Nick Wilde Quotes

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Come here, wild thing,” -Nick Allegrezza
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
Last night I did things my mother told me not to with the people I shouldn't see in the places that I should not go..
Nick Santino
Torn clothing littered the ground, more hung from bushes. Nick held up half a pair of white panties and grinned at me. "Wild dogs? Or just Clayton?" "Oh God," I muttered under my breath. I walked over to snatch the underwear from him, but he held it over his head, grinning like a schoolboy. "I see Paris, I see France, I see Elena's underpants," he chanted. "Everyone's already seen much more than that," Jeremy said. "I think we can safely resume the search." Peter plucked Clay's shirt from a low-hanging branch and held it up, peering through a hole in the middle. "You guys can really do some damage. Where's the hidden video when you need it?" "So this--uh--wasn't done by wild dogs?" one of the searchers said. Peter grinned and tossed the shirt to the ground. "Nope. Just wild hormones.
Kelley Armstrong (Bitten (Otherworld, #1))
Wild dogs? Or just Clayton? -Nick Sorrentino (Bitten)
Kelley Armstrong
Cigarettes and Whiskey and Wild, Wild Women" Perhaps I was born kneeling, born coughing on the long winter, born expecting the kiss of mercy, born with a passion for quickness and yet, as things progressed, I learned early about the stockade or taken out, the fume of the enema. By two or three I learned not to kneel, not to expect, to plant my fires underground where none but the dolls, perfect and awful, could be whispered to or laid down to die. Now that I have written many words, and let out so many loves, for so many, and been altogether what I always was— a woman of excess, of zeal and greed, I find the effort useless. Do I not look in the mirror, these days, and see a drunken rat avert her eyes? Do I not feel the hunger so acutely that I would rather die than look into its face? I kneel once more, in case mercy should come in the nick of time.
Anne Sexton
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
The unconscious does not coo sweet lyrics or unroll immaculate and measured prose, it howls and raves like the shackled and tortured beast that our civilization has made of it, and when the fetters are momentarily loosened the unconscious does not thank the ego for this meagre relief, but hisses, spits, and bites, as any wild thing would.
Nick Land (The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (An Essay in Atheistic Religion))
Well, there are always two dancers in two circles," Alan said, and went a little red. "Usually a girl and a guy dancing side by side. It's often couples, because, um - the demons are attracted to strong feelings, and the fever fruit lowers inhibitions, and, er-"It's all very Magical Circle Dancers Gone Wild," Nick interrupted, and tucked his knife away.
Sarah Rees Brennan (The Demon's Lexicon)
There was something about Nick that was like being around a wild animal. He was smiling and friendly now, but it felt like at any minute he could turn snarling and scary again.
Rachel Hawkins (Demonglass (Hex Hall, #2))
But I didn't know where I wanted to go. Or what I wanted to do when I got there. I had dreams, but they were vague things with no real substance. I wanted to be famous, or really rich, or wildly successful, but that was as far as the dream went. My whole life was a fill-in-the-blank.
Nick Hornby (High Fidelity)
Ex-governor Walter Hickel, decrying the interference of wolf advocates (many of them Outsiders) in the issue two decades ago, put it best, with this unintentionally comical, landmark statement: “You can’t just let nature run wild.
Nick Jans (A Wolf Called Romeo)
Are you trying to tell me—in your own typically macho way—that you want to make love again?” He glanced at her. “I’m not trying to tell you anything. I want you. You want me. Someone is going to end up wearing nothing but a satisfied smile on her lips.” “I don’t know, Nick, I might talk afterward. Do you think you can handle it?” “I can handle anything you can think up, and a few things you’ve probably never even thought of.” “Do I have a choice?” “Sure, wild thing. I have four bedrooms. You can choose which one we use first.
Rachel Gibson
Listen. I eat salad... I just now ate a bowl of oatmeal. That's right. Because I'm a real human animal, not a television character. You see, despite the beautifully Ron Swanson-like notion that one should exist solely on beef, pork, and wild game, the reality remains that our bodies need more varied foodstuffs to facilitate health and digestive functions...
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
In order to get what we've never had, we must do what we've never done.
Nick Wilde
Immaculate predators, the very symbol of pure, uncompromising wildness, wolves and what we call civilization seem to be, in the cold terms of logic, mutually exclusive circumstances.
