Nostalgia Trip Quotes

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Ten long trips around the sun since I last saw that smile, but only joy and thankfulness that on a tiny world in the vastness, for a couple of moments in the immensity of time, we were one.
Ann Druyan
In her final years she would still recall the trip that, with the perverse lucidity of nostalgia, became more and more recent in her memory.
Gabriel García Márquez (Love in the Time of Cholera)
Every time I open the drawer, it's a trip down Memory Lane, which, if you don't turn off at the right exit, merges straight into the Masochistic Nostalgia Highway.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Some people are born to fandom, others have fandom thrust upon them.
Nenia Campbell (Nostalgia Trip)
Sometimes you’re 23 and standing in the kitchen of your house making breakfast and brewing coffee and listening to music that for some reason is really getting to your heart. You’re just standing there thinking about going to work and picking up your dry cleaning. And also more exciting things like books you’re reading and trips you plan on taking and relationships that are springing into existence. Or fading from your memory, which is far less exciting. And suddenly you just don’t feel at home in your skin or in your house and you just want home but “Mom’s” probably wouldn’t feel like home anymore either. There used to be the comfort of a number in your phone and ears that listened every day and arms that were never for anyone else. But just to calm you down when you started feeling trapped in a five-minute period where nostalgia is too much and thoughts of this person you are feel foreign. When you realize that you’ll never be this young again but this is the first time you’ve ever been this old. When you can’t remember how you got from sixteen to here and all the same feel like sixteen is just as much of a stranger to you now. The song is over. The coffee’s done. You’re going to breath in and out. You’re going to be fine in about five minutes.
Kalyn Roseanne Livernois (High Wire Darlings)
Walk with me, memory to memory, the shared path, the mutual view. Walk with me. The past lies in wait. It is not behind. It seems to be in front. How else could it trip me as as I start to run?
Jeanette Winterson (Gut Symmetries)
What is love but a nostalgia for someones history? Their boyhood haunts and sullen adolescence, their teenage trips cross-country and fights with their fathers and especially their old lovers?
Darcey Steinke (Suicide Blonde)
A trip to nostalgia now and then is good for the spirit, as long as you don’t set up housekeeping. —DAN BARTOLOVIC KPUG-KNWR, Bellingham, Wasington.
Reader's Digest Association (Quotable Quotes)
As I look back on the trip now, as I try to sort out fact from fiction, try to remember how I felt at that particular time, or during that particular incident, try to relive those memories that have been buried so deep, and distorted so ruthlessly, there is one clear fact that emerges from the quagmire. The trip was easy. It was no more dangerous than crossing the street, or driving to the beach, or eating peanuts. The two important things that I did learn were that you are as powerful and strong as you allow yourself to be, and that the most difficult part of any endeavor is taking the first step, making the first decision. And I knew even then that I would forget them time and time again and would have to go back and repeat those words that had become meaningless and try to remember. I knew even then that, instead of remembering the truth of it, I would lapse into a useless nostalgia. Camel trips, as I suspected all a long, and as I was about to have confirmed, do not begin or end, they merely change form.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
She’d been hunting for an indescribable thrill, a feeling she remembered from nights out with her friends, but she’d misunderstood where the feeling came from. It wasn’t about drinking and partying in some dingy club. It had been about the people. The constant laughter they shared, too high on each other to care that they were being obnoxious. Group trips to the bathroom like a small army unit, where the mission objective was helping each other squat over filthy toilets without their dresses touching the seat. Belonging.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
Walk with me, memory to memory, the shared path, the mutual view. Walk with me. The past lies in wait. It is not behind. It seems to be in front. How else could it trip me as I start to run?
Jeanette Winterson (Gut Symmetries)
I'm just sorry. Sorry that there won't be any more camping trips for kids or rock bands or even new books to read. No more movies or fresh bags of popcorn. It really sucks when you think about it. Of course, there is the possibility that we might be able to win this war, but not for a very long time. Probably longer than you and I will ever exist in this world." "I try not to think about it." "Sometimes it's all I ever think about.
Jeyn Roberts (Dark Inside (Dark Inside, #1))
Despite your best efforts and intentions, there's a limited reservoir to fellowship before you begin to rely solely on the vapors of nostalgia. Eventually, you move on, latch on to another group of friends. Once in a while, though, you remember something, a remark or a gesture, and it takes you back. You think how close all of you were, the laughs and commiserations, the fondness and affection and support. You recall the parties, the trips, the dinners and late, late nights. Even the arguments and small betrayals have a revisionist charm in retrospect. You're astonished and enlivened by the memories. You wonder why and how it ever stopped. You have the urge to pick up the phone, fire off an email, suggesting reunion, resumption, and you start to act, but then don't, because it would be awkward talking after such a long lag, and, really, what would be the point? Your lives are different now. Whatever was there before is gone. And it saddens you, it makes you feel old and vanquished--not only over this group that disbanded, but also over all the others before and after it, the friends you had in grade and high school, in college, in your twenties and thirties, your kinship to them (never mind to all your old lovers) ephemeral and, quite possibly, illusory to begin with.
