Norse War Quotes

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I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
And so Nat stood up and joined the group, and followed, and watched, and awaited his chance as the light of Chaos lit the plain and gods and demons marched to war.
Joanne Harris (Runemarks (Runemarks, #1))
If you survive in battle, it is with Odin's grace, and if you fall, it is because he has betrayed you.
Neil Gaiman
All medieval and classic cultures of the ancient world, including those on which Tolkien modeled his elves, routinely exposed their young and marriageable women to the fortunes of war, because bearing and raising the next generation of warriors is not needed for equality-loving elves. Equality-loving elves. Who are monarchists. With a class system. Of ranks. Battles are more fun when attractive young women are dismembered and desecrated by goblins! I believe that this is one point where C.S. Lewis, J.R.R. Tolkien, and all Christian fantasy writers from before World War Two were completely agreed upon, and it is a point necessary in order correctly to capture the mood and tone and nuance of the medieval romances or Norse sagas such writers were straining their every artistic nerve and sinew to create. So, wait, we have an ancient and ageless society of elves where the virgin maidens go off to war, but these same virgin maidens must abide by the decision of their father or liege lord for permission to marry? -- The Desolation of Tolkien
John C. Wright (Transhuman and Subhuman: Essays on Science Fiction and Awful Truth)
I dislike Tolkien, another Oxonian Old Norse obsessive, with his war games and made-up language in a world without women.
Sarah Moss
Ever since I was a child my only thought or insight into apocalypse, disaster or war has been that I myself have no “survival instinct,” nor any strong desire to survive, especially if what lies on the other side of survival is just me. A book like The Road is as incomprehensible to me as a Norse myth cycle in the original language. Suicide would hold out its quiet hand to me on the first day—the first hour. And not the courageous suicide of self-slaughter, but simply the passive death that occurs if you stay under the bed as they march up the stairs, or lie down in the cornfield as the plane fitted with machine guns heads your way.
Zadie Smith (Intimations)
Yael wanted to be like the Valkyrie maidens in the old Norse lore. Winged women who rode to war on the backs of wolves, choosing which soldiers lived and died. She'd thought she could death mean something, if she wielded it right
Ryan Graudin (Blood for Blood (Wolf By Wolf, #2))
Master of magic, god of war, Odin wanders alone.
F.T. McKinstry (The Eye of Odin)
Ragnarok is coming. When the sky splits asunder and the dark powers of Muspell march out on their war journey, Frey
Neil Gaiman (Norse Mythology)
He brought war into the world: battles are begun by throwing a spear at the hostile army, dedicating the battle and its deaths to Odin. If you survive in battle, it is with Odin’s grace, and if you fall it is because he has betrayed you.
Neil Gaiman (Norse Mythology)
If taking on a wife for life in an institution called marriage were a sign of male privilege, why did “husband” derive from the Germanic “house” and the Old Norse for “bound” or “bondage”?68 Why did it also come from words meaning “a male kept for breeding,” “one who tills the soil,” and “the male of the pair of lower animals.”69 Conversely, if marriage were as awful for women as many feminists claim, why is it the centerpiece of female fantasies in myths and legends of the past, or romance novels and soap operas of the present? Spartan boys who were deprived of their families were deprived, not privileged. Boys deprived of women’s love until they risked their lives at work or war were also deprived—or dead. Training boys to kill boys was considered moral when it led to survival, immoral only when it threatened survival. In these respects, “patriarchy” created male deprivation and male death, not male privilege.
Warren Farrell (The Myth of Male Power)
She scarcely knew what to think except that she was in the presence of a woman who was as close to legendary as any being could get.What stories were told of her! That she had been sequestered in her own manor to prevent men from fighting over her, that she possessed strange powers, that the Wolf had kidnapped her for vengeance but married her for love, that her own brother, mistaking what had happened, had returned her to England by stealth and that Norse and Saxon had come perilously close to war over her.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
The Hawk of Essex looked out toward the sea and thought for a moment that he had stepped back in time. As it had more than two years before, a Viking war fleet was bearing down on his shore. He called to his wife, who was, after all, Norse and whom he knew had a good grasp of things. "Would you agree that Wolf and Dragon are reasonable men?" Krysta lifted their son from the basin in which she had been bathing him, grinned at the baby's eager kicks, and wrapped him snugly in a blanket before joining Hawk at the window. "Eminently reasonable." He looked again over the sea. "Something has stirred them." Buckling on his sword,he went to find out what it was.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
The Silmarillion is the history of the War of the Exiled Elves against the Enemy, which all takes place in the North-west of the world (Middle-earth). Several tales of victory and tragedy are caught up in it; but it ends with catastrophe, and the passing of the Ancient World, the world of the long First Age. The jewels are recovered (by the final intervention of the gods) only to be lost for ever to the Elves, one in the sea, one in the deeps of earth, and one as a star of heaven. This legendarium ends with a vision of the end of the world, its breaking and remaking, and the recovery of the Silmarilli and the ‘light before the Sun’ – after a final battle which owes, I suppose, more to the Norse vision of Ragnarok than to anything else, though it is not much like it. [From letter 131]
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
Her greed offended the Aesir. So they did the only logical thing: they burned her. Three times, actually. Each time, she popped out of the flames uncharred. Finally, though, she’d had enough. She returned to Vanaheim, posted a one-star rating for her stay in Asgard, and boom—war erupted.
