Noone Cares Quotes

anyone lived in a pretty how town (with up so floating many bells down) spring summer autumn winter he sang his didn't he danced his did Women and men(both little and small) cared for anyone not at all they sowed their isn't they reaped their same sun moon stars rain children guessed(but only a few and down they forgot as up they grew autumn winter spring summer) that noone loved him more by more when by now and tree by leaf she laughed his joy she cried his grief bird by snow and stir by still anyone's any was all to her someones married their everyones laughed their cryings and did their dance (sleep wake hope and then)they said their nevers they slept their dream stars rain sun moon (and only the snow can begin to explain how children are apt to forget to remember with up so floating many bells down) one day anyone died i guess (and noone stooped to kiss his face) busy folk buried them side by side little by little and was by was all by all and deep by deep and more by more they dream their sleep noone and anyone earth by april wish by spirit and if by yes. Women and men (both dong and ding) summer autumn winter spring reaped their sowing and went their came sun moon stars rain

I am an artist, my hair is rarely tamed & sometimes I sleep till noon, My house is messy and I speak to the moon. I care less about the materials that I share with my world and more about the passion inside myself. Im an artist, what more can you expect? i am full of soul, love and all the rest.

I was never able to accept anyone else’s support but my own –

I lend everyone my ear, But nobody my heart, And I sure would like to change that, But I don't know where to start, I smile more to myself, Than the world will ever see, Because the only time my smile is real, Is in my own company, People don't know how I feel, They never even ask, It seems I have fooled them all, They can't see past my mask, If they were with me late at night, When the world was still asleep, Maybe I'd let them sort, Through the secrets that I keep, But when I wake at 2am, Nobody is ever there, And I learnt that why I hide my heart, Is because no-one really cares.

No one cares until someone cares; be that one!

Rise free from care before the dawn and seek new adventures. Let noon find you at other lakes, And night find you everywhere at home... Grow wild according to thy nature.

I love the performance of a craft, whether it is modest or mean-spirited, yet I walk away when discussions of it begin - as if one should ask a gravedigger what brand of shovel he uses or whether he prefers to work at noon or in moonlight. I am interested only in the care taken, and those secret rehearsals behind it. Even if I do not understand fully what is taking place.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.

You'll get over it...' It's the cliches that cause the trouble. To lose someone you love is to alter your life for ever. You don't get over it because 'it' is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to greive over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to? I've thought a lot about death recently, the finality of it, the argument ending in mid-air. One of us hadn't finished, why did the other one go? And why without warning? Even death after long illness is without warning. The moment you had prepared for so carefully took you by storm. The troops broke through the window and snatched the body and the body is gone. The day before the Wednesday last, this time a year ago, you were here and now you're not. Why not? Death reduces us to the baffled logic of a small child. If yesterday why not today? And where are you? Fragile creatures of a small blue planet, surrounded by light years of silent space. Do the dead find peace beyond the rattle of the world? What peace is there for us whose best love cannot return them even for a day? I raise my head to the door and think I will see you in the frame. I know it is your voice in the corridor but when I run outside the corridor is empty. There is nothing I can do that will make any difference. The last word was yours. The fluttering in the stomach goes away and the dull waking pain. Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone had said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shaft of recognition. It was worth it. Love is worth it.

In the beginning we feared everything—animals, the weather, the trees, the night sky—everything except each other. Now we fear each other, and almost nothing else. No-one knows why anyone does anything. No-one tells the truth. No-one is happy. No-one is safe. In the face of all that is so wrong with the world, the very worst thing you can do is survive. And yet you must survive. It is this dilemma that makes us believe and cling to the lie that we have a soul, and that there is a God who cares about its fate. And now you have it.’ He

I do the splits perfectly in PE. I lose half a pound in two days. I get the spinach and pig-meat frittata from the lo-carb section for lunch. And no-one else knows. I mentally construct a MyFace status, polishing the memories carefully until they shine. The need to record my life is as fundamental as my need to breathe. Without MyFace, I'm floating. I have nothing to anchor me down, to prove I exist.

When I got home, I took a bat and examined my back in detail in the bathroom mirror. This tattoo would be for myself and no-one else. It wasn’t just because I was about to end my relationship with Iro, it was because I wanted to make some serious changes deep down inside me… My torso - my back and front – and my shoulders, breasts, and upper arms were decorated with a vibrantly coloured work of art. I knew it had been the right thing to do… When I looked at that beautifully crafted tattoo, I was filled with a sense of total contentment I had never experienced before. I felt as though I had been set free.

You’re a doormat. You always consider everyone before yourself, and until you learn to be a bit more selfish people will always wipe their feet on you.

But there was a price. No-one asked you to pay it, but the very absence of demand was a moral obligation. You tended not to swat. You dug lightly. You fed the dog. You paid. You cared; not because it was kind or good, but because it was right. You left nothing but memories, you took nothing but experience.

For a girl without a job, or hobbies, or any kind of social life, Emma’s schedule was remarkably crowded. Dieting, walking, worrying, writing, exercising, surviving – all of these things ate into a day that might have offered endless possibilities had Emma not felt obliged to fill her great unfenced acres of spare time with the kind of trivial concerns and ridiculous compulsions that her doctors had been trying for years to clear from her head. This habit shone most brightly every Tuesday, when she took her place by the living-room window to await the arrival of her care team from Edinburgh. No matter what was going on around her or within her head, she arrived by the window on the stroke of noon every single week. The team never arrived before half past one.

There were so many who wished to speak. For the movement was without scruples; she rolled towards her goal unconcernedly and deposed the corpses of the drowned in the windings; such was the law of her being. And whosoever could not follow her crooked course was washed on to the bank, for such was her law. The motives of the individual did not matter to her. His conscience did not matter to her, neither did she care what went on in his head and his heart. The Party knew only one crime: to swerve from the course laid out; and only one punishment: death. Death was no mystery in the movement: there was nothing exalted about it: it was the logical solution to political divergences.

Damen found himself facing Jord. He didn’t need to look up to see the position of the sun. ‘I’m going to stop him,’ said Damen. ‘What are you going to do?’ ‘It’s noon,’ said Jord. The words sounded harsh, like they hurt his throat. ‘He needs me,’ said Damen. ‘I don’t care if you tell the world.’ And he rode his horse past Jord, onto the dais. Dismounting

Tired of his lack of understanding, she asked him for an unusual birthday gift: that for one day he would take care of the domestic chores. He accepted in amusement, and indeed took charge of the house at dawn. He served a splendid breakfast, but he forgot that fried eggs did not agree with her and that she did not drink café con leche. Then he ordered a birthday luncheon for eight guests and gave instructions for tidying the house, and he tried so hard to manage better than she did that before noon he had to capitulate without a trace of embarrassment. From the first moment he realized he did not have the slightest idea where anything was, above all in the kitchen, and the servants let him upset everything to find each item, for they were playing the game too. At ten o’clock no decisions had been made regarding lunch because the housecleaning was not finished yet, the bedroom was not straightened, the bathroom was not scrubbed; he forgot to replace the toilet paper, change the sheets, and send the coachmen for the children, and he confused the servants’ duties: he told the cook to make the beds and set the chambermaids to cooking. At eleven o’clock, when the guests were about to arrive, the chaos in the house was such that Fermina Daza resumed command, laughing out loud, not with the triumphant attitude she would have liked but shaken instead with compassion for the domestic helplessness of her husband. He was bitter and offered the argument he always used: “Things did not go as badly for me as they would for you if you tried to cure the sick.” But it was a useful lesson, and not for him alone. Over the years they both reached the same wise conclusion by different paths: it was not possible to live together in any way, or love in any other way, and nothing in this world was more difficult than love.

Criticism is far too acute; that is what will cause its death. It never passes judgment ingenuously. It looks for noon at four o’clock, as the old women say, and must cause much suffering to artists who care more for its decrees than they ought to do.

It’s a beautiful smile. One that brightens the rat-infested attic room. No one has ever smiled like that at me. No one. Everything inside me twists with the need to keep her close. I should be pissed. Who knows if I’ll ever see the money from Eric. Who knows if Noah and I will lose the lease, sending me back into the system. Right now, I don’t f*cking care. I’m touching an angel.

