones are tough and it takes either a priest or a fool to use them with any confidence.
”
”
Hunter S. Thompson (The Rum Diary)
“
But little Mouse, you are not alone,
In proving foresight may be vain:
The best laid schemes of mice and men
Go often askew,
And leave us nothing but grief and pain,
For promised joy!
Still you are blest, compared with me!
”
”
Robert Burns
“
There are two essential kinds of loneliness: that of not having found someone to love, and that of having been deprived of the one you did love. The first kind is worse. Nothing can compare to the loneliness of the soul in adolescence.
”
”
Julian Barnes (Levels of Life)
“
But every once in a while you find someone who's iridescent, and when you do, nothing will ever compare.
”
”
Wendelin Van Draanen (Flipped)
“
Being in love is like being lit on fire and having your loved one morph into a marshmallow as she runs to embrace you. But not being in love feels so much worse, possibly like being a tax collector. Actually, nothing compares to the lowliness of a tax collector.
”
”
Jarod Kintz (This Book Has No Title)
“
I understand pain. I've lived with pain my entire life. But pain is nothing compared to betrayal. And betrayal is nothing compared to knowing that the javelin in your back was rammed there by the one person in your life you actually trusted.
”
”
Brad Meltzer (The Book of Lies)
“
Houses need humans,” Red said. “You all should know that. Oh, sure, humans cause wear and tear—scuffed floors and stopped-up toilets and such—but that’s nothing compared to what happens when a house is left on its own. It’s like the heart goes out of it. It sags, it slumps, it starts to lean toward the ground.
”
”
Anne Tyler (A Spool of Blue Thread)
“
People say that teenagers don’t know how to love like an adult. Part of me believes that, but I’m not an adult and so I have nothing to compare it to. But I do believe it’s probably different. I’m sure there’s more substance in the love between two adults than there is between two teenagers. There’s probably more maturity, more respect, more responsibility. But no matter how different the substance of a love might be at different ages in a person’s life, I know that love still has to weigh the same. You feel that weight on your shoulders and in your stomach and on your heart no matter how old you are.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
We walk for about an hour before Raffe whispers, “Does moping actually help humans feel better?”
“I’m not moping,” I whisper back.
“Of course you’re not. A girl like you, spending time with a warrior demigod like me. What’s to mope about? Leaving a wheelchair behind couldn’t possibly show up on the radar compared to that.”
I nearly stumble over a fallen branch. “You have got to be kidding me.”
“I never kid about my warrior demigod status.”
“Oh. My. God.” I lower my voice, having forgotten to whisper. “You are nothing but a bird with an attitude. Okay, so you have a few muscles, I’ll grant you that. But you know, a bird is nothing but a barely evolved lizard. That’s what you are.”
He chuckles. “Evolution.” He leans over as if telling me a secret. “I’ll have you know that I’ve been this perfect since the beginning of time.” He is so close that his breath caresses my ear.
“Oh, please. Your giant head is getting too big for this forest. Pretty soon, you’re going to get stuck trying to walk between two trees. And then, I’ll have to rescue you.” I give him a weary look. “Again.”
I pick up my pace, trying to discourage the smart comeback that I’m sure will come.
But it doesn’t. Could he be letting me have the last say?
When I look back, Raffe has a smug grin on his face. That’s when I realize I’ve been manipulated into feeling better. I stubbornly try to resist but it’s already too late.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
I am sorry I can say nothing more to console you, for love in action is a harsh and dreadful thing compared with love in dreams. Love in dreams is greedy for immediate action, rapidly performed and in the sight of all. Men will even give their lives if only the ordeal does not last long but is soon over, with all looking on and applauding as though on stage. But active love is labor and fortitude, and for some people too, perhaps, a complete science.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Nothing compares to the fear that you’re becoming the monster in your closet.
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
What I feel for you is contempt. But it's nothing, compared to the contempt I feel for myself. I don't love you. I've never loved anyone. I wanted you from the first moment I saw you. I wanted you as one wants a whore - for the same reason and purpose. I spent two years damning myself, because I thought you were above a desire of this kind. You're not. You're as vile an animal as I am. I should loathe my discovering it. I don't. Yesterday, I would have killed anyone who'd tell me that you were capable of doing what I've had you do. Today, I would give my life not to let it be otherwise. Not to have you be anything but the bitch you are. All the greatness that I saw in you - I would not take it in exchange for the obscenity of your talent at an animal's sensation of pleasure. We were two great beings, you and I, proud of our strength, weren't we? Well this is all that's left of us - and I want no self-deception about it.
”
”
Ayn Rand (Atlas Shrugged)
“
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
”
”
William T. Vollmann
“
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere.
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light.
The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite."
But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while?
That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Leaving you was the hardest thing I’ve ever had to do. This pain is nothing compared to that.
”
”
J. Bree (Broken Bonds (The Bonds that Tie, #1))
“
Nothing compares to the fear that you’re becoming the monster in your closet. During
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
We love men because they can never fake orgasms, even if they wanted to.
Because they write poems, songs, and books in our honor.
Because they never understand us, but they never give up.
Because they can see beauty in women when women have long ceased to see any beauty in themselves.
Because they come from little boys.
Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women.
Because they are incredible lovers and never rest until we’re happy.
Because they elevate sports to religion.
Because they’re never afraid of the dark.
Because they don’t care how they look or if they age.
Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything.
Because they never wear or dream of wearing high heels.
Because they’re always ready for sex.
Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations.
Because they’re afraid to go bald.
Because you always know what they think and they always mean what they say.
Because they love machines, tools, and implements with the same ferocity women love jewelry.
Because they go to great lengths to hide, unsuccessfully, that they are frail and human.
Because they either speak too much or not at all to that end.
Because they always finish the food on their plate.
Because they are brave in front of insects and mice.
Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots.
Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between.
Because for them there’s no such thing as too much adrenaline.
Because when all is said and done, they can’t live without us, no matter how hard they try.
Because they’re truly as simple as they claim to be.
Because they love extremes and when they go to extremes, we’re there to catch them.
Because they are tender they when they cry, and how seldom they do it.
Because what they lack in talk, they tend to make up for in action.
Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys.
Because they really love their moms, and they remind us of our dads.
Because they never care what their horoscope, their mother-in-law, nor the neighbors say.
Because they don’t lie about their age, their weight, or their clothing size.
Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to.
Because when we say “I love you” they ask for an explanation.
”
”
Paulo Coelho
“
Have you ever been in jail, mate? Whatever you did in your life, nothing can be compared to a single day in jail.
”
”
Stefania Mattana (Cutting Right to the Chase Vol.2, (Chase Williams detective short stories 2))
“
Nothing has ever compared to how I feel about you. It’s made me question everything that ever came before it.
”
”
Penelope Ward (Neighbor Dearest)
“
All I really know is that nothing I've experienced so far compares to you. Maybe that makes me gay . . . or maybe that just makes me yours.
”
”
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
“
Now that I thought about it, though, I realized that most people actually encourage you to turn bad. They seem to think that if you don't, you'll never get anywhere in the world. And then on those rare occasions when they encounter somebody who's honest and pure-hearted, they look down on him and say he's nothing but a kid, a Botchan. If that's the way it is, it would be better if they didn't have those ethics classes in elementary school and middle school where the teacher is always telling you to be honest and not lie. The schools might as well just go ahead and teach you how to tell lies, how to mistrust everybody, and how to take advantage of people. Wouldn't their students, and the world at large, be better off that way? Redshirt had laughed at me for being simpleminded. If people are going to get laughed at for being simpleminded and sincere, there's no hope. Kiyo never laughed at me for saying anything like what I said to Redshirt. She would have been deeply impressed by it. Compared to Redshirt, she's far and away the superior person.
”
”
Natsume Sōseki (Botchan)
“
Mediocrity has nothing to do with how you compare to other people; it’s simply a result of not making the commitment to continuously learn, grow, and improve yourself.
”
”
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
“
Comparing yourself to others does nothing for you. Society has conditioned us to value people who fit a secular mold of perfection".
”
”
Michele Woolley (God's Favor - Breath Of Heaven)
“
The promise of your talents is nothing compared to whatever you ultimately prove to be.
”
”
Olivie Blake (The Atlas Six (The Atlas, #1))
“
I placed my hand on his chest. “You don’t need to worry about Reece.”
“I know, I know. He’s nothing compared to my magnificence.” His fingers stroked mine and his eyes softened. “But just out of curiosity, how do you feel about getting my name tattooed on your forehead?
”
”
Kylie Scott (Play (Stage Dive, #2))
“
A longing for books [is] nothing compared with what you [can] feel for human beings. The books [tell] you about that feeling. The books [speak] of love, and it [is] wonderful to listen to them, but they [are] no substitute for love itself.
”
”
Cornelia Funke (Inkdeath (Inkworld, #3))
“
I mean you're given all these lessons for the unimportant things--piano-playing, typing. You're given years and years of lessons in how to balance equations, which Lord knows you will never have to do in normal life. But how about parenthood? Or marriage, either, come to think of it. Before you can drive a car you need a state-approved course of instruction, but driving a car is nothing, nothing, compared to living day in and day out with a husband and raising up a new human being.
”
”
Anne Tyler (Breathing Lessons)
“
But trust me, that feeling is nothing compared to the one you get when you actually help someone who didn't think that anyone ever would.
”
”
Jessica Brody (The Karma Club)
“
I have said that music allows for quick creation. But it is nothing compared with what you humans can destroy in a single conversation.
”
”
Mitch Albom (The Magic Strings of Frankie Presto)
“
This is what I'm saying; you hate your life.
But you don't know what life is.
Life is too huge for you to possibly hate.
If you hate life, you haven't seen enough of it. If you hate your life, it's because your life is too small and doesn't fit you.
However big you think your life is, it's nothing compared to what's out there.
”
”
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
“
There was nothing to compare with standing on a piece of land you owned free and clear. No one could push you off it, no one could take it from you, no one could tell you what to do with it.
”
”
Jeannette Walls (Half Broke Horses)
“
I Love You! Three words that mean nothing if not followed through with actions. It seems to be more relevant in the terms of showing verses saying. Anyone can say it, because there are different kinds of love. But, few are willing to actually show it. Saying is one thing. Living proof is another.
”
”
Amaka Imani Nkosazana (Sweet Destiny)
“
You want me.”
“Want does not begin to describe the way I feel about you,” his low voice promised. “Want is nothing compared with the level of desire I have. With the desperation I feel. With the way I long for you.
”
”
Sarah MacLean (No Good Duke Goes Unpunished (The Rules of Scoundrels, #3))
“
I watched him take a drink, swirl it around in his mouth like a fine wine, and then swallow it. The working of his throat made me hot, but that was nothing compared to what the intensity of his stare did to me. “Not bad,” he murmured. “Tell me if we made it right.” He kissed me.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
A baby is God's opinion that life should go on. A book that does nothing to you is dead. A baby, whether it does anything to you, represents life. If a bad fire should break out in this house and I had my choice of saving the library or the babies, I would save what is alive. Never will a time come when the most marvelous recent invention is as marvelous as a newborn baby. The finest of our precision watches, the most super-colossal of our supercargo plants, don't compare with a newborn baby in the number and ingenuity of coils and springs, in the flow and change of chemical solutions, in timing devices and interrelated parts that are irreplaceable. A baby is very modern. Yet it is also the oldest of the ancients. A baby doesn't know he is a hoary and venerable antique — but he is. Before man learned how to make an alphabet, how to make a wheel, how to make a fire, he knew how to make a baby — with the great help of woman, and his God and Maker.
”
”
Carl Sandburg
“
No," said Simon. "I know we're not much compared to you, but we don't kill our friends. We try to save them. If Heaven didn't want it that way, we ought to have been given the ability to love." He shoved his hair back, baring the Mark more fully. "No, you don't need to help me. But if you don't, there's nothing stopping me from calling you up again and again, now that I know you can't kill me. Think of it as me leaning on you Heavenly doorbell... forever.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I have lived for four centures," he said. "Perhaps I am still a youth, in that all of us are, compared to the timeless age of the Wheel itself. That said, I am one of the oldest people in existence."
Moiraine smiled. "Very nice. Does that work on the others?"
He hesitated. Then, oddly, he found himself grinning. "It worked pretty well on Cadsuane."
Moiraine sniffed. "That one...Well, knowing her, I doubt you fooled her as well as you assume. You may have the memories of a man four centuries old, Rand al'Thor, but that does not make you ancient. Otherwise, Matrim Cauthon would be the patriarch of us all."
"Mat? Why Mat?"
"It is nothing," Moiraine said. "Something I am not supposed to know. You are still a die-eyed sheepherder at heart.
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
“
Mama,' I said as I set the tray on the bed and sat down beside it, 'can't we do something for Tante Bep? I mean, isn't it sad that she has to spend her last days here where she hates it, instead of where she was happy? The Wallers' or someplace?'
'Corrie, Bep has been just as happy here with us--no more and no less--than she was anywhere else. Do you know when she started praising the Wallers so highly? The day she left them. As long as she was there, she had nothing but complaints. The Wallers couldn't compare with the van Hooks where she'd been before. But at the van Hooks, she'd actually been miserable. Happiness isn't something that depends on our surroundings, Corrie. It's something we make inside ourselves.
”
”
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
“
You want to know why I’ve never once been tempted to cheat on my wife when most guys wouldn’t think twice? Because I don’t want to. There ain’t nothing out there that’s better than what I’ve got at home. No one who could ever compare.
”
”
Karla Sorensen (The Bombshell Effect (Washington Wolves, #1))
“
I just make the best book that I can and try to not worry about audience or if it will sell. The odds are against you, so why abuse your talent for the sake of a chimera? The only real pleasure for me in writing comes from pleasing myself. What readers think is interesting and illuminating (and it may even be correct), but that is nothing compared to the excitement of seeing a world develop. Besides, even though I like most individuals I meet, I have a pretty low opinion of people in general. So if I were to write for people in general, I would have to drastically lower my estimation of the intelligence of my reader. Rather than doing that, I write the way it seems the book has to appear. I don’t think that’s egotistic. There are often things I would like to include in my books—things about me personally and other materials—that I feel I have to leave out because they aren’t relevant to the book. I’m fairly ruthless along those lines, because I try to let nothing come in the way of what’s best for the book. If that means that the book won’t sell or that a publisher won’t buy it, then that’s my problem. I’ll suffer for that, but I won’t let the book suffer for it.
”
”
William T. Vollmann
“
But for me, if we're talking about romance, cassettes wipe the floor with MP3s. This has nothing to do with superstition, or nostalgia. MP3s buzz straight to your brain. That's part of what I love about them. But the rhythm of the mix tape is the rhythm of romance, the analog hum of a physical connection between two sloppy human bodies. The cassette is full of tape hiss and room tone; it's full of wasted space, unnecessary noise. Compared to the go-go-go rhythm of an MP3, mix tapes are hopelessly inefficient. You go back to a cassette the way a detective sits and pours drinks for the elderly motel clerk who tells stories about the old days--you know you might be somewhat bored, but there might be a clue in there somewhere. And if there isn't, what the hell? It's not a bad time. You know you will waste time. You plan on it.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
“
Focus on whether you are fulfilling your own potential than comparing yourself to someone else. The fact that you have a natural limit to any specific ability has nothing too do with whether you are reaching the ceiling of your capabilities. People get so caught up in the fact that they have limits that they rarely exert the effort required to get close to them.