Don Lee (The Collective)
45,000 sections of reinforced concrete—three tons each. Nearly 300 watchtowers. Over 250 dog runs. Twenty bunkers. Sixty five miles of anti-vehicle trenches—signal wire, barbed wire, beds of nails. Over 11,000 armed guards. A death strip of sand, well-raked to reveal footprints. 200 ordinary people shot dead following attempts to escape the communist regime. 96 miles of concrete wall. Not your typical holiday destination. JF Kennedy said the Berlin Wall was a better option than a war. In TDTL, the Anglo-German Bishop family from the pebbledashed English suburb of Oaking argue about this—among other—notions while driving to Cold War Berlin, through all the border checks, with a plan to visit both sides of it.
Joanna Campbell (Tying Down the Lion)
She loved the smell of old truck; thick cotton and vinyl seat covers, old gasoline and oil, the smell of country, decades of farmers, workers and families taking trips back and forth to town, up backroads to swimming holes, over fields, through all the weather. She imagined what this truck would have seen if it had eyes and a memory. She was about to become one more episode in its existence.
Glenda Love
Not very long ago I was driving with my husband on the back roads of Grey County, which is to the north and east of Huron County. We passed a country store standing empty at a crossroads. It had old-fashioned store windows, with long narrow panes. Out in front there was a stand for gas pumps which weren't there anymore. Close beside it was a mound of sumac trees and strangling vines, into which all kinds of junk had been thrown. The sumacs jogged my memory and I looked back at the store. It seemed to me that I had been here once, and the the scene was connected with some disappointment or dismay. I knew that I had never driven this way before in my adult life and I did not think I could have come here as a child. It was too far from home. Most of our drives out of town where to my grandparents'house in Blyth--they had retired there after they sold the farm. And once a summer we drove to the lake at Goderich. But even as I was saying this to my husband I remembered the disappointment. Ice cream. Then I remembered everything--the trip my father and I had made to Muskoka in 1941, when my mother was already there, selling furs at the Pine Tree Hotel north of Gravehurst.
Alice Munro (The View from Castle Rock)
You have certain hopes,” he began, the subject making him visibly uncomfortable. “You do this as a nostalgic trip, and nostalgia is you feel like you will see a place again. And when you see nothing is left, it’s in a way a comment on life itself. You see that life doesn’t stand still. Nothing waits for you to visit it again. The river keeps flowing. It may be smaller. But still it flows. And with it your life flows by. This is what life basically is.
Ariel Sabar (My Father's Paradise: A Son's Search for His Jewish Past in Kurdish Iraq)
There was a time when we dreamed of returning there to live, Mami, Carlito, and me. We idealized Cartagena all year long as Mami saved up for our summer trips, but when we got there, it was never the way we wanted it to be - too hot, too rainy, too full of pueblo chisme, too grim, too hopeless. Still, during our prison visits, Carlito liked to conjure stories from the Cartagena of our nostalgia and made me swear that if he never got the chance to go back, I'd go for him.
Patricia Engel (The Veins of the Ocean)
He had grown used to the eyes upon him as he and his uncle traveled from their bedroom community in Brooklyn to Chinatown. When one woman dropped her purse at his feet and Shim handed it back to her with “Your handbag, m’lady,” and a flourish, she’d nearly jumped out of her seat in surprise. He mentioned none of this to Chun, because after nearly a month in Hong Kong in her steady presence, the sharp edges of being treated with suspicion were blunted by a film of nostalgia. New York was home; this trip had made him realize that.
