Ninety Years Old Quotes

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So you’re suggesting we take the train up to York, meet a ninety-year-old man, leap on him, and yank out his hair? I’m sure the Clave will be ecstatic.” “They’ll just say you’re mad,” said Jessamine. “They already think it, so what’s the difference, really?
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy. But after everything, and even when the skies turn scarlet and threatening, I still believe that if we are lucky enough to be alive, we must give thanks for the miracle of every moment of every day, no matter how flawed.
Mark T. Sullivan (Beneath a Scarlet Sky)
All right.” Lucy shouldered her way to my side and made a waving motion as if they were annoying flies. “Shoo!” She narrowed her eyes. “I said shoo.” They dispersed, mostly startled into moving. Only Logan remained, leaning casually against the wall. “Darling, I’m not some insect to be chased away.” “Darling?” She snorted amiably. “You’re not ninety years old, either.” He straightened. “I’m charming,” he informed her. “And women like endearments.
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
But even a ninety-year-old blind priest would stop and stare at this woman. If he weren’t blind, that is. Dumb metaphor, I thought. I’ll have to work on that one. I have trouble with metaphors.
Brandon Sanderson (Steelheart (The Reckoners, #1))
I wish I knew when I was going to die,' ninety-six-year-old Dame Frances Anne often said, 'I wish I knew.' 'Why, Dame?' 'Then I should know what to read next.
Rumer Godden (In This House of Brede)
Here I am, ninety years old and ready for the cooling board, using a brand new Macintosh computer, and there you sit, twenty-two and gorgeous, fresh as a new peach, yet scrawling on a yellow legal pad like an old maid in a Victorian romance.
Stephen King (The Colorado Kid)
Where do you come up with these zingers, Clint? Do you own some kind of joke factory in Indonesia where you've got eight-year-olds working ninety hours a week to deliver you that kind of top-quality witticism? There are boy bands with more original material.
John Green (Will Grayson, Will Grayson)
When I started school I thought that people in sixth class were so old and knowledgeable even though they were no older than twelve. When I reached twelve I reckoned the people in sixth year, at eighteen years of age, must have known it all. When I reached eighteen I thought that once I finished college then I would really be mature. At twenty-five I still hadn’t made it to college, was still clueless and had a seven-year-old daughter. I was convinced that when I reached my thirties I was going to have at least some clue as to what was going on. Nope, hasn’t happened yet. So I’m beginning to think that when I’m fifty, sixty, seventy, eighty, ninety years old I still won’t be any closer to being wise and knowledgeable. Perhaps people on their deathbed, who have had long, long lives, seen it all, traveled the world, have had kids, been through their own personal traumas, beaten their demons, and learned the harsh lessons of life will be thinking, “God, people in heaven must really know it all.” But I bet that when they finally do die they’ll join the rest of the crowds up there, sit around, spying on the loved ones they left behind and still be thinking that in their next lifetime, they’ll have it all sussed. But I think I have it sussed Steph, I’ve sat around for years thinking about it and I’ve discovered that no one, not even the big man upstairs has the slightest clue as to what’s going on.
Cecelia Ahern (Love, Rosie)
A long time back, she thought, I dreamed a dream, and was enjoying it so much when someone wakened me, and that day I was born. And now? Now, let me see...She cast her mind back. Where was I? she thought. Ninety years...how to take up the thread and the pattern of that lost dream again? She put out a small hand. There...yes, that was it. She smiled. Deeper in the warm snow hill she turned her head upon her pillow. That was better. Now, yes, now she saw it shaping in her mind quietly, and with a serenity like a sea moving along an endless and self-refreshing shore. Now she let the old dream touch and lift her from the snow and drift her above the scarce-remembered bed.
Ray Bradbury (Dandelion Wine)
Alex, you're so beautiful, sometimes just looking in our eyes makes my heart stop. Even if I never see you again after today...even if I get to be ninety nine years old, and have a life that goes on without you...I will never, ever forget our first kiss.
Charles Sheehan-Miles (Just Remember to Breathe (Thompson Sisters, #3))
I never found anybody else and I don’t want anybody else. I don’t care whether you’re ninety years old or thirty. If I can’t be your lover, I’ll be your nurse.
Joe Haldeman (The Forever War)
A ninety-two-year-old man has to open a lot of locks to recall a day when he was nine years old.
Robert McCammon (Boy's Life)
Larry’s such a liar--- He tells outrageous lies. He says he’s ninety-nine years old Instead of only five. He says he lives up on the moon, He says that he once flew. He says he’s really six feet four Instead of three feet two. He says he has a billion dollars ‘Stead of just a dime. He says he rode a dinosaur Back in some distant time. He says his mother is the moon Who taught him magic spells. He says his father is the wind That rings the morning bells. He says he can take stones and rocks And turn them into gold. He says he can take burnin’ fire And turn it freezin’ cold. He said he’d send me seven elves To help me with my chores. But Larry’s such a liar--- He only sent me four.
Shel Silverstein
... I would far rather get to be ninety years old and look back and say, "I tried my damnedest" to succeed, rather than get to be ninety and think, "I wonder what would have happened if only I had done something different. Katie's character, Julia's Chocolates
Cathy Lamb
He climbs the cliff, leaping on stones and branches, as if he’s a feather and not a ninety-nine-year-old man. His wooden sandals making sounds: pit-pat … pit-pat …
Misba (The High Auction (Wisdom Revolution, #1))
We're always trotting out some story of a ninety-seven-year-old who runs marathons, as if such cases were not miracles of biological luck but reasonable expectations for all. Then, when our bodies fail to live up to this fantasy, we feel as if we somehow have something to apologize for.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
The tales lovers tell each other about how they met are hushed and secret things. They change year by year, for we all meet many times as we grow up and become different and new and exciting people--and this never stops, even for a minute, even when we are ninety.
Catherynne M. Valente (The Girl Who Raced Fairyland All the Way Home (Fairyland, #5))
Blame or credit, does not belong to the child alone. Parents, those who raised the child, must be given equal credit, or blame. That does not change, when the child is one, twenty or ninety years old.
Omar Kiam (Coming to Astoria: An Immigrant's Tale)
He looked ninety years old for thirty years and then he got the notion that he would die, and did so.
Richard Brautigan (Trout Fishing in America)
And then he only had eyes for the pie. Watch any man, he could be ninety years old and drooling spit, but at the sight of homemade pie every last one of his wits will spring to attention.
Elizabeth Hay (A Student of Weather)
Yippeeeeeeeeeeeeeeeeeeeeeeeee!” And at the same time, his long bony body rose up out of the bed and his bowl of soup went flying into the face of Grandma Josephine, and in one fantastic leap, this old fellow of ninety-six and a half, who hadn’t been out of bed these last twenty years, jumped on to the floor and started doing a dance of victory in his pajamas.
Roald Dahl (Charlie and the Chocolate Factory)
He frowns. How unusual for a monk to frown or to think needlessly! Yuan shields his mind. His eyes closed in deep meditation. A ninety-nine-year-old monk who mastered time and desires shouldn’t let little thoughts infect his inner quiet.
