β
Because,β said Thor, βwhen something goes wrong, the first thing I always think is, it is Lokiβs fault. It saves a lot of time.
β
β
Neil Gaiman (Norse Mythology)
β
Of course it was Loki. It's always Loki.
β
β
Neil Gaiman (Norse Mythology)
β
He said nothing: seldom do those who are silent make mistakes.
β
β
Neil Gaiman (Norse Mythology)
β
The Norse myths are the myths of a chilly place, with long, long winter nights and endless summer days, myths of a people who did not entirely trust or even like their gods, although they respected and feared them.
β
β
Neil Gaiman (Norse Mythology)
β
Loki was not evil, although he was certainly not a force for good. Loki was . . . complicated.
β
β
Neil Gaiman (Norse Mythology)
β
That was the thing about Loki. You resented him even when you were at your most grateful, and you were grateful to him even when you hated him the most.
β
β
Neil Gaiman (Norse Mythology)
β
Rebirth always follows death.
β
β
Neil Gaiman (Norse Mythology)
β
Well, that's history for you, folks. Unfair, untrue and for the most part written by folk who weren't even there.
β
β
Joanne Harris (The Gospel of Loki (Loki, #1))
β
But. My hammer," said Thor.
"Shut up, Thor," said Loki
β
β
Neil Gaiman (Norse Mythology)
β
And the game begins anew.
β
β
Neil Gaiman (Norse Mythology)
β
He is tolerated by the gods, perhaps because his stratagems and plans save them as often as they get them into trouble.
Loki makes the world more interesting but less safe. He is the father of monsters, the author of woes, the sly god.
β
β
Neil Gaiman (Norse Mythology)
β
Iβm not happy about any of this,β said Thor. βIβm going to kill somebody soon, just to relieve the tension. Youβll see.
β
β
Neil Gaiman (Norse Mythology)
β
Loki's green eyes flashed with anger and with admiration, for he loved a good trick as much as he hated being fooled.
β
β
Neil Gaiman (Norse Mythology)
β
There is no end. It is simply the end of the old times, Loki, and the beginning of the new times. Rebirth always follows death.
β
β
Neil Gaiman (Norse Mythology)
β
The fun comes in telling them yourselfβsomething I warmly encourage you to do, you person reading this. Read the stories in this book, then make them your own,
β
β
Neil Gaiman (Norse Mythology)
β
Fair enough,β said Thor. βWhatβs the price?β βFreyaβs hand in marriage.β βHe just wants her hand?β asked Thor hopefully. She had two hands, after all, and might be persuaded to give up one of them without too much of an argument. Tyr had, after all. βAll of her,β said Loki. βHe wants to marry her.β βOh,β said Thor. βShe won't like that.
β
β
Neil Gaiman (Norse Mythology)
β
There were things Thor did when something went wrong. The first thing he did was ask himself if what had happened was Lokiβs fault. Thor pondered. He did not believe that even Loki would have dared to steal his hammer. So he did the next thing he did when something went wrong, and he went to ask Loki for advice.
β
β
Neil Gaiman (Norse Mythology)
β
Cease your weeping!" he said. "It is I, Loki, here to rescue you!"
Idunn glared at him with red-rimmed eyes. "It is you who are the source of my troubles." she said.
"Well, perhaps. But that was so long ago. That was yesterday's Loki. Today's Loki is here to save you and take you home.
β
β
Neil Gaiman (Norse Mythology)
β
It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
β
β
Neil Gaiman (Norse Mythology)
β
You know all your Norse mythology and chess references make you a nerd, right? Deep down under all that muscle, ink, and leather, youβre a huge nerd.
β
β
Susan Fanetti (Behold the Stars (Signal Bend, #2))
β
That is how the worlds will end, in ash and flood, in darkness and in ice. That is the final destiny of the gods.
β
β
Neil Gaiman (Norse Mythology)
β
Loki makes the world more interesting but less safe.
β
β
Neil Gaiman (Norse Mythology)
β
Moderately wise each one should be,
Not overwise, for a wise man's heart
Is seldom glad (Norse Wisdom)
β
β
Edith Hamilton (Mythology)
β
In their huge bedroom that night, Tyr said to Thor, "I hope you know what you are doing."
"Of course I do," said Thor. But he didn't. He was just doing whatever he felt like doing. That was what Thor did best.
β
β
Neil Gaiman (Norse Mythology)
β
Each insult is woven with just enough truth to make it wound.
