Nine Liars Quotes

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Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Larry’s such a liar--- He tells outrageous lies. He says he’s ninety-nine years old Instead of only five. He says he lives up on the moon, He says that he once flew. He says he’s really six feet four Instead of three feet two. He says he has a billion dollars ‘Stead of just a dime. He says he rode a dinosaur Back in some distant time. He says his mother is the moon Who taught him magic spells. He says his father is the wind That rings the morning bells. He says he can take stones and rocks And turn them into gold. He says he can take burnin’ fire And turn it freezin’ cold. He said he’d send me seven elves To help me with my chores. But Larry’s such a liar--- He only sent me four.
Shel Silverstein
Apologize," I ordered, striding in her direction once again. "What for?"Her gaze shifted, and she looked like she was about to throw a punch at me. "For not kissing me back when you clearly wanted to, you little liar. For fucking one of my best friends. For making that year the worst year of my life since I was nine. Apologize for not being mine when you should've been. Because Emilia, baby..." I tilted my head sideways. "It was always fucking us and you know it.
L.J. Shen (Vicious (Sinners of Saint, #1))
You know, the best fanfic I ever read was an erotic story about Thor and Tony Stark living together on a Christmas tree sex farm.
Maureen Johnson (Nine Liars (Truly Devious, #5))
I’ve got a murder mansion, a house full of suspects, a pile of evidence, and nothing.
Maureen Johnson (Nine Liars (Truly Devious, #5))
We’re good at lying,” Sebastian said, leaning over and managing a smile. “We’ve been doing it for years.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Stevie packed like someone who just heard that reports of the monster were true, and it was headed toward the city.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Group friendships are products of the right time—the chemistry of season, activity, emotion, and random occurrence. They coalesced over a series of long nights at the pub, in rehearsal spaces, cafés, and bedrooms.
Maureen Johnson (Nine Liars (Truly Devious, #5))
This was England. There was always rain in the future.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Recently I interviewed a psychopath. This is always a humbling experience because it teaches over and over how much of human motivation and experience is outside my narrow range. Despite the psychopath's lack of conscience and lack of empathy for others, he is inevitably better at fooling people than any other type of offender. I suppose conscience just slows you down. A child convicted molester, this particular one made friends with a correctional officer who invited him to live in his home after he was released - despite the fact the officer had a nine-year-old daughter. The officer and his wife were so taken with the offender that, after the offender lived with them for a few months, they initiated adoption proceedings- adoption for a man almost their age. Of course, he was a child molester living in the same house as a child. Not surprisingly, he molested the daughter the entire time he lived there. [...] What these experiences taught have me is that even when people are warned of a previously founded case of even a conviction, they still routinely underestimate the pathology with which they are dealing.
Anna C. Salter (Predators: Pedophiles, Rapists, and Other Sex Offenders)
Three: Izzy made it sound like Stevie was Wikipedia Holmes, a walking, talking, deducing database that ate true crime and spat out justice.
Maureen Johnson (Nine Liars (Truly Devious, #5))
He was usually her companion in avoiding things, but tonight he was letting her down. His fingers hadn’t stopped moving all night.
Maureen Johnson (Nine Liars (Truly Devious, #5))
It was a deathtrap, a meandering thread of madness. It suggested that there was something about English people that she may never understand.
Maureen Johnson (Nine Liars (Truly Devious, #5))
They’re English,” David said, sitting on the bed. “That keep calm and carry on thing is real. You know. Don’t talk about stuff that’s bad. Talk about tennis! That’s how they are.
Maureen Johnson (Nine Liars (Truly Devious, #5))
It was a good brain, but it had only two modes—fog and frenzy.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Lie. It was such a gross word, with spikes on it. She was a liar. A fiendish thing.
