Norse God Quotes

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Loki'd!
Tom Hiddleston
If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.
Patrick Rothfuss
The Norse myths are the myths of a chilly place, with long, long winter nights and endless summer days, myths of a people who did not entirely trust or even like their gods, although they respected and feared them.
Neil Gaiman (Norse Mythology)
On my life, Magnus, I swear this is the truth: your father is a Norse god. Now, hurry. We're in a twenty- minute parking spot.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
He is tolerated by the gods, perhaps because his stratagems and plans save them as often as they get them into trouble. Loki makes the world more interesting but less safe. He is the father of monsters, the author of woes, the sly god.
Neil Gaiman (Norse Mythology)
Yo!” I caught the sleeve of his cashmere coat. “Rewind to the part about a Norse god being my pappy.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
That is how the worlds will end, in ash and flood, in darkness and in ice. That is the final destiny of the gods.
Neil Gaiman (Norse Mythology)
We need our goats!” I yelled. I waded through the crowd until I reached our chariot. I grabbed Otis’s face and pressed my forehead against his. “Testing,” I whispered. “Is this goat on? Thor, can you hear me?” “You have beautiful eyes,” Otis told me.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Men brave and generous live the best lives, seldom will they sorrow; then there are fools, afraid of everything, who grumble instead of giving.
Anonymous (The Poetic Edda: Stories of the Norse Gods and Heroes)
When a real battle starts, you’ll always find that there is no bravest man.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
I learned the Norse gods came with their own doomsday: Ragnarok, the twilight of the gods, the end of it all. The gods were going to battle the frost giants, and they were all going to die. Had Ragnarok happened yet? Was it still to happen? I did not know then. I am not certain now.
Neil Gaiman (Norse Mythology)
It’s a long and crooked walk to a bad friend, even if he lives nearby. But it’s an easy road to a good friend, no matter how long the journey.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
...to limit the meaning of Aslan simply to lion from Turkish is to miss its deep northern resonances and the song of the snowflakes whirling around it. Lewis admitted that, as a boy, he had been ‘crazed by northern–ness’ and there are many subtle references to Norse mythology in the story. In fact, if we treat Aslan as a word from Old Norse, it simply means god of the land. By combining that meaning with Turkish lion, it is essentially cognate which Welsh, Llew, lion, the very word from which the name Lewis is derived.
Anne Hamilton
He was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons. You could see a bare tree on the skyline bent by the wind, holding up twisted branches and bent twigs, and suddenly its formless form would resolve itself into that of the trickster.
A.S. Byatt (Ragnarok: The End of the Gods)
On the day the Gjallerhorn is blown, it will wake the gods, no matter where they are, no matter how deeply they sleep. Heimdall will blow Gjallerhorn only once, at the end of all things, Ragnarok.
Neil Gaiman (Norse Mythology)
A lot of folks in the Norse cosmos had warned me that names had power. You weren't supposed to utter them unless you had to. Me, I preferred to wear names out like hand-me-down clothes. That seemed the best way to drain the power out of them.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
Sam and Alex scurried out of the kitchen. I hoped they were going to formulate a cunning plan to get us all out of Aegir's hall alive. If Sam was really just going to pray .. well, I wondered if she'd ever tried to say a Muslim prayer in the home of a Norse god (sorry, jotun diety) before. I was afraid the entire place might collapse from religious paradox.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Wind moaned through the canyons like a chorus of zombies. I mentioned this to Blitzen, but he set me straight. 'No, kid,' he said. 'Norse zombies are called draugr. They move silently. You'd never hear them coming.' 'Thanks,' I said. 'That's a huge relief.
Rick Riordan (Magnus Chase and the Gods of Asgard (Magnus Chase and the Gods of Asgard, #1-3))
They all laughed, except Tyr; he lost his hand.
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
Tell your secret to one person, never to two— everyone knows, if three people know.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
It’s not because Noah Wilson looks like a fucking bearded Norse god or anything. Nope, that’s not way at all.
Emily Goodwin (First Comes Love (Love & Marriage, #1))
...I don't believe in Him, and if He does exist, I don't like Him. His type of gods aren't gods who echo how mortals behave. They're gods who are held up as example of perfection to be emulated. They're not gods of the people. They're remote and inaccessible, they demand blind, unthinking obedience from their followers. They're dictators. We Aesir and Vanir, by contrast, are mirrors. Other gods rule. We reflect and magnify. We are you, only more so. We share your flaws and foibles. We are as humanlike as we are divine, and I think we are all the better for that.
James Lovegrove
And so Nat stood up and joined the group, and followed, and watched, and awaited his chance as the light of Chaos lit the plain and gods and demons marched to war.
