β
You donβt forget the face of the person who was your last hope.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I finally understood what true love meant...love meant that you care for another person's happiness more than your own, no matter how painful the choices you face might be.
β
β
Nicholas Sparks (Dear John)
β
If you're gonna be two-faced at least make one of them pretty.
β
β
Marilyn Monroe
β
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
β
β
Frank Herbert (Dune (Dune, #1))
β
Deadlines just aren't real to me until I'm staring one in the face.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
When he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
β
β
William Shakespeare (Romeo and Juliet)
β
When we honestly ask ourselves which person in our lives mean the most to us, we often find that it is those who, instead of giving advice, solutions, or cures, have chosen rather to share our pain and touch our wounds with a warm and tender hand. The friend who can be silent with us in a moment of despair or confusion, who can stay with us in an hour of grief and bereavement, who can tolerate not knowing, not curing, not healing and face with us the reality of our powerlessness, that is a friend who cares.
β
β
Henri J.M. Nouwen (Out of Solitude: Three Meditations on the Christian Life)
β
When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.
β
β
John Green (Looking for Alaska)
β
You gain strength, courage and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself, 'I have lived through this horror. I can take the next thing that comes along.' You must do the thing you think you cannot do.
β
β
Eleanor Roosevelt (You Learn by Living: Eleven Keys for a More Fulfilling Life)
β
Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it.
β
β
Colleen Hoover (Slammed (Slammed, #1))
β
You're not to be so blind with patriotism that you can't face reality. Wrong is wrong, no matter who does it or says it.
β
β
Malcolm X (By Any Means Necessary (Malcolm X Speeches and Writings) (Malcolm X Speeches & Writings))
β
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that youβve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you canβt wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid itβs like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didnβt exist at all. A phone call or two during the day helps to get you through a long dayβs work and always brings a smile to your face. In their presence, thereβs no need for continuous conversation, but you find youβre quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that thereβs a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure thatβs so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
β
β
Bob Marley
β
Imagine smiling after a slap in the face. Then think of doing it twenty-four hours a day.
β
β
Markus Zusak (The Book Thief)
β
It's not the face, but the expressions on it. It's not the voice, but what you say. It's not how you look in that body, but the thing you do with it. You are beautiful.
β
β
Stephenie Meyer (The Host (The Host, #1))
β
When the enemy has no face, society will invent one.
β
β
Susan Faludi
β
Fall down again, Bella?'
No, Emmett, I punched a werewolf in the face.
β
β
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
β
All your life, you will be faced with a choice. You can choose love or hateβ¦I choose love.
β
β
Johnny Cash
β
A snowball in the face is surely the perfect beginning to a lasting friendship.
β
β
Markus Zusak (The Book Thief)
β
Beautiful face. Beautiful body. Horrible attitude. It was the holy trinity of hot boys.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
I want to grow old without facelifts. I want to have the courage to be loyal to the face I have made.
β
β
Marilyn Monroe
β
Let us find the dam snack bar," Zoe said. "We should eat while we can."
Grover cracked a smile. "The dam snack bar?"
Zoe blinked. "Yes. What is funny?"
"Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries."
Even Thalia smiled at that. "And I need to use the dam restroom."
...
I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand."
"I want to use the dam water fountain," Grover said.
"And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
To love another person is to see the face of God.
β
β
Victor Hugo (Les MisΓ©rables)
β
I'm not going to wear a red dress," she said.
"It would look stunning, My Lady," she called.
She spoke to the bubbles gathered on the surface of the water. "If there's anyone I wish to stun at dinner, I'll hit him in the face.
β
β
Kristin Cashore (Graceling (Graceling Realm, #1))
β
Anyone can hide. Facing up to things, working through them, that's what makes you strong.
β
β
Sarah Dessen
β
Words dazzle and deceive because they are mimed by the face. But black words on a white page are the soul laid bare.
