Nickel Boys Quotes

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We must believe in our souls that we are somebody, that we are significant, that we are worthful, and we must walk the streets of life every day with this sense of dignity and this sense of somebody-ness.
Colson Whitehead (The Nickel Boys)
You can change the law but you can’t change people and how they treat each other.
Colson Whitehead (The Nickel Boys)
If everyone looked the other way, then everybody was in on it. If he looked the other way, he was as implicated as the rest. That's how he saw it, how he'd always seen things.
Colson Whitehead (The Nickel Boys)
If it is true for you, it is true for someone else, and you are no longer alone.
Colson Whitehead (The Nickel Boys)
Make a career of humanity. Make it a central part of your life.
Colson Whitehead (The Nickel Boys)
Like justice, it existed in theory.
Colson Whitehead (The Nickel Boys)
He who gets behind in a race must forever remain behind or run faster than the man in front.
Colson Whitehead (The Nickel Boys)
Violence is the only lever big enough to move the world
Colson Whitehead (The Nickel Boys)
The capacity to suffer. Elwood--all the Nickel boys--existed in the capacity. Breathed in it, ate in it, dreamed in it. That was their lives now. Otherwise they would have perished. The beatings, the rapes, the unrelenting winnowing of themselves. They endured. But to love those who would have destroyed them? To make that leap? We will meet your physical force with soul force. Do to us what you will and we will still love you.
Colson Whitehead (The Nickel Boys)
There are people who trick you and deliver emptiness with a smile, while others rob you of your self-respect. You need to remember who you are.
Colson Whitehead (The Nickel Boys)
Perhaps his life might have veered elsewhere if the US government had opened the country to colored advancement like they opened the army. But it was one thing to allow someone to kill for you and another to let him live next door.
Colson Whitehead (The Nickel Boys)
To forbid the thought of escape, even that slightest butterfly thought of escape, was to murder one's humanity.
Colson Whitehead (The Nickel Boys)
The boys could have been many things had they not been ruined by that place. Doctors who cured diseases or perform brain surgery, inventing shit that saves lives. Run for president. All those lost geniuses - sure not all of them were geniuses, Chickie Pete for example was not solving special relativity - but they had been denied even the simple pleasure of being ordinary. Hobbled and handicapped before the race even began, never figuring out how to be normal.
Colson Whitehead (The Nickel Boys)
In our modern age, cell phone technology permits us to record the constant brutality that occurs all around us; we experience not an uptick in violence but a new kind of witnessing.
Colson Whitehead (The Nickel Boys)
Our boy looks impressed.” “Should be,” Rhage muttered as he jacked the belt on his robe. “We are awesome.” Multiple groans at that point. Rolled eyes. “At least he didn’t pull out the ‘totes amazeballs,’” somebody muttered. “That’s Lassiter,” came an answer. “Man, that son of a bitch has got to stop watching Nickel-fucking-odeon.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
was like one of those Negroes Dr. King spoke of in his letter from jail, so complacent and sleepy after years of oppression that they had adjusted to it and learned to sleep in it as their only bed.
Colson Whitehead (The Nickel Boys)
because for him to do nothing was to undermine his own dignity.
Colson Whitehead (The Nickel Boys)
It didn't make no sense until it made the only sense.
Colson Whitehead (The Nickel Boys)
Hate cannot drive out hate, only love can do that.
Colson Whitehead (The Nickel Boys)
Throw us in jail, and we will still love you. Bomb our homes and threaten our children, and, as difficult as it is, we will still love you. Send your hooded perpetrators of violence into our communities after midnight hours, and drag us out onto some wayside road, and beat us and leave us half-dead, and we will still love you. But be ye assured that we will wear you down by our capacity to suffer, and one day we will win our freedom.
Colson Whitehead (The Nickel Boys)
There are big forces that want to keep the Negro down, like Jim Crow, and there are small forces that want to keep you down, like other people, and in the face of all those things, the big ones and the smaller ones, you have to stand up straight and maintain your sense of who you are.
Colson Whitehead (The Nickel Boys)
How's that training coming along, Griff? Good old Max says you're a natural." Turner frowned. Any time a white man asked you about yourself, they were about to fuck you over.
Colson Whitehead (The Nickel Boys)
He ate every miserable spoonful and ever since it struck him that adults are always trying to buy off children to make them forget their bad actions.
