Notebook With Inspirational Quotes

You can't live your life for other people. You've got to do what's right for you, even if it hurts some people you love.

What's terrible is to pretend that second-rate is first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better.

The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and will be. Maybe we've lived a thousand lives before this one and in each of them we've found each other. And maybe each time, we've been forced apart for the same reasons. That means that this goodbye is both a goodbye for the past ten thousand years and a prelude to what will come.

Poetry, she thought, wasn't written to be analyzed; it was meant to inspire without reason, to touch without understanding.

Obscurity and a competence—that is the life that is best worth living.

Maybe we've lived a thousand lives before this one and in each of them we've found each other... I know I've spent each life before this one searching for you. Not someone like you but you, for your soul and mine must always come together.

For my part I know nothing with any certainty, but the sight of the stars makes me want to dream.

When the poet Paul Valery once asked Albert Einstein if he kept a notebook to record his ideas, Einstein looked at him with mild but genuine surprise. "Oh, that's not necessary," he replied . "It's so seldom I have one.

He looked at her. She was pretty still, with thick hair and soft eyes, and she moved so gracefully that it almost seemed as though she were gliding. He'd seen beautiful women before, though, women who caught his eye, but to his mind, they usually lacked the traits he found most desirable. Traits like intelligence, confidence, strength of spirit, passion, traits that inspired others to greatness, traits he aspired to himself.

Light is more important than the lantern, The poem more important than the notebook

Self-respect. It would make me lovable. And it's the secret to good sex.

One can never ask anyone to change a feeling.

Nothing is mysterious, no human relation. Except love.

The romantics would call this a love story, the cynics would call it a tragedy. In my mind it’s a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that it involves a great deal of my life and the path I’ve chosen to follow.

The second thing you have to do to be a writer is to keep on writing. Don't listen to people who tell you that very few people get published and you won't be one of them. Don't listen to your friend who says you are better that Tolkien and don't have to try any more. Keep writing, keep faith in the idea that you have unique stories to tell, and tell them. I meet far too many people who are going to be writers 'someday.' When they are out of high school, when they've finished college, after the wedding, when the kids are older, after I retire . . . That is such a trap You will never have any more free time than you do right now. So, whether you are 12 or 70, you should sit down today and start being a writer if that is what you want to do. You might have to write on a notebook while your kids are playing on the swings or write in your car on your coffee break. That's okay. I think we've all 'been there, done that.' It all starts with the writing.

I sometimes think my head is so large because it is so full of dreams.

So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.

Deep down within the heart there is a stillness which is healing, a trust in the universal laws which is unwavering, and a strength which is rock-like. But because it is so deep we need both patience and perseverance when digging for it.

our demons lose their power when we pull them out of the depths where they hide and look them in the face in broad daylight.

And isn't the whole world yours? For how often you set it on fire with your love and saw it blaze and burn up and secretly replaced it with another world while everyone slept. You felt in such complete harmony with God, when every morning you asked him for a new earth, so that all the ones he had made could have their turn. You thought it would be shabby to save them and repair them; you used them up and held out your hands, again and again, for more world. For your love was equal to everything.

Can I love someone...and still think/fly? Love is flying, sown, floating. Thought is solitary flight, beating wings.

The water you touch in a river is the last of that which has passed, and the first of that which is coming. Thus it is with time present. Life, if well spent, is long.

There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art. Neither is independent of the other or more important than the other. Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery. The truth of art keeps science from becoming inhuman, and the truth of science keeps art from becoming ridiculous." (Great Thought, February 19, 1938)

Accept the long night patiently, quietly, humbly, and resignedly as intended for your true good. It is not a punishment for sin committed but an instrument of annihilating egoism.

This withdrawal from the day's turmoil into creative silence is not a luxury, a fad, or a futility. It is a necessity, because it tries to provide the conditions wherein we are able to yield ourselves to intuitive leadings, promptings, warnings, teachings, and counsels and also to the inspiring peace of the soul. It dissolves mental tensions and heals negative emotions.

Wanderess, Wanderess, weave us a story of seduction and ruse. Heroic be the Wanderess, the world be her muse.' ...I jot this phrase of invocation in my old leather-bound notebook on a bright, cold morning at the Café **** in Paris, and with it I’m inspired to take the reader back to the time I first met and became acquainted with the girl I call The Wanderess—as well as a famous adventurer named Saul, the Son of Solarus.

My works are like water. The works of the great masters are like wine. But everyone drinks water. - From Mark Twain's Notebook, 1885

Living in the present moment means living according to truth and principle (but not according to hard rigid dogma) flexibly applied in the particular way required by the immediate situation in which you are. Such a way of living leaves you free, not ruled tyrannically by imposed regulations which may not at all suit the particular case.

Life is the ultimate artistic masterpiece, and it's up to you, the creator, to make it as wildly dazzling as possible.

