Notch Quotes

We've searched our database for all the quotes and captions related to Notch. Here they are! All 100 of them:

I pull an arrow, whip the notch into place, and am about to let it fly when I'm stopped by the sight of Finnick kissing Peeta. And it's so bizarre, even for Finnick.
Suzanne Collins (Catching Fire (The Hunger Games #2))
If only you could talk to girls in equations.” There was a long silence, and then, eyes trained on the notch they’d created in the link, Wylan said, “Just girls?” Jesper restrained a grin. “No. Not just girls.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Ash is going to kick your ass, Daemon." Daemon's grin went up a notch. "Nah, she likes my ass too much for that.
Jennifer L. Armentrout (Obsidian (Lux, #1))
I'm just a notch on your bedpost but you're just a line in a song.
Fall Out Boy (Fall Out Boy - From Under the Cork Tree)
Life sometimes gets so bogged down in the details, you forget you are living it. There is always another appointment to be met, another bill to pay, another symptom presenting, another uneventful day to be notched onto the wooden wall. We have synchronized our watches, studied our calendars, existed in minutes, and completely forgotten to step back and see what we've accomplished.
Jodi Picoult (My Sister’s Keeper)
Your self esteem is like a notch below Kafka's.
Woody Allen (Manhattan)
The simple things come back to us. They rest for a moment by our ribcages then suddenly reach in and twist our hearts a notch backward.
Colum McCann (Let the Great World Spin)
What do you like?" "Music. Numbers. Equations. They're not like words. They ... they don't get mixed up." "If only you could talk to girls in equations." There was a long silence, and then, eyes trained on the notch they'd created in the link, Wylan said, "Just girls?" Jesper restrained a grin. "No. Not just girls." It really was a shame they were all probably going to die tonight.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The tension between us kicked up a notch, and I realized that along with our bodies being nearer, so were our lips.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
In any weather, at any hour of the day or night, I have been anxious to improve the nick of time, and notch it on my stick too; to stand on the meeting of two eternities, the past and future, which is precisely the present moment; to toe that line.
Henry David Thoreau (Walden)
What do you like?' 'Music. Numbers. Equations. They're not like words. They...they don't get mixed up.' 'If only you could talk to girls in equations.' There was a long silence, and then, eyes trained on the notch they'd created in the link, Wylan said, 'Just girls?' Jesper restrained a grin. 'No, not just girls.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The secret of being a top-notch con man is being able to know what the mark wants, and how to make him think he's getting it.
Ken Kesey (One Flew Over the Cuckoo's Nest)
A good compilation tape, like breaking up, is hard to do. You've got to kick off with a corker, to hold the attention (I started with 'Got To Get You Off My Mind', but then realised that she might not get any further than track one, side one if I delivered what she wanted straight away, so I buried it in the middle of side two), and then you've got to up it a notch, and you can't have white music and black music together, unless the white music sounds like black music, and you can't have two tracks by the same artist side by side, unless you've done the whole thing in pairs, and ... oh there are loads of rules.
Nick Hornby (High Fidelity)
All those other girls are cake...I'm Crème brûlée...Tiramisu, if you will. Just a few notches above.
Brandi L. Bates
She had a passion for anyone who did something top-notch.
Mikhail Bulgakov (The Master and Margarita)
Back off, perv! I have a black belt in taekwondo and I will fuck you up if you take another step toward me.” Chase raised his hands in surrender, trying really, really hard to keep his eyes on hers. “Whoa, there, crouching tiger. Let’s just take this down a notch.
Lorelei James (Chasin' Eight (Rough Riders, #11))
If someone called me chubby, it would no longer be something that kept me up late at night. Being called fat is not like being called stupid or unfunny, which is the worst thing you could ever say to me. Do I envy Jennifer Hudson for being able to lose all that weight and look smokin’ hot? Of course, yes. Do I sometimes look at Gisele Bundchen and wonder how awesome life would be if I never had to wear Spanx? Duh, of course. That’s kind of the point of Gisele Bundchen. And maybe I will, once or twice, for a very short period of time. But on the list of things I want to do in my lifetime, that’s not near the top. I mean, it’s not near the bottom either. I’d say it’s right above “Learn to drive a vespa,” but several notches below “film a chase scene for a movie.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
You want me to list characteristics of a … ?” “Potential mate, yes, that would be helpful..." Without meaning to, I looked sideways at Patch. He was eased back in his seat, one notch above a slouch, studying me with satisfaction. He flashed his pirate smile and mouthed, We’re waiting. I stacked my hands on the table, hoping I lookedmore composed than I felt. “I’ve never thought about it before.” “Well, think fast.” “Could you call on someone else first?” Coach gestured impatiently to my left. “You’re up, Patch.” Unlike me, Patch spoke with confidence. He had himself positioned so his body was angled slightly toward mine, our knees mere inches apart. “Intelligent. Attractive. Vulnerable
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Jamie," I panted. He pushed his kilt out of the way and pressed my hand against him. "Bloody Christ," I said, impressed despite myself. My sense of propriety slipped another notch. "Fighting gives ye a terrible cockstand, after. Ye want me, do ye no?