Nick Jans (A Wolf Called Romeo)
The sliding door opened, and then Michael was clomping across the porch. Gabriel didn’t look at him, just kept his gaze on the tree line. Michael dropped into the chair beside him. “Here." Gabriel looked over. His brother was holding out a bottle of Corona. Shock almost knocked him out of the chair. They never had alcohol of any kind in the house. When Michael had turned twenty-one, they’d all spent about thirty seconds entertaining thoughts of wild parties supplied by their older brother. Then they’d remembered it was Michael, a guy who said if he ever caught them drinking, he’d call the cops himself. Really, he’d driven the point home so thoroughly that by the time he and Nick started going to parties, they rarely touched the stuff. Gabriel took the bottle from his hand. "Who are you, and what have you done with my brother?” Michael tilted the botle back and took a long draw. "I thought you could use one. I sure can." Gabriel took a sip, but tentatively, like Michael was going to slap it out of his hand and say Just kidding. "Where did this even come from?" "Liquor store." Well, that was typical Michael. "No, jackass, I meant-" "I know what you meant." Michael paused to take another drink. "There's a mini-fridge in the back corner of the garage, under the old tool bench.
Brigid Kemmerer (Spark (Elemental, #2))
The sky is the most glorious blue I've ever seen." Nick must have heard her quiet words. "I used to think there couldn't be a more beautiful blue in all the world." The sound of his voice pulled Elizabeth into his presence. She said with a curious glance. "What changed your mind?" He flushed though his green gaze remained steady on her, "I saw your eyes.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Got something!" one of the men yelled. "Is it Mike?" another called, rushing from our sides. As everyone converged on the scene, Nick's voice rang out, choked with barely contained laughter. "Forget it. It's—uh—nothing important." "What the hell do you mean?" the first man said. "Maybe this is all a joke to you, son, but. . ." The rest of the sentence trailed off as we burst into the clearing to find one of the searchers bending over a ripped shirt. Torn clothing littered the ground, more hung from bushes. Nick held up half a pair of white panties and grinned at me. "Wild dogs? Or just Clayton?" "Oh God," I muttered under my breath. I walked over to snatch the underwear from him, but he held it over his head, grinning like a schoolboy. "I seeParis , I seeFrance , I see Elena's underpants," he chanted. "Everyone's already seen much more than that," Jeremy said. "I think we can safely resume the search." Peter plucked Clay's shirt from a low-hanging branch and held it up, peering through a hole in the middle. "You guys can really do some damage. Where's the hidden video when you need it?" "So this—uh—wasn't done by wild dogs?" one of the searchers said. Peter grinned and tossed the shirt to the ground. "Nope. Just wild hormones.
Kelley Armstrong (Bitten (Otherworld, #1))
From the corner of her eye, she caught Nick staring at their joined hands, a stormy frown on his face. Miss Stanton tapped him on the arm, and he looked at her.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
As he tried to suppress a laugh, Nick choked, then raised his napkin to his mouth. But his eyes danced with emerald glee, and Elizabeth knew the napkin hid a grin.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
was a well-known fact that anyone who questioned any of Masterson’s acts never survived a great length of time to talk about it.
Nick Vulich (Shot All to Hell: Bad Ass Outlaws, Gunfighters, and Lawmen of the Old West (Back When the West Was Wild Book 1))
he did his best Swedish Chef imitation, just to be saying something that sounded vaguely Scandinavian. Peter had always liked the Muppets.
Nick Petrie (The Wild One (Peter Ash, #5))
Just about everyone I've ever interviewed has told me that by doing something or other--recovering from cancer, climbing a mountain, playing the part of a serial killer in a movie--they have learned something about themselves. And I always nod and smile thoughtfully, when really I want to pin them down: What did you learn from the cancer, actually? That you don't like being sick? That you don't want to die? That wigs make your scalp itch? Come on, be specific. I suspect it's something they tell themselves in order to turn the experience into something that might appear valuable, rather than a complete and utter waste of time. In the last few months, I have been to prison, lost every last molecule of self-respect, become estranged from my children, and thought very seriously about killing myself. I mean, that little lot has got to be the psychological equivalent of cancer, right? And it's certainly a bigger deal than acting in a bloody film. So how come I've learned absolutley bugger all? What was I supposed to learn? I've found out that prison and poverty aren't really me. But, you know, I could have had a wild stab in the dark about both of those things beforehand. Call me literal-minded, but I suspect people might learn more about themselves if they didn't get cancer. They'd have more time, and a lot more energy.
