Notable Inspirational Quotes

Simple minded people do things like gossip, lie, spread rumors, and cause troubles. But, I know you're more intelligent.

Be around people that make you want to be a better person, who make you feel good, make you laugh, and remind you what's important in life.

History has demonstrated that the most notable winners usually encountered heartbreaking obstacles before they triumphed. They won because they refused to become discouraged by their defeats.

Always Remember: He Can Do! She Can Do! Why Not Me?!

God can take the ordinary and create the extraordinary. Our incredible God has the power to transform your simple life and give you the life of your dreams. Remarkable things happen in your life when you believe.

Idolatry happens when you worship or praise anything excessively to the point of causing you to believe it reigns supreme. All things on this earth are temporal, even your very own desires. Be careful that you do not create idols to worship.

You may have fallen down, but you can get back up again. You may have doors shut, but new doors will open for you. You may have been lied on, but the truth will come to the light. You may have been hurt, but the pain will pass. You are a survivor. You have a history of surviving.

In the Light of your Wisdom, You Shine. In the Midst of your Truth, Your Faith is Evident. From inside your Spirit, You are Love.

Happiness gives you the freedom to enhance your ability to achieve success. Your choices in life are a direct reflection of your level of happiness. It's the sunshine for your soul that you need in order to grow

In order to be a success, you must think like success. Get up and move! You got to make things happen.

Thoughts guide you everyday. They become your choices. If you're not happy with your life, change your thoughts. Think more positive.

Anyaele Sam Chiyson Leadership Law of Advancement: Notable leaders chart the course of action that causes other leaders to progress toward reaching a goal and raising the status of power.

It's amazing how people can find all the mistakes in the world concerning another person, but look into the mirror every day without making changes within. Stop looking down your nose at others, What does that achieve? We all can make room for improvements. Most of the time it starts with a little attitude adjustment.

Always being truthful gives you a certain kind of freedom. It springs forth like a fountain splashing throughout your body until it floods your soul. To be honest and to be trustworthy are great attributes. Ah, the power, Ah, the freedom

Dig Deep! When the task at hand seems to be very difficult. Dig Deep! Whenever you feel you're drifting away from your intended course. Dig Deep! When others doubt you and say it can't be done. Dig Deep! Whenever you feel like giving up. Dig Deep! When life throws you a curve ball. If you quit, you'll never hit that homerun

I don't have the slightest doubt that to tell a story like this, you couldn't do it with words. There are only 46 minutes of dialogue scenes in the film, and 113 of non-dialogue. There are certain areas of feeling and reality—or unreality or innermost yearning, whatever you want to call it—which are notably inaccessible to words. Music can get into these areas. Painting can get into them. Non-verbal forms of expression can. But words are a terrible straitjacket. It's interesting how many prisoners of that straitjacket resent its being loosened or taken off. There's a side to the human personality that somehow senses that wherever the cosmic truth may lie, it doesn't lie in A, B, C, D. It lies somewhere in the mysterious, unknowable aspects of thought and life and experience. Man has always responded to it. Religion, mythology, allegories—it's always been one of the most responsive chords in man. With rationalism, modern man has tried to eliminate it, and successfully dealt some pretty jarring blows to religion. In a sense, what's happening now in films and in popular music is a reaction to the stifling limitations of rationalism. One wants to break out of the clearly arguable, demonstrable things which really are not very meaningful, or very useful or inspiring, nor does one even sense any enormous truth in them.

...Spinoza’s Conjecture:“Belief comes quickly and naturally, skepticism is slow and unnatural, and most people have a low tolerance for ambiguity. The scientific principle that a claim is untrue unless proven otherwise runs counter to our natural tendency to accept as true that which we can comprehend quickly. Thus it is that we should reward skepticism and disbelief, and champion those willing to change their mind in the teeth of new evidence. Instead, most social institutions-most notably those in religion, politics, and economics-reward belief in the doctrines of the faith or party or ideology, punish those who challenge the authority of the leaders, and discourage uncertainty and especially skepticism.

People lack morals, good moral character is important in every aspect of your life. Honesty and Integrity opens the door. Your character allows others to see you for who you truly are. Make your first impression a lasting impression. Ironically it may be your last impression

Shortly after I started hitting some notable milestones on my Spiritual journey, I went into a thrift store that benefits veterans, My eyes were quickly drawn to a dusty and tattered image of Christ laying mixed in with some other things on a shelf. I picked it up, And on it was written these words: "If you accept it... I would give you the gift of seeing yourself as I see you..." The truth and love of that image and simple words stopped me in my tracks and opened my heart. Since then I have received a wonderful gift, to know myself as an Eternal Spiritual Being, a Child of our Loving Father in Heaven. ...And no I didn't buy it, I received the message loud and clear, So I left it there, in hopes that the image and words would speak to someone else's Soul in the same way they had spoken to mine.

