Nip Quotes

We've searched our database for all the quotes and captions related to Nip. Here they are! All 100 of them:

When you lick me,” he said roughly, “I want to be alone—far away from everyone. Because when you lick me, Feyre,” he said, pressing nipping kisses to my jaw, my neck, “I’m going to let myself roar loud enough to bring down a mountain.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Slowly he looked at me, and then he bent down, planting his lips on mine. The kiss was unexpected—deep and forceful. Stunned I just stood there as he pulled back, nipping at my bottom lip. "Tasty, Kitten." Then he spun, planted his right hand on Blake’s shoulder, knocking him back into a locker. “See you around,” he said, smirking.
Jennifer L. Armentrout (Opal (Lux, #3))
The things we worry about the most are never the things that bite us. The sharpest teeth always take their nip of us when we are looking the other way.
Dean Koontz (Forever Odd (Odd Thomas, #2))
You’re such a beast,” I speak softly into his ear before nipping his lope lightly with my teeth. “But I’m your beast, and baby… every Beauty needs a Beast.
Harper Sloan (Cage (Corps Security, #2))
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.' Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.' 'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.' Spook rushed over and fetched Breeze a cup of wine. 'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.' Spook frowned. 'Niceing the not on the playing without.' 'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.' Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.' 'Riding the rile of the rids to the right,' Spook said with a nod. 'What are you two babbling about?' Breeze said testily. 'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.' 'Ever wasing the doing of this,' Kelsier agreed. 'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.' Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.' Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
Brandon Sanderson (The Final Empire (Mistborn, #1))
When your mama was the geek, my dreamlets," Papa would say, "she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.
Katherine Dunn (Geek Love)
If I see something saggin', baggin', or draggin', I'm gone have it nipped, tucked, or sucked!
Dolly Parton
You are such a bad boy." She tugged on the hair that brushed my collar. "I can be real bad. You haven't seen anything yet," I murmured, bending my head so I could take a nip at the soft skin at the back of her neck. "I'm not sure I could keep up with you. I'm extremely inexperienced. We are in completely different planets when it comes to sexual experience," her breathing was labored as I licked and kissed different sweet spots on her shoulders and collarbone. "I didn't say anything about sex, Eva," I grinned before kissing her jawline. "You're the naughty one who brought up sex.
Abbi Glines (While It Lasts (Sea Breeze, #3))
You've been nipping at cook's wine!!
Tamora Pierce
Hell begins with a grumbling mood, always complaining, always blaming others... but you are still distinct from it. You may even criticize it in yourself and wish you could stop it. But there may come a day when you can no longer. Then there will be no you left to criticize the mood or even to enjoy it, but just the grumble itself, going on forever like a machine. It is not a question of God "sending us" to hell. In each of us there is something growing, which will BE hell unless it is nipped in the bud.
C.S. Lewis
I like you, Jase Ballenger,” I said softly. “I think if you weren’t a thief, we might be friends.” “And if you didn’t whisk out knives and threaten to cut pretty necks, I think we might be friends too.” I wrinkled my nose. “Oh, how obsessed you are with your pretty neck.” His hands tightened on my wrists. He pulled me close, his teeth nipping at my neck and between kisses, he whispered, “It is not my neck I am obsessed with, Kazi of Brightmist.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
But Harry . . . even if we had met and married three years ago, you’d still say it wasn’t enough time.” “You’re right. I can’t think of a single day of my life that wouldn’t have been improved with you in it.” “Darling,” she whispered, her fingertips coming up to stroke his jaw, “that’s lovely. Even more romantic than comparing me to watch parts.” Harry nipped at her finger. “Are you mocking me?” “Not at all,” Poppy said, smiling. “I know how you feel about gears and mechanisms.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Assaulting an officer will earn you one to five, Roarke. That's in a cage, not cushy home detention." "You're not wearing your badge. Or anything else, for that matter." He gave her a friendly nip on the chin. "Be sure to put that in your report.
J.D. Robb (Naked in Death (In Death, #1))
He dipped his head, placing his mouth to the space below her ear. He nipped her there, just a tiny bite that sent a wave of heat through her veins. And then his lips moved lower, leaving a hot trail behind. “You drive me insane, absolutely freaking insane. Do you know that? I bet you do.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
The old summer's-end melancholy nips at my heels. There's no school to go back to; no detail of my life will change come the onset of September; yet still, I feel the old trepidation.
Sara Baume (A Line Made By Walking)
She went up on tiptoe, and that easily, her mouth was against his. It was barely a kiss—just a quick, startling press of her lips. Before she could even think of moving away, he had hold of her. He knew he was probably doing everything wrong, but he couldn’t bring himself to worry, because she was in his arms, her lips were parting, her hands were twining around his neck, and sweet Djel, her tongue was in his mouth. No wonder Fjerdans were so cautious about courtship. If Matthias could be kissing Nina, feeling her nip at his lip with her clever teeth, feel her body fitted against his own, hear her release that little sigh in the back of her throat, why would he ever bother doing anything else? Why would anyone?
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Ronald Reagan has a stack of three-by-five cards in his lap. He skids up a new one: "What advice do you, as the youngest American fighting man ever to win both the Navy Cross and the Silver Star, have for any young marines on their way to Guadalcanal?" Shaftoe doesn't have to think very long. The memories are still as fresh as last night's eleventh nighmare: ten plucky Nips in Suicide Charge! "Just kill the one with the sword first." "Ah," Reagan says, raising his waxed and penciled eyebrows, and cocking his pompadour in Shaftoe's direction. "Smarrrt--you target them because they're the officers, right?" "No, fuckhead!" Shaftoe yells. "You kill 'em because they've got fucking swords! You ever had anyone running at you waving a fucking sword?
Neal Stephenson (Cryptonomicon)
Royce's eyes narrowed in discouragement at the thoght of having to sing to jenny. his deep bariton voice would surely bring every hound for miles to yap and nip at his heels.