Diana Gabaldon (Outlander (Outlander, #1))
Helen was beautiful in the way a supercomputer was beautiful: sleek with elegant but utilitarian styling, full of top-notch technological know-how, far too expensive for most people to possess.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I don't like the idea of killing people, either. I don't even like chemistry." "What do you like?" "Music. Numbers. Equations. They're not like words. They ... they don't get mixed up." "If only you could talk to girls in equations." There was a long silence, and then, eyes trained on the notch they'd created in the link, Wylan said, "Just girls?" Jesper restrained a grin. "No. Not just girls." It really was a shame they were all probably going to die tonight.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He smirks and cranks his glorious smile up another notch so it’s in full HD IMAX.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I wanted to tell them that, in Kabul, we snapped a tree branch and used it as a credit card. Hassan and I would take the wooden stick to the bread maker. He'd carve notches on our stick with his knife, one notch for each loaf of naan he'd pull for us from the tandoor's roaring flames. At the end of the month, my father paid him for the number of notches on the stick. That was it. No questions. No ID.
Khaled Hosseini (The Kite Runner)
What a company I ended up with,’ Geralt continued, shaking his head. ‘Brothers in arms! A team of heroes! What have I done to deserve it? A poetaster with a lute. A wild and lippy half-dryad, half-woman. A vampire, who’s about to notch up his fifth century. And a bloody Nilfgaardian who insists he isn’t a Nilfgaardian.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #5))
Scarlet cocked her head. “Are you sure you don’t want me to go? It’s going to require some precise manuvering to attach to the docking clamp, and from what Cinder told me about your flying skills…” “What do you mean? What did Cinder say about my flying skills?” Scarlet and Cinder shared a look. “Naturally, she told me that you’re a fantastic pilot,” said Scarlet, “Absolutely top-notch.” “I think she was practicing her sarcasm,” said Iko. Thorne glared, but Cinder only shrugged.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
As the clockwork of the millennia moved a notch in front of their eyes, it had taken their thoughts from small things and reminded them of how vulnerable they were to time.
Mark Helprin (Winter's Tale)
I hope one of those books is a primer on etiquette. You seriously need a refresher.” “You’re not queen yet, Eadlyn. Take it down a notch.” He walked away, and I was furious with myself for not getting the last word.
Kiera Cass (The Heir (The Selection, #4))
we left about midnight and walked down the hill in silence. the night was muggy, and all around me i felt the same pressure, a sense of time rushing by while it seemed to be standing still. whenever i thought of time in puerto rico, i was reminded of those old magnetic clocks that hung on the walls of my classrooms in high school. every now and then a hand would not move for several minutes -- and if i watched it long enough, wondering if it had finally broken down, the sudden click of the hand jumping three for four notches would startle me when it came.
Hunter S. Thompson (The Rum Diary)
Oh, hell, no. I saw you with the rifle.” He glanced over at her, and his voice went a notch deeper. “It was fucking hot. I love a badass female.
Larissa Ione (Rogue Rider (Lords of Deliverance, #4; Demonica, #9))
Our bodies are not toys for you to play with. They are not pieces in a game for you to manipulate and trick. We are not notches on your bedposts.
Amy Reed (The Nowhere Girls)
Insight: if a guy I had sex with ever carved a notch into his bedpost, I’d tell him to carve one into mine too—and then to go make me a fucking sammich.
Kresley Cole (The Professional: Part 1 (The Game Maker, #1.1))
You are innocent? Man, you really have a twisted view of this world. Tell you what? You are no saint either. You too are guilty. And you too are a sinner. Just like me. We both are going to Hell. But my place there will be a notch above yours.
Abhaidev (The Influencer: Speed Must Have a Limit)
Did you really just invite Adrian to your room later?" asked Lissa. Avery shrugged. "I don't know. Maybe. Sometimes we hang out once you guys are all tucked into bed. You aren't going to get jealous, are you?" "No," laughed Lissa. "Just curious. Adrian's a good guy." "Oh?" asked Christian. "Define 'good'." Avery held up her hand and began ticking items off with each finger. "He's devastatingly handsome, funny, rich, related to the queen..." "You got your wedding colors picked out?" asked Lissa, still laughing. "Not yet," said Avery. "I'm still testing the waters. I figured he'd be an easy notch on the Avery Lazar belt, but he's kind of hard to read." "I really don't want to be hearing this," Christian said.
