Nose Pin Love Quotes

How could you let him do this? (Shahara) I know you’re not going to pin this on me, Shay. I didn’t raise the embryo. You did. It’s what you get for teaching him things like honor, love, courage, and loyalty. If you’d left him a scared little snot-nose, he’d still be living in your basement. (Vik)

No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.

So, you wanna know what I want? I want it all. I want to be in love so much it hurts. The frissons. The pin pricks. The mind-blowing sex. The connection. And I want to be married with kids I adore and a husband who makes me feel safe, sexy, smart, secure, silly, serious, salacious, sinful, serene, satisfied. I want someone who makes me laugh until milk comes out of my nose (only I don’t drink milk). I want to finish someone’s sentences. I want to believe in someone, in something, in a future that’s not just about laundry and soccer practice and subdivisions and minivans and guilt-tripping grandparents. I want to make someone a better person. I want to be a good example. I want to love some kids into the world. I want someone who stimulates my brain as much as my body. I want to taste everything and go everywhere. I want to give and I want to get. I want too much and I want it all in one person.

As high as the fire in me burns, Evie, I will stoke it in you." "Sebastian..."She strained a little, and he pinned her more firmly against the table. "It's my right to kiss you," he reminded her. "whenever I want, for as long as I want. That was our bargain." She threw an agitated glance around the room, and he read her thoughts easily. "I don't give a damn if anyone sees us. You're my wife." A smile chased across his lips. "My better half, to be certain." Leaning over her, he nuzzled into the fine tendrils that strayed over her forehead. His breath was hot and soft on her skin. "My prize... my pleasure and pain... my endless desire. I've never known anyone like you, Evie." His lips touched gently at the bridge of her nose and slid down to the tip. "You dare to make demands of me that no other woman would think of asking. And for now, I'll pay your price, love. But later you'll pay mine... over and over..." He caught her trembling lips with his, his hands cupping the back of her head.

One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child. When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.

West couldn't stop staring at Lady Clare. He had the feeling if he reached out to touch her, he would come away with his fingers scorched. That hair, blazing from beneath a simple gray traveling bonnet... he'd never seen anything like it. Bird-of-paradise red, with glimmers of crimson dancing amid the pinned-up locks. Her skin was flawless ivory except for a tender spray of freckles sprinkled across her nose, like a finishing spice on some luxurious dessert. She had the look of someone who had been nurtured: educated and well dressed. Someone who had always been lovingly sheltered. But there was a shadow in her gaze... the knowledge that there were some things no human being could be protected from. God, those eyes... light gray, with striations like the rays of tiny stars.

Music is a form that tends to give shape to rules, social mores, social attitudes, feelings—it does this in a very beautiful, fluid way. To me the issue of form and formlessness is most strong in the theme of mortality versus a human wish for immortality of a sort. Take, for example, the definition of beauty in fashion. Remember what Alison says at the beginning? She says when she was young she didn’t know what beautiful was. She looked at this woman who everyone was saying was beautiful and she didn’t even know what they were talking about. I experienced that when I was a child. If I loved someone I thought they were really beautiful. And then eventually, I began to get it, the social concept of beauty. Not that I think beautiful is completely imaginary, but beauty is so wide ranging and fluid. Yet there’s a need to say: “This is what it is, and it’s not changing; we’re taking a picture of it to hold it still.” It’s like an impulse to put up a building meant to last forever. An urge to grab and hold something in place when nothing human can be grabbed and held in place. We come into these physical bodies . . . whatever we are takes this shape that is so particular and distinct—eyes, nose, mouth—and then it gradually begins to disintegrate. Eventually it’s going to dissolve completely. It’s a huge problem for people; we can understand it, but it breaks our hearts. And so we’re constantly trying to pin something down or leave a trace that will last forever. “And this is the only immortality you and I may share, my Lolita . . .” What other immortality will anyone share?

I think truly loving someone is a three-tier system.” She holds up three fingers and slowly ticks each number off as she goes. “First, and most important, is how they make you feel about yourself. Are they good to you? Do they accept you for your flaws? See the best in you? The second is how they feel about themselves. Do they take pride in what they do? Do they strive to become more? Do they love themselves? And the third tier is…” She pauses and pushes her glasses up on her nose. Then she pins me to the chaise lounge with her eyes, showing me she’s one hundred percent serious. “Do you inspire each other?

