Noon Wine Quotes

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It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and the noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic is chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers.
Ray Bradbury (Dandelion Wine)
One day you discover you are alive. Explosion! Concussion! Illumination! Delight! You laugh, you dance around, you shout. But, not long after, the sun goes out. Snow falls, but no one sees it, on an August noon.
Ray Bradbury (Dandelion Wine)
I had been hungry all the years- My noon had come, to dine- I, trembling, drew the table near And touched the curious wine. 'Twas this on tables I had seen When turning, hungry, lone, I looked in windows, for the wealth I could not hope to own. I did not know the ample bread, 'Twas so unlike the crumb The birds and I had often shared In Nature's diningroom. The plenty hurt me, 'twas so new,-- Myself felt ill and odd, As berry of a mountain bush Transplanted to the road. Nor was I hungry; so I found That hunger was a way Of persons outside windows, The entering takes away.
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
The pleasures of my life here are simple – simple, inexpensive and democratic. A warm hill of Marmande tomatoes on a roadside vendor’s stall. A cold beer on a pavement table of the Café de France – Marie Thérèse inside making me a sandwich au camembert. Munching the knob of a fresh baguette as I wander back from Sainte-Sabine. The farinaceous smell of the white dust raised by a breeze from the driveway. A cuckoo sounding the perfectly silent woods beyond the meadow. A huge grey, cerise, pink, orange and washed-out blue of a sunset seen from my rear terrace. The drilling of the cicadas at noon – the soft dialing-tone of the crickets at dusk slowly gathers. A good book, a hammock and a cold, beaded bottle of blanc sec. A rough red wine and steak frites. The cool, dark, shuttered silence of my bedroom – and, as I go to sleep, the prospect that all this will be available to me again, unchanged, tomorrow.
William Boyd (Any Human Heart)
She was a woman with a broom or a dust- pan or a washrag or a mixing spoon in her hand. You saw her cutting piecrust in the morning, humming to it, or you saw her setting out the baked pies at noon or taking them in, cool, at dusk. She rang porcelain cups like a Swiss bell ringer to their place. She glided through the halls as steadily as a vacuum machine, seeking, finding, and setting to rights. She made mirrors of every window, to catch the sun. She strolled but twice through any garden, trowel in hand, and the flowers raised their quivering fires upon the warm air in her wake. She slept quietly and turned no more than three times in a night, as relaxed as a White glove to which, at dawn, a brisk hand will return. Waking, she touched people like pictures, to set their frames straight.
Ray Bradbury (Dandelion Wine)
June dawns, July noons, August evenings over, finished, done, and gone forever with only the sense of it all left here in his head. Now, a whole autumn, a white winter, a cool and greening spring to figure sums and totals of summer past. And if he should forget, the dandelion wine stood in the cellar, numbered huge for each and every day. He would go there often, stare straight into the sun until he could stare no more, then close his eyes and consider the burned spots, the fleeting scars left dancing on his warm eyelids; arranging, rearranging each fire and reflection until the pattern was clear... So thinking, he slept. And, sleeping, put an end to Summer, 1928.
Ray Bradbury (Dandelion Wine)
A thin ungracious drink is the well-spring, a drink for queasy-stomached skipjacks: for sand-levericks, not for men. And like it is the dayspring: an ungrateful sapless hour, an hour for stab-i'-the-backs and cold-blooded betrayers. Ah, give me wine, and noon-day vices, and brazen-browed iniquities.
E.R. Eddison
An old drinking buddy of mine had come home from a two-week binge with a rose tattooed on his arm. Around the blossom was written Fuck ‘em all/and sleep till noon. His wife made him have it surgically removed, but she hated the scar even more. Every time he touched it, he grinned. Some years later she tried to remove the grin with a wine bottle, but she only knocked out a couple of teeth, which made the grin even more like a sneer. The part that I don’t understand, though, is that they are still married. He is still grinning and she is still hating it.