Colson Whitehead (The Nickel Boys)
The world continued to instruct: Do not love for they will disappear, do not trust for you will be betrayed, do not stand up for you will be swatted down. Still he heard those higher imperatives: Love and that love will be returned, trust in the righteous path and it will lead you to deliverance, fight and things will change. He never listened, never saw what was plainly in front of him, and now he had been plucked from the world altogether.
Colson Whitehead (The Nickel Boys)
You'll be found, your nickels, dimes and Indian-heads fused by electroplating. Abe Lincolns melted into Miss Columbias, eagles plucked raw on the backs of quarters, all run to quicksilver in your jeans. More! Any boy hit by lightning, lift his lid and there on his eyeball, pretty as the Lord's Prayer on a pin, find the last scene the boy ever saw! A box-Brownie photo, by God, of that fire climbing down the sky to blow you like a penny whistle, suck your soul back up along the bright stair!
Ray Bradbury (Something Wicked This Way Comes)
Something went klunk. Like a nickel dropping in a soda machine. One of those small insights that explains everything. This was puberty for these boys. Adolescence. The first date, the first kiss, the first chance to hold hands with someone special. Delayed, postponed, a decade's worth of longing--while everybody around you celebrates life, you pretend, suppress, inhibit, deprive yourself of you own joy--but finally ultimately, eventually, you find a place where you can have a taste of everything denied.
David Gerrold
Perhaps Nickel was the very afterlife that awaited him, with a White House down the hill and an eternity of oatmeal and an infinite brotherhood of broken boys.
Colson Whitehead (The Nickel Boys)
It was easy to root for the winners. No, he liked the punch-drunk ones, half walking at mile twenty-three, tongues flapping like Labradors. Tumbling across the finish line by hook or by crook, feet pounded to bloody meat in their Nikes. The laggards and limpers who weren’t running the course but running deep into their character—down into the cave to return to the light with what they found. By the time they got to Columbus Circle, the TV crews have split, the cone cups of water and Gatorade litter the course like daisies in a pasture, and the silver space blankets twist in the wind. Maybe they had someone waiting for them and maybe they didn’t. Who wouldn’t celebrate that?
Colson Whitehead (The Nickel Boys)
That he had outwitted Nickel because he got along and kept out of trouble. In fact he had been ruined. He was like one of those Negroes Dr. King spoke of in his letter from jail, so complacent and sleepy after years of oppression that they h ad adjusted to it and learned to sleep in it as their only bed.
Colson Whitehead (The Nickel Boys)
You can change the law but you can’t change people and how they treat each other. Nickel was racist as hell—half the people who worked here probably dressed up like the Klan on weekends—but the way Turner saw it, wickedness went deeper than skin color. It was Spencer. It was Spencer and it was Griff and it was all the parents who let their children wind up here. It was people.
Colson Whitehead (The Nickel Boys)
It was not enough to survive, you have to live—
Colson Whitehead (The Nickel Boys)
At a certain point he learned the smarter play was to avoid the things that brought you low.
Colson Whitehead (The Nickel Boys)
You can change the law but you can’t change people and how they treat each other. Nickel
Colson Whitehead (The Nickel Boys)
A jail within a jail. In those long hours, he struggled over Reverend King's equation. "Throw us in jail and we will love you ... But be assured that we will wear you down by our capacity to suffer, and one day we will win our freedom. We will not only win our freedom for ourselves, we will so appeal to your heart and your conscience that we will win you in the process and our victory will be a double victory." No he could not make that leap to love. He understood neither the impulse of the proposition nor the will to execute it.
Colson Whitehead (The Nickel Boys)
To think of those Nickel nights where the only sounds were tears and insects, how you could sleep in a room crammed with sixty boys and still understand that you were the only person on earth. Everybody and nobody around at the same time. Here everybody was around and by some miracle you didn't want to wring their neck but give them a hug.
Colson Whitehead (The Nickel Boys)
Elwood said, "It's against the law." State law, but also Elwood's. If everyone looked the other way, then everybody was in on it. If he looked the other way, he was as implicated as the rest. That's how he saw it, how he'd always seen things.
Colson Whitehead (The Nickel Boys)
Violence is the only lever big enough to move the world.
Colson Whitehead (The Nickel Boys)
Their daddies taught them how to keep a slave in line, passed down this brutal heirloom.
Colson Whitehead (The Nickel Boys)
How to get through the day if every indignity capsized you in a ditch? One learned to focus one’s attention.
Colson Whitehead (The Nickel Boys)
But now that I been out and I been brought back, I nkow there's nothing in here that changes people. In here and out there are the same, but in here no one has to act fake anymore.
