No Stance Quotes

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This is my depressed stance. When you're depressed, it makes a lot of difference how you stand. The worst thing you can do is straighten up and hold your head high because then you'll start to feel better. If you're going to get any joy out of being depressed, you've got to stand like this.
Charles M. Schulz
Love of music, of sunsets and sea; a liking for the same kind of people; political opinions that are not radically divergent; a similar stance as we look at the stars and think of the marvelous strangeness of the universe - these are what build a marriage. And it is never to be taken for granted.
Madeleine L'Engle (Two-Part Invention: The Story of a Marriage (Crosswicks Journals, #4))
He who joyfully marches to music rank and file has already earned my contempt. He has been given a large brain by mistake, since for him the spinal cord would surely suffice. This disgrace to civilization should be done away with at once. Heroism at command, senseless brutality, deplorable love-of-country stance and all the loathsome nonsense that goes by the name of patriotism, how violently I hate all this, how despicable and ignoble war is; I would rather be torn to shreds than be part of so base an action! It is my conviction that killing under the cloak of war is nothing but an act of murder.
Albert Einstein
What's going on?' he asked, looking from face to face. 'I was having a good dream.' 'I need you,' said Lissa. 'I hear that from women a lot,' said Adrian. Christian made a gagging sound, but the faintest glimmer of a smile crossed Eddie's lips, despite his otherwise tough guardian-stance.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Nosoi?” Percy planted his feet in a fighting stance. “You know, I keep thinking, I have now killed every single thing in Greek mythology. But the list never seems to end.” “You haven’t killed me yet,” I noted. “Don’t tempt me.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Waking up is not a selfish pursuit of happiness, it is a revolutionary stance, from the inside out, for the benefit of all beings in existence.
Noah Levine
There seems to be a kind of order in the universe…in the movement of the stars and the turning of the Earth and the changing of the seasons. But human life is almost pure chaos. Everyone takes his stance, asserts his own right and feelings, mistaking the motives of others, and his own.
Katherine Anne Porter
I had a dream about you. I said green was blue and yellow, and you said green was yellow and blue. You were like that with everything I said, taking the exact opposite stance, yet completely agreeing with me. That’s how I knew you loved me.
Jarod Kintz (Dreaming is for lovers)
My name is Jenny,’ the prototype curtly informed Theodore, with a stance that advertised her statement to perfection.
A.R. Merrydew (The Girl with the Porcelain Lips (Godfrey Davis, #2))
The instructor stared at me with cold, cut-me-no-slack determination, then got into a fighting stance, holding one hand out, beckoning me. "I saw that movie too!"I said."It was like the coolest movie of all-" He launched himself at me. That was when his day really went downhill.
James Patterson (Max (Maximum Ride, #5))
Just because you have stolen someone's heart, luckily owned and occupied as a home, doesn't give you the audacity to enforce hurtful policies.
Michael Bassey Johnson
If self is a location, so is love: Bearings taken, markings, cardinal points, Options, obstinacies, dug heels, and distance, Here and there and now and then, a stance.
Seamus Heaney (District and Circle)
What are the rules," The cop said. "There are none." Vishous spread his stance and braced himself. "Do whatever you want...but you have to break me. You've got to tear me apart.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
I've given up my living room, guest room, job, career, heterosexuality and my stance on no pets in the house, but I'm not giving up my room. I'm drawing a line.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
When the other person is hurting, confused, troubled, anxious, alienated, terrified; or when he or she is doubtful of self-worth, uncertain as to identity, then understanding is called for. The gentle and sensitive companionship of an empathic stance… provides illumination and healing. In such situations deep understanding is, I believe, the most precious gift one can give to another.
Carl R. Rogers
She surveyed him for a long moment, her brows knitting together. "Murder?" His grin grew. "Thank you, but no. I started a riot on t he yard." He adjusted his collar, before adding, "We were protesting the soap." Her confusion grew, and Thorne noticed that she was still in her defensive stance. "The soap," he said again, wondering if she'd heard him. "It's too drying." She said nothing. "I have sensitive skin.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
When our thoughts are unsettled and our inner world is in a muddle, we may sharpen our wits and try to recognize the invisible edges of our fractured stance. If we seek to figure out, what our life story is all about, we may be able to put the missing pieces in place and identify what is driving us, what we are actually up to and why we are running like mad dogs, sometimes. (“On a doggy day”)
Erik Pevernagie
Rather than loitering around, day by day, some prefer to crawl out of the shadow of their squirrel cage and try badly to cuddle up to a brighter side of life by searching out some wiggle room to empower their feeble stance, expecting to eke out some soothing moments of relish and buoyancy in the wings of their expectant quest. ( "Loss of urban benchmarks" )
Erik Pevernagie
We expect populists to be popular. However, what can be more inconsistent and nonsensical than “unpopular” populists. They start doing everything to fit the job and are gritting their teeth so hard that they shatter them all and are chewed to bits. The moral … let us be genuine, humble, and coherent instead of stumbling from a vainglorious stance into the opposite. ("Keeping up with the Joneses" )
Erik Pevernagie
As a maternal figure, I always try to keep the flock safe, of course. But I admit, it did my heart proud to see the instant blood-lust pop into Gazzy’s blue eyes and to see little Angel automatically tense up and get into fighting stance, ready to rip someone’s head off. They were just so — so dang adorable, sometimes.
