β
So many things are possible just as long as you don't know they're impossible.
β
β
Norton Juster (The Phantom Tollbooth)
β
Expect everything, I always say, and the unexpected never happens.
β
β
Norton Juster (The Phantom Tollbooth)
β
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid
So it is better to speak
remembering
we were never meant to survive
β
β
Audre Lorde (The Black Unicorn: Poems (Norton Paperback))
β
The most important reason for going from one place to another is to see what's in between, and they took great pleasure in doing just that.
β
β
Norton Juster (The Phantom Tollbooth)
β
Time is a gift, given to you, given to give you the time you need, the time you need to have the time of your life.
β
β
Norton Juster (The Phantom Tollbooth)
β
You must never feel badly about making mistakes ... as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.
β
β
Norton Juster (The Phantom Tollbooth)
β
Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully.
β
β
Norton Juster (The Phantom Tollbooth)
β
The only thing you can do easily is be wrong, and that's hardly worth the effort.
β
β
Norton Juster (The Phantom Tollbooth)
β
Whether or not you find your own way, you're bound to find some way. If you happen to find my way, please return it, as it was lost years ago. I imagine by now it's quite rusty.
β
β
Norton Juster (The Phantom Tollbooth)
β
Every thing you love is very likely to be lost, but in the end, love will return in a different way.
β
β
Franz Kafka (Kafka's Selected Stories: A Norton Critical Edition (Norton Critical Editions))
β
Everybody is so terribly sensitive about the things they know best.
β
β
Norton Juster (The Phantom Tollbooth)
β
You can swim all day in the Sea of Knowledge and not get wet.
β
β
Norton Juster (The Phantom Tollbooth)
β
But just because you can never reach it, doesnβt mean that itβs not worth looking for.
β
β
Norton Juster (The Phantom Tollbooth)
β
if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones.
β
β
Norton Juster (The Phantom Tollbooth)
β
Solitude is the soil in which genius is planted, creativity grows, and legends bloom; faith in oneself is the rain that cultivates a hero to endure the storm, and bare the genesis of a new world, a new forest.
β
β
Mike Norton (White Mountain)
β
Never hold resentments for the person who tells you what you need to hear; count them among your truest, most caring, and valuable friends.
β
β
Mike Norton (Just Another War Story)
β
The most important reason for going from one place to another is to see what's in between.
β
β
Norton Juster (The Phantom Tollbooth)
β
It's bad enough wasting time without killing it.
β
β
Norton Juster (The Phantom Tollbooth)
β
... what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
β
β
Norton Juster (The Phantom Tollbooth)
β
Just because you have a choice, it doesn't mean that any of them 'has' to be right.
β
β
Norton Juster (The Phantom Tollbooth)
β
There are no wrong roads to anywhere.
β
β
Norton Juster (The Phantom Tollbooth)
β
Fall. Stand. Learn. Adapt.
β
β
Mike Norton (Fighting For Redemption)
β
Mrs. May looked back at her. "Kate," she said after a moment, "stories never really end. They can go on and on and on. It's just that sometimes, at a certain point, one stops telling them.
β
β
Mary Norton (The Borrowers (The Borrowers, #1))
β
It is not what you can do for your country, but what you can do for all of mankind.
β
β
Mike Norton
β
Expectations is the place you must always go to before you get to where you're going.
β
β
Norton Juster (The Phantom Tollbooth)
β
A slavish concern for the composition of words is the sign of a bankrupt intellect. Be gone, odious wasp! You smell of decayed syllables.
β
β
Norton Juster (The Phantom Tollbooth)
β
To escape fear, you have to go through it, not around.
β
β
Richie Norton (RΓ©sumΓ©s Are Dead and What to Do About It)
β
Things which are equally bad are also equally good. Try to look at the bright side of things.
- Humbug
β
β
Norton Juster (The Phantom Tollbooth)
β
Dreams are what guide us, art is what defines us, math is what makes it all possible, and love is what lights our way.
β
β
Mike Norton
β
Have you ever heard a blindfolded octopus unwrap a cellophane-covered bathtub?