There is a story, for instance, that has very much the ring of truth about it. It goes like this: One of the older officials, a good and peaceful man, was dealing with a difficult matter for the court which had become very confused, especially thanks to the contributions from the lawyers. He had been studying it for a day and a night without a break — as these officials are indeed hard working, no-one works as hard as they do. When it was nearly morning, and he had been working for twenty-four hours with probably very little result, he went to the front entrance, waited there in ambush, and every time a lawyer tried to enter the building he would throw him down the steps. The lawyers gathered together down in front of the steps and discussed with each other what they should do; on the one hand they had actually no right to be allowed into the building so that there was hardly anything that they could legally do to the official and, as I've already mentioned, they would have to be careful not to set all the officials against them. On the other hand, any day not spent in court is a day lost for them and it was a matter of some importance to force their way inside. In the end, they agreed that they would try to tire the old man out. One lawyer after another was sent out to run up the steps and let himself be thrown down again, offering what resistance he could as long as it was passive resistance, and his colleagues would catch him at the bottom of the steps. That went on for about an hour until the old gentleman, who was already exhausted from working all night, was very tired and went back to his office.

Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.

In the beginning we feared everything—animals, the weather, the trees, the night sky—everything except each other. Now we fear each other, and almost nothing else. No-one knows why anyone does anything. No-one tells the truth. No-one is happy. No-one is safe. In the face of all that is so wrong with the world, the very worst thing you can do is survive. And yet you must survive. It is this dilemma that makes us believe and cling to the lie that we have a soul, and that there is a God who cares about its fate.

No one to notice No one to stare No one to compromise with No one to care

I shall think of you at sunset, and at sunrise, again; and at noon, and forenoon, and afternoon, and always, and evermore, till this little heart stops beating and is still.

When I cry, no-one is there except for my books. When I laugh, no-one is there except for my books. When I shout, no-one is there except for my books. I have searched my whole life for a real person to care about. I gave you what I had and what I didn't, and you gave it up. Now you dare ask me to speak to you? After you left me to be alone and broken? You wonder why I love words more than I love you? Because the words never left me. You did. It's sad that people who never knew me want me more than the person who knows everything about me.

Dear Marianne, I have engaged the services of a respectable nurse to care for your coachman during his recovery. A carriage will arrive at noon to convey you and your maid to your destination. The carriage you arrived in will be transported back to Bath. I have also taken the liberty of sending a message to Edenbrooke to inform them of your impending arrival. I trust I have left nothing undone. Your obedient servant, Philip

As he catches my eye he beams at me, his dark face bright with affection. Anyone can see it who cares to look at him, he is hopelessly indiscreet. He puts his hand to his heart as if swearing fidelity to me. I look to left and right, thank God no-one is looking, they are all getting on their horses and George the duke is shouting for the guard. Recklessly, Richard stands there, his hand on his heart, looking at me as if he wants the world to know that he loves me. He loves me. I shake my head as if reproving him, and I look down at my hands on the reins. I look up again and he is still fixing his gaze on me, his hand still on his heart. I know I should look away, I know I should pretend to feel nothing but disdain – this is how the ladies in the troubadour poems behave. But I am a girl, and I am lonely and alone, and this is a handsome young man who has asked how he may serve me and now stands before me with his hand on his heart and his eyes laughing at me. One of the guard stumbled while mounting his horse and his horse shied, knocking the nearby horseman. Everyone is looking that way, and the king puts his arm around his wife. I snatch off my glove and, in one swift gesture, I throw it towards Richard. He catches it out of the air and tucks it in the breast of his jacket. Nobody has seen it. Nobody knows. The guardsman steadies his horse, mounts it, nods his apology to his captain, and the royal family turn and wave to us. Richard looks at me, buttoning the front of his jacket, and smiles at me warmly, assuredly. He has my glove, my favour.

I reckon that blaming people fixes nothing. You're the only person who is going to sort you out. No-one else really can - or really cares, enough. That's what Nepalis know - better than anyone. That's our Western disease. Don't take responsibility. Take on a lawyer!

If you sit in the darkness, nobody can see the tears stripping away at your bright smile. They won't even know you're there, and even if they did they would ignore you, because who cares, my love? If it does not affect us, then why should we do anything? It'd be just as easy not to. Well, sweet, if someone sticks a knife in your back, you are going to want someone to pull it out, and bandage it, right? You and I must be the ones to pull them out and bandage them up. And, sweet, we must do it for each other as well, because I'd sooner go down than let someone who does not care pull out the thorns. And because I am sure that you wouldn't like a heart breaker coming and pulling off the weight from your shoulders, because they will only give back a heavier load. If you sit in the darkness, no-one can see the tears stripping away at your smile... Except for me.

At the city gate and by your fireside I have seen you prostrate yourself and worship your own freedom, Even as slaves humble themselves before a tyrant and praise him though he slays them. Ay, in the grove of the temple and in the shadow of the citadel I have seen the freest among you wear their freedom as a yoke and a handcuff. And my heart bled within me; for you can only be free when even the desire of seeking freedom becomes a harness to you, and when you cease to speak of freedom as a goal and a fulfilment. You shall be free indeed when your days are not without a care nor your nights without a want and a grief, But rather when these things girdle your life and yet you rise above them naked and unbound. And how shall you rise beyond your days and nights unless you break the chains which you at the dawn of your understanding have fastened around your noon hour? In truth that which you call freedom is the strongest of these chains, though its links glitter in the sun and dazzle your eyes. And what is it but fragments of your own self you would discard that you may become free? If it is an unjust law you would abolish, that law was written with your own hand upon your own forehead. You cannot erase it by burning your law books nor by washing the foreheads of your judges, though you pour the sea upon them. And if it is a despot you would dethrone, see first that his throne erected within you is destroyed. For how can a tyrant rule the free and the proud, but for a tyranny in their own freedom and a shame in their own pride? And if it is a care you would cast off, that care has been chosen by you rather than imposed upon you. And if it is a fear you would dispel, the seat of that fear is in your heart and not in the hand of the feared. Verily all things move within your being in constant half embrace, the desired and the dreaded, the repugnant and the cherished, the pursued and that which you would escape. These things move within you as lights and shadows in pairs that cling. And when the shadow fades and is no more, the light that lingers becomes a shadow to another light. And thus your freedom when it loses its fetters becomes itself the fetter of a greater freedom.

The north wind roaring down in October is cruel and cold and reminds you again — as the sea has a way of doing — that nature does not care for man. And somehow that makes the red and yellow leaves and the blue, deceptive noons all the sweeter and more precious because living is so dangerous and so short and can be so bitter.

Hi, I’m not answering my phone right now because I’m building kitchen cabinets at 111 Main Street. I’m putting my heart and soul into these cabinets so I won’t be returning calls until I’m finished with the job. Please know I will give the same attention and care to your work, as well. If you need to talk to me feel free to come by 111 Main Street during my lunch break at noon.

Adevărul suprem s-a retras întotdeauna cu un pas înapoi; vizibilă rămâne doar ultima minciună cu care a trebuit să-l slujești. Și la ce contorsiuni patetice și convulsii epileptice te-a obligat. Cum putea să-l convingă pe Gletkin că de data asta era sincer cu adevărat, că ajunsese la ultima haltă? Întotdeauna trebuie să convingi pe cineva, să discuți, să argumentezi - când singura ta dorință este să dormi și să dispari.

Asta era generația care începuse să gândească după potop. N-avea tradiții sau amintiri care s-o lege de vechea lume dispărută. Era o generație născută fără cordon ombilical... Și totuși avea dreptate în felul ei. Trebuie să-ți retezi cordonul ombilical, să renegi și ultima verigă care te leagă de inutilele concepții despre onoare și ipocrita bună-cuviință a vechii lumi. Onoare înseamnă să slujești fără orgoliu, fără să te cruți, până la ultima consecință.

while a man should attend closely to life, he should not attend too closely to the clock. A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness. In the afternoon, the Count’s father believed that a man should take care not to live by the watch in his waistcoat—marking the minutes as if the events of one’s life were stations on a railway line. Rather, having been suitably industrious before lunch, he should spend his afternoon in wise liberty. That is, he should walk among the willows, read a timeless text, converse with a friend beneath the pergola, or reflect before the fire—engaging in those endeavors that have no appointed hour, and that dictate their own beginnings and ends.

Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.

Thou good God, what a miserable plight I have come to! I was so heartily tired and weary of all my miserable life that I did not find it worth the trouble of fighting any longer to preserve it. Adversity had gained the upper hand; it had been too strong for me. I had become so strangely poverty-stricken and broken, a mere shadow of what I once had been; my shoulders were sunken right down on one side, and I had contracted a habit of stooping forward fearfully as I walked, in order to spare my chest what little I could. I had examined my body a few days ago, one noon up in my room, and I had stood and cried over it the whole time. I had worn the same shirt for many weeks, and it was quite stiff with stale sweat, and had chafed my skin. A little blood and water ran out of the sore place; it did not hurt much, but it was very tiresome to have this tender place in the middle of my stomach. I had no remedy for it, and it wouldn't heal of its own accord. I washed it, dried it carefully, and put on the same shirt. There was no help for it, it....

Why not?” I asked. For his solemnity of the night before had greatly impressed me. “Because,” he said sternly, “it is too late, or too early. See!” Here he held up the little golden crucifix. “This was stolen in the night.” “How stolen, “I asked in wonder, “since you have it now?” “Because I get it back from the worthless wretch who stole it, from the woman who robbed the dead and the living. Her punishment will surely come, but not through me. She knew not altogether what she did, and thus unknowing, she only stole. Now we must wait.” He went away on the word, leaving me with a new mystery to think of, a new puzzle to grapple with. The forenoon was a dreary time, but at noon the solicitor came, Mr. Marquand, of Wholeman, Sons, Marquand & Lidderdale. He was very genial and very appreciative of what we had done, and took off our hands all cares as to details. During lunch he told us that Mrs. Westenra had for some time expected sudden death from her heart, and had put her affairs in absolute order. He informed us that, with the exception of a certain entailed property of Lucy’s father which now, in default

It was a savagely red land, blood-coloured after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seemed to wait with age-old patience, to threaten with soft sights: "Be careful! Be careful! We had you once. We can take you back again.

Martinsson fired. Wallander watched Lucia fly back and put his hand up to his shoulder. The gun fell from his hand and landed outside the counter. With a bellow Martinsson yanked himself free of the guy ropes and launched himself at the counter, straight at the wounded man. The counter collapsed, and Martinsson landed in a jumble of leather jackets. Wallander lunged forwards and grabbed the gun from mud. He saw Skinhead dash past him into crowd. No-one seemed to have noticed the shots. The traders in the surrounding stalls had watched in amazement as Martinsson made his ferocious tiger pounce. “Get after him,” Martinsson shouted from the heap of leather jackets. “I’ll take care of this bastard.

And Ghostly, everyone thinks they know Paleandghostly, everyone thinks Paleandghostly doesn’t need anything, doesn’t feel anything, can take care of herself and doesn’t need a thing. She is the single most terrifying woman Draxie has ever met, yes, she’s read every book Draxie knows of and a hell of a lot more of them that she couldn’t even understand, she’s got a mind like diamond-edged steel, she is awesome in a sense of the word older than the internet - and she lives with her mom, in her trailer, in the middle of nowhere, because there’s no-one else to look after her. She sits watching her mom’s mind slowly crumble from its edges inwards while she forgets to drink unless she’s told to and wants to go for a walk down streets she hasn’t lived anywhere near in decades, and Ghostly who should be - Draxie doesn’t even know, running the CIA, creating entire new disciplines of thought, running the country, Ghostly helps her mom wash and cleans the trailer and spends her mind, her ravenous, razor-bright, vicious mind, defending him from everyone on the internet. Even from other fanghosts half the time when she points out that they’re being creepy as all fuck and look maybe you can justify using a character with that name but don’t pretend for one second that you know who he is, because he’s a person you’ll never know the inside of and you don’t get to act like you’re entitled to that. Draxie doesn’t know what Ghostly would do without him. Hate the world, while her mind flayed itself to pieces from the inside. Hate the world and all the injustice in it, and no-one to give a fuck about it. But there’s him. And she says, Oh, good, at least someone’s being sensible …

Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

We are accustomed to thinking of Ernest Hemingway as a boozy, undisciplined genius who got through a quart of whiskey a day for the last twenty years of his life but nevertheless had the muse upon him. He was indeed an alcoholic driven by complex passions.2 But when it came to writing, he was the quintessence of discipline! His early writing was characterized by obsessive literary perfectionism as he labored to develop his economy of style, spending hours polishing a sentence, or searching for the mot juste—the right word. It is a well-known fact that he rewrote the conclusion to his novel A Farewell to Arms seventeen times in an effort to get it right. This is characteristic of great writers. Dylan Thomas made over two hundred handwritten(!) manuscript versions of his poem “Fern Hill.”3 Even toward the end, when Hemingway was reaping the ravages of his lifestyle, while writing at his Finca Vigia in Cuba he daily stood before an improvised desk in oversized loafers on yellow tiles from 6:30 A.M. until noon every day, carefully marking his production for the day on a chart. His average was only two pages — five hundred words.4 It was discipline, Ernest Hemingway’s massive literary discipline, which transformed the way his fellow Americans, and people throughout the English-speaking world, expressed themselves.

WITHIN A FEW HOURS of the noon announcement, people all around North Korea began converging on statues of Kim Il-sung to pay their respects. By one frequently cited figure there are 34,000 statues of the Great Leader in the country and at each of them loyal subjects prostrated themselves with grief. People didn’t want to be alone with their grief. They burst out of their homes and ran toward the statues, which were in fact the spiritual centers of each city. Chongjin is home to some 500,000 people, but has only one twenty-five-foot bronze statue, at Pohang Square. People filled the vast square, and spilled over into the front lawn of the Revolutionary History Museum directly to the east. The crowds extended down the wide Road No. 1 all the way to the Provincial Theater and radiated out into the surrounding streets like spokes from a wheel. From above, the people looked like a line of ants streaming toward a common goal. Hysteria and crowds make for a lethal combination. People started to surge forward, knocking down those in line, trampling people already prostrate on the ground, flattening the carefully trimmed hedges. From blocks away, the noise from the square carried through the humid air and sounded like the roar of a riot. The weather alternated between violent downpours and searing heat. No one was allowed to wear a hat or carry a parasol. The sun beat down on the bare heads and the wet sidewalks turned the streets into a roiling steambath. People looked like they were melting into a sea of tears and sweat. Many fainted.

We are unknown, we knowers, ourselves to ourselves: this has its own good reason. We have never searched for ourselves—how should it then come to pass, that we should ever find ourselves? Rightly has it been said: "Where your treasure is, there will your heart be also." Our treasure is there, where stand the hives of our knowledge. It is to those hives that we are always striving; as born creatures of flight, and as the honey-gatherers of the spirit, we care really in our hearts only for one thing—to bring something "home to the hive!" As far as the rest of life with its so-called "experiences" is concerned, which of us has even sufficient serious interest? or sufficient time? In our dealings with such points of life, we are, I fear, never properly to the point; to be precise, our heart is not there, and certainly not our ear. Rather like one who, delighting in a divine distraction, or sunken in the seas of his own soul, in whose ear the clock has just thundered with all its force its twelve strokes of noon, suddenly wakes up, and asks himself, "What has in point of fact just struck?" so do we at times rub afterwards, as it were, our puzzled ears, and ask in complete astonishment and complete embarrassment, "Through what have we in point of fact just lived?" further, "Who are we in point of fact?" and count, after they have struck, as I have explained, all the twelve throbbing beats of the clock of our experience, of our life, of our being—ah!—and count wrong in the endeavour. Of necessity we remain strangers to ourselves, we understand ourselves not, in ourselves we are bound to be mistaken, for of us holds good to all eternity the motto, "Each one is the farthest away from himself"—as far as ourselves are concerned we are not "knowers.

