Nihilistic Quotes

I think we are just insects, we live a bit and then die and that’s the lot. There’s no mercy in things. There’s not even a Great Beyond. There’s nothing.

Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is a catastrophe. The basic fact of existence – of walking around trying to feed ourselves and find friends and whatever else we do – is a catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me – and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death.

You are putting yourself in serious danger...' I think that I preferred to put myself in serious danger rather than confront my shame. My shame at not having become someone, the shame of not having made my parents proud after all the sacrifices they had made for me. The shame of having become a mediocre nihilist.

One of my teachers told me I was a nihilist. He meant it as an insult but I took it as a compliment.

NIHILIST, n. A Russian who denies the existence of anything but Tolstoi. The leader of the school is Tolstoi.

There are some arenas so corrupt that the only clean acts possible are nihilistic.

The point is, there is no feasible excuse for what are, for what we have made of ourselves. We have chosen to put profits before people, money before morality, dividends before decency, fanaticism before fairness, and our own trivial comforts before the unspeakable agonies of others

The fact is that previously they were simply dunces and now they've suddenly become nihilists.

Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire - meaningless. Intellect is not a cure. Justice is dead.

A nihilist is a man who doesn’t acknowledge any authorities, who doesn’t accept a single principle on faith, no matter how much that principle may be surrounded by respect.

Certainty is not to be had. But as we learn this we become not more moral but more resigned. We become nihilists.

I am a terrorist and nihilist in theory as the others are with their weapons. Theoretical violence, not truth, is the only resource left us.

Socialism is nihilistic, in the henceforth precise sense that Nietzsche confers on the word. A nihilist is not one who believes in nothing, but one who does not believe in what exists.

Life," Garp wrote, "is sadly not structured like a good old-fashioned novel. Instead an end occurs when those who are meant to peter out have petered out. All that is left is memory. But even a nihilist has memory.

I can remember how when I was young I believed death to be a phenomenon of the body; now I know it to be merely a function of the mind - and that of the minds of the ones who suffer the bereavement. The nihilists say it is the end; the fundamentalists, the beginning; when in reality it is no more than a single tenant or family moving out of a tenement or a town.

Life is possible only by the deficiencies of our imagination and our memory.

I am no nihilist. I am not even a cynic. I am, actually, rather romantic. And here’s my idea of romance: You will soon be dead. Life will sometimes seem long and tough and, god, it’s tiring. And you will sometimes be happy and sometimes sad. And then you’ll be old. And then you’ll be dead.

[T]he worst kind of nihilist—the kind who isn't even aware he's a nihilist.

My quietness is a consequence of my deeply entrenched nihilism. I don’t believe there is any real value in my or anyone else’s speaking, and I think that all of human existence is fundamentally unimportant.

I might be a nihilist except that I don’t believe in anything.

Both Bratva and thieves in law would like to call themselves nihilists and anarchists because they don’t support the established government, but they govern nonetheless, and you can’t be an anarchist unless you follow its rule. Crime and anarchy are no more synonymous than nihilism and existentialism, or fatalism and determinism; so many isms there was bound to be a schism.

I can remember how when I was young I believed death to be a phenomenon of the body; now I know it to be merely a function of the mind -- and that of the minds who suffer the bereavement. The nihilists say it is the end; the fundamentalists, the beginning; when in reality it is no more than a single tenant or family moving out of a tenement or a town.

His hatred for all was so intense that it should extinguish the very love from which it was conceived. And thus, he ceased to feel. There was nothing further in which to believe that made the prospect of feeling worthwhile. Daily he woke up and cast downtrodden eyes upon the sea and he would say to himself with a hint of regret at his hitherto lack of indifference, 'All a dim illusion, was it? Surely it was foolish of me to think any of this had meaning.' He would then spend hours staring at the sky, wondering how best to pass the time if everything—even the sky itself— were for naught. He arrived at the conclusion that there was no best way to pass the time. The only way to deal with the illusion of time was to endure it, knowing full well, all the while, that one was truly enduring nothing at all. Unfortunately for him, this nihilistic resolution to dispassion didn’t suit him very well and he soon became extremely bored. Faced now with the choice between further boredom and further suffering, he impatiently chose the latter, sailing another few weeks along the coast , and then inland, before finally dropping anchor off the shores of the fishing village of Yami.

The world has become sad because a puppet was once melancholy. The nihilist, that strange martyr who has no faith, who goes to the stake without enthusiasm, and dies for what he does not believe in, is a purely literary product. He was invented by Turgenev, and completed by Dostoevsky. Robespierre came out of the pages of Rousseau as surely as the People's Palace rose out debris of a novel. Literature always anticipates life. It does not copy it, but moulds it to its purpose.

Indifference is the revenge the world takes on mediocrities.

Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd.

Evil is ancient, unchanging, and with us always. The more postmodern the West becomes — affluent, leisured, nursed on moral equivalence, utopian pacifism, and multicultural relativism — the more premodern the evil among us seems to arise in nihilistic response.