Rick Riordan (Hotel Valhalla Guide to the Norse Worlds: Your Introduction to Deities, Mythical Beings & Fantastic Creatures (Magnus Chase and the Gods of Asgard))
Before the coming of Christianity, the Norse had worshipped a pantheon of gods, headed by Thor, the powerful deity who ruled the sky and controlled thunder, wind, rain, and the harvest. Other important deities were Freya, the powerful goddess of fertility, and Odin, the god of war.
Valerie Hansen (The Year 1000: When Globalization Began)
Our most important and foremost task must therefore be to awaken the national forces in the people, to breathe new life into the old Norwegian, in the Norse folk spirit. It is by putting all our efforts into strengthening this Norwegian folk spirit and releasing its creative power that we as a people can accomplish something great and fill our place among the nations.
Gulbrand Lunde
At about this time David hit on a scheme to end their financial problems. With his growing family, their limited income must have been the cause of constant worry to him. Stories of the rich strikes in the Klondike a decade earlier, perhaps bolstered by his spell of active service in South Africa, seem to have persuaded him that gold-mining might be the answer. On hearing that a new goldfield had been discovered in Ontario, he staked several claims to forty acres near the small township of Swastika, in the Great Lakes area. Only small quantities of gold had been found there so far, but a big seam was believed to exist. ---- Over the next twenty years or so, David would travel to Ontario many times to work the claim. He had already been there alone when, in the spring of 1912, he and Sydney decided to go together and – the biggest treat — they were to sail on the maiden voyage of the Titanic. Fortunately, something happened to make this impossible, and their departure was delayed until autumn of the following year. ---- It is not difficult to see why David remained keen, although the mining project eventually came to nothing. Furthermore, he and Sydney were at their closest in the shack at Swastika through the winter in that inhospitable climate, and it was one of the happiest times of David’s life. It was there that Sydney conceived their fifth child. ---- The parents, still hoping for a second boy, were disappointed, but soon came round. There was time for another boy. In David’s absence Sydney called her Unity after an actress (Unity Moore) she admired, and then Grandfather Redesdale said that she must have a topically apposite second name so they added Valkyrie, after Wagner’s Norse war-maidens. Almost from the time of her birth she was known in family circles as ‘Bobo’, but with hindsight, Unity Valkyrie’s unusual name, combined with the place of her conception, Swastika, seems almost like an eerie prophecy which the fifth Mitford child had no alternative but to fulfil.
Mary S. Lovell (The Sisters: The Saga of the Mitford Family)
According to Norse legend, peas arrived on earth as a punishment sent by the god Thor who, in a fit of pique, dispatched a flight of dragons with peas in their talons to fill up the wells of his unsatisfactory worshippers.
Rebecca Rupp (How Carrots Won the Trojan War: Curious (but True) Stories of Common Vegetables)
However, as the two sides approached the althingi in Iceland in the year 1000, it appeared that war would break out. Finally it was agreed that a single arbiter should choose one religion for the entire land, and the lawspeaker Thorgeir, a pagan, was chosen. After spending a night under his cloak, he emerged and decreed that Iceland should be Christian. And so it was. At first some pagan practices were permitted if carried out in secret, but later even this permission was rescinded. However, for reasons that are no longer quite clear, the old stories about the gods were not lost on Iceland. Poems about them lived on in oral tradition, to be recorded more than two centuries after the conversion. Some mythological poems may actually have been composed by Christians in Iceland, and Snorri Sturluson made extensive use of the mythology in his writings.
John Lindow (Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs)
For the second, someone had to make Skadi smile. The gods all tried and failed. Finally, Loki was the one that gave a smile to her face once again. He simply started a game of tug of war with a goat. In the aftermath, Loki fell over into Skadi’s lap, and she began to smile.
Gunnar Hlynsson (Norse Mythology, Paganism, Magic, Vikings & Runes: 4 in 1: Learn All About Norse Gods & Viking Heroes - Explore the World of Pagan Religion Rituals, Magick Spells, Elder Futhark Runes & Asatru)
Even War Gods Fear Their Wives...