Richelle Mead (Blood Promise (Vampire Academy, #4))
I’m crazy about this City. Daylight slants like a razor cutting the buildings in half. In the top half I see looking faces and it’s not easy to tell which are people, which the work of stonemasons. Below is shadow where any blasé thing takes place: clarinets and lovemaking, fists and the voices of sorrowful women. A city like this one makes me dream tall and feel in on things. Hep. It’s the bright steel rocking above the shade below that does it. When I look over strips of green grass lining the river, at church steeples and into the cream-and-copper halls of apartment buildings, I’m strong. Alone, yes, but top-notch and indestructible-like the City in 1926 when all the wars are over and there will never be another one. The people down there in the shadow are happy about that. At last, at last, everything’s ahead. The smart ones say so and people listening to them and reading what they write down agree: Here comes the new. Look out.
Toni Morrison (Jazz)
Ben sighed loudly. “Can you help Tory or not?” Jason’s cool slipped a notch. “If you don’t need anything, why are you here?” “I’m studying jerkoffs in the wild,” Ben answered dryly. “This seemed like a good chance to observe one up close.
Kathy Reichs (Code (Virals, #3))
It's the ballads I like best, and I'm not talking about the clichéd ones where a diva hits her highest note or a rock band tones it down a couple of notches for the ladies. I mean a true ballad. Dictionary definition: a song that tells a story in short stanzas and simple words, with repetition, refrain, etc. My definition: the punk rocker or the country crooner telling the story of his life in three minutes, reminding us of the numerous ways to screw up.
Stephanie Kuehnert (Ballads of Suburbia)
Well, I appreciate your help, Hunter. But let’s get some things straight right now. I don’t party, I don’t use illicit drugs, and I won’t be a notch in anyone’s headboard.” He choked and sputtered before smiling widely. “Wow. You’ve been reading the daily rumor mill, haven’t you? You’ve already decided what kind of guy I am.
Lacey Weatherford (Crush (Crush, #1))
The notches go all the way to the buckle,” I point out. “I’m flattered, but my waist isn’t that small.” Noah leans in, whispering, “But your wrists are.
Penelope Douglas (Credence)
Do you think music has the power to change people? Like you listen to a piece and go through some major change inside?” Oshima nodded.“Sure, that can happen. We have an experience—like a chemical reaction—that transforms something inside us. When we examine ourselves later on, we discover that all the standards we’ve lived by have shot up another notch and the world’s opened up in unexpected ways. Yes, I’ve had that experience. Not often, but it has happened. It’s like falling in love.
Haruki Murakami (Kafka on the Shore)
You'd been petting a stuffed dog?' she said 'A dead one?' 'It was a really well stuffed dog' I clarified. 'I have seen some bad taxidermy. This was top-notch work. It would have fooled anyone.
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Ruthlessness, charm, focus, mental toughness, fearlessness, mindfulness (living in the moment), and action. Who wouldn't, at certain points in their lives, benefit from kicking one or two of them up a notch? What was important was being able to turn them back down.
Kevin Dutton (The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success)
Let me be brutally honest. Being an insider, I know exactly how these MBA guys think. And because I know who they really are, I have nothing but utter contempt for these professionals. Now you might think I am stereotyping and generalizing. Yes, I am, indeed. But get this thing straight. Only highly competitive people prepare for these entrance exams to these top-notch B-schools. Only those who have excessive cupidity for money, power and status, only such people enter these highly reputed management colleges. These people don’t have friends, instead, they have connections. It’s all about Moolah. It’s all about usefulness. You scratch my back, and I will scratch yours. You be my ladder, and I will be yours.
Abhaidev (The World's Most Frustrated Man)
Why am I doing this, Brynne?” he demanded. “I don’t know, Ethan.” I could barely speak." “Yes you do. Say it, Brynne!” I tensed as an orgasm started to rule me but he immediately reduced the pace, taking it down a notch with slow pulls in and out of my spread sex. “Say what?” I cried, frustrated. “Say the words I have to hear. Say the truth and I’ll let you come.” He speared into me slower and nipped at my bare shoulder with his teeth. “What is the truth?” I was starting to sob now, completely at his mercy. “The truth is,” he grunted the rest on three, hard, punctuating thrusts, “You. Are. Mine!” I inhaled on a cry at the final thrust. He sped up again, fucking faster. “Say it!” he growled. “I’m yours, Ethan!
Raine Miller (Naked (The Blackstone Affair, #1))
Listen, Kitten, we only have room for one drama queen, and that’s me, thank you very much. So take it down a notch, will ya?
Albany Walker (Friends with the Monsters (Friends with the Monsters, #1))
If you slip far enough out of your life, time picks up. Passes in waves instead of notches. One month rolling by, then another.
