Nigerian Music Quotes

We've searched our database for all the quotes and captions related to Nigerian Music. Here they are! All 5 of them:

There's organized confusion on African roads while driving in the cities. If you want to mess up Afican Cities very easy, just fly in 100 Americans put them on the road and tell them to drive.
Jidenna
I’ll never forget the magic of our Saturday nights. Special moments carved in my mind by you the sculptor of my love. Let’s dance the night away. Who needs music, when your heart already sings to me.
~ Fidelis O Mkparu (2016), author of ‘Love’s affliction’
and yet there was cement in her soul. It had been there for a while, an early morning disease of fatigue, a bleakness and borderlessness. It brought with it amorphous longings, shapeless desires, brief imaginary glints of other lives she could be living, that over the months melded into a piercing homesickness. She scoured Nigerian websites, Nigerian pro files on Facebook, Nigerian blogs, and each click brought yet another story of a young person who had recently moved back home, clothed in American or British degrees, to start an investment company, a music production business, a fashion label, a magazine, a fast-food franchise She looked at photographs of these men and women and felt the dull ache of loss, as though they had prised open her hand and taken some thing of hers. They were living her life.
Chimamanda Ngozi Adichie (Americanah)
It’s not just Africa’s movie and music industry that is booming. African literature, led by the Young Lions, or rather, Lionesses, is seeing a revival, too. I mentioned Chimamanda Ngozi Adichie and her TED Talk about Africa’s “Single Story.” But Adichie, 37, is best known for writing, and her novels Half of a Yellow Sun (now a film directed by fellow Nigerian novelist Biyi Bandele) and Americanah, winner of the United States’ prestigious National Book Critics Circle Award in 2013, are international best sellers. Adichie is able to write in an authentic African voice and yet still connect with huge numbers of readers in the West. I have been told about other young African women who are taking the literary world by storm such as Zimbabwean NoViolet Bulawayo, who was long-listed for Britain’s Man Booker Prize, and her countrywoman, international trade lawyer Petina Gappah, a finalist for the United Kingdom’s prestigious Orwell Prize in 2010. These talented women are part of a confident, new, global Africa.
Ashish J. Thakkar (The Lion Awakes: Adventures in Africa's Economic Miracle)
I walked the short distance to Nogizaka, then strolled up and down Gaienhigashi-dori. It took awhile, but I finally spotted it. There was no sign, only a small red rose on a black awning. The entrance was flanked by two black men, each of sufficient bulk to have been at home in the sumo pit. Their suits were well tailored and, given the size of the men wearing them, must have been custom-made. Nigerians, I assumed, whose size, managerial acumen, and relative facility with the language had made them a rare foreign success story, in this case as both middle management and muscle for many of the area’s entertainment establishments. The mizu shobai, or “water trade” of entertainment and pleasure, is one of the few areas in which Japan can legitimately claim a degree of internationalization. They bowed and opened the club’s double glass doors for me, each issuing a baritone irasshaimase as they did so. Welcome. One of them murmured something into a microphone set discreetly into his lapel. I walked down a short flight of stairs. A ruddy-faced, prosperous-looking Japanese man whom I put at about forty greeted me in a small foyer. Interchangeable J-Pop techno music was playing from the room beyond. “Nanmeisama desho ka?” Mr. Ruddy asked. How many? “Just one,” I said in English, holding up a finger. “Of course.” He motioned that I should follow him. The room was rectangular, flanked by dance stages on either end. The stages were simple, distinguished only by mirrored walls behind them and identical brass poles at their centers. One stage was occupied by a tall, long-haired blonde wearing high heels and a green g-string and nothing more. She was dancing somewhat desultorily, I thought, but seemed to have the attention of the majority of the club’s clientele regardless. Russian, I guessed. Large-boned and large-breasted. A delicacy in Japan. Harry hadn’t mentioned floorshows. Probably he was embarrassed. My sense that something was amiss deepened.
Barry Eisler (A Lonely Resurrection (John Rain #2))