Night Chats Quotes

We've searched our database for all the quotes and captions related to Night Chats. Here they are! All 100 of them:

Get stuffed, don't you have more publicity stunts to pull?" Bones shot back. "How about chatting with another writer who can smear your name into greater popularity?" "What, did Anne Rice not return your calls, mate?" Vlad asked scathingly. "Jealousy is such an ugly trait.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact I called to give you the good news. I asked you daughter to marry me. Now, do you want me to call you Mum straightaway, or wait until after the wedding?
Jeaniene Frost (At Grave's End (Night Huntress, #3))
I was born to find goblins in their caves / And chase moonlight / To see shadows and seek hidden rivers / To hear the rain fall on dry leaves / And chat a bit with death across foggy nights.
James Kavanaugh (Sunshine Days and Foggy Nights)
During the Fireside Chats, half the country tuned in on their radios, and it was said that on hot summer nights when people had their windows open, one could walk through the residential downtown of a large city and hardly miss a word.
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
She was in a terrible marriage and she couldn't talk to anyone. He used to hit her, and in the beginning she told him that if it ever happened again, she would leave him. He swore that it wouldn't and she believed him. But it only got worse after that, like when his dinner was cold, or when she mentioned that she'd visited with one of the neighbors who was walking by with his dog. She just chatted with him, but that night, her husband threw her into a mirror.
Nicholas Sparks (Safe Haven)
Over the summer we chatted one night while Angie stripped a bed, changed wet sheets, comforted and repajamaed a toddler, and chased down a car of speeding teenagers while shaking a brick at them, never once interrupting the conversation or setting down her margarita. The only reason this woman isn't president of General Motors is because she's chosen not to be.
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact..." I sucked in a breath as Bones divulged yet another tidbit about his past to my mother, who must be frothing at the mouth by now. "...called to give you the good news. I asked your daughter to marry me and she accepted. Congratulations, I will officially be your son-in-law. Now, do you want me to call you Mum straightaway, or wait until after the wedding?" I flew through the air in a dive that finally tackled him, wrenching the phone away. Bones was laughing so hard, he had to breathe to get it all out. "Mom? Are you there? Mom...?" "You might want to give her a moment, Kitten. I believe she fainted.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
He paused at the bedroom door, shut his eyes, took a deep breath, and walked right out like it was any other morning, and he and Jack would be having breakfast as if they hadn't had sex the night before. "Morning," he said, casting a quick glance over his shoulder. "Mmm," D grunted. "You done in the bathroom?" D blinked. No, I jus' took a little breather in the middle a my mornin' beauty ritual ta come out here 'n' chat with ya. A course I'm done.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
You never know when you might come home and find Mam sitting by the fire chatting with a woman and a child, strangers. Always a woman and child. Mam finds them wandering the streets and if they ask, Could you spare a few pennies, miss? her heart breaks. She never has money so she invites them home for tea and a bit of fried bread and if it's a bad night she'll let them sleep by the fire on a pile of rags in the corner. The bread she gives them always means less for us and if we complain she says there are always people worse off and we can surely spare a little from what we have.
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
In one way we think a great deal too much of the atomic bomb. ‘How are we to live in an atomic age?’ I am tempted to reply: Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.’ In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways. We had, indeed, one very great advantage over our ancestors—anesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances… and in which death itself was not a chance at all, but a certainty. This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.
C.S. Lewis
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don't know where it will take me, because I don't know anything. I could see this inn as a prison, for I'm compelled to wait in it; I could see it as a social center, for it's here that I meet others. But I'm neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlors, from where their songs and voices conveniently drift out here to me. I'm sitting at the door, feasting my eyes and ears on the colors and sounds of the landscape, and I softly sing - for myself alone - wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I'm given and the soul I'm given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don't read it, or are not entertained, that's fine too.
Fernando Pessoa (The Book of Disquiet)
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))
There were three of them outside the mercantile—women—and one of them was juggling. I blinked, thinking the magistrate had made a mistake. This was a girl I might have eagerly bought a drink for last night, but there was no mistaking she was outfitted for trouble, a sword hanging from one hip and two knives from the other. Her long black hair hung loosely over her shoulders, and she laughed and chatted with the store clerk as she continued to juggle, and then— I jabbed Mason. “Did you see that?” “See what?” “She just nicked an orange!
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
Paul. Look at me. You need to understand this. The worst thing that could have happened to me already happened." He looks up. She swallows, knowing that these are the words that stall; that may simply refuse to emerge. "Four years ago David and I went to bed like it was any other night, brushing our teeth reading our books, chatting about a restaurant we were going to the next day...and when I woke up the next morning he was there beside me, cold. Blue. I didn't...I didn't feel him go. I didn't even get to say..." There is a short silence. "Can you imagine knowing you slept through the person you love most dying next to you ? Knowing that there might have been something you could have done to help him ? To save him ? Not knowing if he was looking at you, silently begging you to..." The words fail, her breath catches, a familiar tide threatens to wash over her He reaches out his hands slowly, enfolds hers within them until she can speak again. "I thought the world had actually ended. I thought nothing good could ever happen again. I thought any thing might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, life gradually became liveable again." She leans closer to him. "So this...the painting, the house...It hit me when I heard what happened to Sophie. It's just stuff. They could take all of it, frankly. the only thing that matters is people." She looks down at his hands, and her voice cracks. "All that really matters is who you love.
Jojo Moyes (The Girl You Left Behind)
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I’m given and the soul I was given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don’t read it, or are not entertained, that’s fine too
Fernando Pessoa
I can't write poetry like you, but I can talk with nature... And when I come back... we put our beds side by side and chat away together all night... great profound speculations which make the old world creak on its rusty hinges.
Bettina von Arnim
That night, I continued my on-going chat with God. “Did Pam’s prayer count? I love her. And I understand her wanting a ticket to heaven, but her prayer seemed more like fire insurance against hell than a heartfelt desire to hang out with You.”    “Don’t worry.” God smiled. “No one comes to me with pure motives.”    Wow! I thought for a minute. “You really do love us, don’t You?”    “I do.
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
Was it possible to fall for someone you’d met only once and communicated with only through phone, chat, and text? I had sleepless nights wondering, and every time I thought about it, the answer was yes, yes, yes! And I refused to think of it as infatuation.
Claire Betita de Guzman (Girl Meets World)
You sure you can handle big woman chat, pickney? You sure you ready for that journey? You think good before you answer. Because some people about to forget that me be the head bloodcloth nigger in here. Now, go peel two potato and don't draw me tongue out in this place.
Marlon James (The Book of Night Women)
I minimize the chat window, catching only a gif Millie sent of Kristen Bell pretending her middle finger is a tube of lipstick, and peek at my calendar.
