Noodles And Rain Quotes

The porters could always be coaxed to continue a little further through driving rain by the mere suggestion of a Pot Noodle at the end.

But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.

somewhere there is a women in China holding a black umbrella so she won’t taste the salt of the rain when the sky begins to weep, there is a 17 year old girl who smells like pomegranates and has summer air tight on her naked skin, wrapping around her scars like veins in a bloody garden, who won’t make it past tomorrow, there is a young man, who buys yellow flowers for the woman in apartment 84B, who learned braille when he realized she couldn’t read his poetry about her white neck and mint eyes there are people watching films, making love for the first time, opening mail with the heading of ‘i miss you’, cooking noodles with organic spices and red sauces, buying lemon detergent, ignoring ‘do not smoke’ signs, painting murals of his lips in abandoned warehouses, chewing the words ‘i love you’ over and over again, swallowing phone numbers and forgotten birthdays, eating strawberry pies, drinking white wine off of each others open mouths, ignoring the telephone, reading this poem somewhere someone is thinking i’m alone somewhere someone finally understands they never really were

I LEFT FULING on the fast boat upstream to Chongqing. It was a warm, rainy morning at the end of June—the mist thick on the Yangtze like dirty gray silk. A car from the college drove Adam and me down to the docks. The city rushed past, gray and familiar in the rain. The evening before, we had eaten for the last time at the Students’ Home. They kept the restaurant open late especially for us, because all night we were rushing around saying goodbye to everybody, and it was good to finally sit there and eat our noodles. We kidded the women about the new foreign devils who would come next fall to take our place, and how easily they could be cheated. A few days earlier, Huang Neng, the grandfather, had talked with me about leaving. “You know,” he said, “when you go back to your America, it won’t be like it is here. You won’t be able to walk into a restaurant and say, ‘I want a bowl of chaoshou.’ Nobody will understand you!” “That’s true,” I said. “And we don’t have chaoshou in America.” “You’ll have to order food in your English language,” he said. “You won’t be able to speak our Chinese with the people there.” And he laughed—it was a ludicrous concept, a country with neither Chinese nor chaoshou. After our last meal the family lined up at the door and waved goodbye, standing stiffly and wearing that tight Chinese smile. I imagined that probably I looked the same way—two years of friendship somehow tucked away in a corner of my mouth.

when she asks what happened, but once again Dalton delivers the joke with the disdain and bemusement of a waiter being asked for a Pot Noodle at The Ritz.

Well, the rain made them a mess, the flowers, half of them bald of petals and the stems weak as noodles, and I was beginning to think that flowers were a silly idea, that you'd think, I don't know what, but I kept them all week because the last couple of days I couldn't escape to come and explain, and yesterday the flowers just flat died. So when I left today I didn't have any flowers, and wasn't sure I'd find you anyhow, so I grabbed what I could find, and it was food.