Colson Whitehead (The Nickel Boys)
The encyclopedias are empty. There are people who trick you and deliver emptiness with a smile, while others rob you of your self-respect. You need to remember who you are.
Colson Whitehead (The Nickel Boys)
The championship would be their sole acquaintance with justice at Nickel.
Colson Whitehead (The Nickel Boys)
He was all of them in one black body that night in the ring, and all of them when the shite men took him out back to those two iron rings.
Colson Whitehead (The Nickel Boys)
You can change the law but you can't change people and how they treat each other.
Colson Whitehead (The Nickel Boys)
Love and that love will be returned, trust in the righteous path and it will lead you to deliverance, fight and things will change.
Colson Whitehead (The Nickel Boys)
sometimes laughter knocked out a few bricks from the barricade of segregation, so tall and so wide.
Colson Whitehead (The Nickel Boys)
Elwood never ceased to marvel how you could walk around and get used to seeing only a fraction of the world. Not knowing you only saw a sliver of the real thing.
Colson Whitehead (The Nickel Boys)
You can change the law, but you can't change people and how they treat each other.
Colson Whitehead (The Nickel Boys)
People get rid of plenty when they move--sometimes they're changing not just places but personalities.
Colson Whitehead (The Nickel Boys)
Most of those who know the story of the rings in the trees are dead by now. The iron is still there. Rusty. Deep in the heartwood. Testifying to anyone who cares to listen.
Colson Whitehead (The Nickel Boys)
Hard work was a fundamental virtue, for hard work didn’t allow time for marches or sit-ins. Elwood would not make a commotion of himself by messing with that movie-theater nonsense, she said. “You have made an agreement with Mr. Marconi to work in his store after school. If your boss can’t depend on you, you won’t be able to keep a job.” Duty might protect him, as it had protected her.
Colson Whitehead (The Nickel Boys)
It was crazy to run and crazy not to run. How could a boy look past the school’s property line, see that free and living world beyond, and not contemplate a dash to freedom? To write one’s own story for once. To forbid the thought of escape, even that slightest butterfly thought of escape, was to murder one’s humanity
Colson Whitehead (The Nickel Boys)
The tiny details were a wonder: how the young men’s ties remained straight black arrows in the whirl of violence, how the curves of the young women’s perfect hairdos floated against the squares of their protest signs.
Colson Whitehead (The Nickel Boys)
But I'll tell you the truth,boys, he said. I'd give it all up in a minute if I could just be your age again. And I mean without a nickel in my pocket. All the money on earth aint worth spit compared to bein young and havin a dream to chase after. It's nice to arrive at it, no denyin that, but the real fun's in the gettin there. The gettin there.
James Carlos Blake
The class focused on US history since the Civil War, but at every opportunity Mr. Hill guided them to the present, linking what had happened a hundred years ago to their current lives. They’d set off down one road at the beginning of class and it always led back to their doorsteps. Mr.
Colson Whitehead (The Nickel Boys)
Problem was, even if you avoided trouble, trouble might reach out and snatch you anyway. Another student might sniff out a weakness and start something, one of the staff dislikes your smile and knocks it off your face. You might stumble into a bramble of bad luck of the sort that got you here in the first place.
Colson Whitehead (The Nickel Boys)
The white boys bruised differently than the black boys and called it the Ice Cream Factory because you came out with bruises of every color. The black boys called it the White House because that was its official name and it fit and didn’t need to be embellished. The White House delivered the law and everybody obeyed.
Colson Whitehead (The Nickel Boys)
... Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn't have been there; inside and above at the same time; a part and apart. Like a tree trunk that falls across a creek—it doesn't belong and then it's never not been there, generating its own ripples in the larger current.
Colson Whitehead (The Nickel Boys)
Where their pink necks emerged from the linen, that’s where you strike, the vulnerable inch.
Colson Whitehead (The Nickel Boys)
Report on the Investigation into the Deaths and Burials at the Former Arthur G. Dozier School for Boys in Marianna, Florida.
Colson Whitehead (The Nickel Boys)
Not because any attack on his brother was an attack on himself, like they said in church, but because for him to do nothing was to undermine his own dignity.
Colson Whitehead (The Nickel Boys)
love will be returned, trust in the righteous path and it will lead you to deliverance, fight and things will change.
Colson Whitehead (The Nickel Boys)
Do not love for they will disappear, do not trust for you will be betrayed, do not stand up for you will be swatted down.