We are unknown, we knowers, ourselves to ourselves: this has its own good reason. We have never searched for ourselves—how should it then come to pass, that we should ever find ourselves? Rightly has it been said: "Where your treasure is, there will your heart be also." Our treasure is there, where stand the hives of our knowledge. It is to those hives that we are always striving; as born creatures of flight, and as the honey-gatherers of the spirit, we care really in our hearts only for one thing—to bring something "home to the hive!" As far as the rest of life with its so-called "experiences" is concerned, which of us has even sufficient serious interest? or sufficient time? In our dealings with such points of life, we are, I fear, never properly to the point; to be precise, our heart is not there, and certainly not our ear. Rather like one who, delighting in a divine distraction, or sunken in the seas of his own soul, in whose ear the clock has just thundered with all its force its twelve strokes of noon, suddenly wakes up, and asks himself, "What has in point of fact just struck?" so do we at times rub afterwards, as it were, our[Pg 2] puzzled ears, and ask in complete astonishment and complete embarrassment, "Through what have we in point of fact just lived?" further, "Who are we in point of fact?" and count, after they have struck, as I have explained, all the twelve throbbing beats of the clock of our experience, of our life, of our being—ah!—and count wrong in the endeavour. Of necessity we remain strangers to ourselves, we understand ourselves not, in ourselves we are bound to be mistaken, for of us holds good to all eternity the motto, "Each one is the farthest away from himself"—as far as ourselves are concerned we are not "knowers.

And an orator said, "Speak to us of Freedom." And he answered: At the city gate and by your fireside I have seen you prostrate yourself and worship your own freedom, Even as slaves humble themselves before a tyrant and praise him though he slays them. Ay, in the grove of the temple and in the shadow of the citadel I have seen the freest among you wear their freedom as a yoke and a handcuff. And my heart bled within me; for you can only be free when even the desire of seeking freedom becomes a harness to you, and when you cease to speak of freedom as a goal and a fulfillment. You shall be free indeed when your days are not without a care nor your nights without a want and a grief, But rather when these things girdle your life and yet you rise above them naked and unbound. And how shall you rise beyond your days and nights unless you break the chains which you at the dawn of your understanding have fastened around your noon hour? In truth that which you call freedom is the strongest of these chains, though its links glitter in the sun and dazzle the eyes. And what is it but fragments of your own self you would discard that you may become free? If it is an unjust law you would abolish, that law was written with your own hand upon your own forehead. You cannot erase it by burning your law books nor by washing the foreheads of your judges, though you pour the sea upon them. And if it is a despot you would dethrone, see first that his throne erected within you is destroyed. For how can a tyrant rule the free and the proud, but for a tyranny in their own freedom and a shame in their won pride? And if it is a care you would cast off, that care has been chosen by you rather than imposed upon you. And if it is a fear you would dispel, the seat of that fear is in your heart and not in the hand of the feared. Verily all things move within your being in constant half embrace, the desired and the dreaded, the repugnant and the cherished, the pursued and that which you would escape. These things move within you as lights and shadows in pairs that cling. And when the shadow fades and is no more, the light that lingers becomes a shadow to another light. And thus your freedom when it loses its fetters becomes itself the fetter of a greater freedom.

45 Mercy Street In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign - namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids sucked up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down - I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.

Gray burst into the galley. “Miss Turner is not eating.” The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam. “And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up. “She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently. “Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?” “Her dress no longer fits properly. The neckline of her bodice is too loose.” Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter. “Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.” “It’s not that she’s a beautiful lady-“ Gabriel looked up sharply. “It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.” “Wouldn’t that be the captain’s duty?” Gray narrowed his eyes. “And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.” Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?” “This, and biscuit.” “I’ll order the men to trawl for a fish.” “Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly. Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them. Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him. Gabriel stopped pounding. “Sit down, Gray. Rest your bones.” With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him. Milk. Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.” The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.

I don’t know what to do with you,” he said, his voice growing curt with anger again. “Deceitful little minx. I’m of half a mind to put you to work, milking the goats. But that’s out of the question with these hands, now isn’t it?” He curled and uncurled her fingers a few times, testing the bandage. “I’ll tell Stubb to change this twice a day. Can’t risk the wound going septic. And don’t use your hands for a few days, at least.” “Don’t use my hands? I suppose you’re going to spoon-feed me, then? Dress me? Bathe me?” He inhaled slowly and closed his eyes. “Don’t use your hands much.” His eyes snapped open. “None of that sketching, for instance.” She jerked her hands out of his grip. “You could slice off my hands and toss them to the sharks, and I wouldn’t stop sketching. I’d hold the pencil with my teeth if I had to. I’m an artist.” “Really. I thought you were a governess.” “Well, yes. I’m that, too.” He packed up the medical kit, jamming items back in the box with barely controlled fury. “Then start behaving like one. A governess knows her place. Speaks when spoken to. Stays out of the damn way.” Rising to his feet, he opened the drawer and threw the box back in. “From this point forward, you’re not to touch a sail, a pin, a rope, or so much as a damned splinter on this vessel. You’re not to speak to crewmen when they’re on watch. You’re forbidden to wander past the foremast, and you need to steer clear of the helm, as well.” “So that leaves me doing what? Circling the quarterdeck?” “Yes.” He slammed the drawer shut. “But only at designated times. Noon hour and the dogwatch. The rest of the day, you’ll remain in your cabin.” Sophia leapt to her feet, incensed. She hadn’t fled one restrictive program of behavior, just to submit to another. “Who are you to dictate where I can go, when I can go there, what I’m permitted to do? You’re not the captain of this ship.” “Who am I?” He stalked toward her, until they stood toe-to-toe. Until his radiant male heat brought her blood to a boil, and she had to grab the table edge to keep from swaying toward him. “I’ll tell you who I am,” he growled. “I’m a man who cares if you live or die, that’s who.” Her knees melted. “Truly?” “Truly. Because I may not be the captain, but I’m the investor. I’m the man you owe six pounds, eight. And now that I know you can’t pay your debts, I’m the man who knows he won’t see a bloody penny unless he delivers George Waltham a governess in one piece.” Sophia glared at him. How did he keep doing this to her? Since the moment they’d met in that Gravesend tavern, there’d been an attraction between them unlike anything she’d ever known. She knew he had to feel it, too. But one minute, he was so tender and sensual; the next, so crass and calculating. Now he would reduce her life’s value to this cold, impersonal amount? At least back home, her worth had been measured in thousands of pounds not in shillings. “I see,” she said. “This is about six pounds, eight shillings. That’s the reason you’ve been watching me-“ He made a dismissive snort. “I haven’t been watching you.” “Staring at me, every moment of the day, so intently it makes my…my skin crawl and all you’re seeing is a handful of coins. You’d wrestle a shark for a purse of six pounds, eight. It all comes down to money for you.

Do you have a frying pan? Not Teflon, I hate that stuff. Cast iron? Or stainless steel?" I found River an old cast iron pan in the cabinet by the sink. I put it on the stove, and I imagined, for a second, Freddie, young, wearing a pearl necklace and a hat that slouched off to one side, standing over that very pan and making an omelet after a late night spent dancing those crazy, cool dances they did back in her day. "Brilliant," River said. He lit the gas stove and threw some butter in the pan. Then he cut four pieces of the baguette, rubbed them with a clove of garlic, and tore a hole out in each. He set the bread in the butter and cracked an egg onto the bread so it filled up the hole. The yolks of the eggs were a bright orange, which, according to Sunshine's dad, meant the chickens were as happy as a blue sky when they laid them. "Eggs in a frame," River smiled at me. When the eggs were done, but still runny, he put them on two plates, diced a tomato into little juicy squares, and piled them on top of the bread. The tomato had been grown a few miles outside of Echo, in some peaceful person's greenhouse, and it was red as sin and ripe as the noon sun. River sprinkled some sea salt over the tomatoes, and a little olive oil, and handed me a plate. "It's so good, River. So very, very good. Where the hell did you learn to cook?" Olive oil and tomato juice were running down my chin and I couldn't have cared less. "Honestly? My mother was a chef." River had the half smile on his crooked mouth, sly, sly, sly. "This is sort of a bruschetta, but with a fried egg. American, by way of Italy.

Life certainly was not so jocund a thing to her as to most young women. She had had one or two very hard blows—blows that had knocked her down so much that she could not hope ever to stand up again quite so upright and firm as she had done before; and though no one was giving her blows now, yet the days somehow lagged, and she did not seem to care much whether it were even or morning, noon or night.