β
β
Guy de Maupassant
β
You only live twice:
Once when you are born
And once when you look death in the face
β
β
Ian Fleming (You Only Live Twice (James Bond, #12))
β
A man's face is his autobiography. A woman's face is her work of fiction.
β
β
Oscar Wilde
β
If you want a picture of the future, imagine a boot stamping on a human faceβfor ever.
β
β
George Orwell (1984)
β
Most men would rather deny a hard truth than face it.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Keep your face always toward the sunshine - and shadows will fall behind you.
β
β
Walt Whitman
β
Without you in my arms, I feel an emptiness in my soul. I find myself searching the crowds for your face - I know it's an impossibility, but I cannot help myself.
β
β
Nicholas Sparks (Message in a Bottle)
β
Have you tried talking to her?"
"No. We've been punching her in the face repeatedly. What? You don't think that will work?
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
I never forget a face, but in your case I'll be glad to make an exception.
β
β
Groucho Marx
β
Let no one ever come to you without leaving better and happier. Be the living expression of God's kindness: kindness in your face, kindness in your eyes, kindness in your smile.
β
β
Mother Teresa
β
Not everything that is faced can be changed, but nothing can be changed until it is faced.
β
β
James Baldwin
β
Damn, Claire. Warn a guy before you do a face-plant on the floor next time. I could have looked all heroic and caught you or something -Shane
β
β
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
β
No matter how plain a woman may be, if truth and honesty are written across her face, she will be beautiful.
β
β
Eleanor Roosevelt
β
It is difficult, when faced with a situation you cannot control, to admit you can do nothing.
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
You guessed? You must have been pretty sure, considering you could have killed me."
"I was ninety percent sure."
"I see," Clary said. There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put his hands on his cheek, more in surprise than pain.
"What the hell was that for?"
"The other ten percent.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Life is to be lived, not controlled; and humanity is won by continuing to play in face of certain defeat.
β
β
Ralph Ellison (Invisible Man)
β
Face your life, its pain, its pleasure, leave no path untaken.
β
β
Neil Gaiman (The Graveyard Book)
β
At some point, you have to stop running and turn around and face whoever wants you dead.The hard thing is finding the courage to do it.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Crows remember human faces. They remember the people who feed them, who are kind to them. And the people who wrong them too. They donβt forget. They tell each other who to look after and who to watch out for.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
Rhysand stared at me for long enough that I faced him.
"Be glad of your human heart, Feyre. Pity those who don't feel anything at all.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
You know, some people think Shadowhunters are just myths. Like mummies and genies." Kyle grinned at Jace. "Can you grant wishes?"
"That depends," he said. "Do you wish to be punched in the face?
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
Iβve known people that the world has thrown everything at to discourage them...to break their spirit. And yet something about them retains a dignity. They face life and donβt ask quarters.
β
β
Horton Foote
β
When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that, we were just looking at ideas of each other, like looking at your window shade but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.
β
β
John Green (Paper Towns)
β
It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.
β
β
Theodore Roosevelt
β
Beauty is not in the face; beauty is a light in the heart.
β
β
Kahlil Gibran
β
He smiled, and his face was like the sun.
β
β
Madeline Miller (The Song of Achilles)
β
A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.
β
β
Roald Dahl (The Twits)
β
Of all the hardships a person had to face, none was more punishing than the simple act of waiting.
β
β
Khaled Hosseini (A Thousand Splendid Suns)
β
I know now, Lord, why you utter no answer. You are yourself the answer. Before your face questions die away. What other answer would suffice?
β
β
C.S. Lewis
β
In the face of pain there are no heroes.
β
β
George Orwell (1984)
β
The Darkest Minds tend to hide behind the most unlikely faces.
β
β
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
β
It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumbledore knew - and so do I, thought Harry, with a rush of fierce pride, and so did my parents - that there was all the difference in the world.
β
β
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β
Laughter is sunshine, it chases winter from the human face.