James Patterson (Max (Maximum Ride, #5))
Tony poured wine into each glass and handed one to Claire. “Do you remember when we had wine at the Red Wing?” Claire closed her eyes, recalling the scene from a lifetime ago, and nodded. “I do.” “I’d been watching you for years. I was so nervous that night. I thought I was planning your acquisition.” He looked into his red liquid. Her stance straightened, “If you’re using business metaphors, may I suggest hostile takeover. It’s more appropriate.
Aleatha Romig (Truth (Consequences, #2))
The authors of a seminal paper on the symbiotic view of life take a clear stance on this point. “There have never been individuals,” they declare. “We are all lichens.
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
She loved him. But he didn’t know how to love. He could talk about love. He could see love and feel love. But he couldn’t give love. He could make love. But he couldn’t make promises. She had desperately wanted his promises. She wanted his heart, knew she couldn’t have it so she took what she could get. Temporary bliss. Passionate highs and lows. Withdrawal and manipulation. He only stayed long enough to take what he needed and keep moving. If he stopped moving, he would self-destruct. If he stopped wandering, he would have to face himself. He chose to stay in the dark where he couldn’t see. If he exposed himself and the sun came out, he’d see his shadow. He was deathly afraid of his shadow. She saw his shadow, loved it, understood it. Saw potential in it. She thought her love would change him. He pushed and he pulled, tested boundaries, thinking she would never leave. He knew he was hurting her, but didn’t know how to share anything but pain. He was only comfortable in chaos. Claiming souls before they could claim him. Her love, her body, she had given to him and he’d taken with such feigned sincerity, absorbing every drop of her. His dark heart concealed. She’d let him enter her spirit and stroke her soul where everything is love and sensation and surrender. Wide open, exposed to deception. It had never occurred to her that this desire was not love. It was blinding the way she wanted him. She couldn’t see what was really happening, only what she wanted to happen. She suspected that he would always seek to minimize the risk of being split open, his secrets revealed. He valued his soul’s privacy far more than he valued the intimacy of sincere connection so he kept his distance at any and all costs. Intimacy would lead to his undoing—in his mind, an irrational and indulgent mistake. When she discovered his indiscretions, she threw love in his face and beat him with it. Somewhere deep down, in her labyrinth, her intricacy, the darkest part of her soul, she relished the mayhem. She felt a sense of privilege for having such passion in her life. He stirred her core. The place she dared not enter. The place she could not stir for herself. But something wasn’t right. His eyes were cold and dark. His energy, unaffected. He laughed at her and her antics, told her she was a mess. Frantic, she looked for love hiding in his eyes, in his face, in his stance, and she found nothing but disdain. And her heart stopped.
G.G. Renee Hill (The Beautiful Disruption)
That is the corrosive paradox of gender feminism's misandrist stance: no group of women can wage war on men without at the same time denigrating the women who respect those men.
Christina Hoff Sommers (Who Stole Feminism? How Women Have Betrayed Women)
We are important and our lives are important, magnificent really, and their details are worthy to be recorded. This is how writers must think, this is how we must sit down with pen in hand. We were here; we are human beings; this is how we lived. Let it be known, the earth passed before us. Our details are important. Otherwise, if they are not, we can drop a bomb and it doesn't matter. . . Recording the details of our lives is a stance against bombs with their mass ability to kill, against too much speed and efficiency. A writer must say yes to life, to all of life: the water glasses, the Kemp's half-and-half, the ketchup on the counter. It is not a writer's task to say, "It is dumb to live in a small town or to eat in a café when you can eat macrobiotic at home." Our task is to say a holy yes to the real things of our life as they exist – the real truth of who we are: several pounds overweight, the gray, cold street outside, the Christmas tinsel in the showcase, the Jewish writer in the orange booth across from her blond friend who has black children. We must become writers who accept things as they are, come to love the details, and step forward with a yes on our lips so there can be no more noes in the world, noes that invalidate life and stop these details from continuing.
Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
Don’t ever trust a guy with a Southern accent, a lazy smile, and a casual stance, because he’s about to sneak his way into your panties without even trying.
J.C. Reed (Conquer Your Love (Surrender Your Love, #2))
Ok," he says. "First lesson." Noah broadens his stance, taking his place firmly on the embassy side of the threshold. "in the United States," he says. Then, with both feet, he leaps on to the sidewalk. "Out of the United States." Quickly, he jumps back toward me. "In the United States." Another jump across the threshold. "Out of the United States. In. Out. In --" "Is this the part where I hit you?
Ally Carter (All Fall Down (Embassy Row, #1))
So are we going to continue glaring angrily at each other while we pose in our tough stances? Or use our time to work out a plan that hopefully doesn’t end with our mutual deaths? (Acheron)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
So...have you ever thought about dyeing your hair punk-rocker-chick black? As I'm sure you've heard, I have a thing for brunettes and always avoid blondes." "I've heard. And no." "Too bad. Because you're making me rethink my stance about doing my friends' exes." I snorted, not even trying to hide my...incredulity? Surely I wasn't amused. "Your making me rethink my stance on cold-blooded homicide
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
The engaged mind, illuminated by truth, awakens awareness; the engaged heart, affected by love, awakens passion. May I say once more - this essential energy of the soul is not an ecstatic trance, high emotion or a sanguine stance toward life: It is a fierce longing for God, an unyielding resolve to live in and out of our belovedness. - pg. 152
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
He stands watching me, motionless in those drawstring pants, his legs braced in a fighting stance, his eyes bursting with need. His broad shoulders jerk with his breaths, and he curls his fingers into fists at his sides. The deep roughness of his voice scrapes my flesh. "Come here then.