Maureen Johnson (Nine Liars (Truly Devious, #5))
There is an insatiable appetite for things about the wives of Henry the Eighth. Everyone loves them. Sex and murder.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Practical advice.—People who read much must always keep it in mind that life is one thing, literature another. Not that authors invariably lie. I declare that there are writers who rarely and most reluctantly lie. But one must know how to read, and that isn't easy. Out of a hundred bookreaders ninety-nine have no idea what they are reading about. It is a common belief, for example, that any writer who sings of suffering must be ready at all times to open his arms to the weary and heavy-laden. This is what his readers feel when they read his books. Then when they approach him with their woes, and find that he runs away without looking back at them, they are filled with indignation and talk of the discrepancy between word and deed. Whereas the fact is, the singer has more than enough woes of his own, and he sings them because he can't get rid of them. L’uccello canta nella gabbia, non di gioia ma di rabbia, says the Italian proverb: "The bird sings in the cage, not from joy but from rage." It is impossible to love sufferers, particularly hopeless sufferers, and whoever says otherwise is a deliberate liar. "Come unto Me all ye that labour and are heavy laden, and I will give you rest." But you remember what the Jews said about Him: "He speaks as one having authority!" And if Jesus had been unable, or had not possessed the right, to answer this skeptical taunt, He would have had to renounce His words. We common mortals have neither divine powers nor divine rights, we can only love our neighbours whilst they still have hope, and any pretence of going beyond this is empty swagger. Ask him who sings of suffering for nothing but his songs. Rather think of alleviating his burden than of requiring alleviation from him. Surely not—for ever should we ask any poet to sob and look upon tears. I will end with another Italian saying: Non è un si triste cane che non meni la coda... "No dog so wretched that doesn't wag his tail sometimes.
Lev Shestov (All Things Are Possible and Penultimates Words and Other Essays (English and Greek Edition))
Would you like to know how Charlotte got those nine stitches?" I asked suddenly, in a tone of voice that sounded perfectly normal to me. "We were up at the Lake. Seymour had written to Charlotte, inviting her to come up and visit us, and her mother finally let her. What happened was, she sat down in the middle of our driveway one morning to pet Boo Boo's cat, and Seymour threw a stone at her. He was twelve. That's all there was to it. He threw it at her because she looked so beautiful sitting there in the middle of the driveway with Boo Boo's cat. Everybody knew that for God's sake-me, Charlotte, Boo Boo, Waker, Walt, the whole family." I stared at the pewter ashtray on the coffee table. "Charlotte never said a word to him about it. Not a word." I looked up at my guest, rather expecting him to dispute me, to call me a liar. I am a liar, of course. Charlotte never did understand why Seymour threw that stone at her. My guest didn't dispute me though.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
For male readers: imagine being nine months constipated having inadvertently swallowed a coconut whole, and then being asked to lie on an operating table, legs apart, with lots of people watching dressed in silly clothes. Would you be able to shit?
Graham Chapman (A Liar's Autobiography: Volume VI)
Some people simply knew what they were supposed to be doing and did it, and those people were the worst of all. Stevie’s brain had to hit a white-hot pitch of panic before it was willing to do any real work. It would work quickly then. It was a good brain, but it had only two modes—fog and frenzy.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Could you burn logs after a murder?
Maureen Johnson (Nine Liars (Truly Devious, #5))
Must have been the cat.” “You don’t have a cat,” Sooz said. “I have you,” Sebastian replied. “That’s close enough.
Maureen Johnson (Nine Liars (Truly Devious, #5))
In Vermont, there is maple syrup in it—it doesn’t matter what it is. Cake. Ice cream. Coffee. Soup. Mustard. Concrete.
Maureen Johnson (Nine Liars (Truly Devious, #5))
The idea that Izzy had a full life that didn’t revolve around David had somehow never occurred to Stevie. Love made her stupid.
Maureen Johnson (Nine Liars (Truly Devious, #5))
I kind of love it,” Nate said, looking around. “It looks like the moisture farm that Luke Skywalker lives on.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Once threw a mug of tea at a policeman
Maureen Johnson (Nine Liars (Truly Devious, #5))
Group friendships are products of the right time—the chemistry of season, activity, emotion, and random occurrence.
Maureen Johnson (Nine Liars (Truly Devious, #5))
When you want someone to tell you something—don't ask, tell it wrong.
Maureen Johnson (Nine Liars (Truly Devious, #5))
That’s why I can sleep anywhere now.