Christina Lauren (My Favorite Half-Night Stand)
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
I am a desperate romantic. I love the idea of random collisions of the heart. I crave quirky meetings rather than the conventional way women get chatted up at bars and dragged home for a night of drunken fumbling with a man they barely know. 'We got talking through mutual friends at dinner' is dire.
Jessica Thompson (This is a Love Story)
It’s very nice of you to come and say hello.” I didn’t reply to this either because Mrs. Alexander was doing what is called chatting, where people say things to each other which aren’t questions and answers and aren’t connected.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
The most excruciating thing, though, had been maintaining a normal life knowing his partner’s secret—the effort it required to keep her in the dark. Smiling calmly when his heart was torn and his insides were bleeding. Behaving as if everything was fine while the two of them took care of the daily chores, chatted, made love at night. This was not something that a normal person could pull off. But Kafuku was a professional actor. Shedding his self, his flesh and blood, in order to inhabit a role was his calling. And he embraced this one with all his might. A role performed without an audience.
Haruki Murakami (Men Without Women)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Writing is my form of communication. I may not call someone on the telephone; I cannot stand to talk on the phone. I may not visit, make play dates, or organize nights out with friends, but I will, if they are willing—write. I will write messages, emails, and chat online—it is the easiest, most honest way for me to communicate with the world.
Jeannie Davide-Rivera (Twirling Naked in the Streets and No One Noticed: Growing Up With Undiagnosed Autism)
If you want to work your stinking job and pay into a pension plan for the rest of your days then fine; if you want to visit the supermarket once a week and feel great about yourself for finding the best offers on low fat microwave meals then fine; if you want to click around them computers all night, chatting to your Aunt Sally in Honolulu then fine; if you want to drink in moderation so you don’t end up shitting the bed then fine; if you want to continue the cycle of obedient drones then fine; if you want to resent how average your life has turned out in return for a salary that buys you nothing more than permanent misery then fine. All fine and dandy. Go right ahead. Just leave me the fuck out of it.
Rupert Dreyfus (Prezident Scumbag! A Sick Bastard Novella)
jump in at any time and type. Whoever is chatting with Keith online won’t be any
Robert Bryndza (The Night Stalker (DCI Erika Foster, #2))
One night, he posed the question: Does your husband mind that you are chatting with me? New York Times Magazine, LIVES
Lisa K Friedman
To other cities, other machines, other forests of buildings of concrete where other men and women missed the stars at night and tended small plants on windowsills and kept tiny dogs and took them for walks along corridors in the endless procession of boxes and intersections and lights; where they rented space in other peoples's property so they had somewhere to sleep so they could get up and perform profit-related tasks they neither understood nor cared about, simply so they would be given the tokens of exchange they needed in order to rent the space in which they slept and snarled and watched television until finally some of them slipped out of the window and ran howling down the dark streeets, throwing off a numbness handed down from a society that was itself trapped in fracture and betrayal and despair; the lonely insane in a culture turning into a Christmas bauble, gaudy beauty wrapped around an emptiness coalescing faster and faster into parking lots and malls and waiting areas and virtual chat rooms--non places where nobody knew anything about anybody anymore.
Michael Marshall Smith
I didn’t reply to this either because Mrs. Alexander was doing what is called chatting, where people say things to each other which aren’t questions and answers and aren’t connected.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Our twenties are glazed in a raging insatiability. No matter how much we do, there is more to be done. More to see, more to experience, more to destruct. These years exude the rawness of life and the imperfection of youth. It’s walking around the kitchen naked with pizza at 3 a.m. It’s drunken life chats in bathroom stalls and falling in love. It’s days that feel like we have it all together and nights when it comes undone. These moments are half forgotten, lost in a blur of fury, of adventure and confusion, of black coffee and red wine. A restless restlessness like nothing we’ve known or will ever know again.
Soranne Floarea
Actually, Justina, I didn’t just ring you to chat about what an undead murderer I was…right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact…
Jeaniene Frost (At Grave's End (Night Huntress, #3))
Two months in Shanghai, and what does she have to show for herself? She had been full of plans on the plane ride over, had studied her phrase book as if cramming for an exam, had been determined to refine her computational model with a new set of data, expecting insights and breakthroughs, plotting notes for a new article. Only the time has trickled away so quickly. She has meandered through the days chatting with James instead of gathering data. At night, she has gone out to dinners and bars. [James'] Chinese has not improved; her computational model has barely been touched. She does not know what she has been doing with herself, and now an airplane six days away is waiting for her.
Ruiyan Xu (The Lost and Forgotten Languages of Shanghai)
Growing up, those of us who had to put a hyphen before "American" got scoffed at for sending money home to cousins in the old country or supporting aging parents here on green cards. But you used to shake your head and tell me how, back home, nobody put their parents into nursing homes or let their kin go hungry. The same thing lives on among Sami's queer and trans friends of color, he tells me, crowdfunding for medical care and housing online, or in the group chats he tells me about where friends help one another escape abusive relationship or housing crises with safety planning and couches to sleep on. We take care of one another because no one else will, eh says. But every time is a gamble.
Zeyn Joukhadar (The Thirty Names of Night)
Late on weekend nights, when Vince was at last free from athletics, he took Marie out to his favorite haunts with the Palaus and other friends. They often drove up Route 9W to Englewood Cliffs for a late meal at Leo’s and then some band music at the Rustic Cabin, where they fell into the habit of buying a beer and steak sandwich for a performer who came over to their table to chat after his closing set, a skinny young Italian crooner from Hoboken named Frank Sinatra.
David Maraniss (When Pride Still Mattered: A Life Of Vince Lombardi)
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
I think you like other things better than me," he said on Gmail chat that night. "I mean generally you like things that aren't people. More than people. Like eating or sleeping or something. If you don't want to do something then just tell me and we don't have to be boyfriend and girlfriend anymore, instead of just pretending or something." "I want to be boyfriend and girlfriend," said Dakota Fanning. "I am learning. I know what to do." "I don't understand when people don't do what they say they want to do." "Me either," said Dakota Fanning. "That's why I don't understand myself or like myself." "I still don't understand," said Haley Joel Osment. "I'm killing myself," said Dakota Fanning. "Good night.
Tao Lin (Richard Yates)
It wasn’t fancy, or anything. But I could really imagine myself living here. I could imagine all of us here, starting a new academic year, coming home and slumping on the sofa next to each other, chatting in the kitchen in the mornings over bowls of cereal, crowding into the biggest bedroom for movie nights, falling asleep in each other’s beds when we were too tired to move. I could imagine all of it. A future. A small future, and not a forever future, but a future, nonetheless.