Genes can not make you successful if you’re not doing the work. Until you work as hard as those you admire, don’t explain away their success as luck.
”
”
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
“
I love you, I know this must come as something of a surprise, since all I’ve ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm.
”
”
William Goldman (The Princess Bride)
“
Spoil me differently! Spoil me with your love, honesty, and commitment. Spoil me with respect, honor, and appreciation. Spoil me with engaging conversations. Spoil me with your attentiveness. Spoil me by being kind, understanding, and genuine. Spoil me with laughter and let’s create memorable memories together. Spoil me by giving me your heart wholeheartedly. Spoil me baby, and I vow to do the same. Material things are okay, but nothing compares to knowing and feeling that you’re genuinely loved. Any man can buy a woman gifts, but it takes a special King to love his Queen properly.
”
”
Stephanie Lahart
“
When life seems comparable to a broken tea cup, you must realize there is nothing more than a single chip in the porcelain.
”
”
Erin Forbes (Fire & Ice: The Kindred Woods (Fire & Ice, #3))
“
A good will is good not because of what it effects, or accomplishes, not because of its fitness to attain some intended end, but good just by its willing, i.e. in itself; and, considered by itself, it is to be esteemed beyond compare much higher than anything that could ever be brought about by it in favor of some inclinations, and indeed, if you will, the sum of all inclinations. Even if by some particular disfavor of fate, or by the scanty endowment of a stepmotherly nature, this will should entirely lack the capacity to carry through its purpose; if despite its greatest striving it should still accomplish nothing, and only the good will were to remain (not of course, as a mere wish, but as the summoning of all means that are within our control); then, like a jewel, it would still shine by itself, as something that has full worth in itself".
”
”
Immanuel Kant (Groundwork of the Metaphysics of Morals)
“
The slow cancellation of the future has been accompanied by a deflation of expectations. There can be few who believe that in the coming year a record as great as, say, the Stooges’ Funhouse or Sly Stone’s There’s A Riot Goin’ On will be released. Still less do we expect the kind of ruptures brought about by The Beatles or disco. The feeling of belatedness, of living after the gold rush, is as omnipresent as it is disavowed. Compare the fallow terrain of the current moment with the fecundity of previous periods and you will quickly be accused of ‘nostalgia’. But the reliance of current artists on styles that were established long ago suggests that the current moment is in the grip of a formal nostalgia, of which more shortly.
It is not that nothing happened in the period when the slow cancellation of the future set in. On the contrary, those thirty years has been a time of massive, traumatic change. In the UK, the election of Margaret Thatcher had brought to an end the uneasy compromises of the so-called postwar social consensus. Thatcher’s neoliberal programme in politics was reinforced by a transnational restructuring of the capitalist economy. The shift into so-called Post-Fordism – with globalization, ubiquitous computerization and the casualisation of labour – resulted in a complete transformation in the way that work and leisure were organised. In the last ten to fifteen years, meanwhile, the internet and mobile telecommunications technology have altered the texture of everyday experience beyond all recognition. Yet, perhaps because of all this, there’s an increasing sense that culture has lost the ability to grasp and articulate the present. Or it could be that, in one very important sense, there is no present to grasp and articulate anymore.
”
”
Mark Fisher (Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures)
“
Rage.
Sing, O Muse, of the rage of Achilles, of Peleus’ son, murderous, man-killer, fated to die, sing of the rage that cost the Achaeans so many good men and sent so many vital, hearty souls down to the dreary House of Death. And while you’re at it, Muse, sing of the rage of the gods themselves, so petulant and so powerful here on their new Olympos, and of the rage of the post-humans, dead and gone though they might be, and of the rage of those few true humans left, self-absorbed and useless though they have become. While you are singing, O Muse, sing also of the rage of those thoughtful, sentient, serious but not-so-close-to-human beings out there dreaming under the ice of Europa, dying in the sulfur ash of Io, and being born in the cold folds of Ganymede.
Oh, and sing of me, O Muse, poor born-against-his-will Hockenberry, dead Thomas Hockenberry, Ph.D., Hockenbush to his friends, to friends long since turned to dust on a world long since left behind. Sing of my rage, yes, of my rage, O Muse, small and insignificant though that rage might be when measured against the anger of the immortal gods, or when compared to the wrath of the god-killer Achilles.
On second though, O Muse, sing nothing of me. I know you. I have been bound and servant to you, O Muse, you incomparable bitch. And I do not trust you, O Muse. Not one little bit.
”
”
Dan Simmons (Ilium (Ilium, #1))
“
You’re one of the best men I know. You wear your tats and piercings and those damn leather bracelets that only you could get away with. But inside you are one big teddy bear. When someone you love needs you, there is nothing you won’t do for them. When I needed you, you were always there. I’ve never questioned your heart. It’s made of fucking gold, and we all know it. We laugh at your crude jokes and snide comments because we know they mean nothing. It’s part of your shield. Underneath, I don’t know many men that compare. You’re one of the best, Dewayne. One of the best.
”
”
Abbi Glines (Hold on Tight (Sea Breeze, #8))
“
There was a phantom woman in my mind that I was comparing myself to, and I had to force her from the dressing room. When she was gone, I looked at my body, the body that had kept me alive for nearly thirty years, without any serious health problems, the body that had taken me where I needed to go and protected me. I had never appreciated or loved the body that had done so much for me. I had thought of it as my enemy, as nothing more than a shell that enclosed my real self, but it wasn’t a shell. The body was me. This is your real life. You’re already living it. I removed the clothes and stood naked before the mirrors, turning this way and that. I was round and cute in a way I’d never seen before.
”
”
Sarai Walker (Dietland)
“
Now you listen to me...you may be one badass Sentinel, but guess what, so am I now. Stop questioning your place in our lives. Stop doubting us when we say that no matter what, this is what we want. You are what we want. The scorching I just got from those runes? That’s nothing compared to the hurt when you doubt me, doubt your place with us. So get your shit together, Killer. Either you’re in, or you’re out.
”
”
Ivy Asher (Awakened and Betrayed (The Lost Sentinel, #2))
“
Walt Whitman (1819–1892). Leaves of Grass. 1900.
To You
WHOEVER you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and hands;
Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you,
Your true Soul and Body appear before me,
They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying.
Whoever you are, now I place my hand upon you, that you be my poem;
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than you.
O I have been dilatory and dumb;
I should have made my way straight to you long ago;
I should have blabb’d nothing but you, I should have chanted nothing but you.
I will leave all, and come and make the hymns of you;
None have understood you, but I understand you;
None have done justice to you—you have not done justice to yourself;
None but have found you imperfect—I only find no imperfection in you;
None but would subordinate you—I only am he who will never consent to subordinate you;
I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself.
Painters have painted their swarming groups, and the centre figure of all;
From the head of the centre figure spreading a nimbus of gold-color’d light;
But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light;
From my hand, from the brain of every man and woman it streams, effulgently flowing forever.
O I could sing such grandeurs and glories about you!
You have not known what you are—you have slumber’d upon yourself all your life;
Your eye-lids have been the same as closed most of the time;
What you have done returns already in mockeries;
(Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?)
The mockeries are not you;
Underneath them, and within them, I see you lurk;
I pursue you where none else has pursued you;
Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me;
The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me,
The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside.
There is no endowment in man or woman that is not tallied in you;
There is no virtue, no beauty, in man or woman, but as good is in you;
No pluck, no endurance in others, but as good is in you;
No pleasure waiting for others, but an equal pleasure waits for you.
As for me, I give nothing to any one, except I give the like carefully to you;
I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you.
Whoever you are! claim your own at any hazard!
These shows of the east and west are tame, compared to you;
These immense meadows—these interminable rivers—you are immense and interminable as they;
These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them,
Master or mistress in your own right over Nature, elements, pain, passion, dissolution.
The hopples fall from your ankles—you find an unfailing sufficiency;
Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself;
Through birth, life, death, burial, the means are provided, nothing is scanted;
Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
”
”
Walt Whitman
“
People often compare
depression to drowning.
That is not even close.
Consider sitting in a dark room
scared and confused—
Choking on something you
know nothing about,
For reasons you cannot comprehend.
That is depression.
When you are drowning,
you can still flail your arms,
call for help, and try your best
to keep afloat.
In depression, you do nothing.
Absolutely nothing.
”
”
Akif Kichloo
“
A decade without is nothing compared to a day with you.
”
”
Giovannie de Sadeleer
“
The Earl and Countess of Langford!"
That announcement caused an immediate reaction among the inhabitants of the ballroom, who began looking at one another in surprise and then turned to the balcony, but it was nothing compared to the reaction among the small group of seven people who'd been keeping a vigil of hope. A jolt went through the entire group; hands reached out blindly and were clasped tightly by other hands; faces lifted to the balcony, while joyous smiles dawned brightly and eyes misted with tears.
Attired in formal black evening clothes with white waistcoat and frilled white shirt, Stephen Westmoreland, Earl of Langford, was walking across the balcony. On his arm was a medieval princess clad in a pearl-encrusted ivory satin gown with a low, square bodice that tapered to a deep V at the waist. A gold chain with clusters of diamonds and pearls in each link rode low on her hips, sawying with each step, and her hair tumbled in flaming waves and heavy curls over her shoulders and back.
”
”
Judith McNaught (Until You (Westmoreland, #3))
“
Life on the streets is short. People look at you in disgust, even the ones who give you alms, but this is nothing compared to the revulsion you feel for yourself. It's like being trapped in a walking corpse, a corpse that's hungry, stinks, and refuses to die.
”
”
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
“
There was nothing to compare with standing on a ice of land you owned free and clear. No one could push you off it, no one could take it from you, no one could tell you what to do with it.
”
”
Jeannette Walls (Half Broke Horses)
“
It’s hard to say something about Pushkin to a person who doesn’t know anything about him. Pushkin is a great poet. Napoleon is not as great as Pushkin. Bismarck compared to Pushkin is a nobody. And the Alexanders, First, Second and Third, are just little kids compared to Pushkin. In fact, compared to Pushkin, all people are little kids, except Gogol. Compared to him, Pushkin is a little kid.
And so, instead of writing about Pushkin, I would rather write about Gogol.
Although, Gogol is so great that not a thing can be written about him, so I'll write about Pushkin after all.
Yet, after Gogol, it’s a shame to have to write about Pushkin. But you can’t write anything about Gogol. So I’d rather not write anything about anyone.
”
”
Daniil Kharms (Today I Wrote Nothing: The Selected Writings)
“
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark.
You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came.
...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
”
”
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
“
Camba had bent her long neck down to Ingar's level and was muttering in his ear. "Do you feel the breeze on your face?" I heard her say. "That's yours, and worth feeling. Look at those orange clouds. All the trials of a day may be endured if you know there's such a sky at the end of it. Some days I told my heart to wait, just wait, because the sunset would teach me again that my pain was nothing compared with the eternal, circling sky.
”
”
Rachel Hartman (Shadow Scale (Seraphina, #2))
“
But the uproar this caused was nothing compared with the uproar when Katronia noticed [Rosie] had also cut her eyelashes. Various negotiations (including, finally, such desperate measures as "supposing you ever want to eat again") eventually produced the grudging promise that, in return for Katronia keeping her hair cut short, she would leave her eyelashes alone.
”
”
Robin McKinley (Spindle's End)
“
What can the love in my soul be compared to another wonderful soul which is so far and yet so close of my self? What can this symbiosis between two souls can be? What can love be when you feel you cannot sleep at night, that every drop of dew becomes a crystal in your heart, when every breeze of wind has magical meanings? What can love be when you feel that you want nothing more in this world that to be with the soul you love? But what can love be in other transcendental realities? What about our souls? Are our souls a waterfall, a true Niagara or a smile, a flirt of an angel? Are our souls a mere mood of a fairy or a lightening in a summer rain? Our souls could be all of this and much more. But what really happens in that transcendental reality when we feel we are truly in love, that we love so much that it hurts? That the air in the room is unbreathable, that the sentimental, spiritual or physical distances kill us? What happens when dawn find us sadder than ever, looking for an excuse or an argument for the person we love so much, our Great Love? What are all thses? What are the looks lost in the desert horizons of unfulfilment or those in the eyes that deeply loose each other in the others inside the souls?
”
”
Sorin Cerin
“
It is time, therefore, that you should apply for aid to such helpful Spirits. But will you have the strength of mind, the courage to endure the approach of Beings so different from mankind? I know that their coming produces certain inevitable effects, as internal tremors, the revulsion of the blood from its ordinary course; but I also know that these terrors, these revulsions, painful as they undoubtedly are, must appear as nothing compared with the mortal pain of separation from an object loved greatly and exclusively.
”
”
William Beckford (The Episodes of Vathek)
“
All your failures and hopes, your suffering and striving, are inconsequential, compared with this. They are nothing.
You are nothing.
It was a relief to be nothing; it felt deep and beautiful and true.
”
”
Rachel Hartman (Tess of the Road (Tess of the Road, #1))
“
I blame myself without reserve for my weakness. It was merely weakness. One half-hour with Art was always more to me than a cycle with you. Nothing really at any period of my life was ever of the smallest importance to me compared with Art. But in the case of an artist, weakness is nothing less than a crime, when it is a weakness that paralyses the imagination.
”
”
Oscar Wilde (De Profundis and Other Writings)
“
There were nights when I left the sessions physically and emotionally drained after hearing the anguish pour out like blood from a gaping wound. Don’t let anyone ever tell you different – psychotherapy is one of the most taxing endeavors known to mankind; I’ve done all sorts of work, from picking carrots in the scorching sun to sitting on national committees in paneled board rooms, and there’s nothing that compares to confronting human misery hour after hour and bearing the responsibility for easing that misery using only one’s mind and mouth. At its best it’s tremendously uplifting as you watch the patient open up, breathe, let go of the pain. At its worst is like surfing in a cesspool struggling for balance while being slapped with wave after putrid wave.
”
”
Jonathan Kellerman (When the Bough Breaks (Alex Delaware, #1))
“
It would be a great mistake to suppose that it is sufficient not to become personal yourself. For by showing a man quite quietly that he is wrong, and that what he says and thinks is incorrect — a process which occurs in every dialectical victory — you embitter him more than if you used some rude or insulting expression. Why is this? Because, as Hobbes observes, all mental pleasure consists in being able to compare oneself with others to one’s own advantage. — Nothing is of greater moment to a man than the gratification of his vanity, and no wound is more painful than that which is inflicted on it. Hence such phrases as “Death before dishonour,” and so on.
”
”
Arthur Schopenhauer (The Art of Always Being Right)
“
He was one of those persons whom one loves not because of some lustrous streak of talent (this retired businessman possessed none), but because every moment spent with them fits exactly the gauge of one's life. There are friendships like circuses, waterfalls, libraries; there are others comparable to old dressing gowns. You found nothing especially attractive about Maximov's mind if you took it apart: his ideas were conservative, his tastes undistinguished: but somehow or other these dull components formed a wonderfully comfortable and harmonious whole.