I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.

Amy, listen to me.  Listen to me.  Don't you ever let them tell you you're ugly!  Don't ever let them tell you you're dirty.  You're a beautiful person, inside and out, thoughtful, sensitive and kind.  I don't care what Sylvanus says, or what anyone else thinks.  You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles.  No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry.  I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own.  Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake.  A big mistake.  But to stop now would crush her. "Ah, Amy.  How can you think you're ugly?  Your skin is so soft that it feels like roses after a morning rain." "It's too dark.  Bronzy.  Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent.  "And look at these cheekbones!  I know women — aristocratic women, mind you — who'd kill for cheekbones like these.  High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose.  He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't.  Close your eyes." She did.  He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown?  Brown like conkers?  Brown like nutmeg?  Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair.  It was straight, he could tell that much.  Shiny like glass, as soft as a fern.  He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No.  Brown like black.  And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really.  It's just hair." "Just hair.  Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her.  "Oh, Amy." He

Chase shoved one of the ultrasound pictures in Bree’s face, “Then what the hell is this?” I stepped up next to her, took the photo out of his hand and spoke softly, trying to hide my shaking. “It’s mine Chase.” You could have heard a pin drop. Chase’s face had softened as soon as he’d seen me, but turned into one of shock when he registered what I’d said. After a few minutes, a grin that reached his eyes spread across his face as he searched mine. His eyes slowly trailed down to my stomach and grew wide, “You’re pregnant Princess?” “Yes.” I whispered. He lifted his head to smile at me and dropped it again, gaze fixed on my bump. This time no one stopped me when I let my hand fall to cover it lovingly. “Is it – is it mine?” “Of course it is.” “We’re going to have a baby?” “Yes.” “This is our baby?” He reached for the photo in my hand. I smiled, “Yes.” His expression was so beautiful, tears instantly poured down my cheeks. “We’re having a baby.” I laughed through my tears and nodded my head. Chase ran a hand through his hair and huffed out a laugh. He looked from the picture to my stomach once more, “I love you so much.” he breathed and closed the distance between us, crushing his lips to mine. I didn’t care that his family was watching, I threw my arms around his neck and let him lift me off the ground. After I was good and kissed, he set me back down and dropped to his knees. Running his hand over my gummy bear bump, he lifted my shirt and kissed my bare stomach twice. A sob broke out of my chest and I looked at Claire who was freely crying and leaning into Robert. Even Bree was wiping a few tears away. Chase stood back up and cupped my face in his hands, “Why didn’t you tell me?” “I was scared,” I shrugged, “I still am.” “You don’t have to be scared,” he whispered and kissed my nose, “I’ll take care of us.” I

Oh, we hd danced to Frankie Goes to Hollywood. "The Power of Love." The POWER of LO-OVE! But Hanne, Hanne. Feeling her so close to me. Standing nearly as close and talking. Her laughter. Her green eyes. Her small nose. Just before we left, on the way out, she had pinned the button on me. That was what had happened. It wasn't much, but the little there had been was fantastic.

But we didn't always egg each other on like that - more often, it was the opposite. Instead of yelling at her, I'd find myself sucked in by her hypnotic stare and unrelenting train of logical thought until I was letting her do something like pluck out my nose hair for an experiment. (To be fair, she did promise to do my chemistry homework for a month in exchange.) She taught me how to pick a basic lock, and after I'd finally maneuvered my pins into the right position and heard the telltale click and fallen back against the love seat in relief, she pulled a blindfold over my eyes and made me do it again. Later, after Holmes said she hadn't been allowed any when she was little, I bought a full-to-bursting bag of bulk candy from the union store and set it before her like an offering to a king. Deep in thought, she'd refused to try any of it, rolling her eyes at the very suggestion. When I returned from stepping out to take a call from my mother, I found her trying, very unsuccessfully, to bite into an everlasting gobstopper.

