“
The first question which the priest and the Levite asked was: 'If I stop to help this man, what will happen to me?' But...the good Samaritan reversed the question: 'If I do not stop to help this man, what will happen to him?
”
”
Martin Luther King Jr.
“
I painted stars and the moon and clouds and just endless, dark sky.” I finished the sixth, and was well on my way sawing through the seventh before I said, “I never knew why. I rarely went outside at night—usually, I was so tired from hunting that I just wanted to sleep. But I wonder … ” I pulled out the seventh and final arrow. “I wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fire—but that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didn’t bother to look, but to only fear it … Then I didn’t particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this place—looking for you all.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
See?" she says. "tricked you. You're always staring at your opponents eyes-but that gives you a bad peripheral view.If you want to track my arms and legs, you have to focus on my chest."
I raise my eyebrow at that. "say no more.
”
”
Marie Lu (Prodigy (Legend, #2))
“
Magnus glared at him out of gold-green eyes. “If I wanted to lie on a couch and
complain to someone about my parents, I’d hire a psychiatrist.”
“Ah,” said Jace. “But my services are free.”
“I heard that about you.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Warlock,” he said. “I know who you are.”
Magnus raised his eyebrows. “You do?”
“Magnus Bane. Destroyer of the demon Marabas. Son of—”
“Now,” said Magnus, quickly. “There’s no need to go into all of that.”
“But there is.” The demon sounded reasonable, even amused. “If it is infernal assistance you require, why not summon your father?”
Alec looked at Magnus with his mouth open.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
But...If my life on Earth must end, let it end with a promise.
Let it end with hope.
”
”
Beth Revis (Across the Universe (Across the Universe, #1))
“
The Council agrees," Zeus said. "Percy Jackson, you will have one gift from the gods."
I hesitated. "Any gift?"
Zeus nodded grimly. "I know what you will ask. The greatest gift of all. Yes, if you want it, it shall be yours. The gods have not bestowed this gift on a mortal hero in many centuries, but, Perseus Jackson-if you wish it-you shall be made a god. Immortal. Undying. You shall serve as your father's lieutenant for all time."
I stared at him, stunned. "Um...a god?"
Zeus rolled his eyes. "A dimwitted god, apparently. But yes. With the consensus of the entire Council, I can make you immortal. Then I will have to put up with you forever."
"Hmm," Ares mused. "That means I can smash him to a pulp as often as I want, and he'll just keep coming back for more. I like this idea.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Sometimes you want to say, “I love you, but…”
Yet the “but” takes away the ‘I love you’. In love their are no ‘buts’ or ‘if’s’ or ‘when’. It’s just there, and always. No beginning, no end. It’s the condition-less state of the heart. Not a feeling that comes and goes at the whim of the emotions. It is there in our heart, a part of our heart…eventually grafting itself into each limb and cell of our bodies. Love changes our brain, the way we move and talk. Love lives in our spirit and graces us with its presence each day, until death.
To say “I love you, but….” is to say, “I did not love you at all”.
I say this to you now: I love you, with no beginning, no end. I love you as you have become an extra necessary organ in my body. I love you as only a girl could love a boy. Without fear. Without expectations. Wanting nothing in return, except that you allow me to keep you here in my heart, that I may always know your strength, your eyes, and your spirit that gave me freedom and let me fly.
”
”
Coco J. Ginger
“
Maybe they’re getting some bow-chicka-pow-wow.”
I looked at him. “Ew.”
He flashed his teeth. “She’s definitely not my type.” His gaze dropped to my lips, and parts of me quivered in response to the heat in his gaze. “But now I totally have that on my mind.”
I was breathless. “You’re a dog.”
“If you pet me, I’ll—“
“Don’t even finish that sentence,” I said, fighting a grin.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
It's okay,' he tells me. 'If you want to go. Everyone wants you to stay. I want you to stay more than I've ever wanted anything in my life.' His voice cracks with emotion. He stops, clears his throat, takes a breath, and continues. 'But that's what I want and I could see why it might not be what you want. So I just wanted to tell you that I understand if you go. It's okay if you have to leave us. It's okay if you want to stop fighting.'
For the first time since I realized that Teddy was gone, too, I feel something unclench. I feel myself breathe. I know that Gramps can't be that late-inning pinch hitter I'd hoped for. He won't unplug my breathing tube or overdoes me with morphine or anything like that. But this is the first time today that anyone has acknowledged what I have lost. I know that the social worker warned Gran and Gramps not to upset me, but Gramps's recognition, and the permission he just offered me--it feels like a gift.
Gramps doesn't leave me. He slumps back into the chair. It's quiet now. So quiet you can almost hear other people's dreams. So quiet that you can almost hear me tell Gramps, 'Thank you.
”
”
Gayle Forman (If I Stay (If I Stay, #1))
“
You look back on some little decision you made and realize all the things that happened because of it, and you think to yourself "if only I'd known," but, of course, you couldn't have known.
”
”
Mary Downing Hahn (The Dead Man in Indian Creek)
“
Fine." Magnus stood up. "But," he added, pausing by Alec's chair and leaning in close to him, "you are not trivial."
Alec flushed. "If you say so," he said.
"I say so," said Magnus, and he turned to follow Isabelle out of the room.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
I am no king, and I am no lord,
And I am no soldier at-arms," said he.
"I'm none but a harper, and a very poor harper,
That am come hither to wed with ye."
"If you were a lord, you should be my lord,
And the same if you were a thief," said she.
"And if you are a harper, you shall be my harper,
For it makes no matter to me, to me,
For it makes no matter to me."
"But what if it prove that I am no harper?
That I lied for your love most monstrously?"
"Why, then I'll teach you to play and sing,
For I dearly love a good harp," said she.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
Say it. But..."
"But what?" he asked.
She whispered it, sounding too vulnerable. "But only if its the truth, Caine. Only. If."
"I love you," he said.
”
”
Michael Grant (Light (Gone, #6))
“
Agatha: "If you say anything smug or stuck-up or shallow, I'll have Reaper follow you home."
Sophie: "But then I can't talk!
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing.
And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle.
But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!.
Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.
”
”
Alan Moore (Watchmen)
“
Frankly, I had no idea how anyone knew if they were in love in the first place. Was there ever a single thread a person could pick out from the knot and say “Yes—I am in love—here’s the proof!” or was it always caught up in a wretched tangle of ifs and buts and maybes?
”
”
Margaret Rogerson (An Enchantment of Ravens)
“
For instance," said the boy again, "if Christmas trees were people and people were Christmas trees, we'd all be chopped down, put up in the living room, and covered in tinsel, while the trees opened our presents."
"What does that have to do with it?" asked Milo.
"Nothing at all," he answered, "but it's an interesting possibility, don't you think?
”
”
Norton Juster (The Phantom Tollbooth)
“
A philosopher named Aristippus, who had quite willingly sucked up to Dionysus and won himself a spot at his court, saw Diogenes cooking lentils for a meal. "If you would only learn to compliment Dionysus, you wouldn't have to live on lentils."
Diogenes replied, "But if you would only learn to live on lentils, you wouldn't have to flatter Dionysus.
”
”
Diogenes of Sinope
“
Take any emotion—love for a woman, or grief for a loved one, or what I’m going through, fear and pain from a deadly illness. If you hold back on the emotions—if you don’t allow yourself to go all the way through them—you can never get to being detached, you’re too busy being afraid. You’re afraid of the pain, you’re afraid of the grief. You’re afraid of the vulnerability that loving entails. “But by throwing yourself into these emotions, by allowing yourself to dive in, all the way, over your head even, you experience them fully and completely. You know what pain is. You know what love is. You know what grief is. And only then can you say, ‘All right. I have experienced that emotion. I recognize that emotion. Now I need to detach from that emotion for a moment’.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
...if more people had been organ donors, unwinding never would have happened...but people like to keep what's theirs, even after they're dead.
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
I've loved you for a long time, ' she said. 'But there was always something holding me back. Maybe it was that I was afraid of an emotion that was so consuming. It still frightens me,' she admitted in a whisper.
Tamani chuckled. 'If it makes you feel any better, it scares the daylights out of me on a regular basis.
”
”
Aprilynne Pike (Destined (Wings, #4))
“
At one store, Gansey had started to pay for Blue's potato chips and she'd snatched them away. "I don't want you to buy me food!" Blue said. "If you pay for it, then it's like I'm... be---be---" "Beholden to me?" Gansey suggested pleasantly. "Don't put words into my mouth." "It was your word." "You assumed it was my word. You can't just go around assuming." "But that is what you meant, isn't it?" She scowled. "I'm done with this conversation.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
He looks down at me with sincere eyes. 'If I were human, I would have been the first in line for you...' He looks away. 'But I'm not. I'm an archangel, and my people are in trouble. I have no choice but to try to set things straight. I can't get distracted by a Daughter of Man.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
The less you associate with some people, the more your life will improve.
Any time you tolerate mediocrity in others, it increases your mediocrity. An
important attribute in successful people is their impatience with negative
thinking and negative acting people. As you grow, your associates will
change. Some of your friends will not want you to go on. They will want you
to stay where they are. Friends that don't help you climb will want you to
crawl. Your friends will stretch your vision or choke your dream. Those that
don't increase you will eventually decrease you.
Consider this:
Never receive counsel from unproductive people. Never discuss your problems
with someone incapable of contributing to the solution, because those who
never succeed themselves are always first to tell you how. Not everyone has
a right to speak into your life. You are certain to get the worst of the
bargain when you exchange ideas with the wrong person. Don't follow anyone
who's not going anywhere.
With some people you spend an evening: with others you invest it. Be careful
where you stop to inquire for directions along the road of life. Wise is the
person who fortifies his life with the right friendships. If you run with
wolves, you will learn how to howl. But, if you associate with eagles, you
will learn how to soar to great heights.
"A mirror reflects a man's face, but what he is really like is shown by the
kind of friends he chooses."
The simple but true fact of life is that you become like those with whom you
closely associate - for the good and the bad.
Note: Be not mistaken. This is applicable to family as well as friends.
Yes...do love, appreciate and be thankful for your family, for they will
always be your family no matter what. Just know that they are human first
and though they are family to you, they may be a friend to someone else and
will fit somewhere in the criteria above.
"In Prosperity Our Friends Know Us. In Adversity We Know Our friends."
"Never make someone a priority when you are only an option for them."
"If you are going to achieve excellence in big things,you develop the habit in little matters.
Excellence is not an exception, it is a prevailing attitude.."..
”
”
Colin Powell
“
Yeah, well, if ifs and buts were candy and nuts, then we’d never go hungry. (Syn)
”
”
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
“
If a prince on a white horse actually appeared in front of me...I think I'd like to see him fall off that horse. But..if he wasn't a prince on a white horse to begin with...what would I want then?
”
”
QuinRose (Alice in the Country of Hearts, Vol. 1)
“
My guard will run you through if he catches you looking at my face," said Arianna.
"I don't think so. I think it might be treason to kill a duke," said Luciano.
"But you're not a duke," said Arianna.
"I will be if you marry me," said Luciano.
"Yes, you would be," said Arianna.
"Would?"
"If you are asking me."
"I'm asking."
"And if I accepted."
"Do you?"
"I do. With all my heart.
”
”
Mary Hoffman (City of Flowers (Stravaganza, #3))
“
You're a little tall to play Ariel." said Moth.
"And you have way too many muscles," said Mustardseed.
"But you might be able to pull it off," Cobweb said, "if you can look really constipated.
”
”
Lisa Mantchev (Eyes Like Stars (Théâtre Illuminata, #1))
“
It comes from a very ancient democracy, you see..."
"You mean, it comes from a world of lizards?"
"No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people."
"Odd," said Arthur, "I thought you said it was a democracy."
"I did," said Ford. "It is."
"So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?"
"It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want."
"You mean they actually vote for the lizards?"
"Oh yes," said Ford with a shrug, "of course."
"But," said Arthur, going for the big one again, "why?"
"Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?"
"What?"
"I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?"
"I'll look. Tell me about the lizards."
Ford shrugged again.
"Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it."
"But that's terrible," said Arthur.
"Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
May we not waver to say a blunt “No” when push comes to shove. Once we handle the truth, it must be without “ifs” and “buts.” The air ought to be clean and the water clear. Since haggling with transparency is not in the cards, let us step down from the traditional “It Is What It Is” and definitively go for resilience. ("Resilience")
”
”
Erik Pevernagie
“
What are you doing?"
"Ya!" said Jane, whirling around, her hands held up menacingly.
It was Mr. Nobley with coat, hat, and cane, watching her with wide eyes. Jane took several quick (but oh so casual) steps away from Martin's window.
"Um, did I just say, 'Ya'?"
"You just said 'Ya,'" he confirmed. "If I am not mistaken, it was a battle cry, warning that you were about to attack me.
I, uh..." She stopped to laugh. "I wasn't aware until this precise and awkward moment that when startled in a startled in a strange place, my instincts would have me pretend to be a ninja.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
This isn’t about romance. A proper kiss, a proper courtship. There’s a way these things should be done.”
“For proper thieves?” The corners of her beautiful mouth curled and for a moment he was afraid she would laugh at him, but she simply shook her head and drew even nearer. Her body was the barest breath from his now. The need to close that scrap of distance was maddening.
“The first day you showed up at my house for this proper courtship, I would have cornered you in the pantry,” she said. “But please, tell me more about Fjerdan girls.”
“They speak quietly. They don’t engage in flirtations with every single man they meet.”
“I flirt with the women too.”
“I think you’d flirt with a date palm if it would pay you any attention.”
“If I flirted with a plant, you can bet it would stand up and take notice. Are you jealous?”
“All the time.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I'm in no position to hand down any advice," he said, "but there's a rule I follow when I don't know what to do."
"A rule?"
"If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule. Whenever I run into a wall I follow that rule, and it always works out. Even if it's hard going at the time.
”
”
Haruki Murakami (Blind Willow, Sleeping Woman: 24 Stories)
“
Ish #19 "If your diet soda has zero calories, zero sugar and zero fat, what the hell are you drinking?
”
”
Regina Griffin
“
Hua Cheng said quietly, "Your Highness, I understand your everything.
"Your courage, your despair; your kindness, your pain; your resentment, your hate; your intelligence, your foolishness.
"If I could, I would have you use me as your stepping stone, the bridge you take apart after crossing, the corpse bones you need to trample to climb up, the sinner who deserved the butchering of a million knives. But, I know you wouldn't allow it."
(...)
However, Hua Cheng only replied, "To die in battle for you is my greatest honour."
Those words were like a fatal blow. The tears in Xie Lian's eyes could no longer be restrained, and they came pouring out.
Like he was hanging on the thread of his life, he pleaded, "You said you would never leave me."
However, Hua Cheng replied, "There is no banquet in this world that doesn't come to an end."
Xie Lian bowed his head and buried it deep into his chest, his heart and throat in constricted agony, unable to speak.
Yet soon after, he heard Hua Cheng say above him, "But, I will never leave you."
Hearing this, Xie Lian's head shot up.
Hua Cheng said to him, "I will come back. Your Highness, believe me.
”
”
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
“
It's more than you think it can be," she heard herself say. "It changes everything, and fixes everything that matters. Maybe you're never going to be the same, and maybe part of you is always afraid of what will happen if...but he's always going to be there. All you have to do is reach out, and he's going to be there.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-"
-"What little bird?" said Aziraphale suspiciously.
-"This little bird I'm talking about. And every thousand years-"
-"The same bird every thousand years?"
-Crowley hesitated. "Yeah," he said.
-"Bloody ancient bird, then."
-"Okay. And every thousand years this bird flies-"
-"-limps-"
-"-flies all the way to this mountain and sharpens its beak-"
-"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy."