Colson Whitehead (The Nickel Boys)
How to get through the day if every indignity capsized you in a ditch?
Colson Whitehead (The Nickel Boys)
The paint hung in thin rinds from the ceiling, and the sooty windows turned every hour overcast.
Colson Whitehead (The Nickel Boys)
This sense of dignity.
Colson Whitehead (The Nickel Boys)
Reassembling those fragments into confirmation of a shared darkness: If it is true for you, it is true for someone else, and you are no longer alone.
Colson Whitehead (The Nickel Boys)
all those hard-won and cherished animosities fell away for a few hours as they celebrated a rite of endurance and vicarious suffering. You can do it.
Colson Whitehead (The Nickel Boys)
Archimedes, one of his first encyclopedia finds. Violence is the only lever big enough to move the world.
Colson Whitehead (The Nickel Boys)
the immense exertion white people put into grinding them down
Colson Whitehead (The Nickel Boys)
If that happened to the harmless places, what do you think the haunted places looked like?
Colson Whitehead (The Nickel Boys)
They were the paper of record, which meant they were in the business of protecting the system,
Colson Whitehead (The Nickel Boys)
If everyone looked the other way, then everybody was in on it. If he looked the other way, he was as implicated as the rest.
Colson Whitehead (The Nickel Boys)
The second thing Elwood noticed was the boy’s eerie sense of self. The mess hall was loud with the rumble and roil of juvenile activity, but this boy bobbed in his own pocket of calm.
Colson Whitehead (The Nickel Boys)
That’s true,” Turner said. “That doesn’t mean I can’t see how it works. Maybe I see things more clearly because of it.” He made a face as the soap powder gave him a kick. “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course. If you want to walk out of here.
Colson Whitehead (The Nickel Boys)
One of the radio stations sometimes played the theme to the Andy Griffith Show...The song was a tiny, quiet piece of America carved out of the rest. No fire hoses, no need for the National Guard.
Colson Whitehead (The Nickel Boys)
Perhaps if he'd spent more time in the crucible of the county jail, Elwood would have known that it is best not to interfere in other people's violence, no matter the underlying facts of the incident.
Colson Whitehead (The Nickel Boys)
No matter that Mr. Marconi had told him he didn’t care, no matter that Elwood had never said a word to his friends when they stole in his presence. It didn’t make no sense until it made the only sense.
Colson Whitehead (The Nickel Boys)
When the state of Florida dug him up fifty years later, the forensic examiner noted the fractures in the wrists and speculated that he’d been restrained before he died, in addition to the other violence attested by the broken bones. Most of those who know the story of the rings in the trees are dead by now. The iron is still there. Rusty. Deep in the heartwood. Testifying to anyone who cares to listen.
Colson Whitehead (The Nickel Boys)
Punishment for acting above your station was a central principal in Harriet's interpretation of the world. In the hospital, Elwood wondered if the viciousness of his beating owed something to his request for harder classes...Now he worked on a new theory: There was no higher system guiding Nickel's brutality, merely an indiscriminate spite, one that had nothing to do with people. A figment from tenth-grade science struck him: a Perpetual Misery Machine, one that operated by itself without human agency. Also, Archimedes, one of his first encyclopedia finds. Violence is the only lever big enough to move the world
Colson Whitehead (The Nickel Boys)
Turner had never met a kid like Elwood before. Sturdy was the word he returned to, even though the Tallahassee boy looked soft, conducted himself like a goody-goody, and had an irritating tendency to preach. Wore eyeglasses you wanted to grind underfoot like a butterfly. He talked like a white college boy, read books when he didn't have to, and mined them for uranium to power his own personal A-bomb. Still--sturdy.
Colson Whitehead (The Nickel Boys)
Watch and think and plan. Let the world be a mob—Elwood will walk through it. They might curse and spit and strike him, but he’d make it through to the other side. Bloodied and tired, but he’d make it through.
Colson Whitehead (The Nickel Boys)
The world continued to instruct: Do not love for they will disappear, do not trust for you will be betrayed, do not stand up for you will be swatted down. Still he heard those higher imperatives: Love and that
Colson Whitehead (The Nickel Boys)
During his term at Nickel, the Mexican boy sidestepped the squabbles that embroiled the rest of them, the uncounted disputes over psychological turf and endless encroachments. His constant dorm reassignments notwithstanding, Jaimie kept a quiet profile and conducted himself in accordance with the Nickel handbook’s rules of conduct—a miracle, since no one had ever seen the handbook despite its constant invocations by the staff. Like justice, it existed in theory.