Amy McNamara (Lovely, Dark and Deep)
I spent hours putting that cassette together. To me, making a tape is like writing a letter - there's a lot of erasing and rethinking and starting again, and I wanted it to be a good one. . . A good compilation tape, like breaking up, is hard to do. You've got to kick off with a corker, to hold the attention, and then you've got to up it a notch, or cool it a notch. . . oh, there are loads of rules. (pg. 88-9)
Nick Hornby (High Fidelity)
I wished God were like He used to be, a few notches lower. I wanted Him to be lofty enough to help me but not so uncontrollable. I longed for His warm presence, times when He seemed more… safe.
Joni Eareckson Tada (The God I Love: A Lifetime of Walking with Jesus)
To get it all done I have to dim my brain, turn it down by notches like the flat-turn knob on a gas lantern, leaving only a nub of flame.
Christina Baker Kline (A Piece of the World)
My people eat yours,” Larry informed the cat. Medea kneaded his thighs lightly and kicked her purr up a few notches. He gave in and started to pet her.
Patricia Briggs (Soul Taken (Mercy Thompson, #13))
He smiled directly into my face for the first time, his dimples notched his cheeks like a pair of speech marks.
Kaliane Bradley (The Ministry of Time)
(My greatest human flaw and strength, not surprisingly, is that I can always imagine anything--a marriage, a conversation, a government--as being different from how it is, a trait that might make one a top-notch trial lawyer or novelist or realtor, but that also seems to produce a somewhat less than reliable and morally feasible human being.)
Richard Ford (Independence Day)
As soon as you are born, you're given a name, a religion, a nationality and a race. You spend the rest of your life defining and defending a fictional identity.
Brandon Garic Notch
The gears of life had moved ahead a notch with a loud ker-chunk, and Junpei knew that they would never turn back again.
Haruki Murakami (After the Quake)
I would have made her a part of me. If I could, I would have had a notch cut in my already aging side and a slip of her, my young rose, inserted there and lashed to me with twine.
John Banville (The Infinities)
If you don't know the whole story, shut up and listen.
Brandon Garic Notch
Nobody can defeat me.” “Maybe they can’t,” said a voice, “but I can.” Notch had arrived at last.
Connor McAvoy (The Legendary Adventures of Steve: Book 6)
Everyone who’s ever been jealous because it’s my face in the magazines and not theirs. Every person who can’t believe or accept that someone can reach my level of success without being a total prick. Trust me, it’s not the lies that hurt people. It’s the willingness of everyone else to believe them. And then there are those who come out of the woodwork to back your accuser because it gives them the spotlight for three seconds. They can’t stand the fact that you’ve risen above your past and that they have no excuse for never rising above theirs. In their minds, you need to be taken down a notch and they need to be raised a few, off the lies they tell about you. Because in the end, they know you, they’ve seen the real you, and by backing your accusers, they make other people think that maybe they were close to you – at least that’s what they claim. It’s a sick world and I’m disgusted with it. (Aiden)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
Nobody is going to open their mouth about it." Realizing my tone was bordering on angry, I brought it down a notch and tried again. "Not the team, Coach, or anyone else. I won't let them." She blinked her confusion. "You won't let them?" "That's right," I confirmed with a nod. "I won't let them." "You promise?" she whispered, a tiny smile pulling at her swollen lips. "Yeah," I replied gruffly, feeling like I would promise all the fucking promises in the world just to make this girl feel better. "I've got your back.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
Love was like notches on a speaker that could be cranked up and down, the decibels of desire, the frequencies of feeling. Sometimes she thought that she might have cranked it all the way up and broken the dial before the music had even started.
Alice Pung (Her Father's Daughter)
After conscientiously tasting fritters every day for a month Lola had put on two pounds! Her little belt bore witness to the disaster, she found herself obliged to move on to the next notch. She burst into tears.
Louis-Ferdinand Céline (Journey to the End of the Night)
Jon hung a quiver from his belt and pulled an arrow. The shaft was black, the fletching grey. As he notched it to his string, he remembered something that Theon Greyjoy had once said after a hunt. "The boar can keep his tusks and the bear his claws," he had declared, smiling that way he did. "There's nothing half so mortal as a grey goose feather.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Driving around town, I found myself staring down older teenagers and college-aged boys and young men. Any sign or signal less than mindful obedience to the law, to orderly conduct and my rage ticked up one notch higher.
Jonathan Epps (No Winter Lasts Forever (The American Wrath Trilogy))
One night I dreamed I was locked in my Father's watch With Ptolemy and twenty-one ruby stars Mounted on spheres and the Primum Mobile Coiled and gleaming to the end of space And the notched spheres eating each other's rinds To the last tooth of time, and the case closed.
John Ciardi (The Collected Poems)
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End, #1))
In any weather, at any hour of the day or night, I have been anxious to improve the nick of time, and notch it on my stick too; to stand on the meeting of two eternities, the past and the future, which is precisely the present moment; to toe that line. You will pardon some obscurities, for there are more secrets in my trade than in most men's, and yet not voluntarily kept, but inseparable from its very nature.