Joanne Harris (Runemarks (Runemarks, #1))
If you survive in battle, it is with Odin's grace, and if you fall, it is because he has betrayed you.
Neil Gaiman
I hate this plan," I said. "Let’s do it.
Rick Riordan (Magnus Chase and the Gods of Asgard (Magnus Chase and the Gods of Asgard, #1-3))
Those movies... ridiculously inaccurate. The real gods of Asgard — Thor, Loki, Odin, and the rest — are much more powerful, much more terrifying than anything Hollywood could concoct.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Wow," said Samirah as we approached the dock. "You're right, Alex. That ship is really yellow." I sighed. "Not you, too." Alex grinned. "I vote we name it the Big Banana. All in favour?" "Don't you dare," I said. "I love it," Mallory said, throwing Alex a mooring line. Keen and Gunderson had emerged from belowdecks in an apparent truce, though both sported fresh black eyes. "It's decided, then!" bellowed Halfborn. "The good ship Mikillgulr!" T.J. scratched his head. "There's an Old Norse term for big banana?" "Well, not exactly," Halfborn admitted. "The Vikings never sailed far enough south to discover bananas. But Mikillgulr means big yellow. That's close enough!" I looked skyward with a silent prayer: Frey, god of summer, Dad, thanks for the boat. But could I suggest that forest green is also a great summery colour, and please stop embarrassing me in front of my friends? Amen.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
But she awoke to the cold death of her hopes,
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
Men become friends when they can share their minds with one another. Anything is better than being lied to: a real friend will disagree with you openly.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
A culture finds the gods it needs.
Kevin Crossley-Holland (The Norse Myths)
Since moving to Valhalla, I'd learned an impressive number of Old Norse cusswords. Meinfretr translated as something like stinkfart, which was, naturally, the worse kind of fart
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
Obłęd i szał, rozczarowanie i żal, Siądź tu, a opowiem tobie o męce tęsknoty I zdwojonym bólu.
Snorri Sturluson (The Poetic Edda: Stories of the Norse Gods and Heroes)
The giantess old in Ironwood sat, In the east, and bore the brood of Fenrir; Among these one in monster's guise Was soon to steal the sun from the sky.
Anonymous (The Poetic Edda: Stories of the Norse Gods and Heroes)
Fire is best for mortals, and sunshine— and also good health, if you have it, and living beyond reproach.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
That’s the funny thing about love,” he said. “It doesn’t wait for perfection – the heart loves who it loves, exactly as they are, faults and all.
Amanda Hocking (Between the Blade and the Heart (Valkyrie, #1))
Also, I kept thinking about Alex Fierro. You know, maybe just a little. Alex was a force of nature, like the snow thunder. She struck when she felt like it, depending on temperature differentials and storm patterns I couldn't possibly predict. She shook my foundations in a way that was powerful but also weirdly soft and constrained, veiled in blizzard. I couldn't assign any motives to her. She just did what she wanted. At least, that's how it felt to me.
Rick Riordan (Magnus Chase and the Gods of Asgard (Magnus Chase and the Gods of Asgard, #1-3))
You’re the god of fishing,” Blitzen said. Njord frowned. “Other things as well, Mr. Dwarf.” “Please, call me Blitz,” said Blitz. “Mr. Dwarf was my father.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
(Odin and Loki are) like the Jay and Silent Bob of Norse myth.
Erik Evensen (Gods of Asgard: A Graphic Novel Interpretation of the Norse Myths)
But if you write a version of Ragnarok in the twenty-first century, it is haunted by the imagining of a different end of things. We are a species of animal which is bringing about the end of the world we were born into. Not out of evil or malice, or not mainly, but because of a lopsided mixture of extraordinary cleverness, extraordinary greed, extraordinary proliferation of our own kind, and a biologically built-in short-sightedness.
A.S. Byatt (Ragnarok)
There must be something in here that can drill through eight miles of solid rock.” He considered a hand drill, a tape measure, a corkscrew, and the iron staff we’d almost died retrieving from Geirrod’s fortress. He threw them all to the floor. “Nothing!” he said in disgust. “Useless junk!” Perhaps you could use your head, Hearthstone signed. That is very hard. “Oh, don’t try to console me, Mr. Elf,” said Thor.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
and still others believe the world will end when a ship constructed with the untrimmed nails of the dead arrives carrying a corpse army to do battle with the gods at the end of days. (Norse mythology will always be the most metal, sorry.)
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Master of magic, god of war, Odin wanders alone.
F.T. McKinstry (The Eye of Odin)
He had done as his dreams had told him, but dreams know more than they reveal, even to the wisest of the gods.