The real meaning of a poem is to stop time.

Poetry wasn't written to be analysed: it was meant to inspire without reason, to touch without understanding.

What is hell to a writer? Hell is being too busy to find the time to write or being unable to find the inspiration. Hell is suddenly finding the words but being away from your notebook or typewriter. Hell is when the verses slip away through your fingers and they never return again.

Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year. Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself. See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all. Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory. And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well. The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants." [Getting Into Print (The Editor magazine, March 1903)]

On our way home we throw the apples, the biscuits, the chocolate and the coins in the tall grass by the roadside. It is impossible to throw away the stroking on our hair

You can make it all right if you will only be satisfied to remain small,' I told myself. I had to keep saying it over and over to myself. 'Be little. Don't try to be big. Work under the guns. Be a little worm in the fair apple of life.' I got all of these sayings at my tongue's end, used to go through the streets of Chicago muttering them to myself.

I've always said "Writer's Block" is a myth. There is no such thing as writer's block, only writers trying to force something that isn't ready yet. Sometimes I don't write for weeks. And then all of the sudden I'll get a rush of inspiration and you can't drag me away from my notebook. But I don't stress out if I don't hit some arbitrary word count each day or if I go a few days without writing something.

Life says: " Write down your experiences in a notebook, not on a blackboard. Don't start with a clean slate, but with a new page, so you can look back.

I can explain, There’s no need, I’ve been keeping regular track of your activities, and, besides, your notebook has been a great help to me, may I take the opportunity to congratulate you on the excellent style and the appropriateness of the language, I’ll hand in my resignation tomorrow, I won’t accept it.

Always carry with you a pen and a notebook or a journal to write the thoughts that flashes in a moments.

Your dreams and your imagination are the keys to ART so capture all of yours in this notebook.....

– Then why are you begging? – To find out what effect it has and to observe people’s reaction

The power of writing is phenomenal.

Daring soul has five diaries; gratitude, work, inspirational, prayer and language diaries.

Don’t seek to emulate other writers. Don’t pay heed to how others say your tales should be written. And don’t ever change your writing on account of anything or anyone. Your stories are your own, so write them your way.

I don't believe there's ever been a 'good' first draft, but there's a reason for that: they don’t have to be. First drafts are part of the process; they're the rough diamond on their way to being cut and polished. It takes a while to get them to shine.

I think that a true writer will keep on writing, no matter what. Even if they don’t get published, even if they’re constantly faced with criticism… they’ll keep writing. The act is essential to a writer’s existence. Without it, life would have no meaning.

Swear to me that no matter what happens, no matter how hurt you get, you'll still be that serial killer writer, that strong, beautiful chick I was obsessed with in high school. Promise me you'll always go down swinging, and that you'll get back up with that smile that can corrupt a saint

The first time I write my full name Jacqueline Amanda Woodson without anybody' help on a clean white page in my composition notebook, I know If I wanted to I could write anything Letters becoming words, words gathering meaning, becoming thoughts outside my head becoming sentences written by Jacqueline Amanda Woodson

We are always people that are in the making, constantly adapting to accommodate the roads we walk. As we learn, it changes us. As we go about our course, we grow, and prune everything around us; friends, beliefs, desires. Our past experiences plant the seeds needed for our future roads, with all its turns, speed, and treachery.

I'm not sure if people understand what it means to be a writer. It's not like it feels so great. I mean, most of the time you are sitting at your desk and bleeding out onto your computer screen, your notepad, your notebook... there's a lot of bleeding that goes on when you're a writer! You don't just work to sell books, you work to bind your wounds and put your skin back together again after opening yourself up all over the place! I don't know how other writers write... but this is how I write.

I miracoli sono autentici e possono verificarsi a dispetto dell'ordine naturale delle cose.

You are always a young magician with your own methods of creating your own world .

A happy poet who writes about his window and the glass doors of his bookcases that reflect pensively a beloved, lonely vastness. This is the poet I would have liked to become (...)

If the gooseberry said: 'I haven't the heart to be a real proper gooseberry because if everyone were a gooseberry the world wouldn't continue to exist' this would be a stupid argument and the world would be deprived of a useful fruit. If you are called upon to be a 'gooseberry' in all the senses--pleasant or ludicrous--of the word, you should be one with all your heart and soul, without a backward glance.