β
β
Neil Gaiman (Norse Mythology)
β
And now, if you have anything more to ask, I can't think how you can manage it, for I've never heard anyone tell more of the story of the world. Make what use of it you can.
β
β
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
β
A sword age, a wind age, a wolf age. No longer is there mercy among men.
β
β
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
β
Loki was trying to look serious, but even so, he was smiling at the corners of his mouth. It was not a reassuring smile.
β
β
Neil Gaiman (Norse Mythology)
β
I tried to imagine myself a long time ago, in the lands where these stories were first told, during the long winter nights perhaps, under the glow of the northern lights,
β
β
Neil Gaiman (Norse Mythology)
β
The reading eye must do the work to make them live, and so it did, again and again, never the same life twice, as the artist had intended.
β
β
A.S. Byatt (Ragnarok)
β
But Loki's relations with Svadilfari were such that a while later he gave birth to a colt.
β
β
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
β
...to limit the meaning of Aslan simply to lion from Turkish is to miss its deep northern resonances and the song of the snowflakes whirling around it. Lewis admitted that, as a boy, he had been βcrazed by northernβnessβ and there are many subtle references to Norse mythology in the story.
In fact, if we treat Aslan as a word from Old Norse, it simply means god of the land. By combining that meaning with Turkish lion, it is essentially cognate which Welsh, Llew, lion, the very word from which the name Lewis is derived.
β
β
Anne Hamilton
β
Guilt is a heavy thing, Mother Witch, she said. It's best left behind if you want to move forward.
β
β
Genevieve Gornichec (The Witch's Heart)
β
On the day the Gjallerhorn is blown, it will wake the gods, no matter where they are, no matter how deeply they sleep.
Heimdall will blow Gjallerhorn only once, at the end of all things, Ragnarok.
β
β
Neil Gaiman (Norse Mythology)
β
One of the dwarfs walked in front of Thor to get a better view of the prye, and Thor kicked him irritably into the middle of the flames, which made Thor feel slightly better and made all the dwarfs feel much worse.
β
β
Neil Gaiman (Norse Mythology)
β
I had forgotten that, while Thor hurls his Hammer from storm-clouds, Odin prefers his strike to come out of a calm sky.
β
β
Robert Low (The White Raven (Oathsworn, #3))
β
Do you wonder where poetry come from? Where do we get the songs we sing and the tales we tell? Do you ever ask yourself how it is that some people can dream great, wise, beautiful dreams and pass those dreams on as poetry to the world, to be sung and retold as long as the moon will wax and wane? Have you ever wondered why some people make beautiful songs and poems and tales, and some of us do not?
It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
β
β
Neil Gaiman (Norse Mythology)
β
Oh yes. I was telling you about my research into the old Norse sagas- the mythology of ancient Scandinavia. Have you read them?β
βUh no.β
βYouβd like them, Cassie.β He waved the hand with the chalk in it. βAll sex and violence.β
I frowned. βWhy would you think that Iβd-
β
β
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
β
I learned the Norse gods came with their own doomsday: Ragnarok, the twilight of the gods, the end of it all. The gods were going to battle the frost giants, and they were all going to die.
Had Ragnarok happened yet? Was it still to happen? I did not know then. I am not certain now.
β
β
Neil Gaiman (Norse Mythology)
β
A squirrel, Ratatosk, lives in the branches of the world-tree. It takes gossip and messages from Nidhogg, the dread corpse-eater, to the eagle and back again. The squirrel tells lies to both of them, and takes joy in provoking anger.
β
β
Neil Gaiman (Norse Mythology)
β
Because,' said Thor, 'when something goes wrong, the first thing I always think is, it is Lokiβs fault. It saves a lot of time.
β
β
Neil Gaiman (Norse Mythology)
β
They all laughed, except Tyr; he lost his hand.
β
β
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
β
Is there anything more beautiful than gold?β - Freya's question.
Plain-thoughted Thor spoke. βA farm at first light
Is more beautiful than gold, or
A ship's sails in the mist.
Many ordinary things are far more beautiful.
β
β
George Webbe Dasent (Popular Tales from Norse Mythology)
β
Here is the last thing, and a shameful admission it is. When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splatter wet fart of foul-smelling mead right in Suttung's face, blinding the giant and throwing him off Odin's trail.
No one, then or now, wanted to drink the mead that came out of Odin's ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads the have tasted.