James Crumley
I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night What is the price of Experience do men buy it for a song Or wisdom for a dance in the street? No it is bought with the price Of all that a man hath his house his wife his children Wisdom is sold in the desolate market where none come to buy And in the withered field where the farmer plows for bread in vain It is an easy thing to triumph in the summers sun And in the vintage & to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the houseless wanderer To listen to the hungry ravens cry in wintry season When the red blood is filled with wine & with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear a dog howl at the wintry door, the ox in the slaughter house moan To see a god on every wind & a blessing on every blast To hear the sounds of love in the thunder storm that destroys our enemies house To rejoice in the blight that covers his field, & the sickness that cuts off his children While our olive & vine sing & laugh round our door & our children bring fruits and flowers Then the groans & the dolor are quite forgotten & the slave grinding at the mill And the captive in chains & the poor in the prison, & the soldier in the field When the shattered bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity Thus could I sing & thus rejoice, but it is not so with me!
William Blake (The Complete Poems)
Ingenious philosophers tell you, perhaps, that the great work of the steam-engine is to create leisure for mankind. Do not believe them: it only creates a vacuum for eager thought to rush in. Even idleness is eager now—eager for amusement; prone to excursion-trains, art museums, periodical literature, and exciting novels; prone even to scientific theorizing and cursory peeps through microscopes. Old Leisure was quite a different personage. He only read one newspaper, innocent of leaders, and was free from that periodicity of sensations which we call post-time. He was a contemplative, rather stout gentleman, of excellent digestion; of quiet perceptions, undiseased by hypothesis; happy in his inability to know the causes of things, preferring the things themselves. He lived chiefly in the country, among pleasant seats and homesteads, and was fond of sauntering by the fruit-tree wall and scenting the apricots when they were warmed by the morning sunshine, or of sheltering himself under the orchard boughs at noon, when the summer pears were falling. He knew nothing of weekday services, and thought none the worse of the Sunday sermon if it allowed him to sleep from the text to the blessing; liking the afternoon service best, because the prayers were the shortest, and not ashamed to say so; for he had an easy, jolly conscience, broad-backed like himself, and able to carry a great deal of beer or port-wine, not being made squeamish by doubts and qualms and lofty aspirations.
George Eliot (Adam Bede)
The boys ate warily, trying not to be seen or heard, the cornbread sticking, the buttermilk gurgling, as it went down their gullets.
Katherine Anne Porter (Noon Wine)
Walter Van Tilburg Clark’s Track of the Cat, Wallace Stegner’s The Big Rock Candy Mountain, and Katherine Anne Porter’s Noon Wine.
Thomas Savage (The Power of the Dog)
no-one is finally dead until the ripples they cause in the world die away – until the clock he wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone’s life, they say, is only the core of their actual existence.
Terry Pratchett (Reaper Man (Discworld, #11))
Somewhere, a book said once, all the talk ever talked, all the songs ever sung, still lived, had vibrated way out in space and if you could travel to Far Centauri you could hear George Washington talking in his sleep or Caesar surprised at the knife in his back. So much for sounds. What about light then? All things, once seen, they didn't just die, that couldn't be. It must be then that somewhere, searching the world, perhaps in the dripping multiboxed honeycombs where light was an amber sap stored by pollen-fired bees, or in the thirty thousand lenses of the noon dragonfly's gemmed skull you might find all the colors and sights of the world in any one year. Or pour one single drop of this dandelion wine beneath a microscope and perhaps the entire world of July Fourth would firework out in Vesuvius showers.
Ray Bradbury (Dandelion Wine)
Teppic stared into his wine mug. These men are philosophers, he thought. They had told him so. So their brains must be so big that they have room for ideas that no-one else would consider for five seconds.
Terry Pratchett (Pyramids (Discworld, #7))
It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers.