She rocks alone in her old rocking chair That little old lady with no-one to care She lives with the memory of a youth she once had Recapturing moments of the good and the bad Years which have long since passed her by And as she remembers a tear fills

I didn't know it at the time, but what I was doing here included two keys to running a successful business: knowing your customer and knowing how to get free marketing." "Who cares if a tree falls in a forest and no-one hears it? The tree still falls. If you believe that what you're doing will have positive results, it will-even if it's not immediately obvious." "All actions are creative.

A Crow's Elegy for the Farmer's Daughter” We gathered in the fern-thin treetops at dusk or in the flat sear of noon strutted among puddles and spoke only of the sky's empty torment or ourselves. Once in awhile we flapped in the dust and silver rain and disparaged wind with our bevel-winged plummetings and soundless glides. We did not care who shot at us for our raucous predawn menacing or for settling like a plague of black books in fields under the blindness of those homespun effigies leering and motionless and coming unstuffed. We did not care for you though we saw the cortege winding past the arbor and drunken berry rows, the ghosts of peach trees bowing to acknowledge death's grand simplicity at last revealed. We were pieces of a blackboard upon which last rites were written and did not care who could or could not see that we were gods and you were not ever coming home, in spite of the mourners' deeply foolish love we could imagine only by flying into the sun, where every grief is charred and finally burned away. —Christopher Howell, Gaze. (Milkweed Editions; Original edition February 7, 2012)

To be hanged He was in his cell, Wondering about heaven and hell, Because he was the one due to be hanged, And throughout the night by old demons he was flanked and fanged, He remembered everything, his every act, That had turned him into the man whose conscience was never intact, A victim of many vagaries and a flippant attitude, Always surrounded by them in multitude, But tonight, his last night, when he could dream, when he could imagine, Think of a new hope maybe; and think of a new short battle that he could still win, Because tomorrow by the afternoon he shall be dangling on the noose, Which is already beginning to form a grip around his neck, though loose, He imagined and conversed with his own mind, And there he picked moments of happiness, whichever he could find, And waited for the sun’s rays to enter his dark cell, Where desires, wishes and hopes died and fell, In their midst he held on to few moments of happiness, just a few, To help him walk upto the noose and invent a form courage, totally new, The sun’s rays gradually gathered in his dark cell and brightened it slowly, As he looked at the walls hopelessly, but thoughtfully, He looked perturbed but not demented or lost, He knew it was the end of everything, his walk upto the gallows to be his steps last, But he appeared to struggle with the invisible frost, That had frozen his feelings and cast him in an emotional world where he was lost, He was despondent, yes he was, you can say that, But the man in him had not died yet, he had not allowed that, So he walked with careful but slow steps towards the final knot that would seal everything for him, And push him into the world where there will be nothing and noone except him, For that is the tragedy of dying, you die alone, with no one but you, But he had held on to his moments of happiness, as he approached the hangman, he asked him to do what he ought to do, The look between the two, the one dying and the one to end life forever, was strange, It was like a rose looking at its own scent, but looking at it, it felt it belonged to a different range, Of emotions, of senses, of feelings, of every thought, and as the he let go of his moments of happiness, The hangman covered his face and hanged him for the sake of justice, and then entered the moment of emotional stillness, For he had executed a man whose body dangled on the rope, A sight with which the hangman could not cope, He turned his face around and then forced himself to be the hangman he is always meant to be, Whereas the man who was just now hanged remained hanging forever in his memories, there now forever to be, And in the dark cell where the sun’s rays still try to find him, The man hangs on like the strange scent of the rose, in faint smells of the corners less bright and more dim!

How did you feel? I said it like Gerj says things, out of nowhere without any warning. She turned off the hose. When? I had been working up to that all day. When my mother handed me to you. I watched her carefully. Reluctant. Gerj bit her lower lip. Do you know this word? I thought about it. I don’t know what it means but I know how it feels. And then we went back to watering the beets.

At around six a.m., he gave up on trying to go back to sleep. He called Leo, whose first reply instead of good morning or hello was, “Haven’t you gone to bed yet?” “Actually, I am just getting up.” That silenced Leo for a moment. “Are you sick?” “No.” “You do realize it’s not even close to noon, right?” “I know what time it is,” Hayder snapped, getting irked. “It’s time for you to stop messing with me and bring me some clothes.” “Why would I do that? Where are you? Wait, don’t tell me you stayed with the girl last night.” “She’s mine. Where else would I be?” “Dude, you met her yesterday.” “Yeah, and?” “You. Met. Her. Yesterday.” Leo enunciated each word slowly. “I. Know,” Hayder mocked. “What is this hang-up everyone has with time? She keeps saying the same thing. Who cares? She’s the one.” “This is my fault,” Leo grumbled. “How do you figure that? Are you in charge of the fates and the decision on who belongs together?” “No, but I might have knocked some sense into you one too many times.” “Aren’t you just the comedian? But this is no joke. Arabella’s mine, and that’s that. Now would you bring me some clothes?” “What about Jeoff?” “What about Jeoff?” “You don’t think her brother might have an issue with you hooking up with his sister, who, by all accounts, is vulnerable right now.” “Hey, are you implying my Arabella has loose morals? I’ll have you know she turned me down. Would you believe she shoved me out of bed? Told me to go away?” Incredulity still filled him. It didn’t take super hearing to catch Leo’s snort of mirth. “Ha. In that case, maybe she is the one. You need a woman who can say no to you sometimes.” “You are not a nice omega, Leo.” “Nice is for pussies. Now, are you done whining, or should I come over there and really give you something to whine about?” Hayder rubbed his jaw. “No need.” “Are you sure? You know I’m always ready to help a pride member in need.” “All I need right now are some clothes.

Charity couldn’t meet her mother’s eyes.

The President called it the “Epitome of the American dream.” Daddy called it the “unholy alliance of business and government.” But all it really was, was America giving up. Bailing out in order to join the Financial Resource Exchange. A multinational alliance focused on one thing: profit. Fund global medical care to monopolize vaccines. Back unified currency to collect planet-wide interest. And provide the resources needed for a select group of scientists and military personnel to embark on the first trip across the universe in a quest to find more natural resources—more profit. The answer to my parents’ dreams. And my worst nightmare. And I know something about nightmares, seeing as how I’ve been sleeping longer than I’ve been alive. I hope. What if this is just a part of a long dream dreamt in the short time between when Ed locked the cryo door and Hassan pushed the button to freeze me? What if? It’s a strange sort of sleep, this. Never really waking up, but becoming aware of consciousness inside a too-still body. The dreams weave in and out of memories. The only thing keeping the nightmares from engulfing me is the hope that there couldn’t possibly be a hundred more years before I wake up. Not a hundred years. Not three hundred. Not three hundred and one. Please, God, no. Sometimes it feels like a thousand years have passed; sometimes it feels as if I’ve only been sleeping a few moments. I feel most like I’m in that weird state of half-asleep, half-awake I get when I’ve tried to sleep past noon, when I know I should get up, but my mind starts wandering and I’m sure I can never get back to sleep. Even if I do slip back into a dream for a few moments, I’m mostly just awake with my eyes shut. Yeah. Cryo sleep is like that. Sometimes I think there’s something wrong. I shouldn’t be so aware. But then I realize I’m only aware for a moment, and then, as I’m realizing it, I slip into another dream. Mostly, I dream of Earth. I think that’s because I didn’t want to leave it. A field of flowers; smells of dirt and rain. A breeze ... But not really a breeze, a memory of a breeze, a memory made into a dream that tries to drown out my frozen mind. Earth. I hold on to my thoughts of Earth. I don’t like the dreamtime. The dreamtime is too much like dying. They are dreams, but I’m too out of control, I lose myself in them, and I’ve already lost too much to let them take over. I push the dream-memory down. That happened centuries ago, and it’s too late for regrets now. Because all my parents ever wanted was to be a part of the first manned interstellar exploratory mission, and all I ever wanted was to be with them. And I guess it doesn’t matter that I had a life on Earth, and that I loved Earth, and that by now, my friends have all lived and gotten old and died, and I’ve just been lying here in frozen sleep.