β
β
Neil Gaiman (Norse Mythology)
β
I hate this plan," I said. "Letβs do it.
β
β
Rick Riordan (Magnus Chase and the Gods of Asgard (Magnus Chase and the Gods of Asgard, #1-3))
β
Those movies... ridiculously inaccurate. The real gods of Asgard β Thor, Loki, Odin, and the rest β are much more powerful, much more terrifying than anything Hollywood could concoct.
β
β
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
β
And so Nat stood up and joined the group, and followed, and watched, and awaited his chance as the light of Chaos lit the plain and gods and demons marched to war.
β
β
Joanne Harris (Runemarks (Runemarks, #1))
β
Well, that's history for you, folks. Unfair, untrue and for the most part written by folk who weren't even there.
β
β
null
β
If you survive in battle, it is with Odin's grace, and if you fall, it is because he has betrayed you.
β
β
Neil Gaiman
β
Does Yggdrasil drink from it because it is the Well of Wisdom, or is it the Well of Wisdom because Yggdrasil drinks from it?
β
β
J. Aleksandr Wootton (Her Unwelcome Inheritance (Fayborn, #1))
β
This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation.
β
β
Neil Gaiman (Norse Mythology)
β
They heard a distant rumbling, like thunder on the peaks, or mountains crumbling, or huge waves crashing to shore, and the earth shook with each rumble.
βMy husband is coming home,β said the giantess. βI hear his gentle footsteps in the distance.
β
β
Neil Gaiman (Norse Mythology)
β
I am grim of mind and wrathful of spirit and I have no desire to be nice to anyone,β said
β
β
Neil Gaiman (Norse Mythology)
β
There, that wasnβt as bad as I had feared,β he said cheerfully. βIβve got my hammer back. And I had a good dinner. Letβs go home.
β
β
Neil Gaiman (Norse Mythology)
β
Because," said Thor, "When something goes wrong, the first thing I think is, it is Loki's fault. It saves a lot of time.
β
β
Neil Gaiman
β
He said nothing: seldom do those who are silent make mistakes. βI
β
β
Neil Gaiman (Norse Mythology)
β
You lie, All-father. You lie in the way that some folk breathe.
β
β
Neil Gaiman (Norse Mythology)
β
Thatβs the funny thing about love,β he said. βIt doesnβt wait for perfection β the heart loves who it loves, exactly as they are, faults and all.
β
β
Amanda Hocking (Between the Blade and the Heart (Valkyrie, #1))
β
Loki makes the world interesting but less safe.
β
β
Neil Gaiman (Norse Mythology)
β
Youβre the god of fishing,β Blitzen said.
Njord frowned. βOther things as well, Mr. Dwarf.β
βPlease, call me Blitz,β said Blitz. βMr. Dwarf was my father.
β
β
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
β
The black thing in her brain and the dark water on the page were the same thing, a form of knowledge. This is how myths work. They are things, creatures, stories, inhabiting the mind. They cannot be explained and do not explain; they are neither creeds nor allegories. The black was now in the thin childβs head and was part of the way she took in every new thing she encountered.
β
β
A.S. Byatt (Ragnarok)
β
But if you write a version of Ragnarok in the twenty-first century, it is haunted by the imagining of a different end of things. We are a species of animal which is bringing about the end of the world we were born into. Not out of evil or malice, or not mainly, but because of a lopsided mixture of extraordinary cleverness, extraordinary greed, extraordinary proliferation of our own kind, and a biologically built-in short-sightedness.
β
β
A.S. Byatt (Ragnarok)
β
Nobody drank from the well but Mimir himself. He said nothing: seldom do those who are silent make mistakes.
β
β
Neil Gaiman (Norse Mythology)
β
Odinβs eye remains in Mimirβs well, preserved by the waters that feed the world ash, seeing nothing, seeing everything. Time
β
β
Neil Gaiman (Norse Mythology)
β
Well, perhaps. But that was so long ago. That was yesterdayβs Loki. Todayβs Loki is here to save you and to take you home.
β
β
Neil Gaiman (Norse Mythology)
β
You show me an angel that breaks bad, and Iβll show you a devil in disguise.
β
β
Amanda Hocking (Between the Blade and the Heart (Valkyrie, #1))
β
Loki was there. He drank too much of Aegirβs ale, drank himself beyond joy and laughter and trickery and into a brooding darkness.