Moral obligations verses Legal obligations. Legally, you must abide by the laws of the land or face the consequences of being fined, imprisoned or both. Moral obligations tend to lean more towards a spiritual nature of a person. Some people perform immoral acts because legally there are no consequences. Morals birth in the heart of the individual. Moral characteristics are developed at an early age and continue into adulthood. It's a disgrace to neglect having good moral character.

Myth is not the same as history; myths are not inspiring stories of people who lived notable lives. No, myth is the transcendent in relationship to the present.

Nearly all rich an powerful people are not notably talented, educated, charming or good-looking. They become rich and powerful by wanting to be rich and powerful.

The deepest, most important question the human mind ever asked itself, the most important question ever asked, is : Why does something exist, rather than nothing? Or : why does something exist at all? For me, this is the fundamental question of ontology. via > Alija Izetbegović - Notes From Prison, 1983-1988. Alija Izetbegović, the first President of the Republic of Bosnia and Herzegovina (1992) and the author of several books, most notably " Islam Between East and West " and " Islamic Declaration ".

Music of the Grid: A Poem in Two Equations _________________________ The masses of particles sound the frequencies with which space vibrates, when played. This Music of the Grid betters the old mystic mainstay, "Music of the Spheres," both in fantasy and in realism. LET US COMBINE Einstein's second law m=E/C^2 (1) with another fundamental equation, the Planck-Einstein-Schrodinger formula E = hv The Planck-Einstein-Schrodinger formula relates the energy E of a quantum-mechanical state to the frequency v at which its wave function vibrates. Here h is Planck's constant. Planck introduced it in his revolutionary hypothesis (1899) that launched quantum theory: that atoms emit or absorb light of frequency v only in packets of energy E = hv. Einstein went a big step further with his photon hypothesis (1905): that light of frequency v is always organized into packets with energy E = hv. Finally Schrodinger made it the basis of his basic equation for wave functions-the Schrodinger equation (1926). This gave birth to the modern, universal interpretation: the wave function of any state with energy E vibrates at a frequency v given by v = E/h. By combining Einstein with Schrodinger we arrive at a marvelous bit of poetry: (*) v = mc^2/h (*) The ancients had a concept called "Music of the Spheres" that inspired many scientists (notably Johannes Kepler) and even more mystics. Because periodic motion (vibration) of musical instruments causes their sustained tones, the idea goes, the periodic motions of the planets, as they fulfill their orbits, must be accompanied by a sort of music. Though picturesque and soundscape-esque, this inspiring anticipation of multimedia never became a very precise or fruitful scientific idea. It was never more than a vague metaphor, so it remains shrouded in equation marks: "Music of the Spheres." Our equation (*) is a more fantastic yet more realistic embodiment of the same inspiration. Rather than plucking a string, blowing through a reed, banging on a drumhead, or clanging a gong, we play the instrument that is empty space by plunking down different combinations of quarks, gluons, electrons, photons,... (that is, the Bits that represent these Its) and let them settle until they reach equilibrium with the spontaneous activity of Grid. Neither planets nor any material constructions compromise the pure ideality of our instrument. It settles into one of its possible vibratory motions, with different frequencies v, depending on how we do the plunking, and with what. These vibrations represent particles of different mass m, according to (*). The masses of particles sound the Music of the Grid.

With its rapidly increasing population, religious and royal wars, Irish ethnic cleansing, and fear of rising crime, Britain excelled among the European imperial powers in shipping its people into bondage in distant lands. An original inspiration had flowed from small-scale shipments of Portuguese children to its Asian colonies before the Dutch supplanted the Portuguese as the world's premier long-range shippers. Vagrant minors, kidnapped persons, convicts, and indentured servants from the British Isles might labor under differing names in law and for longer or shorter terms in the Americas, but the harshness of their lives dictated that they be, in the worlds of Daniel Defoe, "more properly called slaves." First in Barbados, then in Jamaica, then in North America, notably in Virginia, Maryland, and Pennsylvania, bound Britons, Scots, and Irish furnished a crucial workforce in the Americas in the seventeenth and eighteenth centuries. In 1618, the City of London and the Virginia Company forged an agreement to transport vagrant children. London would pay £5 per head to the company for shipment on the Duty, hence the children's sobriquet "Duty boys." Supposedly bound for apprenticeship, these homeless children—a quarter of them girls—were then sold into field labor for twenty pounds of tobacco each.