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
Well, he’s a dog. They don’t have an idea how the world’s supposed to be, so it doesn’t bother them when it isn’t.” Agnes frowned. “Except herding dogs, I think. They have a pretty clear idea in their heads, so they’re always nipping and worrying and trying to get it to fit.
T. Kingfisher (Nettle & Bone)
Why do women waste their time trying to convince their insecure family members and girlfriends that they are beautiful? Self esteem is not a beauty cream that you can rub all over them and see instant results. Instead, convince them they are not stupid. Every intelligent woman knows outward beauty is a nip, tuck, chemical peel or diet away. If you don't like it, fix it.
Shannon L. Alder
At sunset, on the river ban, Krishna Loved her for the last time and left. . . That night in her husband's arms, Radha felt So dead that he asked, What is wrong, Do you mind my kisses, love? And she said, Not not at all, but thought, What is It to the corpse if the maggots nip?
Kamala Suraiyya Das (The Descendants)
He leaned down until his lips brushed her ear. “I told you to stop flinching.” And then he bit her. A slow, painless nip but there were definitely teeth involved.
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
My breathing was erratic as he growled in my ear, “You’re so goddamn hot it pisses me off.” And then he nipped my neck, hard.
Danielle Lori (The Sweetest Oblivion (Made, #1))
Cosmetic surgery is not "cosmetic," and human flesh is not "plastic." Even the names trivialize what it is. It's not like ironing wrinkles in fabric, or tuning up a car, or altering outmoded clothes, the current metaphors. Trivialization and infantilization pervade the surgeons' language when they speak to women: "a nip," a "tummy tuck."...Surgery changes one forever, the mind as well as the body. If we don't start to speak of it as serious, the millennium of the man-made woman will be upon us, and we will have had no choice.
Naomi Wolf (The Beauty Myth)
People who say that money can't buy happiness just don't know where to shop.
Kathy Lette
It's not a question of God `sending' us to Hell. In each of us there is something growing up which will of itself be Hell unless it is nipped in the bud.
C.S. Lewis (God in the Dock: Essays on Theology (Making of Modern Theology) (ABRIDGED))
The TV said you should ignore bullies and they would stop harassing you. In practice this worked about half the time. The other half, you ended up with two tall boys shadowing you through a trailer park, their fingers taking little nips at your clothes, like dogs.
Jennifer Echols (Such a Rush)
She expected a precise, controlled kiss to calmly show her mother they were lovers. Instead she got hot testosterone and raw sexual energy. She got warm lips melded over hers. His teeth nipped. His tongue burrowed inside and plunged in and out with sheer command, bending her back over his arm to take every last drop of her resolve.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
Insecurity is a powerful enemy. It forces people to use make-up, plastic surgery, collagen injections and liposuction; to nip, tuck, throw up, push up, suck in and laser.
Carlos Wallace (The Other 99 T.Y.M.E.S: Train Your Mind to Enjoy Serenity)
Gary nips my finger and starts clawing his way up my shoulder, hissing like an angry kettle. It's just not natural for something so cute and fluffy to be so nasty. I look at Nick in distress. "Why is he spitting at me?" "Maybe he thinks he's a llama.
Holly Smale (Geek Girl (Geek Girl, #1))
A little vanilla never hurt anybody.” He nipped her ankle. “Great shoes by the way. Sexy as hell.
Hanna Lui (Blow)
Mine always," he whispers, nipping my earlobe with his teeth. "Yours forever," I breathe, burying my head in his neck.
Kim Karr (Torn (Connections, #2))
Rain on roof outside window, gray light, deep covers and warm blankets. Rain and nip of autumn in air; nostalgia, itch to work better and bigger. That crisp edge of autumn.
Sylvia Plath
Smile for the camara, Ellamara,” he whispered. “I promise I won’t bite.” But even as he promised this, his teeth gently nipped my ear. Now I did gasp, and he laughed again. “Not hard, anyway.” he amended.
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
I’ll come back,” she promised. “I’ll always come back to you.” “I know,” he said with cold, calm arrogance. “If I didn’t believe that, I wouldn’t let you go.” “Believe it. It’s true.” She took a step back. Then another. “Always.” “Eleanor, if you have any mercy in that dark heart of yours, when you leave right now, you will walk and not run.” ... ... crawl and she didn’t fly. She ran. Down the hall she ran as if the hounds of hell nipped at her heels. She ran as if God himself had ordered her to. She ran as if her life depended on it and in that moment she might have sworn that it did. She didn’t know why she ran. She didn’t know who or what waited for her in the White Room. She only knew she had to get there as fast as she could and whoever it was, he was worth running to.
Tiffany Reisz (The Angel (The Original Sinners, #2))
Nip it, Nip it in the bud.
Don Knotts
I'll listen to you, but you need to treat me with a little respect. Because it doesn't sound like I'm a pawn. Sounds like I'm more of a queen." A vein in his temple began to throb, and she grew bolder, the sense of power emanating from the mark on her chest filing her with the mettle she'd lost after the break-in two years ago. Lowering her voice to a tense whisper, she nipped his earlobe. "Checkmate.
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
I’ve had a long life. You haven’t. You love your family. Go to another world. Find a…a husband—” He broke off and that rattle began deep in his chest. His next words came out thickly, around fangs. “Have children. Rebuild the human race. Live all those dreams you used to have.” “Used to,” I agreed, nipping his full lower lip. “Don’t anymore. Can’t even conceive of them. You’re my dream.
Karen Marie Moning (Feversong (Fever, #9))
I love it. Reminds me of you." "It reminds me of a man I don't like." I never want to hear it again. "I'm sorry." He nips at my neck, drawing his tongue up the length to my jawbone. "My arse is dead.