”
”
Vladimir Nabokov (Bend Sinister)
“
If you are not from a particular place the history of that particular place will dwell inside you differently to how it dwells within those people who are from that particular place. Your connection to certain events that define the history of a particular place is not straightforward because none of your ancestors were in any way involved or affected by those events. You have no stories to relate and compare, you have no narrative to inherit and run with, and all the names are strange ones that mean nothing to you at all. And it's as if the history of a particular place knows all about this blankness you contain. Consequently if you are not from a particular place you will always be vulnerable for the reason that it doesn't matter how many years you have lived there you will never have a side of the story; nothing with which you can hold the full force of the history of a particular place at bay.
And so it comes at you directly, right through the softly padding soles of your feet, battering up throughout your body, before unpacking its clamouring store of images in the clear open spaces of your mind.
Opening out at last; out, out, out
And shimmered across the pale expanse of a flat defenceless sky.
All the names mean nothing to you, and your name means nothing to them.
”
”
Claire-Louise Bennett (Pond)
“
I hate those TV shows where characters talk about one thing, such as their patient on the operation table (let's say they're a doctor), then you realize they're actually talking about actually talking about themselves. The patient's open-heart surgery is nothing compared to their own messed-up heart or whatever. It's selfish. And means they're not concentrating, which is medical negligence.
”
”
Jaclyn Moriarty (The Ghosts of Ashbury High (Ashbury/Brookfield, #4))
“
Don’t compare your actual self to a hypothetical self. Don’t drown in a sea of “what if” s. Don’t clutter your mind by imagining other versions of you, in parallel universes, where you made different decisions. The internet age encourages choice and comparison, but don’t do this to yourself. “Comparison is the thief of joy,” said Theodore Roosevelt. You are you. The past is the past. The only way to make a better life is from inside the present. To focus on regret does nothing but turn that very present into another thing you will wish you did differently. Accept your own reality. Be human enough to make mistakes. Be human enough not to dread the future. Be human enough to be, well, enough. Accepting where you are in life makes it so much easier to be happy for other people without feeling terrible about yourself.
”
”
Matt Haig (Notes on a Nervous Planet)
“
So what if we would have forfeited money on a vacation? In the grand scheme of things, losing dollars is nothing compared to losing time.
”
”
Jodi Picoult (Wish You Were Here)
“
Some of us get dipped in flat, others in satin, some in gloss. Every once in a while you find someone who's iridescent and when you do, nothing will ever compare.
”
”
Wendelin Van Draanen
“
Things have to be flawed, because if they're not, you can't see how beautiful the good parts are, you have nothing to compare.
”
”
Sienna Waters
“
Sometimes, someone can enter your life and remind you just how much you’ve been missing out on. Bruno was mine once, and nothing in the world has ever compared to the thrill of belonging to him.
”
”
Alexis Abbott (Bound for Life (Bound to the Bad Boy, #1))
“
You’re not behind in life. There’s no schedule or timetable that we all must follow. It’s all made up. Wherever you are right now is exactly where you need to be. Seven billion people can’t do everything in exactly the same scheduled order. We are all different with a variety of needs and goals. Some get married early, some get married late, while others don’t get married at all. What is early? What is late? Compared with whom? Compared with what? Some want children, others don’t. Some want a career; others enjoy taking care of a house and children. Your life is not on anyone else’s schedule. Don’t beat yourself up for where you are right now. It’s YOUR timeline, not anyone else’s, and nothing is off schedule.
”
”
Emily Maroutian (The Book of Relief: Passages and Exercises to Relieve Negative Emotion and Create More Ease in The Body)
“
Count your years and you'll be ashamed to be wanting and working for exactly the same things as you wanted when you were a boy. Of this one thing make sure against your dying day - that your faults die before you do. Have done with those unsettled pleasures, which cost one dear - they do one harm after they're past and gone, not merely when they're in prospect. Even when they're over, pleasures of a depraved nature are apt to carry feelings of dissatisfaction, in the same way as a criminal's anxiety doesn't end with the commission of the crime, even if it's undetected at the time. Such pleasures are insubstantial and unreliable; even if they don't do one any harm, they're fleeting in character. Look around for some enduring good instead. And nothing answers this description except what the spirit discovers for itself within itself. A good character is the only guarantee of everlasting, carefree happiness. Even if some obstacle to this comes on the scene, its appearance is only to be compared to that of clouds which drift in front of the sun without ever defeating its light.
”
”
Seneca (Letters from a Stoic)
“
For a while we pretended
That we never had to end it
But we knew we'd have to say goodbye
You were crying at the airport
When they finally closed the plane door
I could barely hold it all inside
Torn in two
And I know I shouldn't tell you
But I just can't stop thinking of you
Wherever you are
You
Wherever you are
Every night I almost call you
Just to say it always will be you
Wherever you are
I could fly a thousand oceans
But there's nothing that compares to
What we had, and so I walk alone
I wish I didn't have to be gone
Maybe you've already moved on
But the truth is I don't want to know
Torn in two
And I know I shouldn't tell you
But I just can't stop thinking of you
Wherever you are
You
Wherever you are
Every night I almost call you
Just to say it always will be you
Wherever you are
You can say we'll be together
Someday
Nothing lasts forever
Nothing stays the same
So why can't I stop feeling this way
Torn in two
And I know I shouldn't tell you
But I just can't stop thinking of you
Wherever you are
You
Wherever you are
Every night I almost call you
Just to say it always will be you
Wherever you are
”
”
5 Seconds of Summer
“
Authenticity is the sine qua non of everything that matters. When you encounter someone unguarded, without artifice or pretense--Mon Dieu!--you know it. I compare it to being at the top of the mountain: the air is clearer, there's nothing to muddy the senses. It's bracingly refreshing.
”
”
Ellen Lubin-Sherman (The Essentials Of Fabulous)
“
God, you have paved our path
with a thousand invisible stumbling stones
and you have said: woe betide those that stumble!
You see all and you know all. Nothing happens without
your consent, so how can you hold us responsible for
our failures? Can you blame me
that I object to this?
”
”
Omar Khayyám (Rubaiyat Of Omar Khayyam: English, French And German Translations Comparatively Arranged V2)
“
The first way to save and invest your money is to make a budget, and it should be done when you have absolutely nothing.Once you have received the salary into your account, keep record of every expenditure, and don't buy what is not in the budget.Compare the budgeted and actual in the next month then improve
”
”
Ekari Mtewa Dip ICAM,BAA,CA (MW) Candidate
“
Compared to you,” said the Klavar soprano, “humans are joyful rosebushes bouncing through the stars. If you ever stopped napping long enough to escape Earth, you would sweep across this galaxy like nothing before, an endless wave of carnage. You would hunt our worlds one by one and ruin everything we’ve built. Only your laziness protects us.” Capo hopped down off the railing. She lifted her tail in the air haughtily and glanced back over her furry shoulder. “Most likely,” she purred. “Best keep mum, don’t you think? Wouldn’t want to wake us u
”
”
Catherynne M. Valente (Space Opera (Space Opera, #1))
“
I don’t think it’s possible for you to look any sexier right now,” he whispered in my ear. “If it weren’t for the fact that I need this job, I might be inclined to drag you back to the stockroom and have my way with you.”
I spun around in his arms and looked up into the eyes I’d missed seeing. “This is nothing compared to how sexy I’ll look later,” I said, leaning back against the jukebox. “If you’re interested.”
“Is that an invitation?”
I shrugged. “Consider it a request. No, scratch that. Consider it a demand,” I said, as I locked eyes with him.
”
”
Monica Alexander (Broken Fairytales (Broken Fairytales, #1))
“
Be satisfied with your part. Do not bemoan your fate. In this life everyone has troubles which he thinks nobody else has. Never wish to be in the shoes of someone else who you think is better off than you are. It is best to wish for nothing, but to ask the Lord to give you what is for your highest good. You are a part of the Lord’s creation: He needs everybody to carry on this drama. Never compare yourself with anybody else. You are what you are. Nobody is like you. Nobody can act your part as you can. Similarly, you should not try to play somebody else’s part. What is important is to do the will of Him who sent you; that is what you want. While you do your part, think all the time that God is working through you
”
”
Paramahansa Yogananda
“
Burning it up
Fire
Fire
Fire
Fire
When I wake up in my room I have nothing
Once the sun goes down, I stumble
So completely drunk, drunk
Cursing around on the street, street
I’m out of my mind, like an insane person
It’s all a mess, livin’ like beep
Just live how you want Your life is yours
Don’t try so hard It’s alright to lose
Errbody say La la la la la (La la la la la)
Say la la la la la (La la la la la)
Put your hands up and shout Burn it up
Burning up
Burn it all Bow wow wow
Burn it all Bow wow wow
Hey, burn it up
Like you want to burn it all
Hey, turn it up
Until the dawn breaks
It’s okay to just live We’re still young
Who do you think you are to say otherwise
Stop comparing, I’m just me (So what)
Just live how you want Your life is yours
Don’t try so hard It’s alright to lose
Errbody say La la la la la (La la la la la)
Say la la la la la (La la la la la)
Put your hands up and shout Burn it up
Burning up
Burn it all Bow wow wow
Burn it all Bow wow wow
(Fire) The scared, this way
(Fire) The miserable, this way
(Fire) With your fists up, all night long
(Fire) In marching footsteps
(Fire) Jump, go crazy
Burn it all Bow wow wow
Burn it all Bow wow wow
Fire Fire, burn it all Bow wow wow
Fire Fire , burn it all Bow wow wow
Fire Fire , burn it all Bow wow wow
I’ll forgive you
”
”
BTS
“
It’s so easy and convenient to buy our children gifts, but I encourage and challenge you to give them gifts that TRULY matter! The gift of unconditional love. The gift of encouragement. The gift of support. The gift of friendship. The gift of communication, understanding, and patience. The gift of guidance and support. The gift of quality time. And the gift of loving them for who THEY are. Material things are nice, but NOTHING compares to genuine love! Parenting should be taking seriously.
”
”
Stephanie Lahart
“
What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave!
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’
“Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.”
He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes.
He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’
‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’
Oh, Jesus Christ.
He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’
‘Nothing,’ I said quickly. ‘I didn’t say anything.’
‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’
‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’
‘I think you were trying to tell me I was special.’
‘Icy,’ I said. ‘I meant you were icy.’
I could practically taste his glee. I was floundering, and he was relishing it.
‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.
”
”
Catherine Doyle (Inferno (Blood for Blood, #2))
“
But I tell you, nothing is pointless, and nothing is meaningless if the artist will face it. And it’s his business to face it. He hasn’t got the right to sidestep it like that. Human life itself may be almost pure chaos, but the work of the artist—the only thing he’s good for—is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it’s only his view of a meaning. That’s what he’s for—to give his view of life. Surely, we understand very little of what is happening to us at any given moment. But by remembering, comparing, waiting to know the consequences, we can sometimes see what an event really meant, what it was trying to teach us.
”
”
Katherine Anne Porter (Writers At Work: The Paris Review Interviews, 2nd Series)
“
Hancock: You're not particularly bothered about the impending stagnation of Western Civilization, are you?
Sid: No, not really. As long as my horses don't stagnate I don't care what happens.
Hancock: Exactly. The struggle of the human race is nothing compared with your struggle up to the two-bob window at Cheltenham, is it?
Sid: No, it's not.
”
”
Ray Galton
“
You give me offense, and I take it. I take offense to the fact that you would stand here and belittle Simone’s beliefs and her work to correct what she feels are grave wrongs when you take no action to fight for your beliefs. It is one thing to compare or even belittle sacred truths when both parties are working toward rectifying wrongs. But it is quite another to rail against a person who is doing something when you do nothing.
”
”
Penny Reid (Ninja at First Sight (Knitting in the City, #4.75))
“
For me… it was excruciating.” He closed his eyes for a moment then focused on her. “It is so painful to truly love someone so much and not have them. For years I practiced tolerating that pain. Around the time I was sixteen I could finally stand to look at you. So, I did, all the damn time. I watched you so carefully. I captured every smile, every frown, every tear from you. I wanted you… but I couldn’t have you. Then one day we became friends and
the pain came back, but I didn’t care because you were my friend, my best friend. But when you kissed me, I realized the feeling I had before was nothing compared to what I felt when we kissed. I felt alive… and guilty and betrayed, because it’s not fair. It’s not fair for me to go through that… to want to kiss you every day, every hour, every minute for the rest of my miserable life, but I want to. I’m afraid that it will get to a point where I need to. I have been in love with you since I was eight years old. I have hated the way my father has treated me, but nothing has hurt me as much as the pain of my mother’s death except seeing you and my brother in bliss. What I want is for you to stay in this room with me. I want to feel how you feel, taste how you taste, and completely fall in you because I’m just… tired of always wanting what I can’t have. I want to make you smile, make you happy… I want to be inside you… I want to give you pleasure in every way… mind, body, and soul… I am completely, madly… and utterly in love with you… and it hurts… because I can’t have you. And it hurts because if there is a chance that I can then it is possible that it will turn out to be my tragedy and misfortune. And all I can say to that … I accept my tragedy… but I don’t wish it.
”
”
Chelsea Ballinger (The Kindness of Kings)
“
God will not be tolerated. He instructs us to worship and fear Him.
In our world, where hundreds of things distract us from God, we have to intentionally and consistently remind ourselves of Him.
Because we don’t often think about the reality of who God is, we quickly forget that He is worthy to be worshiped and loved. We are to fear Him.
The answer to each of these questions is simply this: because He’s God. He has more of a right to ask us why so many people are starving. As much as we want God to explain himself to us, His creation, we are in no place to demand that He give an account to us.
Can you worship a God who isn’t obligated to explain His actions to you? Could it be your arrogance that makes you think God owes you an explanation?
If God is truly the greatest good on this earth, would He be loving us if He didn’t draw us toward what is best for us (even if that happens to be Himself)? Doesn’t His courting, luring, pushing, calling, and even “threatening” demonstrate His love? If He didn’t do all of that, wouldn’t we accuse Him of being unloving in the end, when all things are revealed?
Has your relationship with God actually changed the way you live? Do you see evidence of God’s kingdom in your life? Or are you choking it out slowly by spending too much time, energy, money, and thought on the things of this world?
Christians who did most for the present world were precisely those who thought most of the next.
Jesus’ call to commitment is clear: He wants all or nothing.
Our greatest fear as individuals and as a church should not be of failure but of succeeding at things in life that don’t really matter.
If life is a river, then pursuing Christ requires swimming upstream. When we stop swimming, or actively following Him, we automatically begin to be swept downstream.
How could we think for even a second that something on this puny little earth compares to the Creator and Sustainer and Savior of it all?
True faith means holding nothing back; it bets everything on the hope of eternity.
When you are truly in love, you go to great lengths to be with the one you love. You’ll drive for hours to be together, even if it’s only for a short while. You don’t mind staying up late to talk. Walking in the rain is romantic, not annoying. You’ll willingly spend a small fortune on the one you’re crazy about. When you are apart from each other, it’s painful, even miserable. He or she is all you think about; you jump at any chance to be together.
There is nothing better than giving up everything and stepping into a passionate love relationship with God, the God of the universe who made galaxies, leaves, laughter, and me and you.