Misba (The High Auction (Wisdom Revolution, #1))
I felt such a well of tenderness for this dear old body. Every piece of it proclaimed how tired it was, but it was lovely, too. Her history was written in it, in the stretch marks left by my father, in the surgery scar on her abdomen and the puckered burn scar on the inside of her left arm, in the simple toll of ninety years of fighting gravity.
Joshilyn Jackson (The Almost Sisters)
Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time. Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")
Jack Finney (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
After four hundred and ninety-nine years of existence, Connor Buchanan arrived at an inescapable conclusion regarding himself. He was a coldhearted old bastard.
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
In my world death was like a nameless and incomprehensible hand, a door-to-door salesman who took away mothers, beggars, or ninety year old neighbors, like a hellish lottery.
Carlos Ruiz Zafón
Roque always did dress up a place. Unfortunately he's got the taste of a ninety-year-old orchestra first chair.
Pierce Brown (Morning Star (Red Rising Saga, #3))
You know, old books are a big problem for us. Old knowledge in general. We call it OK. Old knowledge, OK. Did you know that ninety-five percent of the internet was only created in the last five years? But we know that when it comes to all human knowledge, the ratio is just the opposite - in fact, OK accounts for most things that people know, and have ever known.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
You're ninety years old. What's one regret you wish you could change? That's it? That's the question, but here are the rules. You have to look for the grace of it, not the judgement, yours or anyone else's. You have to look for the answer in your passions, your art, your writing, the ocean, the faces of those you love, the ethereal things that give you joy. It has to feel light and free. If it doesn't, you're convincing yourself of the wrong decision.
Heather Tucker (The Clay Girl (Ari Appleton, #1))
I’m here to right wrongs and I’m gonna do it, Angel. You told me I’d had my last chance but I don’t accept that and I won’t. If you tell me now that my explanation is not enough and you want me gone, I’m not goin’. I’m not giving up. I got one part of my life’s dream still open to me, very sign she gives me is screaming that she’s standing in my arms right now and I’m not gonna be ninety years old, looking back on my life and regretting that I gave up that dream.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
Perhaps my favorite crone heroine of all time is Marian Leatherby, the deaf, toothless, ninety-two-year-old protagonist of The Hearing Trumpet, a novel written by Surrealist luminary Leonora Carrington. Marian sports a short gray beard that she finds “rather gallant,” and she has a dear geriatric friend named Carmella who states, “People under seventy and over seven are very unreliable if they are not cats.
Pam Grossman (Waking the Witch: Reflections on Women, Magic, and Power (Witchcraft Bestseller))
Why was fabulousness important? The world was a scary, sad place and adornment was one of the only ways she knew to make herself and the people around her forget their troubles. That was why she had opened her store almost five years ago. Everyone who entered the little square white house with miniature Corinthian columns, cherub statues, and French windows seemed to leave carrying armloads of newly handmade and well spruced-up recycled vintage clothing, humming sixties girl-group songs, seventies glam and punk, eighties New Wave one-hit wonders, or nineties grunge, doing silly dances, and not caring what anyone thought. Weetzie loved the old dresses she found and sold, because they had their own secret histories. She always wondered where, when, and how they had been worn. What they had seen. Old dresses were like old ladies.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
This is why you don’t just stick bodies in the refrigerator before an open-casket funeral. Mack is telling me about a ninety-seven-year-old woman who looked sixty after her embalming. “We had to paint in wrinkles, or the family wouldn’t recognize her.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
All of the diseases that modern medicine declares war on never seem to touch any of those ninety-year-old farmers who have lived on bacon and eggs and butter for almost a century. The media, following current low-fat medical wisdom, calls that a paradox. We don't.
T.S. Wiley (Lights Out: Sleep, Sugar, and Survival)
Sweet mother of God. I was kidding about you crushing on her, but I’m right. Oh my God, you are totally jealous of her bodyguard! Oh this is priceless!” Gwen starts laughing. “This is a job, nothing else. Just like Mrs. Henderson last week was a job. I don’t mix business with pleasure. Ever,” I tell her firmly. “Mrs. Henderson is ninety-two years old and thought her dog was stealing food out of her fridge. I would hope to God you would never mix that kind of business with pleasure. That’s just gross,” Gwen says with a grimace.
Tara Sivec (Because of You (Playing with Fire, #2))
As a general rule if anyone ever asks yout to put stockings on a ninety- year old deceased Romanian woman with edema, your answer should be no.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
But even a ninety-year-old blind priest would stop and stare at this woman. If
Brandon Sanderson (Steelheart (The Reckoners, #1))
Sweetheart, even when you’re fifty years old and I’m pushing ninety, I’ll still worry about you. You’re my daughter and I love you.
Lolita Lopez (Saved by Venom (Grabbed, #3))
I don’t want to know how a thirty-year-old became rich and famous; I want to hear how an eighty-year-old spent her life in obscurity, kept making art, and lived a happy life. I want to know how Bill Cunningham jumped on his bicycle every day and rode around New York taking photos in his eighties. I want to know how Joan Rivers was able to tell jokes up until the very end. I want to know how in his nineties, Pablo Casals still got up every morning and practiced his cello.
Austin Kleon (Keep Going: 10 Ways to Stay Creative in Good Times and Bad)
But based on how a common head cold transformed my husband from a thirty-five-year-old man to a ninety-six-year-old granny with malaria, I wasn’t sure he’d make it through one day with child.
Bunmi Laditan (Confessions of a Domestic Failure)
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy.
Mark T. Sullivan (Beneath a Scarlet Sky)
She stands behind the reception desk, dwarfed and age speckled as a winter starling, perhaps ninety years old, and chattering, chattering away, as if a cure for his inability to speak Japanese were the application of more Japanese (a hair-of-the-dog sensibility). And yet some how, from his months of travel and pantomime, his pathetic journey into empathic and telepathic, he feels he does understand.
Andrew Sean Greer (Less)
Do you ever worry that life is passing you by while day in and day out you’re focused on what you’re supposed to be doing, rather than what you want to be doing? Then, before you know it, you’re old and curled up on your deathbed, weigh ninety pounds, nothing but elbows and knees, consumed with remorseful thoughts that obligations and function controlled your life while you sat idly by and watched it happen. Feeble and unable to eat anything but chicken broth or ice chips, you think, Golden years my ass, I’ll never get the chance to shout my name from the rooftop and why didn’t I take advantage of my youth?
Allison Morgan (The Someday Jar)
Ninety-year-old Irving Fradkin, an optometrist from Fall River, Massachusetts, who started a grass-roots scholarship fund, flanked by a dozen grateful kids among the hundreds of thousands he’d sent to college.
Katie Couric (Going There)
Harry Bernstein was a total failure when he wrote his bestselling memoir, The Invisible Wall. His prior forty (forty!) novels had been rejected by publishers. When his memoir came out, he was ninety-three years old. A quote from him: “If I had not lived until I was 90, I would not have been able to write this book, God knows what other potentials lurk in other people, if we could only keep them alive well into their 90s.