β
β
Victor Hugo (Les MisΓ©rables)
β
You are the shuckiest shuck faced shuck in the world!
β
β
James Dashner (The Maze Runner (The Maze Runner, #1))
β
Some people are like Slinkies. They aren't really good for anything, but they still bring a smile to my face when I push them down a flight of stairs.
β
β
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
β
My palms itched to have a close encounter of the bitch-slap kind with his face.
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
But there's a story behind everything. How a picture got on a wall. How a scar got on your face. Sometimes the stories are simple, and sometimes they are hard and heartbreaking. But behind all your stories is always your mother's story, because hers is where yours begin.
β
β
Mitch Albom (For One More Day)
β
Every second he breathed, the smell of the grass, the cool air on his face, was so precious: To think that people had years and years, time to waste, so much time it dragged, and he was clinging to each second.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter #7))
β
I don't recommend shadow travel if you're scared of:
a) The dark
b) Cold shivers up your spine
c) Strange noises
d) Going so fast you feel like your face is peeling off
In other words, I thought it was awesome.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
He smiled understandingly-much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced--or seemed to face--the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company.
β
β
Henry Miller (Tropic of Cancer (Tropic, #1))
β
I want to grow a flower for every time someone tells me βF*** you.β Then Iβll go back to that person and pin the flower on their lapel in a gesture of friendship. And while they are looking down on it in astonishment, Iβll bunch up my knuckles and punch them in the face.
β
β
Jarod Kintz (I Want Two apply for a job at our country's largest funeral home, and then wear a suit and noose to the job interview.)
β
It's just that most really good-looking people are stupid, so I exceed expectations.'
'Right, it's primarily his hotness,' I said.
'It can be sort of blinding,' he said.
'It actually did blind our friend Isaac,' I said.
'Terrible tragedy, that. But can I help my own deadly beauty?'
'You cannot.'
'It is my burden, this beautiful face.'
'Not to mention your body.'
'Seriously, don't even get me started on my hot bod. You don't want to see me naked, Dave. Seeing me naked actually took Hazel Grace's breath away,' he said, nodding toward the oxygen tank.
β
β
John Green (The Fault in Our Stars)
β
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
Like a puma in the barrens of Quitratue.
β
β
Pablo Neruda
β
She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers...She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on...
β
β
Markus Zusak (The Book Thief)
β
After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.
β
β
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
β
God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in its appalling self-consciousness is horrible and overpowering.
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
Hades raised an eyebrow. When he sat forward in his throne, shadowy faces appeared in the folds of his black robes, faces of torment,as if the garment was stitched of trapped souls from the Fields of Punishment, trying to get out. The ADHD part of me wondered, off-task, whether the rest of his clothes were made the same way. What horrible things would you have to do in your life to get woven into Hades' underwear?
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
You canβt tell me
what to do anymore, Travis! I donβt belong to you!β
In the second it took him to turn and face me, his
expression had contorted into anger. He stomped toward
me, planting his hands on the bed and leaning into my face.
βWELL I BELONG TO YOU!β The veins in his neck
bulged as he shouted, and I met his glare, refusing to even
flinch. He looked at my lips, panting. βI belong to you.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
I do not aim with my hand; he who aims with his hand has forgotten the face of his father.
I aim with my eye.
I do not shoot with my hand; he who shoots with his hand has forgotten the face of his father.
I shoot with my mind.
I do not kill with my gun; he who kills with his gun has forgotten the face of his father.
I kill with my heart.
β
β
Stephen King (The Gunslinger (The Dark Tower, #1))
β
I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face,I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine.
β
β
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
β
I'm going to wake Peeta," I say.
"No, wait," says Finnick. "Let's do it together. Put our faces right in front of his."
Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice.
His eyelids flutter open and then he jumps like we've stabbed him. "Aa!"
Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.
Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"
Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.
"You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"
All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.
"You dropped this," he said, totally poker-faced.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
to love life, to love it even
when you have no stomach for it
and everything you've held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
β
β
Ellen Bass
β
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.