β
β
Norton Juster (The Phantom Tollbooth)
β
...it's very much like your trying to reach infinity. You know that it's there, you just don't know where-but just because you can never reach it doesn't mean that it's not worth looking for.
β
β
Norton Juster (The Phantom Tollbooth)
β
Let me try once more," Milo said in an effort to explain. "In other words--"
"You mean you have other words?" cried the bird happily. "Well, by all means, use them. You're certainly not doing very well with the ones you have now.
β
β
Norton Juster (The Phantom Tollbooth)
β
If you want sense, you'll have to make it yourself.
β
β
Norton Juster (The Phantom Tollbooth)
β
The bittersweet about truth is that nothing could be more hurtful, yet nothing could be more helpful.
β
β
Mike Norton (Just Another War Story)
β
A Litany for Survival
For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children's mouths
so their dreams will not reflect
the death of ours:
For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother's milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.
And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid
So it is better to speak
remembering
we were never meant to survive.
β
β
Audre Lorde (The Black Unicorn: Poems (Norton Paperback))
β
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.
β
β
Norton Juster (The Phantom Tollbooth)
β
What you can do is often simply a matter of what you will do.
β
β
Norton Juster (The Phantom Tollbooth)
β
Misfortunes make us wise
β
β
Mary Norton (The Borrowers Afield (The Borrowers #2))
β
...I'll continue to see things as a child. It's not so far to fall.
β
β
Norton Juster (The Phantom Tollbooth)
β
...it's not just learning that's important. It's learning what to do with what you learn and learning why you learn things that matters.
β
β
Norton Juster
β
Never say that you can't do something, or that something seems impossible, or that something can't be done, no matter how discouraging or harrowing it may be; human beings are limited only by what we allow ourselves to be limited by: our own minds. We are each the masters of our own reality; when we become self-aware to this: absolutely anything in the world is possible.
Master yourself, and become king of the world around you. Let no odds, chastisement, exile, doubt, fear, or ANY mental virii prevent you from accomplishing your dreams. Never be a victim of life; be it's conqueror.
β
β
Mike Norton
β
It has been a long trip," said Milo, climbing onto the couch where the princesses sat; "but we would have been here much sooner if I hadn't made so many mistakes. I'm afraid it's all my fault."
"You must never feel badly about making mistakes," explained Reason quietly, "as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.
β
β
Norton Juster (The Phantom Tollbooth)
β
Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.
β
β
Mike Norton
β
Every sunset is an opportunity to reset.
β
β
Richie Norton
β
Since you got here by not thinking, it seems reasonable to expect that, in order to get out, you must start thinking.
β
β
Norton Juster (The Phantom Tollbooth)
β
Is everyone who lives in Ignorance like you?" asked Milo.
"Much worse," he said longingly. "But I don't live here. I'm from a place very far away called Context.
β
β
Norton Juster (The Phantom Tollbooth)
β
For instance," said the boy again, "if Christmas trees were people and people were Christmas trees, we'd all be chopped down, put up in the living room, and covered in tinsel, while the trees opened our presents."
"What does that have to do with it?" asked Milo.
"Nothing at all," he answered, "but it's an interesting possibility, don't you think?
β
β
Norton Juster (The Phantom Tollbooth)
β
As for courage and will - we cannot measure how much of each lies within us, we can only trust there will be sufficient to carry through trials which may lie ahead.
β
β
Andre Norton
β
Intentional living is the art of making our own choices before others' choices make us.
β
β
Richie Norton
β
Expect everything so that nothing comes unexpected.
β
β
Norton Juster (The Phantom Tollbooth)
β
Opportunities will come and go, but if you do nothing about them, so will you.
β
β
Richie Norton (The Power of Starting Something Stupid: How to Crush Fear, Make Dreams Happen, and Live without Regret)
β
I never knew words could be so confusing," Milo said to Tock as he bent down to scratch the dog's ear.
"Only when you use a lot to say a little," answered Tock.
Milo thought this was quite the wisest thing he'd heard all day.
β
β
Norton Juster (The Phantom Tollbooth)
β
there is nothing more inglorious than that glory that is gained by war
β
β
Thomas More (Utopia (Norton Critical Editions))
β
Hardships are the Lord's greatest blessings to the believer. Without them we would love the Lord only for what He does for us. Our troubles teach us to love Him for who He is." Sister Norton in "The Preacher's Bride
β
β
Jody Hedlund
β
You can't improve sound by having only silence. The problem is to use each at the proper time.