When next Eve woke, the sun was shining through the windows. She blinked and realized a large male arm was thrown across her stomach, pinning her in place. Oddly, she didn't panic. Instead she gingerly removed the arm and slowly, carefully levered herself up to peer at her sleeping bedmate. Asa Makepeace was on his back, his arms and legs spread wide and taking up most of the bed. A sunbeam struck his hair, making gold and red strands glint in the brown. Dark reddish brown hair stubbled his jaw. His lips were slightly parted and on each exhalation was the faintest suggestion of a snore. Eve smiled at the sound and reached for the small sketchbook and pencil that always sat on the table beside her bed. She settled back against the pillows and began drawing him: the slightly overlarge nose, the eyes unlined in sleep, the slack, beautiful mouth. How was it possible that this man she'd at first found merely irritating, overwhelmingly male- 'frightening'- should turn out to have so many sides to him? A lover of opera. A fighter of highwaymen. A shouter of arguments. A savior of stray dogs. Stubborn, cynical, violent, and sometimes mean. And yet a man who had tenderly shown her how to love. No one had ever cared so much for her.

The Blue One will live to see the Caterpillar rut everything they walk on—seacliff buckwheat cleared, relentless ice plant to replace it, the wild fields bisected by the scenic highway, canyons covered with cul-de-sacs, gas stations, comfortable homes, the whole habitat along this coastal stretch endangered, everything, everyone, everywhere in it danger as well— but now they're logging the one stilling hawk Smith sights, the conspiring grasses' shh shhhh ssh, the coreopsis Mattoni's boot barely spares, and, netted, a solitary blue butterfly. Smith ahead of him chasing the stream, Mattoni wonders if he plans to swim again. Just like that the spell breaks. It's years later, Mattoni lecturing on his struggling butterfly. How fragile. • If his daughter spooled out the fabric she's chosen for her wedding gown, raw taffeta, burled, a bright hued tan, perhaps Mattoni would remember how those dunes looked from a distance, the fabric, balanced between her arms, making valleys in the valley, the fan above her mimicking the breeze. He and his friend loved everything softly undulating under the coyest wind, and the rough truth as they walked through the land's scratch and scrabble and no one was there, then, besides Mattoni and his friend, walking along Dolan's Creek, in that part of California they hated to share. The ocean, a mile or so off, anything but passive so that even there, in the canyon, they sometimes heard it smack and pull well-braced rocks. The breeze, basic: salty, bitter, sour, sweet. Smith trying to identify the scent, tearing leaves of manzanita, yelling: "This is it. Here! This is it!" his hand to his nose, his eyes, having finally seen the source of his pleasure, alive. • In the lab, after the accident, he remembered it, the butterfly. How good a swimmer Smith had been, how rough the currents there at Half Moon Bay, his friend alone with reel and rod—Mattoni back at school early that year, his summer finished too soon— then all of them together in the sneaker wave, and before that the ridge, congregations of pinking blossoms, and one of them bowing, scaring up the living, the frail and flighty beast too beautiful to never be pinned, those nights Mattoni worked without his friend, he remembered too. He called the butterfly Smith's Blue

It all happened within the blink of an eye. God locked Day’s arms behind his back and rolled pinning him down to the mattress and baring all his weight down on him. Day’s heart rate skyrocketed at the realization that God wasn’t awake yet. “Cash, it’s me! It’s Leo! Wake up dammit!” he shouted at God and bucked to try to free his hands that were trapped painfully behind him. His large biceps bulged and flexed with everything he had. He needed to be able to put up his guard. If God started to swing, he had to be able to block the hits. God blinked again and Day saw the reality seeping back into him. God’s head jerked back and forth looking all around the dark room. “Cash, its Leo. Look at me. Look at me,” Day said quickly. Cash turned and looked down at him and it broke his heart when God squeezed his eyes shut and let go of Day’s arms. Day knew that God felt horrible, not only from the nightmare but from potentially hurting him too. Day held in his groan of pain at bringing his hands from behind his back and wrapped them protectively around God. He pulled God down to his chest. “I got you, baby. It’s all right, it’s just a dream,” Day whispered softly while stroking God everywhere that he could reach. God’s heart was beating so hard Day could feel it against his own bare chest. He dug his hands in God’s long hair and massaged his scalp. God squeezed him back. “He shot you. I couldn’t get to you in time and he shot you,” God said through ragged breaths. “Fuck,” Day hissed and held God tight to him. “No, baby. You did get to me in time. I’m right here with you. You saved me. You will always save me.” Day opened his legs and let God sink in between them. “Damn, I love you so fucking much,” Day whispered. Day placed kisses on the side of God’s face while God had his nose buried in his neck breathing him in. They lay still while both of their heart rates came back down to normal.