Katy Evans (Real (Real, #1))
You're making me rethink my stance on cold-blooded homicide.
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.
Priya Ardis (Ever My Merlin (My Merlin, #3))
John flung himself into a pseudo-karate stance, one hand poised behind him and one in front, posed like a cartoon cactus. I thought for an odd moment he had moved his limbs so fast they had made that whoosh sound through air but then I realized John was making that sound with his mouth.
David Wong (John Dies at the End (John Dies at the End, #1))
So. Ever get the urge to drown anyone?' Ariadne asked. 'No!' Andy replied, horrified. 'Shes just messing with you,' Helen assured her. Her face dropped. 'Seriously, though. What's your stance on strangling?' 'You mean apart from wanting to strangle both of you right now?
Josephine Angelini (Goddess (Starcrossed, #3))
The field of honor is a painful field...(It) is not a place where children can play. Children don't have any honor, you see, and they aren't expected to, because it's too difficult for them. It's too painful. But to become an adult, one must step into the field of honor. Everything will be expected of you now. You will need to be vigilant in your principles. Sacrifices will be demanded. You will be judged. If you make mistakes, you must account for them. There will be instances when you must cast aside your impulses and take a higher stance than another person - a person without honor - might take. Such an instance may hurt, but that's why honor is a painful field.
Elizabeth Gilbert (City of Girls)
Kate seemed to have doubled in size. She had drawn back her broad shoulders and set her jaw, and something in the stance called to mind the contained ferocity of a lioness. But it was the fierceness in Kate's bright blue eyes that had the most striking effect. The sort of look that made you thankful she wasn't your enemy. "It's not going to be over," Kate said firmly "Until we say so.
Trenton Lee Stewart (The Mysterious Benedict Society and the Perilous Journey (The Mysterious Benedict Society, #2))
if you're with someone secure, they nurture you into a more secure stance.
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
Don’t!” Lillian yelled, and put up her arms when Shane pulled back the bat. “Hell,” Shane spat in disgust. “I can’t hit a girl. Here, Claire. You hit her.” He tossed her the bat. Claire grabbed it and came to a clumsy batting stance, wishing she’d paid more attention in phys ed. Lillian screamed again and ran into the open doorway of Eve’s room. Eve, coming up the stairs, screamed, too, for different reasons. “Hey! That’s my room, bitch!” And she flew in to grab Lillian by the hair, swing her around, and throw her out into the hall, then shoved her toward the stairs. “Michael! This one needs to go out!
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face. For a brief moment,I'm lost to my surroundings. The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance. This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face. Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede. But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram. This girl strikes like a viper.
Marie Lu (Legend (Legend, #1))
Samuel Vimes dreamed about Clues. He had a jaundiced view of Clues. He instinctively distrusted them. They got in the way. And he distrusted the kind of person who’d take one look at another man and say in a lordly voice to his companion, “Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times,” and then unroll a lot of supercilious commentary about calluses and stance and the state of a man’s boots, when exactly the same comments could apply to a man who was wearing his old clothes because he’d been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen* and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience!
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
It is not possible to be truly balanced in one’s views of an abuser and an abused woman. As Dr. Judith Herman explains eloquently in her masterwork Trauma and Recovery, “neutrality” actually serves the interests of the perpetrator much more than those of the victim and so is not neutral. Although an abuser prefers to have you wholeheartedly on his side, he will settle contentedly for your decision to take a middle stance. To him, that means you see the couple’s problems as partly her fault and partly his fault, which means it isn’t abuse.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
When we home in on the sidelined, we can give them a glimmer of hope. Trapped in direst conditions and stuck in the darkest corners of their being, they sense a splinter of human warmth and a flake of joy, thus escaping the anonymity enforced by their social stance. ("Homeless, down in the corner")
Erik Pevernagie
You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer." I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back. "What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?" "Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?" "Because," I said as I felt the familiar twisting in my stomach. "You saw me lose it. You saw me almost go insane." The muscles in his shoulders visibly tensed. "I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us." Noah inhaled and slowly let the air out. His stance softened and so did his voice. "If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
It's exhausting. When everything's a deliberate political stance. Even if it's interesting.
A.S. Byatt (Possession)
She looks like a woman who has found it ridiculous to commit herself to a single emotional stance in anything, but must always ride high heavy irony.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Comfort is a stance of avoidance rather than the pursuit of excellence.
Craig D. Lounsbrough
In short, the truly courageous stance is to admit that the light at the end of the tunnel is most probably the headlight of a train approaching us from the opposite direction.
Slavoj Žižek (Against the Double Blackmail: Refugees, Terror and Other Troubles with the Neighbours)
Sometimes you must agree with someones opinion for the sake of being polite and modest, but within you, you know that you are not foolish and crazy.
Michael Bassey Johnson
Its all about perspective, that is how you look at things. Your own thoughts and outlook defines whether an experience, event, situation whatever is good or bad. And your definition determines your response.
Stella Payton
reflection requires an attunement to the self that is supportive and kind, not a judgmental stance of interrogation and derogation. Reflection is a compassionate state of mind.
Daniel J. Siegel (Mindsight: The New Science of Personal Transformation)
The enemy wants to steal our peace and keep us stirred up, anxious, fearful, upset, and always in a stance of waiting for something terrible to happen at any minute.