Henry David Thoreau (Walden)
You never cut notches into your boot," he sats his voice back to even and his eyes back to calm. "No,' I agree. "Why?" "No one needs to know," I say. "To know what? How long you've lasted?" Vick asks. "To know anything about me," I say.
Ally Condie (Crossed (Matched, #2))
To get better at wintering, we need to address our very notion of time. We tend to imagine that our lives are linear, but they are in fact cyclical. I would not, of course, seek to deny that we gradually grow older, but while doing so, we pass through phases of good health and ill, of optimism and deep doubt, of freedom and constraint. There are times when everything seems easy, and times when it all seems impossibly hard. To make that manageable, we just have to remember that our present will one day become a past, and our future will be our present. We know that because it’s happened before. The things we put behind us will often come around again. The things that trouble us now will often come around again. Each time we endure the cycle, we ratchet up a notch. We learn from the last time around, and we do a few things better this time; we develop tricks of the mind to see us through. This is how progress is made. In the meantime, we can deal only with what’s in front of us at this moment in time. We take the next necessary action, and the next. At some point along the line, that next action will feel joyful again.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
For John Dillinger In hope he is still alive Thanksgiving Day, November 28, 1986 In hope he is still alive Thanks for the wild turkey and the Passenger Pigeons, destined to be shit out through wholesome American guts; thanks for a Continent to despoil and poison; thanks for Indians to provide a modicum of challenge and danger; thanks for vast herds of bison to kill and skin, leaving the carcass to rot; thanks for bounties on wolves and coyotes; thanks for the American Dream to vulgarize and falsify until the bare lies shine through; thanks for the KKK; for nigger-killing lawmen feeling their notches; for decent church-going women with their mean, pinched, bitter, evil faces; thanks for Kill a Queer for Christ stickers; thanks for laboratory AIDS; thanks for Prohibition and the War Against Drugs; thanks for a country where nobody is allowed to mind his own business; thanks for a nation of finks—yes, thanks for all the memories all right, lets see your arms; you always were a headache and you always were a bore; thanks for the last and greatest betrayal of the last and greatest of human dreams.
William S. Burroughs
Time compresses the older you get. Days turn to weeks turn to months turn to seasons turn to years, until your life resides in just one moment expanding forever, where each step and breath folds wrinkles into your face, carving minute, irreversible wounds between your joints. Pressing down the notches between your spine, driving your ankles and knees to ruin. I feel it now and it’ll only be worse in the future.
B.R. Yeager (Negative Space)
A warm flow of pain was gradually replacing the ice and wood of the anaesthetic in his thawing, still half-dead, abominably martyred mouth. After that, during a few days he was in mourning for an intimate part of himself. It surprised him to realize how fond he had been of his teeth. His tongue, a fat sleek seal, used to flop and slide so happily among the familiar rocks, checking the contours of a battered but still secure kingdom, plunging from cave to cove, climbing this jag, nuzzling that notch, finding a shred of sweet seaweed in the same old cleft; but now not a landmark remained, and all there existed was a great dark wound, a terra incognita of gums which dread and disgust forbade one to investigate. And when the plates were thrust in, it was like a poor fossil skull being fitted with the grinning jaws of a perfect stranger.
Vladimir Nabokov (Pnin)
Take a look at the scaly witches round your local shopping center, many of them with children. Grim enough with their clothes on. Imagine them naked! Snatches that yo-yo between their knees, breasts so flaccid you could tie them in a knot. One would have to be literally galvanized on Spanish Fly even to consider it. Yet it gets done somehow. Look at the kids. — The teenager may be more spontaneous, doglike, etc., but it’s generally only another name on the list, only another notch on the cock.
Martin Amis (The Rachel Papers)
He's laughing me into a stupor, she thought. I could heckle, I suppose, I could throw a bread roll at him, but he's eaten them all. She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show? Eat a meal, go to bed, fall in love with me and I promise you years and years of top notch material like this?
David Nicholls (One Day)
He was stoutly opposed to the idea of marrying anyone; but if, as happens to the best of us, he ever were compelled to perform the wedding glide, he had always hoped it would be with some lady golf champion who would help him with his putting, and thus, by bringing his handicap down a notch or two, enable him to save something from the wreck, so to speak.
P.G. Wodehouse
Somehow Geryon made it to adolescence. Then he met Herakles and the kingdoms of his life all shifted down a few notches. ... Geryon was going into the Bus Depot one Friday night about three a.m. to get change to call home. Herakles stepped oof the bus from New Mexico and Geryon came fast around the corner of the platform and there it was one of those moments that is the opposite of blindness. The world poured back and forth between their eyes once or twice.