Bisognerebbe saper attendere, raccogliere, per una vita intera e possibilmente lunga, senso e dolcezza, e poi, proprio alla fine, si potrebbero forse scrivere dieci righe valide. Perché i versi non sono, come crede la gente, sentimenti (che si acquistano precocemente), sono esperienze. Per scrivere un verso bisogna vedere molte città, uomini e cose, bisogna conoscere gli animali, bisogna capire il volo degli uccelli e comprendere il gesto con cui i piccoli fiori si aprono al mattino. Bisogna saper ripensare a itinerari in regioni sconosciute, a incontri inaspettati e congedi previsti da tempo, a giorni dell'infanzia ancora indecifrati, ai genitori che eravamo costretti a ferire quando portavano una gioia e non la comprendevamo (era una gioia per qualcun altro), a malattie infantili che cominciavano in modo così strano con tante profonde e grevi trasformazioni, a giorni in stanze silenziose e raccolte e a mattine sul mare, al mare sopratutto, a mari, a notti di viaggio che passavano con un alto fruscio e volavano assieme alle stelle - e ancora non è sufficiente poter pensare a tutto questo. Bisogna avere ricordi di molte notti d'amore, nessuna uguale all'altra, di grida di partorienti e di lievi, bianche puerpere addormentate che si rimarginano. Ma bisogna anche essere stati accanto ad agonizzanti, bisogna essere rimasti vicino ai morti nella stanza con la finestra aperta e i rumori intermittenti. E non basta ancora avere ricordi. Bisogna saperli dimenticare, quando sono troppi, e avere la grande pazienza di attendere che ritornino. Perché i ricordi in sé ancora non sono. Solo quando diventano sangue in noi, sguardo e gesto, anonimi e non più distinguibili da noi stessi, soltanto allora può accadere che in un momento eccezionale si levi dal loro centro e sgorghi la prima parola di un verso.

It was on the steamer carrying him through the Golden Gate that he happened to reach down into the hole in the lining of the right pocket of his overcoat and discover the envelope that his brother had solemnly handed to him almost a month before. It contained a single piece of paper, which Thomas had hastily stuffed into it that morning as they all were leaving the house together for the last time, by way or in lieu of expressing the feelings of love, fear, and hopefulness that his brother's escape inspired. It was the drawing of Harry Houdini, taking a calm cup of tea in the middle of the sky, that Thimas had made in his notebook during his abortive career as a librettist. Josef studied it, feeling as he sailed toward freedom as if he weighed nothing at all, as if every precious burden had been lifted from him.

[Patricia Highsmith] went on to recommend that aspiring writers keep a notebook in which to jot down thoughts or ideas, that they should trust in the power of the unconscious and that they shouldn't force inspiration. In addition, it was important to avoid those who negated the creative process, sometimes people per se. 'The plane of social intercourse,' she said, 'is not the plane of creation, not the plane on which creative ideas fly [...] This is a curious thing, because sometimes the very people we are attracted to or in love with act as effectively as rubber insulators to the spark of inspiration.

Dr. Mary Atwater's story was so inspiring. Growing up, Dr. Atwater had a dream to one day be a teacher. But as a black person in the American South during the 1950s, she didn't have many great educational opportunities. It didn't help that she was also a girl, and a girl who loved science, since many believed that science was a subject only for men. Well, like me, she didn't listen to what others said. And also like me, Dr. Atwater had a father, Mr. John C. Monroe, who believed in her dreams and saved money to send her and her siblings to college. She eventually got a PhD in science education with a concentration in chemistry. She was an associate director at New Mexico State University and then taught physical science and chemistry at Fayetteville State University. She later joined the University of Georgia, where she still works as a science education researcher. Along the way, she began writing science books, never knowing that, many years down the road, one of those books would end up in Wimbe, Malawi, and change my life forever. I'd informed Dr. Atwater that the copy of Using Energy I'd borrowed so many times had been stolen (probably by another student hoping to get the same magic), so that day in Washington, she presented me with my own copy, along with the teacher's edition and a special notebook to record my experiments. "Your story confirms my belief in human beings and their abilities to make the world a better place by using science," she told me. "I'm happy that I lived long enough to see that something I wrote could change someone's life. I'm glad I found you." And for sure, I'm also happy to have found Dr. Atwater.

I want, I want, I want... At this point I'm just a mass of seething wants, but what I want I'm not really sure of. (Like going to the fridge, and opening it, letting all the cold air out...and not knowing what it is you want to eat. You stand with the door open hoping that something will you inspire you.) I'm standing with the door open at the fridge of life, and I want.

You are supposed to stand before a congregation, brimming over with a great message. Here I am trying to find a new little message each Sunday. If I really had great convictions I suppose they would struggle for birth each week. As the matter stands, I struggle to find an idea worth presenting and I almost dread the approach of a new sabbath. I don’t know whether I can ever accustom myself to the task of bringing light and inspiration in regular weekly installments. How in the world can you reconcile the inevitability of Sunday and its task with the moods and caprices of the soul? The prophet speaks only when he is inspired. The parish preacher must speak whether he is inspired or not. I wonder whether it is possible to live on a high enough plane to do that without sinning against the Holy Spirit.

If we think that we can do something big and include passion, it does not mean that you will be able to do it. There are different situations for all human beings in life; the circumstances of their life and your life are not the same. That's why instead of doing something big, think of doing something good and big according to the situation. Do not lose your senses in the absence of books and online videos.