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
[Australia] is the home of the largest living thing on earth, the Great Barrier Reef, and of the largest monolith, Ayers Rock (or Uluru to use its now-official, more respectful Aboriginal name). It has more things that will kill you than anywhere else. Of the world's ten most poisonous snakes, all are Australian. Five of its creatures - the funnel web spider, box jellyfish, blue-ringed octopus, paralysis tick, and stonefish - are the most lethal of their type in the world. This is a country where even the fluffiest of caterpillars can lay you out with a toxic nip, where seashells will not just sting you but actually sometimes go for you. ... If you are not stung or pronged to death in some unexpected manner, you may be fatally chomped by sharks or crocodiles, or carried helplessly out to sea by irresistible currents, or left to stagger to an unhappy death in the baking outback. It's a tough place.
Bill Bryson (In a Sunburned Country)
Why am I doing this, Brynne?” he demanded. “I don’t know, Ethan.” I could barely speak." “Yes you do. Say it, Brynne!” I tensed as an orgasm started to rule me but he immediately reduced the pace, taking it down a notch with slow pulls in and out of my spread sex. “Say what?” I cried, frustrated. “Say the words I have to hear. Say the truth and I’ll let you come.” He speared into me slower and nipped at my bare shoulder with his teeth. “What is the truth?” I was starting to sob now, completely at his mercy. “The truth is,” he grunted the rest on three, hard, punctuating thrusts, “You. Are. Mine!” I inhaled on a cry at the final thrust. He sped up again, fucking faster. “Say it!” he growled. “I’m yours, Ethan!
Raine Miller (Naked (The Blackstone Affair, #1))
Kissing Sinclair was like making out with a sexy timber wolf— he was licking my fangs and nipping me lightly and growling under his breath and it was...oh, it was really something.
MaryJanice Davidson (Undead and Unwed (Undead, #1))
He nipped at my ear. “Brace yourself on the wall. It’s gonna get a little rowdy in here.
Meghan March (Beneath This Ink (Beneath, #2))
SOME PEOPLE LIKE TO NIBBLE ON THE INSIDES OF THEIR OWN CHEEKS. IV'E SEEN AN OTHERWISE LOVELY GIRL CONTORT HER FACE TO REACH A FAVORITE SPOT. THERE ARE BIT LINES WHERE REPEATED NIPS HAVE BUILT RIDGES OF SCAR TISSUE.
Jenny Holzer
So often, children are punished for being human. Children are not allowed to have grumpy moods, bad days, disrespectful tones, or bad attitudes, yet we adults have them all the time! We think if we don't nip it in the bud, it will escalate and we will lose control. Let go of that unfounded fear and give your child permission to be human. We all have days like that. None of us are perfect, and we must stop holding our children to a higher standard of perfection than we can attain ourselves. All of the punishments you could throw at them will not stamp out their humanity, for to err is human, and we all do it sometimes.
Rebecca Eanes (The Newbie's Guide to Positive Parenting)
I nipped little kisses along his jawline. God, I just couldn't keep my hands or lips off of him. "God, you are the most delicious thing I have ever tasted." He laughed. "That's something the vampire should be saying to you, not the other way around.
Tish Thawer (Scent of a White Rose (The Rose Trilogy, #1))
Damn it, Juliette. Stop.” Panting and dizzy, she stared at him. “What?” He nipped at her lip with his teeth, hard enough to make her whimper and reach for him. “Whatever the hell it is you’re doing to me.
Airicka Phoenix (Transcending Darkness)
Teachers dread nothing so much as unusual characteristics in precocious boys during the initial stages of their adolescence. A certain streak of genius makes an ominous impression on them, for there exists a deep gulf between genius and the teaching profession. Anyone with a touch of genius seems to his teachers a freak from the very first. As far as teachers are concerned, they define young geniuses as those who are bad, disrespectful, smoke at fourteen, fall in love at fifteen, can be found at sixteen hanging out in bars, read forbidden books, write scandalous essays, occasionally stare down a teacher in class, are marked in the attendance book as rebels, and are budding candidates for room-arrest. A schoolmaster will prefer to have a couple of dumbheads in his class than a single genius, and if you regard it objectively, he is of course right. His task is not to produce extravagant intellects but good Latinists, arithmeticians and sober decent folk. The question of who suffers more acutely at the other's hands - the teacher at the boy's, or vice versa - who is more of a tyrant, more of a tormentor, and who profanes parts of the other's soul, student or teacher, is something you cannot examine without remembering your own youth in anger and shame. yet that's not what concerns us here. We have the consolation that among true geniuses the wounds almost always heal. As their personalities develop, they create their art in spite of school. Once dead, and enveloped by the comfortable nimbus of remoteness, they are paraded by the schoolmasters before other generations of students as showpieces and noble examples. Thus the struggle between rule and spirit repeats itself year after year from school to school. The authorities go to infinite pains to nip the few profound or more valuable intellects in the bud. And time and again the ones who are detested by their teachers are frequently punished, the runaways and those expelled, are the ones who afterwards add to society's treasure. But some - and who knows how many? - waste away quiet obstinacy and finally go under.
Hermann Hesse (Beneath the Wheel)
You always, I notice, feel the same when you are under heavy fire - not so much afraid of being hit as afraid because you don't know where you will be hit. You are wondering all the while just where the bullet will nip you, and it gives your whole body a most unpleasant sensitiveness.
George Orwell (Homage to Catalonia)
When your mama was the geek, my dreamlets,” Papa would say, “she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.
Katherine Dunn (Geek Love)
The kiss is sweeter than sin and fiercer than temptation. I am not gentle, I am not kind; I am rough and wild and savage. I bite, I nip, I lick, I devour. I want and I want and I want and I want. I hold nothing back.