Anne Carson (Autobiography of Red)
Yeah? How's this?" Claire, in one smooth, fast motion, pulled an arrow from the bag on her shoulder, slotted it home on the string, and pulled the compound bow back to full extension. She was aiming the arrow straight at Morley's crossed hands, over his heart. He laughed. "You aren't serious--" She fired. The arrow went through both of Morley's hands, pinning them to his chest with the fletching at the end. He stared down in shock at the wood piercing his chest, stumbled, and went down to his knees. Then just down, face forward. The arrow stuck up out of his back, like an exclamation point. "I will," Claire said softly, and let the bow rock forward as she reached one-handed for another arrow and notched it home. "I'm not a really good shot, but this is a really small room, so let me make this very clear: the first vampire who tries to lay a hand on either of my friends gets a new piercing, just like Morley. Now, if you need food, I will figure it out. But you don't get to use my friends like vending machines. Are we clear?" Around the room, vampires nodded, casting disbelieving looks at Morley. Even Oliver was staring at her as if he'd never really seen her before. She didn't know why; he'd known she could do it--hadn't he? Or was she different, somehow?
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
Curiouser and curiouser." Startled,I glanced at him. "I say that sometimes." Even with his face tight with worry, Dad managed to look a little amused. "It's from Alice in Wonderland. Appropriate, don't you think?" Yeah,except that our rabbit hole was a heck of a lot darker,I thought. I pretended to study the bookcase in the far corner. I'd expected boring books about Prodigium history or shifter economy, and there were a few of those, but I also noticed some recent fiction, as well as several Roald Dahl books. Dad went up in my estimation another notch.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Motivation gets you started, and inspiration keeps you going.
Brandon Garic Notch
In pain with you, and yet I could not go. I stayed since nothing better came along. I loved you by default or just for show, My life a whistled flat unechoed song. I groped for notches in our dun abyss, And looked for more in lonely only less. I shunned the path adorned with signs to bliss, And stood the loyal ground of wait or guess. It took the tender you to shift the scene, Bold arsonist beneath our tinder stage! I then in friendly fire to earth careen And from our props and ashes disengage. I begged you long with such a silent ache In fear of, wish for mercy for my sake. What Love Feels Like
David Richo (How to Be an Adult in Relationships: The Five Keys to Mindful Loving)
And my mama drowned the dumb ones. I hear everything you’re saying. There’s a group of Buffys thinking we’re the bad guys. Ain’t my first rodeo, pup. It’s been happening so long, they were called Helsings long before your daddy was a gleam in your granddaddy’s eyes. Thank you, Hollywood and Stoker for that. Not like being undead didn’t suck before. They just made it worse for us by cluing the rest of the world in that we exist. Now every goth with a thirst for immortality is cruising for us, begging us to bite them, and turn them. Did I ever tell you about that time when–” – Sundown “Sundown! I–” – Andy “You need to check that tone, boy. Remember, I used to kill people for a living, and I ain’t been up long enough to have much tolerance right about now. Knock it down a notch before I forget that I’m supposed to actually like you.” – Sundown
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
But I won't keep a count of people I have killed as though it were a trophy record or a disgusting business like notches in a gun, he told himself. I have a right to not keep count and I have a right to forget them. No, himself said. You have no right to forget anything. You have no right to shut your eyes to any of it nor any right to forget any of it nor to soften it nor to change it.
Ernest Hemingway (For Whom the Bell Tolls)
No, what numbed these fields, peopled with bad dreams was not the oppressive grip of a plague but rather an ailing retreat, a sort of sad widowhood. Man had started to subdue these vacant expanses, then had grown weary of eating into it, and now even the desire to preserve what had been claimed had perished. He had established everywhere an ebb, a sorrowful withdrawal. His cuttings into the forest, which were seen at long intervals, had lost their hard edges, their distinct notches: now a thick brushwood had driven its sabbath into the broad daylight of the glades, hiding the naked trunks as high as their lowest branches.
Julien Gracq
We don’t even survive in the memories of the living. Science has destroyed that myth. Whenever we remember something, what we’re doing is remembering the last time we remembered it; our memory doesn’t go back to the original notch, the first one was cut, but to the last one. Human memory is virtual, like that of a computer. When we open a file we’re not opening it as it was when we first created it, but as it was the last time we used it. It is called hypercathexis and is our brain’s most sophisticated recourse when it comes to confronting pain.