James Altucher (Choose Yourself)
habit is when your body is the mind. Ninety-five percent of who you are by the time you’re 35 years old is a set of memorized behaviors, skills, emotional reactions, beliefs, perceptions, and attitudes that functions like a
Joe Dispenza (You Are the Placebo: Making Your Mind Matter)
And if I really wanted to understand the Raramuri, I should have been there when this ninety-five-year-old man came hiking twenty-five miles over the mountain. Know why he could do it? Because no one ever told him he couldn't.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
I don't know when I died. It always seemed to me I died old, about ninety years old, and what years, and that my body bore it out, from head to foot. But this evening, alone in my icy bed, I have the feeling I'll be older than the day, the night, when the sky with all its lights fell upon me, the same I had so often gazed on since my first stumblings on the distant earth. For I'm too frightened this evening to listen to myself rot, waiting for the great red lapses of the heart, the tear sings at the caecal walls, and for the slow killings to finish in my skull, the assaults on unshakable pillars, the fornications with corpses. So I'll tell myself a story, I'll try and tell myself another story, to try and calm myself, and it's there I feel I'll be old, old, even older than the day I fell, calling for help, and it came. Or is it possible that in this story I have come back to life, after my death? No, it's not like me to come back to life, after my death.
Samuel Beckett (Stories and Texts for Nothing)
The old ghostie man,” Finn said. “He was holding a book then, wasn’t he? That last time we saw him. I had to be ninety years old, and I still hadn’t finished reading these books.” Teagan shook her head. “You just loved them so much you were reading them again. I’m sure of it.” “I’m glad one of us is.” Finn took back the paper and turned it over in his hands. “He said I couldn’t ask you to marry me until I’d finished the quest. He didn’t say a word about canoodling. Do you want to—” “Yes.
Kersten Hamilton (When the Stars Threw Down Their Spears (Goblin Wars, #3))
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy. But after everything, and even when the skies turn scarlet and threatening, I still believe that if we are lucky enough to be alive, we must give thanks for the miracle of every moment of every day, no matter how flawed. And we must have faith in God, and in the Universe, and in a better tomorrow, even if that faith is not always deserved.” “Pino Lella’s prescription for a long, happy life?
Mark T. Sullivan
I know of no better way to live my life than from the perspective of that old man. The ninety-year-old me. Because I always know what he would say. And it’s never, “I should have worked more, saved more, bought a nicer car, a bigger house, been more responsible.
Scott Stillman (Wilderness, The Gateway To The Soul: Spiritual Enlightenment Through Wilderness (Nature Book Series))
... this ninety-five-year-old man came hiking twenty-five miles over the mountain. Know why he could do it? Because no one ever told him he couldn't. No one ever told him he oughta be off dying somewhere in an old age home. You live up to your own expectations...
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
On my last birthday I was ninety-three years old. That is not young, of course. In fact, it is older than ninety. But age is a relative matter. If you continue to work and to absorb the beauty in the world about you, you find that age does not necessarily mean getting old. At least, not in the ordinary sense. I feel many things more intensely than ever before, and for me life grows more fascinating.
Pau Casals
The other day as I was stepping out of Star Grocery on Claremont Avenue with some pork ribs under my arm, the Berkeley sky cloudless, a smell of jasmine in the air, a car driving by with its window rolled down, trailing a sweet ache of the Allman Brothers' "Melissa," it struck me that in order to have reached only the midpoint of my life I will need to live to be 92. That's pretty old. If you live to be ninety-two, you've done well for yourself. I'd like to be optimistic, and I try to take care of my health, but none of my grandparents even made it past 76, three killed by cancer, one by Parkinson's disease. If I live no longer than any of them did, I have at most thirty years left, which puts me around sixty percent of the way through my time. I am comfortable with the idea of mortality, or at least I always have been, up until now. I never felt the need to believe in heaven or an afterlife. It has been decades since I stopped believing-a belief that was never more than fitful and self-serving to begin with-in the possibility of reincarnation of the soul. I'm not totally certain where I stand on the whole "soul" question. Though I certainly feel as if I possess one, I'm inclined to disbelieve in its existence. I can live with that contradiction, as with the knowledge that my time is finite, and growing shorter by the day. It's just that lately, for the first time, that shortening has become perceptible. I can feel each tiny skyward lurch of the balloon as another bag of sand goes over the side of my basket.
Michael Chabon
Finally, Rønneberg, the leader of Gunnerside and the last surviving saboteur, who was ninety-six years old in 2016, often spoke eloquently about why he braved the North Sea to be trained in Britain and why he then returned, twice, by parachute, to Norway. “You have to fight for your freedom,” he said. “And for peace. You have to fight for it every day, to keep it. It’s like a glass boat; it’s easy to break. It’s easy to lose.
Neal Bascomb (The Winter Fortress: The Epic Mission to Sabotage Hitler's Atomic Bomb)
My father worked on a farm - and his father. They both got very near to ninety, I believe. They were hardy old sorts. They never had a thing amiss with them. They worked and lived, and then kind of toppled over at the end. I should have been like them but my accident made the difference to me. The horses ran away with me on the farm. It was only two fields away from this house. It was a terrible accident; it jagged me all to pieces. The horses bolted in the field and ruined me. We were using the self-binder at the time. It was the second year I was in this village and thirty-eight year ago or more. I was at the top of the field whole and then at the bottom of the field, broken, and all in minutes. I should not have come here.
Akenfield: Portrait of an English Village
Three hundred and thirty-two kids between the age of one month and fourteen years had been confined within the FAYZ. One hundred and ninety-six eventually emerged. One hundred and thirty-six lay dead. Dead and buried in the town plaza. Dead and floating in the lake or on its shores. Dead in the desert. In the fields. Dead of battles old and recent. Of starvation and accident, suicide and murder. It was a fatality rate of just over 40 percent.
Michael Grant (Light (Gone, #6))
Such was the case with dead bodies. Every time you opened the box you could find anything from a ninety-five-year-old woman who died peacefully under home hospice care to a thirty-year-old man they found in a dumpster behind a Home Depot after eight days of putrefaction. Each person was a new adventure.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Well, what if he's... old? He's been down here for years. What if he's ninety?" Cole's voice sounded very pleased at the notion. "I wouldn't care," I said. "Oh, you wouldn't care if you brought Jack all the way home from the tunnels only to end up sending him off to a rest home? You'd be fine spoon-feeding him mashed peas as long as the two of you were together?" I grimaced. "Believe it or not, I would. As long as I had him back." "Kinky." Cole smirked.
Brodi Ashton (Everbound (Everneath, #2))
Headlining also meant a higher caliber of groupie—as in, they had enough self-respect to hide their track marks and cutting scars on the insides of their thighs, like ladies. These bitches were bold, too. Entitled even. Opening act groupies were bottom-feeders. Skittish. Easily scared off by a ninety-five-pound nineteen-year-old with a platinum-blonde pixie haircut and one hell of a stink eye. Headliner groupies, on the other hand, were scrappers. They were working on their retirement plans, goddamn it, and they weren’t going to let a little thing like me (or a condom) get between them and eighteen years of rock star–sized child-support checks.