Alice Oseman (Loveless)
I let the divine being leave first and gave him a few minutes to do whatever it was he needed to do to get back to Heaven. It seemed polite, though I’d only made that rule up in my head. When I stepped out of the shack, Quentin was there by the roadside, waiting for me. “Have a nice chat?” I knew his peevish tone was his usual allergic reaction to Erlang Shen, but for some reason I didn’t field it well today. “Yeah, we really connected on an emotional level,” I snapped. “I promised to turn into a stick for him.” That was perhaps the weirdest, most hyper-targeted dig I’d ever leveled at someone, but boy did it work. Quentin looked like I’d broken him in half and left him on the curb for pickup. He was completely silent the entire trip back to civilization. He didn’t call or text me that night either
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don't know where it will take me, because I don't know anything. I could see this inn as a prison, for I'm compelled to wait in it; I could see it as a social centre, for it's here that I meet others. But I'm neither impatient nor sociable. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I'm sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing - for myself alone - wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I'm given and the soul I'm given to enjoy it with, and I no longer question or seek.
Fernando Pessoa (The Book of Disquiet)
After nearly two years of never knowing whether to believe the worst, of trying to focus on the demands of their day-to-day lives and then helplessly absorbing every rumor about what the government had in store for them, of never being able to justify either their alarm or their composure with hard fact—after so much perplexity, they were so ripe for delusion that, when the parents gathered on their beach chairs to chat together in the alleyways at night, the guessing game that invariably started up could go on without letup for hours: Who would be vice president on the Winchell ticket?
Philip Roth (The Plot Against America)
«Sublimity," Hauptmann says, panting, "you know what chat is, Pfennig?" He is tipsy, animated, almost prattling. Never has Werner seen him like this. "It's the instant when one thing is about to become something else. Day to night, caterpillar to butterfly. Fawn to doe. Experiment to result. Boy to man.
Anthony Doerr (All the Light We Cannot See)
Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties. Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things." "Not much chance of social movement for me, I'm afraid." "Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice." "That's all right, Dad; I'm quite happy to stay at home with you and Mom." "Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?" Mom smiled across at me. "Ah, leave him alone, Bob, there's plenty of time for that." We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.
E.R. Braithwaite (To Sir, With Love)
You know how it is as a rule, when you want to get Chappie A on Spot B at exactly the same moment when Chappie C is on Spot D. There's always a chance of a hitch. Take the case of a general, I mean to say, who's planning out a big movement. He tells one regiment to capture the hill with the windmill on it at the exact moment when another regiment is taking the bridgehead or something down in the valley; and everything gets all messed up. And then, when they're chatting the thing over in camp that night, the colonel of the first regiment says, "Oh, sorry! Did you say the hill with the windmill? I thought you said the one with the flock of sheep." And there you are!
P.G. Wodehouse
You know the one about the old man whose grandson is getting married? Just before the wedding, he calls the boy in for a chat. “My child,” he says, “I want you to know that all marriages go through phases. At first, you and you wife will make love all the time. But then, as the children come along, you will find that you are having sex less and less. And by the time they are grown and gone, you’ll be just like your grandmother and me. All you’ll ever have is oral sex. I just wanted you to know how things will go.” The boy looks at him, incredulous. “You and Grandma have oral sex?” “Every single night,” the old man says, “and it’s a perfectly natural thing. She goes into her bedroom and calls, ‘Fuck you!’ And I go into my bedroom and call back to her, ‘No, fuck you!
A. Manette Ansay (Good Things I Wish You)
All last fall in Workshop, they’d side-eye each other if he praised my stories. Because surely they’d seen me leave class with him, walked past us chatting together in the hall, observed us exchanging books and vinyl. Caught us sitting together in cafés or in the basement of the Irish pub, having a drink, another drink, one more for the road, why not? They’d noticed him walk over and talk to me at department functions, sit beside me at readings. Then, in the winter semester, they might have observed how quite suddenly all of this stopped—that he no longer sat next to me at readings or talked to me at parties or met me off campus. And then, of course, in spring, on the night of the end-of-year party, they definitely observed me drunk in the passenger seat of his Subaru.
Mona Awad (Bunny)
In one way we think a great deal too much of the atomic bomb. ‘How are we to live in an atomic age?’ I am tempted to reply: ‘Why, as you would have lived in the sixteenth century when the plague visited London every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night…’ In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented…It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances and in which death itself was not a chance at all, but a certainty…“If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things- praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends…not huddled together like frightened sheep and thinking about bombs. They may break our bodies (any microbe can do that) but they need not dominate our minds.
C.S. Lewis
Charlie’s sister had spent the last few years bingeing Reddit threads, watching videos, and chatting with other gloamist hopefuls until dawn. But lately things had gotten worse. Posey had started staying up for days at a stretch and not leaving the house for weeks. Despair seemed to be chasing her heels as her shadow refused to quicken. She’d gone so deep down the rabbit hole that Charlie worried it had become an oubliette.
Holly Black (Book of Night (Book of Night, #1))
While I was contemplating what to do, Storm’s voice came from behind me. “Sun, could you come and chat with me for a while ?” “Brother Storm, would you like to talk about the God of Light’s benevolence or the God of Light’s devotion ?” Of course I would ! I was actually trying to find someone, anyone, to talk to so that I could pass some time not waving, so that my subsequent waving speed could be increased slightly. However, I never thought that Storm would actually initiate a conversation with me. But Storm initiating a conversation with me is a strange thing ; he always says that talking to me for one minute is about as exhausting as winking one hundred times. We only need to talk for ten minutes for him to have an especially good night’s sleep that night, because he would be way too tired. “We don’t need to look for a topic, its fine to just talk about anything ; I just want to pretend to be talking.” After Storm’s hurried explanation, he saw my doubtful expression and added, “You know, there are hundreds of women on this street right now, and this march will pass by more than ten streets. If I have to wink at every single woman, then at the end of this march, even if I don’t go blind, I will still suffer a horrible fate. So, my teacher taught me the technique of handling this march with only one thousand winks !” “...” Why does this sentence sound so familiar ?
Yu Wo (騎士每日例行任務 (吾命騎士, #2))
An Englishman, a Frenchman, and a Jew are sitting in a doctor’s waiting room and each is told he has twenty-four hours to live. They are asked how they plan to spend their final day. The Englishman says, “I’m going to my club to smoke my pipe, sip some sherry, and chat with the blokes.” The Frenchman says, “I’m going to call my mistress for a sumptuous dinner, a bottle of the finest wine, and a night of passionate lovemaking.” The Jew says, “I’m going to see another doctor.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
Okay, on my first night, he tried to chat me up. You know how the story goes. ‘You have the most beautiful eyes, I’m very rich, want to see my bedroom?’ Blah, blah, blah.” “And because you turned him down, he’s more determined than ever,” Will guessed, with amazing accuracy. “You did turn him down, right?” “Of course,” I told him, insulted by the insinuation I would drop my knickers for a glass of wine. “Do you think I’d risk my job for a quick tumble in the sheets with him?