After the loss of the film, our list of priorities, in order, were: (1) Restore the film; (2) Fix our backup systems; (3) Install precautionary restrictions to make it much more difficult to access the deletion command directly. Notably, one item was not on our list: Find the person responsible who typed the wrong command and punish him or her.

Cultural Diplomacy—and an Accolade Among Piazzolla’s tasks during his first summer at the Chalet El Casco was the composition of “Le Grand Tango,” a ten-minute piece for cello and piano commissioned by Efraín Paesky, Director of the OAS Division of Arts, and dedicated to Mstislav Rostropovich, to whom Piazzolla sent the score. Rostropovich had not heard of Piazzolla at the time and did not look seriously at the music for several years.7 Written in ternary form, the work bears all Piazzolla’s hallmarks: tight construction, strong accents, harmonic tensions, rhythmic complexity and melodic inspiration, all apparent from the fierce cello scrapes at the beginning. Piazzolla uses intervals not frequently visited on the cello fingerboard. Its largely tender mood, notably on display in the cello’s snaking melodic line in the reflective middle section, becomes more profoundly complex in its emotional range toward the end. With its intricate juxtapositions of driving rhythms and heart-rending tags of tune, it is just about the most exciting music Piazzolla ever wrote, a masterpiece. Piazzolla was eager for Rostropovich to play it, but the chance did not come for eight years. Rostropovich, having looked at the music, and “astounded by the great talent of Astor,” decided he would include it in a concert. He made some changes in the cello part and wanted Piazzolla to hear them before he played the piece. Accordingly, in April 1990, he rehearsed it with Argentine pianist Susana Mendelievich in a room at the Teatro Colón, and Piazzolla gently coached the maestro in tango style—”Yes, tan-go, tan-go, tan-go.” The two men took an instant liking to one another.8 It was, says Mendelievich, “as if Rostropovich had played tangos all his life.” “Le Grand Tango” had its world premiere in New Orleans on April 24, 1990. Sarah Wolfensohn was the pianist. Three days later, they both played this piece again at the Gusman Cultural Center in Miami. [NOTE C] Rostropovich performed “Le Grand Tango” at the Teatro Colón, Buenos Aires, in July 1994; the pianist was Lambert Orkis. More recently, cellist Yo-Yo Ma has described “Le Grand Tango” as one of his “favorite pieces of music,” praising its “inextricable rhythmic sense...total freedom, passion, ecstasy.

Even the best writer has to erase sometimes, even the best orator can stammer sometimes, even the most successful man can experience failures, and even the greatest man may face the adversaries in life with cowardice...

However, while Western principles were the major source of inspiration for Hatt- I Serif of Gulhane, the document itself made a notable effort to place the reforms in the context of the Ottomans Islamic heritage. In fact, it started by placing the Islamic law (Sharia or Şeriat) as a central source of inspiration, and alleging that the Empire’s decline was due to its lack of observance of the Şeriat: “All the world knows that since the first days of the Ottoman State, the lofty principles of the Qu’ran and the rules of the Şeriat were always perfectly observed. Our mighty Sultanate reached the highest degree of strength and power, and all its subjects [the highest degree] of ease and prosperity. But in the last one hundred and fifty years, because of a succession of difficulties and diverse causes, the sacred Şeriat was not obeyed nor were the beneficent regulations followed; consequently, the former strength and prosperity have changed into weakness and poverty. It is evident that countries not governed by the laws of the Şeriat cannot survive.”[6]

Essayist and poets share many of the same alluring keystrokes, even if they are rather rabid about asserting their notable pedigree differences. The writer and the poet use the juxtaposition of words to create a lovely portrayal of the touches of sweetness and the bitter edges of life. By doing so, they clarify and affirm the bewildering array of inconsistencies, ironies, absurdities, delights, and enigmas that describe what it entails to be fully alive. Each artistic form serves the same essential purpose, which is to investigate, ponder, and explain the bouquets of comedy and tragedy, covenants of love and mercy, and stones of anger and hatred that compulsory merger contextualize human life. By linking words that explore the chaos and silence within all of nature, essayists and poets’ labor serves to uplift the author and inspire their brethren.