S. Jae-Jones (Wintersong (Wintersong, #1))
Oh, here we are at the bridge. I'm going to shut my eyes tight. I’m always afraid going over bridges. I can't help imagining that perhaps, just as we get to the middle, they'll crumple up like a jackknife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge did crumple up I'd want to see it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There, we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Trying to draw Matthew into our conversation, I said, “Look, here’s Matthew’s.” I pointed out his card; on it, a smiling young man with an oblivious expression walked a desolate land, carrying a rucksack and a single white rose. A yapping dog nipped at his heels. Matthew tilted his head at the likeness. “In a place where nothing grows, I carry a flower. The memory of you.” I smiled at him. “That is so sweet.” He frowned. “That literally happened.” “Oh.
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
I breathe deeply, and he hovers above me. “I’m going to fuck you,” he says, yanking off my pants. The cold nips my skin. “I’m going to have sex with you.” He kisses me strongly while lifting my sweater off my head. “I’m going to make love to you.” His eyes bore into mine. “All at fucking once.” His gaze dances over my features. “Not because of a fucking theory. I can’t think of a place I’d rather be right now than with you. Truth is, I can’t think of a place I’d rather be in fifty fucking years than next to you.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
The hardest part about being back in the human world was relearning emotion. Everything a wolf does has a practical, simple reason. There is no cold shoulder, no saying one thing when you mean something else, no innuendo. Wolves fight for two reasons: family and territory. Humans are driven by ego; wolves have no room for it and will literally nip it out of you. For a wolf, the world is about understanding, knowledge, respect – attributes that many humans have cast off, along with an appreciation of the natural world.
Jodi Picoult (Lone Wolf)
What about your freedom?" he whispered in her ear over a minute later, bracing his hands palms down on the wall beside her head. He made no move to stop her as she stroked and petted every inch of that sinfully gorgeous chest, all hard muscle and gleaming skin overlaid with silky-rough strands of dark hair. "Idiot." She nipped his jaw with her teeth. "The only freedom I ever wanted was the right to love you.
Nalini Singh (An Enchanted Season (Psy-Changeling, #0.5; Murphy Sisters, #1))
My slick finger worked my clit back and forth as my eyes slid shut and I imagined Auric's face. Those hard lips, his strong jaw. My nipples puckered as I pictured him sucking them, those wicked green eyes looking up at me as he nipped my erect nubs.
Eve Langlais (Lucifer's Daughter (Princess of Hell, #1))
You, me, together,” he said, his teeth nipping at my earlobe. “Permanently, being as clingy and possessive, jealous, space-invading boyfriend and girlfriend as we want, because this is happening. We are so fucking happening together. Whether you like it or not, you’re mine...just as I’ve been yours for years. So...do you got all that?” - Brandt
Linda Kage (Priceless (Forbidden Men, #8))
Quinn and Lisa He pulled her to her feet. "Let's go home." "Sure." "Want to ride double?" "On your horse?" "I promise Thunder will be on his best behavior." "Quinn, he has no manners. He tried to take a nip out of my hat yesterday." He groaned. "He didn't." She held it out. "Look at it. You can see the teeth marks." "Lizzy, you promised not to make a pet out of my horse." "What?" "He's falling in love with you." She burst out laughing at his grim pronouncement. "I'm serious," Quinn insisted. "What have you been feeding him?" "I wasn't supposed to?" "Lizzy." "Sugar cubes. He likes them." "You're hopeless, you know that?" "I didn't mean to." He wrapped his arm around her shoulders. "Sure you didn't. Please remember the cattle are sold as beef. This is a working ranch." "Quinn-" she couldn't resist-"even the pretty little ones?
Dee Henderson
It can happen to anybody, getting all hung up on some twenty-year-old quiff. Like the little dog in the freight yard, and the train nips off the end of his tail and he yelps and spins around and it cuts off his head. Never lose your head over a piece of tail.
John D. MacDonald
But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad?
Richard Matheson (I Am Legend and Other Stories)
Nondefensive phrases: • Really? • I see. • I understand. • That’s interesting. • That’s your choice. • I’m sure you see it that way. • You’re entitled to your opinion. • I’m sorry you’re upset. • Let’s talk about this when you’re calmer. • Yelling and threatening aren’t going to solve anything. • This subject is off-limits. • I don’t choose to have this conversation. • Guilt peddling and playing the pity card are not going to work anymore. • I know you’re upset. • This is nonnegotiable. Ninety-nine times out of a hundred, these phrases will act like a referee coming in to stop a fight. They nip conflict in the bud. You won’t need them when someone is pleasant, but they’re essential when you’re being blamed, bullied, attacked, or criticized.
Susan Forward (Mothers Who Can't Love: A Healing Guide for Daughters)
With a hand on the back of his neck, Raleigh pulled him down until their foreheads touched. “I love you. I want to suffocate you in your sleep with your pillow sometimes, but I love you.” Steven chuckled and nipped Raleigh’s full bottom lip. “I love you too, Cony.” Running his fingers through the back of the thick black hair, Steven urged Raleigh forward. “Please don’t murder me in my sleep.” Their lips met.
J.L. Langley (My Regelence Rake (Sci-Regency #3))
He nipped her skin, and her entire body jerked. “Oh!” she gasped. "Got yourself a vampire fetish?” he asked with a chuckle. “What? No, of course not. Vampires aren’t real.” “But I’m all about bringing your fantasies to life, babe. If you want to be banged by a sparkling dick, I’ll go get the glitter.
Olivia Cunning (Insider (Exodus End, #1))
The tragic irony of modern anti-fascism is that the more successful it is, the more its raison d'etre is called into question. Its greatest successes lie in hypothetical limbo: How many murderous fascist movements have been nipped in the bud over the past 70 years by antifa groups before their violence could metastasize? We will never know--and that's a very good thing indeed.