β
β
Norton Juster (The Phantom Tollbooth)
β
And remember, also," added the Princess of Sweet Rhyme, "that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
β
β
Norton Juster (The Phantom Tollbooth)
β
You see, to tall men I'm a midget, and to short men I'm a giant; to the skinny ones I'm a fat man, and to the fat ones I'm a thin man.
β
β
Norton Juster (The Phantom Tollbooth)
β
So long as we are brave enough to accept the consequences of our actions, no one can take away our freedom of choice.
β
β
Mike Norton
β
For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.
β
β
Norton Juster (The Phantom Tollbooth)
β
For a man who walks in the light, to stay humble is not to walk in the dark; you don't need to project yourself to be thought an honest man.
β
β
Mike Norton
β
But I suppose there's a lot to see everywhere, if only you keep your eyes open.
β
β
Norton Juster (The Phantom Tollbooth)
β
One of the greatest evils is the foolishness of a good man. For the giving man to withhold helping someone in order to first assure personal fortification is not selfish, but to elude needless self-destruction; martyrdom is only practical when the thought is to die, else a good man faces the consequence of digging a hole from which he cannot escape, and truly helps no one in the long run.
β
β
Mike Norton (Just Another War Story)
β
We never choose which words to use, for as long as they mean what they mean to mean, we donβt care if they make sense or nonsense.
β
β
Norton Juster (The Phantom Tollbooth)
β
Simplicity is complex. It's never simple to keep things simple. Simple solutions require the most advanced thinking.
β
β
Richie Norton
β
Infinity is a dreadfully poor place. They can never manage to make ends meet.
β
β
Norton Juster (The Phantom Tollbooth)
β
The best way to be appreciative for your life is to live it; don't die for any other reason but love. Dreams are what guide us, art is what defines us, math is makes it all possible, and love is what lights our way.
β
β
Mike Norton (White Mountain)
β
β¦itβs not just learning thatβs important. Itβs learning what to do with what you learn and learning why you learn things that matters.
β
β
Norton Juster
β
So many things are possible as long as you don't know they're impossible.
β
β
Norton Juster (The Phantom Tollbooth)
β
Gavin's Law: Live to start. Start to live.
β
β
Richie Norton (The Power of Starting Something Stupid: How to Crush Fear, Make Dreams Happen, and Live without Regret)
β
Ah, this is fine," he cried triumphantly, holding up a small medallion on a chain. He dusted it off, and engraved on one side were the words "WHY NOT?" "That's a good reason for almost anything - a bit used perhaps, but still quite serviceable.
β
β
Norton Juster (The Phantom Tollbooth)
β
What you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
β
β
Norton Juster (The Phantom Tollbooth)
β
Keep your warm hearts, your gentleness, and your courage. These will do just as well as magic.
β
β
Mary Norton (Bedknob and Broomstick)
β
the calling of the teacher. There is no craft more privileged. To awaken in another human being powers, dreams beyond oneβs own; to induce in others a love for that which one loves; to make of oneβs inward present their future; that is a threefold adventure like no other.
β
β
George Steiner (Lessons of the Masters (The Charles Eliot Norton Lectures))
β
In this box are all the words I knowβ¦Most of them you will never need, some you will use constantly, but with them you may ask all the questions which have never been answered and answer all the questions which have never been asked. All the great books of the past and all the ones yet to come are made with these words. With them there is no obstacle you cannot overcome. All you must learn to do is to use them well and in the right places.
β
β
Norton Juster (The Phantom Tollbooth)
β
The women one meets - what are they but books one has already read? You're a library of the unknown, the uncut. Upon my word I've a subscription.
β
β
Henry James (The Wings of the Dove (Norton Critical Editions))
β
I don't know of any wrong road to Dictionopolis, so if this road goes to Dictionopolis at all it must be the right road, and if it doesn't it must be the right road to somewhere else, because there are no wrong roads to anywhere. Do you think it will rain?