Enrique de Hériz (LIES)
As far as I could tell, my history teacher had three passions in life: quoting Shakespeare, identifying historical inaccuracies in cable TV shows, and berating Ryan Washburn. “Eighteen sixty-three, Mr. Washburn. Is that so hard to remember? Abraham Lincoln signed the Emancipation Proclamation in eighteen sixty-three.” Ryan was a big guy: a little on the quiet side, a little shy. I had no idea what it was about him that had convinced Mr. Simpson he needed to be taken down a notch—or seven. But more and more, this was how history class went: Simpson called on Ryan, repeatedly, until he made a mistake. And then it began.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
If you put sexual attraction on a scale of one to ten, where ten equals "you can't keep your hands off each other,"five equals "you can take it or leave it," and one equals "repulsed," to support a vibrant relationship, it should be at least a seven, preferably an eight, nine, or ten. With work, you might raise the attraction one notch, but because there is so much biochemistry involved in sexual attraction, it's hard to do much more than that. So if a sexual attraction doesn't evolve, remember, it's not anyone's fault and it's just the what is of your pairing, and you might make better friends than lovers. Sexual attraction doesn't have to be instantaneous on first meeting, but it must eventually flower because it provides a basic glue for successful conjugal union. If we're not sexually alive to our beloved, it often leads to a subdued relationship, loneliness, affairs, or lots of fantasies.
Charlotte Kasl (If the Buddha Dated: A Handbook for Finding Love on a Spiritual Path)
Do you know what Aunt Marmoset told me once? She compared you to a spice drop. Overpowering and hard at first, but all sweetness at the center. I’ll admit, I’ve been desperate to try an experiment.” She gave him a teasing look. “How many times do you suppose I could lick you before you crack?” His every muscle tightened. Smiling, she tucked her face into the curve of his neck and ran her tongue seductively over his skin. “There’s one.” “Katie.” The word was a low, throaty warning. It made her toes curl. She nuzzled at the notch of his open shirt, pushing the fabric aside. The familiar musk of his skin stirred her in deep places. With a teasing swirl of her tongue, she tasted the notch at the base of his throat. “Two . . .” “Finn,” he called in a booming voice, lifting his head. “Send for the vicar.” She pulled back, shocked. “Two? That’s all, truly? Two? I’m not sure whether to feel proud or disappointed.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
Those of us who have been violated or around violence or cruelty—and really those of us who have simply grown up in a racist, sexist, homophobic world—knew how far we could go, how loud we could get, how big we could become, how much space or attention we could occupy. We learned the price we had to pay for our bigness, our desire, and our ambition. We were practiced at the dance. We cherished the walls of our confines because they gave definition to our lives, boundaries. We wrongly believed this was safety, protection. We made sure someone was assigned to bring us down a notch, remind us who we really are, hold the truth of our badness.
V (formerly Eve Ensler) (Insecure at Last: Losing it in Our Security-Obsessed World)
What a company I ended up with,’ Geralt continued, shaking his head. ‘Brothers in arms! A team of heroes! What have I done to deserve it? A poetaster with a lute. A wild and lippy half-dryad, half-woman. A vampire, who’s about to notch up his fifth century. And a bloody Nilfgaardian who insists he isn’t a Nilfgaardian.’ ‘And leading the party is the Witcher, who suffers from pangs of conscience, impotence and the inability to take decisions,’ Regis finished calmly. ‘I suggest we travel incognito, to avoid arousing suspicion.’ ‘Or raising a laugh,’ Milva added.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Everyone is familiar with the phenomenon of feeling more or less alive on different days. Everyone knows on any given day that there are energies slumbering in him which the incitements of that day do not call forth, but which he might display if these were greater. Most of us feel as if a sort of cloud weighed upon us, keeping us below our highest notch of clearness in discernment, sureness in reasoning, or firmness in deciding. Compared with what we ought to be, we are only half awake. Our fires are damped, our drafts are checked. We are making use of only a small part of our possible mental and physical resources. In some persons this sense of being cut off from their rightful resources is extreme, and we then get the formidable neurasthenic and psychasthenic conditions, with life grown into one tissue of impossibilities, that so many medical books describe. Stating the thing broadly, the human individual thus lives far within his limits; he possesses powers of various sorts which he habitually fails to use. He energizes below his maximum, and he behaves below his optimum. In elementary faculty, in co-ordination, in power of inhibition and co ntro l, in every conceivable way, his life is contracted like the field of vision of an hysteric subject — but with less excuse, for the poor hysteric is diseased, while in the rest of us, it is only an inveterate habit — the habit of inferiority to our full self — that is bad.
Colin Wilson (G.I. Gurdjieff: The War Against Sleep)
To everything, in other words, there is a season, and McCarthy’s hubris hastened the end of his hour upon the stage. “I was fully aware of McCarthy’s faults, which were neither few nor minor,” Cohn recalled. “He was impatient, overly aggressive, overly dramatic. He acted on impulse. He tended to sensationalize the evidence he had—in order to draw attention to the rock-bottom seriousness of the situation. He would neglect to do important homework and consequently would, on occasion, make challengeable statements.” The urge to overstate, to overdramatize, to dominate the news, could be costly, and so it proved to be for McCarthy. The Wisconsin senator, Cohn said, was essentially a salesman. “He was selling the story of America’s peril,” Cohn recalled. “He knew that he could never hope to convince anybody by delivering a dry, general-accounting-office type of presentation. In consequence, he stepped up circumstances a notch or two”—and in so doing he opened himself to attacks that proved fatal. He oversold, and the customers—the public—tired of the pitch, and the pitchman.