Stormie Omartian (The 7-Day Prayer Warrior Experience)
His eyes widended again, then flicked to something behind me. He shook his head, looked back at me. His voice low, intimate, insistent. "Come back from this, Merit. You don't want to fight me." "I do," I heard, in a voice that was barely mine. "Find steel," she advised him. We advised him. He stood there a long moment, silently, still, before nodding. Someone offered him a blade, a katana that glinted in the light. He took it, mirrored my stance - katana in both hands, body bladed. "If the only way you'll come back from this is to be bloodied by it, then so be it." He lunged.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
God's solution for "I can't live that way anymore" is basically, "Good! Don't live that way anymore. Set firm limits against evil behavior that are designed to promote change and redemption. Get the love and support you need from other places to take the kind of stance that I do to help redeem relationship. Suffer long, but suffer in the right way." And when done God's way, chances are much better for redemption.
Henry Cloud (Boundaries in Marriage: Understanding the Choices That Make or Break Loving Relationships)
The single most important thing [you can do] is to shift [your] internal stance from "I understand" to "Help me understand." Everything else follows from that. . . . Remind yourself that if you think you already understand how someone feels or what they are trying to say, it is a delusion. Remember a time when you were sure you were right and then discovered one little fact that changed everything. There is always more to learn.
Douglas Stone (Difficult Conversations: How to Discuss What Matters Most)
Hell,” Shane spit in disgust. “I can’t hit a girl. Here, Claire. You hit her.” He tossed her the bat. Claire grabbed it and came to a clumsy batting stance, wishing she’d paid more attention in phys ed. Lillian screamed again and ran into the open doorway of Eve’s room. Eve, coming up the stairs, screamed, too, for different reasons. “Hey! That’s my room, bitch!
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
When religious people take the stance that they don’t owe anyone that is hurting closure or answers then God is not winning. Conflict continues because of lack of communication, fear and indifference.
Shannon L. Alder
The true test of a warrior is how your 'stance' holds up after any 'circumstance'. Meaning, even after the stormiest weather, a true warrior will still reflect the brilliant rays of the magnificent sun through both his or her eyes. You may get hit by sudden lightning or take severe beatings from the cruel wind, but you will always get back up and stand strong on your feet again, soak in the sunlight, and be prepared to get hit by even the most merciless hail - time and time again.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Connor barely blinks before he says, “Normally I wouldn’t even waste words on someone who I find parochial and meaningless, but maybe I pity you just enough to say this: in the next two centuries, my wife and I will still exist. We will live beyond you through minds and words and hearts. If that makes you feel weak and insignificant, then maybe you should reevaluate your own stance in the world—and not attempt to beat at mine with two flailing hands.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
When we’ve been victimized, there’s a part of our psyche that identifies with the victimizer, and sometimes we adopt that punitive, victimizer stance toward ourselves, denying ourselves the permission to feel good, depriving ourselves of our birthright: joy.
Edith Eger (The Gift: 14 Lessons to Save Your Life)
Possession of the box conferred a kind of power on the wielder--which was that anyone, confronted with the hypnotic glass eye, would submissively obey the most peremptory orders about stance and expression.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
What sound was that? I turn away, into the shaking room. What was that sound that came in on the dark? What is this maze of light it leaves us in? What is this stance we take, To turn away and then turn back? What did we hear? It was the breath we took when we first met. Listen. It is here.
Harold Pinter
It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised? When we, ourselves, can taste that freedom.
Rebecca Walker
This wavering paradox is a pillar of the outlaw stance. A man who has blown all his options can't afford the luxury of changing his ways. He has to capitalize on whatever he has left, and he can't afford to admit-no matter how often he's reminded of it-that every day of his life takes him farther down a blind alley.
Hunter S. Thompson (Hell's Angels)
Everything is possible, and yet nothing is. All is permitted, and yet again, nothing. No matter which way we go, it is no better than any other. It is all the same whether you achieve something or not, have faith or not, just as it is all the same whether you cry or remain silent. There is an explanation for everything, and yet there is none. Everything is both real and unreal, normal and absurd, splendid and insipid. There is nothing worth more than anything else, nor any idea better than any other. Why grow sad from one’s sadness and delight in one’s joy? What does it matter whether our tears come from pleasure or pain? Love your unhappiness and hate your happiness, mix everything up, scramble it all! Be a snowflake dancing in the air, a flower floating downstream! Have courage when you don’t need to, and be a coward when you must be brave! Who knows? You may still be a winner! And if you lose, does it really matter? Is there anything to win in this world? All gain is a loss, and all loss is a gain. Why always expect a definite stance, clear ideas, meaningful words? I feel as if I should spout fire in response to all the questions which were ever put, or not put, to me.
Emil M. Cioran (On the Heights of Despair)
Working with victimized people requires a committed moral stance. The therapist is called upon to bear witness to a crime. She must affirm a position of solidarity with the victim. This does not mean a simplistic notion that the victim can do no wrong; rather, it involves an understanding of the fundamental injustice of the traumatic experience and the need for a resolution that restores some sense of justice.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence--From Domestic Abuse to Political Terror)
Love does not require taking an uncritical stance toward the object of one’s affections. In truth, it often requires the opposite. We can’t be of real service to the hopes we have for places—and people, ourselves included—without a clear-eyed assessment of their (and our) strengths and weaknesses.