Mark Bray (Antifa: The Anti-Fascist Handbook)
We’re going to get a couple things straight here, Roarke.’ ‘Your color’s back.’ Pleased with himself, he rose and nipped a kiss onto the tip of her nose. ‘That gray cast to your skin didn’t suit you.’ Then he grunted as her fist jammed into his stomach. He cleared his throat manfully. ‘Your energy level’s obviously up, too. Want coffee?’ ‘I want you to know that if you ever pull a stunt like that again, I’ll . . .’ She trailed off, narrowed her eyes at Mavis. ‘What are you grinning at?’ ‘It’s fun to watch. You two are so tipped over each other.’ ‘So tipped he’s going to end up on his back checking out the ceiling if he doesn’t watch out.
J.D. Robb (Immortal in Death (In Death, #3))
The First Book: Go ahead, it won't bite. Well... maybe a little. More a nip, like. A tingle. It's pleasurable, really. You see, it keeps on opening. You may fall in. Sure, it's hard to get started; remember learning to use knife and fork? Dig in: you'll never reach bottom. It's not like it's the end of the world -- just the world as you think you know it.
Rita Dove
He turned to Matt and gave a huge smile, one hand on her withers. James reached out and pulled Matt to him, and they stood there in a little circle. It felt disconcertingly like… a family reunion. Matt turned away from James‟s bright smile and looked at Miz in something akin to horror. Was she their… child? Miz nipped him. Hard. While snorting horse mucus all over him. Damn thing couldn‟t even blow her own damn nose. Would she ever grow up?
Anne Tenino (18% Gray (Task Force Iota, #1))
Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shriveled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days and didn't thaw it one degree at Christmas.
Charles Dickens (A Christmas Carol)
Sir?” said Jeeves, kind of manifesting himself. One of the rummy things about Jeeves is that, unless you watch like a hawk, you very seldom see him come into a room. He’s like one of those weird chappies in India who dissolve themselves into thin air and nip through space in a sort of disembodied way and assemble the parts again just where they want them. I’ve got a cousin who’s what they call a Theosophist, and he says he’s often nearly worked the thing himself, but couldn’t quite bring it off, probably owing to having fed in his boyhood on the flesh of animals slain in anger and pie.
P.G. Wodehouse (My Man Jeeves (Jeeves, #1))
Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.
J.D. Robb (Ceremony in Death (In Death, #5))
All right, shadow-priest, you've been spying — on what? What state secrets have you learned watching me groom these horses?' 'Only that they hate you, Daru. Every time your back was turned, they got ready to nip you — only you always seemed to step away at precisely the right moment-' 'Yes, I did, since I knew what they were intending. Each time.' 'Is this pride I hear? That you outwitted two horses?
Steven Erikson (Memories of Ice (Malazan Book of the Fallen, #3))
Of course they lived at 14 [their house number on their street], and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner. The way Mr. Darling won her was this: the many gentlemen who had been boys when she was a girl discovered simultaneously that they loved her, and they all ran to her house to propose to her except Mr. Darling, who took a cab and nipped in first, and so he got her. He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss. Wendy thought Napoleon could have got it, but I can picture him trying, and then going off in a passion, slamming the door.
J.M. Barrie (Peter Pan)
I have one thing you don't,' he murmured against her neck, turning his head and nipping her earlobe. 'What?' His tongue teased her ear. 'Brute strength,' he whispered and removed the keys from her hand even as he captured her mouth with his. He didn't let her up until she kissed him back thoroughly, until her arms slid around his neck and she melted into him. He drove the truck with great satisfaction, smirking at her. 'Manly man, here, woman.
Christine Feehan (Water Bound (Sea Haven/Sisters of the Heart, #1))
My body was a Pandora’s box of aches and pains. When Grandpa died all the ailments came jumping out. I was forever twitching and shaking. I had a persistent sore throat and had difficulty swallowing except when I was taking nips from my illicit cocktail. I was constantly constipated, holding everything in — a disorder that had started when I was two years old. It burned when I passed urine, and my migraines were so severe it felt on occasions as if I were going blind.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
For long minutes, we stood there. Until I said, “Let’s go find somewhere to eat – outside.” “Hmmm.” He showed no sign of letting go. I looked up at last. Found his eyes shining with that familiar, wicked light. “I think I’m hungry for something else,” he purred. My toes curled in my boots, but I lifted my brows and said cooly, “Oh?” Rhys nipped at my earlobe, then whispered in my ear as he winnowed us up to our bedroom, where two plates of food now waited on the desk. “I owe you for last night, mate.” He gave me the courtesy, at least, of letting me pick what he consumed first; me or the food. I picked wisely.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
He leans his face next to my ear, his breath smelling of chocolate making me want him more. I moan, my body defying the warnings in my mind. “You can try and act like you don’t want me, that you have control,” he breathes into my ear as he thrusts his groin harder against me. He's still pulling my hair, making me arch my back. He slowly pulls his hips away and my ass thrusts itself against his groin trying to regain contact. The action takes me by surprise. Shadow lets out a vicious laugh. 'But your body can’t lie,' he nips my earlobe making me practically come on the spot, the pain shooting to my toes making them curl with pleasure, 'you have no power.'