useless human beings, who formerly vegetated upon a soil that seemed barren of everything else.” The sheep were brought in by hundreds of thousands, and to some of the retreating population they became known as “the lairds’ four-footed clansmen.” Meanwhile, the clansmen themselves had three principal choices. They could move to the edge of the sea, which they hated, and live on fish, which most of them also hated. They could move to the Lowlands. Or they could emigrate to other continents. Into the middle of this tide went many of the original clansmen of Colonsay, some early, some later on, some after long stays on the mainland, others more directly from the island, some settling in the Lowlands, notably in Renfrewshire, others going to Australia, Canada, or the United States. Of those who left the Highlands as a result of the clearances, my own particular forebears were among the last. When my great-grandfather married a Lowland girl, in West Lothian, in 1858, he was in the middle of what proved to be a brief stopover between the bens and the glens and Ohio. He worked in a West Lothian coal mine, and the life underground apparently inspired him to keep moving. Serfdom in Scottish coal mines had been abolished in 1799, but Scottish miners of the mid-nineteenth century might as well have been serfs. They worked regular shifts of fifteen hours and sometimes finished their week with a twenty-four-hour day. Six-year-old girls in the mines did work that later, in times of relative enlightenment, was turned over to ponies. Wages were higher and hours a little shorter for mine work in the Mahoning Valley of Ohio, and my great-

Keynes had his own Utopia which inspired his work as an economist, expressed notably in his essay, ‘Economic Possibilities for our Grandchildren’, published in 1930.

Political Islam has served as a vehicle for resistance as well as collaboration in different eras of Palestinian history, notably in the form of the grassroots combination of Islamic revival and nationalism espoused by the charismatic Shaykh ‘Iz al-Din al-Qassam, whose “martyrdom” in 1935 can be said to have inspired the revolt of 1936–39. The same can be said of the more recent Islamic Jihad movement, an offshoot of the Palestinian branch of the Muslim Brotherhood. Its founders were disgusted with the Brotherhood’s quietism and passivity toward—and, some even alleged, collaboration with—the Israeli occupation. Their attacks on Israeli military personnel in 1986 and 1987 helped spark the first Palestinian popular uprising, or intifada, which broke out in December 1987 and helped provoke the transformation of the major part of the Muslim Brotherhood organization into Hamas. Hamas itself has played a major part in the resistance to Israel, although some of the tactics that both Hamas and Islamic Jihad have pioneered in the Palestinian arena, particularly suicide attacks on civilians inside Israel, have been both morally indefensible and disastrously counterproductive strategically.

According to faerie legend, vampires are descendants of the fae. Indeed there is some evidence to support this, at least among faerie-kind. There are several varieties of faeries who behave in much the same manner of vampires, with few distinguishing features other than they do not create more of their kind through the Embrace. Most notable of these is the leanan sidhe, a beautiful fae woman known for inspiring poets to brilliance as she drains them of their essence.

These are some mighty men about to hit the stage," an unseen announcer screamed through the PA system. "With an average height of six-foot-four, a massive weight of three hundred thirty pounds - all of it rock-solid muscle - they are nationally ranked power lifters, some of whom bench-press over six hundred pounds! And they're not here to brag on their muscles, but to brag on Jesus." The eight members of the Power Team ran up to the stage on thunderous feet, wearing red, black, and blue warm-up suits, weight belts, and boxing shoes. To a man, they were as big as a semitrailer truck. They pumped their fists in the air and stood before us bouncing lightly on the balls of their feet, ready to kick some religious butt. "Fasten your seat belts. If God is for you, who can be against you?" "Woo! Woo! Woo!" the audience screamed, instantly ready to rock and roll. We were less than an hour into the first night of a six-night revival, and already it seemed that Sin was going down in a terminal headlock, and Grand Junction would never be the same.... I had heard about the Power Team not from Christian friends, but from a succession of potheads - quintessential late-night cable TV channel surfers. To the stoned, there is nothing more entertaining than the sudden, near hallucinatory vision of this troupe of power-lifting missionaries led by former Oral Roberts University football star John Jacobs.... [My nephew] bought a comic book in which John Jacobs and the Power Team defeat a lisping South American drug lord. From that and an orientation video, we learned that the Team conducts seventy crusades each year, saves close to a million souls here and abroad - notably in Russia - and consists of "world-class athletes who inspire people to follow Christ - and to move away from drugs, alcohol, and suicide." (At the same time, we were pressured not to let our long-distance dollars go to support "nudity, profanity, or the Gay Games." We could avoid this by signing up with Lifeline, a Christian long-distance provider.)" People Who Sweat: Ordinary People, Extraordinary Pursuits, pp. 126-8.

This quote guideline tells me only to quote notable people... so I could only think of one person worthy enough, Kell Jeffery Schwers

Notably, one item was not on our list: Find the person responsible who typed the wrong command and punish him or her.

Among the handful of companies that were trying to solve these problems, most embraced a culture of strictly enforced, even CIA-like secrecy. We were in a race, after all, to be the first to make a computer-animated feature film, so many who were pursuing this technology held their discoveries close to their vests. After talking about it, however, Alvy and I decided to do the opposite—to share our work with the outside world. My view was that we were all so far from achieving our goal that to hoard ideas only impeded our ability to get to the finish line. Instead, NYIT engaged with the computer graphics community, publishing everything we discovered, participating in committees to review papers written by all manner of researchers, and taking active roles at all the major academic conferences. The benefit of this transparency was not immediately felt (and, notably, when we decided upon it, we weren’t even counting on a payoff; it just seemed like the right thing to do). But the relationships and connections we formed, over time, proved far more valuable than we could have imagined, fueling our technical innovation and our understanding of creativity in general.