Ray Bradbury (Dandelion Wine)
empty carafes of wine on their table. “We should get one of those,” Sebastián said. And though it was not yet noon, Lydia agreed, and they mostly drank their lunch that day instead of eating it. She cut her eyes at him across the table and did not say the things she wanted to say, that it was asinine of him to write this stuff, that he was turning himself into a target, that she wanted no part of his righteous campaign of truth, that she hoped he was satisfied with
Jeanine Cummins (American Dirt)
A best friend is called best for a reason. Because when your entire life implodes and everything you thought you could count on turns to shit and falls apart, a best friend is there with wine, even if it’s not quite noon, to help glue it back together.
Meghan March (Bad Judgment)
I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun --slow dived from noon, --goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; i, the wearer, see not its far flashings; but darkly feel that i wear that, that dazzlingly confounds. 'Tis iron --that I know--not gold. 'Tis split, too --that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight!
Herman Melville (Moby-Dick or, The Whale)
All the values of the temperate landscape were reversed: the noon high-lights were whiter but the shadows had unimagined colour. On the blackness of cork and ilex and cypress lay the green and purple lustres, the coppery iridescences, of old bronze; and night after night the skies were wine-blue and bubbling with stars.
Edith Wharton (The Custom of the Country)
It is our wish,” said Caspian, “that our royal visitation to our realm of the Lone Islands should, if possible, be an occasion of joy and not of terror to our loyal subjects. If it were not for that, I should have something to say about the state of your men’s armor and weapons. As it is, you are pardoned. Command a cask of wine to be opened that your men may drink our health. But at noon tomorrow I wish to see them here in this courtyard looking like men-at-arms and not like vagabonds. See to it on pain of our extreme displeasure.” The captain gaped but Bern immediately cried, “Three cheers for the King,” and the soldiers, who had understood about the cask of wine even if they understood nothing else, joined in.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
It was true that a few years ago some wild enthusiast, a Whiggish civilian no doubt, had decreed that day should start at midnight; but Jack, though a scientific, forwardlooking officer, agreed with many of his fellow-captains in giving this foolish innovation no countenance whatsoever: besides, it had taken him years to persuade Stephen that nautical days really did start at noon, and he did not want his imperfect conviction to be shaken in any way at all.
Patrick O'Brian (The Wine-Dark Sea (Aubrey & Maturin, #16))
I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon,—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I, the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain- battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night, good night!
Herman Melville (Moby-Dick or, The Whale)
I’ve often wondered what she was on that year, and if she’d been slipping me any of it. Twenty-four times we slept through the alarm, got up sometime past noon, and abandoned the thought of school altogether. I’d eat cereal and read or watch television all day. My mother would smoke cigarettes, talk on the phone, hide from the housekeeper, take a bottle of wine with her into the master bathroom, and draw a bubble bath and read Danielle Steel or Better Homes & Gardens. My father slept on the sofa in the den that year. I remember his thick glasses perched on the oak end table, their greasy lenses magnifying the dark grain of the wood.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Where, where all the summer dogs leaping like dolphins in the wind-braided and unbraided tides of what? Where lightning smell of Green Machine or trolley? Did the wine remember? It did not? Or seemed not, anyway. Somewhere, a book said once, all the talk ever talked, all the songs ever sung, still lived, had vibrated way out in space and if you could travel to Far Centauri you could hear George Washington talking in his sleep or Caesar surprised at the knife in his back. So much for sounds. What about light then? All things, once seen, they didn't just die, that couldn't be. It must be then that somewhere, searching the world, perhaps in the dripping multiboxed honeycombs where light was an amber sap stored by pollen-fired bees, or in the thirty thousand lenses of the noon dragonfly's hemmed skull you might find all the colors and sights of the world in any one year. Or pour one single drop of this dandelion wine beneath a microscope and perhaps the entire world of July Fourth would firework out in Vesuvius showers. This he would have to believe. And yet... looking here at this bottle which by its number signalized the day when Colonel Freeleigh had stumbled and fallen six feet into the earth, Douglas could not find so much as a gram of dark sediment, not a speck of the great flouring buffalo dust, not a flake of sulphur from the guns at Shiloh...