Kyra Lennon (Game On (Game On #1))
It wasn’t fancy, or anything. But I could really imagine myself living here. I could imagine all of us here, starting a new academic year, coming home and slumping on the sofa next to each other, chatting in the kitchen in the mornings over bowls of cereal, crowding into the biggest bedroom for movie nights, falling asleep in each other’s beds when we were too tired to move. I could imagine all of it. A future. A small future, and not a forever future, but a future, nonetheless.
Alice Oseman (Loveless)
Anxiety isn’t an attack that explodes out of me; it’s not a volcano that lies dormant until it’s triggered by an earth-shattering event. It’s a constant companion. Like a blowfly that gets into the house in the middle of summer, flying around and around. You can hear it buzzing, but you can’t see it, can’t capture it, can’t let it out. My anxiety is invisible to others, but often it’s the focal point of my mind. Everything that happens on a day-to-day basis is filtered through a lens colored by anxiety. That nervousness that makes your palms sweat and your heart race before you get up and make a speech in front of an audience? That’s what I feel in a normal conversation at a dinner table. Or just thinking about having a conversation at a dinner table. The fear that other people feel on rare occasions, reserved only for when they jump out of a plane or hear a strange noise in the middle of the night—that’s my normal. That’s what I feel when the phone rings. When someone knocks on my door. When I go outside. When I’m alone. When I’m in line at a store. Everything feels like I’m on a stage, spotlight on me, all eyes on me, watching, judging. Like I’m one second away from total disaster. It’s invisible, it’s irrational, it’s never-ending. I could be standing there, smiling and chatting like everything is totally fine, while secretly wanting to scream and cry and run away. No one would ever know. In my mind, no one can hear me scream. I hide it because I know it’s not understood or acceptable—because I’m not understood or acceptable.
Jen Wilde (Queens of Geek)
A hand slipped under mine, warm and smooth, and I snapped my head left, seeing Will in the seat next to me. What…? A lump filled my throat as I gaped at the side of his face, wanting to be raging mad that he was there and touching me again without my permission, but… He curled his fingers, gripping me, and…and it took a moment to get a hold of myself. Finally, I forced a scowl and yanked my hand away. Or tried to. He wouldn’t let go. Or look at me. He just tossed his black hoodie over our hands and chatted to the guy in the next seat like I wasn’t here.
Penelope Douglas (Nightfall (Devil's Night, #4))
So it wasn’t a total surprise that Jay would turn a few heads while they were out tonight. She just hadn’t anticipated the power of the two of them together. Two good-looking guys more than doubled the attention they drew. Even among people they knew at the Java Hut that night, Violet and Chelsea became instantly invisible. Girls not only noticed the pair of boys but also giggled behind cupped hands and waved at the two of them. Jay was either unaware or chose to ignore them altogether. Mike, on the other hand, was not. And did not. Not only did he notice the interest he attracted, he seemed to enjoy it. Violet recognized it immediately for what it was: Mike was as much an attention whore as Chelsea. Violet was fine with that. Chelsea, not so much. Violet let Jay draw her through the crowds that bottlenecked near the entrance. She liked knowing that he belonged to her while all those envious eyes looked on. “I guess Chelsea’s not the only one who’s into Mike,” Violet whispered while Jay dragged her over to stand in line at the counter. Jay glanced back to where Chelsea stood on the outskirts of three girls from school who were animatedly chatting with Mike. “Yeah. She’s not doing too good, is she?” Jay agreed. “I thought she’d have him eating out of her hand by now.” Violet wrinkled her nose, worrying over her friend. “You mean like you have me doing?” Violet smiled up at him and then bumped him with her shoulder. “Yes. Exactly like that.” Chelsea caught the two of them spying on her, and Violet flashed an apologetic smile. Chelsea rolled her eyes in response. She sulked as she made her way over to join them. “Get me some fries.” The lack of a question in her statement was somewhat reassuring. She was still Chelsea. Disheartened but bossy.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Dr. Nicole Martin.” Riker felt Myne’s eyes boring into him. “She’s alive?” “Apparently.” A shiver of hatred slithered up Riker’s spine. Until last week, when he’d seen a newspaper article glorifying the return of the Martin heir, he’d believed only one member of the godforsaken immediate family, Charles, was alive. “After the rest of the Martins were slaughtered in the rebellion, she was sent to Paris to live with her mother’s relatives until she was old enough to work in Daedalus’s French division as a vampire physiologist.” The mere mention of the infamous Seattle Slave Rebellion made Myne’s voice degenerate into gravel. “And she’s here now?” Riker nodded at the female in the window. “Right there and all grown up. And if you’re done jacking off your dagger, we’ll go have a chat with her.” “You think she’ll cooperate?” Hell no. She was a Martin, after all, current CEO of the company that had revolutionized vampire slavery and used vampires like lab rodents to advance human medicine. Daedalus went through vampires like a slaughterhouse went through cattle, and Riker doubted the company held to any kind of “humane” standards. “For her sake,” Riker said slowly, “I hope so.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
Each night before you place your head on your pillow, make yourself a cup of tea, sit in a comfortable chair, get your Bible and invite God to come have a little chat with you. Tell him about your day. Tell him about the people you blessed. Tell him about the ones who have blessed you.” Samson sipped his coffee. “That is it?” “No. That is just a start.” Samson put his hand on his chin as if thinking deeply. “Ask the Holy Spirit to fill you with the power of God. Be aware of the special moments that are supernaturally charged.” “Like the God moments?” “I would say so.” Samson clasped her hand. “Just talk to the Lord. You already do that. Just do it more.
Summer Lee (Standing Strong: A Christian Novel)
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—” “Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.” “The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.” “Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?” Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet. “You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—” “No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.” “It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—” “What were you even doing at the house? I thought you were staying at the Institute.” “I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—” “He did need clothes,” Cordelia agreed. “Nothing he had fit.” “Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—” “So you Tracked me?” “I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—” “That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.” “And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair. “James,” she said. “It was a foolish thing to do, but at no moment did I want to die—” He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—” He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
When I was drinking I was doing it to suppress emotion, yes, but I was also doing it because it made me, for the first time in my life, able to be King Extrovert. And I loved that feeling. Under the influence of alcohol I could socialize with friends for hours, and not get drained. I could go to packed stadiums to watch games or concerts, and not get drained. I could flirt and mingle and chat with dozens of people over the course of a night and not…get…drained. It was like a miracle pill that erased all the parts of myself I had struggled with for years. The shyness, the awkward way I made small talk, the pounding headaches I got after too much noise and too many bright lights.