[T]he very multiculturalism and multiethnicity that brought Salman to the West, and that also made us richer by Hanif Kureishi, Nadeem Aslam, Vikram Seth, Monica Ali, and many others, is now one of the disguises for a uniculturalism, based on moral relativism and moral blackmail (in addition to some more obvious blackmail of the less moral sort) whereby the Enlightenment has been redefined as 'white' and 'oppressive,' mass illegal immigration threatens to spoil everything for everybody, and the figure of the free-floating transnational migrant has been deposed by the contorted face of the psychopathically religious international nihilist, praying for the day when his messianic demands will coincide with possession of an apocalyptic weapon. (These people are not called nihilists for nothing.) Of all of this we were warned, and Salman was the messenger. Mutato nomine et de te fabula narrator: Change only the name and this story is about you.

It is just a simple question - ‘And then what?’ But its consequence? Manifold!

If we present a man with a concept of man which is not true, we may well corrupt him. When we present man as an automaton of reflexes, as a mind-machine, as a bundle of instincts, as a pawn of drives and reactions, as a mere product of instinct, heredity and environment, we feed the nihilism to which modern man is, in any case, prone. I became acquainted with the last stage of that corruption in my second concentration camp, Auschwitz. The gas chambers of Auschwitz were the ultimate consequence of the theory that man is nothing but the product of heredity and environment; or as the Nazi liked to say, ‘of Blood and Soil.’ I am absolutely convinced that the gas chambers of Auschwitz, Treblinka, and Maidanek were ultimately prepared not in some Ministry or other in Berlin, but rather at the desks and lecture halls of nihilistic scientists and philosophers.

... Like having to be able to say to yourself, ‘I am pretending to sit here reading Albert Camus’s The Fall for the Literature of Alienation midterm, but actually I’m really concentrating on listening to Steve try to impress this girl over the phone, and I am feeling embarrassment and contempt for him, and am thinking he’s a poser, and at the same time I am also uncomfortably aware of times that I’ve also tried to project the idea of myself as hip and cynical so as to impress someone, meaning that not only do I sort of dislike Steve, which in all honesty I do, but part of the reason I dislike him is that when I listen to him on the phone it makes me see similarities and realize things about myself that embarrass me, but I don’t know how to quit doing them—like, if I quit trying to seem nihilistic, even just to myself, then what would happen, what would I be like?

Nihilism is the rejection of the principles of civilisation as such . . . I said civilisation, and not: culture. For I have noticed that many nihilists are great lovers of culture, as distinguished from, and opposed to, civilisation. Besides, the term culture leaves it undetermined what the thing is which is to be cultivated (blood and soil or the mind), whereas the term civilisation designates at once the process of making man a citizen, and not a slave; an inhabitant of cities, and not a rustic; a lover of peace, and not of war; a polite being, and not a ruffian.

I am a socialist, a nihilist, a republican, anything that is anti-reactionary!... I want to turn everything upside down to see what lies beneath; I believe we are so webbed, so horribly regimented, that no spring-cleaning is possible, everything must be burned, blown to bits, and then we can start afresh...

This is what our essential being-in-the-world is – nihilistic annihilation.

I am superhero! I am the Nihilist! My superpowers include logical detachment, emotional invincibility, and the ability to blend in anywhere. I work alone and am never compromised by romantic entanglements, and I don't have a costume because who the fuck cares?

There is nothing so annoying as to be fairly rich, of a fairly good family, pleasing presence, average education, to be "not stupid," kindhearted, and yet to have no talent at all, no originality, not a single idea of one's own—to be, in fact, "just like everyone else." Of such people there are countless numbers in this world—far more even than appear. They can be divided into two classes as all men can—that is, those of limited intellect, and those who are much cleverer. The former of these classes is the happier. To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving. Many of our young women have thought fit to cut their hair short, put on blue spectacles, and call themselves Nihilists. By doing this they have been able to persuade themselves, without further trouble, that they have acquired new convictions of their own. Some men have but felt some little qualm of kindness towards their fellow-men, and the fact has been quite enough to persuade them that they stand alone in the van of enlightenment and that no one has such humanitarian feelings as they. Others have but to read an idea of somebody else's, and they can immediately assimilate it and believe that it was a child of their own brain. The "impudence of ignorance," if I may use the expression, is developed to a wonderful extent in such cases;—unlikely as it appears, it is met with at every turn. ... those belonged to the other class—to the "much cleverer" persons, though from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the "clever commonplace" person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;—his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,—and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality)

People always thought if no one believed in God and we were nihilists then people would go around murdering each other. That didn't happen at all, we just bought a lot of things with credit.

The hope that fuels the pursuit of endless economic growth – that billions of consumers in India & China will one day enjoy the lifestyles of Europeans and Americans – is as absurd & dangerous a fantasy as anything dreamt up by Al-Qaeda. It condemns the global environment to early destruction & looks set to create reservoirs of nihilistic rage & disappointment among hundreds of millions of have-nots – the bitter outcome of the universal triumph of Western Modernity, which turns the revenge of the East into something darkly ambiguous, and all its victories truly Pyrrhic.

Children were quite disturbing really. It was difficult to think about children for long. They were all fickle little nihilists and one was forever being forced to protect oneself from their murderousness.

Dying in our sleep won’t solve anything in the long run, even if a nihilist would argue it’s coming down the pike at some point anyway, so we might as well embrace it.

Art as the single superior counter-force against all will to negation of life, art as the anti-Christian, anti-Buddhist, anti-Nihilist par excellence.