Ray Bradbury (Dandelion Wine)
O my dark Rosaleen,     Do not sigh, do not weep! The priests are on the ocean green,     They march along the deep. There’s wine from the royal Pope,     Upon the ocean green;    And Spanish ale shall give you hope,        My Dark Rosaleen!     My own Rosaleen! Shall glad your heart, shall give you hope, Shall give you health, and help, and hope,     My Dark Rosaleen! Over hills, and thro’ dales,     Have I roam’d for your sake; All yesterday I sail’d with sails     On river and on lake. The Erne, at its highest flood,     I dash’d across unseen, For there was lightning in my blood,     My Dark Rosaleen!     My own Rosaleen! O, there was lightning in my blood, Red lighten’d thro’ my blood.     My Dark Rosaleen! All day long, in unrest,     To and fro, do I move. The very soul within my breast     Is wasted for you, love! The heart in my bosom faints     To think of you, my Queen, My life of life, my saint of saints,     My Dark Rosaleen!     My own Rosaleen! To hear your sweet and sad complaints, My life, my love, my saint of saints,     My Dark Rosaleen! Woe and pain, pain and woe,     Are my lot, night and noon, To see your bright face clouded so,     Like to the mournful moon. But yet will I rear your throne     Again in golden sheen; ‘Tis you shall reign, shall reign alone,     My Dark Rosaleen!     My own Rosaleen! ‘Tis you shall have the golden throne, ‘Tis you shall reign, and reign alone,     My Dark Rosaleen! Over dews, over sands,     Will I fly, for your weal: Your holy delicate white hands     Shall girdle me with steel. At home, in your emerald bowers,     From morning’s dawn till e’en, You’ll pray for me, my flower of flowers,     My Dark Rosaleen!     My fond Rosaleen! You’ll think of me through daylight hours My virgin flower, my flower of flowers,     My Dark Rosaleen! I could scale the blue air,     I could plough the high hills, Oh, I could kneel all night in prayer,     To heal your many ills! And one beamy smile from you     Would float like light between My toils and me, my own, my true,     My Dark Rosaleen!     My fond Rosaleen! Would give me life and soul anew,     My Dark Rosaleen! O, the Erne shall run red,     With redundance of blood, The earth shall rock beneath our tread,        And flames wrap hill and wood, And gun-peal and slogan-cry     Wake many a glen serene, Ere you shall fade, ere you shall die,     My Dark Rosaleen!     My own Rosaleen! The Judgement Hour must first be nigh, Ere you can fade, ere you can die,     My Dark Rosaleen!
James Clarence Mangan
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
Stuck on the pane two flies buzzed, stuck. Glowing wine on his palate lingered swallowed. Crushing in the winepress grapes of Burgundy. Sun’s heat it is. Seems to a secret touch telling me memory. Touched his sense moistened remembered. Hidden under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by the Lion’s head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you’ll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.