The Council that is usually cited as that which 'condemend Origen' is the fifth ecumenical council, the second Constantinopolitan Council, in 553 CE. First of all, its ecumenicity is in fact doubtful, since it was wanted by Justinian and not by Vigilius, the bishop of Rome, or other bishops; Vigilius was even brought to Constantinople by force, by the emperor's order, and moreover he did not accept to declare that the council was open (Justinian had to do so). The anathemas, fifteen in number, were already prepared before the opening of the council. Here, Origen is considered to be the inspirer of the so-called Isochristoi. This was the position of the Sabaite opponents of Origen, summarized by Cyril of Scythopolis who maintained that the Council issued a definitive anathema against Origen, Theodore, Evagrius, and Didymus concerning the preexistence of souls and apokatastasis, thus ratifying Sabas' position (V. Sab. 90). One of these previously formulated anathemas, which only waited to be ratified by the Council, was against the apokatastasis doctrine: 'If anyone supports the monstrous doctrine of apokatastasis [τὴν τερατώδη ἀποκατάστασιν], be it anathema.' Other anathemas concern the 'pre-existence of souls,' their union with bodies only after their fall, and the denial of the resurrection of the body. These doctrines have nothing to do with Origen; in fact, Origen is not the object of any authentic anathema. And Vigilius's documents, which were finally emanated by a council that was not wanted by him, most remarkably do not even contain Origen's name. Origen was never formally condemned by any Christian ecumenical council. [G.L.] Prestige once observed, inspiredly, that 'Origen is the greatest of that happily small company of saints who, having lived and died in grace, suffered sentence of expulsion from the Church on earth after they had already entered into the joy of their Lord.' We may add that Origen, strictly speaking, did not even suffer any formal expulsion from the church. One problem is that later Christian authors considered the aforementioned anathemas as referring to Origen; so, extraneous theories were ascribed to him. The condemnations were also ascribed to Didymus and Evagrius; indeed, the Isochristoi professed a radical form of Evagrianism and some anathemas seem to reflect some of Evagrius's Kaphalaia Gnostica, but it would be inaccurate to refer all of Justinian's accusations and of the Council's 'condemnations' to Evagrius. What is notable, these condemnations, however, were never connected with Nyssen, not even that concerning universal apokatastasis. There may be various explanations to this. One is that Nyssen, the theologian who inspired the Constantinople theology in 381 CE, enjoyed too high an authority to be criticized. Also, his ideas could by then be related – and indeed were related – to the Purgatory theory. And his manuscripts bristle with interpolations and glosses concerned with explaining that Gregory in fact did not support the theory of apokatastasis. Germanus of Constantinople, in the eighth century, even claimed that Gregory's works were interpolated by heretics who ascribed Origen's ideas to Gregory. But precisely from the time of Justinian an important confirmation of the presence of the doctrine in Gregory's and the other Cappadocians' writings is given in Barsanuphius's Letter 604. A monk has asked him how it is that Origen's doctrine, especially that of apokatastasis, was supported by orthodox authors, and even saints, such as the Cappadocians. Barsanuphius, far from trying to deny that the Cappadocians supported the doctrine of apokatastasis, simply observes that even saints can have a limited understanding of the mysteries of God and can be wrong. Therefore, neither the monk nor Barsanuphius, who heartily detested the doctrine of apokatastasis, thought that Gregory did not actually believe in apokatastasis and that his works were interpolated by heretics. (pp. 736-738)

Most notably, violence began breaking out between the land’s Hindu and Muslim populations. Tensions were especially high in Calcutta, a city of millions, the population of which was split between Muslims and Hindus.

One possible source of inspiration for contemporary sociologists seeking to engage with environmental topics is the canon of classical social theory, notably that bequeathed to us by Durkheim, Weber and Marx. Each of these founders of the sociological field had something significant to say about nature and society, although this was often more implied than direct, and was embedded in the philosophical controversies and scholarly debates of the era in which they were writing. Some commentators have been downbeat about the potential usefulness of this canon. Goldblatt (1996: 1–6) advises that we be wary of the legacy left to us by classical sociological theory insofar as it lacks an adequate conceptual framework with which to understand the complex interactions between societies and environments. As

Notably, one item was not on our list: Find the person responsible who typed the wrong command and punish him or her. Some people may question that decision, reasoning that as valuable as creating a trusting environment can be, responsibility without accountability can undermine an expectation of excellence. I’m all for accountability. But in this case, my reasoning went like this: Our people have good intentions. To think you can control or prevent random problems by making an example of someone is naïve and wrongheaded. Moreover, if you say it is important to let the people you work with solve their own problems, then you must behave like you mean it. Drill down, certainly, to make sure everyone understands how important it is that we strive to avoid such problems in the future. But always—always—walk your talk.