Do you recognize the foolishness of seeking fulfillment outside of Him?
Are you ready and willing to make yourself nothing? To take the very nature of a servant? To be obedient unto death?
True love requires sacrifice.
What are you doing right now that requires faith?
God doesn’t call us to be comfortable.
If one person “wastes” away his day by spending hours connecting with God, and the other person believes he is too busy or has better things to do than worship the Creator and Sustainer, who is the crazy one?
Am I loving my neighbor and my God by living where I live, by driving what I drive, by talking how I talk?”
If I stop pursuing Christ, I am letting our relationship deteriorate.
The way we live out our days is the way we will live our lives.
What will people say about your life in heaven? Will people speak of God’s work and glory through you? And even more important, how will you answer the King when He says, “What did you do with what I gave you?
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
One of the most frustrating words in the human language, as far as I could tell, was love. So much meaning attached to this one little word. People bandied it about freely, using it to describe their attachments to possessions, pets, vacation destinations, and favorite foods. In the same breath they then applied this word to the person they considered most important in their lives. Wasn’t that insulting? Shouldn’t there be some other term to describe deeper emotion? Humans were so preoccupied with love. They were all desperate to form an attachment to one person they could refer to as their “other half.” It seemed from my reading of literature that being in love meant becoming the beloved’s entire world. The rest of the universe paled into insignificance compared to the lovers. When they were separated, each fell into a melancholy state, and only when they were reunited did their hearts start beating again. Only when they were together could they really see the colors of the world. When they were apart, that color leached away, leaving everything a hazy gray. I lay in bed, wondering about the intensity of this emotion that was so irrational and so irrefutably human. What if a person’s face was so sacred to you it was permanently inscribed in your memory? What if their smell and touch were dearer to you than life itself? Of course, I knew nothing about human love, but the idea had always been intriguing to me. Celestial beings never pretended to understand the intensity of human relationships; but I found it amazing how humans could allow another person to take over their hearts and minds. It was ironic how love could awaken them to the wonders of the universe, while at the same time confine their attention to one another.
”
”
Alexandra Adornetto
“
To this day, because I know no other way of being or feeling, I don’t know what it’s like to be a woman in a band—I have nothing else to compare it to. But I will say that I doubt in the history of rock journalism and writing any man has been asked, “Why are you in an all-male band?” —
”
”
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
“
After even the first few steps, the disadvantages of the bus ride seemed like small potatoes. 'Small potatoes' is a phrase which has nothing to do with root vegetables that happen to be tiny in size. Instead, it refers to the change in one's feelings for something when it is compared with something else. If you were walking in the rain, for instance, you might be worried about getting wet, but if you turned the corner and saw a pack of vicious dogs, getting wet would suddenly become small potatoes next to getting chased down an alley and barked at, or possibly eaten.
”
”
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
“
Gray and Drew sitting side by side, with their muscled physiques taking up a good portion of the booth, look like a comic book come to life.
They catch me staring and both say, “What?” at the same time.
Smiling, I shake my head. “Nothing. I just had this image of Thor and Captain America having a beer.”
They both color at the same time. Which is kind of cute.
“Ha!” cries Anna at my side. Her cheeks plump with a wide grin. “I had that Captain America thought about Drew too.”
Drew perks up. “You did, huh?”
Gray snorts. “Dude, I’ve just been compared to Thor. I totally win.”
“What the hell does Thor have? A little hammer?” Drew waves a hand as if to say, please.
But Gray smirks. “At least he isn’t hiding behind a wussy shield. Thor is a god. Enough said.”
“A boring god with the personality of a post,” Drew volleys.
“And you’re saying Captain America isn’t boring? Dude. He doesn’t even understand modern culture. He’s like a 1940s Boy Scout.”
Drew and Gray eyeball each other for a second. Then Drew relents with a laugh. “Touché.
”
”
Kristen Callihan (The Friend Zone (Game On, #2))
“
Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By most astounding stroke of luck and infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist.
For endless eons there was no you. Before you know it, you will cease to be again. And in between you have this wonderful opportunity to see and feel and think and do. Whatever else you do with your life, nothing will remotely compare with the incredible accomplishment of having managed to get yourself born. Congratulations. Well done. You really are special.
”
”
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
“
Do you suppose, gentlemen, that our children as they grow up and begin to reason can avoid such questions? No, they cannot, and we will not impose on them an impossible restriction. The sight of an unworthy father involuntarily suggests tormenting questions to a young creature, especially when he compares him with the excellent fathers of his companions. The conventional answer to this question is: 'He begot you, and you are his flesh and blood, and therefore you are bound to love him.' The youth involuntarily reflects: 'But did he love me when he begot me?' he asks, wondering more and more. 'Was it for my sake he begot me? He did not know me, not even my sex, at that moment, at the moment of passion, perhaps, inflamed by wine, and he has only transmitted to me a propensity to drunkenness- that's all he's done for me.... Why am I bound to love him simply for begetting me when he has cared nothing for me all my life after?
Oh, perhaps those questions strike you as coarse and cruel, but do not expect an impossible restraint from a young mind. 'Drive nature out of the door and it will fly in at the window'.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Do you know what the most fun moments are? When recent graduates visit us as part of their training. They were taught exactly what the industry wants. They expect a bunch of long haired dreamers who say 'peace'. But on the first evening with them we start with calculating the profits of their models and compare it to our model. Then they realize that what they learned at school is nothing compared to what there is to know.
”
”
Peter Wohlleben
“
Instead of comparing what you have with other people (either more or less), humility teaches you to compare what you have now with what you had when you entered this world. You entered this world with nothing. You didn’t even have clothing on. Your very existence is a gift and everything that you have or have ever had is a gift as well.
”
”
Hannah Anderson (Humble Roots: How Humility Grounds and Nourishes Your Soul)
“
I can’t believe he sent me flowers.”
A rude noise escaped from somewhere deep in Aidan’s throat. “I just saved your life. What are roses compared to that?” He was glaring at the long-stemmed flowers, his golden gaze intent and menacing. Alexandria glanced up at him, saw the dark, determined set of his mouth, and burst out laughing. She spun around and went up on her toes to cover his eyes with her palm. “Don’t you dare. If my roses wither, I’ll know exactly who’s responsible. I mean it, Aidan. You leave my flowers alone. You can probably destroy the entire bouquet with one ferocious glance.”
Her body was soft against his, her laughter warm against his throat. His arm circled her small waist, locking her to him. “I was only going to make them droop a little. Nothing too dramatic.
”
”
Christine Feehan (Dark Gold (Dark, #3))
“
Faustina is a great work of the Creator. She has nothing of what you call brains; she doesn't need them for her destiny... It is to be glorious for a few years: not to outlive some dull husband and live on his money till she is eighty, going to lectures and comparing the attractions of winter tours that offer the romance of the Caribbean.
”
”
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
“
Imagine you're evil.
Not misunderstood.
Not sad.
But evil.
Imagine you've got a heart that spends all day wanting more.
Imagine your mind is a selfish room full of pride or pity.
Imagine you're like Brandon Goff and you find poor kids in the halls and make fun of their clothes, and you flick their ears until they scream in pain and swing their arms, and so you pin them down and break their fingers.
Or you spit in his food in the cafeteria.
Or you just call him things like cockroach and sand monkey.
Imagine you're evil and you don't do any of those things, but you're like Julie Jenkins and you laugh and you laugh at everything Brandon does, and you even help when a teacher comes and asks what's going on and you say nothing's going on, and he believes you because you get A-pluses in English.
Or imagine you just watch all of this. And you act like you're disgusted, because you don't like meanness. But you don't do anything or tell anyone.
Imagine how much you've got compared to all the kids in the world getting blown up or starved, and the good you could do if you spent half a second thinking about it.
Suddenly evil isn't punching people or even hating them.
Suddenly it's all that stuff you've left undone.
All the kindness you could have given.
All the excuses you gave instead.
Imagine that for a minute.
Imagine what it means.
”
”
Daniel Nayeri (Everything Sad Is Untrue)
“
Dear my strong girls, you will all go through that phase of life making a mistake of helping a toxic girl whose friendship with you turns into her self-interest. This kind of girls is a real burden towards the empowerment of other females as they can never get past their own insecurity and grow out of high-school-like drama. Despite how advanced we are in educating modern women, this type will still go through life living in identity crisis, endlessly looking for providers of any kind at the end of the day. They can never stand up for others or things that matter because they can't stand up for themselves. They care what everyone thinks only doing things to impress men, friends, strangers, everyone in society except themselves, while at the same time can't stand seeing other women with purpose get what those women want in life. But let me tell you, this is nothing new, let them compete and compare with you as much as they wish, be it your career, love or spirit. You know who you are and you will know who your true girls are by weeding out girls that break our girlie code of honor, but do me a favor by losing this type of people for good. Remind yourself to never waste time with a person who likes to betray others' trust, never. Disloyalty is a trait that can't be cured. Bless yourself that you see a person's true colors sooner than later. With love, your mama. XOXO
”
”
Shannon L. Alder
“
Surveyor, in your thoughts you may be reproaching Sordini for not having been prompted by my claim to make inquiries about the matter in other departments. But that would have been wrong, and I want this man cleared of all blame in your thoughts. One of the operating principles of authorities is that the possibility of error is simply not taken into account. This principle is justified by the excellence of the entire organization and is also necessary if matters are to be discharged with the utmost rapidity. So Sordini couldn’t inquire in other departments, besides those departments wouldn’t have answered, since they would have noticed right away that he was investigating the possibility of an error.”
“Chairman, allow me to interrupt you with a question,” said K., “didn’t you mention a control agency? As you describe it, the organization is such that the very thought that the control agency might fail to materialize is enough to make one ill.”
“You’re very severe,” said the chairman, “but multiply your severity by a thousand and it will still be as nothing compared with the severity that the authorities show toward themselves. Only a total stranger could ask such a question. Are there control agencies? There are only control agencies. Of course they aren’t meant to find errors, in the vulgar sense of that term, since no errors occur, and even if an error does occur, as in your case, who can finally say that it is an error.
”
”
Franz Kafka (The Castle)
“
It seems we’ve left skin
in each other’s lungs. I should have
looked under your bed skirt
for my wallet, but how
could credit cards compare
to the sneeze after we’ve parted?
Gone and still you make me
reach for a tissue—still my palms
turn circles in the red
breakwater of your heartbeat.
I want to tell you, I have nothing
but respect for your ribcage
now that we both know
it’s not big enough to hold us.
”
”
Michael Meyerhofer
“
Lady, that soft skin, Your bones and mine Will all be dust Before another mountain’s raised. No oceans, Not a river, Hardly a stream Will dry Before our eyes do, And our hearts. – But should I love you less, For such ephemerality? – I think the more instead. For our love’s in the real world; Profane and carnal, at times banal, But in our human sight, sublime. No greater, but quite different To dying suns and levelled range compared We share from our two separate selves A happenstance understanding, An unfateful fate, Designed by, decreed by nothing, Ungiven, not granted, But ours the more for that, The thing no thing can ever learn, The first and final lesson: Mortality is a quality of life. (January–February 1979)
”
”
Iain Banks (Poems)
“
Skulduggery placed both hands on the table and leaned over. "You've heard about me. You've heard about the things I've done."
The smirk faded a little. "So?"
"So the stories you've heard are nothing compared to the truth, and the truth is nothing compared to what I'll do to you if something happens to Valkyrie. I'm the worst enemy you could ever make, Silas. Look at me and answer honestly, do you believe me?"
Nadir swallowed. "Yeah.
”
”
Derek Landy
“
The only happy people I know are people I don’t know well.” This observation is a one-sentence antidote to this obstacle to happiness. If all of us realized that the people with whom we negatively compare our happiness are plagued by pains and demons of which we know little or nothing, we would stop comparing our happiness with others’. Think of those people you know well, and you will realize the truth of Helen Telushkin’s comment. Most likely you know how much unhappiness everyone you know well has experienced. And even with regard to these people whom you know well, chances are that you do not know with what inner demons—emotional, psychological, economic, sexual, or related to alcohol or drugs—they have to struggle.
”
”
Dennis Prager (Happiness Is a Serious Problem: A Human Nature Repair Manual)
“
Wolf," she said. "Married is wonderful, married is lovely. But I loved you before that, and you were mine before that. Only you for me—only me for you. That's how it was before our marriage." The smile fell away and left her pale and determined. "That's how it was when I found you in that pit trap all those years ago—I knew as soon as I first saw your eyes. But then, I've known all my life what love is. It took you, who had nothing to compare it to, rather longer to figure out, to understand what is between us. But even when you did not understand or recognize it—it was always love.
”
”
Patricia Briggs (Wolfsbane (Sianim, #4; Aralorn, #2))
“
Though he never actually joined it, he was close to some civilian elements of the Democratic Front for the Liberation of Palestine, which was the most Communist (and in the rather orthodox sense) of the Palestinian formations. I remember Edward once surprising me by saying, and apropos of nothing: 'Do you know something I have never done in my political career? I have never publicly criticized the Soviet Union. It’s not that I terribly sympathize with them or anything—it's just that the Soviets have never done anything to harm me, or us.' At the time I thought this a rather naïve statement, even perhaps a slightly contemptible one, but by then I had been in parts of the Middle East where it could come as a blessed relief to meet a consecrated Moscow-line atheist-dogmatist, if only for the comparatively rational humanism that he evinced amid so much religious barking and mania. It was only later to occur to me that Edward's pronounced dislike of George Orwell was something to which I ought to have paid more attention.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Open Letter to Neil Armstrong"
Dear Neil Armstrong,
I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard?
Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky?
I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath.
Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love.
God, I'd do it every day, if I could just land next to her.
One small step for man, but she's one giant leap for my kind.
”
”
Mike McGee
“
People say that teenagers don't know how to love like an adult. Part of me believes that, but I'm not an adult and so I have nothing to compare it to. But I do believe it's probably different. I'm sure there's more substance in the love between two adults then there is between two teenagers. There's probably more maturity, more respect, more responsibility. But no matter how different the substance of a love might be at different ages in a person's life, I know that love still has to weigh the same. You feel that weight on your shoulders and in your stomach and on your heart no matter how old you are.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
Ambition. Yes, that is my God.
When Ambition is your God, the office is your temple, the employee handbook your holy book. The sacred drink, coffee, is imbibed five times a day. When you worship Ambition, there is no Sabbath, no day of rest. Every day, you rise early and kneel before the God Ambition, facing in the direction of your PC.
You pray alone, always alone, even though others may be present. Ambition is a vengeful God. He will smite those who fail to worship faithfully, but that is nothing compared to what He has in store for the faithful. They suffer the worst fate of all. For it is only when they are old are tired, entombed in the corner office, that the realize hits like a Biblical thunderclap.
The God Ambition is a false God and has always been.
”
”
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
“
For women: In your autumn years, having a successful career behind you will be nothing compared to having a large family, with grandchildren and everything else that comes with it.
This is also the best and most natural method for ensuring your retirement benefits — a few decades from now, your children and grandchildren will be far more inclined to take care of you than the rapidly crumbling European welfare states will.