Lauren Sapala (The Infj Writer: Cracking the Creative Genius of the World's Rarest Type)
Henry Ford’s antisemitism was rank, and it was unchecked. He spewed it freely in private tirades among friends, family, close business cohorts, newspaper reporters, or pretty much anybody within earshot. He lectured his sometimes-weary auditors in the Ford Motor Company offices, in private chats, in interviews, at dinners, even on camping trips. Ford “attributes all evil to Jews or to the Jewish capitalists,” a close friend wrote in his diary after witnessing a late-night, round-the-campfire diatribe. Ford whined about “New York Jews” and railed about “Wall Street Kikes.” He even ordered his engineers to forgo the use of any brass in his Model T automobile, calling it “Jew metal.
Rachel Maddow (Prequel: An American Fight Against Fascism)
Pretty soft!' he cried. 'To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!' I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent. 'It would kill me to have to live in New York,' he went on. 'To have to share the air with six million people! TO have to wear stiff collars and decent clothes all the time! To - ' He started. 'Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!' I was shocked, absolutely shocked. 'My dear chap!' I said, reproachfully. 'Do you dress for dinner every night, Bertie?' 'Jeeves,' I said coldly. 'How many suits of evening clothes have we?' 'We have three suits full of evening dress, sir; two dinner jackets- ' 'Three.' 'For practical purposes, two only, sir. If you remember, we cannot wear the third. We have also seven white waistcoats.' 'And shirts?' 'Four dozen, sir.' 'And white ties?' 'The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.' I turned to Rocky. 'You see?' The chappie writhed like an electric fan. 'I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realise that most days I don't get out of my pyjamas till five in the afternoon and then I just put on an old sweater?' I saw Jeeves wince, poor chap. This sort of revelation shocked his finest feelings.
P.G. Wodehouse
That night, after having lived with the news for mere hours, Marlboro Man couldn’t stand it anymore. He wanted to tell our families. Forget waiting until the end of the first trimester; forget sleeping on it a couple of nights. Something important had happened. He saw no need to keep it a secret. “Hey,” he said when his mom answered the phone. I could hear her bright voice in the receiver. “Ree’s pregnant,” he blurted out, as open as he’d been in the first weeks of our relationship. “Yep,” he continued, answering his mom’s questions. “We’re pretty excited.” He and his mom continued chatting. I could hear her excitement, too. When the call ended, he handed me the portable phone. “Do you want to call your folks?” he asked. He would have called the newspaper if it had been open.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
At night she runs her fingertips over her father’s model: the bell tower, the display windows. She imagines Jules Verne’s characters walking along the streets, chatting in shops; a half-inch-tall baker slides speck-sized loaves in and out of his ovens; three minuscule burglars hatch plans as they drive slowly past the jeweler’s; little grumbling cars throng the rue de Mirbel, wipers sliding back and forth. Behind a fourth-floor window on the rue des Patriarches, a miniature version of her father sits at a miniature workbench in their miniature apartment, just as he does in real life, sanding away at some infinitesimal piece of wood; across the room is a miniature girl, skinny, quick-witted, an open book in her lap; inside her chest pulses something huge, something full of longing, something unafraid.
Anthony Doerr (All the Light We Cannot See)
The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!
Charlotte Mew
In his letter of 23 October 1928 Warnie wrote of a sea voyage to Hong Kong. ‘The most interesting person on board,’ he said, ‘was the Chief Engineer who was a character straight out of Kipling–such a man as I had always believed never existed outside novels…I first came across him one night after dinner when a few of us collected in the saloon for a mouthful of the port, and McAndrew’s Hymn being mentioned, he expressed his warmest approval of it…This and some more chat led to an invitation to adjourn to his room and inspect “ma buiks”. It was a severe shock after a discussion on Kipling to arrive at his room and come bolt under a withering collection of philosophy–Spencer, Comte, and similar books. I had to mumble something about having no philosophy, which was met with “When ye say ye haaaave no pheelawsophy, Cap’n, ye only mean ye haaave a bad pheelawsophy.
C.S. Lewis (The Collected Letters of C.S. Lewis, Volume 1: Family Letters, 1905-1931)
On the Day I Dreamed of You. Just past dawn, the sun rises blushing greeted me. Remember last night I dreamed of you. In my dream I saw a rare red sun flower that was never born, beautifully arranged on your head. Twisted in a black tree branch. Looks like you're waiting for someone to come with a range of golden glowing wings. In a white cloud coat and a hair loose similar to raindrops. And then that day has passed, I seemed to be trapped in a long dream. When I spend my days full of romance, feasting on every sparkling green moment, walking from one purple path to another purple street until the darkness whispers calling my name. Dragged me deep into the silence of the jungle. Wilderness full of blue imagination. And along the way, my fingers never stopped ring a small bell that echoed your name. Chat the story with happiness. That is the day I will always remember as the day you were born into the world.
Titon Rahmawan
I’d like you to come to Kauai with me,” I say. “And Scottie. I think it would be good to get her away from the hospital for a day. We can leave in the morning, find him, and be home tomorrow night. If it takes us a day longer, that’s fine, but we won’t stay more than two nights. That’s our deadline. If we don’t find him, then at least we know we tried.” “And this will make you feel better somehow?” “It’s for her,” I say. “Not for him or me.” “What if he’s a wreck? What if he loses his shit?” “Then I’ll take care of him.” I imagine Brian Speer wailing on my shoulder. I imagine him and my daughters by Joanie’s bed, her lover and his loud sobs shaming us. “Just so you know, I am angry. I’m not this pure and noble guy. I want to do this for her, but I also want to see who he is. I want to ask him a few things.” “Just call him. Tell his office it’s an emergency. They’ll have him call you.” “I want to tell him in person. I haven’t told anyone over the phone, and I don’t want to start now.” “You told Troy.” “Troy doesn’t count. I just need to do this. On the phone he can escape. If I see him in person, he’ll have nowhere to go.” We both look away when our eyes meet. She hasn’t crossed the border into my room. She never does during her nighttime doorway chats. “Were you guys having trouble?” Alex asks. “Is that why she cheated?” “I didn’t think we were having trouble,” I say. “I mean, it was the same as always.” This was the problem, that our marriage was the same as always. Joanie needed bumps. She needed rough terrain. It’s funny that I can get lost in thoughts about her, but when she was right in front of me, I didn’t think much about her at all. “I wasn’t the best husband,” I say. Alex looks out the window to avoid my confession. “If we go on this trip, what will we tell Scottie?” “She’ll think we’re going on a trip of some sort. I want to get her away from here.