-"But it gets there anyway," Crowley persevered.
-"How?"
-"It doesn't matter!"
-"It could use a space ship," said the angel.
Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-"
-"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have
they got to do?"
-"Sharpen its beak on the mountain," said Crowley. "And then it flies back-"
-"-in the space ship-"
-"And after a thousand years it goes and does it all again," said Crowley quickly.
There was a moment of drunken silence.
-"Seems a lot of effort just to sharpen a beak," mused Aziraphale.
-"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-"
Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly.
-"-then you still won't have finished watching The Sound of Music."
Aziraphale froze.
-"And you'll enjoy it," Crowley said relentlessly. "You really will."
-"My dear boy-"
-"You won't have a choice."
-"Listen-"
-"Heaven has no taste."
-"Now-"
-"And not one single sushi restaurant."
A look of pain crossed the angel's suddenly very serious face.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
My eyes narrowed. “And you’ll take me right home after we see it?”
“If that’s what you want,” he said softly, running his thumb along my cheekbone. “But I’d be tempted to see if I could convince you to stop acting like the proper lady your mother wants you to be.”
“So you did hear her.” I groaned, blushing.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
But what would have been the good?"
Aslan said nothing.
"You mean," said Lucy rather faintly, "that it would have turned out all right – somehow? But how? Please, Aslan! Am I not to know?"
"To know what would have happened, child?" said Aslan. "No. Nobody is ever told that."
"Oh dear," said Lucy.
"But anyone can find out what will happen," said Aslan. "If you go back to the others now, and wake them up; and tell them you have seen me again; and that you must all get up at once and follow me – what will happen? There is only one way of finding out.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
Is all pink entirely banned?'
'Not if it's like a sassy pink,' I say. 'But if it's a sweet, girl pink, yes. Maybe some shade of sarcastic pink if it isn't too abrasive.
”
”
Laura Nowlin (If He Had Been With Me (If He Had Been with Me, #1))
“
The two girls disappeared into the stern cabin once more. Will watched them go, then asked Halt, 'Anything you'd like me to do? Grow a beard? Learn to walk like a rooster?'
'If you could stop asking facetious questions, that'd be a start,' Halt told him. 'But it's probably a little late in life for you to do that.
”
”
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
“
Tohr shook his head. "If you're going to get plastered, why can't you do it like areal man."
"I like the taste of fruit."
"You are what you drink."
The angel glanced up at the clock, "Shit. I missed Maury. But, I DVR'd Ellen.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
You have to understand...If you knew the effect you had on me, how often I think about you, the things I would do for you...I wouldn't stand a chance against you ever again. You would have taken everything from me," he goes on in a rush, like the words are burning him from within, like he has to get it out before the pain becomes overwhelming. "Not just a debating championship or some points for a test or a fancy award or a spot in a competition—but my whole heart. My pride. God, my sanity. It would all be over. You would annihilate me.
”
”
Ann Liang (I Hope This Doesn't Find You)
“
I could step aside, Nina. I could step aside and let you be with who you're supposed to be with. If I was any less selfish... I would. But even after all of my stupid mistakes, I still think I can make you happy.''
''If it's what you want, I'll step aside'', he shook his head, ''but if it's not... I'll fight fate. I'll fight Heaven, and Hell, and everything in between to keep you.
”
”
Jamie McGuire (Providence (Providence, #1))
“
Listen," he said. "If you was a fish, Mother Nature'd take care of you, wouldn't she? Right? You don't think them fish just die when it gets to be winter, do ya?"
No, but--"
You're goddam right they don't
”
”
J.D. Salinger (The Catcher in the Rye)
“
I am real. This”–he put his other hand over the first-“is real. You see me interacting with other people all day long, don’t you? I talk to people; I affect things in the world. I cause things to happen. I am real.”
“But-but what if this whole place”-I had to suck in air again-“what if everything is inside my head? East Shoal and Scarlet and this bridge and you-what if you’re not real because nothing is real?”
“If nothing’s real, then what does it matter?” he said. “You live here. Doesn’t that make it real enough?
”
”
Francesca Zappia (Made You Up)
“
...if you aren't, at any given time, scandalized by code you wrote five or even three years ago, you're not learning anywhere near enough
”
”
Nick Black
“
Definitely not," Talon said. "If you screw up like that, you don't get another chance."
"But what if he really loves her and it was a mistake?"
"It wasn't," Talon said firmly. "He'd keep his cockadoodle in his pants if he loved her. He wouldn't hurt the person he loved. And she should leave his ass for her own good.
”
”
Aggy Bird (Like a Sparrow Through the Heart (Like a Sparrow, #1))
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
”
”
Rachel Vincent (If I Die (Soul Screamers, #5))
“
He‟d told Ty that he loved him, no ifs, ands, or buts. There was
no going back now, and Zane wouldn‟t if he had the chance. But damn,
they had to call some kind of moratorium on important declarations
during life-threatening situations.
”
”
Abigail Roux (Divide & Conquer (Cut & Run, #4))
“
You cannot have my pain.”
“Dalinar—”
Dalinar forced himself to his feet. “You. Cannot. Have. My. Pain.”
“Be sensible.”
“I killed those children,” Dalinar said.
“No, it—”
“I burned the people of Rathalas.”
“I was there, influencing you—”
“YOU CANNOT HAVE MY PAIN!” Dalinar bellowed, stepping toward Odium. The god frowned. His Fused companions shied back, and Amaram raised a hand before his eyes and squinted.
Were those gloryspren spinning around Dalinar?
“I did kill the people of Rathalas,” Dalinar shouted. “You might have been there, but I made the choice. I decided!” He stilled. “I killed her. It hurts so much, but I did it. I accept that. You cannot have her. You cannot take her from me again.”
“Dalinar,” Odium said. “What do you hope to gain, keeping this burden?”
Dalinar sneered at the god. “If I pretend … If I pretend I didn’t do those things, it means that I can’t have grown to become someone else.”
“A failure.”
Something stirred inside of Dalinar. A warmth that he had known once before. A warm, calming light.
Unite them.
“Journey before destination,” Dalinar said. “It cannot be a journey if it doesn’t have a beginning.”
A thunderclap sounded in his mind. Suddenly, awareness poured back into him. The Stormfather, distant, feeling frightened—but also surprised.
Dalinar?
“I will take responsibility for what I have done,” Dalinar whispered. “If I must fall, I will rise each time a better man.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Can we get back to work now?" Haley asked, sounding innocent, but Zoe didn't miss the woman's lips twitching
or the humor sparkling in her eyes. Something told her that this woman truly enjoyed torturing her husband.
"For god sake's, my little grasshopper, you love the Yankees more than I do! What the hell is going on?" He turned accusing eyes on Zoe. "How dare you brainwash my wife?" he hissed.
"A re you going to leave so that we can get some work done?" Haley demanded, turning her attention to the computer.
"No," he said stubbornly, folding his arms over his chest, glaring at them.
"Buttercream frosting," Haley said softly, never taking her eyes away from her computer screen.
Jason licked his lips as he looked his pregnant wife over hungrily. "Tonight?" he croaked out.
"If you're good," Haley said, with a small shrug. "But you have to leave-"
"Bye," Jason said quickly, cutting her off and rushing out of the trailer just as fast as he came.
”
”
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
“
You’d really give up your big, swanky apartment?”
“If you don’t want to move in there with me, yes.”
“But you love your apartment.”
“I love you more, dumb ass.
”
”
Suzanne Wright (The Bite That Binds (Deep In Your Veins, #2))
“
I should go in alone," Valkyrie said, speaking loudly to be heard. "If we both go in, it'll look to official."
"So I'll just stay out here?" Skulduggery asked. "But what'll I do? There's no one to talk to. It's boring."
"You're standing on the roof of a train," Valkyrie pointed out. "If you find this boring, you really need your head examined. Just wait here. I'll do what has to be done and I'll be find out.
"Fine," he said, sounding grumpy. "Don't be long.
”
”
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
“
Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?"
Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different.
"If you mean me-" Sophie began.
"I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!"
Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been.
"I think it's nice," she said.
"Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
You will always be too much of something for someone:too big, too loud, too soft,too edgy.If you round out your edges,you lose your edge.Apolozise for mistakes.Apolozise for unintentionally hurting someone profusely.But don't apolozise for being who you are.
”
”
Danielle LaPorte
“
There was a big huge deal about it, and Security was all “but what if it takes over the station’s systems and kills everybody” and Pin-Lee told them “if it wanted to do that it would have done it by now,” which in hindsight was probably not the best response.
”
”
Martha Wells (Fugitive Telemetry (The Murderbot Diaries, #6))
“
It's a McLaren SLR 722 Roadster."
"How big is it?"
"It's a convertible."
"Will a tiger fit?"
"No. It seats only two, but the boys are man half the day now."
"Is it more than $30,000?"
He squirmed and hedged, "Yes, but-"
"How much more?"
"Much more."
"How much more?"
"About $400,000 more."
My mouth dropped open. "Mr. Kadam!"
"Miss Kelsey, I know it's extravagant, but when you drive it, you will see it's worth every cent."
I folded my hands across my chest. "I won't drive it."
He looked offended. "That car was meant to be driven."
"Then you drive it. I'll drive the Jeep."
He looked tempted. "If it will appease you, perhaps we can share it."
Kishan clapped his hands. "I can't wait."
Mr. Kadam wagged a finger at him. "Oh, no! Not you. We'll get you a nice sedan. Used.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
Space is about 100 kilometers away. That’s far away—I wouldn’t want to climb a ladder to get there—but it isn’t that far away. If you’re in Sacramento, Seattle, Canberra, Kolkata, Hyderabad, Phnom Penh, Cairo, Beijing, central Japan, central Sri Lanka, or Portland, space is closer than the sea.
”
”
Randall Munroe (What If? 10th Anniversary Edition: Serious Scientific Answers to Absurd Hypothetical Questions)
“
Hua Cheng quietly sighed, extended his arms, and once again folded him into his embrace. "Your Highness, I've always watched you."
This was the second time he had said this, but his voice was softer than before. Xie Lian clutched the red robes at his chest, asking, his mind blank, "I know, I know. But... what should I do now?"
Hua Cheng's long and slender fingers gently combed through Xie Lian's mussed hair. "Then, Your Highness, do you know why I refuse to leave this world?"
Xie Lian couldn't understand why Hua Cheng could still be so calm at a time like this, he was panicking so hard he was trembling. But, while feeling lost, he still simple-mindedly asked, "Why?"
Hua Cheng replied quietly, "Because I have a beloved who is still in this world."
Hearing this, Xie Lian was slightly stunned. He seemed to have heard this somewhere before.
Hua Cheng continued, "My beloved is a brave, noble, and gracious special someone. He's saved my life; I've looked up to him ever since I was young. But, I wanted to catch up to him more, and become and even stronger person for him. Although he might not remember me well. We never really talked. I want to protect him."
He gazed at Xie Lian. "If your dream is to save the common people, then my dream is only you."
"..." Relying on his memory, Xie Lian asked with a trembling voice, "But... you won't... be able to rest in peace... like this...?"
Hua Cheng answered, "I pray to never rest in peace.
”
”
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
“
And if I learned one thing in therapy, besides the fact that crying makes my face puffy as fuck, is how love doesn’t come with conditions. No ifs, ands, or buts. It should make you a better person—not because you have to be, but because you want to be.
”
”
Lauren Asher (Throttled (Dirty Air, #1))
“
Mary-Lynnette felt a violent wrench in her chest. For a moment everything seemed suspended-and changed.
If Ash were dead-if Ash had been killed…
Things would never be all right. She would never be all right. It would be like the night with the moon and stars gone. Nothing that anybody could do would make up for it. Mary-Lynnette didn't know why-it didn't make any sense-but she suddenly knew it was true.
”
”
L.J. Smith (Night World, No. 1 (Night World, #1-3))
“
Sometimes our paths must diverge from those we love,” Antonio said as they rode, side by side, scanning the surrounding mountains. “But if love is the highest power, our paths will converge again—if not in this world, then the next.
”
”
Kristen Ciccarelli (Rebel Witch (The Crimson Moth, #2))
“
Aelin ran for Manon, leaping over the fallen stones, her ankle wrenching on loose debris.
The island rocked with her every step, and the sunlight was scalding, as if Mala were holding that island aloft with every last bit of strength the goddess could summon in this land.
Then Aelin was upon Manon Blackbeak, and the witch lifted hate-filled eyes to her. Aelin hauled off stone after stone from her body, the island beneath them buckling.
"You're too good a fighter to kill," Aelin breathed, hooking an arm under Manon's shoulders and hauling her up. The rock swayed to the left-but held. Oh, gods. "If I die because of you, I'll beat the shit out of you in hell."
She could have sworn the witch let out a broken laugh as she got to her feet, nearly dead weight in Aelin's arms.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Howl pointed a shaky hand up toward the canopy of his bed. “That’s why I love spiders. ‘If at first you don’t succeed, try, try, try, again.’ I keep trying,” he said with great sadness. “But I brought it on myself by making a bargain some years ago, and I know I shall never be able to love anyone properly now.”
The water running out of Howl’s eyes was definitely tears now.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
The world looks for happiness through self-assertion. The Christian knows that joy is found in self-abandonment. 'If a man will let himself be lost for My sake,' Jesus said, 'he will find his true self.' A Christian woman's true freedom lies on the other side of a very small gate---humble obedience---but that gate leads out into a largeness of life undreamed of by the liberators of the world, to a place where the God-given differentiation between the sexes is not obfuscated but celebrated, where our inequalities are seen as essential to the image of God, for it is in male and female, in male as male and female as female, not as two identical and interchangeable halves, that the image is manifested.
”
”
Elisabeth Elliot
“
No touching Baby Jesus.”
“But we’re his parents!” proclaimed Mary Beth, who was being generous to include poor Joseph under this appellation.
“Mary Beth,” Barb Wiggin said, “if you touch the Baby Jesus, I’m putting you in a cow costume.
”
”
John Irving (A Prayer for Owen Meany)
“
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella."
"Hmph," I grumbled.
Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek.
The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?"
Jacob rolled his eyes.
"who's going back?" I muttered
Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly.
"What if she wants me to?" Jacob drawled, arrogant.
"Hah!" I snorted.
"If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face."
Jacob grinned.
"You wish," I grumbled.
"Yes, he does," Edward murmured.
"Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?"
"One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will."
"Good," Jacob growled. "it's no fun beating someone who forfeits."
She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair."
"Neither did I."
"Best of luck."
Jacob nodded. "Yes, may the best man win."
"That sounds about right...pup.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Oh, Marino.” His thumb trailed along her neck, following the scar below her jaw. “If I’d known what pain you’d cause me, I never would have taken you.” He sighed, and she could smell the liquor on his breath as his head dipped closer. She had no idea what he meant, if she was supposed to apologise. “But at this point I suppose I deserve to burn. I wonder if you’ll burn, too.” His face was so close the words brushed against her lips, and his mouth crashed against hers.
”
”
SenLinYu (Alchemised)
“
I love you, too." Click. "But I'm terrified."
He lowered the camera, eyes on me.
"I didn't want to fall in love with you,' I said.
He took a step closer. "If it makes you feel any better, you put up a very impressive fight." He didn't put the camera down when he stepped forward again to kiss me. He just moved his hand to the side and cupped my face with the other, pressing his mouth to mine. "I'm scared, too, Sara. I'm scared I'm your rebound. I'm scared we'll cock it up somehow. I'm scared you'll tire of me. But the thing is," he said, smiling, "I don't want anyone else. You've rather ruined me for other women.
”
”
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
“
I wasn’t in love with him.