B.B. Easton (44 Chapters About 4 Men)
Li Gui called out, "Sir, if you kill me you will kill two persons." "How do you make that out?" asked Li Kui, staying the blow. "At home I support my mother who is ninety years of age, and this is my only means of helping her in her old age," said Li Gui. "I never injure people, but only make them afraid. If you kill me, my old mother will die of starvation." Li Kui who never twinkled his eyes in chopping off people's heads, paused and thought when he heard this. "Here am I trying to succour my old mother, and yet killing a man who supports his old mother. Heaven will not allow me to live if I do this. No! No! I will forgive this man. (J.H. Jackson translation)
Shi Nai'an (Outlaws of the Marsh (4-Volume Boxed Set))
They were beaten [bullies]. Ninety-nine out of a hundred still are, inside. A man beats his boy, he wants a son who won't buck him. He's trying to make a coward. Mostly, it works...That's why a bully will fold. You just...look at him, the way his old man did. It's not anger. It's scorn. A bully sees that look? He's nine years old again. Small and weak, like his pa wanted him. It's all he can do to keep from crying. [The hundred boy?] We can go either way. Kill the old man, or try to become a better one.
Mary Doria Russell (Doc)
They asked a bunch of ninety-five-year-olds, I don’t know where they found them all, Florida I guess, but anyway they asked them if they could do it all over again and live their life again what would they do differently. The three things that almost all of them said were: (1) They would reflect more. Enjoy more moments. More sunrises and sunsets. More moments of joy. (2) They would take more risks and chances. Life is too short not to go for it. (3) They would have left a legacy. Something that would live on after they die.
Jon Gordon (The Energy Bus: 10 Rules to Fuel Your Life, Work, and Team with Positive Energy (Jon Gordon))
She was mine. She’d been mine since I was nineteen years old. And I still couldn’t let her go. She’d still be mine when I was ninety, too.
Amie Knight (In Her Space (Stars Duet, #2))
—I’m no longer ninety, he said.
Jonas Jonasson (The 100-Year-Old Man Who Climbed Out the Window and Disappeared (The Hundred-Year-Old Man, #1))
You know, my young friend, I will be ninety years old next year, and life is still a constant surprise to me. We never know what will happen next, what we will see, and what important person will come into our life, or what important person we will lose. Life is change, constant change, and unless we are lucky enough to find comedy in it, change is nearly always a drama, if not a tragedy. But after everything, and even when the skies turn scarlet and threatening, I still believe that if we are lucky enough to be alive, we must give thanks for the miracle of every moment of every day, no matter how flawed. And we must have faith in God, and in the Universe, and in a better tomorrow, even if that faith is not always deserved.
Mark T. Sullivan (Beneath a Scarlet Sky)
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with? America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag. And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail. Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead? In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning. Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything. We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground. Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I meant the house behind him clutching his chest, Parker gasped. Gage! you pervert! That's Mrs. Falconi-she's ninety-six years old! Clearing her throat,Miss Dupree struggled to keep her own amusement in check. Thank you Roo,for that fascinating bit of information. And should any of us a pervert lurking outside our windows tonight, We can all rest easily now,Knowing it's only Gage.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
He threw up his arms and yelled “Yippeeeeeeeeeeeeeeeeeeeeeeeee!” And at the same time, his long bony body rose up out of the bed and his bowl of soup went flying into the face of Grandma Josephine, and in one fantastic leap, this old fellow of ninety-six and a half, who hadn’t been out of bed these last twenty years, jumped on to the floor and started doing a dance of victory in his pajamas.
Roald Dahl (Charlie and the Chocolate Factory)
In 1994, several students and I interviewed a ninety-five-year-old woman for an oral history project. She told us that as a teenager she went to the movies to learn the right way to kiss, and after the movie she and her boyfriend would drive to the local lovers’ lane to try out the new techniques. Overhearing, the woman sitting next to her in the nursing home lounge exclaimed: “Oh, my goodness, I always thought I was so bad for doing that!
Stephanie Coontz (Marriage, a History: From Obedience to Intimacy)
Henry believes he knows exactly when the ninety-four-year-old woman in the neighbouring apartment dies. He hears her turn off. Until now he has not been able to distinguish her from her appliances – her washing machine, her vacuum cleaner, her radiators, her television. But the moment she gives up the ghost he detects the cessation of a noise of which he was not previously aware. A hum, was it? A whirr? Impossible to say. There is no word for the sound a life makes.
Howard Jacobson (The Making of Henry)
Mr. Ram was a dedicated person—that means he didn’t let go of the things that were important to him. He was dedicated to Seniors Games Club every week. He got dressed up to go. Everyone knew he was serious about spending time with his friends, that’s how dressed up he was. He was dedicated to people. Even though he was a serious person, with a lot on his mind, he made sure to let you know he remembered you. Always. He smiled at jokes even if they were only sort of funny. He remembered that it was a person who was telling the joke, so he smiled for that person. He was dedicated to reading good books, even if they were from another generation or didn’t make complete sense to him. He read the first Harry Potter when he was ninety years old because someone told him it was good. He would have read the rest of the series if that someone had been able to find the large-type versions in the library for him.* He smiled one of his loudest smiles ever at the Shel Silverstein poem about a pet snowball. But his favorite Shel Silverstein poem was “The Little Boy and the Old Man.” Like the old man in the poem, he was dedicated to someone too, dedicated to helping her find out what the really important things for her were. What she should be dedicated to. She misses him but was happy to have had someone like him in her life. Thank you, Mr. Ram, for the warmth of your hand. *Someone still regrets that they didn’t find the rest of the HP books for him.
S.K. Ali (Saints and Misfits)
Rearview Mirror Syndrome One of the most crippling causes of mediocrity in life is a condition I call Rearview Mirror Syndrome (RMS). Our subconscious minds are equipped with a self-limiting rearview mirror, through which we continuously relive and recreate our past. We mistakenly believe that who we were is who we are, thus limiting our true potential in the present, based on the limitations of our past.   As a result, we filter every choice we make—from what time we will wake up in the morning to which goals we will set to what we allow ourselves to consider possible for our lives—through the limitations of our past experiences. We want to create a better life, but sometimes we don’t know how to see it any other way than how it’s always been.   Research shows that on any given day, the average person thinks somewhere between 50,000 and 60,000 thoughts. The problem is that ninety-five percent of our thoughts are the same as the ones we thought the day before, and the day before that, and the day before that. It’s no wonder most people go through life, day after day, month after month, year after year, and never change the quality of their lives.   Like old, worn baggage, we carry stress, fear, and worry from yesterday with us into today. When presented with opportunities, we quickly check our rearview mirror to assess our past capabilities. “No, I’ve never done anything like that before. I’ve never achieved at that level. In fact, I’ve failed, time and time again.”   When presented with adversity, we go back to our trusty rearview mirror for guidance on how to respond. “Yep, just my luck. This crap always happens to me. I’m just going to give up; that’s what I’ve always done when things get too difficult.”   If you are to move beyond your past and transcend your limitations, you must stop living out of your rearview mirror and start imagining a life of limitless possibilities. Accept the paradigm:  my past does not equal my future. Talk to yourself in a way that inspires confidence that not only is anything possible, but that you are capable and committed to making it so. It’s not even necessary to believe it at first. In fact, you probably won’t believe it. You might find it uncomfortable and that you resist doing it. That’s okay. Repeat it to yourself anyway, and your subconscious mind will begin to absorb the positive self-affirmations. (More on how to do this in Chapter 6:  The Life S.A.V.E.R.S.)   Don’t place unnecessary limitations on what you want for your life. Think bigger than you’ve allowed yourself to think up until this point. Get clear on what you truly want, condition yourself to the belief that it’s possible by focusing on and affirming it every day, and then consistently move in the direction of your vision until it becomes your reality. There is nothing to fear, because you cannot fail—only learn, grow, and become better than you’ve ever been before.   Always remember that where you are is a result of who you were, but where you go depends entirely on who you choose to be, from this moment on.