In general, if we leave out the atheistic fraction of world population that possesses no notable optimistic or positive Qualia of God, the majority of the human species possesses a beneficial Qualia of God enriched with blissful sentiments.

Alberto Repossi Since opening his first shop in the Hotel Hermitage in Monte Carlo in 1977, Alberto Repossi has remained one of the most distinguished and sought after jewelry designers in the world. He was commissioned in the mid-nineties to design a ring for Diana and Dodi Al Fayed, and he continues to design for many notable royal families and cultural figures. I hope that now, after ten years, the time has come when conjectures have died off and everyone remembers her elegance and follows her legacy of kindness and charity. As for me, as a designer, I shall have in mind an image that shall always be a source of inspiration. I only have one regret: a meeting that will never take place.

I love quotes. I love Notable, Quotable, and DO-able quotes.

You and your friends played a big role in the aesthetic sensibility bred in the anarchist milieu in the early 2000s. While most anarchists and radicals were occupied with identity politics, accountability processes, justice, and ethical living and consumption, you and your friends started projects that had a more nihilist bent. Queer hedonism and negation, ‘doing-being totally out of control’. What inspired this turn, and what were you guys doing? The aesthetic sensibility we bred corresponded with the (re-)emergence of the hipster. While the hipster identity was about separating oneself out into a certain identity, to us it was more about being able to become anything. To welcome the power that comes with being malleable. To turn this weak metropolitan subject against itself. There were university occupations across the country, at the New School, in California, mini-riots across the Midwest and in the South. That also corresponded to the English translation of The Invisible Committee’s The Coming Insurrection, which was an important moment. Notably, that book was the same blue as Obama’s branding, and was a book instead of some zine somewhere. The new interest in insurrectionist aesthetics beyond the anarchist milieu provided a sort of opening. Part of the program behind Institute for Experimental Freedom, why I made all this aesthetic crap, why Politics is Not a Banana was a bright-ass pink book, was to take advantage of this opening.

In the 1840s Charles Dickens lived just around the corner from the Foundling Hospital, and he took an interest in the institution soon after his arrival in the neighborhood, renting a pew at the hospital’s chapel so he could hear the foundlings sing, or wandering the grounds and watching the children go about their daily chores. Dickens was evidently inspired by what he saw there, making unmarried mothers and children raised without parents frequent themes in his works, most notably in Oliver Twist. Other

Laughing with blood relatives amidst memorable melodies in the background, styrofoam plate in hand, topped with foods that restaurants can’t duplicate, it hit me: I don’t belong here. Staring at an unbelievable sunrise from a balcony villa in Tanzania, it hit me: I don’t belong here. Recognized and awarded for notable news journalism, a few semesters away from achieving a prestigious degree decorated with promised opportunities, it hit me: I don’t belong here. Hoping quietly for the best, to “win my husband over” with traditional submission, more frequent sex, and minimized speech, it hit me: I don’t belong here. Walking down a dusty Egyptian street filled with the welcoming laughter of carefree children, it hit me: I don’t belong here. Sitting in a church pew notating another good message, clapping to some of my favorite songs, and then exiting to talk with familiar faces, it hit me: I don’t belong here. Communing with those who know who the “real chosen” are, beholding their unknown names unmasked, and secret knowledges revealed to ponder incessantly, it hit me: I don’t belong here. Placed underneath the wanting body of a rare man who showed me unprecedented love, it hit me: I don’t belong here. My soul. My mind. My body. Each malnourished. My community. My life purpose. Both misplaced. All starving for home. So, I moved. Not to what looks and feels good for them, but to what

Hall Jackson Kelley considered himself to be the Messiah of Oregon, but he was only its John the Baptist, crying in the wilderness. He inspired thousands who turned their eyes toward Oregon because of his burning message; most notable of whom were the other two members of that Massachusetts triumvirate, Nathaniel J. Wyeth and Captain Bonneville, who were to open up the Snake River country for the Americans.

Great organizations don't just drive profits, they lead people, and they change the course of industries and sometimes our lives in the process.