What has put that look on your face, Sophie?” “What look?” She laid the child in the cradle where Vim had set it near the hearth. “Like you just lost your best friend.” “I was thinking of fostering Kit.” And just like that, she was blinking back tears. She tugged the blankets up around the baby, who immediately set about kicking them away. “Naughty baby,” she whispered. “You’ll catch a chill.” “Sophie?” A large male hand landed on her shoulder. “Sophie, look at me.” She shook her head and tried again to secure Kit’s blankets. “My dear, you are crying.” Another hand settled on the opposite shoulder, and now the kindness was palpable in his voice. Vim turned her gently into his embrace and wrapped both arms around her. It wasn’t a careful, tentative hug. It was a secure embrace. He wasn’t offering her a fleeting little squeeze to buck her up, he was holding her, his chin propped on her crown, the entire solid length of his body available to her for warmth and support. Which had the disastrous effect of turning a trickle of tears into a deluge. “I can’t keep him.” She managed four words around the lump in her throat. “To think of him being passed again into the keeping of strangers… I can’t…” “Hush.” He held a hanky up to her nose, one laden with the bergamot scent she already associated with him. For long minutes, Sophie struggled to regain her equilibrium while Vim stroked his hand slowly over her back. “Babies do this,” Vim said quietly. “They wear you out physically and pluck at your heartstrings and coo and babble and wend their way into your heart, and there’s nothing you can do stop it. Nobody is asking you to give the child up now.” “They won’t have to ask. In my position, I can’t be keeping somebody else’s castoff—” She stopped, hating the hysterical note that had crept into her voice and hating that she might have just prompted the man to whom she was clinging to ask her what exactly her position was. “Kit is not a castoff. He’s yours, and you’re keeping him. Maybe you will foster him elsewhere for a time, but he’ll always be yours too.” She didn’t quite follow the words rumbling out of him. She focused instead on the feel of his arms around her, offering support and security while she parted company temporarily with her dignity. “You are tired, and that baby has knocked you off your pins, Sophie Windham. You’re borrowing trouble if you try to sort out anything more complicated right now than what you’ll serve him for dinner.” She’d grown up with five brothers, and she’d watched her papa in action any number of times. She knew exactly what Vim was up to, but she took the bait anyway. “He loved the apples.” This time when Vim offered her his handkerchief, she took it, stepping back even as a final sigh shuddered through her. “He

He moved over to make room for me and I slid under the covers beside him. There was a short silence, and he ran his hand up my leg from knee to hip. ‘I thought you didn’t like these,’ he said, tracing the lacy hem of the scarlet knickers. ‘Oh, well, I thought you might.’ ‘I do. Please pass on my thanks to your stepmother.’ ‘Hmm,’ I said. ‘I think not.’ ‘Spoilsport.’ ‘You could always tell her yourself.’ ‘Fair enough,’ he said serenely. ‘I will.’ I kicked him. ‘Stop that,’ he ordered, rolling over and pinning my legs with his. ‘You’re so hot,’ I said. ‘Thanks,’ said Mark, smiling. ‘I work out.’ ‘I meant your body temperature, you weenie.’ I lifted my head off the pillow to kiss his nose, which was nice and handy. ‘What’s your dad like?’ he asked. I was a little startled by this abrupt change of subject. ‘Well,’ I said, ‘he’s about six foot seven, a fundamentalist Christian, collects guns, very protective of his daughters . . . Ow!’ ‘We’ll try that again, shall we?’ ‘Biting people is not cool,’ I said sternly. ‘Toughen up, McNeil, it didn’t even break the skin.’ ‘I can see the headlines now. Innocent Girl Bitten by Crazed All Black. Wound Turns Septic. Major Surgery Required . . .’ ‘Yeah,’ he said. ‘Amputation at the neck.’ ‘The ultimate solution.’ ‘So,’ he repeated patiently, ‘what’s your dad like?’ ‘Lovely,’ I said.