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
In spite of this newly developed media literacy, however, I’ve also noticed that it is now an increasingly sexualized ideal that younger and younger girls are beginning to feel they must live up to. The notorious Calvin Klein ad campaigns eroticized sixteen-year-olds when I was a teenager, then eroticized fourteen-year-old models in the early nineties, then twelve-year-olds in the late nineties. GUESS Jeans ads now pose what look like nine-year-olds in provocative settings. And the latest fashions for seven- and eightyear- olds re-create the outfits of pop stars who dress like sex workers. Is this progress? I doubt it.
Naomi Wolf (The Beauty Myth)
I'd like to think I can access my inner four-year-old—curious about the world, skeptical of her little brother, innocently kind, occasionally cruel, always trusting. My inner seven-year-old—full of imagination, turning the creek bed behind my house into a fantasy kingdom ruled by mice. My inner seventeen-year-old—falling in love for the first time, feeling very grown-up making decisions for her future, and at the same time, very young. And now, when I occasionally have moments when I glimpse what I might be like at forty-five, or sixty-eight, or ninety-two, or any of the years to come. I'd like to add an addendum to Madeleine's theory. Just as I'm all the ages I have been, I'm all the readers I have been.
Anne Bogel (I'd Rather Be Reading: The Delights and Dilemmas of the Reading Life)
All at once Sherman was aware of a figure approaching him on the sidewalk, in the wet black shadows of the town houses and the trees. Even from fifty feet away, in the darkness, he could tell. It was that deep worry that lives in the base of the skull of every resident of Park Avenue south of Ninety-sixth Street—a black youth, tall, rangy, wearing white sneakers. Now he was forty feet away, thirty-five. Sherman stared at him. Well, let him come! I’m not budging! It’s my territory! I’m not giving way for any street punks! The black youth suddenly made a ninety-degree turn and cut straight across the street to the sidewalk on the other side. The feeble yellow of a sodium-vapor streetlight reflected for an instant on his face as he checked Sherman out. He had crossed over! What a stroke of luck! Not once did it dawn on Sherman McCoy that what the boy had seen was a thirty-eight-year-old white man, soaking wet, dressed in some sort of military-looking raincoat full of straps and buckles, holding a violently lurching animal in his arms, staring, bug-eyed, and talking to himself.
Tom Wolfe (The Bonfire of the Vanities)
Maggie sipped her drink with the cat draped across her lap and the dog curled at her feet. The only sounds in the room were the crackling of the fire and Dan Sean's shallow snores. There were no CD's to play, no radio, no television. There was nothing. She was just sitting there in silence, getting drunk. It occurred to her that a person's first drunken experience shoud be in the basement of a friend's house, in a forest preserve, behind the bleachers of a football field. Certainly not in the company of a sleeping ninety-nine-year-old man. She giggled a little and wondered what Uncle Kevin would make of it. "Hot port?" he would say. "Very impressive, Mags. I would have thought you'd be more of a wine cooler type of girl.
Jessie Ann Foley (The Carnival at Bray)
forever. To create a family with a spouse is one of the most fundamental ways a person can find continuity and meaning in American (or any) society. I rediscover this truth every time I go to a big reunion of my mother’s family in Minnesota and I see how everyone is held so reassuringly in their positions over the years. First you are a child, then you are a teenager, then you are a young married person, then you are a parent, then you are retired, then you are a grandparent—at every stage you know who you are, you know what your duty is and you know where to sit at the reunion. You sit with the other children, or teenagers, or young parents, or retirees. Until at last you are sitting with the ninety-year-olds in the shade, watching over your progeny with satisfaction.
Elizabeth Gilbert (Eat, Pray, Love)
It is a terrible and exquisitely human irony that children inadequately nurtured almost never give up on the breast. The thirst for love from a mother or father who cannot provide it is seemingly unquenchable. I have treated sixty- and seventy-year-old business executives, politicians, and physicians still desperate for approval from shriveled, emotionally barren men and women in their eighties and nineties. (257)
Keith Ablow (Projection (Frank Clevenger, #2))
Will suddenly remembered that a boy at his old school had had a mum like Fiona - not exactly like her, because it seemed to Will that Fiona was a peculiarly contemporary creation, with her seventies albums, her eighties politics and her nineties foot lotion, but certainly a sixties equivalent of Fiona. Stephen Fullick's mother had a thing about TV, that it turned people into androids, so they didn't have a set in the house. 'Did you see Thund...' Will would say every Monday morning and then remember and blush, as if the TV were a parent who had just died. And what good had that done Stephen Fullick? He was not, as far as Will was aware, a visionary poet, or a primitive painter; he was probably stuck in some provincial solicitor's office, like everyone else from school. He had endured years of pity for no discernible purpose.
Nick Hornby (About a Boy)
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face. He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.” She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. “Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.” He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.” She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.” He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?” She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.” Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
As I tried to doze, the incident on the piazzetta, lost somewhere amid the Piave war memorial and our ride up the hill with fear and shame and who knows what else pressing on me, seemed to come back to me from summers and ages ago, as though I'd biked up to the piazzetta as a little boy before World War I and had returned a crippled ninety-year-old soldier confined to this bedroom that was not even my own, because mine had been given over to a young man who was the light of my eyes. The light of my eyes, I said, light of my eyes, light of the world, that's what you are, light of my life. I didn't know what light of my eyes meant, and part of me wondered where on earth had I fished out such claptrap, but it was nonsense like this that brought tears now, tears I wished to drown in his pillow, soak in his bathing suit, tears I wanted him to touch with the tip of his tongue and make sorrow go away.
André Aciman (Call Me by Your Name)
I missed it all, over a century of the best of New York, thanks to two uncontrollable facts of my birth: its year and geographic location. But we cannot choose our time or place, and i hurried to the city as soon as I could, unaware that the early 1990s was quite possibly the worst moment to get attached to New York. It was like falling crazily in love with a ninety-three year-old, too blind to see that she was fading. I was Harold and New York my Maude.