But, I couldn’t unlove him.
”
”
Pratibha Malav (If Tomorrow Comes (A Kind Of Commitment, #2))
“
Catherine," said the Marquess, placing one hand on Cath’s shoulder and one on his wife’s. "We know you’ve been through some . . . difficult things recently."
Anger, hot and throbbing, blurred in her vision.
"But we want you to be sure . . . absolutely sure this is what you want." His eyes turned wary beneath his bushy eyebrows. "We want you to be happy. That’s all we’ve ever wanted. Is this what’s going to make you happy?"
Cath held his gaze, feeling the puncture of Raven’s talons on her shoulder, the weight of the rubies around her throat, the itch of her petticoat on her thighs.
"How different everything could have been," she said, "if you had thought to ask me that before."
She shrugged his arm away and pushed between them. She didn’t look back.
”
”
Marissa Meyer (Heartless)
“
Man has his being in truth--if he sacrifices truth he sacrifices himself. Whoever betrays truth betrays himself. It is not a question of lying--but of acting against one's conviction.
”
”
Novalis
“
The ifs and buts of history...form an insubstantial if intoxicating diet.
”
”
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
“
I believe for some things it is too late, but in certain situations—it is never too late for change.
It’s time for us as young ladies to be unapologetic for our flaws and all. No ifs, ands or buts about it.
”
”
Charlena E. Jackson (Unapologetic For My Flaws and All)
“
Poor whites are still taught to hate—but not to hate those who are keeping them in line. Lyndon Johnson knew this when he quipped, “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.” We
”
”
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
“
If these things are alchemical," said Sofia, "I'd better be the one to have a look at them."
"If it could be dangerous, I'm going as well," said Lorenzo.
"And me," said Conte
"Great! We can all go! It'll be fun!" Locke waved his tied hands at the door. "But hurry it up, for fucks sake.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?"
"If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-"
His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch.
I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder.
He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Suppose we concede that if I had been born of Muslim parents in Morocco rather than Christian parents in Michigan, my beliefs would be quite different. [But] the same goes for the pluralist...If the pluralist had been born in [Morocco] he probably wouldn't be a pluralist. Does it follow that...his pluralist beliefs are produced in him by an unreliable belief-producing process?
”
”
Alvin Plantinga
“
You cannot help people who do not want help,” rumbled Fenris. “You can’t force someone to do what you think is best for them.” He paused, then added, somewhat reluctantly, “Well, you can. But they don’t appreciate it and most of the time it turns out that you were wrong.” “But—” “We can only save people who want to be saved,” said the dust-wife. “If it’s still bothering you, we’ll come back afterward, assuming any of us are alive to do so.
”
”
T. Kingfisher (Nettle & Bone)
“
If she could have died...if she could have disappeared forever...but the solid surface of things refused to dissolve around her, and her body, her hateful hermaphrodite's body, continued in its stubborn, lumpen way, to live...
”
”
J.K. Rowling (The Casual Vacancy)
“
Now go. Hang out with your friends and be immature. Responsible," I added hurriedly, "but immature."
He made a face. "Do those two go hand in hand?"
"If your immaturity can lead to consequences, then it's irresponsible."
Cole grunted. "You should write that shi- stuff down."
"I heard the "shit" in there, baby boy, and I'm stealing the last PopTart as punishment."
"Harsh, Jo." He shook his head, backing off with a smile. "Harsh.
”
”
Samantha Young (Down London Road (On Dublin Street, #2))
“
Can you draw a picture on the blackboard when somebody doesn't want you to? asked the rooster promptly.
"Yes," answered Kenny," if you write them a very nice poem."
"What is an only goat?"
"A lonely goat," answered Kenny.
The rooster shut one eye and looked at Kenny.
"can you hear a horse on the roof?" he asked.
"If you know how to listen in the night," said Kenny.
"Can you fix a broken promise?"
"Yes," said Kenny,"if it only looks broken,but really isn't."
The rooster drew his head back into his feathers and whispered, "What is a very narrow escape?"
"When somebody almost stops loving you," Kenny whispered back.
”
”
Maurice Sendak
“
You are really and truly and completely free. There is no kicker. There is no if, and, or but. You are free. You can do it right or wrong. You can obey or disobey. You can run from Christ or run to Christ. You can choose to become a faithful Christian or an unfaithful Christian. You can cry, cuss, and spit, or laugh, sing, and dance. You can read a novel or the Bible. You can watch television or pray. You're free...really free.
”
”
Steve Brown (A Scandalous Freedom: The Radical Nature of the Gospel)
“
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.”
Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.”
“Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.”
“That doesn’t mean that I don’t—”
“What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.”
“But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?”
“No.”
“I thought you might like Magnus. He’s nice, isn’t he?”
“Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely.
“I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.”
“I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace.
But Jace, his golden head down, lost in thought, didn’t notice.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
-If I somehow possessed a set of videotapes that contained all the most significant events of your childhood, in their entirety, would you want to see them?
-Absolutely. Right this very second.
-But why? Don't you think some of the tapes would be very sad?
-Most of them, yes. But if I could see them, then I could have them in my brain like regular memories-horrible memories, yes, but regular memories, not sinister little ghosts in my head that pop out of some part of me I don't even know, and take the rest of me away. Do you know what I mean?
-I think so, If you have to remeber, you'd rather do it in the front of your brain than in the back.
”
”
Martha Stout (The Myth of Sanity: Divided Consciousness and the Promise of Awareness)
“
...If there's a noise in the woods, and there's nobody around to hear it, is it really a noise?"
"Of course it is," she replied calmly.
"How did you reach that conclusion?" Beldin demanded.
"Because there's no such thing as an empty place, uncle. There are always creatures around --wild animals, mice, insects, birds --and they can all hear."
"But what if there weren't? What if the woods are truly empty?"
"Why waste your time talking about an impossibility?
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
No. I came here to see you. I didn’t believe the rumors,but after hearing it on so many continents I had to come andsee for myself.”
“See what?”
His eyes widened in adulation, his voice taking on areverent tone. “If it was true that Helen of Troy, nay, Aphrodite herself had been reincarnated in gym teacher form.”
The room was utterly silent. Except Vicious Redhead’s jaw dropping to the ground with a little plink. Or maybe I imagined that. And then the class did the worst thingpossible: They started giggling. Miss Lynn was going tomurder me.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
I'll understand, of course, if you want to stay with your aunt and uncle,' said Sirius. 'But...well...think about it. Once my name's cleared...if you wanted a...a different home...' Some sort of explosion took place in the pit of Harry's stomach. 'What - live with you?' he said, accidentally cracking his head on a bit of rock protruding from the ceiling. 'Leave the Dursleys?' 'Of course. I thought you wouldn't want to' said Sirius quickly. 'I understand. I just thought I'd -' 'Are you mad?' said Harry, his voice easily as croaky as Sirius. 'Of course I want to leave the Dursleys! Have you got a house? When can I move in?
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
What are you trying to say?"
All men have the stars," he answered, "but they are not the same things for different people. For some, who are travelers, the stars are guides. For others they are no more than little lights in the sky. For others, who are scholars, they are problems. For my businessman they are wealth. But all these stars are silent. You - only you - will have stars that can laugh!"
And he laughed again.
And when your sorrow is comforted (time soothes all sorrows) you will be content that you have known me. You will always be my friend. You will want to laugh with me. And you will sometimes open your window, so, for that pleasure... And your friends will be properly astonished to see you laughing as you look up at the sky! Then you will say to them, "Yes, the stars always makes me laugh!" And they will think you are crazy. It will be a very shabby trick that I shall have played on you..."
And he laughed again.
It will be as if, in place of the stars, I have given you a great number of little bells that knew how to laugh..."
And he laughed again.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
Reed’s face inches closer to mine on the pillow as he says, “Let me try to explain something to you, Evie. All of these years that I have been here, it is as if I have been sleeping. I have to always pretend to be something that I am not—pretend to be human. When I am not pretending to be human, then I am hunting evil, vicious angels who want nothing more than to…” his voice trails off and there is hollowness in his tone that reflects the loneliness of his existence. “But now, I am awake, for the first time in my existence, and not only am I awake, but I feel flames when you are near me. You have changed things for me. There is no reason to pretend around you. If I had to live without you now…now that I know what I have been missing…” The need in his voice makes me want to promise him anything, give him anything, just to fill that void in him. “I cannot go back to sleep, Evie. You are the only thing that makes me want to live. If you leave here, if you ascend to Paradise, or even if you are cast into the abyss, or taken there by the Fallen…I will have to follow you, no matter where you go. Even if I have to pursue you into the dark…if you cease to be, then so will I. You are my sin and my redemption.
”
”
Amy A. Bartol (Inescapable (The Premonition, #1))
“
Nothing in the world is harder than speaking the truth and nothing easier than flattery.If there’s the hundredth part of a false note in speaking the truth, it leads to a discord, and that leads to trouble.But if all, to the last note, is false in flattery, it is just as agreeable, and is heard not without satisfaction. It may be a coarse satisfaction, but still a satisfaction. And however coarse the flattery, at least half will be sure to seem true. That’s so for all stages of development and classes of society. -Svidrigailov (Crime and Punishment)
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
Rhys absorbed that with chagrin. "No one has ever accused me of being a romantic," he said ruefully.
"If you were, how would you propose?"
He thought for a moment. "I would begin by teaching you a Welsh word. Hiraeth There's no equivalent in English."
"Hiraeth," she repeated, trying to pronounce it with a tapped R, as he had.
"Aye. It's a longing for something that was lost, or never existed. You feel it for a person or a place, or a time in your life...it's a sadness of the soul. Hiraeth calls to a Welshman even when he's closest to happiness, reminding him that he's incomplete."
Her brow knit with concern. "Do you feel that way?"
"Since the day I was born." He looked down into her small, lovely face. "But not when I'm with you. That's why I want to marry you.
”
”
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
“
If the first thing you do when you wake up in the morning is eat a live frog, then nothing worse can happen for the rest of the day!"
Brian Tracy says that your "frog" should be the most difficult item on your things-to-do list, the one you're most likely to procrastinate on; because, if you eat that first, it'll give you energy and momentum for the rest of the day. But, if you don't...if you let him sit there on the plate and stare at you while you do a hundred unimportant things, it can drain your energy and you won't even know it.
”
”
Brian Tracy
“
Lowering his voice, he said, "In America we have a custom. When you're given presents for your birthday, you're supposed to open them and say thank you."
Tatiana nervously looked down at the present. "Thank you." Gifts were not something she was used to. Wrapped gifts? Unheard of, even when they came wrapped only in plain brown paper.
"No. Open first. Then say thank you."
She smiled. "What do I do? Do I take the paper off?"
"Yes. You tear it off."
"And then what?"
"And then you throw it away."
"The whole present or just the paper?"
Slowly he said, "Just the paper."
"But you wrapped it so nicely. Why would I throw it away?"
"It's just paper."
"If it's just paper, why did you wrap it?"
"Will you please just open my present?" said Alexander
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Dear brother. I had hoped that you were dead."
"After you," Aegon answered. "You are the elder."
"I am pleased to know that you remember that," Rhaenyra answered. "It would seem we are your prisoners...but do not think that you will hold us long. My leal lords will find me."
"If they search the seven hells, mayhaps.
”
”
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
“
I was at a dinner party many years ago,sitting along from Tom Stoppard, who in those days smoked not just between courses,but between mouthfuls. An American woman watched in disbelief.
"And you so intelligent!"
"Excuse me?" said tom
"Knowing those things are going to kill you" she said "and still you do it."
"How differently I might behave" Tom said, "if immortality were an option
”
”
Stephen Fry (The Fry Chronicles)
“
Up and down," Meera would sigh sometimes as they walked, "then down and up. Then up and down again. I hate these stupid mountains of yours, Prince Bran."
"Yesterday you said you loved them."
"Oh, I do. My lord father told me about mountains, but I never saw one till now. I love them more than I can say."
Bran made a face at her. "But you just said you hated them."
"Why can't it be both?" Meera reached up to pinch his nose.
"Because they're different," he insisted. "Like night and day, or ice and fire."
"If ice can burn," said Jojen in his solemn voice, "then love and hate can mate. Mountain or marsh, it makes no matter. The land is one."
"One," his sister agreed, "but over wrinkled.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Keegan rested his forearm on the wheel. “If the spell is fading, you could’ve grown old with this woman. She never had to know you were the Quartermaster on the Sea Dog when it sank in 1795.”
“All true.” Colton glanced over his shoulder toward the bow. “But every man she’s ever known has lied to her. I didn’t want to be another one.
”
”
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
“
You can be our Gandalf,” I said, remembering our conversation from weeks ago, and smiling.
“I’m only a year older than you. But I’ll take it as a compliment, if you let me be Dumbledore instead.”
“If you insist.” I shrugged. “But Dumbledore is more dead.”
“Point,” Daniel acknowledged.
“You’re neither, actually.” Jamie looked up from a file he was reading. “You’re a muggle—”
“Hey, now.”
“Which makes you Giles.”
Daniel considered it for a moment. “I’ll take it.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
Do you really want to know why you lost?” I asked.
“Do you really have an answer?” he countered.
“You need to get off your horse and run with your men. You don’t have the stamina for a long fight. And find a lighter sword.”
“But it was my uncle’s.”
“You’re not your uncle.”
“But I’m the King, and this is the King’s sword,” Cahil said. His brows creased together. He seemed confused.
“So wear it to your coronation,” I said. “If you use it in battle, you’ll be wearing it to your funeral,” I said.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
Negativity is a trait, not someone’s identity. A person’s true nature can be obscured by clouds, but, like the sun, it is always there. And clouds can overcome any of us. We have to understand this when we deal with people who exude negative energy. Just like we wouldn’t want someone to judge us by our worst moments, we must be careful not to do that to others. When someone hurts you, it’s because they’re hurt. Their hurt is simply spilling over. They need help. And as the Dalai Lama says, “If you can, help others; if you cannot do that, at least do not harm them.
”
”
Jay Shetty (Think Like a Monk: Train Your Mind for Peace and Purpose Every Day)
“
Education can help us only if it produces "whole men." The truly educated man is not a man who knows a bit of everything, not even the man who knows all the details of all subjects (if such a thing were possible): the "whole man," in fact, may have very little detailed knowledge of facts & theories...but he will be truly in touch with the centre. He will not be in doubt about his basic convictions, about his view on the meaning and purpose of his life. He may not be able to explain these matters in words, but the conduct of his life will show a certain sureness of touch which stems from his inner clarity.
”
”
Ernst F. Schumacher
“
Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!”
There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace.
My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble
something down or risk being ridiculed by my aunt.
Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the
yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!”
“Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.
But if I hated something then I had to be force-fed.
As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.”
“Yes Ma’am,” I said once again.
”
”
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
My message, unchanged for more than fifty years, is this: God loves
you unconditionally, as you are and not as you should be, because
nobody is as they should be. It is the message of grace…A grace
that pays the eager beaver who works all day long the same wages
as the grinning drunk who shows up at ten till five…A grace that
hikes up the robe and runs breakneck toward the prodigal reeking
of sin and wraps him up and decides to throw a party no ifs, ands,
or buts…This grace is indiscriminate compassion. It works without
asking anything of us…Grace is sufficient even though we huff and
puff with all our might to try to find something or someone it cannot
cover. Grace is enough…Jesus is enough.
”
”
Brennan Manning (All Is Grace: A Ragamuffin Memoir)
“
Once you Ascend, you'll get all your memories back!" Isabelle shouted at him.