Annette Gordon-Reed (On Juneteenth)
...it pointed to an alternative approach, a ‘negative path’ to happiness, that entailed taking a radically different stance towards those things that most of us spend our lives trying to avoid. It involved learning to enjoy uncertainty, embracing insecurity, stopping trying to think positively, becoming familiar with failure, even learning to value death. In short, all these people seemed to agree that in order to be truly happy, we might actually need to be willing to experience more negative emotions—or, at the very least to learn to stop running quite so hard from them.
Oliver Burkeman (The Antidote: Happiness for People Who Can't Stand Positive Thinking)
Coming down off the trail, I am lost in my own thoughts and unprepared when a bear chugs across the path just before it gives out on the gravel road. I am so distracted that I keep walking towards the bear. I only stop when it rears, stands on hind legs, and stares at me, sensitive nose pressed into the air, weak eyes searching. I have never been this close to a wild bear before, but I am not frightened. There is no menace in its stance; it is not even curious. The bear seems to know who or what I am. The bear is not impressed.
Louise Erdrich (The Painted Drum)
True humility is the absence of anyone to be proud.” Humility is not a stance; it is simply the absence of self. In the same way, relationship is the absence of separation, and it can be felt with each breath, each sensation, each thought, each cloud in the sky, each person that we meet. “And being nothing, you are everything. That is all.
Joseph Goldstein (Insight Meditation: The Practice of Freedom (Shambhala Classics))
Anthropomorphism is usually thought of as an illusion that arises like a blister in soft human minds: untrained, undisciplined, unhardened. There are good reasons for this: when we humanise the world, we may prevent ourselves from understanding the lives of other organisms on their own terms. But are there things this stance might lead us to pass over – or forget to notice?
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
As more people have found the courage to break through shame and speak about woundedness in their lives, we are now subjected to a mean-spirited cultural response, where all talk of woundedness is mocked. The belittling of anyone's attempt to name a context within which they were wounded, were made a victim, is a form of shaming. It is psychological terrorism. Shaming breaks our hearts. All individuals who are genuinely seeking well-being within a healing context realize that it is important to that process not to make being a victim a stance of pride or a location from which to simply blame others. We need to speak our shame and our pain courageously in order to recover. Addressing woundedness is not about blaming others; however, it does allow individuals who have been, and are, hurt to insist on accountability and responsibility both from themselves and from those who were the agents of their suffering as well as those who bore witness. Constructive confrontation aids our healing.
bell hooks (All About Love: New Visions)
Of course, even when you see the world as a trap and posit a fundamental separation between liberation of self and transformation of society, you can still feel a compassionate impulse to help its suffering beings. In that case you tend to view the personal and the political in a sequential fashion. "I'll get enlightened first, and then I'll engage in social action." Those who are not engaged in spiritual pursuits put it differently: "I'll get my head straight first, I'll get psychoanalyzed, I'll overcome my inhibitions or neuroses or my hang-ups (whatever description you give to samsara) and then I'll wade into the fray." Presupposing that world and self are essentially separate, they imagine they can heal one before healing the other. This stance conveys the impression that human consciousness inhabits some haven, or locker-room, independent of the collective situation -- and then trots onto the playing field when it is geared up and ready. It is my experience that the world itself has a role to play in our liberation. Its very pressures, pains, and risks can wake us up -- release us from the bonds of ego and guide us home to our vast, true nature. For some of us, our love of the world is so passionate that we cannot ask it to wait until we are enlightened.
Joanna Macy (World as Lover, World as Self)
From Freedom is: "True forgiveness is one of the most healing relasing, and freeing gifts we give to ourselves." "You can't fake it (forgivenss). It has to come from an open heart. It has to be real. Otherwise it is pointless. In order to fruly forgive, you must be willing to open your heart and face and release the pain there." "It requires humility. It requites us to give up our rightenous indignation, get off our soapbox, let go of blame, and le go of th pride of being right. It means we have to be willing to drop our victim story, soften our stance, and if necessary, let our heart be broken wide open." Brandon Bays Chapter 8 on forgiveness.
Brandon Bays
You're not just fighting me," he said, his breathing even. "You're fighting the warriors who defeated the Amazons. Achilles, who bested Penthesilea. Telamon, who brought low Melanippe. Hercules, who defeated Hippolytus." She hated hearing her sisters' names, her mother's name, on his lips. Diana raised a brow. "A wise warrior learns from her mistakes." She adjusted her stance. "And you're forgetting who taught me to fight.
Leigh Bardugo (Wonder Woman: Warbringer)
Remember? We have a rematch. And this time, it’s my turn to shine.” With his goggles on, Sterling got into his stance, keeping an eye on the Professor. “Oh? I didn’t realize that you were so dull.” I put my goggles on and took my stance as well, making sure that Professor Trinkott was within my line of vision. Challenge accepted. “Ha, ha, joke all you want, Alvara. Just don’t come crying to me afterwards.” “I don’t cry when I win.
iLana Markarov (The Timekeeper's Secret (Timeless Fate #1))
Bleak as the scene was, though, there was growing joy in Inman's heart. He was nearing home; he could feel it in the touch of thin air on skin, in his longing to see the lead of hearth smoke from the houses of people he had known all his life. People he would not be called upon to hate or fear. He rose and took a wide stance on the rock and stood and pinched down his eyes to sharpen the view across the vast propect to one far mountain. It stood apart from the sky only as the stroke of a poorly inked pen, a line thin and quick and gestural. But the shape slowly grew plain and unmistakable. It was to Cold Mountain he looked. He had achieved a vista of what for him was homeland.