Besides, passing your genes on is a far worthier goal in life than slaving for some multinational corporation, which will forget all about you the second you retire.
Furthermore, the plummeting birth rates of Europe must be reversed.
Make sure to have at least three children, and raise them well.
In this regard, the future of Europe rests squarely in your hands.
”
”
Daniel Friberg (The Real Right Returns: A Handbook for the True Opposition)
“
People say that teenagers don’t know how to love like an adult. Part of me believes that, but I’m not an adult and so I have nothing to compare it to. But I do believe it’s probably different. I’m sure there’s more substance in the love between two adults than there is between two teenagers. There’s probably more maturity, more respect, more responsibility. But no matter how different the substance of a love might be at different ages in a person’s life, I know that love still has to weigh the same. You feel that weight on your shoulders and in your stomach and on your heart no matter how old you are. And my feelings for Atlas are very heavy. Every night I cry myself to sleep and I whisper, “Just keep swimming.” But it gets really hard to swim when you feel like you’re anchored in the water.
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
He nearly groaned out loud. How could he have let his experience with Sana make him so cynical, so judgemental? He loved Aisha, but he hadn’t trusted her. And so, he had lost her. It felt as if his heart was being ripped out of his chest. His jaw clenched. The pain of trusting the wrong person? It was nothing compared to the pain of not trusting the right one. The repercussions of valuing an undeserving woman? They were far less devastating than those of maligning an honourable woman.
He recalled the agonised, betrayed expression that had replaced Aisha’s initial shock at his ill-founded accusations, and a shudder tore through him. It felt as if his soul was shrivelling inside his body. No matter how much it hurt to have your trust broken, it hurt a million times more to break someone’s trust in you.
”
”
Ramla Zareen Ahmad (The One for Me)
“
Freedom, sir," I began unceremoniously, without greeting or inquiry, "freedom is the biggest thing for man. Nothing can be compared to it— nothing at all!" Surprised at my outburst, my master looked up at me in silence. "One can understand nothing from books," I went on. "We read in the scriptures that our desires are bonds, fettering us as well as others. But such words, by themselves, are so empty. It is only when we get to the point of letting the bird out of its cage that we can realize how free the bird has set us. Whatever we cage, shackles us with desire whose bonds are stronger than those of iron chains. I tell you, sir, this is just what the world has failed to understand. They all seek to reform something outside themselves. But reform is wanted only in one's own desires, nowhere else, nowhere else!
”
”
Rabindranath Tagore (The Home and the World)
“
Love then screams in my own throat; I am the Jesuve, the filthy parody of the torrid and blinding sun.
I want to have my throat slashed while violating the girl to whom I will have been able to say: you are the night.
The Sun exclusively loves the Night and directs its luminous violence, its ignoble shaft, toward the earth, but finds itself incapable of reaching the gaze or the night, even though the nocturnal terrestrial expanses head continuously toward the indecency of the solar ray.
The solar annulus is the intact anus of her body at eighteen years to which nothing sufficiently blinding can be compared except the sun, even though the anus is night.
”
”
Georges Bataille (The Solar Anus)
“
The only gain of civilisation for mankind is the greater capacity for variety of sensations--and absolutely nothing more. And through the development of this many-sidedness man may come to finding enjoyment in bloodshed. In fact, this has already happened to him. Have you noticed that it is the most civilised gentlemen who have been the subtlest slaughterers, to whom the Attilas and Stenka Razins could not hold a candle, and if they are not so conspicuous as the Attilas and Stenka Razins it is simply because they are so often met with, are so ordinary and have become so familiar to us. In any case civilisation has made mankind if not more bloodthirsty, at least more vilely, more loathsomely bloodthirsty. In old days he saw justice in bloodshed and with his conscience at peace exterminated those he thought proper. Now we do think bloodshed abominable and yet we engage in this abomination, and with more energy than ever. Which is worse? Decide that for yourselves. They say that Cleopatra (excuse an instance from Roman history) was fond of sticking gold pins into her slave-girls' breasts and derived gratification from their screams and writhings. You will say that that was in the comparatively barbarous times; that these are barbarous times too, because also, comparatively speaking, pins are stuck in even now; that though man has now learned to see more clearly than in barbarous ages, he is still far from having learnt to act as reason and science would dictate. But yet you are fully convinced that he will be sure to learn when he gets rid of certain old bad habits, and when common sense and science have completely re-educated human nature and turned it in a normal direction. You are confident that then man will cease from INTENTIONAL error and will, so to say, be compelled not to want to set his will against his normal interests. That is not all; then, you say, science itself will teach man (though to my mind it's a superfluous luxury) that he never has really had any caprice or will of his own, and that he himself is something of the nature of a piano-key or the stop of an organ, and that there are, besides, things called the laws of nature; so that everything he does is not done by his willing it, but is done of itself, by the laws of nature. Consequently we have only to discover these laws of nature, and man will no longer have to answer for his actions and life will become exceedingly easy for him. All human actions will then, of course, be tabulated according to these laws, mathematically, like tables of logarithms up to 108,000, and entered in an index; or, better still, there would be published certain edifying works of the nature of encyclopaedic lexicons, in which everything will be so clearly calculated and explained that there will be no more incidents or adventures in the world.
”
”
Fyodor Dostoevsky (Notes from the Underground)
“
Her partner now drew near, and said, "That gentleman would have put me out of patience, had he stayed with you half a minute longer. He has no business to withdraw the attention of my partner from me. We have entered into a contract of mutual agreeableness for the space of an evening, and all our agreeableness belongs solely to each other for that time. Nobody can fasten themselves on the notice of one, without injuring the rights of the other. I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principal duties of both; and those men who do not choose to dance or marry themselves, have no business with the partners or wives of their neighbours."
But they are such very different things!"
-- That you think they cannot be compared together."
To be sure not. People that marry can never part, but must go and keep house together. People that dance only stand opposite each other in a long room for half an hour."
And such is your definition of matrimony and dancing. Taken in that light certainly, their resemblance is not striking; but I think I could place them in such a view. You will allow, that in both, man has the advantage of choice, woman only the power of refusal; that in both, it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of its dissolution; that it is their duty, each to endeavour to give the other no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbours, or fancying that they should have been better off with anyone else. You will allow all this?"
Yes, to be sure, as you state it, all this sounds very well; but still they are so very different. I cannot look upon them at all in the same light, nor think the same duties belong to them."
In one respect, there certainly is a difference. In marriage, the man is supposed to provide for the support of the woman, the woman to make the home agreeable to the man; he is to purvey, and she is to smile. But in dancing, their duties are exactly changed; the agreeableness, the compliance are expected from him, while she furnishes the fan and the lavender water. That, I suppose, was the difference of duties which struck you, as rendering the conditions incapable of comparison."
No, indeed, I never thought of that."
Then I am quite at a loss. One thing, however, I must observe. This disposition on your side is rather alarming. You totally disallow any similarity in the obligations; and may I not thence infer that your notions of the duties of the dancing state are not so strict as your partner might wish? Have I not reason to fear that if the gentleman who spoke to you just now were to return, or if any other gentleman were to address you, there would be nothing to restrain you from conversing with him as long as you chose?"
Mr. Thorpe is such a very particular friend of my brother's, that if he talks to me, I must talk to him again; but there are hardly three young men in the room besides him that I have any acquaintance with."
And is that to be my only security? Alas, alas!"
Nay, I am sure you cannot have a better; for if I do not know anybody, it is impossible for me to talk to them; and, besides, I do not want to talk to anybody."
Now you have given me a security worth having; and I shall proceed with courage.
”
”
Jane Austen (Northanger Abbey)
“
Ah! If you have a self-will in your hearts, pray to God to uproot it. Have you self-love? Beseech the Holy Spirit to turn it out; for if you will always will to do as God wills, you must be happy. I have heard of some good old woman in a cottage, who had nothing but a piece of bread and a little water, and lifting up her hands, she said, as a blessing, "What!? all this, and Christ too?" What is "all this," compared with what we deserve? And I have read of someone dying, who was asked if he wished to live or die; and he said, "I have no wish at all about it." "But if you might wish, which would you choose?" "I would not choose at all." "But if God bade you choose?" "I would beg God to choose for me, for I would not know which to take." Oh happy state! to be perfectly acquiescent, to lie passive in His hand, and know no will but His.
”
”
Charles Haddon Spurgeon
“
Sebastian opened his mouth to argue, but as he saw Evie drawing closer something changed in his face. It was a response to the anxiety that she couldn't manage to hide. For some reason her concern gently undermined his hostility, and softened him. Looking from one to the other, Cam observed the subtle interplay with astute interest.
"Have you been hurt?" Evie asked, looking over him closely. To her relief, Sebastian appeared disheveled and riled, but free of significant damage.
He shook his head, holding still as she reached up to push back a few damp amber locks that were nearly hanging in his eyes. "I'm fine," he muttered. "Compared to the drubbing I received from Westcliff, this was nothing.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
You revolutionists' the other continued, with leisurely self-confidence, 'are the slaves of the social convention, which is afraid of you; slaves of it as much as the very police that stands up in the defence of that convention. Clearly you are, since you want to revolutionize it. It governs your action, too, and thus neither your thought nor your action can ever be conclusive. (...) 'You are not a bit better than the forces arrayed against you -- than the police, for instance. The other day I came suddenly upon Chief Inspector Heat at the corner of Tottenham Court Road. He looked at me very steadily. But I did not look at him. Why should I give him more than a glance ? He was thinking of many things -- of his superiors, of his reputation, of the law courts, of his salary, of newspapers -- of a hundred things. But I was thinking of my perfect detonator only. He meant nothing to me. He was as insignificant as -- I can't call to mind anything insignificant enough to compare him with -- except Karl Yundt perhaps. Like to like. The terrorist and the policeman both come from the same basket. Revolutions, legality -- counter moves in the same game; forms of idleness at bottom identical. He plays his little game -- so do you propagandists.
”
”
Joseph Conrad (The Secret Agent)
“
When you listen to a lecture, you should not have any idea of yourself. You should not have your own idea when you listen to someone. Forget what you have in your mind and just listen to what he says. To have nothing in your mind is naturalness. Then you will understand what he says. But if you have some idea to compare with what he says, you will not hear everything; your understanding will be one-sided; that is not naturalness. When you do something, you should be completely involved in it. You should devote yourself to it completely.
”
”
Shunryu Suzuki (Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice)
“
Performing music is the job that has the most to do with the belief in the existence of a soul. I deal in Berg's soul, in Brahm's soul- that's my job. And you can can challenge me, but I find that music is humans' most advanced achievement, more so than painting and writing, because it's more mysterious, more magical, and it acts in such a direct way. Trying to turn lead into gold is nothing compared to taking something mechanical like an instrument- a string and a bow- and using it to evoke a human soul, perserved through the centuries.
”
”
Christian Tetzlaff
“
The first noble truth, suffering, represents idealism. When you look at things from an idealistic viewpoint everything sucks, as the Descendents said in the song called “Everything Sucks” (from the album Everything Sucks). Nothing can possibly live up to the ideals and fantasies you’ve created. So we suffer because things are not the way we think they ought to be. Rather than face what really is, we prefer to retreat and compare what we’re living through with the way we think it oughta be. Suffering comes from the comparison between the two.
”
”
Brad Warner (Hardcore Zen: Punk Rock, Monster Movies and the Truth About Reality)
“
There is nothing more powerful, more radical, more transformational than love. No other substance or force. And do not be deceived, for it is all of these things, and then far more than that. It can't be circumscribed by our desires or dictated by the whim of our moods. Not the Great Love of the Universe, as I like to call it. Not the Love that set everything in motion, keeps it in motion, which moves through all things and yet bulldozes nothing, not even our will. Try it. Just try it and you'll see. If you love that Great Love first, because It loved you first, and then love yourself as you have been loved, and love others from that love...WOW! BAM! Life without that kind of faith-that's death. Therein lies the great metaphor...Life without faith IS death. For life, as it was intended to be, is love. Start loving and you'll really start living. There is no other force in the universe comparable to that.
”
”
Carolyn Weber (Surprised by Oxford)
“
There was nothing to compare with standing on a piece of land you owned free and clear. No one could push you off it, no one could take it from you, no one could tell you what to do with it. The soil belonged to you, and so did every rock, every blade of grass, every tree, and all the water and minerals under the land all the way to the center of the earth. And if the world went to hell in a hand-basket—as it seemed to be doing—you could say good-bye to everyone and retreat to your land, hunkering down and living off it. Land belonged to you and yours forever.
”
”
Jeannette Walls (Half Broke Horses)
“
Never be frightened at your own faint-heartedness in attaining love. Don't be frightened overmuch even at your evil actions. I am sorry I can say nothing more consoling to you, for love in action is a harsh and dreadful thing compared with love in dreams. Love in dreams is greedy for immediate action, rapidly performed and in the sight of all. Men will even give their lives if only the ordeal does not last long but is soon over, with all looking on and applauding as though on the stage. But active love is labor and fortitude, and for some people too, perhaps, a complete science.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
as a member of a zippier generation, with sparkle in its eyes and a snap in its stride, let me tell you what kept us as high as kites a lot of the time: hatred. All my life I’ve had people to hate—from Hitler to Nixon, not that those two are at all comparable in their villainy. It is a tragedy, perhaps, that human beings can get so much energy and enthusiasm from hate. If you want to feel ten feet tall and as though you could run a hundred miles without stopping, hate beats pure cocaine any day. Hitler resurrected a beaten, bankrupt, half-starved nation with hatred and nothing more. Imagine
”
”
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
“
Nothing endures for so long as fear. Everywhere in nature one sees evidence of innate releasing mechanisms literally millions of years old, which have lain dormant through thousands of generations but retained their power undiminished. The field-rat’s inherited image of the hawk’s silhouette is the classic example—even a paper silhouette drawn across a cage sends it rushing frantically for cover. And how else can you explain the universal but completely groundless loathing of the spider, only one species of which has ever been known to sting? Or the equally surprising—in view of their comparative rarity—hatred of snakes and reptiles? Simply because we all carry within us a submerged memory of the time when the giant spiders were lethal, and when the reptiles were the planet’s dominant life form.
”
”
J.G. Ballard (The Drowned World)
“
…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape.
”
”
Bret Easton Ellis (American Psycho)
“
Of a real, true contract, on whatsoever subject, there is no vestige in Rousseau's book. To give an
exact idea of his theory, I cannot do better than compare it with a commercial agreement, in which
the names of the parties, the nature and value of the goods, products and services involved, the
conditions of quality, delivery, price, reimbursement, everything in fact which constitutes the
material of contracts, is omitted, and nothing is mentioned but penalties and jurisdictions.
"Indeed, Citizen of Geneva, you talk well. But before holding forth about the sovereign and the
prince, about the policeman and the judge, tell me first what is my share of the bargain? What? You
expect me to sign an agreement in virtue of which I may be prosecuted for a thousand
transgressions, by municipal, rural, river and forest police, handed over to tribunals, judged,
condemned for damage, cheating, swindling, theft, bankruptcy, robbery, disobedience to the laws of
the State, offence to public morals, vagabondage,--and in this agreement I find not a word of either
my rights or my obligations, I find only penalties!