How I see it is, I do the work, make the impact, and my public reputation-caricature are the crumbs, leftovers. It doesn't matter ultimately, especially compared to the impactful work done. Which is what matters.

the Stoics, from which notably Cicero (Rep., 6, 17) and Pliny the Elder (NH, 2,13) drew their inspiration, made the sun the soul or spirit of the world, 'who governs not only the seasons and the lands, but the very stars and the sky' (ibid.). So the imperial cult appropriated some solar theology.

Your path will show you where to go, and it will show you everybody you have realized as Selfhood in other body form. That’s how you can consider yourselves now, tumbling into the twenty-first century without a life preserver, tossed about like a bottle on the waves, full of nature and envy and clouds of distrust. Break the bottle and allow yourselves the best gift you can give yourselves: the freedom to melt into the grander oceans of your reality and allow this to take you into the beautiful new lives you have awaiting you. - James Baldwin (attrib.)

Irene Rich had been a notable star of the silent screen in the 1920s, playing opposite Will Rogers, Dustin Farnum, and Wallace Beery. But a disagreement with Warner Brothers sent her into a new career—radio! By her own account, it was an inspiration: at “three o’clock in the morning I took a plane for New York, and the next day I presented myself at the National Broadcasting studios.” Irene Rich Dramas, which ran for more than a decade in various forms, was the result.

Indeed, the raid has been mythologized, inspiring several films, most notably in 1926 The General, in which, interestingly, Buster Keaton portrays the conductor, Fuller, as the hero, whereas the Unionists are depicted as ruthless train wreckers, demonstrating the enduring tacit sympathy to the Confederate cause.

Wendell Minor: I believe that children's books are the last pond in the Serengeti. They are the only place we go to drink for inspiration. All of us can still go - and do....

Shervin Pishevar’s other star investment, Uber, was embroiled in its own case about whether it was as humble and powerless as it claimed. A group of drivers had sued Uber, as well as its rival Lyft, in federal court, seeking to be treated as employees under California’s labor laws. Their case was weakened by the fact that they had signed agreements to be contractors not subject to those laws. They had accepted the terms and conditions that cast each driver as an entrepreneur—a free agent choosing her hours, needing none of the regulatory infrastructure that others depended on. They had bought into one of the reigning fantasies of MarketWorld: that people were their own miniature corporations. Then some of the drivers realized that in fact they were simply working people who wanted the same protections that so many others did from power, exploitation, and the vicissitudes of circumstance. Because the drivers had signed that agreement, they had blocked the easy path to being employees. But under the law, if they could prove that a company had pervasive, ongoing power over them as they did their work, they could still qualify as employees. To be a contractor is to give up certain protections and benefits in exchange for independence, and thus that independence must be genuine. The case inspired the judges in the two cases, Edward Chen and Vince Chhabria, to grapple thoughtfully with the question of where power lurks in a new networked age. It was no surprise that Uber and Lyft took the rebel position. Like Airbnb, Uber and Lyft claimed not to be powerful. Uber argued that it was just a technology firm facilitating links between passengers and drivers, not a car service. The drivers who had signed contracts were robust agents of their own destiny. Judge Chen derided this argument. “Uber is no more a ‘technology company,’ ” he wrote, “than Yellow Cab is a ‘technology company’ because it uses CB radios to dispatch taxi cabs, John Deere is a ‘technology company’ because it uses computers and robots to manufacture lawn mowers, or Domino Sugar is a ‘technology company’ because it uses modern irrigation techniques to grow its sugar cane.” Judge Chhabria similarly cited and tore down Lyft’s claim to be “an uninterested bystander of sorts, merely furnishing a platform that allows drivers and riders to connect.” He wrote: Lyft concerns itself with far more than simply connecting random users of its platform. It markets itself to customers as an on-demand ride service, and it actively seeks out those customers. It gives drivers detailed instructions about how to conduct themselves. Notably, Lyft’s own drivers’ guide and FAQs state that drivers are “driving for Lyft.” Therefore, the argument that Lyft is merely a platform, and that drivers perform no service for Lyft, is not a serious one.