Neil Gaiman (Norse Mythology)
The idea of fate permeated the religion of the Vikings at every turn. Everything in the universe, even the Gods, was subject to it.
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
Cattle die, kinsmen die, one dies oneself in the same way, but a reputation never dies for the one who acquires a good one.
John Lindow (Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs)
The death of Baldr is one of the most important moments in the mythology.
John Lindow (Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs)
Wiem, gdzie jesion stoi, Yggdrasill się zowie, Lśniącą wilgotnością pień jego zroszony; Z niego idzie rosa, co w dolinach spada, Koło Urs studni wciąż zielony stoi.
Snorri Sturluson (The Poetic Edda: Stories of the Norse Gods and Heroes)
Our choices can alter the details. That’s how we rebel against destiny. - Loki
Rick Riordan (Magnus Chase and the Gods of Asgard Series Collection 2 Books Set By Rick Riordan (Deluxe Edition, Books 1-2))
Men and women expected their share of trouble and the best of them attempted to use it, to rise above it and carve out a name for themselves through bravery and loyalty and generosity.
Kevin Crossley-Holland (The Penguin Book of Norse Myths: Gods of the Vikings)
I recalled my encounter with the sea goddess Ran, who had described her husband as a hipster who liked microbrewing. At the time, the description had been too weird to comprehend. Afterward, it had seemed funny. Now it seemed a little too real, because I was pretty sure the hipster god in question was standing right in front of me.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
From the hood of his car, he hefted a large green insulated pack - the kind Fadlan's Falafel used for deliveries. "This is for you, Magnus. I hope you enjoy." The scent of fresh falafel wafted out. True, I'd eaten falafel just a few hours ago, but my stomach growled because ... well, more falafel. "Man, you're the best. I can't believe - Wait. You're in the middle of a fast and you brought me food? That seems wrong." "Just because I'm fasting doesn't mean you can't enjoy." He clapped me on my shoulder. "You'll be in my prayers. All of you." I knew he was sincere. Me, I was an atheist. I only prayed sarcastically to my own father for a better colour of boat. Learning about the existence of Norse deities and the Nine Worlds had just made me more convinced that there was no grand divine plan. What kind of God would allow Zeus and Odin to run around the same cosmos, both claiming to be the king of creation, smiting mortals with lightning bolts and giving motivational seminars? Bur Amir was a man of faith. He and Samirah believed in something bigger, a cosmic force that actually cared about humans. I suppose it was kind of comforting to know Amir had my back in the prayer department, even if I doubted there was anybody at the end of that line. "Thanks, man." I shook his hand one last time.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
In the beginning was the word, and primitive societies venerated poets second only to their leaders. A poet had the power to name and so to control; he was, literally, the living memory of a group or tribe who would perpetuate their history in song; his inspiration was god given and he was in effect a medium.
Kevin Crossley-Holland (The Norse Myths)
For Tolkien’s taste there were too few dragons in ancient literature, indeed by his count only three – the Miðgarðsorm or ‘Worm of Middle-earth’ which was to destroy the god Thor at Ragnarök, the Norse Doomsday; the dragon which Beowulf fights and kills at the cost of his own life; and Fafnir, who is killed by the Norse hero Sigurd.
Tom Shippey (J.R.R. Tolkien: Author of the Century)
Fight Loki with Loki.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
The road to Asgard is paved with head injuries.
Gregory Amato (Burden to Bear (Spear of the Gods, #1))
Kostir ro betri heldr en at klökkva sé, hveim er fúss er fara; einu dægri mér var aldr of skapaðr of allt líf of lagit.
Anonymous (The Poetic Edda: Stories of the Norse Gods and Heroes)
Don’t stay out too late. The real trouble always starts after midnight.
Amanda Hocking (Between the Blade and the Heart (Valkyrie, #1))
I swear this is the truth: your father is a Norse god. Now, hurry. We’re in a twenty-minute parking spot.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Three days ago, Dana had been kidnapped by the Norse god Loki and trapped in the Greek Underworld.
Tony Abbott (When Monsters Escape (Underworlds #2))
The Norse God of Thunder looked at her awkwardly. He had to remove his great horned helmet because it was banging against the ceiling and leaving scratch marks in the plaster.
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
Thor was probably the most important god of late paganism, as is suggested by the presentation in medieval Scandinavian sources of the conversion as a struggle between Thor and Christ.
John Lindow (Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs)
That’s the joy of myths. The fun comes in telling them yourself—something I warmly encourage you to do, you person reading this. Read the stories in this book, then make them your own, and on some dark and icy winter’s evening, or on a summer night when the sun will not set, tell your friends what happened when Thor’s hammer was stolen, or how Odin obtained the mead of poetry for the gods . . .