My brother says I don't talk enough so he hoped this notebook would give me a place to put my thoughts. Every now and then, I dress my thoughts in the clothing of a poem. Try to figure out if my world changes once I set down these words. This was the first time someone gave me a place to collect my thoughts. In some ways, it seemed like he was saying that my thoughts were important. From that day forward I've written every single day. Sometimes it seems like writing is the only way I keep from hurting.

Fans of the Peanuts comic strip may also remember Snoopy beginning his novel again and again, always starting with the line 'It was a dark and stormy night' ... In fact, since 1982, San Jose State University has run a writing contest inspired by 'It was a dark and stormy night' ... Charles Dickens opens stave one of A Christmas Carol with 'Once upon a time' ... Similarly, James Joyce's A Portrait of the Artist As a Young Man begins: 'Once upon a time' ... and Madeleine L'Engle begins A Wrinkle in Time with the very words 'It was a dark and stormy night.' (From Intro by Francine Prose)

He sees the truth as with a jolt. There it is, within his own being, lying deep down but still in his own self. There never was any need to travel anywhere to find it; no need to visit anyone who was supposed to have it already, and sit at his feet; not even to read any book, however sacred or inspired. Nor could another person, place, or writing give it to him--he would have to unveil it for himself in himself. The others could direct him to look inwards, thus saving all the effort of looking elsewhere. But he himself would have to give the needful attention to himself. The discovery must be his own, made within the still centre of his being.

[The Great Gatsby] is a tour de force of revision. So much so that critics, who rarely mention the edit of a book, commented on the quality of Gatsby's rewriting, not just its writing, in reviews. For H. L. Mencken, the novel had 'a careful and brilliant finish. ... There is evidence in every line of hard work and intelligent effort. ... The author wrote, tore up, rewrote, tore up again. There are pages so artfully contrived that one can no more imagine improvising them than one can imagine improvising a fugue.' ... Careful, sound, carefully written, hard effort, wrote and rewrote, artfully contrived not improvised, structure, discipline: all these terms refer, however obliquely, not to the initial act of inspiration, but to editing. Organization and clarity do not dominate the writing process. At some point, though, a writer must pull coherence from confusion, illuminate what lives in shadow, shade what shines too brightly. Gatsby is the cat's meow case study of crossing what Michael Ondaatje calls 'that seemingly uncrossable gulf between an early draft of a book ... and a finished product' - in other words, editing.

People are too emotional about communism, or rather, about their own Communist Parties, to think about a subject that one day will be a subject for sociologists. Which is, the social activities that go on as a direct or indirect result of the existence of a Communist Party. People or groups of people who don’t even know it have been inspired, or animated, or given a new push into life because of the Communist Party, and this is true of all countries where there has been even a tiny Communist Party. In our own small town, a year after Russia entered the war, and the left had recovered because of it, there had come into existence (apart from the direct activities of the Party which is not what I am talking about) a small orchestra, readers’ circles, two dramatic groups, a film society, an amateur survey of the conditions of urban African children which, when it was published, stirred the white conscience and was the beginning of a long-overdue sense of guilt, and half a dozen discussion groups on African problems. For the first time in its existence there was something like a cultural life in that town. And it was enjoyed by hundreds of people who knew of the communists only as a group of people to hate. And of course a good many of these phenomena were disapproved of by the communists themselves, then at their most energetic and dogmatic. Yet the communists had inspired them because a dedicated faith in humanity spreads ripples in all directions.

A Season in Hell - 1854-1891 A while back, if I remember right, my life was one long party where all hearts were open wide, where all wines kept flowing. One night, I sat Beauty down on my lap.—And I found her galling.—And I roughed her up. I armed myself against justice. I ran away. O witches, O misery, O hatred, my treasure's been turned over to you! I managed to make every trace of human hope vanish from my mind. I pounced on every joy like a ferocious animal eager to strangle it. I called for executioners so that, while dying, I could bite the butts of their rifles. I called for plagues to choke me with sand, with blood. Bad luck was my god. I stretched out in the muck. I dried myself in the air of crime. And I played tricks on insanity. And Spring brought me the frightening laugh of the idiot. So, just recently, when I found myself on the brink of the final squawk! it dawned on me to look again for the key to that ancient party where I might find my appetite once more. Charity is that key.—This inspiration proves I was dreaming! "You'll always be a hyena etc. . . ," yells the devil, who'd crowned me with such pretty poppies. "Deserve death with all your appetites, your selfishness, and all the capital sins!" Ah! I've been through too much:-But, sweet Satan, I beg of you, a less blazing eye! and while waiting for the new little cowardly gestures yet to come, since you like an absence of descriptive or didactic skills in a writer, let me rip out these few ghastly pages from my notebook of the damned.