Ava Chin (Mott Street: A Chinese American Family's Story of Exclusion and Homecoming)
What are you doing here?” He wasn’t annoyed, exactly. He just seemed to find my presence unexpected, the way you might be surprised to discover your dog in the living room instead of in its crate. A different young staffer would have handled the situation gracefully. Perhaps they might have tried a high-minded approach: “I’m here to serve my country.” Or they might have kept things simple: “I’m hoping to catch typos.” Here is what I did instead. First, in a misguided effort to appear casual, I gave the leader of the free world a smile reminiscent of a serial killer who knows the jig is up. Then I said the following: “Oh, I’m just watching.” POTUS took a shallow breath through his nose. He raised his eyebrows, looked at our cameraman, and sighed. “It always makes me nervous when Litt’s around.” I’m 90 percent sure President Obama was half joking. Still, two months later, on my final POTUS trip, my stomach full of arugula and Brie, I was careful to avoid his eyes. Backstage in Detroit, POTUS went through his usual prespeech routine, shaking hands with the prompter operators and joking with personal aides. Then he stepped onstage to remind a roomful of autoworkers about the time he saved their industry seven years before. I had written plenty of auto speeches for President Obama. There was nothing especially new in this one. But as POTUS reached his closing paragraph, my eyes filled with tears. I had tried to prepare myself for each milestone: my last set of remarks for the president, my last ride in the motorcade, my last flight on Air Force One. Still, the nostalgia left me reeling. I fled the staff viewing area and found a men’s room. With my left hand, I steadied myself against the sink. With my right, I held all but the first page of my speech. You’re supposed to be an adult, I reminded myself. And adults don’t cry in front of their boss’s boss.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
Fermina Daza learned about herself, she felt free for the first time, she felt her self befriended and protected, her lungs full of the air of liberty, which restored her tranquility and her will to live. In her final years she would still recall the trip that, with a perverse lucidity of nostalgia, became more and more recent in her memory. P.103-4
Gabriel García Márquez (Love in the Time of Cholera)
those trips were driven by a yearning to be surrounded by simplicity and nostalgia.
Carolyn Porter (Marcel's Letters: A Font and the Search for One Man's Fate)
When you move to another country, the only thing that stays in your memory is your house, the tree next to your house, and the bench," Igor tells me, as a mortified Daniela sighs. She had warned me that her father liked to speak in metaphors. "He has a metaphor for every situation in life," she says as he smiles and ignores her. On that trip in 1995, he founds out that the house was gone, the tree cut down and the bench burnt. "The only thing in your memory and now it's nothing. Even after only four years, I realized that Israel is my home." Their feelings track with what some scholars of diaspora and return immigration say about the relegation of the country of origin into the realm of nostalgia and memory after just a few years in the new homeland.
Kamal Al-Solaylee (Return: Why We Go Back to Where We Come From)
Lottie's cake is last. This one is layered three deep, impressive for a moist, snacking-style cake, which normally couldn't be stacked. The bottom layers are bound together by a thick cream cheese icing, while the top is coated with a thick streusel crumble held in place by a circle of decorative piping. "It's a layered blueberry buckle," Lottie says, looking at Betsy hopefully. "Now that is another unconventional choice from you," Betsy says, eyeing the streusel topping, an odd choice for a layer cake. A buckle is a humble sort of cake--- old-fashioned in its simplicity--- that she hasn't seen around in years. Nowadays most prefer a thick layer of icing, buttercream they can decorate, or the scraped edge of a naked cake. Something meant to impress on a table or in a photograph rather than just be eaten at a family dinner or on a picnic. Secretly it's kind of a relief to see such a normal person's cake given its due. "The decoration is lacking," Betsy tells her flatly, though the completely bare sides show an even sprinkling of blueberries, which is impressive. It can be difficult to keep berries from falling to the bottom of a cake, but these are evenly distributed throughout. The knife glides into the cake, which has a springy sort of give to it. She cleaves a slice away, leaving a small avalanche of streusel crumbs in its wake. The cake inside is plump and golden, studded with juicy blueberries. Betsy can tell before she even takes a bite that it has been cooked to perfection. The flavors hit her tongue and bring on a wave of nostalgia so strong that she has to steady herself against the table. It is heavenly, the sweet and sour of the blueberries wrapped in the soft vanilla-y cake. She is instantly transported back in time, back to her childhood. It is unquestionably the best cake of the bunch, simple and satisfying, the kind that if you were to bake it at home would leave you wanting more, taking secret trips to the kitchen to cut another slice.
Jessa Maxwell (The Golden Spoon)
I try to shake off the nostalgia and keep in the moment, to stop fantasising about what might have been and try to enjoy what we have now. You can't ever go back
Kate Galley (The Golden Girls Road Trip)
Eva stroked the back of my neck with one hand and ran her other hand up and down my chest. She broke away from my tongue and kissed my lips over and under. Then she sat slightly back and looked at my face. I looked at her presence with a flush of wonder and at her face which was partially hidden by her long, auburn locks, which had fallen in from the sides. She parted her hair away from her face deftly with her hands and then leaned forward and kissed me first under my right eye and then under my left eye. It was the sexiest moment of my life. “You should close the door,” she told me.
Tim Scott (Driving Toward Destiny: A Novel)
In the prestreaming, presmartphone era, movie theaters were destinations, not diversions. People remember where they first saw The Phantom Menace, The Blair Witch Project, or American Pie—and who they were with—because they were major social or cultural moments. The movies of 1999 aren’t mere nostalgia trips; they’re a part of people’s lives.