Jeremiah Moss (Vanishing New York: How a Great City Lost Its Soul)
Because I have lived ninety-two years, Raymond, and if there’s one thing I can tell you, it’s that we are never so unique as we think we are. We are all people. Sure, some things will be different from one person to the next. Some people have more of those feelings than others. Some have too much, and it causes all manner of havoc. Some have none at all. But I can tell you this as a human being who’s had a lot of experience being one: If you’re feeling something, other people in other places are feeling it, too. It’s never just us. But don’t take my word for it. Explore the world for yourself. Look it up. Research it. In my day we went to the library and had to get up the nerve to tell the librarian what we were looking for. You, you have it easy. You have a computer, yes? So why sit here talking to an old woman when you have all of the recorded knowledge the world has gathered sitting upstairs on your desk?
Catherine Ryan Hyde (Have You Seen Luis Velez?)
I am ninety. Or ninety-three. One or the other. When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it. You start to forget words: they're on the tip of your tongue, but instead of eventually dislodging, they stay there. You go upstairs to fetch something, and by the time you get there you can't remember what it was you were after. You call your child by the names of all your other children and finally the dog before you get to his. Sometimes you forget what day it is. And finally you forget the year. Actually, it's not so much that I've forgotten. It's more like I've stopped keeping track. We're past the millennium, that much I know - such a fuss and bother over nothing, all those young folks clucking with worry and buying canned food because somebody was too lazy to leave space for four digits instead of two - but that could have been last month or three years ago. And besides, what does it really matter? What's the difference between three weeks or three years or even three decades of mushy peas, tapioca, and Depends undergarments? I am ninety. Or ninety-three. One or the other.
Sara Gruen (Water for Elephants)
That Easter Monday evening, Mrs Miggs, in her ninety-sixth year, rolled up her crochet, and took in her chair, at the end of the afternoon, and closed her door and went to bed, early, as she always did, in the room that used to be the parlour, for she had not been able to climb the stairs since breaking her hip five years before, and in the night, in her sleep, died. And so there was a funeral service at the church to follow the farrier’s wedding, and people in Barley felt saddened, for Mrs Miggs was so well-known and liked, such a familiar figure, she had seemed immortal, and another link with the old days, the old village life, was severed. Sad too, we said, that she did not reach her hundredth year, to which she was looking forward. There would have been a party for her and the children would have made posies and taken them, and sung to her outside her window in the early morning. But a good funeral service, at the peaceful end of a long life, is not altogether an occasion for mourning. This one felt fitting, and things were in their proper order.
Susan Hill (The Magic Apple Tree: A Country Year)
The story of European imperialism is dramatic and traumatic, etched deep into the psyches of both victors and victims, and it has tended to dominate discussion of European expansion. Yet, in much of Asia and Africa substantive European empire arrived very late and did not last very long. The British did not comprehensively dominate India until the suppression of the 'Mutiny' in 1859, and they were gone ninety years later. Outside Java, the Dutch East Indies was largely a myth on a map until about 1900 - an understanding that, if any power was to have a real empire in this region, it would be the Dutch. European empire in most of Africa was not even a myth on a map until the 'Scramble' of the 1880s, and often not substantive before 1900. 'Before 1890 the Portuguese controlled less than ten per cent of the area of Angola and scarcely one per cent of Mozambique.' 'Even in South Africa . . . a real white supremacy was delayed until the 1880s.' For many Asians and Africans, real European empire lasted about fifty years. A recent study notes that 125 of the world's 188 present states were once European colonies. But empire lasted less than a century in over half of these. With all due respect to the rich scholarship on European imperialism, in the very long view most of these European empires in Asia and Africa were a flash in the pan. Settlement, the third form of European expansion, emphasized the creation of new societies, not the control of old ones. It had no moral superiority over empire. Indeed, it tended to displace, marginalize, and occasionally even exterminate indigenous peoples rather than simply exploit them. But it did reach further and last longer than empire. It left Asia largely untouched, with the substantial exception of Siberia, and affected only the northern and southern ends of Africa. It specialized, instead, in the Americas and Australasia. European empire dominated one and a half continents for a century or so. European settlement came to dominate three-and-a-third continents, including Siberia. It still does. It was settlement, not empire, that had the spread and staying power in the history of European expansion, and it is time that historians of that expansion turned their attention to it.
James Belich (Replenishing the Earth: The Settler Revolution and the Rise of the Angloworld)
Just because I look like a human being doesn’t mean I am. This body has more genetic material that’s not strictly human than it does material that is human. And it heavily integrates machines as well. My blood is actually a bunch of nanobots in a fluid. I am and every other CDF soldier is a genetically-modified cyborg.” “But you’re still you, right?” Lowen asked. “You’re still the same person you were when you left Earth. Still the same consciousness.” “That’s a question of some contention among us soldiers,” Wilson said, setting his arm back down. “When you transfer over to the new body, the machine that does the transfer makes it at least seem like for an instant you’re in two bodies at once. It feels like you as a person make the transfer. But I think it’s equally possible that what happens is that memories are transferred over to a brain specially prepared for them, it wakes up, and there’s just enough cross talk between the two separate brains to give the illusion of a transfer before the old one shuts down.” “In which case, you’re actually dead,” Lowen said. “The real you. And this you is a fake.” “Right.” Wilson took another sip of his drink. “Mind you, the CDF could show you graphs and charts that show that actual consciousness transfer happens. But I think this is one of those things you can’t really model from the outside. I have to accept the possibility that I could be a fake Harry Wilson.” “And this doesn’t bother you,” Lowen said. “In a metaphysical sense, sure,” Wilson said. “But in a day-to-day sense, I don’t think about it much. On the inside, it sure feels like I’ve been around for ninety years, and ultimately this version of me likes being alive. So.