The essential key for writing is to write regularly — like it or not — great ideas come often by writing; releasing the subconscious — waiting for inspiration and ideas will not work, but it does help to have a notebook with you all the time for sudden brainstorms or inspiration.

What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003

They scribbled observations in notebooks.

Creation is not a moment of inspiration but a lifetime of endurance. The drawers of the world are full of things begun. Unfinished sketches, pieces of invention, incomplete product ideas, notebooks with half-formulated hypotheses, abandoned patents, partial manuscripts. Creating is more monotony than adventure. It is early mornings and late nights: long hours doing work that will likely fail or be deleted or erased—a process without progress that must be repeated daily for years. Beginning is hard, but continuing is harder. Those who seek a glamorous life should not pursue art, science, innovation, invention, or anything else that needs new. Creation is a long journey where most turns are wrong and most ends are dead. The most important thing creators do is work. The most important thing they don’t do is quit. The

Guy between boyfriends #6 and #7 Paul Diaz, Twenty-Something He was in her watercolor class, so cute and the sweet kind of shy. They obviously clicked, the attraction thrilling between them, inspiring her to relish the infatuation freshman-style and write his name in her notebook in curvy, flowery script. She gave him openings but guessed he was too timid to ask her out. The day after finals, she ran into him at the deli on campus and thought she had nothing to lose. “My work is having this fancy dinner party next weekend, the food’s supposed to be great. Would you like to go with me?” “Oh, uh, maybe, I’ll have to check,” he said. Then, “What was your name again?” There’s always something to lose.

Otto Richter scribbled equations into a notebook at a furious pace, as if he were possessed by a berserker demon. He was in hot pursuit of a sudden inspiration—that superfluidity could be used to model exotic matter, which in turn could lead

A girl with a notebook becomes a woman with vision.

imagination, devotional faith, inspiration, spirituality, and inner guidance are the qualities we need to strengthen and develop in our search for soul mate love. These are all also attributes of the crown chakra. Thus, the seventh chakra is aligned with love magic.

Exhaustion Salima sat in the fancy hotel room In the evening time. Here she is again in another foreign city, Attending a conference discussing “human rights”. Her eyes roamed the room. She suddenly felt a severe chill in her body. She suddenly realized that she is exhausted, But her exhaustion is not that of one day, It was one of a lifetime! It fell upon her abruptly. The thoughts of the bygone years Nested in her head, Were suddenly awoken. One thought after another. She realized at that moment That she is tired of responding to The same absurd questions About her origins Her ethnicity, Her religion, Her hobbies, Her favorite foods, Her education background, Her age, And her occupation. Questions asked frequently by people who don’t care. She suddenly realized That throughout her life, She never found a friend who could really understand. The evening was about to draw its dark curtains. She remembered that ever since she was a child, She had been hiding her favorite words and writings In notebooks that nobody will read. She has been murmuring her favorite tunes, In places where nobody could hear her. The evening was about to draw its dark curtains. She realized that her true thoughts and feelings Lived nowhere expect inside of her head, And there they will most likely die. Her head had become like a prison for her thoughts. The evening was about to draw its dark curtains. She suddenly realized That she had wasted so many years of her life Looking for someone who might understand. And each time she thought she had found one, She found herself in yet another prison. She looked through the window of the fancy hotel room And saw that the darkness had covered the entire city. September 9, 2017

Here are several reasons why you should train yourself for success like a champion boxer! 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 비닉스파는곳,비닉스구입방법,비닉스구매방법,비닉스구입사이트,비닉스구매사이트,비닉스판매사이트 필름형발기제판매,발기부전개선제판매,발기부전치료제판매,정력제판매,남성정력제판매,천연정력제판매 You don’t practice in the arena, that’s where your skills and your abilities are evaluated. This also means that you don’t practice solving problems and developing yourself when problems occur, you prepare yourself to face them long before you actually face them. Talent is good but training is even better. Back in college, one of my classmates in Political Science did not bring any textbook or notebook in our classes; he just listened and participated in discussions. What I didn’t understand was how he became a magna cum laude! Apparently, he was gifted with a great memory and analytical skills. In short, he was talented. Your negative emotions can also be controlled and directed. PMA and self-discipline can remove their harmful effects and make them serve constructive purposes. Sometimes fear and anger will inspire intense action. But you must always submit your negative emotions--and you positive ones--to the examination of your reason before releasing them. Emotion without reason is a dreadful enemy. What faculty provides the crucial balance between emotions and reason? It is your willpower, or ego, a subject which will be explored in more detail below. Self-discipline will teach you to throw your willpower behind either reason or emotion and amplify the intensity of their expression. Both your heart and your mind need a master, and they can find the master in your ego. However, your ego will fill their role only if you use self-discipline. In the absence of self-discipline, your mind and heart will fight their battles as they please. In this situation the person within whose mind the fight is carried out often gets badly hurt.