… the major enemy of black survival in America has been and is neither oppression nor exploitation but rather the nihilistic threat—that is, loss of hope and absence of meaning. For as long as hope remains and meaning is preserved, the possibility of overcoming oppression stays alive. The self-fulfilling prophecy of the nihilistic threat is that without hope there can be no future, that without meaning there can be no struggle.

Pity preserves things that are ripe for decline, it defends things that have been disowned and condemned by life, and it gives a depressive and questionable character to life itself by keeping alive an abundance of failures of every type. People have dared to call pity a virtue… people have gone even further, making it into the virtue, the foundation and source of all virtues, - but of course you always have to keep in mind that this was the perspective of a nihilistic philosophy that inscribed the negation of life on its shield. Schopenhauer was right here: pity negates life, it makes life worthy of negation, - pity is the practice of nihilism. Once more: this depressive and contagious instinct runs counter to the instincts that preserve and enhance the value of life: by multiplying misery just as much as by conserving everything miserable, pity is one of the main tools used to increase decadence - pity wins people over to nothingness! … You do not say ‘nothingness’ : instead you say ‘the beyond’; or ‘God’; or ‘the true life’; or nirvana, salvation, blessedness … This innocent rhetoric from the realm of religious-moral idiosyncrasy suddenly appears much less innocent when you see precisely which tendencies are wrapped up inside these sublime words: tendencies hostile to life.

In 1965, a psychologist named Martin Seligman started shocking dogs. He was trying to expand on the research of Pavlov--the guy who could make dogs salivate when they heard a bell ring. Seligman wanted to head in the other direction, and when he rang his bell, instead of providing food, he zapped the dogs with electricity. To keep them still, he restrained them in a harness during the experiment. After they were conditioned, he put these dogs in a big box with a little fence dividing it into two halves. He figured if the dog rang the bell, it would hop over the fence to escape, but it didn't. It just sat there and braced itself. They decided to try shocking the dog after the bell. The dog still just sat there and took it. When they put a dog in the box that had never been shocked before or had previously been allowed to escape and tried to zap it--it jumped the fence. You are just like these dogs. If, over the course of your life, you have experienced crushing defeat or pummeling abuse or loss of control, you convince yourself over time that there is no escape, and if escape is offered, you will not act--you become a nihilist who trusts futility above optimism. Studies of the clinically depressed show that they often give in to defeat and stop trying. . . Any extended period of negative emotions can lead to you giving in to despair and accepting your fate. If you remain alone for a long time, you will decide loneliness is a fact of life and pass up opportunities to hang out with people. The loss of control in any situation can lead to this state. . . Choices, even small ones, can hold back the crushing weight of helplessness, but you can't stop there. You must fight back your behavior and learn to fail with pride. Failing often is the only way to ever get the things you want out of life. Besides death, your destiny is not inescapable.

I would sooner lose my best friend than my worst enemy. To have friends, you know, one need only be good-natured; but when a man has no enemy left there must be something mean about him.

Despite the doctor’s orders, I bought myself several cartons of cigarettes (…) I think that I preferred to put myself in serious danger rather than confront my shame. My shame at not having become someone, the shame of not having made my parents proud after all the sacrifices they had made for me. The shame of having become a mediocre nihilist.

I never feel weird about being the main character in the nontransferable, nonexistent movie of my life. That’s totally fine. What makes me nervous is a growing suspicion that this movie is fucked up and devoid of meaning. The auteur is a nihilist.

Nothing made me happy.

He was too tough to experience disappointments and resentments — negative affections. In this nihilist fin de siècle, he was affirmation. Right through to illness and death. Why did I speak of him in the past? He laughed, he is laughing, he is here. It's your sadness, idiot, he'd say.

If being a nihilist, is carrying, to the unbearable limit of hegemonic systems, this radical trait of derision and of violence, this challenge that the system is summoned to answer through its own death, then I am a terrorist and nihilist in theory as the others are with their weapons. Theoretical violence, not truth, is the only resource left us.

There must be no final truths; only burning questions.

To be in opposition is not to be a nihilist. And there is no decent or charted way of making a living at it. It is something you are, not something you do.

Those who have been pulled out of the calm tranquility of the void and trapped for life to a bodily existence have a single consolation: everything that lives, also dies. Sooner or later, the tragedy will be forever over. Every life is destined to return to the sweet nothing from which it emerged without its consent. This is our consolation.

Do you know why the world is moving? Or why things are the way they are? It’s because the vast majority of people don’t ask themselves one simple question. ‘And then what?’ I want to crack this exam. ‘And then what?’ I want to elope with her. ‘And then what?’ I want that luxury car. ‘And then what?’ I want to be famous. ‘And then what?’ Do you understand what I want to expound? We all progress, taking one step at a time. We all progress with one goal under consideration. But no matter how many steps we take, there still remains a deep yearning for something that we can’t explain. A nihilist knows that it is a vicious circle. A nihilist knows that it is all ‘pointless.’ (Yes, true nihilism is spirituality inverted). But thank God, nihilists don’t rule this world. And thank God, nor do the spiritualists. Else the whole world would be asking, ‘And then what?

The proudest, the most independent of women, if I can but succeed in communicating my passion to her, will follow me unreasoningly, unquestioningly, doing all I desire. Out of a nun I once made a nihilist who, I heard later, shot a policeman. In all my wanderings my wife never left me for an instant, and, like a weathercock, changed her faith with each of my changing passions. - On the Way

If you believe in nothing, if life can have no real objective meaning and all is socially constructed; then pleasure is absolutely necessary as an analgesic, and distraction is the primary philosophical argument. The politically correct are nihilists, that is reality-deniers, and when there is no reality then the only positive is pleasure.