M.N. Forgy (What Doesn't Destroy Us (The Devil's Dust, #1))
The key to the Shadow Fold is finally within our grasp, and right now, I should be in the war room, hearing their report. I should be planning our trip north. But I’m not, am I?” My mind had shut down, given itself over to the pleasure coursing through me and the anticipation of where his next kiss would land. “Am I?” he repeated and he nipped at my neck. I gasped and shook my head, unable to think. He had me pushed up against the door now, his hips hard against mine. “The problem with wanting,” he whispered, his mouth trailing along my jaw until it hovered over my lips, “is that it makes us weak.” And then, at last, when I thought I couldn’t bear it any longer, he brought his mouth down on mine. His
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Her mouth was on his with such ferocity, it knocked him back a step. He managed to haul her back so he could gasp for air and answers. "Not that I'm complaining." "Then don't. Shut up and put out Savoie." "You are so romantic, detective." She chained rough kisses about his neck. "What if I can't perform under this unexpected pressure?" Her hand dropped below his belt for an assessing fondle. "Just my luck. Appears to be high performance all the way." He chuckled and began to nuzzle and nip at her rather roughly, his attention supercharged by her aggression. "And what kind of handling are you looking for?" "Fast and reckless
Nancy Gideon (Chased by Moonlight (By Moonlight, #2))
Emotions are given to us by God, so that we can fully experience our experiences. The only problem with emotions is that we get addicted or attached to them. We take them as final or substantive. Emotions do have the ability to open you to consciousness, but then they tend to become the whole show. Most human thought is just obsessive, compulsive commentary. It’s “repetitive and useless,” as Eckart Tolle says. I would say the same of emotions. Contemplation allows you to see (contemplata means “to see”) this happening in yourself. . . . Contemplation and silence nip the ego and its negatives in the bud by teaching you how to watch and guard your very thoughts and feelings—but from a place of love and not judgment.
Richard Rohr (Radical Grace: Daily Meditations)
Here’s the twist to your story, Charlie. You ready for it?" he growled and nipped at my lower lip. "Breathe me in deep. Hold your breath. I will make you fall in love with me again. Because I sure as shit didn’t think I’d ever see you again, and I sure as shit didn’t think I could fall in love with you again, but I did." His hands gripped me tighter. "Like I was falling from a cliff, Charlie. Then...then…I realized when I hit the ground; I’ve been in love with you this whole time. It never stopped. I’ll never stop. I will never stop, and I will never give up on you." His voice lowered, “It was you from the beginning, the minute you taped that skull and crossbones to your window wearing those baggy jeans, that Nirvana T-shirt, and those God-awful chucks, you were my horizon. Everything I could ever see.
Christine Zolendz (Here's To Falling)
(about William Blake) [Blake] said most of us mix up God and Satan. He said that what most people think is God is merely prudence, and the restrainer and inhibitor of energy, which results in fear and passivity and "imaginative death." And what we so often call "reason" and think is so fine, is not intelligence or understanding at all, but just this: it is arguing from our *memory* and the sensations of our body and from the warnings of other people, that if we do such and such a thing we will be uncomfortable. "It won't pay." "People will think it is silly." "No one else does it." "It is immoral." But the only way you can grow in understanding and discover whether a thing is good or bad, Blake says, is to do it. "Sooner strangle an infant in its cradle than nurse unacted desires." For this "Reason" as Blake calls it (which is really just caution) continually nips and punctures and shrivels the imagination and the ardor and the freedom and the passionate enthusiasm welling up in us. It is Satan, Blake said. It is the only enemy of God. "For nothing is pleasing to God except the invention of beautiful and exalted things." And when a prominent citizen of his time, a logical, opining, erudite, measured, rationalistic, Know-it-all, warned people against "mere enthusiasm," Blake wrote furiously (he was a tender-hearted, violent and fierce red-haired man): "Mere enthusiasm is the All in All!
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)
That sound,” Aaron breathed into my skin. “That sound is driving me goddamn insane.” Insanity—that was what this was. What was pumping in my veins. He kissed a path up my throat, veering for my ear, leaving little nips that left my blood roaring. Thundering across my body. My hands toured up his wide chest, reaching the nape of his neck. My fingers tangled in his hair, pulling at it softly when he nibbled at the skin below my earlobe. When he grazed his teeth over it, I pulled a little harder. “Hold on to me, baby.” In a swift move, Aaron picked me up from the floor, my legs going around him and my arms wrapping tighter around his neck.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
She cried out as he quickly shoved a hand into the front of her panties, the sharp sound becoming a breathless moan when he cupped her warm sex in his palm and gave a predatory growl. Her delicate hands were on the sides of his neck, clutching him to her, her tongue sliding against his in a way that made his blood boil. Heat poured off him in blistering, sweltering waves as he shoved two thick fingers inside the slick, narrow opening of her body, stretching tender tissues, surprised by how perfect and small she felt. By how tightly she gripped him. “I knew,” he groaned, nipping her mouth with his teeth as he pushed his fingers deeper into that hot, melting honey. “I fucking knew you were going to feel like this.
Rhyannon Byrd (Deadly is the Kiss (Primal Instinct, #9))
I thought about death and was gripped by feelings which choked my chest and made my throat dry, a sudden pushing and shoving in my guts. It was a sort of chronic ailment I had. Once that feeling and that agitation of my whole body had begun, I wouldn't be able to shake it off until I got to asleep. And I couldn't recall it with the same impact in the daytime.
Kenzaburō Ōe (Nip the Buds, Shoot the Kids)
Boo-Boo Pennyroyal did not like her male and female slaves to mingle. In the operas that she adored, young people brought together in tragic circumstances were forever falling in love with each other and then throwing themselves off things (cliffs, mostly, but sometimes battlements, or rooftops, or the brinks of volcanoes). Boo-Boo was fond of her slaves, and it pained her to think of them plummeting in pairs off the edges of Cloud 9, so she nipped all tragic love affairs firmly in the bud by forbidding the girls and boys to speak to one another. Of course, young people being what they were, girls sometimes fell in love with other girls, or boys with boys, but that never happened in the operas, so Boo-Boo didn't notice.
Philip Reeve (Infernal Devices (The Hungry City Chronicles, #3))
Civilization could not exist without tremors of desire and without the counteracting, negation force of disciplined denial. Nor would the gyratory pulsations of a lively civilization exist devoid of the convulsive chemistry of union and repellency. We are born with a desire to be immortal. Cursed with the knowledge that we must die, people live their orthodox lives out by displaying reckless abandon as to the outcome of human life or nervously hounded by utter despondency nipping their heels. How we resolve this decidedly human complex of carrying out our daily lives while burden by our inescapable mortality determines our essential character. The collation of similar values adopted by our community determines who we are as a people.