β
β
Neil Gaiman (Norse Mythology)
β
Our choices can alter the details. Thatβs how we rebel against destiny. - Loki
β
β
Rick Riordan (Magnus Chase and the Gods of Asgard Series Collection 2 Books Set By Rick Riordan (Deluxe Edition, Books 1-2))
β
It is better to live on the sea and let other men raise your crops and cook your meals. A house smells of smoke, a ship smells of frolic. From a house you see a sooty roof, from a ship you see Valhalla.
β
β
Harald Halfdanson Viking Tales
β
There must be something in here that can drill through eight miles of
solid rock.β
He considered a hand drill, a tape measure, a corkscrew, and the iron staff weβd almost died retrieving from Geirrodβs fortress. He threw them all to the floor.
βNothing!β he said in disgust. βUseless junk!β
Perhaps you could use your head, Hearthstone signed. That is very hard.
βOh, donβt try to console me, Mr. Elf,β said Thor.
β
β
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
β
A hundred expressions chased each other across Lokiβs face: cunning and shiftiness, truculence and confusion. Thor shook Loki hard. Loki looked down and did his best to appear ashamed. βIt was funny. I was drunk.
β
β
Neil Gaiman (Norse Mythology)
β
Get out," said Freya. "What kind of woman do you think I am?"
"But, My hammer," said Thor.
"Shut up, Thor," said Loki.
Thor shut up. They left.
"She's very beautiful when she's angry," said Thor. "You can see why that ogre wants to marry her."
"Shut up, Thor," said Loki again.
β
β
Neil Gaiman (Norse Mythology)
β
I recalled my encounter with the sea goddess Ran, who had described her husband as a hipster who liked microbrewing. At the time, the description had been too weird to comprehend. Afterward, it had seemed funny. Now it seemed a little too real, because I was pretty sure the hipster god in question was standing right in front of me.
β
β
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
β
Lit, one of the dwarfs, walked in front of Thor to get a better view of the pyre, and Thor kicked him irritably into the middle of the flames, which made Thor feel slightly better and made all the dwarfs feel much worse. βI
β
β
Neil Gaiman (Norse Mythology)
β
When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splattery wet fart of foul-smelling mead right in Suttungβs face, blinding the giant and throwing him off Odinβs trail.
No one, then or now, wanted to drink the mead that came out of Odinβs ass.
β
β
Neil Gaiman (Norse Mythology)
β
I happen to know that history is nothing but a spin and metaphor, which is what all yarns are made up of, when you strip them down to the underlay. And what makes a hit or a myth, of course, is how that story is told, and by whom.
β
β
Joanne Harris
β
He had done as his dreams had told him, but dreams know more than they reveal, even to the wisest of the gods.
β
β
Neil Gaiman (Norse Mythology)
β
The idea of fate permeated the religion of the Vikings at every turn. Everything in the universe, even the Gods, was subject to it.
β
β
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
β
Your wolf is eating that man. I thought you should know.
β
β
Joanne Harris (Runemarks (Runemarks, #1))
β
Cattle die, kinsmen die, one dies oneself in the same way, but a reputation never dies for the one who acquires a good one.
β
β
John Lindow (Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs)
β
The death of Baldr is one of the most important moments in the mythology.
β
β
John Lindow (Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs)
β
I don't understand a word you're saying," snapped Odin.
"That's because you're throttlin' me, sir," said Sugar.
Odin loosened his grip.
β
β
Joanne Harris (Runemarks (Runemarks, #1))
β
Yang terbaik adalah menjadi setengah bijak, tidak terlalu bodoh dan terlalu pandai. Orang pandai yang pengetahuannya dalam jarang merasakan kebahagiaan di hatinya.
β
β
Jesse L. Byock (The Prose Edda: Norse Mythology (Penguin Classics))
β
I'm warning you now," said Freyja stiffly, "I have...certain issues...with Loki." (Maddy wondered briefly whether there was anyone in the Nine Worlds who didn't have issues with Loki.)
β
β
Joanne Harris (Runemarks (Runemarks, #1))
β
The old witch bears many giants for sons, and all in the shape of wolves; and from this source are those wolves sprung. The saying runs thus: from this race shall come one that shall be mightiest of all; he that is named Moon-Hound; he shall be filled with the flesh of all those men that die, and he shall swallow the moon, and sprinkle with blood the heavens and all the air; thereof shall the sun lose her shining, and the winds in that day shall be unquiet and roar on every side.