β
β
Walt Whitman
β
Pain is a pesky part of being human, I've learned it feels like a stab wound to the heart, something I wish we could all do without, in our lives here. Pain is a sudden hurt that can't be escaped. But then I have also learned that because of pain, I can feel the beauty, tenderness, and freedom of healing. Pain feels like a fast stab wound to the heart. But then healing feels like the wind against your face when you are spreading your wings and flying through the air! We may not have wings growing out of our backs, but healing is the closest thing that will give us that wind against our faces.
β
β
C. JoyBell C.
β
I'm like you,' he said. 'I remember everything.'
I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when youβre just ready to shut the door of the taxi and have already said goodbye to everyone else and thereβs not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name
β
β
AndrΓ© Aciman (Call Me by Your Name)
β
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
His dark eyes lifting to mine, he adds, "But I resist it."
"Why..." I swallow hard. "Why is that your first instinct?"
"Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
If a person has ugly thoughts, it begins to show on the face. And when that person has ugly thoughts every day, every week, every year, the face gets uglier and uglier until you can hardly bear to look at it.
A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts it will shine out of your face like sunbeams and you will always look lovely.
β
β
Roald Dahl (The Twits)
β
But love is always new. Regardless of whether we love once, twice, or a dozen times in our life, we always face a brand-new situation. Love can consign us to hell or to paradise, but it always takes us somewhere. We simply have to accept it, because it is what nourishes our existence. If we reject it, we die of hunger, because we lack the courage to stretch out a hand and pluck the fruit from the branches of the tree of life. We have to take love where we find it, even if that means hours, days, weeks of disappointment and sadness.
The moment we begin to seek love, love begins to seek us. And to save us.
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Paulo Coelho (By the River Piedra I Sat Down and Wept)
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We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face.
"Sorry," she murrmured.
"S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
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Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
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Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
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I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.
And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There's a hole inside my ear.
I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!
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Shel Silverstein
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Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
"Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want." Magnus moved toward Jace.
"Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
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Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
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Jace?"
"Yeah?"
"How did you know I had Shadowhunter blood? Was there some way you could tell?"
The elevator arrived with a final groan. Jace unlatched the gate and slid it open. The inside reminded Clary of a birdcage, all black metal and decorative bits of gilt. "I guessed," he said, latching the door behind them. "It seemed like the most likely explanation."
"You guessed? You must have been pretty sure, considering you could have killed me."
He pressed a button in the wall, and the elevator lurched into action with a vibrating groan that she felt all through the bones in her feet. "I was ninety percent sure."
"I see," Clary said.
There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put a hand to his cheek, more in surprise than pain. "What the hell was that for?"
The other ten percent," she said, and they rode the rest of the way down to the street in silence.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers.
Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine."
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
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John Green (The Fault in Our Stars)
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Maybe its like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And then things happen - these people leave us, or donβt love us, or donβt get us, or we donβt get them, and we lose and fail and hurt one another. And the vessel starts to crack in places. And I mean, yeah once the vessel cracks open, the end becomes inevitable. Once it starts to rain inside the Osprey, it will never be remodeled. But there is all this time between when the cracks start to open up and when we finally fall apart. And its only that time that we see one another, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face to face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade, but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.
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John Green (Paper Towns)
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It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.
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Donna Tartt (The Secret History)
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Iβll be your family now,β he says.
βI love you,β I say.
I said that once, before I went to Erudite headquarters, but he was asleep then. I donβt know why I didnβt say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me.
I am his, and he is mine, and it has been that way all along.
He stares at me. I wait with my hands clutching his arms for stability as he considers his response.
He frowns at me. βSay it again.β
βTobias,β I say, βI love you.β
His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips.
βI love you, too,β he says.