Maureen Johnson (Nine Liars (Truly Devious, #5))
At pub. Vodka sodass ar twi pounds I screwed upp gonna drink everything all the vofka sodas
Maureen Johnson (Nine Liars (Truly Devious, #5))
I always had a thing about mushrooms. They’re the odd little children of the forest. I suppose I related
Maureen Johnson (Nine Liars (Truly Devious, #5))
As a Black woman at Cambridge, the one who had to deal with the looks, the muttered remarks, and the remarks said right to her face about the color of her skin.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Only he and Yash planned on making an actual career out of comedy, which was not known for being the most stable of livelihoods.
Maureen Johnson (Nine Liars (Truly Devious, #5))
The gray English light suited him. It was light for indoor people, for ghosts, for royalty and urchins. For writers.
Maureen Johnson (Nine Liars (Truly Devious, #5))
This was one of those moments where she felt like she had failed at some primary task of life, to know the basics of an Indian takeout meal.
Maureen Johnson (Nine Liars (Truly Devious, #5))
He silently gave thanks to the wealthy builders of this country pile who worked very hard to make sure they never had to see other people doing work.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Nate would tolerate most things for about an hour if he knew there was the promise of a snack and the chance to be left alone in the near future.
Maureen Johnson (Nine Liars (Truly Devious, #5))
There was no name for this staggering monolith of heartbreak. She tried to note that it was pain—pain, pain, pain, fear, pain, agony, panic, pain, nausea, embarrassment, anger, loss
Maureen Johnson (Nine Liars (Truly Devious, #5))
The Janus Guard will also be out that night,” he said, one hand reaching out to squeeze her shoulder. “Just as we have been and will be for every night of the Nine.” “Good.” “Speaking of which—Kelley…” Sonny seemed suddenly exhausted. He turned his face to the west, and she could see the fatigue etched into the lines and planes of his face. “It’s getting late. You need to leave the park. Please. Don’t argue with me this time. Just go. The sun will set soon, and I have to go to work.” He squared his shoulders as though he expected her to put up a fight. She did—a little—but only out of actual concern for him. “Shouldn’t you be taking it easy? I mean, you try to hide it with the whole tough-guy-swagger thing and all, but I saw the bandages. You’re really hurt. Aren’t you?” “It’s not so bad.” “Wow. You are a terrible liar.” He frowned fiercely at her. “You also look like you haven’t slept in a week.” She took a tentative step toward him and put a hand on his chest, looking up into his silver-gray eyes. He put his hand over the top of hers, and she could feel the rhythm of his heart beating under her palm, through his shirt and the bandages. “I’m fine.” “Are you sure?” With his other hand, Sonny reached up and brushed a stray auburn curl out of her eyes. “I’m sure.” He smiled down at her, and she felt her insides melt a little. His whole face changed when he smiled. It was like the sun coming out. “But,” he continued, “I’ll be even better if you are safe at home and I don’t have to worry about you for tonight.” “I can take care of myself, Sonny Flannery,” she bristled, halfheartedly. “Please?” He turned up the wattage on his smile. “I…okay.” She felt her own lips turn up in a shy, answering smile. “I’ll be good. This once.” “That’s my girl.” Kelley was silent. Those three words of Sonny’s had managed to render her utterly speechless.
Lesley Livingston (Wondrous Strange (Wondrous Strange, #1))
Left unattended, even for a few days, houses take on a strange feel. The cold accumulates in the corners. The dark settles down and pools on the furniture. Quiet leaks everywhere. The air sours.
Maureen Johnson (Nine Liars (Truly Devious, #5))
They all seemed to have a deep, penetrating knowledge of everything going on in the world—politics, art, books, music. They all sounded so self-assured. That wasn’t surprising, considering that they were older and successful.
Maureen Johnson (Nine Liars (Truly Devious, #5))
The surefire way to get someone to tell you something you want to know isn’t to ask them about it. What you do is start telling the story yourself, say what you think happened, and say it wrong. People may not want to discuss things, but they will correct you, every time.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Some people simply knew what they were supposed to be doing and did it, and those people were the worst of all. Stevie's brain had to hit a white-hot pitch of panic before it was willing to do any real work. It would work quickly then. It was a good brain, but it had only two modes—fog and frenzy.