β
β
Snorri Sturluson
β
You know why I really hated you? With all that you had you were just so oblivious to it all. You didn't use your beauty. You didn't ever try to get what you wanted. You didn't deserve what you had. I did because I would have used it. And you just...loved me. Loved me no matter what I did. You have no idea how I despised you for that. I wanted you gone."
'The Yielding
β
β
J.A. Ironside (A Chimerical World: Tales of the Unseelie Court (A Chimerical World))
β
Mrs. Pott's beady black eyes narrowed,"Do you know how many glass slippers I have to stitch when I get home? There's a Mad Hatter serenading a toaster as we speak. There could be mayhem wreaking havoc all over the love in New Gotham, granted what thankless ingrates you are. But here I am! I've taken a chance on you..
β
β
Sophie Avett ('Twas the Darkest Night (Darkest Hour Saga, #1) (New Gotham Fairy Tale))
β
He went crazy over Greek mythology, which is where I got my name.
They compromised on it, because my mom loved Shakespeare, and I ended up called Theseus Cassio. Theseus for the slayer of the Minotaur, and Cassio for Othello's doomed lieutenant. I think it sounds straight-up stupid. Theseus Cassio Lowood. Everyone just calls me Cas. I suppose I should be glad--my dad also loved Norse mythology, so I might have wound up being called Thor, which would have been basically unbearable.
β
β
Kendare Blake (Anna Dressed in Blood (Anna, #1))
β
There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter.
β
β
Neil Gaiman (Norse Mythology)
β
Thatβs the joy of myths. The fun comes in telling them yourselfβsomething I warmly encourage you to do, you person reading this. Read the stories in this book, then make them your own, and on some dark and icy winterβs evening, or on a summer night when the sun will not set, tell your friends what happened when Thorβs hammer was stolen, or how Odin obtained the mead of poetry for the gods . . .
β
β
Neil Gaiman (Norse Mythology)
β
I borrowed a copy of Myths of the Norsemen by Roger Lancelyn Green and read and reread it with delight and puzzlement: Asgard, in this telling, was no longer a Kirbyesque Future City but was a Viking hall and collection of buildings out on the frozen wastes; Odin the all-father was no longer gentle, wise, and irascible, but instead he was brilliant, unknowable, and dangerous; Thor was just as strong as the Mighty Thor in the comics, his hammer as powerful, but he was . . . well, honestly, not the brightest of the gods; and Loki was not evil, although he was certainly not a force for good. Loki was . . . complicated.
β
β
Neil Gaiman (Norse Mythology)
β
The story is that Odin travelled from home and came to a place where nine slaves were cutting hay. He asked if they wanted him to sharpen their scythes. They agreed. Then he took a whetstone from his belt and sharpened the scythes. To them it seemed that the scythes now cut much better, and they wanted to buy the whetstone. Odin set this price on the stone: he asked that whoever wanted to buy it should give what he thought was reasonable. They all said they wanted it and each asked to buy it, but instead he threw it into the air. They all scrambled to catch it with the result that they slit each otherβs throats with their scythes.
β
β
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
β
The Midgard Serpent opened its mouth and swallowed the ox head. The hook dug into the gums of its mouth, and when the serpent felt this, he snapped back so hard that both of Thorβs fists slammed against the gunwale. Thor now became angry and, taking on his divine strength, he strained so hard that both his feet pushed through the bottom of the boat. Using the sea floor to brace himself, he began pulling the serpent up on board. It can be said that no one has seen a more terrifying sight than this: Thor, narrowing his eyes at the serpent, while the serpent spits out poison and stares straight back from below. It is told that the giant Hymir changed colour. He grew pale and feared for his life when he saw the serpent and also the sea rushing in and out of the boat.
β
β
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
β
Here is the last thing, and a shameful admission it is. When the all-father in eagle form had almost reached the vats, with Suttung immediately behind him, Odin blew some of the mead out of his behind, a splattery wet fart of foul-smelling mead right in Suttungβs face, blinding the giant and throwing him off Odinβs trail. No one, then or now, wanted to drink the mead that came out of Odinβs ass. But whenever you hear bad poets declaiming their bad poetry, filled with foolish similes and ugly rhymes, you will know which of the meads they have tasted.
β
β
Neil Gaiman (Norse Mythology)
β
The dwarfs gathered the ingredients they would need to make Gleipnir.