"But every penalty no doubt presupposes a duty, and every duty corresponds to a right. Where then
in your agreement are my rights and duties? What have I promised to my fellow citizens? What
have they promised to me? Show it to me, for without that, your penalties are but excesses of
power, your law-controlled State a flagrant usurpation, your police, your judgment and your
executions so many abuses. You who have so well denied property, who have impeached so
eloquently the inequality of conditions among men, what dignity, what heritage, have you for me in
your republic, that you should claim the right to judge me, to imprison me, to take my life and
honor? Perfidious declaimer, have you inveighed so loudly against exploiters and tyrants, only to
deliver me to them without defence?
”
”
Pierre-Joseph Proudhon (The General Idea of the Revolution in the Nineteenth Century)
“
This was before the importance of set and setting was understood. I was brought to a basement room, given an injection, and left alone.” A recipe for a bad trip, surely, but Richards had precisely the opposite experience. “I felt immersed in this incredibly detailed imagery that looked like Islamic architecture, with Arabic script, about which I knew nothing. And then I somehow became these exquisitely intricate patterns, losing my usual identity. And all I can say is that the eternal brilliance of mystical consciousness manifested itself. My awareness was flooded with love, beauty, and peace beyond anything I ever had known or imagined to be possible. ‘Awe,’ ‘glory,’ and ‘gratitude’ were the only words that remained relevant.” Descriptions of such experiences always sound a little thin, at least when compared with the emotional impact people are trying to convey; for a life-transforming event, the words can seem paltry. When I mentioned this to Richards, he smiled. “You have to imagine a caveman transported into the middle of Manhattan. He sees buses, cell phones, skyscrapers, airplanes. Then zap him back to his cave. What does he say about the experience? ‘It was big, it was impressive, it was loud.’ He doesn’t have the vocabulary for ‘skyscraper,’ ‘elevator,’ ‘cell phone.’ Maybe he has an intuitive sense there was some sort of significance or order to the scene. But there are words we need that don’t yet exist. We’ve got five crayons when we need fifty thousand different shades.” In
”
”
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
“
What, then, should you do? With an excellent hand, you should bet: You lose nothing if your opponent folds, while giving yourself a good chance of winning a big pot if he calls. But with a middling hand, you shouldn't bet: If he has a bad hand, he'll fold, and you'll win the ante, which is what you'd have won anyway by checking; but if he has a good hand, he'll call and win. It's heads he wins, tails you don't. You should check instead, and hope your middling hand wins the ante.
What about with a terrible hand? Should you check or bet? The answer is surprising. Checking would be unwise, because the hands will be compared and you will lose. It actually makes more sense to bet with these bad hands, because the only way he might drop out is if you make a bet. Perversely, you are better off betting with awful cards than with mediocre ones, the quintessential (and rational) bluff.
There's a second reason for you to bet with terrible cards rather than middling ones: Your opponent will have to call a little more often. Because he knows that your bets are sometimes very weak, he can't afford to fold too easily. That means that when you bet with a good hand, you are more likely to be called, and to win when you are. Because you are bluffing with bad cards, your good hands make more money.
”
”
Tim Harford (The Logic of Life: The Rational Economics of an Irrational World)
“
It’s like this big maze, see. With fire-breathing dragons and land mines and decoys at every turn. And the maze goes on for hundreds of miles, and just when you think maybe you’ve gotten through—a dead end. Years of wrong turns and mistakes and battles with those dragons, years of bruises, cuts, and burns, but eventually? You make it. You come out the other end of the maze, and you’re a little banged up, but you’re okay. And maybe you meet someone else who was in the maze at the same time, only you didn’t know it. So you talk to this person, compare notes on the maze, and you hear all the ways they made it through that you never thought of, and you tell them all the ways you made it through that they never thought of, and from this shared understanding you grow to love one another. And that love deepens with time. And maybe you and this other person have a child.” Mom starts crying, and so do I. “A perfect, lovely little kid, and you swear you’ll do everything you can to spare your kid from the fire-breathing dragons and the land mines and the decoys. I’ll draw them a map, you think, a detailed map of the maze outlining the quickest routes, pitfalls to avoid, shortcuts that took you years to learn, and maybe this way they won’t end up with bruises and burns like yours.” I squeeze Mom’s hand tighter, let the tears come. “Mom.” She smiles and cries. “You think you have so much time to work on the map, to make it just right. And then one day you wake up to find your perfect, lovely child is already there, right in the thick of the maze. You were so diligent, kept watch every night, and you don’t know when or how it happened, but it did. Your kid is in the maze without a map, and there’s nothing you can do but watch.
”
”
David Arnold (The Strange Fascinations of Noah Hypnotik)
“
If only I could cry. I am beyond that. The light, the light, lending itself to empty downtown Saturday, but still the stupid insensate cars flush by oblivious to their stupidity, my silent plea.
It isn't Mexico. It's not Paris. It's a painting by Hopper come to life. I am trapped inside a dead thing. Language is impossible here, even in English. Who has the arrogance to say: I'm mad, this is my crazy view of things, help me.
I'm trapped in a silent world, a tableau of forty years ago. The walls are different, the tables, the heights of the veiling and the chairs. I loom above this letter. The view past the rows of cakes in the plate glass window is unfamiliar. I am a ghost. There is nothing now between me and death. Death is the unfamiliarity of everything, the strangeness of the once familiar. The same spatial configurations only the light is hollow, sick.
I think I lack the energy to hit expensive discos which I don't know where they are to be rejected tonight. I look passable. My energy's low. I love to dance but despair is not a good muse.
This Mexico, babe. Men who don't love you but act wildly as if they do initially. Self-involved, narcissistic men... The men drink and philosophize about pain. The women live it solo and culturelessly. No one cries, except easily, sentimentally. The devil, therefore God, exists.
Oaxaca was a pushover compared to this. Pain had boundaries there.
Spare us big cities, oh lord!
”
”
Maryse Holder (Give Sorrow Words: Maryse Holder's Letters From Mexico)
“
And we were in our thirties. Well into the Age of Boredom, when nothing is new. Now, I’m not being self-pitying; it’s simply true. Newness, or whatever you want to call it, becomes a very scarce commodity after thirty. I think that’s unfair. If I were in charge of the human life span, I’d make sure to budget newness much more selectively, to ration it out. As it is now, it’s almost used up in the first three years of life. By then you’ve seen for the first time, tasted for the first time, held something for the first time. Learned to walk, talk, go to the bathroom. What have you got to look forward to that can compare with that? Sure, there’s school. Making friends. Falling in love. Learning to drive. Sex. Learning to trade. That has to carry you for the next twenty-five years. But after that? What’s the new excitement? Mastering your home computer? Figuring out how to work CompuServe? “Now, if it were up to me, I’d parcel out. So that, say, at thirty-five we just learned how to go on the potty. Imagine the feeling of accomplishment! They’d have office parties. "Did you hear? The vice president in charge of overseas development just went a whole week without his diaper. We’re buying him a gift." It’d be beautiful.
”
”
Phoef Sutton (Fifteen Minutes to Live)
“
Trying to draw Matthew into our conversation, I said, “Look, here’s Matthew’s.” I pointed out his card; on it, a smiling young man with an oblivious expression walked a desolate land, carrying a rucksack and a single white rose. A yapping dog nipped at his heels.
Matthew tilted his head at the likeness. “In a place where nothing grows, I carry a flower. The memory of you.”
I smiled at him. “That is so sweet.”
He frowned. “That literally happened.”
“Oh.”
Finn said, “That’s just like the image I saw the first time we met. It flashed over him.”
I nodded. “We all have those. They’re called tableaux.”
Finn held the card up next to Matthew’s face, comparing the likeness. “You look stoned, Matto.”
Matthew sighed with contentment. “Thank you.
”
”
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
“
Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed _sometimes_, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted. What mattered, as for any machine, was repeatability. Moments of inspiration were nothing compared to elimination of error. The scouts cared little for Henry's superhuman grace; insofar as they cared they were suckered-in aesthetes and shitty scouts. Can you perform on demand, like a car, a furnace, a gun? Can you make that throw one hundred times out of a hundred? If it can't be a hundred, it had better be ninety-nine.
”
”
Chad Harbach (The Art of Fielding)
“
The book ‘Outliers’ by Malcolm Gladwell talks about the 10,000-hour theory–that almost anyone can master a skill if they dedicate 10,000 hours to it. The same is true for your side hustle. If you put in the right hours–into the right places–then you can build a successful side hustle, too.
The rate at which you put these hours in is up to you. Yes, if you go slower, then it will take longer. But compared to your other option–doing nothing at all–what’s the hurry?
Here’s the tried and true technique I use to put the necessary time into any new project without overwhelming myself:
Set aside 20 minutes–no more!–every single day to work on your project, and protect those 20 minutes with everything you have. Never let anything get in the way of this time.
”
”
Rebecca Scott (Hustling 101: Selling your Talents without Selling your Soul)
“
And when we say also that the Word, who is the first-birth of God, was produced without sexual union, and that He, Jesus Christ, our Teacher, was crucified and died, and rose again, and ascended into heaven, we propound nothing different from what you believe regarding those whom you esteem sons of Jupiter. For you know how many sons your esteemed writers ascribed to Jupiter: Mercury, the interpreting word and teacher of all; Aesculapius, who, though he was a great physician, was struck by a thunderbolt, and so ascended to heaven; and Bacchus too, after he had been torn limb from limb; and Hercules, when he had committed himself to the flames to escape his toils; and the sons of Leda, and Dioscuri; and Perseus, son of Danae; and Bellerophon, who, though sprung from mortals, rose to heaven on the horse Pegasus. For what shall I say of Ariadne, and those who, like her, have been declared to be set among the stars? And what of the emperors who die among yourselves, whom you deem worthy of deification, and in whose behalf you produce some one who swears he has seen the burning Caesar rise to heaven from the funeral pyre? And what kind of deeds are recorded of each of these reputed sons of Jupiter, it is needless to tell to those who already know. This only shall be said, that they are written for the advantage and encouragement of youthful scholars; for all reckon it an honourable thing to imitate the gods. But far be such a thought concerning the gods from every well-conditioned soul, as to believe that Jupiter himself, the governor and creator of all things, was both a parricide and the son of a parricide, and that being overcome by the love of base and shameful pleasures, he came in to Ganymede and those many women whom he had violated and that his sons did like actions. But, as we said above, wicked devils perpetrated these things. And we have learned that those only are deified who have lived near to God in holiness and virtue; and we believe that those who live wickedly and do not repent are punished in everlasting fire.
”
”
Justin Martyr (The First Apology of Justin Martyr, Addressed to the Emperor Antoninus Pius; Prefaced by Some Account of the Writings and Opinions of Justin)
“
This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
Spectre: Atrocitus? You wish to continue to fight?
Atrocitus: If I must. You were chained to a human soul to understand humanity, but it is clear you understand it no more than the guardians. This man... This man lost his daughter. You have no emotional component to your judgement. For you, vengeance is simply eye-for-an-eye. But that convict's life did not equal the life of Kim's daughter. His "eye" is worth nothing compared to hers. Eye-for-an-eye is a fallacy.
Spectre: You dare question my scripture?
Atrocitus: You may be objective and calm in your judgments, Spectre, but once you pass them you are no longer haunted by their victims. But the victims are our families. And the hauntings never stop. No matter what blood has spilled, there will never be enough to balance the scales. So if you wish to judge James Kim, you must first judge me.
”
”
Geoff Johns
“
You're right [Joshua], I have taught you nothing. I could teach you nothing. Everything that you needed to know was already there. You simply needed the word for it. Some need Kali and Shiva to destroy the world so they may see past the illusion to divinity in them, others need Krishna to drive them to the place where they may perceive what is eternal in them. Others may perceive the Divine Spark in themselves only by realizing through enlightenment that the spark resides in all things, and in that they find kinship. But because the Divine Spark resides in all, does not mean that all will discover it. Your dharma is not to learn, Joshua, but to teach."
"How will I teach my people about the Divine Spark?"
...
"You must only find the right word. The Divine Spark is infinite, the path to find it is not. The beginning of the path is the word.
”
”
Christopher Moore (Lamb: The Gospel According to Biff, Christ's Childhood Pal)
“
The worst fear of the race yes, the world suddenly transformed into a senseless nightmare, horrible dissolution of things. Nothing compares, even oblivion is a sweet dream. You understand why, of course. Why this peculiar threat. These brooding psyches, all the busy minds everywhere. I hear them buzzing like flies in the blackness. I see them as glow worms flitting in the blackness. They are struggling, straining every second to keep the sky above them, to keep the sun in the sky, to keep the dead in the earth-to keep all things, so to speak, where they belong. What an undertaking! What a crushing task! Is it any wonder that they are all tempted by a universal vice, that in some dark street of the mind a single voice whispers to one and all, softly hissing, and says: 'Lay down your burden.' Then thoughts begin to drift, a mystical magnetism pulls them this way and that, faces start to change, shadows speak... sooner or later the sky comes down, melting like wax. But as you know, everything has not yet been lost: absolute terror has proved its security against this fate. Is it any wonder that these beings carry on the struggle at whatever cost?
”
”
Thomas Ligotti (Grimscribe: His Lives and Works)
“
The history of mankind would be far too stupid a thing if it had not had the intellect [Geist] of the powerless injected into it: — let us take the best example straight away. Nothing that has been done on earth against ‘the noble’, ‘the mighty’, ‘the masters’ and ‘the rulers’, is worth mentioning compared with what the Jews have done against them: the Jews, that priestly people, which in the last resort was able to gain satisfaction from its enemies and conquerors only through a radical revaluation of their values, that is, through an act of the most deliberate revenge. Only this was fitting for a priestly people with the most entrenched priestly vengefulness. It was the Jews who, rejecting the aristocratic value equation (good = noble = powerful = beautiful = happy = blessed) ventured, with awe-inspiring consistency, to bring about a reversal and held it in the teeth of the most unfathomable hatred (the hatred of the powerless), saying: ‘Only those who suffer are good, only the poor, the powerless, the lowly are good; the suffering, the deprived, the sick, the ugly, are the only pious people, the only ones saved, salvation is for them alone, whereas you rich, the noble and powerful, you are eternally wicked, cruel, lustful, insatiate, godless, you will also be eternally wretched, cursed and damned!’ . . . the slaves’ revolt in morality begins with the Jews: a revolt which has two thousand years of history behind it and which has only been lost sight of because — it was victorious . . .
”
”
Friedrich Nietzsche (The Genealogy of Morals)
“
I read daily, not so much for the benefit of my writing, but because I am addicted to it. There is nothing in the world for me that compares to being lost in a really good novel. That said, reading is an absolute must if you want to write. It is a trite enough thing to say, but very true nonetheless. I cannot understand aspiring writers who email me for advice and freely admit that they read very little. I have learned something from every writer I have ever read. Sometimes I have done so consciously, picking up something about how to frame a scene, or seeing a new possibility with regards to structure, or interesting ways to write dialogue. Other times, I think, my collective reading experience affects my sensibilities and informs me in ways that I am not quite aware of, but in real ways that impact how I approach writing. The short of it is, as an aspiring writer, there is nothing as damaging to your credibility as saying that you don’t like to read
”
”
Khaled Hosseini
“
Gentlefolks in general have a very awkward rock ahead in life - the rock ahead of their own idleness. Their lives being, for the most part, passed in looking about them for something to do, it is curious to see - especially when their tastes are of what is called the intellectual sort - how often they drift blindfold into some nasty pursuit.