At the sight of the notebooks lined up in the window I feel the same flurry of anticipation for clean pages, fresh ink and new beginnings. If only I could crack myself open like a new book, and know that there were hundreds of blank pages waiting to be filled.

—Parents, you must show up and be present. —You must ask what your scholar learned every single day. —You must check your scholar’s backpack and notebooks every single day. —You must have your scholar sit and read to you or with you every single day.

Joyce took meticulous care with his research, reading books primarily, indeed many people who knew him, including Beckett, have claimed almost exclusively, for what they could offer him for his own writing. Inspired more by disinterested intellectual and scholarly curiosity than Joyce, Beckett’s notebooks show, nonetheless, that he too plundered the books that he was reading or studying for material that he could then incorporate into his own writing. Beckett copied out striking, memorable or witty sentences or phrases into his notebooks. Such quotations or near quotations were then woven into the dense fabric of his early prose. It is what could be called a ‘grafting’ technique that runs at times almost wild.

I remember the time on the school bus back before anyone could drive, Jenny bet me a dollar, to put my hand down her jeans to prove she wears thong undies. Saying that I am such a baby, for not knowing, that’s how that all started, she felt like she had to teach me everything. Anyways back then I was still where Mickey Mouse Briefs and did even think about what was underneath. She beat me to feel that she was not a virgin, that she was all open and smooth, unlike me at the time. I didn’t even shave my legs yet. So, I did, I went for it. The rush here was touching a girl inappropriately, with everyone looking, and hoping the driver didn’t see. I’ll never forget Danny Hover looking over the site with Andrea Doeskin smelling, like little perv’s, and Shy saying- ‘Oh my God’- snickering at the fact, from the set accordingly. Yeah, it’s that kind of rush I get, over and over being with them. Just like Jenny got Liv fixed up with Dilco, it’s all about the rush in the end. Jenny can be a hell of a lot of fun, and it’s that fun that keeps me coming back for more, the same way Liv and Maddie do, and other girls keep trying to be like us, it’s all about the craziness. I don’t know why but when I am with them- I want to be so naughty! I remember Marcel smacking my butt, just to be cute, every time he would see me in the hallways of a school. -Yeah, he’s weird, but I couldn’t stop thinking about him as I was- well… doing me. Yet Ray’s photo was looking at me on my nightstand. ~*~ In my bed, I snap the bright light off when I hear my little sis coming down the hall, everyone goes back to being fuzzy, like I’m not looking at my room but only at a blurry photo of my room that was taken with a shaky hand incorrectly and nothing match up with the real thing. My sis went into the bathroom next door to tinkle, so I snapped on my nightlight, and then that light modifies everything, so it looks somewhat ordinary again. If my sis sees my light on from the crack at the bottom of my door, she will come bursting in. I have learned to keep it as dark as I can when I hear her coming run down the hallway. I love her, yet I want my privacy. All at once it comes back to me, like a hangover rush all my blood starts going back up into my head: the party, my sis getting laid, the argument with Ray, falling to Marcel, all the sex, all the drinking, and drugs, it’s all thumping hard in my brain, like my covered button was a few moments ago, on cam. I am still lying here uncovered, with everything still out in the open. ‘Kellie!’ My door swings open, hammering the door handle against my wall, and sis comes bolting across my room, jumping in my bed, pacing over my textbook's notebooks, love notes, and pills of dirty tops and bottoms and discarded jeans, I panic thinking my Victoria’s Secret Heritage Pink nighty way over there on the floor, where I thought it off and left it the night before. Yet it’s not liked my sis has not seen me naked before… but is wired when this happens. Something is not right, something seems very wrong and oggie; something skirts the edges of my memory, but then it is gone as my head pounds and sis is bouncing on my bed on top of me, throwing her arms and legs around my nude torso. Saying- ‘So what are you going to show me today?’ I am thinking to myself- girl you already got it down, doing what you’re doing now, I don’t need to teach you anything. Kellie- she is so hot… (Oh God not in that way, she’s- my sis.) She is like a little furnace with her worth coming from her tiny body. It’s not too long before her nighty rides up, and I can see it all in my face like she wants to be just like me, and then she starts asking her questions.

I hadn’t flown half around the world to shack up with a Cairns five. I was here for one reason: to find myself. In the first twelve hours, I had only found the guy I hated, the drunk who fucked anything that walked. The woman was adamant that I take her phone number and email. She scribbled down both on notebook paper. I grasped the sheet of paper, assuring her I’d be in touch. I gave her a final nudge toward the door and a final kiss goodbye, carefully avoiding her snaggle tooth.

Writing down what you’re grateful for is a scientifically proven way (who knew?) to feel amazing about all that you’re blessed with in your life. So snag a cute notebook from the dollar store or decorate a plain old one with a collage of words that inspire you. Keep it on your nightstand, and every couple of nights before you go to bed pen three things that you were grateful for that day. It’s tempting to do it nightly, but the uplifting effect actually wears off if you go overboard. On Sunday evening, look back at everything you wrote down in the previous week and feel the good vibes wash over you.