Charles Frazier (Cold Mountain)
Genuine trust involves allowing another to matter and have an impact in our lives. For that reason, many who hate and do battle with God trust Him more deeply than those whose complacent faith permits an abstract and motionless stance before Him. Those who trust God most are those whose faith permits them to risk wrestling with Him over the deepest questions of life. Good hearts are captured in a divine wrestling match; fearful, doubting hearts stay clear of the mat.
Dan B. Allender (The Wounded Heart: Hope for Adult Victims of Childhood Sexual Abuse with Bonus Content)
I take it you didn’t get the permits...again. (Brian) What was your first clue? (Geary) Oh, I don’t know. That stomping stance as you walked down the street, clenching and unclenching your fists like you’re already choking someone, or maybe it’s that way you’re looking at me like you could claw out my eyes when I haven’t done anything to piss you off. (Brian) Yes, you have. (Geary) And that is? (Brian) You don’t have a gun. (Geary)
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
The willingness to rebel from the expected norms, rules, and silent contracts of establishment comes out of knowing that one cannot afford to build resentment. Resentment, which comes from the decision to go against one's truth, embitters the self. It somaticizes in the body and takes on the burden of pain as if it were ours alone. The whistleblower, on the other hand, reveals a shared complicity. It says, "I expect more from myself and from you." And in that stance, the pain becomes, in a sense, communal.
Toko-pa Turner (Belonging: Remembering Ourselves Home)
Shoving aside fear and self-doubt, I met his eyes, aiming for absolute confidence in both my stance and my voice. “My father taught me to disarm my opponent at all costs—regardless of his choice of weapon,” I said, glancing pointedly at his groin. “Are you threatening me?” “Damn right. Lay one hand on me and you’ll never stand to pee again.” His eyes darkened, and his laugh sounded forced. “You’re very funny, gatita.” “I’m glad you think so. I’ve always considered my sense of humor to be largely under-appreciated, so it’s nice to finally meet a fan.
Rachel Vincent (Stray (Shifters, #1))
But this was the home I had chosen. I had a home, of course, when I was a child. But it was not one that I had chosen for myself. I had been born into it, presented with it as an established fact. Now, however, I lived in a world that I had chosen through an act of will. It might not be perfect, but the fundamental stance I adopted with regard to my home was to accept it, problems and all, because it was something I myself had chosen. If it had problems, these were almost certainly problems that had originated within me.
Haruki Murakami (The Wind-Up Bird Chronicle)
And yet it had come to this: a cult that followed a dogmatic hard line of exclusion and repression, believed its teachings alone were the way that others must follow, and claimed special knowledge of something that had happened more than five centuries ago. It did nothing to soften its rigid stance, nothing to heal wounds that it had helped to create by deliberately shunning people of other Races, and nothing to explore the possibility of other beliefs. It held its ground even in the face of hard evidence that perhaps it had misjudged and refused to consider that it was courting a danger that might destroy everyone. p96
Terry Brooks (Bearers of the Black Staff (Legends of Shannara, #1))
Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breath-taking, aching youth. And yet, the war was on, and his men had already died and frozen and starved … and his mother and father were gone… and he was far away from home, and getting farther and farther, and every day was his last – one way or another, every day was his last. And yet, he smiles, he shines, he is happy.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
Over the last few years it’s been brought home to him that the boundaries between morals, manners and etiquette, which have always seemed crystal-clear to him, may not look the same to everyone else. He hears talk about the immorality of young people nowadays, but it seems to him that Alyssa and Ben and their friends spend plenty of their time concentrating on right and wrong. The thing is that many of their most passionate moral stances, as far as Cal can see, have to do with what words you should and shouldn’t use for people, based on what problems they have, what race they are, or who they like to sleep with. While Cal agrees that you should call people whatever they prefer to be called, he considers this to be a question of basic manners, not of morals.
Tana French (The Searcher)
Sometimes life feels a certain way that we call “absurd”: nothing matters, all efforts are for naught, everything seems random and perverse, positive intention is perpetually thwarted. This stance communicates darkness and edginess, which can feel like wisdom. But we don’t live as if life is absurd; we live as if it has meaning and makes sense. We live (or try to) by kindness, loyalty, friendship, aspiration to improvement, believing the best of other people. We assume causality and continuity of logic. And we find, through living, that our actions do matter, very much. We can be a good parent or a bad parent, we can drive safely or like a maniac. Our minds can feel clean and positive and clear or polluted and negative. To have an ambition and pursue it feels healthy. A life without earnest striving is a nightmare. (When desire vanishes from a normal life, that is called depression.)
George Saunders (A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life)
Even when I ran my bar I followed the same policy. A lot of customers came to the bar. If one in ten enjoyed the place and said he'd come again, that was enough. If one out of ten was a repeat customer, then the business would survive. To put it another way, it didn't matter if nine out of ten didn't like my bar. This realization lifted a weight off my shoulders. Still, I had to make sure that the one person who did like the place really liked it. In order to make sure he did, I had to make my philosophy and stance clear-cut, and patiently maintain that stance no matter what. This is what I learned through running a business.