An awkward, irregular moon, like a squeezed-out teardrop, or something caught while falling, hung frozen in place over Paulette. Trees whispered, though she saw none of them stirring. She felt her deeper heart calling.... ... Her eyes ceded control, opening to those pulsing glows and darting spheres that had been greeting her recent nights in the woods. ... High noon was for those who could only see “stuff.” Night was for those of a more magical nature. For those who loved mystery. Beyond the world of dense physical forms is a realm that flows everywhere unbroken. Whatever these lights were, they thrived in that world. One of the glowing forms drew closer now, almost as though taking a look at her. But then almost immediately it moved on again; going about its business, whatever that might have been. Paulette thought of Mary. Perhaps the only person she had ever truly loved. Can the spirit of someone released too soon from life wander the forest? Is that what these were; were they spirits? Could Mary’s be wandering happy somewhere until her time came and her place in Heaven was ready for her? If there even was a Heaven. If there was a God who cared and understood; who let you in even after you had taken your own life. “Oh God, if you exist,” Paulette prayed in passionate silence, “Please give sweet Mary a rest.” One tree stirred, and one tree only. - From "The Gardens of Ailana

Huh?” she said. “What’s this?” “I think you have a fever. Might be from damn near freezing to death, might be from something else. First we try aspirin.” “Yeah,” she said, taking them in her small hand. “Thanks.” While Marcie took the aspirin with water, he fixed up the tea. They traded, water cup for mug of tea. He stayed across the room at his table while she sipped the tea. When she was almost done, he said, “Okay, here’s the deal. I have to work this morning. I’ll be gone till noon or so—depends how long it takes. When I get back, you’re going to be here. After we’re sure you’re not sick, then you’ll go. But not till I tell you it’s time to go. I want you to sleep. Rest. Use the pot, don’t go outside. I don’t want to stretch this out. And I don’t want to have to go looking for you to make sure you’re all right. You understand?” She smiled, though weakly. “Aw, Ian, you care.” He snarled at her, baring his teeth like an animal. She laughed a little, which turned into a cough. “You get a lot of mileage out of that? The roars and growls, like you’re about to tear a person to pieces with your teeth?” He looked away. “Must keep people back pretty good. Your old neighbor said you were crazy. You howl at the moon and everything?” “How about you don’t press your luck,” he said as meanly as he could. “You need more tea?” “If it’s all the same to you, I think I’ll nap. I don’t want to be any trouble, but I’m awful tired.” He went to her and took the cup out of her hand. “If you didn’t want to be any trouble, why didn’t you just leave me the hell alone?” “Gee, I just had this wild urge to find an old friend…” She lay back on the couch, pulling that soft quilt around her. “What kind of work do you do?” “I sell firewood out of the back of my truck.” He went to his metal box, which was nailed to the floor from the inside so it couldn’t be stolen if someone happened by his cabin, which was unlikely. He unlocked it and took out a roll of bills he kept in there and put it in his pocket, then relocked it. “First snowfall of winter—should be a good day. Maybe I’ll get back early, but no matter what, I want you here until I say you go. You get that?” “Listen, if I’m here, it’s because it’s where I want to be, and you better get that. I’m the one who came looking for you, so don’t get the idea you’re going to bully me around and scare me. If I wasn’t so damn tired, I might leave—just to piss you off. But I get the idea you like being pissed off.” He stood and got into his jacket, pulled gloves out of the pockets. “I guess we understand each other as well as we can.” “Wait—it’s

The Dark Night One dark night, fired with love's urgent longings - ah, the sheer grace! - I went out unseen, my house being now all stilled. In darkness, and secure, by the secret ladder, disguised, - ah, the sheer grace! - in darkness and concealment, my house being now all stilled. On that glad night in secret, for no one saw me, nor did I look at anything with no other light or guide than the One that burned in my heart. This guided me more surely than the light of noon to where he was awaiting me - him I knew so well - there in a place where no one appeared. O guiding night! O night more lovely than the dawn! O night that has united the Lover with his beloved, transforming the Beloved into his Lover. Upon my flowering breast, which I kept wholly for him alone, there he lay sleeping, and I caressing him there in a breeze from the fanning cedars. When the breeze blew from the turret, as I parted his hair, it wounded my neck with its gentle hand, suspending all my senses. I abandoned and forgot myself, laying my face on my Beloved; all things ceased; I went out from myself, leaving my cares forgotten among the lilies.

In 1999, Emily Rosa published her paper in the Journal of the American Medical Association. It was titled “A Close Look at Therapeutic Touch.” Unlike Mehmet Oz, Rosa wasn’t a cardiovascular surgeon. In fact, she had never graduated from medical school. Or college. Or high school. Or elementary school. When it came time to write her paper, she had asked her mother, a nurse, to help. That’s because Emily was only nine years old. Her experiment was part of a fourth-grade science fair project in Fort Collins, Colorado. Emily didn’t win the science fair. “It wasn’t a big deal in my classroom,” recalled Rosa, who graduated from the University of Colorado at Denver in 2009. “I showed it to a few of my teachers, but they really didn’t care, which kind of hurt my feelings.” Emily’s mother, Linda, recalled that “some of the teachers were getting therapeutic touch during the noon hour. They didn’t recommend it for the district science fair. It just wasn’t well received at the school.

Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...

I need you, Jessie. And there’s no-one out here but us.” “I don’t care who sees us.

Stars don't care what you wish, and magic don't make things better, and no-one doesn't get burned who sticks their hand in a fire

Noon,” said Tom. “There’s always five of them, and they’re normally led by an illager called Marie. She looks skinny, but according to the stories we’ve heard about her, she’s a vicious fighter.” “I don’t care how vicious she is,” said Spidroth, “she won’t stand a chance against the Lady Spidrothbrine.” “That’s right,” said Carl. “As soon as those bad guys see Spidroth’s face, they’ll flee in the opposite direction.” “CREEPER!” Spidroth roared, pulling out her netherite sword. Dave quickly rushed to stand in front of her.

Nu puteai fi sigur; puteai doar să recurgi la acel oracol batjocoritor care se numește istorie și care pronunță sentința abia după ce gura celui care-l consultă s-a umplut de mult cu țărână.

The sun had reached its noon zenith in the sky in the world that lay outside the dark and grimy warehouse, and coming in slantwise through the small window sent a dusty shaft that fell like a theatrical spotlight about Jennie’s head and shoulders as she lectured. “If you have committed any kind of an error and anyone scolds you – wash,” she was saying. “If you slip and fall off something and somebody laughs at you – wash. If you are getting the worst of an argument and want to break off hostilities until you have composed yourself, start washing. Remember, every cat respects another cat at her toilet. That’s our first rule of social deportment, and you must also observe it. “Whatever the situation, whatever difficulty you may be in you can’t go wrong if you wash. If you come into a room full of people you do not know, and who are confusing to you, sit right down in the midst of them and start washing. They’ll end up by quieting down and watching you. Some noise frightens you into a jump, and somebody you know saw you were frightened – begin washing immediately. “If somebody calls you and you don’t care to come and still you don’t wish to make it a direct insult – wash. If you’ve started off to go somewhere and suddenly can’t remember where it was you wanted to go, sit right down and begin brushing up a little. It will come back to you. Something hurt you? Wash it. Tired of playing with someone who has been kind enough to take time and trouble and you want to break off without hurting his or her feelings? Start washing. “Oh, there are dozens of things! Door closed and you’re burning up because no one will open it for you – have yourself a little wash and forget it. Somebody petting another cat or dog in the same room, and you are annoyed over that – be nonchalant; wash. Feel sad – wash away your blues. Been picked up by somebody you don’t particularly fancy and who didn’t smell good – wash him off immediately and pointedly where he can see you do it. Overcome by emotion – a wash will help you to get a grip on yourself again. Any time, anyhow, in any manner, for whatever purpose, wherever you are, whenever and why ever that you want to clear the air, or get a moment’s respite or think things over – WASH!

No-one cares about the victims, Doug thought bitterly.