Slowly, as though touching it might destroy the image, he reached up and put trembling fingers to her forehead . . . her cheek . . . her nose . . . her lips.  The image did not go away.  It did not waver.  And as he stared in wonder and a sort of frozen disbelief, he saw the shyness and joy in the face that stared back at him. A face that he was, after two long months, seeing for the very first time. He saw a square jaw and high, prominent cheekbones that lent her a look of gauntness and strength; dark, velvety-brown eyes fringed by long black lashes; a shy and smiling mouth; full, dusky lips; and glossy hair the color of strong coffee, tightly braided and pinned in a coronet around her head.  She was beautiful, even if not in the conventional sense, striking, slightly exotic, with flawlessly smooth skin of a slightly bronzed tone, not unlike that of a sailor who's spent his life in the sun. It was a lovely color. A warm, toasted, caramel-color that made him want to put his lips to it and kiss her all over. "Amy," he repeated, in a disbelieving whisper.  "I can see you."  He swallowed hard, and traced the shape of her mouth with his fingers.  "I can see you." And he could also see something else.  Mist in those huge, soft eyes — and a sort of awkwardness, if not fear, about his first visual impression of her. "And just what is it you see, Charles?" "I see a beautiful young woman — " he grinned — "garbed in the most singularly hideous gown imaginable." "Oh, Charles," she cried, impulsively flinging her arms around him.  He embraced her in turn.  They remained like that, holding each other, both of them laughing and rejoicing and rocking back and forth in the straw. "It was that damned horse!" he managed, setting her back to gaze into her rapt, mobile face.  "The blow must've done something, must've jarred something loose inside my head.  Don't you think?" "Either that, or your sight was just plain destined to return anyhow.  Maybe God simply decided that the time had come for you to have it back again." "So that I could see you!" "So you could write your own letters!" "So I could find my way without a cane!" Laughing with joy, he hugged her once more, then set her back, trailing his finger down her cheek, the edge of her jaw.  Gently, he tipped her chin up so that her luminous gaze held his.  "And look into the eyes of the woman who has become my dearest and very best friend." And look he did; then, before he even knew what he was about, he closed his eyes and kissed her. Unlike

Why do you keep pinning me to doors?” Her voice is the sexiest rasp, and I have to bite back a groan. I smirk instead and bring my lips to the shell of her ear. “Maybe I need to make sure you stay where I want you,” I say, then bite down lightly on her earlobe. She arches her body into mine, and I blow out a slow sigh through my nose. Holding back. Waiting. “You gonna run, Astraea?

Us yokels who majored in beer and getting the skirts off Tri-Delts bear no responsibility for Thoreau’s hippie jive or John Kenneth Galbraith’s nitwit economics or Henry Kissinger’s brown-nosing the Shah of Iran. None of us served as models for characters in that greasy Love Story book. Our best and brightest stick to running insurance agencies and don’t go around cozening the nation into Vietnam wars. It wasn’t my school that laid the educational groundwork for FDR’s demagoguery or JFK’s Bay of Pigs slough-off or even Teddy Roosevelt’s fool decision to split the Republican Party and let that buttinski Wilson get elected. You can’t pin the rap on us.

Fantine was beautiful, without being too conscious of it. Those rare dreamers, mysterious priests of the beautiful who silently confront everything with perfection, would have caught a glimpse in this little working-woman, through the transparency of her Parisian grace, of the ancient sacred euphony. This daughter of the shadows was thoroughbred. She was beautiful in the two ways— style and rhythm. Style is the form of the ideal; rhythm is its movement. We have said that Fantine was joy; she was also modesty. To an observer who studied her attentively, that which breathed from her athwart all the intoxication of her age, the season, and her love affair, was an invincible expression of reserve and modesty. She remained a little astonished. This chaste astonishment is the shade of difference which separates Psyche from Venus. Fantine had the long, white, Free eBooks at Planet eBook.com 221 fine fingers of the vestal virgin who stirs the ashes of the sacred fire with a golden pin. Although she would have refused nothing to Tholomyes, as we shall have more than ample opportunity to see, her face in repose was supremely virginal; a sort of serious and almost austere dignity suddenly overwhelmed her at certain times, and there was nothing more singular and disturbing than to see gayety become so suddenly extinct there, and meditation succeed to cheerfulness without any transition state. This sudden and sometimes severely accentuated gravity resembled the disdain of a goddess. Her brow, her nose, her chin, presented that equilibrium of outline which is quite distinct from equilibrium of proportion, and from which harmony of countenance results; in the very characteristic interval which separates the base of the nose from the upper lip, she had that imperceptible and charming fold, a mysterious sign of chastity, which makes Barberousse fall in love with a Diana found in the treasures of Iconia. Love is a fault; so be it. Fantine was innocence floating high over fault.