[...]
But there! the poor souls must get through the time, you see - they must get through the time. You dabbled in nasty mud, and made pies, when you were a child; and you dabble in nasty science, and dissect spiders, and spoil flowers, when you grow up. In the one case and in the other, the secret of it is, that you have got nothing to think of in your poor empty head, and nothing to do with your poor idle hands. And so it ends in your spoiling canvas with paints, and making a smell in the house; or in keeping tadpoles in a glass box full of dirty water, and turning everybody's stomach in the house; or in chipping off bits of stone here, there, and everywhere, and dropping grit into all the victuals in the house; or in staining your fingers in the pursuit of photography, and doing justice without mercy on everybody's face in the house. It often falls heavy enough, no doubt, on people who are really obliged to get their living, to be forced to work for the clothes that cover them, the roof that shelters them, and the food that keeps them going. But compare the hardest day's work that you ever did with the idleness that splits flowers and pokes its way into spiders' stomachs, and thank your stars that your head has got something it must think of, and your hands something that they must do.
”
”
Wilkie Collins (The Moonstone)
“
It helps to ask ourselves why we choose to play so small when we don’t have to. Belief is powerful, and whatever we believe, we will subconsciously make manifest. So why do we hold on to core beliefs about ourselves that are so demeaning? When we ask that question, the answers emerge: “My family told me it wasn’t okay to think I was a big deal.” “I thought people wouldn’t like me if I ‘had it all.’” “I thought it might hurt my father’s feelings if I made more money than he did.” Yet whatever pain we might experience at others’ negative reactions to our spreading our wings, is nothing compared to the pain we cause ourselves by clipping them. At this time on the planet, no one can feel good about withholding their magnificence. Expressing your full potential is not just your right; it’s your responsibility. As long as you keep thinking in limited terms, disbelieving in the possibility of infinite possibility in your life, then you will never experience the miracles God has in store for you. You will deny His gifts, taking on the ego’s servitude instead. In a world such as this, fear is often the path of least resistance. If you want a miracle, you have to consciously claim it. And for everyone out there who might say, “How dare you?” there are at least two more who will say, “Thank you for showing me how.
”
”
Marianne Williamson (The Gift of Change: Spiritual Guidance for Living Your Best Life)
“
Are you afraid of me, Kalea?” Arms akimbo, she widened her stance to eye him like a tough little mouse. “Am I supposed to be?” “No. Are you?” She twisted up her mouth and studied him carefully. “You look very strange. Are your eyes supposed to glow red like that?” “They are.” “And your teeth? Are they supposed to be so long and sharp?” “I’m Andarion. We all have those teeth.” “Dancer…” Fain said in warning. “We’ve got company. We need to go. Fast.” He held his hand up to his brother before he turned back to the girl. “I’m your father, Kalea, and I’ve come to take you home.” All the defiant fire went out of her as her jaw dropped. Her lips quivered. “I really have a daddy?” He nodded. Tears filled her eyes, making them glisten. “You definitely have a father. And both your mother and I love you very much.” “I have a mommy, too?” she breathed in disbelief. “Yes.” Tears rolled down her cheeks. “I hate this place, Daddy. Please take me home.” She threw herself into his arms. Closing his eyes, Hauk held her close to his chest. While he loved and adored every child his friends had, it was nothing compared to what went through him as those little arms encircled his neck and she placed her head on his shoulder. Not even what he felt for Darice compared to this. She’s my little girl. All he wanted was to hold on to her forever. But
”
”
Sherrilyn Kenyon (Born of Fury (The League, #6))
“
Things I've Learned in 18 Years of Life 1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play. 2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul. 3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way. 4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him. 5) I fail daily, and that is why I succeed. 6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well. 7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human. 8) If someone makes you think, keep them. If someone makes you feel, keep them. 9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game. 10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you. 11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's. 12) There is no wrong way to feel. 13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not. 14) Selfless actions always benefit you more than the recipient. 15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on. 16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being. 17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’ 18) Mental health and sanity above all. 19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us. 20) From destruction comes creation. Beauty will rise from the ashes. 21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier. 22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.
”
”
Scott Hildreth (Broken People)
“
Praise be to Allah, who revealed the Book, controls the clouds, defeats factionalism, and says in His Book: 'But when the forbidden months are past, then fight and slay the pagans wherever ye find them, seize them, beleaguer them, and lie in wait for them in every stratagem (of war)'; and peace be upon our Prophet, Muhammad Bin-'Abdallah, who said: I have been sent with the sword between my hands to ensure that no one but Allah is worshipped, Allah who put my livelihood under the shadow of my spear and who inflicts humiliation and scorn on those who disobey my orders.
...All these crimes and sins committed by the Americans are a clear declaration of war on Allah, his messenger, and Muslims. And ulema have throughout Islamic history unanimously agreed that the jihad is an individual duty if the enemy destroys the Muslim countries. This was revealed by Imam Bin-Qadamah in 'Al- Mughni,' Imam al-Kisa'i in 'Al-Bada'i,' al-Qurtubi in his interpretation, and the shaykh of al-Islam in his books, where he said: 'As for the fighting to repulse [an enemy], it is aimed at defending sanctity and religion, and it is a duty as agreed [by the ulema]. Nothing is more sacred than belief except repulsing an enemy who is attacking religion and life.'
On that basis, and in compliance with Allah's order, we issue the following fatwa to all Muslims:
The ruling to kill the Americans and their allies -- civilians and military -- is an individual duty for every Muslim who can do it in any country in which it is possible to do it, in order to liberate the al-Aqsa Mosque and the holy mosque [Mecca] from their grip, and in order for their armies to move out of all the lands of Islam, defeated and unable to threaten any Muslim. This is in accordance with the words of Almighty Allah, 'and fight the pagans all together as they fight you all together,' and 'fight them until there is no more tumult or oppression, and there prevail justice and faith in Allah.'
...We -- with Allah's help -- call on every Muslim who believes in Allah and wishes to be rewarded to comply with Allah's order to kill the Americans and plunder their money wherever and whenever they find it. We also call on Muslim ulema, leaders, youths, and soldiers to launch the raid on Satan's U.S. troops and the devil's supporters allying with them, and to displace those who are behind them so that they may learn a lesson.
...Almighty Allah also says: 'O ye who believe, what is the matter with you, that when ye are asked to go forth in the cause of Allah, ye cling so heavily to the earth! Do ye prefer the life of this world to the hereafter? But little is the comfort of this life, as compared with the hereafter. Unless ye go forth, He will punish you with a grievous penalty, and put others in your place; but Him ye would not harm in the least. For Allah hath power over all things.'
Almighty Allah also says: 'So lose no heart, nor fall into despair. For ye must gain mastery if ye are true in faith.'
[World Islamic Front Statement, 23 February 1998]
”
”
Osama bin Laden
“
Cassandra caught my quizzical look and shrugged. “Problems adjusting. You just missed the latest of the new souls. It would seem none of us are quite as good with people as you are.”
That was an understatement. With any luck, Cassandra hadn’t caused any psychological scarring with her “Yeah, you’re dead, get over it” speech. She wasn’t a people person. Ordinarily, I greeted the new souls and took special care to deal with any “adjustment problems.” I enjoyed that part of my work. It was one of the few good deeds I could credit myself with. But as much as I’d love to tell myself otherwise, I wasn’t settling in the souls out of the goodness of my heart. Just lack of better alternatives. The other gods had difficulties relating to humans. But those difficulties were nothing compared to the problems the humans in my court had relating to each other. Souls lose something the longer they’re dead. They forget what it was like to worry, to be scared, to be human. Just yesterday, I’d caught Cassandra telling a frightened new soul I’d gone through a dark phase back when Dante passed through, but not to worry. I hadn’t gone off my meds for centuries.
Fucking Dante.
”
”
Kaitlin Bevis (The Iron Queen (Daughters of Zeus, #3))
“
There is a new song on Top 40 radio right now that's so good I want to kill myself. I'm not sure why exceptionally good hip-hop singles make me want to commit suicide, but they often do. I don't know what the title of the song is, but it's that religious woman with the perfect stomach from Destiny's Child and Jay-Z doing a duet featuring a horn riff from the '70s that I've never heard before (but that sounds completely familiar), and the chorus is something along the lines of, "Your love is driving me crazy right now/ I'm kind of hoping you'll page me right now." It's also possible that Jay-Z compares himself to Golden State Warriors guard Nick Van Exel during the last verse, but I can't be positive.
ANYWAY, by the time you read this sentence, the song I am referring to will be ten thousand years old. You will have heard it approximately 15,000 times, and you might hate it, and I might hate it, too. But right now -- today -- I am living for this song. As far as I'm concerned, there is nothing that matters as much as hearing it on the radio; I am interested in nothing beyond Beyonce Knowles's voice. All I do is scan the FM dial for hours at a time, trying to find it.
”
”
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
“
We all have a life to live! We all have unique and distinctive purposes to fulfill! Everybody has a purpose on earth, and everybody must live the true purpose why God gives life to us each day! You are not on earth to compete with anybody but your true purpose. You are not on earth to compare yourself to anybody, but the you in you and the true purpose for which you came here! Life is good when you don’t compare yourself in a manner that will make you feel bad. Life is good when you know your true purpose in life and who you must live to be and to please! You fulfill your true you distinctively when you understand you are you and not anybody! So many people are living others destiny just because they have neglected their own true purpose! So many people think badly just because they compare themselves wrongfully with others and things! Everybody has a life and everybody must live a life! If there is any reason to compare yourself to others and things, let it be the inspiration you get from comparing yourself with others and things that makes you do something unique! There is a true reason for our existence on earth and we must reason from nothing, but the true reason why we live each day!
”
”
Ernest Agyemang Yeboah
“
For example, my choice of career. You generously and patiently gave me complete freedom. Though this followed the habits, or at least the values, of the Jewish middle class concerning their sons. And here your misunder-standing of my character worked its effect, which – together with your father’s pride – blinded you to my real nature: to my weakness. In your opinion, I was always studying as a child, and later I was always writing. Looking back that is certainly not true. I can say with very little exaggeration, I barely studied and I learnt nothing; to have retained something after so many years of education wasn’t remarkable for a man with a memory and some intelligence; but given the vast expenditure of time and money, and my outwardly easy, unburdened life, what I achieved with regard to knowledge, especially sound knowledge, was nothing – certainly when compared to what others managed. It is lamentable, but for me understandable. I always had such a deep concern about the continued existence of my mind and spirit, that I was indifferent to everything else. Jewish schoolboys have a reputation, for amongst them one finds the most improbable things; but my cold, barely disguised, permanent, childish, ridiculous, animal, self-satisfied indifference, and my cold and fantastical mind, are not things that I have ever met again – though admittedly they were just a defence against nervous destruction through fear and guilt. And I was worried about myself in all manner of ways. For example, I was worried about my health: I was worried about my hair falling out, my digestion, and my back – for it was stooped. And my worries turned to fear and it all ended in true sickness. But what was all that? Not actual bodily sickness. I was sick because I was a disinherited son, who needed constant reassurance about his own peculiar existence, who in the most profound sense never owned anything, and who was even insecure about the thing which was next to him: his own body.
”
”
Franz Kafka (Letter to My Father)
“
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain.
Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
”
”
E.L. Doctorow (City of God)
“
Damen said, ‘You haven’t told him.’ ‘You don’t even deny it?’ said Jord. A harsh laugh, when Damen was silent. ‘You hated us so much, all this time? It wasn’t enough to invade, to take our land? You had to play this—sick game as well?’ Damen said, ‘If you tell him, I can’t serve him.’ ‘Tell him?’ said Jord. ‘Tell him the man he trusts has lied, and lied again, has deceived him into the worst humiliation?’ ‘I wouldn’t hurt him,’ said Damen, and heard the words drop like lead. ‘You killed his brother, then got him under you in bed.’ Put like that, it was monstrous. It’s not that way between us, he ought to have said, and didn’t, couldn’t. He felt hot, then cold. He thought of Laurent’s delicate, needling talk that froze into icy rebuff if Damen pushed at it, but if he didn’t—if he matched himself to its subtle pulses and undercurrents—continued, sweetly deepening, until he could only wonder if he knew, if they both knew, what they were doing. ‘I’m going to leave,’ he said. ‘I was always going to leave. I stayed only because—’ ‘That’s right, you’ll leave. I won’t allow you to wreck us. You’ll command us to Ravenel, you’ll say nothing to him, and when the fort is won, you’ll get on a horse and go. He’ll mourn your loss, and never know.’ It was what he had planned. It was what, from the beginning, he had planned. In his chest, the beats of his heart were like sword thrusts. ‘In the morning,’ said Damen. ‘I’ll give him the fort, and leave him in the morning. It’s what I promised.’ ‘You’re gone by the time the sun hits the middle of the sky, or I tell him,’ said Jord. ‘And what he did to you in the palace will seem like a lover’s kiss compared with what will happen to you then.’ Jord was loyal. Damen had always liked that about him, the steadfast nature that reminded him of home. Strewn around them was the end of the battle, victory marked by silence and churned grass. ‘He’ll know,’ Damen heard himself say. ‘When word of my return to Akielos reaches him. He’ll know. I wish you would tell him then that I—’ ‘You fill me with horror,’ said Jord. His hands were tight on his knife. Both his hands, now. ‘Captain,
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Here are some key attributes of the voice in my head. I suspect they will sound familiar. • It’s often fixated on the past and future, at the expense of whatever is happening right now. The voice loves to plan, plot, and scheme. It’s always making lists or rehearsing arguments or drafting tweets. One moment it has you fantasizing about some halcyon past or Elysian future. Another moment you’re ruing old mistakes or catastrophizing about some not-yet-arrived events. As Mark Twain is reputed to have said, “Some of the worst things in my life never even happened.” • The voice is insatiable. The default mental condition for too many human beings is dissatisfaction. Under the sway of the ego, nothing is good enough. We’re always on the hunt for the next dopamine hit. We hurl ourselves headlong from one cookie, one promotion, one party to the next, and yet a great many of us are never fully sated. How many meals, movies, and vacations have you enjoyed? And are you done yet? Of course not. • The voice is unrelievedly self-involved. We are all the stars of our own movies, whether we cast ourselves as hero, victim, black hat, or all three. True, we can get temporarily sucked into other people’s stories, but often as a means of comparing ourselves to them. Everything ultimately gets subordinated to the one plotline that matters: the Story of Me.
”
”
Jeff Warren (Meditation for Fidgety Skeptics: A 10% Happier How-To Book)
“
Most people cannot stand being alone for long. They are always seeking groups to belong to, and if one group dissolves, they look for another. We are group animals still, and there is nothing wrong with that. But what is dangerous is not the belonging to a group, or groups, but not understanding the social laws that govern groups and govern us.
When we're in a group, we tend to think as that group does: we may even have joined the group to find "like-minded" people. But we also find our thinking changing because we belong to a group. It is the hardest thing in the world to maintain an individual dissent opinion, as a member of a group.