Kaui Hart Hemmings (The Descendants)
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
Where do you go to make friends when you’re an adult? No, honestly, I’m asking, where do you do this? There are no more late-night study sessions or university social events. And while meeting friends at work is the obvious answer, your options are very limited if you don’t click with your colleagues or if you’re self-employed. (Also, if you’re only friends with people at work, who do you complain about your colleagues too?) I don’t volunteer. I don’t participate in organised religion. I don’t play team sports. Where do selfish, godless, lazy people go to make friends? That’s where I need to be. Nearly all of my closest friends have been assigned to me: either via seating chats at school, university room-mates, or desk buddies at work. After taking stock, I realise that most of my friends were forced to sit one metre away from me for several hours at a time. I’ve never actively reached out to make a new friend who wasn’t within touching distance. With no helpful administrators, just how do we go about making friends as adults? Is it possible to cultivate that intense closeness without the heady combination of naivety, endless hours of free time on hand and lack of youthful inhibitions? Or is that lost for ever after we hit thirty?
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
If the queen catches you in here again, Princess, she'll sentence you to do the dishes right alongside me! she heard another voice ring out. No one was there, but Snow knew the voice. It was Mrs. Kindred, the cook who had survived her aunt's dismissals over the years. When Snow's mother was alive, she'd encouraged her daughter to be friendly with those who helped them in the castle, and Mrs. Kindred had always been Snow's favorite person to chat with. She could see herself sitting on a chair, no more than six or seven, watching Mrs. Kindred chop onions, carrots, and leeks and throw them all into a giant pot of broth. She and Mrs. Kindred only stole a few moments together most days now- she suspected her aunt must have forbidden the cook from talking to her, what with how Mrs. Kindred always quickly sent Snow on her way- but back then she had always peppered the cook with questions. ("How do you cut the carrots so small? Why do leeks have sand in them? What spices are you going to add? How do you know how much to put in?") On one such occasion, she'd been such a distraction that Mrs. Kindred had finally picked her up, holding her high on her broad chest, and let her stir the pot herself. Eventually, she taught her how to dice and chop, too, since Snow wouldn't stop talking. By suppertime, young Snow had convinced herself she'd made the whole meal. She had been proud, too, carrying the dishes out to the dining table that night.
Jen Calonita (Mirror, Mirror)
In one way we think a great deal too much of the atomic bomb. “How are we to live in an atomic age?” I am tempted to reply: “Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.” In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways. We had, indeed, one very great advantage over our ancestors — anesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances and in which death itself was not a chance at all, but a certainty. This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.
C.S. Lewis
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?” “You may,” I say. To John I warn, “Don’t you dare come close to me.” He throws his hands out like he’s warding me off. “Don’t you come close to me!” As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better. I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break. John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing. Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps. I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks. “Please!” John practically pushes Stormy into Mr. Morales’s arms. “Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her. John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name. “Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?” I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance. “I want to see the young people dance!” Normal yells. John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.” I feign hesitation and then nod. My pulse is racing. Target acquired.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Remind yourself where you come from. I spent the majority of my life running away from Utah, from the life I led there, from the memories I associated with those early years. It felt very someone-else-ago to me. London changed me profoundly. When we were dancing on DWTS together, Jennifer Grey called me one night. She was having trouble with her back and wanted to see a physiotherapist. “Can you come with me?” she asked. She drove us through a residential section of Beverly Hills. We pulled into a house with a shed out back. Oddly, it didn’t look like a doctor’s office. There was a couch and incense burning. An Australian guy with a white beard came in : “Hey, mates.” I looked at Jen and she winked at me. This was no physical therapy. She’d signed us up for some bizarre couples therapy! The guy spoke to us for a while, then he asked Jennifer if she wouldn’t mind leaving us to chat. I thought the whole thing was pretty out there, but I didn’t think I could make a run for it. “So, Derek,” he said. “Tell me about your childhood.” I laid it all out for him--I talked for almost two hours--and he nodded. “You can go pick him up now.” I raised an eyebrow. “Pick who up?” The therapist smiled. “That younger boy, that self you left in Utah. You left him there while you’ve been on a mission moving forward so vigorously. Now you can go get him back.” I sat there, utterly stunned and speechless. It was beyond powerful and enlightening. Had I really left that part of me behind? Had I lost that fun-loving, wide-eyed kid and all his creative exuberance? When I came out of my therapy session, Jennifer was waiting for me. “If I’d told you this was where we were going, you wouldn’t have come,” she said. She was right. She had to blindside me to get me to grapple with this. She’s a very spiritual person, and she saw how I was struggling, how I seemed to be in some kind of emotional rut. Just visualizing myself taking the old Derek by the hand was an incredible exercise. I think we often tuck our younger selves away for safekeeping. In my case, I associated my early years with painful memories. I wanted to keep young Derek at a distance. But what I forgot was all the good I experienced with him as well: the joy, the hope, the excitement, the wonder. I forgot what a great kid Derek was. I gave myself permission to reconnect with that little boy, to see the world through his eyes again. It was the kick in the butt I needed. Jennifer would say, “Told ya so.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.
Lewis Carroll
She’d told me the night before that she would go, and I was going to hold her to it. She needed time, and I was going to make sure that she had it… with me watching over her.