James Joyce (Ulysses)
My dear Countess,” a fluting voice said at my right ear, and Lady Tamara’s soft hand slid along my arm, guiding me toward the lowest tier near the fireplace. Several people moved away, and we sank down onto the cushions there. Tamara gestured to one of the hovering foot-servants, and two glasses of wine were instantly brought. “Did I not predict that you would show us the way at the races as well?” “I won only once,” I said, fighting against embarrassment. Deric was grinning. “Beat me,” he said. “Nearly beat Renna.” “I had the best horse,” I countered. For a moment the conversation turned from me to the races the week before. It had been a sudden thing, arranged on the first really nice day we’d had, and though the course was purported to be rough, I had found it much easier than riding mountain trails. As Deric described the last obstacles of the race in which I had beaten him, I saw the shy red-haired Lord Geral listening with a kind of ardent expression in his eyes. He was another who often sought me out for dances but rarely spoke otherwise. Might my rose and ring have come from him? Tamara’s voice recalled my attention “…the way with swords as well, dear Countess?” I glanced at her, sipping at my wine as I mentally reached for the subject. “It transpires,” Tamara said with a glinting smile, “that our sharpest wits are also experts at the duel. Almost am I willing to rise at dawn, just to observe you at the cut and the thrust.” I opened my mouth to disclaim any great prowess with the sword, then realized that I’d walk right into her little verbal trap if I did so. Now, maybe I’m not any kind of a sharp wit, but I wasn’t going to hand myself over for trimming so easily. So I just smiled and sipped at my wine. Fialma’s faint, die-away voice was just audible on Tamara’s other side. “Tamara, my love, that is not dueling, but mere swordplay.” Tamara’s blue eyes rounded with perplexity. “True, true, I had forgotten.” She smiled suddenly, her fan waving slowly in query mode. “An academic question: Is it a real duel when one is favored by the opponent?” Fialma said, “Is it a real contest, say, in a race when the better rider does not ride?” She turned her thin smile to Shevraeth. “Your grace?” The Marquis bowed slightly, his hands at an oblique angle. “If a stake is won,” he said, “it is a race. If the point draws blood, it is a duel.” A murmur of appreciative laughter met this, and Fialma sighed ever so slightly. “You honor us,” she murmured, sweeping her fan gracefully in the half circle of Intimate Confidence, “with your liberality…” She seated herself at the other side of the fireplace and began a low-voiced conversation with Lady Dara, the heir to a northern duchy. Just beyond Fialma’s waving fan, Lord Flauvic’s metal-gold eyes lifted from my face to Shevraeth’s to Tamara’s, then back to me. What had I missed? Nee’s cheeks were glowing, but that could have been her proximity to the fire. Branaric spoke then, saluting Shevraeth with his wineglass. “Duel or dabble, I’d hie me to those practices, except I just can’t stomach rough work at dawn. Now, make them at noon, and I’m your man!” More laughter greeted this, and Bran turned to Flauvic. “How about you? Join me in agitating for a decent time?” Lord Flauvic also had a fan, but he had not opened it. Holding it horizontally between his fingers in the mode of the neutral observer, he said, “Not at any time, Tlanth. You will forgive me if I am forced to admit that I am much too lazy?
Sherwood Smith (Court Duel (Crown & Court, #2))
We’ll meet you at Ringrose’s Inn tomorrow for a late breakfast. Say, around ten A.M.?” Tristan barked a laugh. “What?” Jane asked. “Is that too late?” Now Dom laughed, too, and Tristan laughed even harder. “What’s so funny?” Jane snapped. “It’s not about you,” Lisette said dryly. “They’re laughing at me. My brothers think me incapable of rising early. Or getting off in a timely fashion.” “That’s because, dear girl, we have yet to see you rise before eleven or leave by noon for a trip,” Dom teased. Tristan grinned at Jane. “Better schedule that meeting in York for a bit later, Freckles.” Freckles. Tristan had dubbed her with the nickname during Dom’s courtship of her, and that reminder of her past with Dom and his family roused an ache in her chest. She avoided Dom’s gaze. “How about midafternoon then?” “Nonsense.” Lisette rolled her eyes. “I can rise early, no matter what my idiot brothers think. We’ll be there midmorning for breakfast if I have to dunk my head in ice water to accomplish it. Max wanted to get an early start, anyway.” Dom chuckled. “Max always wants to get an early start. But he’d have to have a different wife in order to manage that.” The two men nudged each other with smug looks. “Yes, he would,” Lisette said in a voice of pure sweetness, “one he wasn’t quite so enamored of. But since sampling my particular charms always takes him so very