I'm made for misery, misery, misery, I'm made to be destroyed!

I'll never be happy, how can you love me, I'm awful, I'm covered with spiders, I'm doomed.

For romantic young people like he is, the world always looks best at a distance; and a prison where one's allowed to order one's own dinner is not at all bad.

Philosophy, in its longing to rationalize, formalize, define, delimit, to terminate enigma and uncertainty, to co-operate wholeheartedly with the police, is nihilistic in the ultimate sense that it strives for the immobile perfection of death. But creativity cannot be brought to an end that is compatible with power, for unless life is extinguished, control must inevitably break down. We possess art lest we perish of the truth.

Though violent action is sometimes associated with nihilism, what makes such activity nihilistic, it seems, is the belief that ultimately nothing will come out of it. When nihlists throw themselves into activity it is with the understanding that its only goal is the expression and dissipation of their life's energy. Any creative product will eventually be consumed by decay. Since there is nothing that humans can do to mend the separation between themselves and reality, they can never actualize their supreme standards of worth and value. This world must remain substandard no matter what we do to try and change the situation.

We shall unleash the nihilists and the atheists and we shall provoke a great social cataclysm which in all its horror will show clearly to all nations the effect of absolute atheism; the origins of savagery and of most bloody turmoil. Then everywhere, the people will be forced to defend themselves against the world minority of the world revolutionaries and will exterminate those destroyers of civilization and the multitudes disillusioned with Christianity whose spirits will be from that moment without direction and leadership and anxious for an ideal, but without knowledge where to send its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer brought finally out into public view. A manifestation which will result from a general reactionary movement which will follow the destruction of Christianity and Atheism; both conquered and exterminated at the same time.

Bruno withdrew from the field of history more resolutely than Vigo; that is why I prefer the former’s retrospect but the latter’s prospect. As an anarch, I am determined to go along with nothing, ultimately take nothing seriously – at least not nihilistically, but rather as a border guard in no man’s land, who sharpens his eyes and ears between the tides.

For myself, the only immortality I desire is to invent a new sauce.

Romance is about the centrality of loving relationships, and it reminds us that human connection is vital to existence, rather than glorifying egoism or violence or greed. So excuse my genre for not being perfect, but let’s back the fuck up from hypocritically critiquing books that have done a lot more for humanity than slashers and circle-jerk, five-hundred-page, nihilistic tomes.

Whereas a belief in an absurd world arises out of the fundamental disharmony of a person searching for meaning in an apparently meaninglessness universe, an existential nihilist displays impassive intellectual stoicism towards their eventual mortality while embracing a passionate artistic commitment to munity against the underlying syndrome of insignificance and confusion encasing life.

m such a nihilistic jerk half the time. I’m so fucking sarcastic at times and then at other times I’m still vulnerable and so sincere. That’s pretty much how every song comes out — it’s like a mixture of both of them, and that’s pretty much how people my age are. I’m just as pissed off about the things that made me pissed off a few years ago. I’m pissed off about everything in general so all these songs are pretty much about my battle with the things that piss me off.

In the digital age, the troll is essentially a caricature and embodiment of all the worst traits associated with masculinity. They’re culturally and intellectually shallow. Angry. Violent. Aggressive. And, after years of wading through graphic images, postmodern stew, racist propaganda, and disgusting and misogynistic pornography, they have grown into nihilists with no other purpose besides punishing the world while laughing to prove they’re stronger than their humanity.

And, increasingly, I find myself fixing on that refusal to pull back. Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?

It is of course no secret to contemporary philosophers and psychologists that man himself is changing in our violent century, under the influence, of course, not only of war and revolution, but also of practically everything else that lays claim to being "modern" and "progressive." We have already cited the most striking forms of Nihilist Vitalism, whose cumulative effect has been to uproot, disintegrate, and "mobilize" the individual, to substitute for his normal stability and rootedness a senseless quest for power and movement, and to replace normal human feeling by a nervous excitability. The work of Nihilist Realism, in practice as in theory, has been parallel and complementary to that of Vitalism: a work of standardization, specialization, simplification, mechanization, dehumanization; its effect has been to "reduce" the individual to the most "Primitive" and basic level, to make him in fact the slave of his environment, the perfect workman in Lenin's worldwide "factory.

Seeing the failures of both comunism and anticomunism, I chose nothing, a synthesis that neither capitalists nor communists could understand. You may think that I'm being a nihilist, but you could not be more wrong. While nihilists thought life was meaningless and rejected all religious and moral principles, I still believed in the principle of revolution. I also believed that nothing was full of meaning - in short, that nothing was actually something. Wasn't that a kind of revolution in itself?

My consultants recommended several nihilists and existentialists but I rejected them all. A black turtleneck sweater does not a misanthrope make. Nihilists and existentialists tend to be bohemians, who invariably run in packs; despite their alienated stance, they have always struck me as a sociable lot who surround themselves with people because they are forever saying "Nothing matters," and they need someone to say it to.