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Veronica Roth (Insurgent (Divergent, #2))
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Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
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J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
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I don't know if I continue, even today, always liking myself. But what I learned to do many years ago was to forgive myself. It is very important for every human being to forgive herself or himself because if you live, you will make mistakes- it is inevitable. But once you do and you see the mistake, then you forgive yourself and say, 'Well, if I'd known better I'd have done better,' that's all. So you say to people who you think you may have injured, 'I'm sorry,' and then you say to yourself, 'I'm sorry.' If we all hold on to the mistake, we can't see our own glory in the mirror because we have the mistake between our faces and the mirror; we can't see what we're capable of being. You can ask forgiveness of others, but in the end the real forgiveness is in one's own self. I think that young men and women are so caught by the way they see themselves. Now mind you. When a larger society sees them as unattractive, as threats, as too black or too white or too poor or too fat or too thin or too sexual or too asexual, that's rough. But you can overcome that. The real difficulty is to overcome how you think about yourself. If we don't have that we never grow, we never learn, and sure as hell we should never teach.
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Maya Angelou
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Do you love me?' I asked her. She smiled. 'Yes.' 'Do you want me to be happy?' as I asked her this I felt my heart beginning to race. 'Of course I do.' 'Will you do something for me then?' She looked away, sadness crossing her features. 'I don't know if I can anymore.' she said. 'but if you could, would you?' I cannot adequately describe the intensity of what I was feeling at that moment. Love, anger, sadness, hope, and fear, whirling together sharpened by the nervousness I was feeling. Jamie looked at me curiously and my breaths became shallower. Suddenly I knew that I'd never felt as strongly for another person as I did at that moment. As I returned her gaze, this simple realization made me wish for the millionth time that I could make all this go away. Had it been possible, I would have traded my life for hers. I wanted to tell her my thoughts, but the sound of her voice suddenly silenced the emotions inside me. 'yes' she finally said, her voice weak yet somehow still full of promise. 'I would.' Finally getting control of myself I kissed her again, then brought my hand to her face, gently running my fingers over her cheek. I marveled at the softness of her skin, the gentleness I saw in her eyes. even now she was perfect. My throat began to tighten again, but as I said, I knew what I had to do. Since I had to accept that it was not within my power to cure her, what I wanted to do was give her something that she'd wanted. It was what my heart had been telling me to do all along. Jamie, I understood then, had already given me the answer I'd been searching for, the answer my heart needed to find. She'd told me outside Mr. Jenkins office, the night we'd asked him about doing the play. I smiled softly, and she returned my affection with a slight squeeze of my hand, as if trusting me in what I was about to do. Encouraged, I leaned closer and took a deep breath. When I exhaled, these were the words that flowed with my breath. 'Will you marry me?
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Nicholas Sparks (A Walk to Remember)
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I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain personβs back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you donβt see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
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Lemony Snicket
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If I should have a daughterβ¦βInstead of βMomβ, sheβs gonna call me βPoint B.β Because that way, she knows that no matter what happens, at least she can always find her way to me. And Iβm going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say βOh, I know that like the back of my hand.β
Sheβs gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isnβt coming, Iβll make sure she knows she doesnβt have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, Iβve tried.
And βBaby,β Iβll tell her βdonβt keep your nose up in the air like that, I know that trick, youβre just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.β
But I know that she will anyway, so instead Iβll always keep an extra supply of chocolate and rain boats nearby, βcause there is no heartbreak that chocolate canβt fix. Okay, thereβs a few heartbreaks chocolate canβt fix. But thatβs what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because thatβs how my mom taught me. That thereβll be days like this, βThereβll be days like this my momma saidβ when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and youβll be up to your knees in disappointment and those are the very days you have all the more reason to say βthank you,β βcause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times itβs sent away.
You will put the βwindβ in win some lose some, you will put the βstarβ in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but donβt be afraid to stick your tongue out and taste it.
βBaby,β Iβll tell her βremember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.β
Remember that good things come in threes and so do bad things and always apologize when youβve done something wrong but donβt you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but donβt ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
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Sarah Kay