"If I Ascend, it will be in two years. I'm not going to be the same guy in two years, even if I do get all the memories back, because there will be so many other memories. You're not going to be the same girl. I know you believed in me, Isabelle, I know you believed because you--you cared about him. That means more than I can tell you. But, Isabelle, Isabelle, it isn't fair of me to take advantage of your belief. It isn't fair to keep you waiting for him, when he isn't ever coming back.
”
”
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
“
April 6—Today, I learned, the comma, this is, a, comma (,) a period, with, a tail, Miss Kinnian, says its, importent, because, it makes writing, better, she said, somebody, could lose, a lot, of money, if a comma, isnt in, the right, place, I got, some money, that I, saved from, my job, and what, the foundation, pays me, but not, much and, I dont see how, a comma, keeps, you from, losing it,
But, she says, everybody, uses commas, so Ill, use them, too,,,,
April 7—I used the comma wrong. Its punctuation…Miss Kinnian says a period is punctuation too, and there are lots of other marks to learn.
She said; You, got. to-mix?them!up: She showd? me” how, to mix! them; up, and now! I can. mix (up all? kinds of punctuation— in, my. writing! There” are lots, of rules; to learn? but. Im’ get’ting them in my head:
One thing? I, like: about, Dear Miss Kinnian: (thats, the way? it goes; in a business letter (if I ever go! into business?) is that, she: always; gives me’ a reason” when—I ask. She”s a gen’ius! I wish? I could be smart-like-her;
Punctuation, is? fun!
”
”
Daniel Keyes (Flowers for Algernon)
“
Kaladin stared outward at the blue sky. “I have to know,” he whispered.
“Know?”
“You asked why I protect Dalinar. I have to know if he really is what he seems, Syl. I have to know if one of them lives up to his reputation. That will tell me-“
“Tell you? Tell you what?”
“If honor is dead, Kaladin whispered.
“He is,” Syl said. “But he lives on in men. And in me.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
Where’s the rest of it?” said Ellwood, his voice rising unpredictably.
“My,” just the word “my” would have been enough to live on, if Gaunt had ever called him that to his face.
“He never called me Sidney. Not once, in five years.” He looked up at Hayes. “What does it mean?”
“I don’t know,” said Hayes. He sat stiff and upright on the bed.
“Why didn’t he finish it?”
“I don’t know,” said Hayes.
“He knew he was going to die.”
“He thought you both would.”
“But he never called me Sidney.”
He never called him any of it. My, dearest, darling. Sidney. Ellwood leant back against the window, his throat stretching long as he looked up.
“If Gaunt had been a girl, I should have married him in an instant,” he said.
”
”
Alice Winn (In Memoriam)
“
But, Luce, I need you to promise me something," he said, his face wrinkling. "If I ever mess things up again, whether it's a misunderstanding, or shit luck, or I just do what I was created to do and screw everything up," he paused, exhaling, "I want you to promise me you'll leave. Drop me like a bad habit and don't look back because god knows, it can't be me that walks away since I'm incapable of it.
”
”
Nicole Williams (Crash (Crash, #1))
“
I keep waiting for things to go back to normal," Blue admitted. "But I know now that that's not going to happen, even when Mom comes back." She meant "if", but she said "when"
"I wouldn't have pegged you for a fan of normal," the Gray Man said. He slowed slightly as the headlights illuminated the eyes of three deers standing by the side of the road.
It was warming to be so known. She said, "I'm not, really, but I was used to it, I guess. It's boring, but at least it's not scary. Do you ever get scared? Or are you too badass for that?"
He looked amused, but also like a badass, sitting quietly and efficiently behind the wheel of the car.
"In my experience," the Gray Man said, "the badasses are the most scared. I just avoid being inappropriately frightened."
Blue thought this seemed like a reasonable goal. After a pause, she said, "You know, I like you."
He glanced over at her. "I do, too."
"Like me or like you? The grammar was unspecific."
The two of them enjoyed another laugh and the presence of someone else with their precise sense of humour.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Well, what if..." Scarlet listed her head. "You said the control when your animal instincts will overpower your own thoughts right? But fighting and hunting aren't the only instincts wolves have. Aren't wolves...monogamous, for starters?" Her cheeks started to burn and she had to look away, scratching her fork into a set of initial. "And isn't the alpha male the one who's responsible for protecting everyone? Not only the pack, but his mate too?" Dropping the fork, she threw her hands into the air. "I'm not saying I think you and I are--after just--I know we just met and that's...but it's not out of the questions, is it? That your instincts to protect me could be as strong as your instincts to kill?
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
They send a person who can never stay,: she whispered. "Who can never accept my offer of companionship for more than a little while. They send me a hero I can't help... Just the sort of person I can't help falling in love with." The night was quiet except for the gurgle of the fountains and waves lapping on the shore. It took me a long time to realize what she was saying. "Me?" I asked. "If you could see your face." She suppressed a smile, though her eyes were still teary. "Of course, you." "That's why you've been pulling away all this time?" "Itried very hard. But I can't help it. The Fates are cruel. They sent you to me, my brave one, knowing that you would break my heart." "But... I'm just... I mean, I'm just me." "That is enough," Calypso promised.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
Man is unhappy because he doesn't know he's happy; only because of that. It's everything, everything, Whoever learns will at once immediately become happy, that same moment...
"And when did you find out that you were so happy?"
"Last week, on Tuesday, no, Wednesday, because it was Wednesday by then, in the night."
"And what was the occasion?"
"I don't remember, just so; I was pacing the room...it makes no difference. I stopped my clock, it was two thirty-seven."
"As an emblem that time should stop?"
Kirillov did not reply.
"They're not good," he suddenly began again, "because they don't know they're good. When they find out, they won't violate the girl. They must find out that they're good, then they'll all become good at once, all, to a man.
"Well, you did find out, so you must be good?"
"I am good."
"With that I agree, incidentally," Stavrogin muttered frowningly.
"He who teaches that all are good, will end the world."
"He who taught it was crucified."
"He will come, and his name is the man-god."
"The God-man?"
"The man-god--that's the whole difference."
"Can it be you who lights the icon lamp?"
"Yes, I lit it."
"You've become a believer?"
"The old woman likes the icon lamp...she's busy today," Kirillov muttered.
"But you don't pray yet?"
"I pray to everything. See, there's a spider crawling on the wall, I look and am thankful to it for crawling."
His eyes lit up again. He kept looking straight at Stavrogin, his gaze firm and unflinching. Stavrogin watched him frowningly and squeamishly, but there was no mockery in his eyes.
"I bet when I come the next time you'll already believe in God," he said, getting up and grabbing his hat.
"Why?" Kirillov also rose.
"If you found out that you believe in God, you would believe; but since you don't know yet that you believe in God, you don't believe," Nikolai Vsevolodovich grinned.
”
”
Fyodor Dostoevsky (Demons)
“
If a man says: “But I realize that my natural endowments are mediocre—shall I then suffer, be ashamed, have an inferiority complex?” The answer is: “In the basic, crucial sphere, the sphere of morality and action, it is not your endowments that matter, but what you do with them.” It is here that all men are free and equal, regardless of natural gifts. You can be, in your own modest sphere, as good morally as the genius is in his—if you live by the same rules. Find your goal within yourself, in whatever work you are honestly capable of performing. Never make others your prime goal. Demand nothing from others as an unearned gift and grant them nothing unearned. Live by your own rational judgments. Be independent in whatever judgments you hold or actions you undertake, and do not venture beyond your own capacity, into spheres where you’ll have to become a parasite and a second-hander. You’ll be surprised how decent and wonderful a human being you’ll become, and how much honest, legitimate human affection and appreciation you’ll get from others.
”
”
Ayn Rand (Journals of Ayn Rand)
“
Biting the hand that feeds you, that's what you're doing Mary Logan, biting the hand that feeds you.'
Again Mama laughed, 'If that's the case, Daisy, I don't think I need that little bit of food.'
With the second book finished, she stared at a small pile of second grade books on her desk.
'Well, I just think you're spoiling those children, Mary. They've got to learn how things are sometime.'
'Maybe so,' said Mama. 'But that doesn't mean they have to accept them. And maybe we don't either.
”
”
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
“
Then the one called Raltariki is really a demon?" asked Tak.
"Yes—and no," said Yama, "If by 'demon' you mean a malefic, supernatural creature, possessed of great powers, life span and the ability to temporarily assume virtually any shape—then the answer is no. This is the generally accepted definition, but it is untrue in one respect."
"Oh? And what may that be?"
"It is not a supernatural creature."
"But it is all those other things?"
"Yes."
"Then I fail to see what difference it makes whether it be supernatural or not—so long as it is malefic, possesses great powers and life span and has the ability to change its shape at will."
"Ah, but it makes a great deal of difference, you see. It is the difference between the unknown and the unknowable, between science and fantasy—it is a matter of essence. The four points of the compass be logic, knowledge, wisdom and the unknown. Some do bow in that final direction. Others advance upon it. To bow before the one is to lose sight of the three. I may submit to the unknown, but never to the unknowable.
”
”
Roger Zelazny (Lord of Light)
“
I see you are looking at my feet," he said to her when car was in motion.
"I beg your pardon?" said the woman.
"I said I see you're looking at my feet".
"I beg your pardon. I happened to be looking at the floor," said the woman, and faced the doors of the car.
"If you want to look at my feet, say so," said the young man. "But don't be a God-damned sneak about it."
"Let me out here, please," the woman said quickly to the girl operating the car.
The car doors opened and the woman got out without looking back.
"I have two normal feet and I can't see the slightest God-damned reason why anybody should stare at them," said the young man.
”
”
J.D. Salinger (Nine Stories)
“
I'm wondering, if there was something you wanted, had wanted for some time, what would you do about it?"
"If I've wanted it, why don't I have it?"
"Because you haven't made any real effort to get it as yet."
"And why haven't I?" He arched his sandy brows. "Am I slow or just stupid?"
Brenna thought it over, decided he couldn't know he'd just insulted his first born. Then she nodded slowly. "Maybe a bit of both in this particular case."
Relieved to have the conversation turn to a safe area, he gave her a fierce grin. "Then I'd stop being slow and I'd stop being stupid and I'd take good aim at what I wanted and not dawdle about. Because when an O'Toole takes aim, by Jesus, he hits his mark.
That, she knew, was true enough. And was certainly expected. "But maybe you're a bit nervous and not quite sure of your skill in this area."
"Girl, if you don't go after what you want, you'll never have it. If you don't ask, the answer's always no. If you don't step forward, you're always in the same place.
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
Don’t.” I walked up to him. “If it ever comes down to a
situation between me and you, save yourself. I’m not worth dying
for.”
“Princess, I-”
“None of us are,” I said, looking at him seriously. “Not the
Queen or any of the Markis or Marksinna. That’s a direct order from
the Princess, and you have to follow it. Save yourself.”
“I don’t understand.” Duncan’s whole face scrunched in
confusion. “But… if it’s as you wish, Princess.”
“It is. Thank you,” I smiled at him and walked into the palace.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
Take a nice, long look at your future, reaper. You'll soon be burning as fuel for hundreds of tiny fires."
Tod laughed out loud. "If that's your way of saying I'm hot, rest assured, I already know." He spread his arms, inviting Avari and his monstrous court to look him over. "But I'm going to have to keep lighting up the room with my dazzling personality, because you couldn't scrape enough fat off me to fill even one of your sick-ass human candles. And, based on the crowd behind you, I'm guessing most of your friends look better in the dark anyway.
”
”
Rachel Vincent (With All My Soul (Soul Screamers, #7))
“
I must go-- the aunts will be worried. Guy, I don't know if we will meet again, but--" Her voice broke and she tried again. "Sometimes, when you're alone and you look up at--" Once more, she had to stop. Then she managed, "If I cannot be anything else... could I be your Star Sister? Could I at least be that?"
Guy dug his nails into his palms. Everything in him rose in protest at the fey, romantic conceit. He did not want her in the heavens, linked to him by some celestial whimsy, but here and now in the flesh and after the death of the flesh, her hand in his as they rose from graves like these when the last trump sounded.
"Yes," he managed to say. "You can be my Star Sister. You can at least be that.
”
”
Eva Ibbotson (The Reluctant Heiress)
“
What all you young kids fail to remember is that the excitement and freshness of that new relationship doesn't last. Everyone-- every relationship--hits those rough patches when you argue and don't get along so well and it's so easy to be tempted to go for freshness again to feel appreciated and desired.If not ---Bam, you're miserable and getting your kicks elsewhere.But if you keep that freshness alive in your relationship you'll get through it. Mark my Words
”
”
Tina Reber (Love Unrehearsed (Love, #2))
“
Another last-minute, good-deed job,” Royce grumbled as he stuffed
supplies into his saddlebag.
“True,” Hadrian said, slinging his sword belt over his shoulder, “but
this is at least a paying job.”
“You should have told him the real reason we saved him from Trumbul—
because we wouldn’t see the hundred tenents otherwise.”
“That was your reason. Besides, how often do we get to do royal contracts?
If word gets around, we’ll be able to command top salaries.”
“If word gets around, we’ll be hanged.
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
There was a wicked ole witch once called Black Aliss. She was an unholy terror. There's never been one worse or more powerful. Until now. Because I could spit in her eye and steal her teeth, see. Because she didn't know Right from Wrong, so she got all twisted up, and that was the end of her.
"The trouble is, you see, that if you do know Right from Wrong, you can't choose Wrong. You just can't do it and live. So.. if I was a bad witch I could make Mister Salzella's muscles turn against his bones and break them where he stood... if I was bad. I could do things inside his head, change the shape he thinks he is, and he'd be down on what had been his knees and begging to be turned into a frog... if I was bad. I could leave him with a mind like a scrambled egg, listening to colors and hearing smells...if I was bad. Oh yes." There was another sigh, deeper and more heartfelt.
"But I can't do none of that stuff. That wouldn't be Right."
She gave a deprecating little chuckle. And if Nanny Ogg had been listening, she would have resolved as follows: that no maddened cackle from Black Aliss of infamous memory, no evil little giggle from some crazed Vampyre whose morals were worse than his spelling, no side-splitting guffaw from the most inventive torturer, was quite so unnerving as a happy little chuckle from a Granny Weatherwax about to do what's best.
”
”
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
“
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types.
You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore.
If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining.
Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
”
”
Anton Szandor LaVey
“
I shall have to go. But-" and here Frodo looked hard at Sam- "if you really care about me, you will have to keep that DEAD secret. See? If you don't, if you even breathe a word of what you've heard here, then I hope Gandalf will turn you into a spotted toad and fill the garden full of grass snakes."
Sam fell on his knees, trembling. "Get up, Sam!" Said Gandalf. "I have thought of something better than that. Something to keep you quiet, and punish you properly for listening. You shall go away with Mr. Frodo!"
"Me, sir!" cried Sam, springing up like a dog invited for a walk. "Me go and see Elves and all! Hooray!" he shouted, and then burst into tears.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
You're suicidal.You know how impossible this sounds?"
"Yes." I pause. "But I don't really have much choice."
"Well,go on.What about the square?"
"Diversion." My eyes lock onto Kaede's. "Create chaos in Batalla Square, as much chaos as you can manage. Enough chaos to force most of the soldiers guarding the back exits to enter the square and help contain the crowd-if only for a couple of minutes. That's what the electro-bomb might help you with. Set it off in the air, and it'll shake up the ground in Batalla Hall and around it. It shouldn't hurt anyone, but it'll definitely stir up some panic. And if the guns in the vicinity are disabled,they can't shoot at Day even if they see him escaping along a rooftop.They'll have to chase him or try their luck with less accurate stun guns."
"Okay,genius." Kaede laughs, a little too sarcastically. "Let me ask you this, though. How the hell are you going to get Day out of the building at all? You think you're going to be the only soldier escorting him to the firing squad? Other soldiers will probably flank you.Hell,a whole patrol might join you."