long in the morning, I admit that we do end up lying abed late more times than not.” Jane knew she ought to be shocked by such frankness, but she was having too much fun watching the men’s mouths fall open, and a red flush creep up their faces. Lisette flashed them a coy look. “But I shall endeavor to prevent my husband from enjoying his usual pleasures tomorrow morning. That should resolve the matter.” She threaded her arm through Jane’s. “Now come, my dear, let’s join the others for dinner. I’d love a glass of wine, wouldn’t you?” The two women had barely made it out into the hall before they burst into laughter. “That’ll teach…them,” Lisette gasped. “Did you see…Tristan’s face?” “And Dom’s,” Jane choked out. “Oh, Lord, you are so wicked!” “Why, of course.” Lisette’s eyes sparkled with mischief. “What’s the point of being a duchess if you can’t shock people from time to time?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Circulation of Song after Rumi Once again I'm climbing the mountain Circle on circle like a winding rose Below me the mountains fall away like rose-petals I wish to be at the centre of the mystic rose Where I shall meet Him He shall greet me: Beloved! So long in coming -- He shall be the lonely pine tree On the flattened promontory And I, the spider clinging to Him by a mere thread, against the sun and the wind Each dawn the sunrise tinting gold the burnt Sienna houses Each dusk the alpine rosy glow on the mountain Each afternoon such darkness in the glen Fold on fold in a foliage all the shades of green: They have crept into my dream He is the air I breathe Purest mountain-air: I'm cleaned He is the lark's descant And in the evening, the nightingale He is the star's ascent and the moon's cloud-hiding He is all the circles and in this circulation of song: I read you / you read me circulating In my blood from head to heel He is the fruit of my unfulfilled life The peach pooped with juice And running with the Argentine waters, the pear In the Chinese nectarine flecked like a child's cheek with red And in the sour loquat and the sweet cherry In the fragrance of the jasmine of India And the Shiraz rose that makes the bee mad for them In the grape that becomes wine to suffuse my cheek In the olive that becomes a lamp to shine through my cupped hands In these and not only in these does He circulate Pouring from the sun at 5' o'clock as if at noon Dancing on the lake, pure honey And all the chatter over tea! But in the quiet you find me out You find me out Plucking myself from Me So that I become you The breath in my nape-nerve Sweetly saying: I bow to the God in you
Hoshang Merchant (The Book of Chapbooks (Collected Works Volume IV))
I had been hungry all the years,” she said, louder this time. My noon had come, to dine, I, trembling, drew the table near, And touched the curious wine. T’was this on tables I had seen, When turning, hungry, lone, I looked in windows, for the wealth I could not hope to own.
Rainbow Rowell (Eleanor & Park)
Château Latour, he drank an 1865 that was a revelation. Michael Broadbent was a staunch observer of that archaic British midmorning pick-me-up known as elevenses; every day he could be found, before noon, enjoying a glass of dry Madeira, German white wine, or Champagne. At 2:45 p.m., he would take a twenty-minute nap. Toward evening he would have a glass of Champagne or Tio Pepe
Benjamin Wallace (The Billionaire's Vinegar: The Mystery of the World's Most Expensive Bottle of Wine)
I could hear the roaring fill the air but I could not find a source. A waterfall around the bend, I thought, across these rocks. Ahead, I could see a small crack in the rock. I went forward prepared to leap it. As I took the step nearest it, I glanced down. “And nearly fell, two hundred feet I’m sure, into a boiling cauldron of water trapped in a deep, narrow chasm of stone so curled and convoluted by erosion that it seemed like some fantastic cloth. I can record all this now but at the time I had to fling myself back, and the navigator grabbed me and prevented me from sliding in. We both fell backward, and I lay there panting and sweating. “‘What?’ she said. ‘What?’ I gestured, and she crawled ahead. When she returned, her face was white, but she was laughing. “‘I can die now,’ she said, that Avanue phrase Annalise has read in books but I had never heard spoken before. The navigator lay beside me laughing until she calmed, while the others, including the merchanter, took their turn. He alone seemed unmoved. “When we jumped across the chasm (so narrow there was no effort to it)—and there is no easy way to say it—she jumped not across but in. I did not see it. No-one saw it but the merchanter. I only heard her falling laughter.… “Annalise tells me that if a northerner says that phrase ‘I can die now,’ it means great joy, but they mean it truly. Not many of them choose to actually die, but they do not grieve for those who do.