Maureen Johnson (Nine Liars (Truly Devious, #5))
The mistake ninety-nine percent of humanity made, as far as Fats could see, was being ashamed of what they were, lying about it, trying to be somebody else. Honesty was Fats' currency, his weapon and defense. It frightened people when you were honest; it shocked them. Other people, Fats had discovered, were mired in embarrassment and pretense, terrified that their truths might leak out, but Fats was attracted by rawness, by everything that was ugly but honest, by the dirty things about which the likes of his father felt humiliated and disgusted. [...] The difficult thing, the glorious thing, was to be who you really were, even, if that person was cruel or dangerous. [...] There was courage in not disguising the animal you happened to be. On the other hand you had to avoid pretending to be more of an animal that you were; take that path, start exaggerating or faking and you became just another Cubby, just as much of a liar, a hypocrite.
J.K. Rowling (The Casual Vacancy)
Twelve cheating husbands, eleven pathological liars, ten wall street executives, nine wives lying about their spending habits, eight MLM marketers, seven elderly scammers, six catfishers, five Munchausen by proxy, four only sponsored beauty influencers, three fake Frenchmen, two dead beat dads, and the inventor of the Ponzi scheme!
Calliope Stewart (Knot Again Satan: A Holiday Novella (Unholy Holidays, #2))
I spent nine hard, exasperating, concentrated months on the first chapter of Liars’ Club alone, which was essentially time developing that voice—a watchmaker’s minuscule efforts, noodling with syntax and diction. Were I to add on the time I spent trying to recount that book’s events in poetry and a novel, I could argue that concocting that mode of speech actually occupied some thirteen years (seventeen, if you count the requisite years in therapy getting the nerve up). What was I doing during those nine months? Mostly I just shoved words around the page. I’d get up at four or five when my son was asleep, then work. I’d try telling something one way, then another. If a paragraph seemed half decent, I’d cut it out and tape it to the wall.
Mary Karr (The Art of Memoir)
This is a two-way road,” the driver said. “You’re American? You have quite wide roads in America, don’t you?” This was not a two-lane road. This was a tiny, tiny, tiny path surrounded by a high wall of greenery that blocked the view. It was a deathtrap, a meandering thread of madness. It suggested that there was something about English people that she may never understand.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Why did you break in Mrs. Casnoff’s desk for?” Information on Archer. After he left. “Ah. You’re welcome, by the way?” For what? She jiggled the nail harder. “For putting him in his place the other night. Working with The Eye,” she scoffed. “Yeah, that’s a brilliant plan.” He’s just trying to think of something,” I said automatically. I wasn’t sure why I was defending him when I’d basically said that idea was the stupidest thing ever to have stupided, but I didn’t like the scorn in her voice. Well, my voice, her words. Elodie paused in trying to open the desk drawer and shoved my hair back with both hands. “What’s it going to take for you to realize that Archer Cross is bad news? He’s an Eye. He’s a liar and a jerk, and he’s not nearly as funny as he thinks he is. And you’re betrothed to Cal. Boys who can heal all wounds and are super hot, to boot? Don’t exactly come around every day.” I don’t think about Cal like that. Pressing the point of the nail back into the lock, Elodie snorted. “Um, hi, I’ve been in your head. You totally think about him like that.” Look,, this isn’t a slumber party, I snapped. Can you please get back to work? “Fine,” she muttered. “Don’t listen to me. But I’m telling you, Cal is the way to go. Heck, if I had a body, I wouldn’t mind-“ I’m going to need you to stop right there. I’m ninety-nine percent sure she wasn’t going to stop right there, but before she could say anything else, the lock on the drawer gave way.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
The case of a patient with dissociative identity disorder follows: Cindy, a 24-year-old woman, was transferred to the psychiatry service to facilitate community placement. Over the years, she had received many different diagnoses, including schizophrenia, borderline personality disorder, schizoaffective disorder, and bipolar disorder. Dissociative identity disorder was her current diagnosis. Cindy had been well until 3 years before admission, when she developed depression, "voices," multiple somatic complaints, periods of amnesia, and wrist cutting. Her family and friends considered her a pathological liar because she would do or say things that she would later deny. Chronic depression and recurrent suicidal behavior led to frequent hospitalizations. Cindy had trials of antipsychotics, antidepressants, mood stabilizers, and anxiolytics, all without benefit. Her condition continued to worsen. Cindy was a petite, neatly groomed woman who cooperated well with the treatment team. She reported having nine distinct alters that ranged in age from 2 to 48 years; two were masculine. Cindy’s main concern was her inability to control the switches among her alters, which made her feel out of control. She reported having been sexually abused by her father as a child and described visual hallucinations of him threatening her with a knife. We were unable to confirm the history of sexual abuse but thought it likely, based on what we knew of her chaotic early home life. Nursing staff observed several episodes in which Cindy switched to a troublesome alter. Her voice would change in inflection and tone, becoming childlike as ]oy, an 8-year-old alter, took control. Arrangements were made for individual psychotherapy and Cindy was discharged. At a follow-up 3 years later, Cindy still had many alters but was functioning better, had fewer switches, and lived independently. She continued to see a therapist weekly and hoped to one day integrate her many alters.