Colson Whitehead (The Nickel Boys)
She threw him a bone about the movement: 'Lyndon Johnson's carrying on President Kennedy's civil rights bill. And if that good old boy is doing right, you know things is changing. Be a whole different thing when you come home, Elwood.
Colson Whitehead (The Nickel Boys)
A figment from tenth-grade science struck him: a Perpetual Misery Machine, one that operated by itself without human agency. Also, Archimedes, one of his first encyclopedia finds. Violence is the only lever big enough to move the world.
Colson Whitehead (The Nickel Boys)
This or this,” his eye doctor asked at checkups, a choice between two lenses of different power. Elwood never ceased to marvel how you could walk around and get used to seeing only a fraction of the world. Not knowing you only saw a sliver of the real thing. This or this?
Colson Whitehead (The Nickel Boys)
Even in death the boys were trouble..............Now they had to start a new inquiry, establish the identities of the deceased and the manner of death, and there was no telling when the whole damned place could be razed, cleared, and neatly erased from history, which everyone agreed was long overdue.
Colson Whitehead (The Nickel Boys)
Dr. King spoke of how his daughter longed to visit the amusement park on Stewart Avenue in Atlanta. Yolanda begged her parents whenever she spotted the big sign from the expressway or the commercials came on TV. Dr. King had to tell her in his low, sad rumble about the segregation system that kept colored boys and girls on the other side of the fence. Explain the misguided thinking of some whites—not all whites, but enough whites—that gave it force and meaning. He counseled his daughter to resist the lure of hatred and bitterness and assured her that “Even though you can’t go to Fun Town, I want you to know that you are as good as anybody who goes into Fun Town.
Colson Whitehead (The Nickel Boys)
Over time, Elwood saw that he was always simultaneously at home in whatever scene he found himself and also seemed like he shouldn’t have been there; inside and above at the same time; a part and apart. Like a tree trunk that falls across a creek—it doesn’t belong and then it’s never not been there, generating its own ripples in the larger current.
Colson Whitehead (The Nickel Boys)
It was easy to root for the winners. No, he liked the punch-drunk ones, half walking at mile twenty-three, tongues flapping like Labradors. Tumbling across the finish line by hook or by crook, feet pounded to bloody meat in their Nikes. The laggards and limpers who weren’t running the course but running deep into their character—down into the cave to return to the light with what they found.
Colson Whitehead (The Nickel Boys)
Now he worked on a new theory: There was no higher system guiding Nickel’s brutality, merely an indiscriminate spite, one that had nothing to do with people. A figment from tenth-grade science struck him: a Perpetual Misery Machine, one that operated by itself without human agency. Also, Archimedes, one of his first encyclopedia finds. Violence is the only lever big enough to move the world.
Colson Whitehead (The Nickel Boys)
Harriet thought they should wake the boy. “Let him sleep,” Evelyn said, and that was the last she heard from them. If her daughter had ever been suited for motherhood, she never demonstrated it. The look on her face when little Elwood suckled on her breast—her joyless, empty eyes seeing through the walls of the house and into pure nothing—chilled Harriet to the bone whenever she remembered it.
Colson Whitehead (The Nickel Boys)
Elwood dressed in the dark slacks from last year’s Emancipation Day play. He’d grown a few inches, so he let them out and they showed the barest sliver of his white socks. A new emerald tie clip held his black tie in place and the knot only took six attempts. His shoes glinted with polish. He looked the part, even if he still worried for his glasses if the police brought out nightsticks. If the whites carried iron pipes and baseball bats.
Colson Whitehead (The Nickel Boys)
Perhaps his life might have veered elsewhere if the US government had opened the country to colored advancement like they opened the army. But it was one thing to allow someone to kill for you and another to let him live next door. The GI Bill fixed things pretty good for the white boys he served with, but the uniform meant different things depending who wore it. What was the point of a no-interest loan when a white bank won't let you step inside?