Candas Jane Dorsey (Black Wine)
my soul is sore I leave my mountain home walk the long roads to the sea no-one remembers me except the dead no-one remembers the dead… no-one remembers the dead except the dead no-one remembers me walk the long roads to the sea I leave my mountain home my soul is sore
Candas Jane Dorsey (Black Wine)
The seventies were crazy everywhere, but crazier in Los Angeles. It was the era of freewheeling drugs and sex, the rag end of the sixties. I refer to sprees, to strange couplings and triplings, to nights that started with beer and wine and ended with cocaine and capsules, to debaucheries too various to chronicle. In a sense, we were all Robert Mitchum, smoking rope in bed with two girls while the sun was still noon high. We thought it was normal. You would walk into a house for a pool party, and there, on the cocktail table in the center of the living room, as if it were nuts or cooked shrimp, would be a platter of cocaine. We did it because we were stupid, because we did not know the danger. When I talk about my drug years, I am talking about twenty-four months in the middle of the seventies. I was in the rock and roll world, which meant I was around the stuff all the time. Of course, it was more than mere proximity. I was fun when I was high, talkative and all-encompassing. I could go forever, never be done talking. To some extent, I was really self-medicating, using the drugs to skate over issues in my own life. The fact is, money and success had come so fast, while I was away doing something else, not paying attention, that, when I finally realized where I was and just what I had, I could not understand it. There was this voice in my head, saying, Who do you think you are? What do you think you did? You are a fraud! You don’t deserve any of this! I tortured myself, and let the anxiety well up, then beat back the anxiety with the drugs, on and on, until one day, I stood up and said, “Screw it. That’s over. I’m done.” No rehab, no counseling, nothing like that. Just a moment of clarity, in which I saw myself from the outside, the mess I was making, the waste. I was slipping, not working as hard as I used to. I started leaving the office early on Fridays, then skipping Fridays altogether. Then I started leaving early on Thursdays, then arriving late on Mondays. I was letting myself go. Then one day, I just decided, It has to stop. I threw away the pills and bottles, took a cold shower, had a barbershop shave, and stepped into the cool of Sunset Boulevard, and began fresh. Maybe it had to do with my family situation. I was a father again.
Jerry Weintraub (When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man)
I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived. But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital is this lifetime supposed to be only about duty why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time? ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave. om Naamah Shivaya meaning I honor the divinity that resides whin me. I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion. four feet on the ground a head full of foliage looking at the world through the heart. it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well. same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes oh how i want italian to open itself up to me i havent felt so starved for comprehension since then dal centro della mia vita venne una grande fontanana dolce sitl nuovo Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines. lamor che move il sole e laltre stelle we are the masters of bel far niente larte darrangiarsi The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife, I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule. I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady. I linger over my food and wine for many hours because nobody in
Elizabeth Gilbert (Eat, Pray, Love)