Haruki Murakami (What I Talk About When I Talk About Running)
Constantly risking absurdity and death whenever he performs above the heads of his audience the poet like an acrobat climbs on rime to a high wire of his own making and balancing on eyebeams above a sea of faces paces his way to the other side of day performing entrechats and sleight-of-foot tricks and other high theatrics and all without mistaking any thing for what it may not be For he's the super realist who must perforce perceive taut truth before the taking of each stance or step in his supposed advance toward that still higher perch where Beauty stands and waits with gravity to start her death-defying leap And he a little charleychaplin man who may or may not catch her fair eternal form spreadeagled in the empty air of existence
Lawrence Ferlinghetti (A Coney Island of the Mind)
Vegard and Riston's job today was to guard and protect me. And considering that I was in a tower room in the Guardians' citadel, it looked like a pretty plum assignment. I mean, how much trouble could a girl get into under heavy guard in a tower room? Notice I didn't ask that question out loud. No need to rub Fate's nose in something when I'd been tempting her enough lately. Phaelan had generously his guard services as well, just in case something happened to me that my Guardian bodyguards couldn't handle. Phaelan's guard-on-duty stance resembled his pirate-on-shore-leave stane of leaning back in a chair with his feet up, but instead of a tavern table, his boots were doing a fine job of holding down the windowsill. I don't know how I'd ever felt safe without him.
Lisa Shearin (Armed & Magical (Raine Benares, #2))
Kaladin spun through the last motions of the kata, chasm forgotten, bridgemen forgotten, fatigue forgotten. For a moment, it was just him. Him and the wind. He fought with her, and she laughed. He snapped the spear back into place, holding the haft at the one-quarter position, spearhead down, bottom of the haft tucked underneath his arm, end rising back behind his head. He breathed in deeply, shivering. Oh, how I’ve missed that. He opened his eyes. Sputtering torchlight revealed a group of stunned bridgemen standing in a damp corridor of stone, the walls wet and reflecting the light. Moash dropped a handful of spheres in stunned silence, staring at Kaladin with mouth agape. Those spheres plopped into the puddle at his feet, causing it to glow, but none of the bridgemen noticed. They just stared at Kaladin, who was still in a battle stance, half crouched, trails of sweat running down the sides of his face. He blinked, realizing what he’d done. If word got back to Gaz that he was playing around with spears…Kaladin stood up straight and dropped the spear into the pile of weapons. “Sorry,” he whispered to it, though he didn’t know why. Then, louder, he said, “Back to work! I don’t want to be caught down here when night falls.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Cynicism creates a numbness toward life. Cynicism begins with a wry assurance that everyone has an angle. Behind every silver lining is a cloud. The cynic is always observing, critiquing, but never engaging, loving, and hoping. ... To be cynical is to be distant. While offering a false intimacy of being "in the know," cynicism actually destroys intimacy. It leads to bitterness that can deaden and even destroy the spirit. ... Cynicism begins, oddly enough, with too much of the wrong kind of faith, with naive optimism or foolish confidence. At first glance, genuine faith and naive optimism appear identical since both foster confidence and hope.But the similarity is only surface deep.Genuine faith comes from knowing my heavenly Father loves, enjoys, and cares for me. Naive optimism is groundless. It is childlike trust without the loving Father. ... Optimism in the goodness of people collapses when it confronts the dark side of life. ... Shattered optimism sets us up for the fall into defeated weariness and, eventually, cynicism. You'd think it would just leave us less optimistic, but we humans don't do neutral well. We go from seeing the bright side of everything to seeing the dark side of everything. We feel betrayed by life. ... The movement from naive optimism to cynicism is the new American journey. In naive optimism we don't need to pray because everything is under control. In cynicism we can't pray because everything out of control, little is possible. With the Good Shepherd no longer leading us through the valley of the shadow of death, we need something to maintain our sanity. Cynicism's ironic stance is a weak attempt to maintain a lighthearted equilibrium in a world gone mad. ... Without the Good Shepherd, we are alone in a meaningless story. Weariness and fear leave us feeling overwhelmed, unable to move. Cynicism leaves us doubting, unable to dream. The combination shuts down our hearts, and we just show up for life, going through the motions.
Paul E. Miller (A Praying Life: Connecting With God In A Distracting World)
Burying and Planting The culmination of one love, one dream, one self, is the anonymous seed of the next. There is very little difference between burying and planting. For often, we need to put dead things to rest, so that new life can grow. And further, the thing put to rest—whether it be a loved one, a dream, or a false way of seeing—becomes the fertilizer for the life about to form. As the well-used thing joins with the earth, the old love fertilizes the new; the broken dream fertilizes the dream yet conceived; the painful way of being that strapped us to the world fertilizes the freer inner stance about to unfold. This is very helpful when considering the many forms of self we inhabit over a lifetime. One self carries us to the extent of its usefulness and dies. We are then forced to put that once beloved skin to rest, to join it with the ground of spirit from which it came, so it may fertilize the next skin of self that will carry us into tomorrow. There is always grief for what is lost and always surprise at what is to be born. But much of our pain in living comes from wearing a dead and useless skin, refusing to put it to rest, or from burying such things with the intent of hiding them rather than relinquishing them. For every new way of being, there is a failed attempt mulching beneath the tongue. For every sprig that breaks surface, there is an old stick stirring underground. For every moment of joy sprouting, there is a new moment of struggle taking root. We live, embrace, and put to rest our dearest things, including how we see ourselves, so we can resurrect our lives anew.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Children should be taught about history not as is usually the case now, that this is the record of long past events, which one ought to know about for some reason or other. But that this is a story from which one may learn not only what has happened, but what may, and probably will, happen again. Literature and history, these two great branches of human learning, records of human behaviour, human thought, are less and less valued by the young, and by educators, too. Yet from them one may learn how to be a citizen and a human being. We may learn how to look at ourselves and at the society we live in, in that calm, cool, critical and sceptical way which is the only possible stance for a civilized human being, or so have said all the philosophers and the sages. But all the pressures go the other way, towards learning what is immediately useful, what is functional. More and more the demand is for people to be educated to function in an almost certainly temporary stage of technology. Educated for the short term.