There is no religion and no philosophy that can give us a comprehensive answer to the whole of our problems, and the abandonment and isolation of the individual who is given no answer, or only inadequate answers, to his question lead to a situation in which more and more cheap, obvious solutions and answers are sought and provided. As, everywhere and in all departments of life, there are contradictory schools and parties, and an equal number of contradictory answers, one of the most frequent reactions is that modern man ceases to ask questions and takes refuge in a conception that considers only the most obvious, superficial aspects, and becomes skeptical, nihilistic, and egocentric. Or, alternatively, he tries to solve all his problems by plunging headlong into a collective situation and a collective conviction, and seeks to redeem himself in this way.

Depressed, negative, and pessimistic people were often treated like lepers in this world. It was as though people feared catching what they had. Perhaps because what they were saying made sense? Hell, if everybody would see the world as it truly was, we’d all be depressed. But if that were the case, there wouldn’t even be any people. For nobody would want to bring a child into this fucked up world if they truly understood the sorry state of things. The fact that we kept on breeding showed that delusion was necessary for the continuation of the species.

Life — for me — is neither good nor bad, neither a theory nor an idea. Life is a reality, and the reality of life is war. For one who is a born warrior, life is a fountain of joy, for others it is only a fountain of humiliation and sorrow. I no longer demand carefree joy from life. It couldn’t give it to me, and I would no longer know what to do with it now that my adolescence is past...

It was sometimes feebly argued, as the political and military war against this enemy ran into difficulties, that it was 'a war without end.' I never saw the point of this plaintive objection. The war against superstition and the totalitarian mentality is an endless war. In protean forms, it is fought and refought in every country and every generation. In bin Ladenism we confront again the awful combination of the highly authoritarian personality with the chaotically nihilist and anarchic one. Temporary victories can be registered against this, but not permanent ones. As Bertold Brecht's character says over the corpse of the terrible Arturo Ui, the bitch that bore him is always in heat. But it is in this struggle that we develop the muscles and sinews that enable us to defend civilization, and the moral courage to name it as something worth fighting for.

At first he found it amusing. He coined a law intended to have the humor of a Parkinson’s law that "The number of rational hypotheses that can explain any given phenomenon is infinite." It pleased him never to run out of hypotheses. Even when his experimental work seemed dead-end in every conceivable way, he knew that if he just sat down and muddled about it long enough, sure enough, another hypothesis would come along. And it always did. It was only months after he had coined the law that he began to have some doubts about the humor or benefits of it. If true, that law is not a minor flaw in scientific reasoning. The law is completely nihilistic. It is a catastrophic logical disproof of the general validity of all scientific method! If the purpose of scientific method is to select from among a multitude of hypotheses, and if the number of hypotheses grows faster than experimental method can handle, then it is clear that all hypotheses can never be tested. If all hypotheses cannot be tested, then the results of any experiment are inconclusive and the entire scientific method falls short of its goal of establishing proven knowledge

Every age has its own collective neurosis, and every age needs its own psychotherapy to cope with it. The existential vacuum which is the mass neurosis of the present time can be described as a private and personal form of nihilism; for nihilism can be defined as the contention that being has no meaning. As for psychotherapy, however, it will never be able to cope with this state of affairs on a mass scale if it does not keep itself free from the impact and influence of the contemporary trends of a nihilistic philosophy; otherwise it represents a symptom of the mass neurosis rather than its possible cure. Psychotherapy would not only reflect a nihilistic philosophy but also, even though unwillingly and unwittingly, transmit to the patient what is actually a caricature rather than a true picture of man. First of all, there is a danger inherent in the teaching of man's "nothingbutness," the theory that man is nothing but the result of biological, psychological and sociological conditions, or the product of heredity and environment. such a view of man makes a neurotic believe what he is prone to believe anyway, namely, that he is the pawn and victim of outer influences or inner circumstances. This neurotic fatalism is fostered and strengthened by a psychotherapy which denies that man is free. To be sure, a human being is a finite thing and his freedom is restricted. It is not freedom from conditions, but it is freedom to take a stand toward the conditions. As I once put it: "As a professor in two fields, neurology and psychiatry, I am fully aware of the extent to which man is subject to biological, psychological and sociological conditions. But in addition to being a professor in two fields I am a survivor of four camps-concentration camps, that is-and as such I also bear witness to the unexpected extent to which man is capable of defying and braving even the worst conditions conceivable.

But it must be seen that the term 'catastrophe' has this 'catastrophic' meaning of the end and annihilation only in a linear vision of accumulation and productive finality that the system imposes on us. Etymologically, the term only signifies the curvature, the winding down to the bottom of a cycle leading to what can be called the 'horizon of the event,' to the horizon of meaning, beyond which we cannot go. Beyond it, nothing takes place that has meaning for us - but it suffices to exceed this ultimatum of meaning in order that catastrophe itself no longer appear as the last, nihilistic day of reckoning, such as it functions in our current collective fantasy.

There is no such thing as progress or regress. The world is not getting better and better, nor is it getting worse and worse. It is simply moving along into the future, reiterating in different configurations the patterns that have already occurred. We can’t help but play a role in this unfolding drama, but it is a mistake to think that what we do makes any difference to the grand scheme of things.