I smile at her. "There will be other soldiers. But who says they can't be Patriots in disguise?"
She doesn't answer me,not in words. But I can see the grin spreading on her face, and I realize that even though she thinks I'm crazy,she has also agreed to help.
”
”
Marie Lu (Legend (Legend, #1))
“
Jace, you
don’t have to—”
“I was trying to go…somewhere,” Jace said. “But I kept getting pulled back here. I couldn’t stop walking, couldn’t stop thinking.
About the first time I ever saw you, and how after that I couldn’t forget you. I wanted to, but I couldn’t stop myself. I forced
Hodge to let me be the one who came to find you and bring you back to the Institute. And even back then, in that stupid coffee
shop, when I saw you sitting on that couch with Simon, even then that felt wrong to me—I should have been the one sitting with
you. The one who made you laugh like that. I couldn’t get rid of that feeling. That it should have been me. And the more I knew
you, the more I felt it—it had never been like that for me before. I’d always wanted a girl and then gotten to know her and not
wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick’s and I
knew.
“And then to find out that the reason I felt like that—like you were some part of me I’d lost and never even knew I was missing
until I saw you again—that the reason was that you were my sister, it felt like some sort of cosmic joke. Like God was spitting on
me. I don’t even know for what—for thinking that I could actually get to have you, that I would deserve something like that, to be
that happy. I couldn’t imagine what it was I’d done that I was being punished for—”
“If you’re being punished,” Clary said, “then so am I.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
You’re wasting your life being involved with me.”
“I’m not wasting anything.”
“But I might never recover. Will you wait for me forever? Can you wait 10 years, 20 years?”
“You’re letting yourself be scared by too many things,” I said. “The dark, bad dreams, the power of the dead. You have to forget them. I’m sure you’ll get well if you do.”
“If I can,” said Naoko, shaking her head.
“If you can get out of this place, will you live with me?” I asked.
“Then I can protect you from the dark and from bad dreams. Then you’d have me instead of Reiko to hold you when things got difficult.”
Naoko pressed still more firmly against me.
“That would be wonderful,” she said.
”
”
Haruki Murakami (Norwegian Wood)
“
I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly. Like right now, how the sun is coming on, low behind the elms, and I can't tell the difference between a sunset and a sunrise. The world, reddening, appears the same to me--and I lose track of east and west. The colors this morning have the frayed tint of something already leaving. I think of the time Trev and I sat on the toolshed roof, watching the sun sink. I wasn't so much surprised by its effect--how, in a few crushed minutes, it changes the way things are seen, including ourselves--but that it was ever mine to see. Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Now I'm hot and bothered, and wondering why my new neighbor isn't putting the moves on me."
"Maybe he doesn't want to push you too far, too fast and scare you off." Gideon's eyes glittered in the light of the television.
"Is that so?"
He nuzzled his nose against my temple. "If he has half a brain, he'd know not to let you get away."
Oh... "Maybe I should make the first move," I whispered, wrapping my fingers around his wrist. "But what if he thinks I'm too easy?"
"He'll be too busy thinking he's damned luck.
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
Now, then. What does ‘fucking’ mean?” My surprise must have shown plainly, for he said irritably, “If ye must call me names, that’s one thing. But I dinna care to be called things I can’t answer. I know it’s a damn filthy word, from the way ye said it, but what does it mean?” Taken off guard, I laughed, a little shakily. “It … it means … what you were about to do to me.” One brow lifted, and he looked sourly amused. “Oh, swiving? Then I was right; it is a damn filthy word. And what’s a sadist? Ye called me that the other day.” I suppressed the urge to laugh. “It’s, er, it’s a person who … who, er, gets sexual pleasure from hurting someone.” My face was crimsoning, but I couldn’t stop the corners of my mouth from turning up slightly. Jamie snorted briefly. “Well, ye dinna flatter me overmuch,” he said, “but I canna fault your observations.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
is a broken man an outlaw?"
"More or less." Brienne answered.
Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know.
"Then they get a taste of battle.
"For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe.
"They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water.
"If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world...
"And the man breaks.
"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
”
”
George R.R. Martin
“
He laughed. “What’s to say? Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But—” crossing back to the table to sit again “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger.
”
”
Donna Tartt (The Goldfinch)
“
I don't..." He gasps. "I don't really want to talk about it anymore."
"Okay.Then...I can talk. Ask me something."
"Okay." He laughs shakily in my ear. "Why is your heart racing, Tris?"
I cringe and say, "Well,I..." I search for an excuse that doesn't involve his arms being around me. "I barely know you." Not good enough. "I barely know you and I'm crammed against you in a box,Four,what do you think?"
"If we were in your fear landscape," he says, "would I be in it?"
"I'm not afraid of you."
"Of course you're not.But that's not what I meant."
He laughs again,and when he does,the walls break apart with a crack and fall away,leaving us in a circle of light. Four sighs and lifts his arms from my body. I scramble to my feet and brush myself off,though I haven't accumulated any dirt that I'm aware of. I wipe my palms on my jeans. My back feels cold from the sudden absence of him.
He stands in front of me. He's grinning, and I'm not sure I like the look in his eyes.
"Maybe you were cut out for Candor," he says, "because you're a terrible liar.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Marie came that evening and asked me if I'd marry her. I said I didn't mind; if she was keen on it, we'd get married. Then she
asked me again if I loved her. I replied, much as before, that her question meant nothing or next to nothing--but I supposed I didn't.
'If that's how you feel,' she said, 'why marry me?'
I explained that it had no importance really, but, if it would give her pleasure, we could get married right away. I pointed out that, anyhow, the suggestion came from her; as for me, I'd merely said, 'Yes.'
Then she remarked that marriage was a serious matter. To which I answered: 'No.'
She kept silent after that, staring at me in a curious way. Then she asked:
'Suppose another girl had asked you to marry her--I mean, a girl you liked in the same way as you like me--would you have said 'Yes' to her, too?'
'Naturally.'
Then she said she wondered if she really loved me or not. I, of course, couldn't enlighten her as to that. And, after another silence, she murmured something about my being 'a queer fellow.' 'And I daresay that's why I love you,' she added. 'But maybe that's why one day I'll come to hate you.
”
”
Albert Camus (The Stranger)
“
I'm find," her voice squeaked out. Remembering the maggots-and not one hundred percent sure the ghost had taken them with her-Kylie leapt up, yanked the covers off the bed, and tossed them on the floor, she backed away from the pile of bedding.
"Yeah. You look just fine," Della said sarcastically.
Kylie jumped from foot to foot and brushed off imaginary maggots that she felt crawling on her skin.
Della stood there in Mickey Mouse pajamas, staring at her as if she didn't' know whether to laugh or run.
Kylie stopped dancing and tried to breathe normally. "If I die, promise me I'll be cremated."
Della frowned. "Die?"
"Not that I'm planning to die anytime soon." She gave her arm one more swipe. "But still."
Della shook her head. "I don't know why you pretend you're okay.
”
”
C.C. Hunter
“
Govinda said: "But what you call thing, is it something real, something intrinsic? Is it not only the illusion of Maya, only image and appearance? Your stone, your tree, are they real?"
"This also does not trouble me much," said Siddhartha. "If they are illusion, then I also am illusion, and so they are always of the same nature as myself. It is that which makes them so lovable and venerable. That is why I can Love them. And here is a doctrine at which you will laugh. It seems to me, Govinda, that love is the most imortant thing in the world. It may be important tp great thinkers to examine the world, to explain an despise it. But I think it is only important to love the world, not to despise it, not for uus to hate each other, but to be able to regard the world and ourselves and all beings with love, admiration and respect.
”
”
Hermann Hesse
“
And, er, these stories about you..."
"Oh, all true. Most of them. A bit of exaggeration, but mostly true."
"The one about the Citadel in Muntab and the Pash and the fish bone?"
"Oh, yes."
"But how did you get in where half a dozen armed and trained men couldn't even - ?"
"I am a little man and I carry a broom," said Lu-Tze simply. "Everyone has some mess that needs clearing up. What harm is a man with a broom?"
"What? And that was it?"
"Well, the rest was a matter of cookery, really. The Pash was not a good man, but he was a glutton for his fish pie."
"No martial arts?" said Lobsang.
"Oh, always a last resort. History needs shepherds, not butchers."
"Do you know okidoki?"
"Just a lot of bunny-hops."
"Shittake?"
"If I wanted to thrust my hand into hot sand I would go to the seaside."
"Upsidazi?"
"A waste of good bricks."
"No kando?"
"You made that one up.
”
”
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
“
Until recently, I believed all horses were alike. They’ve been giant, four-footed animals with ugly dispositions and alarmingly large teeth for so long that it’s a bit startling to notice how different they are from each other. Mara’s mare, for instance, is a chestnut bay except for a wide white blaze down her nose that makes her seem perpetually surprised. My huge plodding mount is a dark brown near to black creature, with the most unruly mane I’ve ever seen. Her shaggy forelock covers her right eye and reaches almost to her mouth.
Mara’s mare head-butts her in the chest. Grinning, Mara plants a kiss between her wide, dumb eyes, then murmurs something.
“Have you named her?” I ask.
“Yes! Her name is Jasmine.”
I grimace. “But jasmine is such a sweet, pretty flower.”
Mara laughs. “Have you named yours?”
“Her name is Horse.”
She rolls her eyes. “If you want to get along with your mount you have to learn each others’ languages. That means starting with a good name.”
“All right.” I pretend to consider. “What about Imbecile? Or Poops A Lot?
”
”
Rae Carson (The Bitter Kingdom (Fire and Thorns, #3))
“
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you."
Maxon took a step closer.
My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted.
Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard.
Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?"
"If you lay a single finger on me, I'll do worse!" I promised.
"What?"
"I said, if you-"
"No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?"
I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming.
The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position.
We were quiet for a while, and once Maxon was over the worst of his pain, he faced me.
"What did you think I wanted?" he asked.
I ducked my head and blushed.
"America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!"
He started to walk away but turned back.
"Why did you even offer to help if you think so little of me?"
I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Hey Wanda! Hey Ian!" Jamie was all grins, his messy hair bouncing as he moved..."Guess what? Jared was saying at lunch that he didn't think it was fair for you to have to move out of the room you were used to. He said we weren't being good hosts. He said you should move back in with me! Isn't that great? I asked him if I could tell you right away, and he said that was a good idea. He said you would be in here."
"I'll bet he did," Ian murmured.
"So, what do you think, Wanda? We get to be roomies again!"
"But Jamie, where will Jared stay?"
"Wait - let me guess," Ian interrupted. "I bet he said the room was big enough for three. Am I right?"
"Yeah. How did you know?"
"Lucky guess"
...
"Will you come back?" Jamie begged against my shoulder..."If that's what you want, Jamie. Okay."
"Woo hoo!" Jamie crowed in my ear. "Cool! I'm gonna go tell Jared! I'll get you some food, too, okay?...You want something, Ian?"
"Sure, kid. I want you to tell Jared he's shameless.
”
”
Stephenie Meyer
“
You’re the boy Nina tailored to look like Kuwei,” Genya said. “And you want me to try to undo her work?”
“Yes,” Wylan said, that one word imbued with a whole world of hope. “But I don’t have anything to bargain with.”
Genya rolled her single amber eye. “Why are the Kerch so focused on money?”
“Says the woman with a bankrupt country,” murmured Jesper.
“What was that?” snapped Zoya.
“Nothing,” said Jesper. “Just saying Kerch is a morally bankrupt country.”
Zoya looked him up and down as if she was considering tossing him into a pool and boiling him alive. “If you want to waste your time and talent on these wretches, feel free. Saints know there’s room for improvement.”
“Zoya—”
“I’m going to go find a dark room with a deep pool and try to wash some of this country off.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I'm speechless.I think at the rooftops of Paris.
he touches my cheek,pulling my gaze back to him.I suck in my breath.
"Anna.I'm sorry for what happened in Luxembourg Gardens.Not because of the kiss-I've never had a kiss like that in my life-but because I didn't tell you why I was running away.I chased after Meredith because of you."
Touch me again. Please,touch me again.
"All I could think about was what that bastard did to you last Christmas. Toph never tried to explain or apologize. How could I do that to Mer? And I ought to have called you before I went to Ellie's,but I was so anxious to just end it,once and for all,that I wasn't thinking straight."
I reach for him. "St. Clair-"
He pulls back. "And that.Why don't you call me Etienne anymore?"
"But...no one else calls you that.It was weird.Right?"
"No.It wasn't." His expression saddens. "And every time you say 'St. Clair,' it's like you're rejecting me again."
"I have never rejected you."
"But you have.And for Dave." His tone is venomous.
"And you rejected me for Ellie on my birthday. I don't understand.If you liked me so much,why didn't you break up with her?"
He gazes at the river. "I've been confused. I've been so stupid."
"Yes.You have."
"I deserve that."
"Yes.You do." I pause. "But I've been stupid,too.You were right.About...the alone thing.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Tortolita, let me tell you a story,” Estevan said. “This is a South American, wild Indian story about heaven and hell.” Mrs. Parsons made a prudish face, and Estevan went on. “If you go visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bit of this wonderful stew God has made for them. Now, why is that?”
“Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods.
“No,” he said. “Good guess, but no. They are starving because they only have spoons with very long handles. As long as that.” He pointed to the mop, which I had forgotten to put away. “With these ridiculous, terrible spoons, the people in hell can reach into the pot but they cannot put the food in their mouths. Oh, how hungry they are! Oh, how they swear and curse each other!” he said, looking again at Virgie. He was enjoying this.
“Now,” he went on, “you can go and visit heaven. What? You see a room just like the first one, the same table, the same pot of stew, the same spoons as long as a sponge mop. But these people are all happy and fat.”
“Real fat, or do you mean just well-fed?” Lou Ann asked.
“Just well-fed,” he said. “Perfectly, magnificently well-fed, and very happy. Why do you think?”
He pinched up a chunk of pineapple in his chopsticks, neat as you please, and reached all the way across the table to offer it to Turtle. She took it like a newborn bird.
”
”
Barbara Kingsolver (The Bean Trees (Greer Family, #1))
“
They keep telling you, when you’re older, you’ll have experience—and that’s supposed to be so great. What would you say about that, sir? Is it really any use, would you say?"
"What kind of experience?”
“Well—places you’ve been to, people you’ve met. Situations you’ve been through already, so you know how to handle them when they come up again. All that stuff that’s supposed to make you wise, in your later years.”
“Let me tell you something, Kenny. For other people, I can’t speak—but, personally, I haven’t gotten wise on anything. Certainly, I’ve been through this and that; and when it happens again, I say to myself, Here it is again. But that doesn’t seem to help me. In my opinion, I, personally, have gotten steadily sillier and sillier and sillier—and that’s a fact.”
“No kidding, sir? You can’t mean that! You mean, sillier than when you were young?”
“Much, much sillier.”
“I’ll be darned. Then experience is no use at all? You’re saying it might just as well not have happened?”
“No. I’m not saying that. I only mean, you can’t use it. But if you don’t try to—if you just realize it’s there and you’ve got it—then it can be kind of marvelous.
”
”
Christopher Isherwood (A Single Man)
“
The crazy thing is, I had all of these plans,” he whispered. “What we were going to do. All the places I was going to take you. I really wanted you to meet Harry.” The window breathed in afternoon light. I felt his hand trail down the length of my arm. “We’ll be okay,” Liam said. “We just can’t let them separate us.”
“They won’t,” I whispered. “I was thinking…I know this is going to sound so corny, but…if there’s one good thing that came out of all this, it was that I got to meet you. I would go through it all again—” Tears pricked my eyes. “I would, as long as it meant I’d met you.”