Colson Whitehead (The Nickel Boys)
Asia is rising against me. I haven't got a chinaman's chance. I'd better consider my national resources. My national resources cousist of two joints of marijuana millions of genitals an unpublishable private literature that goes 1400 miles an hour and twentyfive-thousand mental institutions. I say nothing about my prisons nor the millions of underprivileged who live in my flowerpots under the light of five hundred suns. I have abolished the whorehouses of France, Tangiers is the next to go. My ambition is to be President despite the fact that I'm a Catholic. America how can I write a holy litany in your silly mood? I will continue like Henry Ford my strophes are as individual as his automobiles more so they're all different sexes. America I will sell you strophes $2500 apiece $500 down on your old strophe America free Tom Mooney America save the Spanish Loyalists America Sacco & V anzetti must not die America I am the Scottsboro boys. America when I was seven momma took me to Communist Cell meetings they sold us garbanzos a handful per ticket a ticket costs a nickel and the speeches were free everybody was angelic and sentimental about the workers it was all so sincere you have no idea what a good thing the party was in 1835 Scott Nearing was a grand old man a real mensch Mother Bloor made me cry I once saw Israel Amter plain. Everybody must have been a spy. America you don't really want to go to war. America it's them bad Russians. Them Russians them Russians and them Chinamen. And them Russians. The Russia wants to eat us alive. The Russia's power mad. She wants to take our cars from out our garages. Her wants to grab Chicago. Her needs a Red Readers' Digest. Her wants our auto plants in Siberia. Him big bureaucracy running our fillingstations. That no good. Ugh. Him make Indians learn read. Him need big black niggers. Hah. Her make us all work sixteen hours a day. Help. America this is quite serious. America this is the impression I get from looking in the television set. America is this correct? I'd better get right down to the job. It's true I don't want to join the Army or turn lathes in precision parts factories, I'm nearsighted and psychopathic anyway. America I'm putting my queer shoulder to the wheel.
Allen Ginsberg (Howl: And Other Poems)
Grateful was the teacher rescued by Elwood’s contributions when the classroom fell drowsy with the afternoon heat and he offered up Archimedes or Amsterdam at the key moment. The boy had one usable volume of Fisher’s Universal Encyclopedia, so he used it, what else could he do? Better than nothing. Skipping around, wearing it down, revisiting his favorite parts as if it were one of his adventure tales. As a story, the encyclopedia was disjointed and incomplete, but still exciting in its own right. Elwood filled his notebook with the good parts, definitions and etymology. Later he’d find this scrap-rummaging pathetic.
Colson Whitehead (The Nickel Boys)
In the three years Elwood played the role, the one constant was his nervousness at the climax, when Jackson had to kiss his best girl on the cheek. They were to be married and, it was implied, live a happy and fertile life in the new Tallahassee. Whether Marie-Jean was played by Anne, with her freckles and sweet moon face, or by Beatrice, whose buck teeth hooked into her lower lip, or in his final performance by Gloria Taylor, a foot taller and sending him to the tips of his toes, a knot of anxiety tautened in his chest and he got dizzy. All the hours in Marconi’s library had rehearsed him for heavy speeches but left him ill-prepared for performances with the brown beauties of Lincoln High, on the stage and off.
Colson Whitehead (The Nickel Boys)
Demonic Possession: Fact or Fancy? it said, and as I read the title I distinctly heard the far-off sound of a nickel dropping. It would be very easy for an outside observer to shake his head and say, Yes, obviously, Dexter is a dull boy if he has never thought of that. But the truth is, I had not. Demon has so many negative connotations, doesn’t it? And as long as the Presence was present, there seemed no need to define it in those arcane terms. It was only now that it was gone that I required some explanation. And why not this one? It was a bit old-fashioned, but its very hoariness seemed to argue that there might be something to it, some connection that went back to the nonsense with Solomon and Moloch and all the way up to what was happening to me today.
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
Spartan Up! Life Lesson No. 3: Always Remember Those Who Serve   In the days when an ice cream sundae cost much less, a ten-year-old boy entered a hotel coffee shop and sat at a table. A waitress put a glass of water in front of him. “How much is an ice cream sundae?” the boy asked. “Fifty cents,” replied the waitress. The little boy pulled his hand out of his pocket and studied the coins in his palm. “Well, how much is a plain dish of ice cream?” he inquired. By now, more people were waiting for a table, and the waitress was growing impatient. “Thirty-five cents,” she replied brusquely. The little boy again counted his coins. ”I’ll have the plain ice cream,” he said. The waitress brought the ice cream, put the bill on the table, and walked away. The boy finished the ice cream, paid the cashier, and left. When the waitress came back to wipe down the table, there, placed neatly beside the empty dish, were two nickels and five pennies. You see, he couldn’t have the sundae, because he had to have enough left to leave her a tip. —Author Unknown
Joe De Sena (Spartan Up!: A Take-No-Prisoners Guide to Overcoming Obstacles and Achieving Peak Performance in Life)