He that speaks here, conversely, has done nothing so far but reflect: a philosopher and solitary by instinct, who has found his advantage in standing aside and outside, in patience, in procrastination, in staying behind; as a spirit of daring and experiment that has already lost its way once in every labyrinth of the future; as a soothsayer-bird spirit who looks back when relating what will come; as the first perfect nihilist of Europe who, however, has even now lived through the whole of nihilism, to the end, leaving it behind, outside himself.

You can say whatever you like to me. I make no moral judgments." Cassandra was slow to reply, momentarily distracted by his eyes. They were blue with dapples of brilliant green around the pupils, but one eye had far more green than the other. "Everyone makes judgments," she said in response to his statement. "I don't. My sense of rights and wrong is different from most people's. You could say I'm a moral nihilist." "What's that?" "Someone who believes nothing is innately right or wrong." "Oh, that's dreadful," she exclaimed. "I know," he said, looking apologetic. Perhaps some gently bred young women would have been shocked, but Cassandra was accustomed to unconventional people. She'd grown up with Pandora, whose twisty-turny, hippy-hoppity brain had enlivened an unbearably secluded life. In fact, Mr. Severin possessed a kind of contained energy that reminded her a little of Pandora. One could see it in the eyes, the quicksilver workings of a mind that ran faster than those of other people.

I am no ecological Pollyana. I have borne, and will continue to bear, feelings of wholehearted melancholy over the ecological state of the earth. How could I not? How could anyone not? But I am unwilling to become a hand-wringing nihilist, as some environmental 'realists' seem to believe is the more mature posture. Instead, I choose to dwell, as Emily Dickinson famously suggested, in possibility, where we cannot predict what will happen but we make space for it, whatever it is, and realize that our participation has value. This is grown-up optimism, where our bondedness with the rest of creation, a sense of profound interaction, and a belief in our shared ingenuity give meaning to our lives and actions on behalf of the more-than-human world.

When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply the fact that there are no brick and no temples. Any visible expression of nature would surely be pelleted with his jeers. Then, if there be no tangible thing to hoot he feels, perhaps, the desire to confront a personification and indulge in pleas, bowed to one knee, and with hands supplicant, saying: "Yes, but I love myself.

What is causing this mysterious perpetual air of inconvenience to slowly engulf the evening. It is not merely emptiness but an awakening in itself about nothingness. Leave behind what was never yours and accept the fact that momentary pleasures and hideous treasures will perish too soon; so will your pride be snatched away by nothing. Mathematicians often say an instance tends to infinity. But, in actual sense, is anything even close to infinity? Nullify yourself and disappear into zero, for that is what we call the beginning; the beginning of the end.

In the American way of life pleasure involves comfort, convenience, and sexual stimulation. Pleasure, so defined, has little to do with the past and views the future as no more than a repetition of a hedonistically driven present. This market morality stigmatizes others as objects for personal pleasure or bodily stimulation. The reduction of individuals to objects of pleasure is especially evident in the culture industries--television, radio, video, music. Like all Americans, African Americans are influenced greatly by the images of comfort. These images contribute to the predominance of the market-inspired way of life over all others and thereby edge out nonmarket values--love, care, service to others--handed down by preceding generations. The predominance of this way of life among those living in poverty-ridden conditions, with a limited capacity to ward of self-contempt and self-hatred, results in the possible triumph of the nihilistic threat in black America.

My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book--everything I like--trying to evoke some of the decadence… Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires--they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird. I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection--the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in.

Following the horrors of 9/11, Fukuyama and his ideas were derided as triumphalist nonsense. But he was only half wrong. Fukuyama, a Hegelian, argued that Western democracy had run out of “contradictions”: that is, of ideological alternatives. That was true in 1989 and remains true today. Fukuyama’s mistake was to infer that the absence of contradictions meant the end of history. There was another possibility he failed to consider. History could well be driven by negation rather than contradiction. It could ride on the nihilistic rejection of the established order, regardless of alternatives or consequences. That would not be without precedent. The Roman Empire wasn’t overthrown by something called “feudalism”—it collapsed of its own dead weight, to the astonishment of friend and foe alike. The centuries after the calamity lacked ideological form. Similarly, a history built on negation would be formless and nameless: a shadowy moment, however long, between one true age and another.

Dalin must have whiffed the anarch in me, a man with no ties to state or society. Still, he was unable to sense an autonomy that puts up with these forces as objective facts but without recognizing them. What he lacked was a grounding in history. Opposition is collaboration; this was something from which Dalin, without realizing it, could not stay free. Basically, he damaged order less than he confirmed it. The emergence of the anarchic nihilist is like a goad that convinces society of its unity. The anarch, in contrast, not only recognizes society a priori as imperfect, he actually acknowledges it with that limitation. He is more or less repulsed by state and society, yet there are times and places in which the invisible harmony shimmers through the visible harmony. This is obviously chiefly in the work of art. In that case, one serves joyfully. But the anarchic nihilist thinks the exact opposite. The Temple of Artemis, to cite an example, would inspire him to commit arson. The anarch, however, would have no qualms about entering the temple in order to meditate and to participate with an offering. This is possible in any temple worthy of the name.