Donald W. Black (Introductory Textbook of Psychiatry, Fourth Edition)
A world conqueror had appeared in modern times. Alexander, Caesar, Attila, Genghis Khan, Napoleon—another such as these, appearing in the age of electricity, of rotary presses and radio, when nine men out of ten would have said it was impossible. A world conqueror has to be a man of few ideas, and those fixed; a peculiar combination of exactly the right qualities, both good and bad—iron determination, irresistible energy, and no scruples of any sort. He has to know what he wants, and permit no obstacle to stand in the way of his getting it. He has to understand the minds of other men, both foes and friends, and what greeds, fears, hates, jealousies will move them to action. He must understand the mass mind, the ideals or delusions which sway it; he must be enough of a fanatic to talk their language, though not enough to be controlled by it. He must believe in nothing but his own destiny, the glorified image of himself on the screen of history; whole races of mankind made over in his own image and according to his will. To accomplish that purpose he must be liar, thief, and murderer upon a world-wide scale; he must be ready without hesitation to commit every crime his own interest commands, whether upon individuals or nations.
Upton Sinclair (Dragon's Teeth (World's End Lanny Budd, #3))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Apologize,” I ordered, striding in her direction once again. “What for?” Her gaze shifted, and she looked like she was about to throw a punch at me. “For not kissing me back when you clearly wanted to, you little liar. For fucking one of my best friends. For making that year the worst year of my life since I was nine. Apologize for not being mine when you should’ve been. Because Emilia, baby…” I tilted my head sideways. “It was always fucking us and you know it.
L.J. Shen (Vicious (Sinners of Saint, #1))
It was on a hot day in August that I saw her. It had been nine years since we parted but I knew at once that the girl was Violet, my daughter. She had grown of course, so much that I would not have given her a second glance if it had not been for her face – her cheek stained with a birthmark like a rain of red tears. I had longed for her every day that we had been apart but, now that I saw her, I could not be happy.
Jennifer Wells (The Liar)
My Green locksmith, Cyra, another Terran, is on a knee working the interior of the biometric lock. Her gear is set out on the floor near the door, where she’ll run support. Bit twitchy, that one. She doesn’t usually like coming to the dancefloor. I’ve hired Cyra sporadically over the past few years, but we’re not close. She’s like most Limies—petulant and selfish, with a processor in place of a heart. Especially nasty to Volga. Doesn’t bother me. I came to the conclusion at the age of nine that most people are liars, bastards, or just plain stupid. She’s a good hacker, and that’s all I care about.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
but English nachos are very bad. Do not eat English nachos. I swear to God I’ve seen them put baked beans on them. Fish and chips, however, are very good. That’s not a stereotype. That’s fact. And that’s what we are getting.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Some pain medications are very strong,” Janelle said. “Isn’t it possible that she was just high? That she was saying things that had no bearing on reality?