Viking Saying
Who knows? But don't we all know the White Witch? Must she be someone in particular? We can try and find the source, but we are all born knowing the Witch, aren't we?" "Yes. We are." I think about the disease that has ravaged my brother's heart, making it weak. His illness is the White Witch. War is the White Witch. Cruelty is the White Witch. I take a breath. "There are so many things in your novel, Mr. Lewis. And then I've listened and I've written down the stories you tell me as best I can in my notebook, and I've read fairy tales and George MacDonald. I see, of course, that there is Greek, Roman, and Norse mythology in your Narnia story. There are British fairy tales, Irish folklore, and...even Father Christmas." His laugh bellows across the room so loudly that outside I spy a flock of birds loosening from their branches and flying away with their black wings.
Patti Callahan Henry (Once Upon a Wardrobe)
Others reject the idea that the events are pseudohistorical and instead see them entirely as mythic in nature, representing the battle between the agrarian Vanir and the war-like Aesir or between the Vanir as symbols of nature and the Aesir as civilization. And, of course, some choose to simply take the story for what it is, the tale of two groups of gods interacting.
Morgan Daimler (Pagan Portals - Freya: Meeting the Norse Goddess of Magic)
the end chaos would burst forth to overwhelm the order that the gods had made and preserved. In Midgard the end would begin with three winters of war and general lawlessness; men would fight without mercy, murder one another and betray their own kin through adultery and with violence. After this would come three years of winter, with the sun’s warmth weakened and terrible winds sweeping the earth so that its people died of hunger. Then the wolves that ran behind the moon and sun would overtake them, and darkness would fall on the land. ​In Asgard Loki would break from his bonds and so would his son, the wolf Fenrir.  In the depths of the sea Loki’s other monster-son, the Midgard Serpent, would rise in anger. The giants out of Jotunheim and the fire-demons out of Muspelheim would come to Loki’s call and attack the gods. The battle would be desperate. Thor would kill and be killed by the Midgard Serpent, and Heimdall the sentry of Asgard would kill and be killed by Loki. Odin would fight against the wolf Fenrir and die, but his son Vidar would destroy the wolf. At the end, when the best part of both armies lay dead, Surt the fire-bearer would come from the burning world of Muspelheim and set Asgard, Midgard and the World Tree itself ablaze. The sea would rise, churned up by the death-throes of the Midgard Serpent, and the ruined land would be drowned. ​But this destruction, while great and terrible, was not quite final. Out of the empty seas land would rise again and green plants would grow there; indeed, fine crops of grain would grow without any man tending them. Balder would return from the dead, Honir would return with the gift of prophecy added to his other strengths, and Thor’s sons would arise carrying their father’s great hammer. Soli would not return from death to drive the chariot of the sun but her daughter, even stronger and lovelier than she, would rise and give light to the worlds again. And a man and a woman, long concealed in a safe place hidden from the ruin, would emerge to drink of the dew and eat of the plants of the field and start the human race again. Some said also that the dead humans in Helheim would be raised to life again, but some said otherwise.
Patrick Auerbach (Mythology: Norse Mythology, Greek Gods, Greek Mythology, Egyptian Gods, & Ancient Egypt (Ancient Greece History Books))
The Vanir are not complete pacifists, however. Take the Aesir-Vanir war. According to historic accounts, it was triggered by a sorceress from Vanaheim, who some say was Freya herself. The witch traveled the worlds performing elf magic, or alf seidr. She put on a show in Asgard for Odin and the other gods. The Aesir were impressed with her powers until they realized she was using them for one purpose: to obtain their gold. (No offense, Freya, but your lust for gold is probably how the rumors about you being the sorceress got started.) Her greed offended the Aesir. So they did the only logical thing: they burned her. Three times, actually.
Rick Riordan (Hotel Valhalla Guide to the Norse Worlds: Your Introduction to Deities, Mythical Beings & Fantastic Creatures (Magnus Chase and the Gods of Asgard))
Odin’s involvement in war had little to do with its goals or reasons, but was mainly concerned with the raw ecstasy that battle could provoke. The warriors who were especially closely tied to Odin were the berserkers (berserkir, “bear-shirts”) and úlfheðnar (“wolf-skins”), who were said to have the ability to take on the spirit – or, in some cases, even the physical form – of bears and wolves. They charged and howled onto the battlefield with no armor and almost less concern for their own well-being, hacking and pummeling away with utter abandon while lost to themselves in their trance.[23] It’s hard to imagine a more frightening thing to have encountered on the Iron Age battlefield.
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)