More profoundly, Nihilist "simplification" may be seen in the universal prestige today accorded the lowest order of knowledge, the scientific, as well as the simplistic ideas of men like Marx, Freud, and Darwin, which underlie virtually the whole of contemporary thought and life. We say "life," for it is important to see that the Nihilist history of our century has not been something imposed from without or above, or at least has not been predominantly this; it has rather presupposed, and drawn its nourishment from, a Nihilist soil that has long been preparing in the hearts of the people. It is precisely from the Nihilism of the commonplace, from the everyday Nihilism revealed in the life and thought and aspiration of the people, that all the terrible events of our century have sprung. The world-view of Hitler is very instructive in this regard, for in him the most extreme and monstrous Nihilism rested upon the foundation of a quite unexceptional and even typical Realism. He shared the common faith in "science," "progress," and "enlightenment" (though not, of course, in "democracy"), together with a practical materialism that scorned all theology, metaphysics, and any thought or action concerned with any other world than the "here and now," priding himself on the fact that he had "the gift of reducing all problems to their simplest foundations." He had a crude worship of efficiency and utility that freely tolerated "birth control", laughed at the institution of marriage as a mere legalization of a sexual impulse that should be "free", welcomed sterilization of the unfit, despised "unproductive elements" such as monks, saw nothing in the cremation of the dead but a "practical" question and did not even hesitate to put the ashes, or the skin and fat, of the dead to "productive use." He possessed the quasi-anarchist distrust of sacred and venerable institutions, in particular the Church with its "superstitions" and all its "outmoded" laws and ceremonies. He had a naive trust in the "natural mom, the "healthy animal" who scorns the Christian virtues--virginity in particular--that impede the "natural functioning" of the body. He took a simple-minded delight in modern conveniences and machines, and especially in the automobile and the sense of speed and "freedom" it affords. There is very little of this crude Weltanschauung that is not shared, to some degree, by the multitudes today, especially among the young, who feel themselves "enlightened" and "liberated," very little that is not typically "modern.

Grimdark is often called hopeless, but in doing so people miss that it isn't apathetic - it is (for me) characterised by defiance in the absence of hope. Grimdark is often called nihilistic, but this misses the idea that you can accept a nihilistic truth and still choose to die for a principle you know is an emotional construct. A grimdark 'hero' has a tendency to go all in - to burn their bridges even when they don't need the warmth. They are in their way an allegory for hope in so much as having been shown there's no meaning in the world, they still cling to some elements of it. And in those choices they are revealed. The way it's painted by the disapproving you would think that grimdark fiction was the literature of surrender to the inevitable. When in truth it is the story of the battle against it - sharpened by the knowledge that there's no ultimate victory to be had.

Her reaction had not been unusual. Anti-natalism—the idea that humans should not breed—was not a popular view. Not even amongst most green freaks. This despite the fact that all the troubles that existed in the world existed solely because of human beings. Despite the obviousness of this idea, admitting this to the average person was like confessing to a murder. Even in a post-apocalyptic wasteland where all that existed was misery and squalor, humans, in their never-ending capacity for delirium, would without a doubt still continue bringing new people into this world instead of realizing that doing so was both cruel and insane. That was how strongly the delusion that life was good was embedded into us. It had to be since otherwise there wouldn’t be any humans around. Life was like a pyramid scheme that had to be constantly shoved down the throats of new victims in order to keep the scam going.

If a 'superman' undoubtedly constitutes a central idea of the whole of Nietzschean thought, it is in terms of a 'positive superman', it is not that grotesqueness in the style of d’Annunzio, nor the 'blond beast of prey' (this is one of Nietzsche’s poorest expressions) and not even the exceptional individual who incarnates a maximum of the 'will to power', 'beyond good and evil', however without any light and without a higher sanction. The positive superman, which suits the 'better Nietzsche', is instead to be identified with the human type who even in a nihilistic, devastated, absurd, godless world knows how to stand on his feet, because he is capable of giving himself a law from himself, in accordance with a new higher freedom.

And, increasingly, I find myself fixing on that refusal to pull back. Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death.

The downfall of liberty which in every case followed the success of these attacks demonstrates in hard facts what we said before: that freedom of thought is rendered pointless and must disappear wherever reason and morality are deprived of their status as a force in their own right. When a judge in a court of law can no longer appeal to law and justice; when neither a witness, nor the newspapers, nor even a scientist reporting on his experiments can speak the truth as he knows it; when in public life there is no moral principle commanding respect; when the revelations of religion and of art are denied any substance; then there are no grounds left on which any individual may justly make a stand against the rulers of the day. Such is the simple logic of totalitarianism. A nihilistic regime will have to undertake the day-to-day direction of all activities which are otherwise guided by the intellectual and moral principles that nihilism declares empty and void. Principles must be replaced by the decrees of an all-embracing party line.

People complain about the obscurity of poetry, especially if they're assigned to write about it, but actually poetry is rather straightforward compared to ordinary conversation with people you don't know well which tends to be jumpy repartee, crooked, coded, allusive to no effect, firmly repressed, locked up in irony, steadfastly refusing to share genuine experience--think of conversation at office parties or conversation between teenage children and parents, or between teenagers themselves, or between men, or between bitter spouces: rarely in ordinary conversation do people speak from the heart and mean what they say. How often in the past week did anyone offer you something from the heart? It's there in poetry. Forget everything you ever read about poetry, it doesn't matter--poetry is the last preserve of honest speech and the outspoken heart. All that I wrote about it as a grad student I hereby recant and abjure--all that matters about poetry to me is directness and clarity and truthfulness. All that is twittery and lit'ry: no thanks, pal. A person could perish of entertainment, especially comedy, so much of it casually nihilistic, hateful, glittering, cold, and in the end clueless. People in nusing homes die watching late-night television and if I were one of them, I'd be grateful when the darkness descends. Thank God if the pastor comes and offers a psalm and a prayer, and they can attain a glimmer of clarity at the end.