Kilroy J. Oldster
I can't believe you did that.' 'Why?' I felt a little weak at the knees, and I wasn't at all sure it was due to a sudden drop in blood pressure. 'Why wouldn't I? With you?' He put his arms around me and kissed me. That was a whole different kind of hunger, one I understood way better. Michael backed me up against the car and kissed me like it was the last night on earth, like the sun and stars would burn down before he'd let me go. The only thing that slowed us down was Shane saying, very clearly, 'I am driving off and leaving you here, I swear to God. You're embarrassing me.' Michael pulled back just enough that our lips were touching, but not pressed together, and sighed. There was so much in that sound, all his longing and his fear and his need and his frustration. 'Sorry,' he said. I smiled. 'For what?' He was still holding his thumb over the wound on my wrist. 'This,' he said, and pressed just a little harder before letting go. It didn't bleed. I purred lightly, and nipped at his mouth. 'I'm Catwoman,' I reminded him. 'And it's just a scratch.
Rachel Caine (All Hallows (The Morganville Vampires, #6.6))
The men digging in on both sides of me cursed the stench and the mud. I began moving the heavy, sticky clay mud with my entrenching shovel to shape out the extent of the foxhole before digging deeper. Each shovelful had to be knocked off the spade, because it stuck like glue. I was thoroughly exhausted and thought my strength wouldn’t last from one sticky shovelful to the next. Kneeling on the mud, I had dug the hole no more than six or eight inches deep when the odor of rotting flesh got worse. There was nothing to do but continue to dig, so I closed up my mouth and inhaled with short shallow breaths. Another spadeful of soil out of the hole released a mass of wriggling maggots that came welling up as though those beneath were pushing them out. I cursed and told the NCO as he came by what a mess I was digging into. ‘You heard him, he said put the holes five yards apart.’ In disgust, I drove the spade into the soil, scooped out the insects, and threw them down the front of the ridge. The next stroke of the spade unearthed buttons and scraps of cloth from a Japanese army jacket in the mud—and another mass of maggots. I kept on doggedly. With the next thrust, metal hit the breastbone of a rotting Japanese corpse. I gazed down in horror and disbelief as the metal scraped a clean track through the mud along the dirty whitish bone and cartilage with ribs attached. The shoved skidded into the rotting abdomen with a squishing sound. The odor nearly overwhelmed me as I rocked back on my heels. I began choking and gagging as I yelled in desperation, ‘I can’t dig in here! There’s a dead Nip here!’ The NCO came over, looked down at my problem and at me, and growled, ‘You heard him; he said put the holes five yards apart.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
Not every day is awful. Not every day is good. Despite the way the hours pass, I’m living like I should. Not every day is all wrong. Not every day is right. At least I’m not a spider trying to scamper out of sight. Not every day is ideal. Not every day is bad. At any rate I have my senses, even if they’re mad. Not every day is happy. Not every day is glum. When melancholy drags me down, a simple tune I hum. Not every day I smile. Not every day I frown. With effort, I can take a scowl and turn it upside down. Not every day is crazy. Not every day is sane. If consequence nips at my heels I don’t pass on the blame. Not every day is giddy. Not every day is blah. Yet I can still appreciate a giggle and guffaw. Not every day is timid. Not every day is proud. I may not be a dragon, but I roar about as loud. Not every day has rainbows. Not every day has rain. Despite the fact I’m stiff and sore, I’m not in chronic pain. On every day the sun shines, so every night I pray that I might see the morning light and live another day.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The Lover Reconsiders Wait... You. Come hither come closer come here, shrug and wriggle your way out of those clothes, shed them like baby teeth, like snakeskin, like feathers from the molt of a phoenix come here let me hold you let my arms draw you closer come hither let me be suffused with your scent come here now. I want to kiss you, I want to kiss you, I want to kiss my way down your body and back up again give me your guided tour, teach me of your landmarks those hips of yours are strangers to my touch but I mean to make their acquaintance so yes there here I want to kiss you I want to learn what you whisper when you kiss with your heart’s shutters open I want to nip at your lower lip I want the rush of blood to make that mouth tingle I want to talk in quiet tones to all of you come hither come closer come here Now, bolt the door, now, unplug the phone, now warn the neighbors to ignore the racket I do not want fifteen minutes of your time I want the whole fucking night. Now let me see the smile you save for special occasions Now don’t pick a favorite position pick five Now I want to bathe myself in you Now now now like the Ganges, like the Red Sea, like the Amazon I want to follow you down to your ocean Now I want to savor you, lover, come to me make time and I will make you breakfast I want to become overfamiliar with your tastes come hither come closer come here come now you.