“You really think that?” Liam sat up and pressed his lips against my hair. “’Cause, frankly, the way I see it, you and me? Inevitable.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
”
”
Franz Kafka (The Trial)
“
Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of--something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possesed your soul have been but hints of it--tantalizing glimspes, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest--if there ever came an echo that did not die away but swelled into the sound itself--you would know it. Beyond all possibility of doubt you would say 'Here at last is the thing I was made for.' We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the things we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
”
”
Katherine Applegate (The Diversion (Animorphs, #49))
“
So,” Mikhail said, shattering her thoughts as he pointed a fork at her, “when your master beat the living daylights out of you, did you actually deserve it?” Ansel shot him a dark look, and Celaena straightened. Even Ilias was now listening, his lovely eyes fixed on her face. But Celaena stared right at Mikhail. “I suppose it depends on who is telling the story.” Ansel chuckled. “If Arobynn Hamel is telling the story, then yes, I suppose I did deserve it. I cost him a good deal of money—a kingdom’s worth of riches, probably. I was disobedient and disrespectful, and completely remorseless about what I did.” She didn’t break her stare, and Mikhail’s smile faltered. “But if the two hundred slaves that I freed are telling the story, then no, I suppose I didn’t deserve it.” None of them were smiling anymore. “Holy gods,” Ansel whispered. True silence fell over their table for a few heartbeats. Celaena resumed eating. She didn’t feel like talking to them after that.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
The universe is so very complicated," said Dr Dimble.
"So you have said rather often before, dear," replied Mrs Dimble
"Have I?" he said with a smile. "How often, I wonder? As often as you've told the story of the pony and trap at Dawlish?"
"Cecil! I haven't told it for years."
"My dear, I heard you telling it to Camilla the night before last."
"Oh, Camilla! That was quite different. She'd never heard it before."
"I don't know if we can even be certain about that...the universe being so complicated and all." For a few minutes there was silence between them.
"But about Merlin?" asked Mrs Dimble presently.
"Have you ever noticed," said Dimble," that the universe, and every little bit of the universe, is always hardening and narrowing and coming to a point?"
His wife waited as those wait who know by long experience the mental processes of the person who is talking to them.
"I mean this," said Dimble, answering the question she had not asked. "If you dip into any college, or school, or parish, or family—anything you like—at a given point in its history, you always find that there was a time before that point when there was more elbow room and contrasts weren't quite so sharp; and that there's going to be a time after that point when there is even less room for indecision and choices are even more momentous. Good is always getting better and bad is always getting worse: the possibilities of even apparent neutrality are always diminishing.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
from the Basement tapes
Eric outdid Dylan with the apologies. To the untrained eye, he seemed sincere. The psychologists on the case found Eric less convincing. They saw a psychopath. Classic. He even pulled the stunt of self-diagnosing to dismiss it. "I wish I was a fucking sociopath so I didn't have any remorse," Eric said. "But I do."
Watching that made Dr. Fuselier angry. Remorse meant a deep desire to correct a mistake. Eric hadn't done it yet. He excused his actions several times on the tapes. Fuselier was tough to rattle, but that got to him.
"Those are the most worthless apologies I've ever heard in my life," he said. It got more ludicrous later, when Eric willed some of his stuff to two buddies, "if you guys live."
"If you live?" Fuselier repeated. "They are going to go in there and quite possibly kill their friends. If they were the least bit sorry they would not do it!
”
”
Dave Cullen (Columbine)
“
I’ve got a question for you… Are you the person who you thought you’d be by now? I know I am not. The fact is that life may not be what you thought it would be by now (If It is, I congratulate you & applaud you) You may feel stuck in a job you don’t like, not making enough money, jobless, or maybe you are in a bad relationship/marriage, or unhappy because you are out of shape…but don’t let that get you down.
The key is 2 focus on what you have (Health,Fam,friends etc) instead of what you don’t have. And also in the things that you have done (Finished a Race-College/Got that Diploma/Raise a Family etc) Instead of the things you haven’t done. yet
IF where you are now, it’s not where you want to be…know that where you’re going is far more important than where you are now or where you’ve been.
Forgive yourself, Accept the current situation & MOVE ON, knowing that from now on you will focus your time & energy on the possibilities & opportunities that lie ahead 4 you in the near future.
”
”
Pablo
“
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you."
Jocelyn sounded defensive. "Amatis-"
"It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go."
Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned?
Amatis gave a little gasp. "Unless- you do love him?"
"Amatis, I can't-"
"You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!"
"It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke."
"I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council."
"But they want him to be their Council member! And he wants to-"
"All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go."
Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise.
"Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here."
Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter.
"If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you."
For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that."
A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it.
Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?"
"My mom's spent her whole life chasing me around," Clary said. "She moves fast.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Since this often seems to come up in discussions of the radical style, I'll mention one other gleaning from my voyages. Beware of Identity politics. I'll rephrase that: have nothing to do with identity politics. I remember very well the first time I heard the saying "The Personal Is Political." It began as a sort of reaction to defeats and downturns that followed 1968: a consolation prize, as you might say, for people who had missed that year. I knew in my bones that a truly Bad Idea had entered the discourse. Nor was I wrong. People began to stand up at meetings and orate about how they 'felt', not about what or how they thought, and about who they were rather than what (if anything) they had done or stood for. It became the replication in even less interesting form of the narcissism of the small difference, because each identity group begat its sub-groups and "specificities." This tendency has often been satirised—the overweight caucus of the Cherokee transgender disabled lesbian faction demands a hearing on its needs—but never satirised enough. You have to have seen it really happen. From a way of being radical it very swiftly became a way of being reactionary; the Clarence Thomas hearings demonstrated this to all but the most dense and boring and selfish, but then, it was the dense and boring and selfish who had always seen identity politics as their big chance.
Anyway, what you swiftly realise if you peek over the wall of your own immediate neighbourhood or environment, and travel beyond it, is, first, that we have a huge surplus of people who wouldn't change anything about the way they were born, or the group they were born into, but second that "humanity" (and the idea of change) is best represented by those who have the wit not to think, or should I say feel, in this way.
”
”
Christopher Hitchens (Letters to a Young Contrarian)
“
Ten good lines out of four hundred, Emily—comparatively good, that is—and all the rest balderdash—balderdash, Emily."
"I—suppose so," said Emily faintly.
Her eyes brimmed with tears—her lips quivered. She could not help it. Pride was hopelessly submerged in the bitterness of her disappointment. She felt exactly like a candle that somebody had blown out.
"What are you crying for? demanded Mr. Carpenter.
Emily blinked away tears and tried to laugh.
"I—I'm sorry—you think it's no good—" she said.
Mr. Carpenter gave the desk a mighty thump.
"No good! Didn't I tell you there were ten good lines? Jade, for ten righteous men Sodom had been spared."
"Do you mean—that—after all—" The candle was being relighted again.
"Of course, I mean. If at thirteen you can write ten good lines, at twenty you'll write ten times ten—if the gods are kind. Stop messing over months, though—and don't imagine you're a genius, either, if you have written ten decent lines. I think there's something trying to speak through you—but you'll have to make yourself a fit instrument for it. You've got to work hard and sacrifice—by gad, girl, you've chosen a jealous goddess. And she never lets her votaries go—not even when she shuts her ears forever to their plea.
”
”
L.M. Montgomery (Emily of New Moon (Emily, #1))
“
Noatalgia Nalan believed there were two families in this world:relatives formed blood family;and friends,the water family.If your blood family happened to be nice and caring,you could count your lucky stars and make the most of it; and if not,there was still hope; things could take a turn for the better once you are old enough to leave your home sour home.
As for the water family, this was formed much later in life and was,to a large extent,of your own making. While it was true that nothing could take the place of a loving, happy blood family, in the absence of one, a good water family could wash away the hurt and pain collected inside like black soot.It is therefore possible for your friends to have a treasured place in your heart, and occupy a bigger space than all your kin combined.But those who had never experienced what it felt like to be spurned by their own relatives would not understand this truth in a million years.They would never know that there were times when water ran thicker than blood.
”
”
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
“
I would let her...have adventures. I would let her...choose her path. It would be hard...it was hard...but I would do it. Oh, not completely, of course. Some things have to go on. Cleaning one's teeth, arithmetic. But Maia fell in love with the Amazon. It happens. THe place was for her - and the people. Of course there was some danger, but there is danger everywhere. Two years ago, in this school, there was an outbreak of typhus, and three girls died. CHildren are knocked down and killed by horses every week, here in these streets--" She broke off, gathering her thoughts. "When she was traveling and exploring...and finding her songs, Maia wasn't just happy, she was...herself. I think something broke in Maia when her parents died, and out there it healed. Perhaps I'm mad--and the professor too-- but I think children must lead big lives...if it is in them to do so.
”
”
Eva Ibbotson (Journey to the River Sea)
“
If," ["the management consultant"] said tersely, “we could for a moment move on to the subject of fiscal policy. . .”
“Fiscal policy!" whooped Ford Prefect. “Fiscal policy!"
The management consultant gave him a look that only a lungfish could have copied.
“Fiscal policy. . .” he repeated, “that is what I said.”
“How can you have money,” demanded Ford, “if none of you actually produces anything? It doesn't grow on trees you know.”
“If you would allow me to continue.. .”
Ford nodded dejectedly.
“Thank you. Since we decided a few weeks ago to adopt the leaf as legal tender, we have, of course, all become immensely rich.”
Ford stared in disbelief at the crowd who were murmuring appreciatively at this and greedily fingering the wads of leaves with which their track suits were stuffed.
“But we have also,” continued the management consultant, “run into a small inflation problem on account of the high level of leaf availability, which means that, I gather, the current going rate has something like three deciduous forests buying one ship’s peanut."
Murmurs of alarm came from the crowd. The management consultant waved them down.
“So in order to obviate this problem,” he continued, “and effectively revalue the leaf, we are about to embark on a massive defoliation campaign, and. . .er, burn down all the forests. I think you'll all agree that's a sensible move under the circumstances."
The crowd seemed a little uncertain about this for a second or two until someone pointed out how much this would increase the value of the leaves in their pockets whereupon they let out whoops of delight and gave the management consultant a standing ovation. The accountants among them looked forward to a profitable autumn aloft and it got an appreciative round from the crowd.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
Then there was a hard brown lozenge called the Tonsil Tickler. The Tonsil Tickler tasted and smelled very strongly of chloroform. We had not the slightest doubt that these things were saturated in the dreaded anaesthetic which, as Thwaites had many times pointed out to us, could put you to sleep for hours at a stretch. "If my father has to saw off somebody's leg," he said, "he pours chloroform on to a pad and the person sniffs it and goes to sleep and my father saws his leg off without him even feeling it."
"But why do they put it into sweets and sell them to us?" we asked him. You might think a question like this would have baffled Thwaites. But Thwaites was never baffled.
"My father says Tonsil Ticklers were invented for dangerous prisoners in jail," he said. "They give them one with each meal and the chloroform makes them sleepy and stops them rioting."
"Yes," we said, "but why sell them to children?"
"It's a plot," Thwaites said. "A grown-up plot to keep us quiet.
”
”
Roald Dahl (Boy: Tales of Childhood (Roald Dahl's Autobiography, #1))
“
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed."
I pressed my face against his neck, breathing him in. "I know."
"So what do we do?"
Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again."
His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?"
I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?"
He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you."
I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for.
"Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards."
His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again.
"Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?"
He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Conversation between Siddhartha, who has temporarily given up all worldly possessions in order to experience total poverty first hand, talks to a merchant.
That seems to be the way of things. Everyone takes, everyone gives. Life is like that" (said Siddhartha)
Ah, but if you are without possessions, how can you give?"
Everyone gives what he has. The soldier gives strength, the merchant goods, the teacher instructions, the farmer rice, the fisherman fish."
Very well and what can you give? What have you learned that you can give(the merchant asks of Siddhartha)
I can think, I can wait, I can fast."
Is that all?"
I think that is all."
And of what use are they? For example, fasting, what good is that?"
It is of great value, sir. If a man has nothing to eat, fasting is the most intelligent thing he can do. If, for instance, Siddhartha had not learned to fast, he would have had to seek some kind of work today, either with you, or elsewhere, for hunger would have driven him. But, as it is, Siddhartha can wait calmly. He is not impatient, he is not in need, he can ward off hunger for a long time and laugh at it. Therefore, fasting is useful, sir.
”
”
Siddhartha
“
You deserve better." Mercifully, he kept eating as he spoke.
"You've got to stop thinking of me that way. When it's just you and me, I'm not a Five and you're not a Six. We're just Aspen and American. And I don't want anything in the world but you."
"But I can't stop thinking that way." He looked at me. "That's how I was raised. Since I was little, it was 'Sixes are born to serve' and 'Sixes aren't meant to be seen.' My whole life, I've been taught to be invisible." He grabbed my hand in a viselike grip. "If we're together, Mer, you're going to be invisible, too. And I don't want that for you."
"Aspen, we've talked about this. I know that things will be different, and I'm prepared. I don't know how to make it any clearer." I put my hand on his heart. "The moment you're ready to ask, I'm ready to say yes."
It was terrifying to put myself out there like that, to make it absolutely clear how deep my affection ran. He knew what I was saying, But if making myself vulnerable meant he'd be brave, I'd endure it. His eyes searched mine. If he was looking for doubt, he was wasting his time. Aspen was the one thing I was sure of.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Are you serious about leaving?"
I touched my aching face. "Yes.But I don't know how."
"I'd go with you," Colin said quietly.
"Really?"
"You know I would."
"If you could do anything, what would you do? Would you go back to Ireland?"
"Maybe," he said. "I've no family left there but I miss the green hills. I'd love to show them to you, show you Tara and the Cliffs of Moher.We could live in a thatched cottage and keep sheep."
I grinned at him. "If you clean up after them."
"What would be your perfect day then?" he asked, grinning back at me. "If you don't like my sheep?"
"Your cottage sounds nice," I allowed. "I'd like to sleep in late and read as many books as I'd like and drink tea with lemon and eat pineapple slices for breakfast."
"No velvet dresses and diamonds?"
I rolled my eyes, then stopped when the bruises throbbed. "Ouch.And no, of course not.I don't care about that. Only books." I looked at him shyly. "And you."
"That's all right then," he said softly.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet #1))
“
I don't think you understand," said Milo timidly as the watchdog growled a warning. "We're looking for a place to spend the night."
"It's not yours to spend," the bird shrieked again, and followed it with the same horrible laugh.
"That doesn't make any sense, you see—" he started to explain.
"Dollars or cents, it's still not yours to spend," the bird replied haughtily.
"But I didn't mean—" insisted Milo.
"Of course you're mean," interrupted the bird, closing the eye that had been open and opening the one that had been closed. "Anyone who'd spend a night that doesn't belong to him is very mean."
"Well, I thought that by—" he tried again desperately.
"That's a different story," interjected the bird a bit more amiably. "If you want to buy, I'm sure I can arrange to sell, but with what you're doing you'll probably end up in a cell anyway."
"That doesn't seem right," said Milo helplessly, for, with the bird taking everything the wrong way, he hardly knew what he was saying.
"Agreed," said the bird, with a sharp click of his beak, "but neither is it left, although if I were you I would have left a long time ago.
”
”
Norton Juster (The Phantom Tollbooth)
“
Does it occur to you that if he set his mind to it, Steve could be a truly excellent supervillain?” Clint said into the comm unit, not bothering with any sort of segue. He knew very well who it was.
“We have a contingency plan in place for that,” Coulson said without missing a beat.
In the background, Steve said, “Wait, what?”