Neil Gaiman (Norse Mythology)
I borrowed a copy of Myths of the Norsemen by Roger Lancelyn Green and read and reread it with delight and puzzlement: Asgard, in this telling, was no longer a Kirbyesque Future City but was a Viking hall and collection of buildings out on the frozen wastes; Odin the all-father was no longer gentle, wise, and irascible, but instead he was brilliant, unknowable, and dangerous; Thor was just as strong as the Mighty Thor in the comics, his hammer as powerful, but he was . . . well, honestly, not the brightest of the gods; and Loki was not evil, although he was certainly not a force for good. Loki was . . . complicated.
Neil Gaiman (Norse Mythology)
In English, the gods have left their names in our days of the week. You can find Tyr the one-handed (Odin’s son), Odin, Thor, and Frigg, the queen of the gods, in, respectively, Tuesday, Wednesday, Thursday, and Friday.
Neil Gaiman (Norse Mythology)
Also by Rick Riordan PERCY JACKSON AND THE OLYMPIANS Book One: The Lightning Thief Book Two: The Sea of Monsters Book Three: The Titan’s Curse Book Four: The Battle of the Labyrinth Book Five: The Last Olympian The Demigod Files The Lightning Thief: The Graphic Novel The Sea of Monsters: The Graphic Novel The Titan’s Curse: The Graphic Novel Percy Jackson’s Greek Gods Percy Jackson’s Greek Heroes From Percy Jackson: Camp Half-Blood Confidential THE KANE CHRONICLES Book One: The Red Pyramid Book Two: The Throne of Fire Book Three: The Serpent’s Shadow The Red Pyramid: The Graphic Novel The Throne of Fire: The Graphic Novel THE HEROES OF OLYMPUS Book One: The Lost Hero Book Two: The Son of Neptune Book Three: The Mark of Athena Book Four: The House of Hades Book Five: The Blood of Olympus The Demigod Diaries The Lost Hero: The Graphic Novel The Son of Neptune: The Graphic Novel Demigods & Magicians MAGNUS CHASE AND THE GODS OF ASGARD Book One: The Sword of Summer Book Two: The Hammer of Thor For Magnus Chase: Hotel Valhalla Guide to the Norse Worlds THE TRIALS OF APOLLO Book One: The Hidden Oracle
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
In Muspell, at the edge of the flame, where the mist burns into light, where the land ends, stood Surtr, who existed before the gods. He stands there now...It is said that at Ragnarok, which is the end of the world, and only then, Surtr will leave his station. He will go forth from Muspell with his flaming sword and burn the world with fire, and one by one the gods will fall before him.
Neil Gaiman (Norse Mythology)
Yet why did not the Æsir kill the Wolf, seeing they had expectation of evil from him?" Hárr answered: "So greatly did the gods esteem their holy place and sanctuary, that they would not stain it with the Wolf's blood; though (so say the prophecies) he shall be the slayer of Odin.
Charles River Editors (Norse Mythology: The History of the Norse Pantheon and the Most Famous Myths)
It is probable, as Anthony Faulkes suggests, that the pagan religion was never systematically understood by those who practiced it. Different areas of Scandinavia worshipped different gods at different times in the pre-Christian era; the localized nature of cults and rituals produced neither dogma nor sacred texts, as far as we know. Rather pre-Christian religion was 'a disorganized body of conflicting traditions that was probably never reduced in heathen times to a consistent orthodoxy such as Snorri attempts to present'.
Carolyne Larrington (The Poetic Edda: Stories of the Norse Gods and Heroes)
Loki makes the world more interesting but less safe. He is the father of monsters, the author of woes, the sly god.
Neil Gaiman (Norse Mythology)
It was the fact that the world and the story ends, and the way that it ends and is reborn, that made the gods and the frost giants and the rest of them tragic heroes, tragic villains. Ragnarok made the Norse world linger for me, seem strangely present and current, while other, better-documented systems of belief felt as if they were part of the past, old things.
Neil Gaiman (Norse Mythology, Vol. 1)
No Viking believed he could change his destiny, ordained as it was by the Norns who wove the fates of gods and men alike (Note 4) but, for all that, the way in which he lived his life was up to him. This sentiment is perfectly expressed by Skirnir in 'Skirnir's Journey': 'Fearlessness is better than a faint heart for any man who puts his nose out of doors. The length of my life and the day of my death were fated long ago.
Kevin Crossley-Holland (The Norse Myths)
In English, the gods have left their names in our days of the week. You can find Tyr the one-handed (Odin’s son), Odin, Thor and Frigg, the queen of the gods, in, respectively, Tuesday, Wednesday, Thursday and Friday.