King knows what scares us. He has proven this a thousand times over. I think the secret to this is that he knows what makes us feel safe, happy, and secure; he knows our comfort zones and he turns them into completely unexpected nightmares. He takes a dog, a car, a doll, a hotel—countless things that we know and love—and then he scares the hell out of us with those very same things. Deep down, we love to be scared. We crave those moments of fear-inspired adrenaline, but then once it’s over we feel safe again. King’s work generates that adrenaline and keeps it pumping. Before King, we really didn’t have too many notables in the world of horror writers. Poe and Lovecraft led the pack, but when King came along, he broke the mold. He improved with age just like a fine wine and readers quickly became addicted, and inestimable numbers morphed into hard-core fans. People can’t wait to see what he’ll do next. What innocent, commonplace “thing” will he come up with and turn into a nightmare? I mean, think about it…do any of us look at clowns, crows, cars, or corn fields the same way after we’ve read King’s works? SS: How did your outstanding Facebook group “All Things King” come into being? AN: About five years ago, I was fairly new to Facebook and the whole social media world. I’m a very “old soul” (I’ve been told that many times throughout my life: I miss records and VHS tapes), so Facebook was very different for me. My wife and friends showed me how to do things and find fan pages and so forth. I found a Stephen King fan page and really had a fun time. I posted a lot of very cool things, and people loved my posts. So, several Stephen King fans suggested I do my own fan page. It took some convincing, but I finally did it. Since then, I have had some great co-administrators, wonderful members, and it has opened some amazing doors for me, including hosting the Stephen King Dollar Baby Film fest twice at Crypticon Horror Con in Minnesota. I have scored interviews with actors, writers, and directors who worked on Stephen King films or wrote about King; I help promote any movie, or book, and many other things that are King related, and I’ve been blessed to meet some wonderful people. I have some great friends thanks to “All Things King.” I also like to teach our members about King (his unpublished stories, lesser-known short stories, and really deep facts and trivia about his books, films, and the man himself—info the average or new fan might not know). Our page is full of fun facts, trivia, games, contests, Breaking News, and conversations about all things Stephen King. We have been doing it for five years now as of August 19th—and yes, I picked that date on purpose.

He is such a notable and reasonable man. A man to be revered. His deeds echo through time and leave ripples of reassurance. People whisper his name with reverence, for he embodies confidence like precious laurels. His legacy is engrained in the fabric of existence. It is a testament to greatness.

Sami Abouzid Singer | Songwriter | Music Producer | Author | Publisher Profile: A versatile and accomplished artist with over two decades of experience in the music industry. Sami Abouzid is a singer, songwriter, music producer, and music arranger who has established himself as a creative force in both the music and literary worlds. Renowned for his original compositions and innovative soundscapes, Sami is also a published author with a passion for storytelling. Professional Experience: Founder & CEO White Horse Records (2003–Present) • Established an independent record label to promote original music and artistic innovation. • Managed all aspects of production, marketing, and distribution for multiple projects. Band Leader Romantic Star (2003–Present) • Formed and led the band, releasing music that resonated with audiences worldwide. • Released debut album Romantic Dreams, featuring the hit song “Vanessa,” which gained airplay on multiple U.S. radio stations. Soundtrack Composer (2013–Present) • Transitioned into the world of soundtracks, starting with Isabella in 2013. • Composed, arranged, and produced 657 original soundtracks, known for their emotional depth and cinematic quality. Music Artist (2001–Present) • Released 54 albums and 50 singles available in stores worldwide. • Composed, arranged, mixed, mastered, performed, and produced all his music independently. Books Authored: • Love, Life, and Music – A reflection on creativity and personal experiences. • Scarlett Johansson Forever – A tribute to art, passion, and inspiration. • Arabic Poetry – A collection of poetic works exploring love and emotion. Skills & Expertise: • Music Composition, Arrangement, Mixing, and Mastering • Songwriting and Lyric Creation • Soundtrack Development for Film and Media • Publishing and Record Label Management • Literary Writing and Poetry Notable Achievements: • Pioneered a new era of music with over 700 compositions, soundtracks, albums, and singles. • Gained international recognition with music featured on major radio stations in the U.S. • Successfully bridged the gap between music and literature, creating a lasting artistic legacy.

This French Great Return was the precedent to more Great Christian returns, most notably the Italian Great Return to Libya in 1911: The average imagination can hardly fail to be struck by Italy's resumption of territories that formed a part of Roman Africa. It is the custom, in some critical quarters, to deny to modern Italy the proud descent from Imperial Rome which has been a natural inspiration to a reborn people; and, narrowly viewed, the denial has a sound enough basis. Ethnologically, no doubt, the modern Italians are far removed from the dominant people which founded and administered the greatest empire in history, and it may be the fact that of this race there are no true descendants. Yet, despite the admixture of foreign blood which gradually overwhelmed the original stock, the Roman tradition has inevitably persisted, and to admit the denial of Italian heirship would be to allow an unjustified predominance to the claims of strict heredity. In a sense, all nations have shared in the heritage of ancient Rome, but the legitimate heirs to its glories and traditions are those who, now weakened, now strengthened, by the infusion of alien blood, have occupied throughout the centuries the ancestral land. The Tripolitan provinces are rich in Roman remains, and history is full of allusions to the productivity of regions that are now desolate. In Roman times the Tripolitan coast strip and the Cyrenaican plateau must have been veritable gardens, and to-day the memorials of a vanished.’773