The nice thing about having a lover is that it makes you think about everything anew; the rest of your life becomes a kind of movie, flat and rather funny. “Inspirations have I none / Just a touch of flaming love…” sings Bowie.

The war against the crime syndicate in Chicago never ends. Those who attended the wedding of Tony Accardo’s kid were inspired after they saw how the battle is being waged. Long before the wedding began, dozens of law enforcement agents poured into the area around St. Vincent Ferrer Church on North Avenue, a few blocks west of Harlem. Veteran crime syndicate observers were quick to spot the FBI, the Secret Service, the Chicago Police Undercover Unit, the Crime Commission, and the Quickie Credit-Check Service. This phase of the never-ending battle against the gang-lords is fought, not with guns, but with notebooks and cameras. Nobody knows if this is effective against the mob, but at least no cops got shot in the foot.

Notebooks, however flimsy or fancy, are a writer’s indispensable tool.

Once upon a time, when I first ventured out to cover war in the Middle East, I carted around palm-sized books of poems by early twentieth century poets like Wilfried Owen, and at night I would fall asleep beneath a dim lamp light submerged in beautifully written conflict memoirs by John Hersey and Michael Herr, comforted by the anecdotes of sadness and self-preservation. These days, I carry with me a hand-scrawled notebook of the above words of wisdom and reflection, treasuring the many inspiring humans who have welcomed me into their lives in their darkest and most triumphant moments. These beautifully ordinary people remind me that we all have the innate potential not only to surmount, but to thrive. Go forth and conquer. The choice is yours.

If you don't have an inspirational collection of books at your home, don't call yourself intellect, because a good brain is nourished by a quality collection of books.

I then tell myself that the result is pitiful but the struggle worth it because I looked at color and I looked at the night and the river like I never had before and saw what I take so for granted with new eyes. Is there any activity that so rewards failure? These are toads that become flowers.

There are times for the tearless cry, There are times for the voiceless words we say.. There are times for the unjustified sorrow.. There are times for the empty diaries And the white similar days.. There are weeks for suspense, Nights for insomnia, And long hours for annoyance.. There are times for folly, others for repentance, Times for passion and others for pain.. There are times unrelated to seasons. There are times for the letters that will never be written, For that phone that will never ring, For the confessions that will never be made, For a lifetime that must be spent in a moment of wager.. There is a wager where we bet our hearts on a gambling table.. There are brilliant players practicing failure with distinction... There are beginnings of years similar to ends, There are weekends longer than all weeks.. There are gray mornings of days unrelated to autumn.. There are storms of passion leaving no place for a tent, And a furnished memory that can't be used for rent.. There are trains that will travel without us, And airplanes that will take us no further than ourselves. Deep inside us; there is a corner where rain never stops.. There are rains that water only notebooks.. There are poems that will never be signed by poets, There are inspiring people who sign a life of a poet, There are writings more wonderful than their writers, There are love stories more beautiful than their lovers, There are lovers who mistook their path to love, There is a love which mischose its lovers.. There is a time that is not created for passion, There are lovers who are not created for this time, There is a love which is created to stay, There is a love that sweeps everything away.. There is a love as fierce as hate, There is a hate unmatched by any love.. There is a forgetfulness more visible than memory, There are lies more honest than truth.. There is me, There is you, There are imaginary dates more delightful than all dates, There are love plans more beautiful than any love story, There is a farewell more delicious than thousands of meetings, There are clashes prettier than any peace.. There are moments that pass as an age.. There is an age dying in a moment.. There is me and there is you, There is always an impossibility that begins with every love.

things, maybe the reef will come back to what it was. “Really what I am is a futurist,” she said at another point. “Our project is acknowledging that a future is coming where nature is no longer fully natural.” Gates was so charismatic that even though I’d come to Moku o Lo‘e with a notebook full of doubts, I felt inspired by her. A couple of times, after she had

Sunset. Tears. "Good work," Miss Wilson said as she bent over my notebook. "You got the prompt down again today." Tears are words Waiting to be written. -Jennie Englund-

Find What Inspires You Inspiration does not always come to us in a flash. We often have to go in search of it, especially when we feel stuck. Finding inspiration means discovering the things that make you excited—even when they have nothing to do with your art practice. If you go on a trip, you might find inspiration in architecture, landscapes, or traditional patterns found in old cultures. Whatever speaks to you, infuse these visual stimuli from your life into your work. To work through anxieties or find out what ignites your interest, it helps to carry a journal to do daily entries. Maintaining a journal with both written and visual thoughts is a long-standing tradition among artists that helps you ignite creativity and work through blocks. There is no right or wrong way to keep a journal. You can use a book with lined or unlined pages; it can be a written diary with stream-of-consciousness thoughts or a purely visual notebook with pages of drawings. One thing that is helpful, though, is to choose a journal size that is portable, so that you can carry it around with you. Make a habit of writing or drawing in your journal every day. Some days you’ll have only a quick five minutes and other days a whole hour to devote to it. Don’t worry about whether your writing makes sense or your ideas or drawings are any good. Eventually a pattern will emerge that will help unlock your mission as an artist and even identify new avenues for exploration.