Neil Gaiman (Norse Mythology)
Loki’s relations with Svadilfari (a powerful stallion) were such that a while later he gave birth to a colt. It was grey and had eight feet, and this is the best horse among gods and men. (The horse's name was Slepnir.)
Snorri Sturluson (The Prose Edda: Norse Mythology (Penguin Classics))
It was highly fatalistic, but its fatalism was not one of complacency. It saw life as being ultimately doomed to tragedy, but with the opportunity for grand and noble heroism along the way. The Vikings sought to seize that opportunity, to accomplish as much as they could - and be remembered for it - despite the certainty of the grave and "the wolf." How one met one's fate, whatever that fate happened to be, was what separated honorable and worthy people from the dishonorable and the unworthy. Norse religion and mythology were thoroughly infused with this view. The gods, the "pillars" who held the cosmos together, fought for themselves and their world tirelessly and unflinchingly, even though they knew that in the end the struggle was hopeless, and that the forces Of chaos and entropy would prevail. They went out not with a whimper, but with a bang. This attitude is what made the Vikings the Vikings.
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
Don’t praise the day until it’s night, don’t praise your wife until she’s buried, don’t praise the sword till after the fight, nor your daughter till she’s married, don’t praise the ice until it’s crossed, nor the ale until you’re sloshed.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
Now he understood what it was to be a man: that it was to be weak as well as strong, to be foolish sometimes and wise sometimes, to know love as well as to kill. And he had learned that there were other paths for him, other gods who called in the deep places of the earth, in the lap of wavelets on the shore, in the breath of the wind. He had learned that there were other kinds of courage. He knew, with deep certainty, that the islands held a new path for him. He need only move forward and find it.
Juliet Marillier (Wolfskin (Saga of the Light Isles, #1))
As best we can tell, the gods of Asgard came from Germany, spread into Scandinavia, and then out into the parts of the world dominated by the Vikings—into Orkney and Scotland, Ireland and the north of England—where the invaders left places named for Thor or Odin.
Neil Gaiman (Norse Mythology)
With a lightness of touch that is almost subliminal, this verse has encouraged us to count Valhalla’s fighters, thus momentarily obliging us to focus our attention on their total number (540 × 800 = 432,000). This total, as we shall see in Chapter Thirty-one is mathematically linked to the phenomenon of precession. It is, unlikely to have found its way into Norse mythology by accident, especially in a context that has previously specified a ‘derangement of the heavens’ severe enough to have caused the stars to come adrift from
Graham Hancock (Fingerprints of the Gods: The Evidence of Earth's Lost Civilization)
... he slipped in and out of himself, testing which disguise to use. He knew it had to be his most clever. The Sisters were too astute for his usual chicanery. He flapped his wings, then soared. The shape of an eagle, useful for fast travel across worlds, but only temporary. Not convincing enough to hide his true identity. ... He pushed out of the eagle skin and leaped away from the horde of birds, springing into the sky. Into nothingness. Instead of transforming into another creature, he hovered in between. Dangling on the mouth of wind. He rumbled with pleasure, at his own cleverness, born out of accident and indecision: he had become pure air. Without effort, he whooshed past the threshold into the cave, into the bark of the Great Tree, winding cleverly under and over and through a maze of roots and rough stone, past every trick and trap the Sisters had set. He delighted at the speed at which he travelled, catching himself just in time, before his enthusiasm revealed the disguise. Slowing impulse to a mere draft, sucking into himself, he reached the very heart of the Norns’ lair. The Great Hall of Time.
Michelle Grierson (Becoming Leidah)
Odin has many names. He is the all-father, the lord of the slain, the gallows god. He is the god of cargoes and of prisoners. He is called Grimnir and Third. He has different names in every country (for he is worshipped in different forms and in many tongues, but it is always Odin they worship).
Neil Gaiman (Norse Mythology)
We cannot always rely on Thor,” said Odin. “We need protection. Giants will come. Trolls will come.” “What do you propose?” asked Heimdall, the watchman of the gods. “A wall,” said Odin. “High enough to keep out frost giants. Thick enough that not even the strongest troll could batter its way through.” “Building
Neil Gaiman (Norse Mythology)
Freya was the most beautiful of all the gods. Her golden hair tumbled about her shoulders, and it glinted in the morning light. Freya’s two cats prowled the room, eager to pull her chariot. Around her neck, as golden and shining as her hair, glittered the necklace of the Brisings, made for Freya by dwarfs far underground.