Theresa Rite (Chat)
How poetic.” Jenna drained her coffee and pushed to her feet. “Thanks for dinner but I must be getting home. I’ll put my cup in the dishwasher and see you in the morning. As much as I would like to stay and chat all night, I don’t really want to sleep in your spare room again.” “Leave the cup, I’ll walk you home.” Kane whistled to Duke then headed for the door. “Duke needs to go outside before I turn in.” They strolled across the grass to her front porch and she opened the door, punched in the code on her house alarm, and turned back to
D.K. Hood (The Crying Season (Detectives Kane and Alton, #4))
A decade earlier, her seventy-four-year-old father, Jack Block, a professor emeritus of psychology at the University of California at Berkeley, was admitted to a San Francisco hospital with symptoms from what proved to be a mass growing in the spinal cord of his neck. She flew out to see him. The neurosurgeon said that the procedure to remove the mass carried a 20 percent chance of leaving him quadriplegic, paralyzed from the neck down. But without it he had a 100 percent chance of becoming quadriplegic. The evening before surgery, father and daughter chatted about friends and family, trying to keep their minds off what was to come, and then she left for the night. Halfway across the Bay Bridge, she recalled, “I realized, ‘Oh, my God, I don’t know what he really wants.’” He’d made her his health care proxy, but they had talked about such situations only superficially. So she turned the car around. Going back in “was really uncomfortable,” she said. It made no difference that she was an expert in end-of-life discussions. “I just felt awful having the conversation with my dad.” But she went through her list. She told him, “‘ I need to understand how much you’re willing to go through to have a shot at being alive and what level of being alive is tolerable to you.’ We had this quite agonizing conversation where he said—and this totally shocked me—‘ Well, if I’m able to eat chocolate ice cream and watch football on TV, then I’m willing to stay alive. I’m willing to go through a lot of pain if I have a shot at that.’” “I would never have expected him to say that,
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
Block has a list of questions that she aims to cover with sick patients in the time before decisions have to be made: What do they understand their prognosis to be, what are their concerns about what lies ahead, what kinds of trade-offs are they willing to make, how do they want to spend their time if their health worsens, who do they want to make decisions if they can’t? A decade earlier, her seventy-four-year-old father, Jack Block, a professor emeritus of psychology at the University of California at Berkeley, was admitted to a San Francisco hospital with symptoms from what proved to be a mass growing in the spinal cord of his neck. She flew out to see him. The neurosurgeon said that the procedure to remove the mass carried a 20 percent chance of leaving him quadriplegic, paralyzed from the neck down. But without it he had a 100 percent chance of becoming quadriplegic. The evening before surgery, father and daughter chatted about friends and family, trying to keep their minds off what was to come, and then she left for the night. Halfway across the Bay Bridge, she recalled, “I realized, ‘Oh, my God, I don’t know what he really wants.’” He’d made her his health care proxy, but they had talked about such situations only superficially. So she turned the car around.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
Slightly further afield, you will find Baroque palaces such as Nymphenberg and Schlossheim, with wonderful parks and art galleries. On a slightly darker note, Dachau Concentration Camp is around 10 miles from town. Trains go there from Munich’s main train station every ten minutes and the journey takes less than 15 minutes. Transport in Munich is well organised with a network of trains – S‐Bahn is the suburban rail; U‐Bahn is underground and there are trams and buses. The S‐Bahn connects Munich Airport with the city at frequent intervals depending on the time of day or night. Munich is especially busy during Oktoberfest, a beer festival that began in the 19th century to celebrate a royal wedding, and also in the Christmas market season, which runs from late November to Christmas Eve. Expect wooden toys and ornaments, cakes and Gluwien. The hot mulled wine stands require a deposit for each mug. This means that locals stand chatting at the stalls while drinking. As a result, the solo traveller is never alone. The downside of Munich is that it is a commercial city, one that works hard and sometimes has little patience for tourists. Natives of Munich also have a reputation for being a little snobbish and very brand conscious. To read: The Book Thief by Markus Zusak. Narrated by death himself, this novel tells of a little girl sent to a foster family in 1939. She reads The Grave Diggers Handbook each evening with her foster father and, as her love of reading grows, she steals a book from a Nazi book burning. From this, her renegade life begins.
Dee Maldon (The Solo Travel Guide: Just Do It)
Tenebrae is Latin for ‘darkness’, so it is a service of darkness. Tenebrae services are held on the night of Good Friday, and its purpose is to recreate the emotional aspects of the passion story. Specifically, Tenebrae is a Christian service with no benefits of Christ’s resurrection. There is no sermon, no prayer in Jesus’ name, no offering as there is no Christian work, and no benediction. There are no announcements, and there is no coffee hour. There is no chat before or after the service. It recreates the betrayal, abandonment and agony of the events of Christ’s death, and it is left unfinished, because the service isn’t over until Easter Day, making it technically the longest service of the Christian calendar.
Peter Rollins (How (Not) to Speak of God: Marks of the Emerging Church)
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sktaleb
He walked backward out of the kitchen. “I will.” He paused before stepping out into the living room. “And besides that, maybe you’re right. I should broaden my scope and stop depending on you for late-night movies and chats. Less pressure that way.” Dominic
Megan Erickson (Fast Connection (Cyberlove, #2))
Dan has what amounts to my entire life in the palm of his hand. He’ll see our chats. He’ll see the texts I sent to Beth about him and my plan. And what did I think was going to happen? Did I really think I could pull off some only-works-in-movies shit? “Do you think it could be possible that Dan didn’t mean to hit me with that basketball?” The question flies out of my mouth, and I don’t remember thinking about asking it. She scowls, looking me up and down. “Are you okay? I mean, I can tell you’re not. Was he that big of a jerk last night?” I shake my head and pick at my nail polish. It’s not chipping yet, but it’s inevitable, so why not just go ahead and get it over with? “No, I’m fine. He was fine. I just… I don’t know.” She puts a worried hand on my shoulder. “What happened, Z? Tell me.” I let my forehead hit the surface of my desk. It hurts. “He has my phone.” A bit of time passes where she doesn’t say anything. I just wait for the moment of realization to explode from her. “Holy shit! Don’t tell me your chat is on there!” There it is. I nod my head, which probably just looks like I’m rubbing it up and down on my desk. “Please tell me it’s password protected or something.” I shake my head, again seemingly nuzzling my desk. “Zelda, do you have your homework?” Mr. Drew asks from above me. I pull out my five hundred words on the importance of James Dean in cinema from my backpack without even looking and hand it to him. Mr. Drew has a big thing for James Dean. “Are you…okay, Zelda?” he asks a bit uncomfortably. Good old Mr. Drew. Concerned about his students but very much not well versed in actually dealing with them. I raise a hand and wave him off. “I’m good. As you were, Drew.” “Right. Okay then.” He moves on. Beth rubs my back. “It’s going to be all good in the hood, babe. Don’t worry. Dan won’t be interested in your phone. How did he get it, by the way?” I turn my head just enough to let her see my face fully. I’m not sure if she sees a woman at the end of her rope or a girl who has no idea what to do next, but she pulls her hand back like she just touched a disguised snake. I’m so not in the mood to describe the sequence of events that led up to the worst moment of my life, and she knows it.
Leah Rae Miller (Romancing the Nerd (Nerd, #2))
My grandfather always had a little framed picture by his bed that simply said: There is always music in the garden, but our hearts have to be still enough to hear it. So every once in a while, take out your backpack and head off for a night under canvas. Even if it’s only for one night, and even if it’s only in your garden. Nature and the outdoors are a universal and deep-rooted language that we can all pick up once we get immersed. Once you have learnt to tie a bowline or cook a simple meal over a fire that you’ve built yourself, you’ll never forget it. I mean, who doesn’t want to learn how to make fire without matches? It is one of the greatest and oldest of human achievements. These skills and experiences are so deep-rooted in our subconscious that it is no surprise that they calm us. It is about being true to who we all are. And to remind ourselves of this, every now and again, is always going to better our lives. So camp out, enjoy some stories, watch a bit of nature’s TV (that’s a fire, by the way), eat simple food with your fingers, drink some wine and chat to those you love, and then lie back and soak in some quiet time under the night sky: it is restorative. You don’t need to be in Fiji to get restored! The only thing I would add to all this is once a year to watch a sunrise. It is good for the mind, body and spiritual health: to get up early and watch the sun appear quietly over the horizon, with no fuss, no fanfare - a gentle, warming, calm reminder that the world, at its heart, is wonderful, and that life is truly a gift. Never underestimate the power of simple pleasures like this to restore and inspire you. It is part of how we are made.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
On Earth everybody is a foreigner to their neighbour. It’s because we’re all squashed up so tight. Privacy is a cherished commodity. In public places, people don’t chat to strangers, they avoid eye contact. It’s because that’s the way they want to be treated. I’m
Peter F. Hamilton (The Naked God (Night's Dawn, #3))
She took a sip, very carefully, Kiddi smiled, and then the film started. She took another sip during the interval, they chatted, Kiddi began staring at her knees, marked 6 and 8. What? she asked, a bit uncertain when she saw how he was staring down at her. Then he looked up, straight into her eyes, and asked, can I be number 7? Such a question is either life or death, a slap on the cheek or a kiss. They missed the second half of the film, you’ve got a mirror over your bed, she said, you don’t like it? No, I’d like it if it were all around the bed.
