Ninth Doctor Quotes

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[The Doctor, Capt. Jack and Rose are cornered by the empty children.] The Doctor: Go to your room! Go to your room! I mean it. I'm very, very angry with you. I'm very, very cross! GO! TO! YOUR! ROOM! [The children lurch away and obey him.] I'm really glad that worked. Those would have been terrible last words.
Steven Moffat
Some people live more in twenty year than others do in eighty. It's not the time that matters, it's the person. - The Doctor
Stephen Greenhorn
In the end, it cannot be doubted that each of us can see only a part of the picture. The doctor sees one, the patient another, the engineer a third, the economist a fourth, the pearl diver a fifth, the alcoholic a sixth, the cable guy a seventh, the sheep farmer an eighth, the Indian beggar a ninth, the pastor a tenth. Human knowledge is never contained in one person. It grows from the relationships we create between each other and the world, and still it is never complete. And Truth comes somewhere above all of them, where,
Paul Kalanithi (When Breath Becomes Air)
Struggle toward the capital-T Truth, but recognize that the task is impossible—or that if a correct answer is possible, verification certainly is impossible. In the end, it cannot be doubted that each of us can see only part of the picture. The doctor sees one, the patient another, the engineer a third, the economist a fourth, the pearl diver a fifth, the alcoholic a sixth, the cable guy a seventh, the sheep farmer an eighth, the Indian beggar a ninth, the pastor a tenth. Human knowledge is never contained in one person. It grows from the relationships we create between each other and the world, and still it is never complete. And truth comes somewhere above all of them, where, as at the end of that Sunday’s reading: the sower and reaper can rejoice together. For here the saying is verified that “One sows and another reaps.” I sent you to reap what you have not worked for; others have done the work, and you are sharing the fruits of that work.
Paul Kalanithi (When Breath Becomes Air)
Nasty things, you know, gods, they don’t much care for anyone other than themselves.
Charlie Higson (Doctor Who: The Beast of Babylon: Ninth Doctor: 50th Anniversary)
Because of their sublime genes, the orphans were all incredible specimens and often referred to by their creator, Doctor Pedemont, and by Naylor, Kentbridge and the rest of their Omega masters, as post-humans. Their DNA was different to anyone else’s and by their teens they were superior in many ways to the rest of the population, being smarter, faster, stronger and more adaptable.
James Morcan (The Ninth Orphan (The Orphan Trilogy, #1))
Our eyes hold and our gris-gris rings lock together like our lives, our destinies, have remained entwined. It could be my imagination, but as she bears down and squeezes my hand for one final agonizing push, I feel that power surge the doctor mentioned. The power in our veins passed between two little girls in the Lower Ninth. We held it in a field of rotting cane, even when we were torn apart. It flows between us now through years and heartache and unconditional love. The power of an unbroken line. We are the magic.
Kennedy Ryan (Hook Shot (Hoops, #3))
The room drew breath together—or at least, all the necromancers did, alongside a goodly proportion of their cavaliers. Harrow’s knuckles whitened. Gideon wished that she could flop into a seat or take a sly nap. Everybody was poised in readiness for the outlined syllabus, and scholarship made her want to die. There would be some litany of how breakfast would take place every morning at this time, and then there’d be study with the priests for an hour, and then Skeleton Analysis, and History of Some Blood, and Tomb Studies, and, like, lunchtime, and finally Double Bones with Doctor Skelebone. The most she could hope for was Swords, Swords II, and maybe Swords III.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
can see only a part of the picture. The doctor sees one, the patient another, the engineer a third, the economist a fourth, the pearl diver a fifth, the alcoholic a sixth, the cable guy a seventh, the sheep farmer an eighth, the Indian beggar a ninth, the pastor a tenth. Human
Paul Kalanithi (When Breath Becomes Air)
In the end, it cannot be doubted that each of us can see only a part of the picture. The doctor sees one, the patient another, the engineer a third, the economist a fourth, the pearl diver a fifth, the alcoholic a sixth, the cable guy a seventh, the sheep farmer an eighth, the Indian beggar a ninth, the pastor a tenth.
Paul Kalanithi (When Breath Becomes Air)
Halloween was a night when the dead came alive because the living were more alive: happy children high on candy, angry teenagers with eggs and shaving cream tucked into their hoodies, drunk college students in masks and wings and horns giving themselves permission to be something else—angel, demon, devil, good doctor, bad nurse. The sweat and excitement, the over-sugared punches loaded with fruit and grain alcohol.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Halloween was a night when the dead came alive because the living were more alive: happy children high on candy, angry teenagers with eggs and shaving cream tucked into their hoodies, drunk college students in masks and wings and horns giving themselves permission to be something else—angel, demon, devil, good doctor, bad nurse. The sweat and excitement, the over-sugared punches loaded with fruit and grain alcohol. The Grays could not resist.