Neil Gaiman (Norse Mythology)
Future Of Humanity - Planetary Civilization In mythology, the gods lived in the divine splendor of heaven, far above the insignificant affairs of mere mortals. The Greek gods frolicked in the heavenly domain of Mount Olympus, while the Norse gods who fought for honor and eternal glory would feast in the hallowed halls of Valhalla with the spirits of fallen warriors. But if our destiny is to attain the power of the gods by the end of the century, what will our civilization look like in 2100? Where is all this technological innovation taking our civilization? All the technological revolutions described here are leading to a single point: the creation of a planetary civilization. This transition is perhaps the greatest in human history. In fact, the people living today are the most important ever to walk the surface of the planet, since they will determine whether we attain this goal or descend into chaos. Perhaps 5,000 generations of humans have walked the surface of the earth since we first emerged in Africa about 100,000 years ago, and of them, the ones living in this century will ultimately determine our fate. Unless there is a natural catastrophe or some calamitous act of folly, it is inevitable that we will enter this phase of our collective history. We can see this most clearly by analyzing the history of energy.
Michio Kaku (Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100)
Loki hid in the Falls of Frananger in the shape of a salmon, but the gods caught him. He was tied up with the intestines of his son Nari... Skathi took a poisonous snake and tied it up over Loki; poison dripped on his face from its mouth... this hurt him so badly that he trembled, and all the world with him. This is what is called an earthquake.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
At the root of the tree at the heart of the world, With a chain round his neck, the Wolf lies curled. His gleaming teeth and jaws are furled, And the sun shall rise in the morning. His chain, it is forged of the nerve of a bear, Of the voice of a fish, and a girl's chin-hair. His chain, it is light and strong and fair, And the sun shall rise in the morning. With a mountain's root, and a cat's foot-fall, And the spit of a bird, he is held in thrall, Though iron could bind him never at all, And the sun shall rise in the morning. The sun shall rise, the stars shall fade, For the binding which the good gods made Still loops the Wolf in its lovely braid, And the sun shall rise in the morning.
Maculategiraffe (Jesse's Story (The Slave Breakers, #2))
There are food stations around the room, each representing one of the main characters. The Black Widow station is all Russian themed, with a carved ice sculpture that delivers vodka into molded ice shot glasses, buckwheat blini with smoked salmon and caviar, borsht bite skewers, minipita sandwiches filled with grilled Russian sausages, onion salad, and a sour cream sauce. The Captain America station is, naturally, all-American, with cheeseburger sliders, miniwaffles topped with a fried chicken tender and drizzled with Tabasco honey butter, paper cones of French fries, mini-Chicago hot dogs, a mac 'n' cheese bar, and pickled watermelon skewers. The Hulk station is all about duality and green. Green and white tortellini, one filled with cheese, the other with spicy sausage, skewered with artichoke hearts with a brilliant green pesto for dipping. Flatbreads cooked with olive oil and herbs and Parmesan, topped with an arugula salad in a lemon vinaigrette. Mini-espresso cups filled with hot sweet pea soup topped with cold sour cream and chervil. And the dessert buffet is inspired by Loki, the villain of the piece, and Norse god of mischief. There are plenty of dessert options, many of the usual suspects, mini-creme brûlée, eight different cookies, small tarts. But here and there are mischievous and whimsical touches. Rice Krispies treats sprinkled with Pop Rocks for a shocking dining experience. One-bite brownies that have a molten chocolate center that explodes in the mouth. Rice pudding "sushi" topped with Swedish Fish.
Stacey Ballis (Out to Lunch)
The Silmarillion is the history of the War of the Exiled Elves against the Enemy, which all takes place in the North-west of the world (Middle-earth). Several tales of victory and tragedy are caught up in it; but it ends with catastrophe, and the passing of the Ancient World, the world of the long First Age. The jewels are recovered (by the final intervention of the gods) only to be lost for ever to the Elves, one in the sea, one in the deeps of earth, and one as a star of heaven. This legendarium ends with a vision of the end of the world, its breaking and remaking, and the recovery of the Silmarilli and the ‘light before the Sun’ – after a final battle which owes, I suppose, more to the Norse vision of Ragnarok than to anything else, though it is not much like it. [From letter 131]
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
Does Alex Fierro bother you?” I asked. “I mean…her being transgender? Like, with you being religious and all?” Sam arched an eyebrow. “Being ‘religious and all,’ a lot of things bother me about this place.” She gestured around us. “I had to do some soul-searching when I first realized my dad was…you know, Loki. I still don’t accept the idea that the Norse gods are gods. They’re just powerful beings. Some of them are my annoying relatives. But they are no more than creations of Allah, the only god, just like you and I are.” “You remember I’m an atheist, right?” She snorted. “Sounds like the beginning of a joke, doesn’t it? An atheist and a Muslim walk into a pagan afterlife. Anyway, Alex being transgender is the least of my problems. I’m more worried about her…connection to our father.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
We cannot always rely on Thor,” said Odin. “We need protection. Giants will come. Trolls will come.” “What do you propose?” asked Heimdall, the watchman of the gods. “A wall,” said Odin. “High enough to keep out frost giants. Thick enough that not even the strongest troll could batter its way through.” “Building such a wall,” said Loki, “so high and so thick, would take us many years.” Odin nodded his agreement. “But still,” he said, “we need a wall.” The
Neil Gaiman (Norse Mythology)
The Lokasenna (Loki's taunts): Njorth, you were sent from the west as a hostage for the gods. The daughters of Hymir used your mouth as a urinal, and you’ve tasted plenty of piss. ... Freyja, you are a witch, and have dealt out many curses. I hear the gods found you lying with your brother, and that you farted then. ... “Tyr, or don’t you know your own wife had a son by me? You poor fool, I’ll never pay you a penny in compensation for that. ... “Sif, I alone know how you were unfaithful to your husband Thor— and I was the one you slept with. ... And you, Odin, you always judge battles unfairly for humans. You have often given defeat to the better side, when you shouldn’t have. And Odin said: “Even if I did judge unfairly, and made the better side lose, I know that you, for eight years, lived on the earth down below as a cow in milk, and as a woman, and you’ve given birth to children— I call that a pervert’s way of living!