Patrick Honovich (Thirst)
The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the back of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field. The small birds were taking their farewell banquets. In the fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock robin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar bird, with its red-tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that nosy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
Washington Irving (The Legend of Sleepy Hollow (Graphic Novel))
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.” “Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell. “Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex. “I belong to you,” I pant. He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings. “Oh … ah … I … I belong to you.” His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need. I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping. “I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release. With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him. Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
Lisa Renee Jones (Being Me (Inside Out, #2))
I mean... it's just one night,' he said softly. 'In the morning, you can forget it. You can go back to pretending you don't like me, and I can pretend that I don't care. But for tonight, let me pretend you're mine.' She melted at the word mine. For a dizzying second, she couldn't think. She couldn't bring herself to pull away, and yet she couldn't tell him she would stay. 'If it's easier, you can pretend, too,' he whispered. 'You can pretend I'm still Jacks of the Hollow and that you want to be mine.' His mouth pressed against her throat once more and slowly traced a blissful line up her neck, to her ear. Then his teeth nipped her earlobe. She gasped. The bite was sharp and a little painful, as if he wanted to hold her and punish her, too. But he didn't have to punish her. This was already torture because she wanted it so much. She wanted him to want her, even if he was half-delirious in his wanting. 'I'm not delirious.' His voice was husky with something like sleep, but when he looked down on her, his eyes were clear and lucid. And Evangeline felt as if she was tumbling in to them.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
You and McNab sat around talking about women and sports." "I don't believe we got to sports. He had a woman on his mind." Eve's sneer vanished. "You talked to him about Peabody? Damn it, Roarke." "I could hardly slap him back. He's so pitifully smitten." "Oh." She winced. "Don't use that word." "It fits. In fact, if he took my advice ..." He turned his wrist, glanced at the unit fastened there. "They should be well into their first date by now." "Date? Date? Why did you do that? Why did you go and do something like that? Couldn't you leave it alone? They'd have had sex until they burned out on it, and everything would go back to normal." He angled his head. "That didn't work for us, did it?" "We don't work together." Then, when his eyes brightened with pure amusement, she showed her teeth. "Officially. You start mixing cops and romance and case files and gooey looks at briefings, you've got nothing but a mess. Next thing you know, Peabody will be wearing lip dye and smelly girl stuff and dragging body skimmers under her uniform." She dropped her head in her hands. "Then they'll have tiffs and misunderstandings that have nothing whatsoever to do with the job. They'll come at me from both sides, and before you know it, they'll be telling me things I absolutely do not want to know. And when they break it off and decide they hate each other down to the guts, I'll have to hear about that, too, and why they can't possibly work together, or breathe the same air, until I have no choice, absolutely no choice, but to kick both of their asses." "Eve, your sunny view on life never fails to lift my spirits." "And -- " She poked him in the chest. "It's all your fault." He grabbed her finger, nipped it, not so gently. "If that's the case, I'm going to insist they name their first child after me.
J.D. Robb (Witness in Death (In Death, #10))
On the hearth, in front of a back-brand to give substance, blazed a fire of thorns, that crackled 'like the laughter of the fool.' Nineteen persons were gathered here. Of these, five women, wearing gowns of various bright hues, sat in chairs along the wall; girls shy and not shy filled the window-bench; four men, including Charley Jake the hedge-carpenter, Elijah New the parish-clerk, and John Pitcher, a neighboring dairyman, the shepherd's father-in-law, lolled in the settle; a young man and maid, who were blushing over tentative pourparlers on a life companionship, sat beneath the corner-cupboard; and an elderly engaged man of fifty or upward moved restlessly about from spots where his betrothed was not to the spot where she was. Enjoyment was pretty general, and so much the more prevailed in being unhampered by conventional restrictions. Absolute confidence in each other's good opinion begat perfect ease, while the finishing stroke of manner, amounting to a truly princely serenity, was lent to the majority by the absence of any expression or trait denoting that they wished to get on in the world, enlarge their minds, or do any eclipsing thing whatever - which nowadays so generally nips the bloom and bonhomie of all except the two extremes of the social scale. ("The Three Strangers")
Thomas Hardy (Great Tales of Terror and the Supernatural (Modern Library))
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
Good evening," it lowed and sat back heavily on its haunches, "I am the main Dish of the Day. May I interest you in parts of my body? It harrumphed and gurgled a bit, wriggled its hind quarters into a more comfortable position and gazed peacefully at them. Its gaze was met by looks of startled bewilderment from Arthur and Trillian, a resigned shrug from Ford Prefect and naked hunger from Zaphod Beeblebrox. "Something off the shoulder perhaps?" suggested the animal. "Braised in a white wine sauce?" "Er, your shoulder?" said Arthur in a horrified whisper. "But naturally my shoulder, sir," mooed the animal contentedly, "nobody else's is mine to offer." Zaphod leapt to his feet and started prodding and feeling the animal's shoulder appreciatively. "Or the rump is very good," murmured the animal. "I've been exercising it and eating plenty of grain, so there's a lot of good meat there." It gave a mellow grunt, gurgled again and started to chew the cud. It swallowed the cud again. "Or a casserole of me perhaps?" it added. "You mean this animal actually wants us to eat it?" whispered Trillian to Ford. "Me?" said Ford, with a glazed look in his eyes. "I don't mean anything." "That's absolutely horrible," exclaimed Arthur, "the most revolting thing I've ever heard." "What's the problem, Earthman?" said Zaphod, now transferring his attention to the animal's enormous rump. "I just don't want to eat an animal that's standing there inviting me to," said Arthur. "It's heartless." "Better than eating an animal that doesn't want to be eaten," said Zaphod. "That's not the point," Arthur protested. Then he thought about it for a moment. "All right," he said, "maybe it is the point. I don't care, I'm not going to think about it now. I'll just ... er ..." The Universe raged about him in its death throes. "I think I'll just have a green salad," he muttered. "May I urge you to consider my liver?" asked the animal, "it must be very rich and tender by now, I've been force-feeding myself for months." "A green salad," said Arthur emphatically. "A green salad?" said the animal, rolling his eyes disapprovingly at Arthur. "Are you going to tell me," said Arthur, "that I shouldn't have green salad?" "Well," said the animal, "I know many vegetables that are very clear on that point. Which is why it was eventually decided to cut through the whole tangled problem and breed an animal that actually wanted to be eaten and was capable of saying so clearly and distinctly. And here I am." It managed a very slight bow. "Glass of water please," said Arthur. "Look," said Zaphod, "we want to eat, we don't want to make a meal of the issues. Four rare steaks please, and hurry. We haven't eaten in five hundred and seventy-six thousand million years." The animal staggered to its feet. It gave a mellow gurgle. "A very wise choice, sir, if I may say so. Very good," it said. "I'll just nip off and shoot myself." He turned and gave a friendly wink to Arthur. "Don't worry, sir," he said, "I'll be very humane." It waddled unhurriedly off to the kitchen. A matter of minutes later the waiter arrived with four huge steaming steaks.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)