“Oh, c'mon.” Stark sounded seriously insulted. “If anyone here is going to go the black leather and weather control ray route, it's gonna be me, let's not even kid ourselves.”
“Every active SHIELD employee has a wallet card instructing them what to do in the event you go supervillain, Stark. It's standard equipment.”
A beat of silence. “What?” Tony asked.
“I got one,” Bruce said. “Want to see it?”
“If you show it to him, it'll defeat the purpose of having a plan,” Natasha said. “And I like this plan, it's a good plan, I do not want to go through them trying to come up with something else.”
“Yes, I want to see it,” Tony said. “Thor, did you get a card?”
“Verily. Their plan is most sound. I believe we will be able to subdue you with great swiftness, before you have much chance to hurt yourself or others. The damage to property will, of course, be massive, but such things are to be expected.”
“What the hell? You will not be able to subdue me quickly. Screw you, I am wily and brilliant.”
“I didn't get one,” Steve said, and there was a loud sound of no one being surprised.
“It's not a good idea to warn the bait that-” Clint started...
”
”
Scifigrl47 (Ordinary Workplace Hazards, Or SHIELD and OSHA Aren't On Speaking Terms (In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury), #2))
“
Young Tchitcherine was the one who brought up political narcotics. Opiates of the people.
Wimpe smiled back. An old, old smile to chill even the living fire in Earth’s core. "Marxist dialectics? That’s not an opiate, eh?"
"It’s the antidote."
"No." It can go either way. The dope salesman may know everything that’s ever going to happen to Tchitcherine, and decide it’s no use—or, out of the moment’s velleity, lay it right out for the young fool.
"The basic problem," he proposes, "has always been getting other people to die for you. What’s worth enough for a man to give up his life? That’s where religion had the edge, for centuries. Religion was always about death. It was used not as an opiate so much as a technique—it got people to die for one particular set of beliefs about death. Perverse, natürlich, but who are you to judge? It was a good pitch while it worked. But ever since it became impossible to die for death, we have had a secular version—yours. Die to help History grow to its predestined shape. Die knowing your act will bring will bring a good end a bit closer. Revolutionary suicide, fine. But look: if History’s changes are inevitable, why not not die? Vaslav? If it’s going to happen anyway, what does it matter?"
"But you haven’t ever had the choice to make, have you."
"If I ever did, you can be sure—"
"You don’t know. Not till you’re there, Wimpe. You can’t say."
"That doesn’t sound very dialectical."
"I don’t know what it is."
"Then, right up to the point of decision," Wimpe curious but careful, "a man could still be perfectly pure . . ."
"He could be anything. I don’t care. But he’s only real at the points of decision. The time between doesn’t matter."
"Real to a Marxist."
"No. Real to himself."
Wimpe looks doubtful.
"I've been there. You haven't.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
What are you doing?”
Ya!” said Jane, whirling around, her hands held up menacingly.
It was Mr. Nobley with coat, hat, and cane, watching her with wide eyes. Jane took several quick (but oh so casual) steps away from Martin’s window.
Um, did I just say, ‘Ya’?”
You just said ‘Ya,”’ he confirmed. “If I am not mistaken, it was a battle cry, warning that you were about to attack me.”
I, uh. . .“ She stopped to laugh. “I wasn’t aware until this precise and awkward moment that when startled in a strange place, my instincts would have me pretend to be a ninja.”
***
Surely a young beauty like yourself is lonely, too. It can be part of the game, if you like.”
Get off,” she said, thoroughly done with this.
His answer was to lean in closer. So she kneed him in groin. As hard as she could.
Aw, ow, dammit!” He doubled over and thudded onto knees.
Jane brushed off her knee, feeling like it had touched son thing dirty. “Aw, ow, dammit indeed! What’re you thinking?”
Jane heard hurried footsteps coming down the stairs. It Mr. Nobley.
Miss Erstwhile!” He was barefoot in his breeches, his shirt untucked. He glanced down at the groaning man. “Sir Templeton!”
Ow, she kicked me,” said Sir Templeton.
Kneed him, I kneed him,” Jane said. “I don’t kick. Not even when 1m a ninja.”
Mr. Nobley stood a moment in silence, looking over the scene. “I hope you
remembered to shout ‘Ya’ when taking him down. I hear that is very effective.”
I’m afraid I neglected that bit, but I’ll certainly ‘ya’ from here to London if he ever touches me again.
”
”
Shannon Hale
“
Cheshire Puss,' she began, rather timidly, as she did not at all know whether it would like the name: however, it only grinned a little wider. 'Come, it's pleased so far,' thought Alice, and she went on.
'Would you tell me, please, which way I ought to go from here?'
'That depends a good deal on where you want to get to,' said the Cat.
'I don't much care where—' said Alice.
'Then it doesn't matter which way you go,' said the Cat.
'—so long as I get SOMEWHERE,' Alice added as an explanation.
'Oh, you're sure to do that,' said the Cat, 'if you only walk long enough.”
Alice felt that this could not be denied, so she tried another question. `What sort of people live about here?'
`In that direction,' the Cat said, waving its right paw round, `lives a Hatter: and in that direction,' waving the other paw, `lives a March Hare. Visit either you like: they're both mad.'
`But I don't want to go among mad people,' Alice remarked.
`Oh, you can't help that,' said the Cat: `we're all mad here. I'm mad. You're mad.'
`How do you know I'm mad?' said Alice.
`You must be,' said the Cat, `or you wouldn't have come here.
”
”
Lewis Carroll (Alice's Adventures in Wonderland (Alice's Adventures in Wonderland, #1))
“
How long does a mouse live?"
"Ah," she said. "I've been waiting for you to ask me that."
There was a silence. She sat there smoking away and gazing at the fire.
"Well," I said. "How long do we live, us mice?"
"I have been reading about mice," she said. "I have been trying to find out everything I can about them."
"Go on then, Grandmamma. Why don't you tell me?"
"If you really want to know," she said, "I'm afraid a mouse doesn't live for a very long time."
"How long?" I asked.
"Well, an ordinary mouse only lives for about three years," she said. "But you are not an ordinary mouse. You are a mouse-person, and that is a very different matter."
"How different?" I asked. "How long does a mouse-person live, Grandmamma?"
"Longer," she said. "Much longer."
"A mouse-person will almost certainly live for three times as long as an ordinary mouse," my grandmother said. "About nine years."
"Good!" I cried. "That's great! It's the best news I've ever had!"
"Why do you say that?" she asked, surprised.
"Because I would never want to live longer than you," I said. "I couldn't stand being looked after by anybody else."
There was a short silence. She had a way of fondling me behind the ears with the tip of one finger. It felt lovely.
"How old are you, Grandmamma?" I asked.
"I'm eighty-six," she said.
"Will you live another eight or nine years?"
"I might," she said. "With a bit of luck."
"You've got to," I said. "Because by then I'll be a very old mouse and you'll be a very old grandmother and soon after that we'll both die together."
"That would be perfect," she said.
”
”
Roald Dahl (The Witches)
“
After Father had served the chicken and mashed potatoes and peas and Mother had passed the hot rolls, Beezus decidedthe time had come to tell Aunt Beatrice about being Sacajawea. "Do you know what I did last week?" she began. "I want some jelly," said Ramona "You mean, 'Please pass the jelly,' "corrected Mother while Beezus waited patiently. 'No, what did you do last week?" asked Aunt Beatrice. "Well, last week I-" Beezus began again. " like purple jelly better then red jelly," said Ramona. ' Ramona , stop interrupting your sister," said Father. "Well, Ido like purple jelly better then red jelly," insisted Ramona."Never mind," said Mother. "Go no, Beezus." Last week-" said Beezus, looking at her aunt, who smiled as if she understood."Excuse me, Beezus," Mother cut in. "Ramona, we do not put jelly on our mashed potatoes." "I like jelly on my mashed potatoes."Ramona stirred potato and jelly aroud with her fork. "Ramona you heard what your mother said." Father looked stern. "If I can ut butter on my mashed potateos, why can't I put jelly? I put butter and jelly on toast," said Ramona. Father couldn't help laughing. "That's a hard question to answer." "But Mother-" Beezus began."I like jelly on my mashed potateos," interrupted Ramona, looking sulky.
”
”
Beverly Cleary (Beezus and Ramona (Ramona, #1))
“
They rode for a while in silence, a tiny island in the smoky stream of marching men. Then Lee said slowly, in a strange, soft, slow tone of voice, "Soldiering has one great trap."
Longstreet turned to see his face. Lee was riding slowly ahead, without expression. He spoke in that same slow voice. "To be a good soldier you must love the army. But to be a good officer you must be willing to order the death of the thing you love. This is...a very hard thing to do. No other profession requires it. That is one reason why there are so very few good officers. Although there are many good men."
Lee rarely lectured. Longstreet sensed a message beyond it. He waited. Lee said, "We don't fear our own deaths, you and I." He smiled slightly, then glanced away. "We protect ourselves out of military necessity, not do not protect yourself enough and must give thought to it. I need you. But the point is, we are afraid to die. We are prepared for our own deaths, and for the deaths of comrades. We learn that at the Point. But I have seen this happen: we are not prepared for as many deaths as we have to face, inevitably as the war goes on. There comes a time..."
He paused. He had been gazing straight ahead, away from Longstreet. Now, black-eyed, he turned back, glanced once quickly into Longstreet's eyes, then looked away.
"We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to dear departed comrades. Victory celebrations for most of us, a hallowed death for a few. But the war goes on. And the men die. The price gets ever higher. Some officers...can pay no longer. We are prepared to lose some of us." He paused again. "But never ALL of us. Surely not all of us. But...that is the trap. You can hold nothing back when you attack. You must commit yourself totally. And yet ,if they all die, a man must ask himself, will it have been worth it?
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
I might be able to help, Daigian," Nynaeve said, leaning forward, laying her hand on the other woman's knee. "If I were to attempt a Healing, perhaps..."
"No," the woman said curtly.
"But—"
"I doubt you could help."
"Anything can be Healed," Nynaeve said stubbornly, "even if we don't know how yet. Anything save death."
"And what would you do, dear?" Daigian asked.
[...]
"I could do something," Nynaeve said. "This pain you feel, it has to be an effect of the bond, and therefore something to do with the One Power. If the Power causes your pain, then the Power can take that pain away."
"And why would I want that?" Daigian asked, in control once again.
"Well... well, because it's pain. It hurts."
"It should," Daigian said. "Eben is dead. Would you want to forget your pain if you lost that hulking giant of yours? Have your feelings for him cut away like some spoiled chunk of flesh in an otherwise good roast?"
Nynaeve opened her mouth, but stopped. Would she? It wasn't that simple—her feelings for Lan were genuine, and not due to a bond. He was her husband, and she loved him. Daigian had been possessive of her Warder, but it had been the affection of an aunt for her favored nephew. It wasn't the same.
But would Nynaeve want that pain taken away? She closed her mouth, suddenly realizing the honor in Daigian's words. "I see. I'm sorry.
”
”
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
“
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."...
I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle."
...
"The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived."
...
"The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Intellectualization is very commonly encountered as well, since it is a defense mechanism of great power. It can have disastrous results, however, when the mind ignores the vital messages of the body (see my reflections on Nietzsche’s illness in The Untouched Key [1990] and Breaking Down the Wall of Silence [1991]). All these defense mechanisms are accompanied by repression of the original situation and the emotions belonging to it. Accommodation to parental needs often (but not always) leads to the “as-if personality.” This person develops in such a way that he reveals only what is expected of him and fuses so completely with what he reveals that one could scarcely guess how much more there is to him behind this false self. He cannot develop and differentiate his true self, because he is unable to live it. Understandably, this person will complain of a sense of emptiness, futility, or homelessness, for the emptiness is real. A process of emptying, impoverishment, and crippling of his potential actually took place. The integrity of the child was injured when all that was alive and spontaneous in him was cut off. In childhood, these patients have often had dreams in which they experienced themselves as at least partly dead. A young woman, Lisa, reported a recurrent dream:
”
”
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
“
She glanced over her shoulder at the house, which was now bathed in a warm tint of yellow from the sun. "Yes, everyone needs to find the one thing that brings out her passion. Its what we do and share with the world that matters. I believe its important that we leave our communities in better shape that we found them. Cecelia Rose," she said, reaching for my hand, "Far too many people die with a heart that's gone flat with indifference, and it surely must be a terrible way to go. Life will offer us amazing opportunities, but we've got to be awake to recognize them."
She rested her hands on my shoulders and looked into my eyes. "If there's one thing I'd like most for you, its that you'll find your calling in life. That's where true happiness and purpose lie. Whether its taking care of abandoned animals, saving old houses from the wreckin' ball or reading to the blind, you've got to find your fire, sugar. You'll never be fulfilled if you don't."
"But how will I know what my fire is?"
"Oh, you'll know. One day you'll do something, see something or get an idea that seems to pop up from nowhere. And you'll feel a kind of stirring- like a warm flicker inside your chest. When that happens, whatever you do, don't ignore it. Open your mind and explore the idea. Fan your flame. And when you do, you'll have found it.
”
”
Beth Hoffman (Saving CeeCee Honeycutt)
“
DAYS WENT BY, and weeks. Jonas learned, through the memories, the names of colors; and now he began to see them all, in his ordinary life (though he knew it was ordinary no longer, and would never be again). But they didn’t last. There would be a glimpse of green—the landscaped lawn around the Central Plaza; a bush on the riverbank. The bright orange of pumpkins being trucked in from the agricultural fields beyond the community boundary—seen in an instant, the flash of brilliant color, but gone again, returning to their flat and hueless shade. The Giver told him that it would be a very long time before he had the colors to keep. “But I want them!” Jonas said angrily. “It isn’t fair that nothing has color!” “Not fair?” The Giver looked at Jonas curiously. “Explain what you mean.” “Well . . .” Jonas had to stop and think it through. “If everything’s the same, then there aren’t any choices! I want to wake up in the morning and decide things! A blue tunic, or a red one?” He looked down at himself, at the colorless fabric of his clothing. “But it’s all the same, always.” Then he laughed a little. “I know it’s not important, what you wear. It doesn’t matter. But—” “It’s the choosing that’s important, isn’t it?” The Giver asked him. Jonas nodded.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
What are you doing here?"
He takes a deep breath. "I came for you."
"And how on EARTH did you know I was up here?"
"I saw you." He pauses. "I came to make another wish,and I was standing on Point Zero when I saw you enter the tower. I called your name,and you looked around,but you didn't see me."
"So you decided to just...come up?" I'm doubtful,despite the evidence in front of me.It must have taken superhuman strength for him to make it past the first flight of stairs alone.
"I had to.I couldn't wait for you to come down,I couldn't wait any longer. I had to see you now.I have to know-"
He breaks off,and my pulse races. What what what?
"Why did you lie to me?"
The question startles me.Not what I was expecting.Nor hoping.He's still on the ground,but he stares up at me.His brown eyes are huge and heartbroken. I'm confused. "I'm sorry, I don't know what-"
"November.At the creperie. I asked you if we'd talked about anything strange that night I was drunk in your room.If I had said anything about our relationship,or my relationship with Ellie.And you said no."
Oh my God. "How did you know?"
"Josh told me."
"When?"
"November."
I'm stunned. "I...I..." My throat is dry. "If you'd seen the look on your face that day.In the restaurant. How could I possibly tell you? With your mother-"
"But if you had,I wouldn't have wasted all of these months.I thought you were turning me down.I thought you weren't interested."
"But you were drunk! You had a girlfriend! What was I supposed to do? God,St. Clair,I didn't even know if you meant it."
"Of course I meant it." He stands,and his legs falter.