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
But imagine for a moment such a person attempting to leave the country, armed with no passport, no credit cards, merely the power to throw thunderbolts and who knew what else. You would probably have to imagine a scene very similar to the one that did in fact occur at Terminal Two, Heathrow. But why, if you were a Norse god, would you be needing to leave the country by means of a scheduled airline? Surely there were other means? Dirk rather thought that one of the perks of being an immortal divine might be the ability to fly under your own power. From what he remembered of his reading of the Norse legends many years ago, the gods were continually flying all over the place, and there was never any mention of them hanging around in departure lounges eating crummy buns. Admittedly, the world was not, in those days, bristling with air-traffic controllers, radar, missile-warning systems and such like. Still, a quick hop across the North Sea shouldn’t be that much of a problem for a god, particularly if the weather was in your favor, which, if you were the God of Thunder, you would pretty much expect it to be, or want to know the reason why.
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
Since men who become embittered never win respect or admiration, those who sought fame did not rail at the undoubted hardship of their lives and the inevitability of death. Rather, they endured it or, even better, laughed at it. This accounts for the ironic tone in the fabric of the myths and explains, for example, the reaction of the gods when Tyr sacrificed his hand (Myth 7) in the interests of binding the wolf Fenrir. Men and women expected their share of trouble and the best of them attempted to use it, to rise above it and carve out a name for themselves through bravery and loyalty and generosity.
Kevin Crossley-Holland (The Norse Myths)
In addition to legal assemblies such as the one at Thingvellir, major public rituals were part of the celebration of the three big festivals around which the Viking calendar turned. One of these was Winter Nights, which was held over several days during our month of October, which the Vikings considered to be the beginning of winter and of the new year generally. The boundary between the realm of the living and the realm of the dead was thin, and all sorts of uncanny things were bound to happen. At this festival, the divine powers were petitioned for the general prosperity of the people. The second critical festival was Yule at midwinter - late December and early January - Which, with the arrival of Christianity, was converted into Christmas. Offerings were made to the gods in hopes of being granted bountiful harvests in the coming growing season in return. The third major festival was called "Summer Time" (Sumarmál), and was held in April, which the Vikings considered to be the beginning of summer. When the deities were contacted during this festival, they were asked for success in the coming season's battles, raids, and trading expeditions. The exact time of these festivals differed between communities.
Daniel McCoy (The Viking Spirit: An Introduction to Norse Mythology and Religion)
Yea, and thy deeds shall thou know, and great shall thy gladness be; As a picture all of gold thy life-days shalt thou see, And know that thou too wert a God to abide through the hurry and haste; A God in the golden hall, a God on the rain-swept waste, A God in the battle triumphant, a God on the heap of the slain: And thine hope shall arise and blossom, and thy love shall be quickened again: And then shalt thou see before thee the face of all earthly ill; Thou shalt drink of the cup of awakening that thine hand hath holpen to fill; By the side of the sons of Odin shalt thou fashion a tale to be told In the hall of the happy Baldur: nor there shall the tale grow old Of the days before the changing, e'en those that over us pass. So harden thine heart, O brother, and set thy brow as the brass!