β
β
Norton Juster (The Phantom Tollbooth)
β
You can swim all day in the Sea of Knowledge and still come out completely dry. Most people do.
β
β
Norton Juster (The Phantom Tollbooth)
β
Mastering the art of seduction gives one a great power, and like any power, it's to be wielded with responsibility; a man who wields the art of seduction without a sense of responsibility and restraint is a walking proximity bomb of viral epidemics, needless procreation, heartbroken families, and shattered dreams.
β
β
Mike Norton
β
And now," he continued, speaking to Milo, "where were you on the night of July 27?"
"What does that have to do with it?" asked Milo.
"It's my birthday, that's what," said the policeman as he entered "Forgot my birthday" in his little book. "Boys always forget other people's birthdays.
β
β
Norton Juster (The Phantom Tollbooth)
β
...today people use as many words as they can and think themselves very wise for doing so. For always remember that while it is wrong to use too few, it is often far worse to use too many.
β
β
Norton Juster (The Phantom Tollbooth)
β
Would it be possible for me to see something from up there?" asked Milo politely.
"You could," said Alec, "but only if you try very hard to look at things as an adult does."
Milo tried as hard as he could, and, as he did, his feet floated slowly off the ground until he was standing in the air next to Alex Bings. He looked around very quickly and, an instant later, crashed back down to the earth again.
"Interesting, wasn't it?" asked Alex.
"Yes, it was," agreed Milo, rubbing his head and dusting himself off, "but I think I'll continue to see things as a child. It's not so far to fall.
β
β
Norton Juster (The Phantom Tollbooth)
β
Sometimes I find the best way of getting from one place to another is simply to erase everything and begin again.
β
β
Norton Juster (The Phantom Tollbooth)
β
The nostalgia of a moment's love can be an illusionary precipice from which we fall from truth; in heartbreak, what we escape to in the past is what tortures us in the present.
β
β
Mike Norton
β
The Mathemagician nodded knowingly and stroked his chin several times. βYouβll find,β he remarked gently, βthat the only thing you can do easily is be wrong, and thatβs hardly worth the effort.
β
β
Norton Juster (The Phantom Tollbooth)
β
Despair and Genius are too oft connected
β
β
Lord Byron (Byron's Poetry (Norton Critical Edition))
β
Few suffer more than those who refuse to forgive themselves.
β
β
Mike Norton (Fighting For Redemption)
β
We're right here on this very spot. Besides, being lost is never a matter of not knowing where you are; it's a matter of not knowing where you aren't - and I don't care at all about where I'm not.
β
β
Norton Juster (The Phantom Tollbooth)
β
Oh no-"she began.It shocked her to be right. Parent's were right, not children. Children could say anything, Arriety knew and enjoy saying it- knowing always they were safe and wrong.
β
β
Mary Norton
β
You see. . . it's really quite strenuous doing nothing all day, so once a week we take a holiday and go nowhere, which was just where we were going when you came along. Would you care to join us?
β
β
Norton Juster (The Phantom Tollbooth)
β
Do not fear so, here is one who would be a blade at your back. A shield across your breast. Here is kin, here is strength to lean upon, to share as you share in need.
β
β
Andre Norton
β
Outcasts, callused from being in exile for too long, learn to thrive on being the hated; the attention and infamy of our actions fuel us to become antiheroes. Too often do we forget: we risk self-destruction if we fail to follow what we know is right; our talents too often become misplaced, misdirected, misguided from what could have been something wonderful.
β
β
Mike Norton (Fighting For Redemption)
β
When he was in school he longed to be out, and when he was out he longed to be in. On the way he thought about coming home, and coming home he thought about going. Wherever he was he wished he were somewhere else, and when he got there he wondered why he'd even bothered.
β
β
Norton Juster (The Phantom Tollbooth)
β
I know one thing for certain; it is much harder to tell whether you are lost than whether you were lost, for, on many occasions, where you are going is exactly where you are. On the other hand, if you often find that where you've been is not at all where you should have gone, and, since it's much more difficult to find your way back from someplace you've never left, I suggest you go there immediately and then decide.
β
β
Norton Juster (The Phantom Tollbooth)
β
But why do only unimportant things?" asked Milo, who suddenly remembered how much time he spent each day doing them.