A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness. In the afternoon, the Count’s father believed that a man should take care not to live by the watch in his waistcoat—marking the minutes as if the events of one’s life were stations on a railway line. Rather, having been suitably industrious before lunch, he should spend his afternoon in wise liberty. That is, he should walk among the willows, read a timeless text, converse with a friend beneath the pergola, or reflect before the fire—engaging in those endeavors that have no appointed hour, and that dictate their own beginnings and ends. And the second chime?

had to pull back the string to get the right range. By noon, I felt ready to test my skills out on a live target. “You guys ready for this?” I asked my animal audience. “Witness the master at work!” As a vote of no confidence, they continued to graze with their backsides to me. “Just wait,” I said, walking out to the beach. “One calamari entrée comin’ right up!” I spotted the closest squid about a dozen or so blocks out to sea, drew back the bowstring, and took careful aim. WHP whistled the arrow, streaking in a shallow arc. “Ha!” I cried, as the missile struck its target. I watched the squid flash red, vanish in a puff of smoke, turn into a small black organ-looking thing, and then sink right out of sight. I won’t tell you the word I shouted. I’m not proud of it, but I should win some kind of prize for making one syllable last a good five seconds. “Frrph,” snorted Moo from behind my back as if to say, “What were you thinking? How did you not have a recovery plan?” “I don’t know,” I said, only now seeing solutions. “I should have tied something to the arrow, or found a way to make a net or…or even waited till a squid was closer to shore! But why didn’t I think of it till now?” I started pacing. “Idiot!” I grunted, wishing this world would let me hit myself. “Stupid, stupid idiot!” “Moo!” interrupted my stern friend, forcing me to stop and face her. “You’re right,” I said. “When looking for solutions, beating yourself up isn’t one.” “Moo,” replied the cow, as if to say, “That’s better.” “I know I’m not an idiot,” I said, calmly raising my hands, “but something is wrong with me, like my brain’s only working part-time.” I started pacing again, more out of contemplation than anger. “It’s not like panic or hunger. It’s something new. Well, not new, actually. I’ve felt it coming on for a while, but now that I’m well-fed and not scared out of my wits, I can see this mental mud for what it is.” I could feel anxiety rising, the last thing I needed right now. “Any ideas?” I asked the animals. “Any hints about what’s causing

Every day at noon, Saban eats the same exact lunch—a salad with lettuce, cherry tomatoes, and turkey slices served in a Styrofoam container. Automating his lunch decision allows Saban to focus on more important tasks at hand. That minor decision is eliminated.1 Saban says that if you can “Eliminate the clutter and all the things that are going on outside and focus on the things that you can control with how you sort of go about and take care of your business. That's something that's ongoing, and it can never change.

Lizzie understood too well the focus on the task. The bottom to be washed, the bed to be changed, human attentions lost to overwork and time management. What must it be like to work in such a place thought Lizzie, not one of her patients was ever going home, no-one would recover, or resume their lives, and when they went, another with the same fate would replace them.

I was a fool to tell Angus, but so afraid Dori would disappear. Like the dreams you wake up from with your heart on fire because some dead person you cared about was alive, and then by noon it’s just vague nonsense.

They don’t respect us because we are their molested children. They fuck us morning, noon, and night, but as long as they tuck us in with a kiss, as long as they whisper into our ears, “Daddy loves you, Daddy will take care of you,” we close our eyes and go to sleep, trading our bodies, our souls, for the comforting veneers of “civilization” and “security,” the false idols of our twentieth-century wet dream.

Despite his less-than-complimentary assurance that no-one cared what I wore so long as I was able to run in it, I refused to be wed in a twice-let-down frock and shoes more suited to a farmyard.

So I tell you, you watch carefully what you are saying morning, noon and night. When you go to bed at night, just watch your inner conversations, and see that the sun is not descending upon your anger. Resolve it at that very moment, and make it conform to your wish fulfilled, and make that “wish fulfilled” a. thing of love. What would it be like if it were true? Just what would it be like? Then carry on a conversation from the premise of the wish fulfilled, all clothed in love, for anyone that you think of; and watch how things happen in your world.

She’d need to find room in her compact kitchen for a high chair. Her second bedroom, which she now used as an office and craft room, would become the baby’s. A sense of excitement filled her, unlike anything she’d ever experienced. This was her baby, her very own child. This time she’d do everything right. This time there wasn’t a man standing in the way. High on enthusiasm, she reached for the phone and dialed her sister’s number. She felt closer to Kelly than she had in years. The weekend getaway had brought them together again, all three of them. How wise her mother had been to arrange it. “I didn’t get you up, did I?” she asked when her sister answered. Tyler bellowed in the background. “That’s a joke, right?” Maryellen smiled. “You doing anything special for lunch?” “Nothing in particular. What do you have in mind?” “Can you meet me at the Pot Belly Deli?” “Sure.” Kelly had the luxury of being a stay-at-home mother. Paul and Kelly had waited years for this baby and were determined to make whatever sacrifices were necessary. That option—staying with her baby—wasn’t available to Maryellen. She’d have to find quality day care and wasn’t sure where to even start. Just before noon, Kelly arrived at the gallery, pushing Tyler in his stroller. At nine months, the little boy sat upright, waving his chubby hands, cooing happily and directing the world from his seat. “Let’s grab some soup from the deli and eat down by the waterfront,” Kelly suggested. It was a lovely spring day after a week of rain, and the fresh air would do them all good. “Sounds like a great idea,” Maryellen told her. Practical, too, since it would be easier to amuse Tyler at the park than in a crowded restaurant. Maryellen phoned in their order and her sister trekked down to grab a picnic table. Several other people had the same idea, but she’d secured a table for them by the time Maryellen got there. Sitting across from her sister, Maryellen opened her container of chicken rice soup and stirred it with a plastic spoon. Cantankerous seagulls circled overhead, squawking for a handout, but Maryellen and Kelly ignored them. “I

All i see is darkness in my mind, not a ounce of joy, happiness and laughter, fuck it, noone cares so lets terrorize it. I always show my best side to people, i wish they would just try to get to know my other side. But i don’t blame them, they would probably run away as far as possible from me. JA

Damen found himself facing Jord. He didn’t need to look up to see the position of the sun. ‘It’s noon,’ said Jord. The words sounded harsh, like they hurt his throat. ‘He needs me,’ said Damen. ‘I don’t care if you tell the world.

TRENT ALEXANDER-ARNOLD’S FREE KICK TECHNIQUE STEP 1: First things first, you’ll need to win a free kick in a good shooting position. If your attacking teammates aren’t up to the job, then fly forward to win one yourself. STEP 2: As soon as the referee blows the whistle, race over and grab the ball. This one’s yours. And after you’ve scored a few beauties, no-one will argue anymore. STEP 3: Place the ball down carefully and then start your routine: three steps backwards, pause, then one step to the right. You’re in the zone now. STEP 4: While you wait for the whistle, take a deep breath and look up at the target. In your head, imagine the ball flying into the corner of the net. Right, time to make it a reality… STEP 5: Take short steps towards the ball and then swing that right leg back, ready to strike… STEP 6: BANG! Put plenty of whip on your shot to send it up over the jumping wall and then down into the bottom corner. STEP 7: GOAL! Kiss the badge on your shirt as you race over to celebrate with the fans. You’re a local legend now!

about the fire before, but never like this. He could feel her indecision on the stairs, hear

I mean that you are making things to be more difficult than they are, or need to be. The facts of life are very simple. In the beginning we feared everything—animals, the weather, the trees, the night sky—everything except each other. Now we fear each other, and almost nothing else. No-one knows why anyone does anything. No-one tells the truth. No-one is happy. No-one is safe. In the face of all that is so wrong with the world, the very worst thing you can do is survive. And yet you must survive. It is this dilemma that makes us believe and cling to the lie that we have a soul, and that there is a God who cares about its fate. And now you have it.