William Morris (The Saga of the Volsungs)
They came to the treasure chest, they asked for the keys. They realized Volund’s skill when they peered inside. The boys saw many ornaments, all of them made of gold and gems. Volund said, “Come back alone, just you two, the day after tomorrow. I will give all this gold to you if you do. Don’t tell the ladies, don’t tell the men— don’t tell anyone at all that you’re meeting with me. Early on the appointed day, one boy said to the other: “Let’s go see the rings.” So the two boys came and asked for the keys. They realized Volund’s skill when they peered inside. He cut off the heads of those young boys, he hid their bodies under his bellows. But he took their skulls and scalped them, set them with silver, and sent them as cups to Nithuth. And from the eyes of those young boys he made jewels for their mother.
Jackson Crawford (The Poetic Edda: Stories of the Norse Gods and Heroes)
The wolf was still growing, and the gods were in the smithies, forging a new set of chains. Each link in the chains was too heavy for a normal man to lift. The metal of the chains was the strongest metal that the gods could find: iron from the earth mixed with iron that had fallen from the sky. They called these chains Dromi. The gods hauled the chains to where Fenrir slept. The wolf opened his eyes. “Again?” he said. “If you can escape from these chains,” said the gods, “then your renown and your strength will be known to all the worlds. Glory will be yours. If chains like this cannot hold you, then your strength will be greater than that of any of the gods or the giants.” Fenrir nodded at this, and looked at the chains called Dromi, bigger than any chains had ever been, stronger than the strongest of bonds. “There is no glory without danger,” said the wolf after some moments. “I believe I can break these bindings. Chain me up.
Neil Gaiman (Norse Mythology)
Thor was waiting for him in the court of the gods, and before Loki had even landed he found himself seized by Thor's huge hands. "Well? You know something. I can see it in your face. Tell me whatever you know, and tell it now. I don't trust you, Loki, and I want to know what you know right this moment, before you've had a chance to plot and to plan. Loki, who plotted and planned as easily as other folk breathed in and out, smiled at Thor's anger and innocence. "Your hammer has been stolen by Thrym, lord of all the ogres," he said. "I have persuaded him to return it to you, but he demands a price." "Fair enough," said Thor. "What's the price?" "Freya's hand in marriage." "He just wants her hand?" asked Thor hopefully. She had two hands, after all, and might be persuaded to give up one of them without too much of an argument. Tyr had, after all. "All of her," said Loki. "He wants to marry her." "Oh," said Thor. "She won't like that. Well, you can tell her the news. You're better at persuading people to do things than I am when I'm not holding my hammer.
Neil Gaiman (Norse Mythology)
I’ve no intention of sitting by the fire on such a beautiful day,” Loki sad. “Then let us walk in the woods.” “Walk? Wouldn’t you rather ride with me?” “I couldn’t keep up.” “No,” he said, grasping her elbow gently. “With me. On Heror.” He whistled loudly and Heror turned and walked toward them. A shiver of fear frosted her skin. She was uncomfortable on horseback - preferred her feet on the ground-let alone a fast powerful beast like Heror with Loki at the reins. “I’m not sure…” “Didn’t you say you would keep me company? Come.” “Must we go very fast?” Loki laughed his wild laugh. “Of course we must!” With swift grace, he mounted Heror, then put down his hand for her. “Come, Aud. Don’t be frightened. You may trust me.” Trust Loki? Aud almost laughed. She wondered if Vidar would appreciate her actions when she told him this evening. “Very well,’ she said. She tied her skirts around her hips and, reaching up, allowed Loki to help her onto Heror’s back. “Hold on tight,” Loki said, slapping her thigh playfully. Aud needed no prompting. She locked her arms about his waist, her hands tight over his hollow stomach. No warmth emanated from his body. His black hair caught against her cheek and lip. She screwed her eyes tightly closed. Heror need little encouragement from Loki. Almost as soon as they were settled, he sped off like lightning. Aud cracked open one eye to see where they were going, but hurriedly closed it when the branches of the wood loomed close enough to terrify her and the shadows between the trees flew past like wild ghosts. She tightened her grip on Loki’s ribs wishing they were not so narrow and cool. From time to time, she could feel his body shake with mad laughter. Their journey, while it probably only lasted twenty minutes, seemed interminable as she willed him and willed him to slow down. Finally she felt Loki pull on Heror’s reins. The horse slowed to a walk, and she ventured to open her eyes. They had left the woods and were entering a sunlit field of waving grass, daisies and orange hawkweed. Heror stopped, they dismounted and Loki sent the horse off to cool down. Aud’s legs were shaking too much to stand so she sank into the grass, feeling the warm sunshine fill her hair. Loki sat next to her and began idly to pick daisies. “Did you enjoy our ride, Aud?” “No,” she answered, taking a deep breath and stilling her trembling hands. “I’ll try harder on the way home,” He said reaching over to twine a daisy in her hair.
Kim Wilkins (Giants of the Frost)