"Think of all the trouble it saves," the man explained, and his face looked as if he'd be grinning an evil grin--if he could grin at all. "If you only do the easy and useless jobs, you'll never have to worry about the important ones which are so difficult. You just won't have the time. For there's always something to do to keep you from what you really should be doing, and if it weren't for that dreadful magic staff, you'd never know how much time you were wasting.
β
β
Norton Juster (The Phantom Tollbooth)
β
As the cheering continued, Rhyme leaned forward and touched Milo gently on the shoulder.
"They're cheering for you," she said with a smile.
"But I could never have done it," he objected, "without everyone else's help."
"That may be true," said Reason gravely, "but you had the courage to try; and what you can do is often simply a matter of what you *will* do."
"That's why," said Azaz, "there was one very important thing about your quest that we couldn't discuss until you returned.
"I remember," said Milo eagerly. "Tell me now."
"It was impossible," said the king, looking at the Mathemagician.
"Completely impossible," said the Mathemagician, looking at the king.
"Do you mean----" said the bug, who suddenly felt a bit faint.
"Yes, indeed," they repeated together; "but if we'd told you then, you might not have gone---and, as you've discovered, so many things are possible just as long as you don't know they're impossible."
And for the remainder of the ride Milo didn't utter a sound.
β
β
Norton Juster (The Phantom Tollbooth)
β
Does everyone grow the way you do?" puffed Milo when he had caught up.
"Almost everyone," replied Alec, and then he stopped a moment and thought. "Now and then, though, someone does begin to grow differently. Instead of down, his feet grow up towards the sky. But we do our best to discourage awkward things like that."
"What happens to them?" insisted Milo.
"Oddly enough, they often grow ten times the size of everyone else," said Alec thoughtfully, "and I've heard that they walk among the stars." And with that he skipped off once again toward the waiting woods.
β
β
Norton Juster (The Phantom Tollbooth)
β
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden.
Time present and time past
Are both perhaps present in time future
And time future contained in time past. (I)
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know. (I)
Go, go, go, said the bird: human kind
Cannot bear very much reality.
What might have been and what has been
Point to one end, which is always present.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present. (I)
At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is...
At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement.
And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where
And I cannot say, how long, for that is to place it in time. (II)
All is always now.
Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered. (II)
Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. (V)
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Will not stay still. (V)
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being. (V)
β
β
T.S. Eliot (Four Quartets)
β
Have you ever heard the wonderful silence just before the dawn?" she inquired. "Or the quiet and calm just as the storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause in a roomful of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're all alone in the whole house? Each one is different, you know, and all very beautiful, if you listen carefully.
β
β
Norton Juster (The Phantom Tollbooth)
β
What a shame," signed the Dodecahedron. "They're so very useful. Why, did you know that if a beaver two feet long with a tail a foot and a half long can build a dam twelve feet high and six feet wide in two days, all you would need to build Boulder Dam is a beaver sixty-eight feet long with a fifty-one-foot tail?"
"Where would you find a beaver that big?" grumbled the Humbug as his pencil point snapped.
"I'm sure I don't know," he replied, "but if you did, you'd certainly know what to do with him."
"That's absurd," objected Milo, whose head was spinning from all the numbers and questions.
"That may be true," he acknowledged, "but it's completely accurate, and as long as the answer is right, who cares if the question is wrong? If you want sense, you'll have to make it yourself.
β
β
Norton Juster (The Phantom Tollbooth)
β
Outside the window, there was so much to see, and hear, and touch β walks to take, hills to climb, caterpillars to watch as they strolled through the garden. There were voices to hear and conversations to listen to in wonder, and the special smell of each day.
And, in the very room in which he sat, there were books that could take you anywhere, and things to invent, and make, and build, and break, and all the puzzle and excitement of everything he didn't know β music to play, songs to sing, and worlds to imagine and then someday make real. His thoughts darted eagerly about as everything looked new β and worth trying.
"Well, I would like to make another trip," he said, jumping to his feet; "but I really don't know when I'll have the time. There's just so much to do right here.
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Norton Juster (The Phantom Tollbooth)