Maureen Johnson (Nine Liars (Truly Devious, #5))
The Nine lived and worked on top of one another. Between changing backstage, the house, and the romances, they had seen each other in every stage of undress. There was nothing strange about having visitors when you were in the bath.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Angela was lying to them. Why? Why bother lying when she could have been dismissive? Why say there’s nothing about a lock when everything about your voice and body says there was definitely something about a lock, and that the lock was important?
Maureen Johnson (Nine Liars (Truly Devious, #5))
When this week was over, everything was over, so the party had to rage on as intensely and as long as possible.
Maureen Johnson (Nine Liars (Truly Devious, #5))
the confidence of ten mediocre men.
Maureen Johnson (Nine Liars (Truly Devious, #5))
He was aware that something odd was happening in his mind, that he was so swamped with adrenaline and champagne that he had developed an intense focus. The life-or-death moment brought forth the heaviest chemicals the body could produce.
Maureen Johnson (Nine Liars (Truly Devious, #5))
You’ve always been so annoying, Julian,” he spat. “Everything’s always been about you, hasn’t it? Who Julian was sleeping with or flirting with or cheating on. It was endless. And now here you are again. The MP. The politician.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Stevie wanted to do the same but found she could not move. Angela had been her case, her charge, her person to protect. She had known something was very wrong, but now it was
Maureen Johnson (Nine Liars (Truly Devious, #5))
The spaces were wide and wild. And for the first time since this started, she felt a real sense of the danger here.
Maureen Johnson (Nine Liars (Truly Devious, #5))
It’s a very strange feeling,” Theo said, “a secret I’ve been holding all these years being out in the open at last. What you did last night was impressive. It’s . . . so strange. I feel like something’s missing. Of course, something—someone—is missing.
Maureen Johnson (Nine Liars (Truly Devious, #5))
I’d never be able to keep this place if it didn’t pay for itself,” he said. “It’s absurd for one person or family to own something like this, but here we are. Now it earns its keep by hosting weddings and events, film shoots, things like that. Spring and summer, Christmas and New Year’s . . . those are the busiest times.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Sebastian Holt-Carey: future sixth Viscount Holt-Carey. The lord of the manor. Quick-witted and bighearted, with a taste for glam and goth and boys who liked glam and goth.
Maureen Johnson (Nine Liars (Truly Devious, #5))
A pocket-sized Irish student, barely five feet tall, but with the voice and personality of someone five times that size,
Maureen Johnson (Nine Liars (Truly Devious, #5))
Yale and Princeton would bite their ivy-covered knuckles in jealousy over the red and gold bricks; tree-lined paths; sculptures; twee, twisting pathways; and Gothic spires.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Trying to understand men is like trying to explain what colour the number nine smells like.
Donna Alam (Liar Liar (One Night Forever, #1))
Ellingham was in the mountains of Vermont. Its story was the stuff of legend, its reputation gold-plated, its illustrious graduates legion. Its story was long but can best be summarized thusly:
Maureen Johnson (Nine Liars (Truly Devious, #5))
Above it hung a painting of a man with a shotgun and a dog, which felt like more of a warning than a greeting.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Sooz Rillington: Big doe-like eyes, legs for miles, and the confidence of ten mediocre men. A brilliant mind for Shakespeare and masterful impressionist
Maureen Johnson (Nine Liars (Truly Devious, #5))
Stevie had absolutely no idea what he meant by “have a butcher’s” and was not going to ask.
Maureen Johnson (Nine Liars (Truly Devious, #5))
If you think I can stop Peter and Yash on their quest for comedy glory,” Sebastian said to her, “you have more faith in me than I deserve
Maureen Johnson (Nine Liars (Truly Devious, #5))
My father, the late and unlamented fifth viscount, was a bit of a bastard. He had one child, me, and he did not want a gay son. He made that very clear.
Maureen Johnson (Nine Liars (Truly Devious, #5))
As they told it, all these people were involved with each other. There was a lot of hooking up and jealousy and breaking up and making up. Anyone could have been mad about what happened.