Leigh Bardugo (Ninth House (Alex Stern, #1))
In the end, it cannot be doubted that each of us can see only a part of the picture. The doctor sees one, the patient another, the engineer a third, the economist a fourth, the pearl diver a fifth, the alcoholic a sixth, the cable guy a seventh, the sheep farmer an eighth, the Indian beggar a ninth, the pastor a tenth. Human knowledge is never contained in one person. It grows from the relationships we create between each other and the world, and still it is never complete.
Paul Kalanithi (When Breath Becomes Air)
Struggle toward the capital-T Truth, but recognize that the task is impossible—or that if a correct answer is possible, verification certainly is impossible. In the end, it cannot be doubted that each of us can see only a part of the picture. The doctor sees one, the patient another, the engineer a third, the economist a fourth, the pearl diver a fifth, the alcoholic a sixth, the cable guy a seventh, the sheep farmer an eighth, the Indian beggar a ninth, the pastor a tenth. Human knowledge is never contained in one person. It grows from the relationships we create between each other and the world, and still it is never complete. And Truth comes somewhere above all of them.
Paul Kalanithi
Almost every day a beautiful woman wearing a ball gown made of grey parachute silk and a broad-brimmed hat trimmed with grey roses visits me. Hardly have I sat down in my armchair, tired from work, but I hear her steps outside on the pavement. She sweeps in at the gate, past the almond tree, and there she is, on the threshold of my workshop. Hastily she comes over to me, like a doctor afraid that she may be too late to save a sinking patient. She takes off her hat and her hair tumbles about her shoulders, she strips off her fencing gloves and tosses them onto this little table, and she bends down towards me. I close my eyes in a swoon – and how it goes on after that point, I do not know. One thing is certain: we never say a word. The scene is always a silent one. I think the grey lady understands only her mother tongue, German, which I have not once spoken since I parted from my parents at Oberwiesenfeld airport in Munich in 1939, and which survives in me as no more than an echo, a muted and incomprehensible murmur. It may possibly have something to do with this loss of language, this oblivion, Ferber went on, that my memories reach no further back than my ninth or eighth year, and that I recall little of the Munich years after 1933 other than processions, marches and parades.
W.G. Sebald (The Emigrants)
I once had a dramatic demonstration of the close link between the loss of faith in the future and this dangerous giving up. F——, my senior block warden, a fairly well-known composer and librettist, confided in me one day: “I would like to tell you something, Doctor. I have had a strange dream. A voice told me that I could wish for something, that I should only say what I wanted to know, and all my questions would be answered. What do you think I asked? That I would like to know when the war would be over for me. You know what I mean, Doctor—for me! I wanted to know when we, when our camp, would be liberated and our sufferings come to an end.” “And when did you have this dream?” I asked. “In February, 1945,” he answered. It was then the beginning of March. “What did your dream voice answer?” Furtively he whispered to me, “March thirtieth.” When F—— told me about his dream, he was still full of hope and convinced that the voice of his dream would be right. But as the promised day drew nearer, the war news which reached our camp made it appear very unlikely that we would be free on the promised date. On March twenty-ninth, F—— suddenly became ill and ran a high temperature. On March thirtieth, the day his prophecy had told him that the war and suffering would be over for him, he became delirious and lost consciousness. On March thirty-first, he was dead.
Viktor E. Frankl (Man's Search for Meaning)
Sophie D. Belle: I think Master Hicks and his family was French, but though they were light-skin people. They had light hair too, I think. One day a Frenchman (white) that was a doctor come to call. My Aunt Jane said to me, 'He is your papa. That is your papa.' I saw him many times after that. I a considered eight-ninth white race. One little girl up at the courthouse asked me a question and I told her she was too young to know about such sin. (This girl was twenty-four years old and the case worker's stenographer.)
Born In Slavery: Slave Narratives from The Federal Writers Project
I nodded sagely, pretended to be making some sort of useful observation of the white surfaces and clear tubes and gray machines that I lacked the doctorates to comprehend, and thought about dualism. Good and evil. Man and woman. All forces and powers and principalities equal and opposite. The notion that we live in a universe with that kind of comforting, obvious ledger. That is the kind of thinking that makes people believe that the moon controls menstrual cycles, that vaginas are magic, when all they really are is blood and tissue and, in the instance of one particularly ugly case that I drink to forget about, teeth. They're impressively versatile and under the right circumstances a lot of fun, but no more or less miraculous than your twenty-ninth vertebra.
Phillip Andrew Bennett Low (Monsters in a Mirror: Strange Tales from the Chapel Perilous)