It seems to me that this is something we have all experienced - something we take for granted, may never have thought about. But a great deal of experiment has gone on among psychologists and sociologists on this very theme. If I describe an experiment or two, then anyone listening who may be a sociologist or psychologist will groan, oh God not again - for they have heard of these classic experiments far too often. My guess is that the rest of the people will never have had these ideas presented to them. If my guess is true, then it aptly illustrates general thesis, and the general idea behind these essays, that we (the human race) are now in possession of a great deal of hard information about ourselves, but we do not use it to improve our institutions and therefore our lives.
A typical test, or experiment, on this theme goes like this. A group of people are taken into the researcher's confidence. A minority of one or two are left in the dark. Some situation demanding measurement or assessment is chosen. For instance, comparing lengths of wood that differ only a little from each other, but enough to be perceptible, or shapes that are almost the same size. The majority in the group - according to instruction- will assert stubbornly that these two shapes or lengths are the same length, or size, while the solitary individual, or the couple, who have not been so instructed will assert that the pieces of wood or whatever are different. But the majority will continue to insist - speaking metaphorically - that black is white, and after a period of exasperation, irritation, even anger, certainly incomprehension, the minority will fall into line. Not always but nearly always. There are indeed glorious individualists who stubbornly insist on telling the truth as they see it, but most give in to the majority opinion, obey the atmosphere.
When put as baldly, as unflatteringly, as this, reactions tend to be incredulous: "I certainly wouldn't give in, I speak my mind..." But would you?
People who have experienced a lot of groups, who perhaps have observed their own behaviour, may agree that the hardest thing in the world is to stand out against one's group, a group of one's peers. Many agree that among our most shameful memories is this, how often we said black was white because other people were saying it.
In other words, we know that this is true of human behaviour, but how do we know it? It is one thing to admit it in a vague uncomfortable sort of way (which probably includes the hope that one will never again be in such a testing situation) but quite another to make that cool step into a kind of objectivity, where one may say, "Right, if that's what human beings are like, myself included, then let's admit it, examine and organize our attitudes accordingly.
”
”
Doris Lessing (Prisons We Choose to Live Inside)
“
Embrace Reality and Deal with It 1.1 Be a hyperrealist. a. Dreams + Reality + Determination = A Successful Life. 1.2 Truth—or, more precisely, an accurate understanding of reality—is the essential foundation for any good outcome. 1.3 Be radically open-minded and radically transparent. a. Radical open-mindedness and radical transparency are invaluable for rapid learning and effective change. b. Don’t let fears of what others think of you stand in your way. c. Embracing radical truth and radical transparency will bring more meaningful work and more meaningful relationships. 1.4 Look to nature to learn how reality works. a. Don’t get hung up on your views of how things “should” be because you will miss out on learning how they really are. b. To be “good,” something must operate consistently with the laws of reality and contribute to the evolution of the whole; that is what is most rewarded. c. Evolution is the single greatest force in the universe; it is the only thing that is permanent and it drives everything. d. Evolve or die. 1.5 Evolving is life’s greatest accomplishment and its greatest reward. a. The individual’s incentives must be aligned with the group’s goals. b. Reality is optimizing for the whole—not for you. c. Adaptation through rapid trial and error is invaluable. d. Realize that you are simultaneously everything and nothing—and decide what you want to be. e. What you will be will depend on the perspective you have. 1.6 Understand nature’s practical lessons. a. Maximize your evolution. b. Remember “no pain, no gain.” c. It is a fundamental law of nature that in order to gain strength one has to push one’s limits, which is painful. 1.7 Pain + Reflection = Progress. a. Go to the pain rather than avoid it. b. Embrace tough love. 1.8 Weigh second- and third-order consequences. 1.9 Own your outcomes. 1.10 Look at the machine from the higher level. a. Think of yourself as a machine operating within a machine and know that you have the ability to alter your machines to produce better outcomes. b. By comparing your outcomes with your goals, you can determine how to modify
”
”
Ray Dalio (Principles: Life and Work)
“
Part 2
Etienne: I cheated on her every day. In my mind, I thought of you in ways I shouldn’t have, again and again. She was nothing compared to you. I’ve never felt this way about anybody before…
Anna: But…
Etienne: The first day of school. We weren’t physics partners by accident. I saw Professeur Wakefield assigning lab parnters based on where people were sitting, so I leaned forward to borrow a pencil form you at just the right moment so he’dt think we were next to each other. Anna, I wanted to be your partner the first day.
Anna: But …
Etienne: I bought you love poetry! „I love you as certain dark things are loved, secretly, between the shadow and the soul.“ Neruda. I starred the pasasge. God. Why didn’t you open it?
Anna: Because you said it was for school
Etienne: I said you were beautiful. I slept in your bed!
Anna: You never made a move! You had a girlfriend!
Etienne: No matter what a terrible boyfriend I was, I wouldn’t actually cheat on her.
But I thought you’d know. With me being there, I thought you’d know.
Anna: How could I know if you never said anything?
Etienne: How could I know if you never said anything?
Anna: You had Ellie!
Etienne: You had Toph! And Dave! Anna. I’m sorry for what happened in Luxembourg Gardens. Not because of the kiss – I’ve never had a kiss like that in my life – but because I didn’t tell you why I was running away. I chased after Meredith because of you. All I could think about was what that bastard did to you last Christmas. Toph never tired to explain or apologize. How could I do that to Mer? And I ought to have called you before I went to Ellie’s, but I was so anxious to just end it, once and for all, that i wasn’t thinking straight.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Incomplete,” he says. “If I’m whole, why do I feel like I’m not?” And as usual, Roberta has a calming platitude intended to ease his mind, but as time goes on her rote wisdom leaves him flat and disappointed.
“Wholeness comes from creating experiences that are solely yours, Cam,” she tells him. “Live your life and soon you’ll find the lives of those who came before won’t matter. Those who gave rise to you mean nothing compared to what you are.”
But how can he live his life when he’s not convinced he has one? The attacks in the press conference still plague him. If a human being has a soul, then where is his? And if the human soul is indivisible, then how can his be the sum of the parts of all the kids who gave rise to him? He’s not one of them, he’s not all of them, so who is he?
His questions make Roberta impatient. “I’m sorry,” she tells him, “but I don’t deal in the unanswerable.”
“So you don’t believe in souls?” Cam asks her.
“I didn’t say that, but I don’t try to answer things that don’t have tangible data. If people have souls, then you must have one, proved by the mere fact that you’re alive.”
“But what if there is no ‘I’ inside me? What if I’m just flesh going through the motions, with nothing inside?”
Roberta considers this, or at least pretends to. “Well, if that were the case, I doubt you’d be asking these questions.” She thinks for a moment. “If you must have a construct, then think of it this way: Whether consciousness is implanted in us by something divine, or whether it is created by the efforts of our brains, the end result is the same. We are.”
“Until we are not,” Cam adds.
Roberta nods. “Yes, until we are not.” And she leaves him with none of his questions answered.
”
”
Neal Shusterman (UnWholly (Unwind, #2))
“
It is a year and eight months since I last looked at these notes of mine. I do so now only because, being overwhelmed with depression, I wish to distract my mind by reading them through at random. I left them off at the point where I was just going to Homburg. My God, with what a light heart (comparatively speaking) did I write the concluding lines!—though it may be not so much with a light heart, as with a measure of self-confidence and unquenchable hope. At that time had I any doubts of myself? Yet behold me now. Scarcely a year and a half have passed, yet I am in a worse position than the meanest beggar. But what is a beggar? A fig for beggary! I have ruined myself—that is all. Nor is there anything with which I can compare myself; there is no moral which it would be of any use for you to read to me. At the present moment nothing could well be more incongruous than a moral. Oh, you self-satisfied persons who, in your unctuous pride, are forever ready to mouth your maxims—if only you knew how fully I myself comprehend the sordidness of my present state, you would not trouble to wag your tongues at me! What could you say to me that I do not already know? Well, wherein lies my difficulty? It lies in the fact that by a single turn of a roulette wheel everything for me, has become changed. Yet, had things befallen otherwise, these moralists would have been among the first (yes, I feel persuaded of it) to approach me with friendly jests and congratulations. Yes, they would never have turned from me as they are doing now! A fig for all of them! What am I? I am zero—nothing. What shall I be tomorrow? I may be risen from the dead, and have begun life anew. For still, I may discover the man in myself, if only my manhood has not become utterly shattered.
”
”
Fyodor Dostoevsky (The Gambler)
“
Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke.
I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting.
“I’ll walk you out,” I said and followed him to the door.
Ivy was still digging through my clothes and called out a good-bye.
“Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.”
I grimaced. “You’re probably right.”
He grinned. “I’ll call you later, ‘kay?”
I nodded.
He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me.
My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes.
My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down.
The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward.
A low laugh vibrated his chest and he pulled back.
“Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.”
I nodded, barely comprehending his words.
He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name.
He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us.
“Thanks, baby.”
I swear every girl within earshot sighed.
I couldn’t even blame them.
I shut the door and leaned against it.
Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.”
I smiled.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
Are you a relative of her late husband?” the woman asked.
His eyes widened. “I beg your pardon?”
“It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?”
Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!”
He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic!
As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance!
He knocked on the door and waited.
There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes.
He managed to get inside the screen door and catch her before she passed out.
She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks.
He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition.
“When did we make him?” he asked without preamble.
She felt her world dissolve. He knew about the baby. Of course. That was why he was here.
He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once.
“The baby is mine.”
“And mine.”
“Audrey is not getting her avaricious little hands on my child…!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
1. Choose to love each other even in those moments when you struggle to like each other. Love is a commitment, not a feeling. 2. Always answer the phone when your husband/wife is calling and, when possible, try to keep your phone off when you’re together with your spouse. 3. Make time together a priority. Budget for a consistent date night. Time is the currency of relationships, so consistently invest time in your marriage. 4. Surround yourself with friends who will strengthen your marriage, and remove yourself from people who may tempt you to compromise your character. 5. Make laughter the soundtrack of your marriage. Share moments of joy, and even in the hard times find reasons to laugh. 6. In every argument, remember that there won’t be a winner and a loser. You are partners in everything, so you’ll either win together or lose together. Work together to find a solution. 7. Remember that a strong marriage rarely has two strong people at the same time. It’s usually a husband and wife taking turns being strong for each other in the moments when the other feels weak. 8. Prioritize what happens in the bedroom. It takes more than sex to build a strong marriage, but it’s nearly impossible to build a strong marriage without it. 9. Remember that marriage isn’t 50–50; divorce is 50–50. Marriage has to be 100–100. It’s not splitting everything in half but both partners giving everything they’ve got. 10. Give your best to each other, not your leftovers after you’ve given your best to everyone else. 11. Learn from other people, but don’t feel the need to compare your life or your marriage to anyone else’s. God’s plan for your life is masterfully unique. 12. Don’t put your marriage on hold while you’re raising your kids, or else you’ll end up with an empty nest and an empty marriage. 13. Never keep secrets from each other. Secrecy is the enemy of intimacy. 14. Never lie to each other. Lies break trust, and trust is the foundation of a strong marriage. 15. When you’ve made a mistake, admit it and humbly seek forgiveness. You should be quick to say, “I was wrong. I’m sorry. Please forgive me.” 16. When your husband/wife breaks your trust, give them your forgiveness instantly, which will promote healing and create the opportunity for trust to be rebuilt. You should be quick to say, “I love you. I forgive you. Let’s move forward.” 17. Be patient with each other. Your spouse is always more important than your schedule. 18. Model the kind of marriage that will make your sons want to grow up to be good husbands and your daughters want to grow up to be good wives. 19. Be your spouse’s biggest encourager, not his/her biggest critic. Be the one who wipes away your spouse’s tears, not the one who causes them. 20. Never talk badly about your spouse to other people or vent about them online. Protect your spouse at all times and in all places. 21. Always wear your wedding ring. It will remind you that you’re always connected to your spouse, and it will remind the rest of the world that you’re off limits. 22. Connect with a community of faith. A good church can make a world of difference in your marriage and family. 23. Pray together. Every marriage is stronger with God in the middle of it. 24. When you have to choose between saying nothing or saying something mean to your spouse, say nothing every time. 25. Never consider divorce as an option. Remember that a perfect marriage is just two imperfect people who refuse to give up on each other. FINAL
”
”
Dave Willis (The Seven Laws of Love: Essential Principles for Building Stronger Relationships)
“
...imagine that you hold in one hand an oddly shaped stone. You keep this hand closed into a fist, but still you can feel the stone’s curvature and the pointed edges, the roughness—of course, you know the relative size and weight and might even have a mental image of the color of this stone, even if you have not yet laid eyes upon it. Imagine that stone in your hand. Imagine what it is like to know everything about the way it feels, but nothing of how it looks. Hold that in mind for a moment.
Now, imagine that there is a person standing next to you who tells you that she also holds a stone in her hand. You look down and see the clenched fist and she sees yours and you confess the same. Neither of you, it seems, has yet opened the hand and seen the stone. Still, you can only trust each other’s proclamations. Standing together with your stones in hand, the two of you theorize about whether or not your respective stones are similar to one another. You discuss mundane details about your stones (not the special ones—you hesitate to make mention of the sharp point in the northern hemisphere or the flat area on the bottom). Your neighbor finally notes similarities between her stone and yours and you nod with relief and acknowledge that your stones indeed share reasonable commonalities. Over the course of your discussion, you and your neighbor finally conclude, without bothering to open your hands, that the stones you hold must indeed be quite similar.
Are they? It is only suitable to say that they are.
At the same time, and in spite of your desire not to offend, there is no doubt in your mind that the stone you hold bespeaks a greater prominence than that of your neighbor. You are not sure how you know this to be true, but it must be so! And I do not mean that this stone simply holds a greater subjective prominence. It has something of the universal, for it is, indeed, an auspicious stone! Silently, you hypothesize in what ways it must be special. It is possibly different in shape, color, weight, size and texture from the other, but you cannot confirm this. Perhaps, it is special by substance? Still, you are unsure. The very fact of your uncertainty begins to bother you and unleashes within you a deep insecurity. What if you are wrong and your stone is actually inferior to the other…or inferior even to some third stone not yet encountered?
Meanwhile, your neighbor is silently suffering in the same agony. Both of you tacitly understand that, without comparing the two visually, it is absurd to proclaim the two stones similar. Yet, your fist remains clenched, as does your neighbor’s and so you find yourselves unable to hold out the stones before you and compare them side-by-side. Of course, this is possible, but the mutual curiosity is outstripped by an inveterate pride, and so you both become afraid of showing (and even seeing) what you have, for fear that your respective stones will be different in appearance from the model that you have each conceptualized in mind. Meekly your eyes meet and you smile to one another at your new comradeship, but, all the while, remain paralyzed by a simultaneous shame and vanity.
”
”
Ashim Shanker
“
Two men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely.
“All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what—
Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion.
There’s nothing underneath them. At all.
My charcoal slips through my suddenly sweaty fingers.
Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else.
“All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me.
Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery.
How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—”
“Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—”
“Annnnd next pose!”
Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me.
By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again.
I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))