The essence of cool, after all, is not giving a fuck. And let’s face it: I most definitely give a fuck now. I give a huge fuck. The hugest. Everything else—everything—pales. To pretend otherwise, by word or deed, would be a monstrous lie. There will be no more Dead Boys T-shirts. Whom would I be kidding? Their charmingly nihilistic worldview in no way mirrors my own. If Stiv Bators were still alive and put his filthy hands anywhere near my baby, I’d snap his neck—then thoroughly cleanse the area with baby wipes. There is no hope of hipness. As my friend A. A. Gill points out, after your daughter reaches a certain age—like five—the most excruciating and embarrassing thing she could possibly imagine is seeing her dad in any way threatening to rock. Your record collection may indeed be cooler than your daughter’s will ever be, but this is a meaningless distinction now. She doesn’t care. And nobody else will. If you’re lucky, long after you’re gone, a grandchild will rediscover your old copy of Fun House. But it will be way too late for you to bask in the glory of past coolness. There is nothing cool about “used to be cool.” All of this, I think, is only right and appropriate.

On Turgenev: He knew from Lavrov that I was an enthusiastic admirer of his writings; and one day, as we were returning in a carriage from a visit to Antokolsky's studio, he asked me what I thought of Bazarov. I frankly replied, 'Bazaraov is an admirable painting of the nihilist, but one feels that you did not love him as mush as you did your other heroes.' 'On the contrary, I loved him, intensely loved him,' Turgenev replied, with an unexpected vigor. 'When we get home I will show you my diary, in which I have noted how I wept when I had ended the novel with Bazarov's death.' Turgenev certainly loved the intellectual aspect of Bazarov. He so identified himself with the nihilist philosophy of his hero that he even kept a diary in his name, appreciating the current events from Bazarov's point of view. But I think that he admired him more than he loved him. In a brilliant lecture on Hamlet and Don Quixote, he divided the history makers of mankind into two classes, represented by one or the other of these characters. 'Analysis first of all, and then egotism, and therefore no faith,--an egotist cannot even believe in himself:' so he characterized Hamlet. 'Therefore he is a skeptic, and never will achieve anything; while Don Quixote, who fights against windmills, and takes a barber's plate for the magic helmet of Mambrino (who of us has never made the same mistake?), is a leader of the masses, because the masses always follow those who, taking no heed of the sarcasms of the majority, or even of persecutions, march straight forward, keeping their eyes fixed upon a goal which is seen, perhaps, by no one but themselves. They search, they fall, but they rise again and find it,--and by right, too. Yet, although Hamlet is a skeptic, and disbelieves in Good, he does not disbelieve in Evil. He hates it; Evil and Deceit are his enemies; and his skepticism is not indifferentism, but only negation and doubt, which finally consume his will.' These thought of Turgenev give, I think, the true key for understanding his relations to his heroes. He himself and several of his best friends belonged more or less to the Hamlets. He loved Hamlet, and admired Don Quixote. So he admired also Bazarov. He represented his superiority admirably well, he understood the tragic character of his isolated position, but he could not surround him with that tender, poetical love which he bestowed as on a sick friend, when his heroes approached the Hamlet type. It would have been out of place.

Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?

In any case, Klossowski, mentioned again during Acéphale's sessional meeting of 25 July 1938, would later return to his opposition between Nietzsche and Bataille in a lecture given in 1941 at the end of a retreat in a Dominican monastery, 'Le Corps du néant', later printed in the first edition of his book Sade my Neighbour (1947) and which Bataille later told him he 'does not like'. Here Klossowski recapitulated the two stages in the evolution of Nietzsche's thought outlined in Löwith's essay 'Nietzsche and the doctrine of the Eternal Return', which he had reviewed in Acéphale 2: 1. Liberation from the Christian YOU MUST to achieve the I WANT of supra-nihilism; 2. Liberation from the I WANT to attain the I AM of superhumanity in the eternal return. It is precisely in this 'cyclical movement', according to Klossowski, that man 'takes on the immeasurable responsibility of the death of God'. Furthermore, he associates Bataille's negation of God with the negation of utility upon which the notion of expenditure was founded, and hence the source of his 'absolute political nihilism'. His conclusion, however, was a little more ambiguous: 'In his desire to relive the Nietzschean experience of the death of God [...] he did not have the privilege [...] of suffering Nietzsche's punishment: the delirium that transfigures the executioner into a victim [...] To be guilty or not to be, that is his dilemma. His acephality expresses only the unease of a guilt in which conscience has become alienated because he has put faith to sleep: and this is to experience God in the manner of demons, as St. Augustine said'. Unlike Nietzsche. who 'accused himself' of causing the death of God 'in the name of all men' and paid for his guilt with madness, unlike Kirillov, the nihilist in Dostoyevsky's Demons who chose to commit suicide so as to kill men's fear of death and thus kill God himself, Bataille shows us this frightful torment of not being able to make his guilt real and so attain that state of responsibility that gives knowledge of the path to absolution.