My Seclusion Just like, I remember the- Fireflies at night, they all carry their- own light in flight. They fly higher and higher until they are out of sight. They are never in fear of the darkness because they carry their light. They constantly have hope, and it shines brightly. The firefly flies by, unlike me there are never shy. I am lying outside on the grounds a few feet from my home, yet I am still feeling all alone, listening to all the sounds of the night as they moan. I look at the full moon, knowing that I will be back in hell soon, seeing all the faces at lunch at noon. Wondering what is going to happen on my vacation in the upcoming summer in the months like in June. I lie on the cold hard ground outside looking up with the stars in the sky, remembering all the days flashing that have gone by, seeing all the faces that never even say hi, remembering the terror from the wandering eyes. (Right now) My head is pounding just like the thunder and lightning, the evil faces streaks crossed my face, with every bolt of lightning. This takes me back to when I was a little girl; I hope that the pink suspended feathers sweep them away in the white webs. So, I can have a sunny day on all these rainy days that seem to never end, I just do not have much to say. I am not safe anywhere… the voices haunt me as they do. However, I just have an overwhelming urge to cry, all night and watch movies by myself. Like, I have done, these last two years of my high school life. Is anything going to change? Why must I live like this? Why do I keep living? Why can I not just pass on? I look out my window, and sometimes it takes me back to when I was young. Some days I look out the window and the skies are scarlet, and that reminds me that I should be out doing things with people of my age. The summer has come and gone, and the school days have started with no one to see me, or even ask if I was alive. No one cares! Is the plan going to work? I have no idea at this point, yet I keep trying!

others all have fountains or parks!” “Okay,” Reynie said, rubbing his chin, “so they’re to meet in the square, by the statue, on the south side—I think we can agree that south is the opposite of north—and, well, I guess the opposite of noon must be midnight, right?” “We’ve done it!” said Kate. “We’ve figured out their rendezvous! Oh, and this is perfect—the observation deck of the Pittfall Building is on that square, and it gives a direct view of that statue! It’s even on the south side! If I go up there—” “You?” Reynie said. “Oh, well, Milligan then. Whoever. The point is you would be in a perfect spot to spy on their rendezvous without being seen yourself. It’s all glassed in with reflective windows and everything. We couldn’t have asked for a better setup! This is going to work out brilliantly!” It did seem perfect. The only catch was that no one knew about the rendezvous but them. Mr. Benedict still had not shown up, and midnight was less than an hour away. What if he was still asleep, wherever he was? What if he was awake but something had happened? What if he was trying to come to the library but was delayed? What if he wasn’t coming at all? After mulling these possibilities over, Kate jumped up. “Sorry, but I just can’t risk it! I can’t sit here and give up what may be our last chance to stop Mr. Curtain. I have to go! You three can tell Mr. Benedict everything when he comes. I’ll be careful, I promise!” She was already strapping her bucket to her belt. “You aren’t serious, are you?” Sticky said. “Oh, wait, it’s you—of course you’re serious.” “It’s only eight blocks,” Kate said. “I can be there in no time.

Iparked in Sloan’s driveway and used the key under the flowerpot to let myself in, like I did every day since the funeral two weeks ago. I kept saying I had to get a key made, but I never had the time. Between trying to run Doglet Nation while taking care of what was left of my best friend, my days were full. I had begun to consider moving back in with Sloan. I didn’t see her ever not needing me here. Her mom tapped in sometimes. She did what she could. But she had a sixty-hour-a-week job, and Sloan’s dad lived two hours away. I was the last line of defense. The house smelled like decaying flowers. I set Stuntman down and brought groceries to the kitchen and unbagged it all. Then I started tossing bouquets. She’d be able to start her own flower shop with all the empty vases. Sloan’s bedroom door was closed. I let her sleep. Getting her out of bed before noon was twice the struggle—I’d given it up. I used the earlier hours to do chores. This was my life now. The second half of both our lives had begun. The before was over, and now we lived in the after. I came over every morning as soon as I woke up. Stayed until midnight. And I lived side by side with my velociraptor. We coexisted, taking care of Sloan. I didn’t try to clean up anything that was Brandon’s. I didn’t touch his dirty clothes. I didn’t toss the beer bottle that sat in the garage. The only spark of life I’d seen from her since the funeral was when she’d lost her fucking mind on me because I’d removed and washed the almost two-month-old glass of water from Brandon’s side of the bed.

No chance of a ceremony inside the church,” he reported to Kev and Cam as they gathered in the main parlor. “It’s a sodding mess.” “We’ll get married on the church steps, then,” Kev said. “Impossible, I’m afraid.” Leo looked rueful. “According to the rubric of the church, it has to be inside a church or chapel that has been officially licensed. And neither the vicar nor the rector dare go against the laws. The consequences are so severe that they might receive three years’ suspension. When I asked where the nearest licensed chapel was, they looked in the records. As it happens, about fifty years ago our estate chapel was licensed for a family wedding, but it ran out since then.” “Can we renew it?” Cam asked. “Today?” “I asked that. The rector seemed to think it was an acceptable solution, and he agreed as long as Merripen and Win promised to privately solemnize the marriage at the church as soon as the roof is repaired.” “But the marriage would be legal starting today?” Kev demanded. “Yes, legal and registered, as long as it’s held before noon. The church won’t recognize a wedding if it’s held even one minute after twelve.” “Good,” Kev said curtly. “We’ll marry this morning at the estate chapel. Pay the rector whatever he demands.” “There’s only one problem with this plan,” Cam said. “We don’t have an estate chapel. At least, I’ve never seen one.” Leo looked blank. “What the bloody hell happened to it?” They both glanced at Kev, who had been in charge of the estate restoration for the past two years. He had taken down walls, razed small buildings, and made new additions to the original manor house. “What did you do with the chapel, phral?” Cam asked apprehensively. A scowl settled on Kev’s face. “No one was using it except some nesting birds. So we turned it into a granary and attached it to the barn.” In the face of their silence, he said defensively, “It still counts.” “You want to be married in a granary?” Leo asked incredulously. “Among bins of animal feed?” “I want to be married anywhere,” Kev said. “The granary’s as good a place as any.” Leo looked sardonic. “Someone may want to ask Win if she is willing to be married in a former chapel that now amounts to a shed attached to the barn. Forbearing as my sister is, even she has standards.” “I’m willing!” came Win’s voice from the stairs. Cam smothered a grin. Leo shook his head and spoke in his sister’s direction. “It’s a barn, Win.” “If our Lord didn’t mind being born in a stable,” she replied cheerfully, “I certainly have no objection to being married in a barn.” Briefly lifting his gaze heavenward, Leo muttered, “I’ll go take care of the renewal fee. I can hardly wait to see the vicar’s expression when I tell him we’ve turned the chapel into a granary. It doesn’t reflect well on this family’s piety, let me tell you.” “You’re concerned about appearing pious?” Kev asked. “Not yet. I’m still in the process of being led astray. But when I finally get around to repenting, I’ll have no damned chapel for it.” “You can repent in our officially licensed granary,” Cam said, shrugging into his coat. 

your Schnoodle is a puppy under the age of six months, you’ll need to feed him more often; three meals a day, in the morning, around noon, and at night, will suffice. He’s still a baby, after all, and his growing body demands more energy than an adult dog. Make sure that his food is small enough for him to chew and that he has no difficulty eating. Once his milk teeth strengthen, he won’t have too much trouble chewing regular dog food, but you should still provide him with a dog food that’s specially formulated for puppies, at least until he’s six months old.

Speak to express, Not to impress, Exert your right to speak freely without worrying about what anyone in the world will think about it. No-one really cares.

Rise free from care before the dawn, and seek adventures. Let the noon find thee by other lakes, and the night overtake thee everywhere at home. There are no larger fields than these, no worthier games than may here be played. Grow wild according to thy nature, like these sedges and brakes, which will never become English bay. Let the thunder rumble; what if it threaten ruin to farmers' crops? That is not its errand to thee. Take shelter under the cloud, while they flee to carts and sheds. Let not to get a living be thy trade, but thy sport. Enjoy the land, but own it not. Through want of enterprise and faith men are where they are, buying and selling, and spending their lives like serfs.

Once the entrées have been selected for both the noon and dinner meal, consider the entrée for the main meal first and then the entrées for the other meals; choose the accompanying vegetables and potatoes, rice, or pasta on the basis of their color, form, texture, and flavor. A colorful vegetable in whole, sliced, diced, or mashed form makes the meal more attractive. Crisp vegetables complement a soft or creamy main dish. Next, select salads that contrast with the rest of the meal in color, flavor, and texture.