Jon Meacham (The Soul of America: The Battle for Our Better Angels)
Behind him she saw something which by contrast with the alien incalculable figure before her, was close and real. It was something which she understood, something which she could never do without, or be without, for it seemed as though it were her own self, her own body, at which she gazed and which lay so intimately upon the skyline. Gormenghast. The long, notched outline of her home. It was now his background. It was a screen of walls and towers pocked with windows. He stood against it, an intruder, imposing himself so vividly, so solidly, against her world, his head overtopping the loftiest of its towers.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Clear night, thumb-top of a moon, a back-lit sky. Moon-fingers lay down their same routine On the side deck and the threshold, the white keys and the black keys. Bird hush and bird song. A cassia flower falls. I want to be bruised by God. I want to be strung up in a strong light and singled out. I want to be stretched, like music wrung from a dropped seed. I want to be entered and picked clean. And the wind says “What?” to me. And the castor beans, with their little earrings of death, say “What?” to me. And the stars start out on their cold slide through the dark. And the gears notch and the engines wheel.
Charles Wright
in flow, the relationship between what a person had to do and what he could do was perfect. The challenge wasn't too easy. Nor was it too difficult. It was a notch or two beyond his current abilities, which stretched the body and mind in a way that made the effort itself the most delicious reward. That balance produced a degree of focus and satisfaction that easily surpassed other, more quotidian, experiences. In flow, people lived so deeply in the moment, and felt so utterly in control, that their sense of time, place, and even self melted away. They were autonomous, of course. But more than that, they were engaged.
Daniel H. Pink
Everyone is familiar with the phenomenon of feeling more or less alive on different days. Everyone knows on any given day that there are energies slumbering in him which the incitements of that day do not call forth, but which he might display if these were greater. Most of us feel as if a sort of cloud weighed upon us, keeping us below our highest notch of clearness in discernment, sureness in reasoning, or firmness in deciding. Compared with what we ought to be, we are only half awake. Our fires are damped, our drafts are checked. We are making use of only a small part of our possible mental and physical resources. Stating the thing broadly, the human individual thus lives far within his limits; he possesses powers of various sorts which he habitually fails to use.
William James
Focus,” Mary muttered, chastising herself and her wandering mind. From her stereo came the soothing sounds of monks, vocalizing an ancient hymn meant to bring one closer to enlightenment. Credit where it was due, they were pretty good. Mary couldn’t remember ever hearing a bad singing monk, though. Was it just a byproduct of monkhood that one gained a great singing voice? Or maybe they had auditions before one got in. “Great, great, you want enlightenment, but I’ll need to hear you belt out some show tunes before we let you in.” Were there scouts out there scouring the vocal talents of a new generation and recruiting them to top-notch monasteries?
Drew Hayes (Super Powereds: Year 3)
Were she to decide fully to live here in Black Cove unto death, she believed she would erect towers on the ridge marking the south and north points of the sun's annual swing. It would be a great pleasure year after year to watch with anticipation as the sun drew nigh to the notch and then on a specified day fell into it and then rose out of it and retraced its path. Over time, watching that happen again and again might make the years seem not such an awful linear progress but instead a looping and a return. Keeping track of such a thing would place a person, would be a way of saying, You are here, in this one station, now. It would be an answer to the question, Where am I?
Charles Frazier (Cold Mountain)
They all seem infected with a vivaciousness that isn't common in our compound, and there are more smiles on their faces than I've ever seen at once. And yet as I watch them, I feel more intensely than ever the knowledge that I'm not one of them. For these moral humans, birthdays are a kind of countdown to the end, the ticking clock of a dwindling life. For me, birthdays are notches on an infinite timeline. Will I grow tired of parties one day? Will my birthday become meaningless? I imagine myself centuries from now, maybe at my three-hundredth birthday, looking all the way back to my seventeenth. How will I possibly be happy, remembering the light in my mother's eyes? The swiftness of Uncle Antonio's steps as he dances? The way my father stands on edge of the courtyard, smiling in that vague, absent way of his? The scene shifts and blues in my imagination. As if brushed away by some invisible broom, these people whom I've known my entire life disappear. The courtyard is empty, bare, covered in decaying leaves. I imagine Little Cam deserted, with everyone dead and gone and only me left in the shadows. Forever.
Jessica Khoury (Origin (Corpus, #1))
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.
Adelaide Forrest (Bloodied Hands (Bellandi Crime Syndicate, #1))
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table. It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise. Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled. So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale. So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
Phillip Gibbs
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))