Brian Raftery (Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen)
So, for example, Bell is mesmerized by a screen saver that draws on his personal archive to display random snapshots. Pictures of long-ago birthdays and family trips trigger waves of nostalgia. But during my visit, Bell tries to use search tools to find a particular photograph that is not coming up on the screen. He pursues one strategy, then another. Nothing works; he loses interest. One senses a new dynamic: when you depend on the computer to remember the past, you focus on whatever past is kept on the computer. And you learn to favor whatever past is easiest to find. My screen saver, my life.
Alone Together Why We Expect More from Technology and Less from Each Other
Nostalgia was never his forte. The future was far more interesting to him than the past and he spoke of tomorrow with the same wistfulness I reserved for yesterdays. What a strange paradox: the remains of a man who loved a future he would never experience in the hands of a wife incapable of making plans. In one of my earliest text exchanges with Hal, he spoke of one day moving us to the Pacific Northwest. He told me he dreamt of living there. In a house overlooking the sea, where the fog was thick and the ocean was too cold to swim in. We talked about vacationing there as a family on multiple occasions but never actually took the trip. For as long as I’d known Hal, he’d dreamt of the Oregon coast. Now, for as long as there was an Oregon coast, it would dream about him back.
Rebecca Woolf (All of This: A Memoir of Death and Desire)
strange: True memories seemed like phantoms, while false memories were so convincing that they replaced reality. This meant I could not detect the dividing line between disillusionment and nostalgia. It was the definitive solution. At last I had found what I needed most to complete the book, what only the passing of the years could give: a perspective in time. When I returned from that fortunate trip I rewrote all the stories from the beginning in eight feverish months, and because of my helpful suspicion that perhaps nothing I had experienced twenty years before in Europe was true, I did not have to ask myself where life ended and imagination began. Then the writing became so fluid that I sometimes felt as if I were writing for the sheer pleasure of telling a story, which may be the human condition that most resembles levitation.
Gabriel García Márquez (Strange Pilgrims)
Sometimes there were trips to somebody's cousin's friend's plot of land by the black-water creeks off the highway, trips that killed me with nostalgia even while I lived them, driving aback a pickup, silvery rain pelting bare backs, leaves dancing on the mud trail, branches snapping back onto faces, puddles like lakes forded in the sinking vehicle, bushcook and red rum and drenched cricket, jamoon splattered purple upon the wet soil - the remarkable freedom of a forgotten and irrelevant place on earth.
Rahul Bhattacharya (The Sly Company of People Who Care)
A People’s History is not a nostalgia trip. In these pages I hope it is clear that no period of church history is superior to another. Rather, each time unfolds on its own historical merits, as Christians struggle to enact Jesus’s command to love God and neighbor in a unique human context.
Diana Butler Bass (A People's History of Christianity: The Other Side of the Story)
- a textbook of didactic clarity and compelling persuasiveness. - gloomy radiation. - all were determined to die of old age. - angelic arousal. - fundamental humanitarian feeling. - he felt forgotten, not with the reparable forgetfulness of the heart but with the hard and irrevocable forgetfulness, which he knew very well because it was the forgetfulness of death. - his dedication to work and his good judgment, when adjusting his interests, made him earn more money. - had defeated the devil in a duel. - recital of dignity, personal charm and good manners. - had been hardened by the thanklessness of his profession. - it was a (like) whirlwind of health. - relentless determination. - had been banished to the attic of her memory. - his radiant self-control. - looked like a miscarriage next to him. - he had well understood that the secret to a good old age was nothing more than an honest deal with solitude. - they realized that the smell of the beautiful Remedios continued to torment men beyond death, until their bones turned to dust - was a mark of caste, a stamp of immunity. - she saw the inconsolable eyes that sealed her heart like red-hot coals of compassion. - unable to give an answer that was not a masterpiece of simplicity - where even the loftiest birds of memory could not reach her. - there was an unbearable smell of rotten memories. - the corrosive war of eternal postponements. - sank into the miserable defeat of old age. - rigid discipline. - he was straight, serious and had a thoughtful tone, a Saracen sadness, he had a mournful autumn-colored glow on his face. - she was so clouded with resentment. - he thought his boldness was industriousness, his greed self-denial and his stubbornness perseverance. - she had discovered within her a thoughtful and righteous rage. - time tripped and had accidents and could break into pieces and leave an eternal piece of itself in a room. - Her heart, full of collected ashes, which had withstood the strongest blows of daily reality, was torn to pieces by the first attack of nostalgia. - his wife's decision came from a nostalgic delusion. - and the inhabitants, oppressed by memories. - for a man like him, imprisoned in written reality. - her will to resist was shattered by overwhelming impatience. - his mania for the written word was a mixture of true respect and gossipy irreverence. not even his own manuscripts were spared from this dualism. - boredom in love had unexplored possibilities, richer than lust.
Gabriel García Márquez (One Hundred Years of Solitude - Gabriel Garcia Marquez (Bloom's Modern Critical Interpretations) (2009-05-30))