No matter how many times I work out, you will NEVER lose weight. You have to do your own work.

The pages of my notebook all have your name And I can’t pretend that things are the same When you’re not in the frame

Energy is the most penetrative force, focus on the main thing and you will climb Everest without a breathing mask.

My idea was to copy the sentences that inspired me into a notebook. Over time, I thought, this would become a personal collection of my favorite words of wisdom.

Creation is not a moment of inspiration but a lifetime of endurance. The drawers of the world are full of things begun. Unfinished sketches, pieces of invention, incomplete product ideas, notebooks with half-formulated hypotheses, abandoned patents, partial manuscripts. Creating is more monotony than adventure. It is early mornings and late nights: long hours doing work that will likely fail or be deleted or erased—a process without progress that must be repeated daily for years. Beginning is hard, but continuing is harder. Those who seek a glamorous life should not pursue art, science, innovation, invention, or anything else that needs new. Creation is a long journey where most turns are wrong and most ends are dead. The most important thing creators do is work. The most important thing they don’t do is quit.

Among all my relatives there was not one to whom I could look for inspiration, to who I could turn for advice. The only ones I felt indebted to were my my father and mother, who I saw literally go without food to allow me to study after primary school. Even the money for a notebook was a worry, and my first long trousers - new corduroy ones, good for summer and winter, indispensable for secondary school - were bough my installments. Every month we would go to the shop to hand over the amount due. It is hard to imagine today, but the pleasure of putting on those trousers in I have never felt again with any other garment, not even those made to measure for me in Peking by Mao's own tailor.

This issue of Stvar we dedicate to the anniversaries. Each effort that commences from historical years and epochal dates, however, is not only supposed to cope with the legacy and lessons of evoked events and figures, but also to question a certain (dominant) relation to the past and history. In other words, the task is not a commemorative one, that is, a fetishist relation to the epoch of decisive dates and big events, but rather the radical grasping of the materiality of history following its work where social contradictions require that fight for emancipation and progress is to be taken up. What is at stake here is not an academic requiem or a leftist memorial service to the era of revolutions and great revolutionaries; it is all about casting our gaze toward the past in order to better examine those moments where the past opens itself toward the future. The relation toward past, therefore, should contain perspectives of different future. Amputation of the future is nowadays one of the features of many current academic, scientific and ideological discourses. Once this perspective of different future has been eliminated, the resignification of Marx, Luxemburg, Kollontai, Lenin and others becomes possible, because their doctrines and results have been quite depoliticized. On the contrary, it is the memory that calls for struggle that is the main cognitive attitude toward the events remembered in the collected texts in this issue. Not nostalgic or collectionist remembrance but critical memory filled with hope. The main question, thus, is that of radical social transformations, i.e. theory and practice of revolution. In this sense, Marx, Kollontai, Lenin and other Bolsheviks, and Gramsci as well, constitute the coordinates in which every theoretical practice that wants to offer resistance to capitalist expansion and its ideological forms is moving. The year 1867, when the first Volume of Marx’s Capital is brought out in Hamburg, then October 1917 in Russia, when all power went to the hands of Soviets, and 1937, when Gramsci dies after 11 years of fascist prison: these are three events that we are rethinking, highlighting and interpreting so that perspective of the change of the current social relations can be further developed and carried on. Publishing of the book after which nothing was the same anymore, a revolutionary uprising and conquest of the power, and then a death in jail are the coordinates of historical outcomes as well: these events can be seen as symptomatic dialectical-historical sequence. Firstly, in Capital Marx laid down foundations for the critique of political economy, indispensable frame for every understanding of production and social relations in capitalism, and then in 1917, in the greatest attempt of the organization of working masses, Bolsheviks undermined seriously the system of capitalist production and created the first worker’s state of that kind; and at the end, Gramsci’s death in 1937 somehow symbolizes a tragical outcome and defeat of all aspirations toward revolutionizing of social relations in the Western Europe. Instead of that, Europe got fascism and the years of destruction and sufferings. Although the 1937 is the symbolic year of defeat, it is also a testimony of hope and survival of a living idea that inspires thinkers and revolutionaries since Marx. Gramsci also handed down the huge material of his prison notebooks, as one of the most original attempts to critically elaborate Marx’s and Lenin’s doctrine in new conditions. Isn’t this task the same today?