These were the six things the dwarfs gathered:
For firstly, the footsteps of a cat.
For secondly, the beard of a woman.
For thirdly, the roots of a mountain.
For fourthly, the sinews of a bear.
For fifthly, the breath of a fish.
For sixth and lastly, the spittle of a bird.
Each of these things was used to make Gleipnir. (You say you have not seen these things? Of course you have not. The dwarfs used them in their crafting.)
β
β
Neil Gaiman (Norse Mythology)
β
Loki was now captured, and with no thought of mercy he was taken to a cave. They [the Γsir] took three flat stones and, setting them on their edges, broke a hole through each of them. Then they caught Lokiβs sons, Vali and Nari or Narfi. The Γsir changed Vali into a wolf, and he ripped apart his brother Narfi. Next the Γsir took his guts, and with them they bound Loki on to the top of the three stones β one under his shoulders, a second under his loins and the third under his knees. The fetters became iron. βThen Skadi took a poisonous snake and fastened it above Loki so that its poison drips on to his face. But Sigyn, his wife, placed herself beside him from where she holds a bowl to catch the drops of venom. When the bowl becomes full, she leaves to pour out the poison, and at that moment the poison drips on to Lokiβs face. He convulses so violently that the whole earth shakes β it is what is known as an earthquake. He will lie bound there until Ragnarok.
β
β
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
β
But the attitude that Viking society held up as the ideal one was a heroic stoicism. In the words of archaeologist Neil Price, "The outcome of our actions, our fate, is already decided and therefore does not matter. What is important is the manner of our conduct as we go to meet it." You couldn't change what was going to happen to you, but you could at least face it with honor and dignity. The best death was to go down fighting, preferably with a smile on your lips. Life is precarious by nature, but this was especially true in the Viking Age, which made this fatalism, and stoicism in the face of it, especially poignant.
The model of this ideal was Odin's amassing an army in Valhalla in preparation for Ragnarok. He knew that Fenrir, "the wolf", was going to murder him one way or another. Perhaps on some level he hoped that by gathering all of the best warriors to fight alongside him, he could prevent the inevitable. But deep down he knew that his struggle was hopeless - yet he determined to struggle just the same, and to die in the most radiant blaze of glory he could muster.
β
β
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
β
... he slipped in and out of himself, testing which disguise to use. He knew it had to be his most clever. The Sisters were too astute for his usual chicanery.
He flapped his wings, then soared. The shape of an eagle, useful for fast travel across worlds, but only temporary. Not convincing enough to hide his true identity.
... He pushed out of the eagle skin and leaped away from the horde of birds, springing into the sky. Into nothingness.
Instead of transforming into another creature, he hovered in between. Dangling on the mouth of wind. He rumbled with pleasure, at his own cleverness, born out of accident and indecision: he had become pure air.
Without effort, he whooshed past the threshold into the cave, into the bark of the Great Tree, winding cleverly under and over and through a maze of roots and rough stone, past every trick and trap the Sisters had set. He delighted at the speed at which he travelled, catching himself just in time, before his enthusiasm revealed the disguise. Slowing impulse to a mere draft, sucking into himself, he reached the very heart of the Nornsβ lair. The Great Hall of Time.
β
β
Michelle Grierson (Becoming Leidah)
β
In Berlin, Stauffenberg and his confederates had at last perfected their plans. They were lumped under the code name βValkyrieββan appropriate term, since the Valkyrie were the maidens in Norse-German mythology, beautiful but terrifying, who were supposed to have hovered over the ancient battlefields choosing those who would be slain. In this case, Adolf Hitler was to be slain. Ironically enough, Admiral Canaris, before his fall, had sold the Fuehrer the idea of Valkyrie, dressing it up as a plan for the Home Army to take over the security of Berlin and the other large cities in case of a revolt of the millions of foreign laborers toiling in these centers. Such a revolt was highly unlikelyβindeed, impossibleβsince the foreign workers were unarmed and unorganized, but to the suspicious Fuehrer danger lurked everywhere these days, and, with almost all the able-bodied soldiers absent from the homeland either at the front or keeping down the populace in the far-flung occupied areas, he readily fell in with the idea that the Home Army ought to have plans for protecting the internal security of the Reich against the hordes of sullen slave laborers.
β
β
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
β
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
β
β
Neil Gaiman (Norse Mythology)