"Careful!"
Step.Step.Step. He toddles toward me,and I reach for his hand to guide him.We're so close to the edge. He sits next to me and grips my hand harder. "I meant it,Anna.I mean it."
"I don't under-"
He's exasperated. "I'm saying I'm in love with you! I've been in love with you this whole bleeding year!"
My mind spins. "But Ellie-"
"I cheated on her every day.In my mind, I thought of you in ways I shouldn't have,again and again. She was nothing compared to you.I've never felt this way about anybody before-"
"But-"
"The first day of school." He scoots closer. "We weren't physics partners by accident.I saw Professeur Wakefield assigning lab partners based on where people were sitting,so I leaned forward to borrow a pencil from you at just the right moment so he'd think we were next to each other.Anna,I wanted to be your partner the first day."
"But..." I can't think straight.
"I doubt you love poetry! 'I love you as certain dark things are loved, secretly,between the shadow and the soul.'"
I blink at him.
"Neruda.I starred the passage.God," he moans. "Why didn't you open it?"
"Because you said it was for school."
"I said you were beautiful.I slept in your bed!"
"You never mave a move! You had a girlfriend!"
"No matter what a terrible boyfriend I was,I wouldn't actually cheat on her. But I thought you'd know.With me being there,I thought you'd know."
We're going in circles. "How could I know if you never said anything?"
"How could I know if you never said anyting?"
"You had Ellie!"
"You had Toph! And Dave!
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I thought for once that acting decent ought to be rewarded. That's why I let you go, and that's why I didn't bring you back to the King."
"If it's so horrible there,why don't you stay with us?" I asked without thinking.
"No." He shook his head and lowered his eyes. "Tempting though the offer may be, your people wouldn't allow it, and my people...well,let's just say they wouldn't react well if I didn't come home. And wether I like or not, it is my home."
"I know that feeling all too well." I sighed. Though Forening was starting to feel more like home, I wasn't sure that it ever would completely.
"See?I told you,Princess." Loki's smile returned more easily. "You and I aren't all that different."
"You say that like it means something."
"Doesn't it?"
"No,not really. You're leaving today, going home to my enemies." I let out a deep breath, feeling an ache inside my chest. "If I'm lucky,I'll never see you again. Because if I do,that means we're at war,and I'd have to hurt you."
"Oh,Wendy,that's perhaps the saddest thing I've ever heard," Loki said, and he looked like he meant it. "But life doesn't have to be all doom and gloom. Don't you ever see the silver lining?"
"Not today." I shook my head. I heard garrett summon me from down the hall, which meant that lunch was over and the meetings were about to start up. "I have to get back.I'll see you when we make the exchange with the Vittra Queen."
"Good luck." Loki nodded.
I turned to walk away, and I hadn't made it very far when I heard Loki calling after me.
"Wendy!" Loki leaned out into the hall, so far it made him grimace with pain. "If you're right and the next time we see each other is when our kingdoms are at war, you and I never will be. I'll never fight you.That I can promise you.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
And are you thirsty,” she asked, “or were you merely being polite?”
“I am always polite,” he said with a wicked grin, “but I am thirsty as well.”
Kate took one look at that grin, lethally combined with those devastating green eyes, and nearly groaned. “You are a rake as well,” she said with a sigh.
Colin choked— on what, she did not know, but he choked nonetheless. “I beg your pardon?”
Kate’s face flushed as she realized with horror that she’d spoken aloud. “No, it is I who should beg your pardon. Please forgive me. That was unforgivably rude.”
“No, no,” he said quickly, looking terribly interested and not a little bit amused, “do continue.”
Kate swallowed. There was really no way to get out of it now. “I was merely—” She cleared her throat. “If I might be frank . . .”
He nodded, his sly grin telling her that he could not imagine her being anything but frank.
Kate cleared her throat yet again. Really, this was getting ridiculous. She was starting to sound as if she’d swallowed a toad. “It had occurred to me that you might be rather like your brother, that is all.”
“My brother?”
“The viscount,” she said, thinking it must be obvious.
“I have three brothers,” he explained.
“Oh.” Now she felt stupid. “I’m sorry.”
“I’m sorry, too,” he said with great feeling. “Most of the time they’re a dreadful nuisance.”
-Kate & Colin
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
To hell with you. You just don't want to admit it. Those people, they're animals. They want to see someone's brains on the road, that's why they turn out. They'd just as soon see yours."
"That isn't the point," McVries said calmly. "Didn't you say you went to see the Long Walk when you were younger?"
"Yes, when I didn't know any better!"
"Well, that makes it okay, doesn't it?" McVries uttered a short, ugly-sounding laugh. "Sure they're animals. You think you just found out a new principle? Sometimes I wonder just how naive you really are. The French lords and ladies used to screw after the guillotinings. The old Romans used to stuff each other during the gladiatorial matches. That's entertainment, Garraty. It's nothing new." He laughed againd. Garraty stared at him, fascinated.
[...]
"Death is great for the appetites," McVries said. [...] "But even that's not the real point of this little expedition, Garraty. The point is, they're the smart ones. They're not getting thrown to the lions. They're not staggering along and hoping they won't have to take a shit with two warnings against them. You're dumb, Garraty. You and me and Pearson and Barkovitch and Stebbins, we're all dumb. Scramm's dumb because he thinks he understands and he doesn't. Olson's dumb because he understood too much too late. They're animals, all right. But why are you so goddam sure that makes us human beings?"
He paused, badly out of breath.
[...]
"Then why are you doing it? Garraty asked him. "If you know that much, and if you're that sure, why are you doing it?"
"The same reason we're all doing it," Stebbins said. He smiled gently, almost lovingly. His lips were a little sun-parched; otherwise, his face was still unlined and seemingly invincible. "We want to die, that's why we're doing it. Why else, Garraty? Why else?
”
”
Richard Bachman (The Long Walk)
“
You speak as if you envied him."
"And I do envy him, Emma. In one respect he is the object of my envy."
Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying,
"You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment."
"Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself."
"Thank you," said he, in an accent of deep mortification, and not another syllable followed.
Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house.
"You are going in, I suppose?" said he.
"No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think."
"As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?"
He stopped in his earnestness to look the question, and the expression of his eyes overpowered her.
"My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more."
Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling.
"I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
”
”
Jane Austen (Emma)
“
Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" "
There is no throne to Nemesis, " Ethan muttered. "No throne to my mother."
"You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys."
Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant.
"Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain.
"Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air.
"So much for him." Kronos picked up his sword. "And now for the rest of you.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Who is Aslan?” asked Susan.
“Aslan?” said Mr. Beaver, “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr. Tumnus.”
“She won’t turn him into stone too?” said Edmund.
“Lord love you, Son of Adam, what a simple thing to say!” answered Mr. Beaver with a great laugh. “Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights, as it says in an old rhyme in these parts:
Wrong will be right, when Aslan comes in sight,
At the sound of his roar, sorrows will be no more,
When he bares his teeth, winter meets its death
And when he shakes his mane, we shall have spring again.
You’ll understand when you see him.”
“But shall we see him?” asked Susan.
“Why, Daughter of Eve, that’s what I brought you here for. I’m to lead you where you shall meet him,” said Mr. Beaver.
“Is--is he a man?” asked Lucy.
“Aslan a man!” said Mr. Beaver sternly. “Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Don’t you know who is the King of Beasts? Aslan is a lion--the Lion, the great Lion.”
“Ooh!” said Susan, “I’d thought he was a man. Is he--quite safe? I shall feel rather nervous about meeting a lion.”
“That you will, dearie, and no mistake,” said Mrs. Beaver. “If there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.”
“Then he isn’t safe?” said Lucy.
“Safe?” said Mr. Beaver. “Don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.
”
”
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
“
The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright--
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done--
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying over head--
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "it WOULD be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him.
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head--
Meaning to say he did not choose
To leave the oyster-bed.
But four young oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes--and ships--and sealing-wax--
Of cabbages--and kings--
And why the sea is boiling hot--
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed--
Now if you're ready Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said
"Do you admire the view?
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said.
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size.
Holding his pocket handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter.
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none--
And that was scarcely odd, because
They'd eaten every one.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
Freud was fascinated with depression and focused on the issue that we began with—why is it that most of us can have occasional terrible experiences, feel depressed, and then recover, while a few of us collapse into major depression (melancholia)? In his classic essay “Mourning and Melancholia” (1917), Freud began with what the two have in common. In both cases, he felt, there is the loss of a love object. (In Freudian terms, such an “object” is usually a person, but can also be a goal or an ideal.) In Freud’s formulation, in every loving relationship there is ambivalence, mixed feelings—elements of hatred as well as love. In the case of a small, reactive depression—mourning—you are able to deal with those mixed feelings in a healthy manner: you lose, you grieve, and then you recover. In the case of a major melancholic depression, you have become obsessed with the ambivalence—the simultaneity, the irreconcilable nature of the intense love alongside the intense hatred. Melancholia—a major depression—Freud theorized, is the internal conflict generated by this ambivalence. This can begin to explain the intensity of grief experienced in a major depression. If you are obsessed with the intensely mixed feelings, you grieve doubly after a loss—for your loss of the loved individual and for the loss of any chance now to ever resolve the difficulties. “If only I had said the things I needed to, if only we could have worked things out”—for all of time, you have lost the chance to purge yourself of the ambivalence. For the rest of your life, you will be reaching for the door to let you into a place of pure, unsullied love, and you can never reach that door. It also explains the intensity of the guilt often experienced in major depression. If you truly harbored intense anger toward the person along with love, in the aftermath of your loss there must be some facet of you that is celebrating, alongside the grieving. “He’s gone; that’s terrible but…thank god, I can finally live, I can finally grow up, no more of this or that.” Inevitably, a metaphorical instant later, there must come a paralyzing belief that you have become a horrible monster to feel any sense of relief or pleasure at a time like this. Incapacitating guilt. This theory also explains the tendency of major depressives in such circumstances to, oddly, begin to take on some of the traits of the lost loved/hated one—and not just any traits, but invariably the ones that the survivor found most irritating. Psychodynamically, this is wonderfully logical. By taking on a trait, you are being loyal to your lost, beloved opponent. By picking an irritating trait, you are still trying to convince the world you were right to be irritated—you see how you hate it when I do it; can you imagine what it was like to have to put up with that for years? And by picking a trait that, most of all, you find irritating, you are not only still trying to score points in your argument with the departed, but you are punishing yourself for arguing as well. Out of the Freudian school of thought has come one of the more apt descriptions of depression—“aggression turned inward.” Suddenly the loss of pleasure, the psychomotor retardation, the impulse to suicide all make sense. As do the elevated glucocorticoid levels. This does not describe someone too lethargic to function; it is more like the actual state of a patient in depression, exhausted from the most draining emotional conflict of his or her life—one going on entirely within. If that doesn’t count as psychologically stressful, I don’t know what does.
”
”
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
“
He slouches,' DeeDee contributes.
'True--he needs to work on his posture,' Thelma says.
'You guys,' I say.
'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?'
'You guys. We are not getting married!'
'I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?'
'The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'
I swat her. "I'm not having Mitchell's children!'
'I'm sorry--what?' Thelma says.
Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!
But I don't care. If they're going to embarrass me, then I'll embarrass them right back.
'I said'--I raise my voice--'I am not having Mitchell Truman's children!'
Jolene turns beet red, and she and DeeDee dissolve into mad giggles.
'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.
'Okaaay, I think maybe I won't turn around,' I announce.
A person of the male persuasion clears his throat.
'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.
'If you change your mind, we might be able to work something out,' the person of the male persuasion says.
'About the children?' DeeDee asks. 'Or the turning around?'
'DeeDee!' Jolene says.
'Both,' says the male-persuasion person.
I shrink in my chair, but I raise my hand over my head and wave.
'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'
Warm fingers clasp my own.
'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.'
'Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'
I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.
Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.
He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.
Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.
'Did you see!' Thelma gasps. 'Did you see how proud he was?'
'You improve his posture!' Jolene says.
'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.'
'I can't believe you waved at him,' DeeDee says.
'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.'
'It was a surrender flag. I was surrendering myself to abject humiliation.'
'Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him.
”
”
Lauren Myracle (Bliss (Crestview Academy, #1))
“
Instructions for Dad.
I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you.
I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me.
Don't put make-up on me. It looks stupid on dead people.
I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums.
I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements.
I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave.
I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy).
I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals.
Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare.
Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it).
Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
OK. That's it.
I love you.
Tessa xxx
”
”
Jenny Downham
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.
We were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.
We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market Place,
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.
With the Hopes that our World is built on they were utterly out of touch,
They denied that the Moon was Stilton; they denied she was even Dutch;
They denied that Wishes were Horses; they denied that a Pig had Wings;
So we worshipped the Gods of the Market Who promised these beautiful things.
When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: "Stick to the Devil you know."
On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: "The Wages of Sin is Death."
In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: "If you don't work you die."
Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew
And the hearts of the meanest were humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four
And the Gods of the Copybook Headings limped up to explain it once more.
As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool's bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!
”
”
Rudyard Kipling
“
But what I would like to know," says Albert, "is whether there would not have
been a war if the Kaiser had said No."
"I'm sure there would," I interject, "he was against it from the first."
"Well, if not him alone, then perhaps if twenty or thirty people in the world had
said No."
"That's probable," I agree, "but they damned well said Yes."
"It's queer, when one thinks about it," goes on Kropp, "we are here to protect
our fatherland. And the French are over there to protect their fatherland. Now who's in the right?"
"Perhaps both," say I without believing it.
"Yes, well now," pursues Albert, and I see that he means to drive me into a
corner, "but our professors and parsons and newspapers say that we are the only
ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?"
"That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in."
Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started.
"Mostly by one country badly offending another," answers Albert with a slight
air of superiority.
Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in
Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat."
"Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other--"
"Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended."
"Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you."
"Then I can be going home right away," retorts Tjaden, and we all laugh, "Ach,
man! he means the people as a whole, the State--" exclaims Mller.
"State, State"--Tjaden snaps his fingers contemptuously, "Gendarmes, police,
taxes, that's your State;--if that's what you are talking about, no, thank you."
"That's right," says Kat, "you've said something for once, Tjaden. State and
home-country, there's a big difference."
"But they go together," insists Kropp, "without the State there wouldn't be any
home-country."
"True, but just you consider, almost all of us are simple folk. And in France,
too, the majority of men are labourers, workmen, or poor clerks. Now just why
would a French blacksmith or a French shoemaker want to attack us? No, it is
merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were."
"Then what exactly is the war for?" asks Tjaden.
Kat shrugs his shoulders. "There must be some people to whom the war is useful."
"Well, I'm not one of them," grins Tjaden.
"Not you, nor anybody else here."
"Who are they then?" persists Tjaden.
"It isn't any use to the Kaiser either. He has everything he can want already."
"I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he would not become famous. You look in your school books."
"And generals too," adds Detering, "they become famous through war."
"Even more famous than emperors," adds Kat.
"There are other people back behind there who profit by the war, that's
certain," growls Detering.
"I think it is more of a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
I'll be right here. Good luck, or break a leg, or something.”
As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back.
I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.”
Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way.
My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something.
He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes.
“Who are you?” he asked in a blunt, almost confrontational way.
I blinked. It was the strangest greeting I'd ever received.
“I'm...Anna.”
“Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?”
What did that mean? Did I need to have some sort of title or social standing to enter his presence?
“I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?”
His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way.
“Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?”
My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting.
“If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.”
My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense.
His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it.
He finally looked over at Jay, who was deep in conversation with the manager-type man.
“Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer.
“Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile.
“Yes,” I assured him with confidence. “I am.”
“How do you know?”
I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
”
”
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))