Baby Registry Please give this child a strong stomach, an infectious laugh, an independent spirit. A love of words, numbers, people, and solitude. A fear of poisons, reckless driving, guns—and nothing else. Make him or her contemplative but not to the point of fretfulness. Make him or her generous but not to the point of self-effacement. Let this child inherit Finn’s features, especially his eyes, nose, and mouth. And his trim, athletic limbs. His capable hands. Will-taste-anything tongue. Un-noteworthy feet. Ability to not shower for several days and still smell okay, even good in an earthy way. His musical talent—yes, especially that. Even his resistance to being pinned down, because why settle for anything less than a life full of great adventure? Let this child inherit an enduring faith in the power of secular humanism in a world full of racism, sexism, terrorism, and greed. If you must, my teeth and/or earlobes would be fine.

The cowboy suit hung behind the bedroom door in its plastic covering. With great care Neville lifted it down and laid it upon the bed. Carefully parting the plastic, he pressed his nose to the fabric of the suit, savouring the bittersweet smell of the dry cleaner’s craft. Gently he put his thumbs to the pearl buttons and removed the jacket from the hanger. He sighed deeply, and with the reverence a priest accords to his ornamentum, he slipped into the jacket. The material was crisp and pure, the sleeves crackled slightly as he eased his arms into them, and the starched cuffs clamped about his wrists like loving manacles. Without further hesitation the part—time barman climbed into the trousers, clipped on the gunbelt, and tilted the hat on to his head at a rakish angle. Pinning the glittering badge of office carefully to his breast he stepped to the pitted glass of the wardrobe mirror to view the total effect. It was, to say the least, stunning. The dazzling white of the suit made the naturally anaemic Neville appear almost suntanned. The stetson, covering his bald patch and accentuating his dark sideburns, made his face seem ruggedly handsome, the bulge of the gunbelt gave an added contour to his narrow hips, and the cut of the trousers brought certain parts of his anatomy into an unexpected and quite astonishing prominence. ‘Mighty fine,’ said Neville, easing his thumbs beneath the belt buckle and adopting a stance not unknown to the late and legendary ‘Duke’ himself. But there was something missing, some final touch. He looked down, and caught sight of his carpet-slippers; of course, the cowboy boots. A sudden sick feeling began to take hold of his stomach. He did not remember having seen any boots when the suit arrived. In fact, there were none. Neville let out a despairing groan and slumped on to his bed, a broken man. The image in the mirror crumpled away and with it Neville’s dreams; a cowboy in carpet-slippers? A tear entered Neville’s good eye and crept down his cheek. ==========

The short pieces of his black hair are spiked out every which way. The poor lighting from the singular bulb on the ceiling over the shower exaggerates the dark circles under his eyes. He looks rough. And why I find it incredibly hot is beyond me. “Late night?” I ask. I’m staring. I shouldn’t stare. Biting back a smirk at his disheveledness, I pull the band out of my hair, pretending that I need to redo my ponytail. Really, I just need a distraction. “I’m going back to work today,” I say, when he doesn’t reply. He snatches my hand to keep me from putting my hair back up. “It is lovely down,” he says softly. I’m frozen, watching him in the mirror as he smooths a section of my hair, grazing my bare neck with his fingers. Everything Chiara’s said about him rushes to the front of my mind. “Don’t,” I tell him, immediately wishing I hadn’t. His hands are at my waist in an instant and he rotates me, pinning me between him and the counter. “Why?” Because your cousin already wants to kill me for kissing you. Because I like it too much. Because you make me feel wanted. I clear my throat. “Because you haven’t brushed your teeth yet.” I twist my upper body around and grab his toothbrush--the neon green one. I squeeze out a bead of toothpaste from my tube, get the brush wet, and hold it close to his mouth. With the tiniest hint of a smile, Bruno opens his mouth maybe half an inch and shifts his body even closer to mine. His eyes dart down to my lips and back to my eyes, down and up, down and up, leaning closer. I should dodge him but I don’t--can’t. All I can do is stare at his mouth, knowing full well I don’t really care if he’s brushed his teeth yet or not. Our noses nearly touch. He tilts his head to his right, I tilt mine to my right. We’re lined up and ready for impact. His warm breath tickles my chin as he whispers, “Grazie.” He turns his head, wraps his mouth around the toothbrush, taking it from me, and walks out of the bathroom.