Doris Lessing (Prisons We Choose to Live Inside)
Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion. No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written. Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market. The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail. Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence. I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go. Discarded pages mark the physical dimensions of a writer’s labor. Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs. Every new novel stretches the term of the contract—let me live long enough to do one more book. You become a serious novelist by living long enough.
Don DeLillo
Some women I talk to are so frightened of growing old. I sense their desperation. They say things like I m not going to live to be old I m not going to live to be dependent. The message young women get from youth culture is that it s wonderful to be young and terrible to grow old. If you think about it it s an impossible dilemma how can you make a good start in life if you are being told at the same time how terrible the finish is Because of ageism many women don t fully commit themselves to living life until they can no longer pass as young. They live their lives with one foot in life and one foot outside it. With age you resolve that. I know the value of each day and I m living with both feet in life. I m living much more fully... The power of the old woman is that because she s outside the system she can attack. And I am determined to attack it. One of the ways in which I am particularly conscious of this stance is when I go down the street. People expect me to move over which means to step on the grass or off the curb. I just woke up one day to the fact that I was moving over. I have no idea how many years I ve been doing that. Now I never move over. I simply keep walking. And we hit full force because the other person is so sure that I am going to move over that he isn t even paying any attention and we simply ram each other. If it s a man with a woman he shows embarrassment because he s just knocked down a five foot seventy year old woman and so he quickly apologises. But he s startled he doesn t understand why I didn t move over he doesn t even know how I got there where I came from. I am invisible to him despite the fact that I am on my own side of the street simply refusing to give him that space he assumes is his
Barbara MacDonald
The most powerful anti-Christian movement is the one that takes over and "radicalizes" the concern for victims in order to paganize it. The powers and principalities want to be “revolutionary” now, and they reproach Christianity for not defending victims with enough ardor. In Christian history they see nothing but persecutions, acts of oppression, inquisitions. This other totalitarianism presents itself as the liberator of humanity. In trying to usurp the place of Christ, the powers imitate him in the way a mimetic rival imitates his model in order to defeat him. They denounce the Christian concern for victims as hypocritical and a pale imitation of the authentic crusade against oppression and persecution for which they would carry the banner themselves. In the symbolic language of the New Testament, we would say that in our world Satan, trying to make a new start and gain new triumphs, borrows the language of victims. ... The Antichrist boasts of bringing to human beings the peace and tolerance that Christianity promised but has failed to deliver. Actually, what the radicalization of contemporary victimology produces is a return to all sorts of pagan practices: abortion, euthanasia, sexual undifferentiation, Roman circus games galore but without real victims, etc. Neo-paganism would like to turn the Ten Commandments and all of Judeo-Christian morality into some alleged intolerable violence, and indeed its primary objective is their complete abolition. Faithful observance of the moral law is perceived as complicity with the forces of persecution that are essentially religious... Neo-paganism locates happiness in the unlimited satisfaction of desires, which means the suppression of all prohibitions. This idea acquires a semblance of credibility in the limited domain of consumer goods, whose prodigious multiplication, thanks to technological progress, weakens certain mimetic rivalries. The weakening of mimetic rivalries confers an appearance of plausibility, but only that, on the stance that turns the moral law into an instrument of repression and persecution.
René Girard (I See Satan Fall Like Lightning)
What in Bursin’s holy name is that?” he snarled. If it were possible to die of embarrassment, Martise was sure she wouldn’t survive the next few minutes.  “I was singing.” His eyebrows rose almost to his hairline.  “Singing.  Is that what you call it?  It sounded like someone was torturing a cat.” “I thought I might work faster if I sang.”  She wiped the perspiration from her forehead with a gloved hand and regretted the action.  The swipe of citrus oil she’d left on her skin burned.  Cael continued to howl, and a door shut with a bang. "That will be Gurn coming to rescue us from whatever demon he thinks is attacking."  The branch supporting Silhara creaked as he adjusted his stance and leaned closer to her.  “Tell me something, Martise.”  A leaf slapped him in the eye, and he ripped it off its twig with an irritated snap.  “How is it that a woman, blessed with a voice that could make a man come, sings badly enough to frighten the dead?” She was saved from having to answer the outlandish question by the quick thud of running footsteps.  Silhara disappeared briefly from view when he bent to greet their visitor.  Unfortunately, his answers to Gurn’s unspoken questions were loud and clear. “That was Martise you heard.  She was…singing. “Trust me, I’m not jesting.  You can unload your bow.” His next indignant response made her smile.  “No, I wasn’t beating her!  She’s the one tormenting me with that hideous wailing!” Martise hid her smile when he reappeared before her.  His scowl was ferocious.  “Don’t sing.”  He pointed a finger at her for emphasis.  “You’ve scared my dog, my birds and my servant with your yowling.”  He paused.  “You’ve even managed to scare me.
Grace Draven (Master of Crows (Master of Crows, #1))
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
Christopher Hitchens (Mortality)