John Scalzi (The Human Division (Old Man's War, #5))
In my world death was like a nameless and incomprehensible hand, a door-to-door salesman who took away mothers, beggars, or ninety-year-old neighbors, like a hellish lottery. But I couldn't absorb the idea that death could actually walk by my side, with a human face and a heart that was poisoned with hatred, that death could be dressed in a uniform or raincoat, queue up at the cinema, laugh in bars, or take his children out for a walk to Ciudadela Park in the morning, and then, in the afternoon, make someone disappear in the dungeons of Montjuïc Castle or in a common grave with no name or ceremony.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Perhaps Bufalino’s closest friend was Philadelphia crime boss Angelo Bruno. Law enforcement referred to Bufalino as “the quiet Don Rosario”; Bruno was known as the “Docile Don” for his similar low-key approach to heading a major crime family. Like Bufalino’s family, the Bruno crime family was not permitted to deal in drugs. Because of his perceived old-fashioned ways Bruno was killed by greedy underlings in 1980. Bruno’s demise would lead to everlasting anarchy in his family. His successor, Philip “Chicken Man” Testa, was literally blown up a year after taking over. Testa’s successor, Nicodemus “Little Nicky” Scarfo, is now serving multiple life sentences for murder, having been betrayed by his own underboss and nephew. Little Nicky’s successor, John Stanfa, is serving five consecutive life sentences for murder. Frank Sheeran got a Christmas card every year from John Stanfa in his Leavenworth cell. John Stanfa’s successor, Ralph Natale, is the first boss to turn government informant and testify against his own men. Frank Sheeran calls Philadelphia “the city of rats.” On the other hand, Russell Bufalino lived a long life. He died of old age in a nursing home in 1994 at the age of ninety. He controlled his “family” until the day he died, and unlike Angelo Bruno’s Philadelphia family, not a sign of discord has been reported in the Bufalino family since his death. Frank
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
The lady is ninety-two years old, petite, well poised, and proud. She is fully dressed each morning by eight o’clock, with her hair fashionably coiffed and her makeup perfectly applied, in spite of the fact that she is legally blind. Today she has moved to a nursing home. Her husband of seventy years recently passed away, making this move necessary. After many hours of waiting patiently in the lobby of the nursing home, she smiles sweetly when told her room was ready. As she maneuvers her walker to the elevator, the staff person provides a visual description of her tiny room, including the eyelet curtains that have been hung on her window. “I love it,” she states with the enthusiasm of an eight-year-old having just been presented with a new puppy. “Mrs. Jones, you haven’t seen the room… just wait,” the staff person says. Then Mrs. Jones speaks these words: “That does not have anything to do with it,” she gently replies. “Happiness is something you decide on ahead of time. Whether I like the room or not does not depend on how the furniture is arranged. It is how I arrange my mind that matters. I have already decided to love it. It is a decision I make every morning when I wake up. I have a choice. I can spend the day in bed recounting the difficulty I have with the parts of my body that no longer work, or I can get out of bed and be thankful for the ones that do work. Each day is a gift, and as long as my eyes open, I will focus on the new day and all of the happy memories I have stored away… just for this time in my life.
Joyce Meyer (How to Age Without Getting Old: The Steps You Can Take Today to Stay Young for the Rest of Your Life)
The temperature was in the nineties, and on hot nights Chicagoans feel the city body and soul. The stockyards are gone, Chicago is no longer slaughter-city, but the old smells revive in the night heat. Miles of railroad siding along the streets once were filled with red cattle cars, the animals waiting to enter the yards lowing and reeking. The old stink still haunts the place. It returns at times, suspiring from the vacated soil, to remind us all that Chicago had once led the world in butcher-technology and that billions of animals had died here. And that night the windows were open wide and the familiar depressing multilayered stink of meat, tallow, blood-meal, pulverized bones, hides, soap, smoked slabs, and burnt hair came back. Old Chicago breathed again through leaves and screens. I heard fire trucks and the gulp and whoop of ambulances, bowel-deep and hysterical. In the surrounding black slums incendiarism shoots up in summer, an index, some say, of psychopathology. Although the love of flames is also religious. However, Denise was sitting nude on the bed rapidly and strongly brushing her hair. Over the lake, steel mills twinkled. Lamplight showed the soot already fallen on the leaves of the wall ivy. We had an early drought that year. Chicago, this night, was panting, the big urban engines going, tenements blazing in Oakwood with great shawls of flame, the sirens weirdly yelping, the fire engines, ambulances, and police cars – mad-dog, gashing-knife weather, a rape and murder night, thousands of hydrants open, spraying water from both breasts.
Saul Bellow (Humboldt's Gift)
According to a 2010 study, almost three hundred million Americans used one of the country's 17, 078 public libraries and bookmobiles in the course of the year. In another study, over ninety percent of those surveyed said closing their local library would hurt their communities. Public libraries in the United States outnumber McDonald's; they outnumber retail bookstores two to one. In many towns, the library is the only place you can browse through physical books. Libraries are old-fashioned, but they are growing more popular with people under thirty. This younger generation uses libraries in greater numbers than older Americans do, and even though they grew up in a streaming, digital world, almost two thirds of them believe that there is important material in libraries that is not available on the Internet.
Susan Orlean (The Library Book)
The article mentioned that Onwas was about sixty years old and had lived his entire life in the bush, camping with an extended family of two dozen. Onwas did not keep track of years, only seasons and moons. He lived with just a handful of possessions, enjoyed abundant leisure time, and represented one of the final links to the deepest root of the human family tree. Our genus, Homo, arose two and a half million years ago, and for more than ninety-nine percent of human existence, we all lived like Onwas, in small bands of nomadic hunter-gatherers. Though the groups may have been tight-knit and communal, nearly everyone, anthropologists conjecture, spent significant parts of their lives surrounded by quiet, either alone or with a few others, foraging for edible plants and stalking prey in the wild. This is who we truly are.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty whities and all. Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My eyes! They burn!” “Put the boa constrictor back in his cage, man.” “This is not the ass I planned on seeing tonight.” Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite ass out the window—mooning the gaggle of grannies in the car next to us. I bet you thought this kind of stuff only happened in movies. He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?” Wow. Steven usually isn’t the type to visually assault the elderly. Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single strangled word. “Grandma?” Then he’s diving back into the limo, his face grayish, dazed, and totally sober. He stares at the floor. “No way that just happened.” Matthew and I look at each other hopefully, then we scramble to the window. Sure enough, in the driver’s seat of that big old Town Car is none other than Loretta P. Reinhart. Mom to George; Grandma to Steven. What are the fucking odds, huh? Loretta was always a cranky old bitch. No sense of humor. Even when I was a kid she hated me. Thought I was a bad influence on her precious grandchild. Don’t know where she got that idea from. She moved out to Arizona years ago. Like a lot of women her age, she still enjoys a good tug on the slot machine—hence her frequent trips to Sin City. Apparently this is one such trip. Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs. Reinhart.” She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen. The two of us collapse back into our seats, laughing hysterically.
Emma Chase (Tied (Tangled, #4))
You ever hear about those wildfires near San Bernardino, back in 1999, they destroyed, like eighty homes and about ninety thousand acres?” I shrugged. Seemed like California was always on fire. “I was the kid who set that fire. Not on purpose. Or at least, I didn’t mean for it to get out of control.” “What?” “I was only a kid, twelve years old, and I wasn’t a firebug or anything, but I’d ended up with a lighter, a cigarette lighter, I can’t even remember why I had it, but I liked flicking it, you know, and I was hiking back in the hills behind my development, bored, and the trail was just, covered, with old grasses and stuff. And I was walking along, flicking the lighter, just seeing if I could get the tops of the weeds to catch, they had these fuzzy tips— “Foxtail.” “And I turned around, and … and they’d all caught on fire. There were about twenty mini-fires behind me, like torches. And it was during the Santa Anas, so the tops started blowing away, and they’d land and catch another patch on fire, and then blow another hundred feet. And then it wasn’t just small fires here and there. It was a big fire.” “That fast?” “Yeah, in just those seconds, it was a fire.