Jón Kalman Stefánsson (Summer Light, and Then Comes the Night: A Novel)
Meanwhile, Mabel waited outside the Prince of Wales Hotel on Lord Street. She'd perched her bony bottom on the pointed-top wall that ran alongside it, opposite the barbershop. She could smell the sweet, crisp freshness that came with springtime as the sun had finally managed to fight its way through the cloud cover. Unfortunately, though, it seemed that no matter where in this town she went, memories of her father haunted her. As she sat on the wall, her feet turned inwards and, with a dull numbness growing in her tailbone, she closed her eyes. In her mind, she opened them again to find that she was at least ten years younger. Her feet dangled off the edge of the wall in scuffed indigo leather shoes, with a shiny brass buckle glinting in the light from the oil street lamps. The sky was a moody blue, signalling the end of the day and the start of the night. Her father stood beside her, a thick cigarette held between his chapped lips and his hands in his pockets. His friends from work surrounded her, all laughing and chatting. She could see her father speaking, though all she could hear was a muted grumble. Even in her imagination, she couldn't quite picture how he spoke. The only sounds she could place were the short groans he'd make as he stood up from his chair or the wheeze that followed his laughter. With the sad realisation that she had lost all memory of her father's voice, she opened her eyes once more.
Ida O'Flynn (The Distressing Case of a Young Married Woman)
In the daytime, set to work creating your coorie camp. At night, it's time to appreciate it. Technology has little place in coorie camping: this is a chance to chat properly, about ourselves, the universe and everything in between. A bottle of whiskey may give way to the suggestion of skinny-dipping. I hear that's fun.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
As always, before I settle down under the covers, I sit, cross-legged, and I pray. I’m not sure if God hears me. In a way, I hope he’s got better things to do than listen to my ramblings. But I get comfort from our nightly chats. They’re an outlet for my fears, my worries and my joys. They calm my soul and clear my mind. They remind me who I am
C.J. Tudor (The Burning Girls)
MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.
Elize de Mul
The Mad People In the electronic age every nutcase with a laptop is writing a masterpiece. They spend their nights locked up in chat rooms and emerge with red eyes and love poems.
Immanuel Mifsud (Confidential Reports)
Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….
Mark Kaplon
The first morning, emerging from your bivouac-thing, there is a great sense of joy and freedom. You feel quite alone in the world and no one knows who you are or why you are there. You could be in a campsite surrounded by happy families or out in the wild woods with silent, dumb creatures that creep and crawl. It makes no difference, the point is that you are alone because you wanted it this way. You don’t talk to a soul the whole time. You just get up, brew a coffee on a camping stove and then zip up the tent and go. If doesn’t really matter where you go either. You know that you have about twelve hours ahead of you just to yourself. So you start walking, along the coast, up a hill, by a river, down a valley, anywhere on and on, stopping every now and then for a banana and a drink (massive water bottle) and a sit. It feels good. You find yourself skipping no, gambolling, like a newborn lamb. In your head, details about daily life swiftly give way to songs, hymns you used to know, praise, yes praise, for God’s mind-blowing creation. Your thoughts then turn to God because there aren’t any people about and you find yourself chatting amicably with Him. Sometimes there are tears, sobbing even, but this comes with emptying. It’s really all about emptying and then, renewal. This is what we miss if we don’t empty stuff. By nightfall, the little tent and sleeping bag beckon; you greet them both joyfully and shut down. Usually it’s freezing and sleep comes in patches, but the night time wakefulness is all part of it. You use it to set things straight, mentally. Another day ahead, more wanderings, then hunger sets in and you head for home, refreshed.
Sara Maitland (How to Be Alone (The School of Life))
but Henry kept me up half the night playing a trick he just learned—to turn the lights on and off. Once he learned that this also works with the radio, I may as well have given up sleeping. He and I are about to have a come-to-Jesus chat, because there isn’t anything I love more than sleep.
Lyla Payne (Not Quite Gone (Lowcountry Mysteries, #4))
firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she
Peter May (Coffin Road)
The usual stuff. School, homework, I don’t remember everything.” Theo had watched enough trials to know that answers should often be kept vague, and that “I don’t recall” and “I don’t remember” were perfectly acceptable in many instances. “Did you chat online?” the detective asked. “No, sir, not last night. Just phone.” They often used Facebook and text messages, but Theo knew not to volunteer information. Just answer the question in front of you. He’d heard his mother say this to her clients many times. “Any sign of a break-in?” Mr. Boone asked. “None,” said Bolick. “Mrs. Finnemore was sound asleep in the downstairs bedroom, she heard nothing, and at some point she got up to check on April. That’s when she realized she was gone.” Theo looked at Mrs. Finnemore, who again shot him a fierce look. He knew the truth, and she knew he knew the truth. Trouble was, Theo couldn’t tell the truth because he’d made a promise to April.
John Grisham (Theodore Boone: The Abduction)
Sean watched Lily turn as if to follow them. Clearly she wished to avoid him. While Sean wasn’t terribly eager to chat about the good old days, Lily’s patent reluctance to speak to him had the predictably perverse effect of his being determined to do so. “So, your Lungness, I see you’ve finally decided to come up for air.” The nickname was a relic from their swim team days, and had popped out unintentionally. Still, it had the desired result: Lily stopped in her tracks. She turned and faced him. “I assume this is one of your lame attempts at wit. As usual, though, you’ve fallen way short of the mark. I have no idea what you’re referring to, nor do I particularly care. However, if you call me that again, I’ll walk right out that door.” “What? Your Lungness?” he repeated, all innocence, ignoring the fact that his behavior was childish, unprofessional, too. How could she stand there looking so coolly collected, as if seeing him again meant absolutely nothing to her? Because, you idiot, an inner voice mocked, that’s exactly what you are to Lily. Nothing.
Laura Moore (Night Swimming: A Novel)