Maureen Johnson (Nine Liars (Truly Devious, #5))
He was so sick of being with these people all the time. He loved them, sure, but he was finished with it all. The drama. The competition. The never-ending need to impress, to entertain
Maureen Johnson (Nine Liars (Truly Devious, #5))
I know what it’s like when you can’t solve something. It takes over your mind. She used her skills as a researcher and she got records and reports. She couldn’t tell the rest of you what she was doing, because she had no idea who to trust. She kept her investigation hidden from everyone, but then she had to get an operation, and she’s given painkillers. The painkillers made her loopy.
Maureen Johnson (Nine Liars (Truly Devious, #5))
People can’t help but fill it. It’s human nature, and it’s what sinks a lot of murderers. This was something Stevie knew from her compulsive viewing of interrogations on YouTube.
Maureen Johnson (Nine Liars (Truly Devious, #5))
That’s what they call the pub. Your pub is your local, and we have a local. And you have to go. It’s the law.
Maureen Johnson (Nine Liars (Truly Devious, #5))
for glam and goth and boys who liked glam and goth.
Maureen Johnson (Nine Liars (Truly Devious, #5))
The view out the window was too much—the whoosh through the tunnel, the bright subway ads flashing by, taunting her with offers for travel insurance, human-sized pictures of chocolate bars . . . all the flotsam and jetsam of life. Numbers and houses and futures and food. Why did all this stuff have to fly into her face? Who needed it all? Why go this fast?
Maureen Johnson (Nine Liars (Truly Devious, #5))
But that is not the way the world works, because the world didn't care what she did last year, or last month, or even earlier tonight when she had bravely tried to read three sentences. If the world is feeling super charitable, it might take a passing glance at what you are doing now. What matters is what you are doing next. And high school was nothing if not about the next box you had to check.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Overhead, Harry Styles sang out over the noise of the crowd, suggesting treating people with kindness.
Maureen Johnson (Nine Liars (Truly Devious, #5))
the storm took down power lines
Maureen Johnson (Nine Liars (Truly Devious, #5))
saag paneer,
Maureen Johnson (Nine Liars (Truly Devious, #5))
He looked up at a massive black bird that had landed on the head of the figure on the fountain and was cawing at them relentlessly. “I do not handle complaints in person,” he said to the bird. “Please contact us via our website.” This seemed to satisfy the bird. It flew away.
Maureen Johnson (Nine Liars (Truly Devious, #5))
at first it just seemed like someone had broken in and made a mess of the place . . . but then Sebastian had this odd look on his face, and then I saw what he saw. There was a boot under one of the mounds, and part of a leg, and
Maureen Johnson (Nine Liars (Truly Devious, #5))
Angela had had a cold recently. She’d purchased a decongestant and throat drops, as well as body wash and a toothbrush. Nothing strange.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Well, now you get to meet a TV lady and hear about a murder. See the nice things I get for you?
Maureen Johnson (Nine Liars (Truly Devious, #5))
No. You put those there. What’s weird is the toothbrush.
Maureen Johnson (Nine Liars (Truly Devious, #5))
They were on the ground, which was a relief. The ground didn’t sway in the wind.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Who the hell is she?” Nate asked Stevie quietly. “Why does she like us?” Stevie shrugged. “We’re likable?” “Not really,” he said. “We’re okay at best. Are all English people this friendly?
Maureen Johnson (Nine Liars (Truly Devious, #5))
Izzy made it sound like Stevie was Wikipedia Holmes, a walking, talking, deducing database that ate true crime and spat out justice.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Is this . . . a Jack the Ripper tour?” “Nothing’s too murdery for my princess,” he said. “I even coordinated with Janelle.
Maureen Johnson (Nine Liars (Truly Devious, #5))
And there . . . there isn’t a me without us. Angela needs us.” She landed on the us as hard as she could. It was true. There was no Stevie without Janelle and Nate and Vi and David. They were one, like those people in the other room. They were an organism. A system.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Nate sat next to her, keeping an inch or two between them. “Do you want me to . . .” He searched for something to say. “I don’t know, punch him in the dick or something?
Maureen Johnson (Nine Liars (Truly Devious, #5))
I’m saying I’m ace,” he said. “Asexual. I always knew, but I only kind of put the words to it in the last few months,” he went on. “You’re the first person I’ve told.
Maureen Johnson (Nine Liars (Truly Devious, #5))