Gillian Flynn (Dark Places)
1860 there had risen in West Dougherty perhaps the richest slave kingdom the modern world ever knew. A hundred and fifty barons commanded the labor of nearly six thousand Negroes, held sway over farms with ninety thousand acres tilled land, valued even in times of cheap soil at three millions of dollars. Twenty thousand bales of ginned cotton went yearly to England, New and Old; and men that came there bankrupt made money and grew rich. In a single decade the cotton output increased four-fold and the value of lands was tripled. It was the heyday of the nouveau riche, and a life of careless extravagance among the masters. Four and six bobtailed thoroughbreds rolled their coaches to town; open hospitality and gay entertainment were the rule. Parks and groves were laid out, rich with flower and vine, and in the midst stood the low wide-halled “big house,” with its porch and columns and great fireplaces. And yet with all this there was something sordid, something forced,—a certain feverish unrest and recklessness; for was not all this show and tinsel built upon a groan? “This land was a little Hell,” said a ragged, brown, and grave-faced man to me. We were seated near a roadside blacksmith shop, and behind was the bare ruin of some master’s home. “I’ve seen niggers drop dead in the furrow, but they were kicked aside, and the plough never
W.E.B. Du Bois (The Souls of Black Folk)
There," he said, admiring his own handiwork. "Good as new." Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?" He smiled. "I think I did pretty good. It's not my fault you can't walk." She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face. He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine." She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. "Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing." He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime." She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed." He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?" She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again." Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
As Allied forces moved into Hitler’s Fortress Europe, Roosevelt and his circle were confronted with new evidence of the Holocaust. In early 1942, he had been given information that Adolf Hitler was quietly fulfilling his threat to “annihilate the Jewish race.” Rabbi Stephen Wise asked the President that December 1942 to inform the world about “the most overwhelming disaster of Jewish history” and “try to stop it.” Although he was willing to warn the world about the impending catastrophe and insisted that there be war crimes commissions when the conflict was over, Roosevelt told Wise that punishment for such crimes would probably have to await the end of the fighting, so his own solution was to “win the war.” The problem with this approach was that by the time of an Allied victory, much of world Jewry might have been annihilated. By June 1944, the Germans had removed more than half of Hungary’s 750,000 Jews, and some Jewish leaders were asking the Allies to bomb railways from Hungary to the Auschwitz death camp in Poland. In response, Churchill told his Foreign Secretary, Anthony Eden, that the murder of the Jews was “probably the greatest and most horrible crime ever committed in the whole history of the world,” and ordered him to get “everything” he could out of the British Air Force. But the Prime Minister was told that American bombers were better positioned to do the job. At the Pentagon, Stimson consulted John McCloy, who later insisted, for decades, that he had “never talked” with Roosevelt about the option of bombing the railroad lines or death camps. But in 1986, McCloy changed his story during a taped conversation with Henry Morgenthau’s son, Henry III, who was researching a family history. The ninety-one-year-old McCloy insisted that he had indeed raised the idea with the President, and that Roosevelt became “irate” and “made it very clear” that bombing Auschwitz “wouldn’t have done any good.” By McCloy’s new account, Roosevelt “took it out of my hands” and warned that “if it’s successful, it’ll be more provocative” and “we’ll be accused of participating in this horrible business,” as well as “bombing innocent people.” McCloy went on, “I didn’t want to bomb Auschwitz,” adding that “it seemed to be a bunch of fanatic Jews who seemed to think that if you didn’t bomb, it was an indication of lack of venom against Hitler.” If McCloy’s memory was reliable, then, just as with the Japanese internment, Roosevelt had used the discreet younger man to discuss a decision for which he knew he might be criticized by history, and which might conceivably have become an issue in the 1944 campaign. This approach to the possible bombing of the camps would allow the President to explain, if it became necessary, that the issue had been resolved at a lower level by the military. In retrospect, the President should have considered the bombing proposal more seriously. Approving it might have required him to slightly revise his insistence that the Allies’ sole aim should be winning the war, as he did on at least a few other occasions. But such a decision might have saved lives and shown future generations that, like Churchill, he understood the importance of the Holocaust as a crime unparalleled in world history.*
Michael R. Beschloss (Presidents of War: The Epic Story, from 1807 to Modern Times)
Then one evening he reached the last chapter, and then the last page, the last verse. And there it was! That unforgivable and unfathomable misprint that had caused the owner of the books to order them to be pulped. Now Bosse handed a copy to each of them sitting round the table, and they thumbed through to the very last verse, and one by one burst out laughing. Bosse was happy enough to find the misprint. He had no interest in finding out how it got there. He had satisfied his curiosity, and in the process had read his first book since his schooldays, and even got a bit religious while he was at it. Not that Bosse allowed God to have any opinion about Bellringer Farm’s business enterprise, nor did he allow the Lord to be present when he filed his tax return, but – in other respects – Bosse now placed his life in the hands of the Father, the Son and the Holy Spirit. And surely none of them would worry about the fact that he set up his stall at markets on Saturdays and sold bibles with a tiny misprint in them? (‘Only ninety-nine crowns each! Jesus! What a bargain!’) But if Bosse had cared, and if, against all odds, he had managed to get to the bottom of it, then after what he had told his friends, he would have continued: A typesetter in a Rotterdam suburb had been through a personal crisis. Several years earlier, he had been recruited by Jehovah’s Witnesses but they had thrown him out when he discovered, and questioned rather too loudly, the fact that the congregation had predicted the return of Jesus on no less than fourteen occasions between 1799 and 1980 – and sensationally managed to get it wrong all fourteen times. Upon which, the typesetter had joined the Pentecostal Church; he liked their teachings about the Last Judgment, he could embrace the idea of God’s final victory over evil, the return of Jesus (without their actually naming a date) and how most of the people from the typesetter’s childhood including his own father, would burn in hell. But this new congregation sent him packing too. A whole month’s collections had gone astray while in the care of the typesetter. He had sworn by all that was holy that the disappearance had nothing to do with him. Besides, shouldn’t Christians forgive? And what choice did he have when his car broke down and he needed a new one to keep his job? As bitter as bile, the typesetter started the layout for that day’s jobs, which ironically happened to consist of printing two thousand bibles! And besides, it was an order from Sweden where as far as the typesetter knew, his father still lived after having abandoned his family when the typesetter was six years old. With tears in his eyes, the typesetter set the text of chapter upon chapter. When he came to the very last chapter – the Book of Revelation – he just lost it. How could Jesus ever want to come back to Earth? Here where Evil had once and for all conquered Good, so what was the point of anything? And the Bible… It was just a joke! So it came about that the typesetter with the shattered nerves made a little addition to the very last verse in the very last chapter in the Swedish bible that was just about to be printed. The typesetter didn’t remember much of his father’s tongue, but he could at least recall a nursery rhyme that was well suited in the context. Thus the bible’s last two verses plus the typesetter’s extra verse were printed as: 20. He who testifies to these things says, Surely I am coming quickly. Amen. Even so, come, Lord Jesus!21. The grace of our Lord Jesus Christ be with you all. Amen.22. And they all lived happily ever after.
Jonas Jonasson (Der Hundertjährige, der aus dem Fenster stieg und verschwand)