How to live (forty pieces of advice I feel to be helpful but which I don’t always follow) 1. Appreciate happiness when it is there 2. Sip, don’t gulp. 3. Be gentle with yourself. Work less. Sleep more. 4. There is absolutely nothing in the past that you can change. That’s basic physics. 5. Beware of Tuesdays. And Octobers. 6. Kurt Vonnegut was right. “Reading and writing are the most nourishing forms of meditation anyone has so far found.” 7. Listen more than you talk. 8. Don’t feel guilty about being idle. More harm is probably done to the world through work than idleness. But perfect your idleness. Make it mindful. 9. Be aware that you are breathing. 10. Wherever you are, at any moment, try to find something beautiful. A face, a line out of a poem, the clouds out of a window, some graffiti, a wind farm. Beauty cleans the mind. 11. Hate is a pointless emotion to have inside you. It is like eating a scorpion to punish it for stinging you. 12. Go for a run. Then do some yoga. 13. Shower before noon. 14. Look at the sky. Remind yourself of the cosmos. Seek vastness at every opportunity, in order to see the smallness of yourself. 15. Be kind. 16. Understand that thoughts are thoughts. If they are unreasonable, reason with them, even if you have no reason left. You are the observer of your mind, not its victim. 17. Do not watch TV aimlessly. Do not go on social media aimlessly. Always be aware of what you are doing and why you are doing it. Don’t value TV less. Value it more. Then you will watch it less. Unchecked distractions will lead you to distraction. 18. Sit down. Lie down. Be still. Do nothing. Observe. Listen to your mind. Let it do what it does without judging it. Let it go, like Snow Queen in Frozen. 19. Don’t’ worry about things that probably won’t happen. 20. Look at trees. Be near trees. Plant trees. (Trees are great.) 21. Listen to that yoga instructor on YouTube, and “walk as if you are kissing the earth with your feet”. 22. Live. Love. Let go. The three Ls. 23. Alcohol maths. Wine multiplies itself by itself. The more you have, the more you are likely to have. And if it is hard to stop at one glass, it will be impossible at three. Addition is multiplication. 24. Beware of the gap. The gap between where you are and where you want to be. Simply thinking of the gap widens it. And you end up falling through. 25. Read a book without thinking about finishing it. Just read it. Enjoy every word, sentence, and paragraph. Don’t wish for it to end, or for it to never end. 26. No drug in the universe will make you feel better, at the deepest level, than being kind to other people. 27. Listen to what Hamlet – literature’s most famous depressive – told Rosencrantz and Guildenstern. “There is nothing either good or bad, but thinking makes it so.” 28. If someone loves you, let them. Believe in that love. Live for them, even when you feel there is no point. 29. You don’t need the world to understand you. It’s fine. Some people will never really understand things they haven’t experienced. Some will. Be grateful. 30. Jules Verne wrote of the “Living Infinite”. This is the world of love and emotion that is like a “sea”. If we can submerge ourselves in it, we find infinity in ourselves, and the space we need to survive. 31. Three in the morning is never the time to try and sort out your life. 32. Remember that there is nothing weird about you. You are just a human, and everything you do and feel is a natural thing, because we are natural animals. You are nature. You are a hominid ape. You are in the world and the world is in you. Everything connects. 33. Don’t believe in good or bad, or winning and losing, or victory and defeat, or ups and down. At your lowest and your highest, whether you are happy or despairing or calm or angry, there is a kernel of you that stays the same. That is the you that matters.
Matt Haig (Reasons to Stay Alive)
That beautiful Shirazi Turk, took control and my heart stole, I'll give Samarkand & Bukhara, for her Hindu beauty mole. O wine-bearer bring me wine, such wine not found in Heavens By running brooks, in flowery fields, spend your days and stroll. Alas, these sweet gypsy clowns, these agitators of our town Took the patience of my heart, like looting Turks take their toll. Such unfinished love as ours, the Beloved has no need, For the Perfect Beauty, frills and adornments play no role. I came to know Joseph's goodness, that daily would increase Even the chaste Mistress succumbed to the love she would extol. Whether profane or even cursed, I'll reply only in praise Sweetness of tongue and the lips, even bitterness would enthrall. Heed the advice of the wise, make your most endeared goal, The fortunate blessed youth, listen to the old wise soul. Tell tales of song and wine, seek not secrets of the world, None has found and no-one will, knowledge leaves this riddle whole. You composed poems and sang, Hafiz, you spent your days well Venus wedded to your songs, in the firmaments' inverted bowl.
Ghazals Inspired by Hafiz's Ghazals