Nick Hornby (A Long Way Down)
Nick looked to the sky again, searching for a last glimpse of the shiny jet. ‘For us, maybe, but courtesy of Nina and her reckless ambition Ellie Wilding will remember this day for the rest of her life.
Helene Young
Elizabeth glanced over at Nick, striding along with Lizzy on his shoulders. Once in the shade, the child had perked up enough to giggle as she bounced along on her moving perch. Nick caught Elizabeth’s glance and winked.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Elizabeth Hamilton! What are you doing riding that horse? Nick’s going to be so angry with you!” “Nick’s not around,” Elizabeth said tartly. “Well, you’d better not break your neck. We’ve enough problems as it is.” “I won’t.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Getting dirty is the whole point. If you're getting dirty, that means that you have traveled to where there is no pavement. When you sojourn into such terrain, you greatly up your chances of experiencing some full-on wild nature.
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
The hanging question isn’t why Berner and Carnegie were attacked and killed, but why wolf attacks on humans on this continent, and pretty much everywhere except remote areas of south-central Asia, are as rare as they are. Wolves are opportunistic, adaptable predators. Why not choose humans—comparatively slow, small, and weak compared to most wild prey—on a regular basis? Surely, if North American wolves saw humans as potential food, thousands should have died at their fangs. Instead, just two.
Nick Jans (A Wolf Called Romeo)
But, in a way, that sense of death being present, and all those wild, traumatized feelings that went with it, ultimately gave us this weird, urgent energy. Not at first, but in time. It was an energy that allowed us to do anything we wanted to do. Ultimately, it opened up all kinds of possibilities and a strange reckless power came out of it. It was as if the worst had happened and nothing could hurt us, and all our ordinary concerns were little more than indulgences. There was a freedom in that.
Nick Cave (Faith, Hope and Carnage)
Willow nodded. “Far be it from me to make excuses for him, and I’m not trying to do that now. But you are the prettiest little thing, Nicks. And then you strap on that guitar, and you turn into a ten-foot-tall warrior woman. I imagine you were a shock to Mr. Jensen’s nervous system the first time he saw you. He has no justification for being an idiot, but I’ll tell you, based on what I know about men, that his reaction was understandable to a certain extent. You must’ve come across like a ten on the Richter scale the first time he saw you play.
Shari Copell (Wild Angel (Rock'n Tapestries, #2))
Once she looked across the table at Nick and noticed him watching her with a shadowed expression in his green eyes. For a moment, her happiness dimmed. Could he sense her attraction to Mr. Livingston? Their glances held, then he turned away to reply to a remark addressed to him by Miss Stanton.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
What do you men wear (to swim)?" Laughter glinted in his green eyes and he slanted her a mischievous grin. "Since Mrs. Carter came here to live, we swim in old pants cut off at the knees." Warmth crept up her cheeks. Bad enough to think of a bare-chested Nick swimming in the pool without thinking of him naked.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
He tenderly brushed a stray strand of hair out of her face. “Would you give me a daughter with your beautiful blue eyes?” he whispered, his face near hers. “First I want a son with your green ones.” Nick cupped her cheeks with his hands, leaned forward, and kissed her gently. Straightening, he smiled down at her.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
I am afraid of falling, of fire, of torture and monsters and infestations of spiders and wild dogs and cancer and the End of the World (a proper one, without a sequel) and everything else I have imagined in the small hours between two and four, when unreasonable, improbable waking nightmares can attain solidity and bulk. I
Nick Harkaway (The Gone-Away World)
Nick took the pistol from her, turned, and tossed it onto the grass. Placing his hands on her arms, he pulled her to him, the pressure of his fingers biting into the softness of her flesh. “I don’t know whether to shake you”—Nick emphasized his words with a joggle of her arms—“or kiss you.” His tone sounded playful, but seriousness glimmered in his gaze.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Elizabeth watched as Nick, alternating between teasing and coaxing, persuaded Lizzy to drink the entire glass of lemonade. He’s so good with her—with all the children. Someday, he’ll make a wonderful father. That unexpected warmth crept into her cheeks again. As if Nick read her mind, his eyes met hers. Elizabeth blushed. Surely he wasn’t having similar thoughts about her?
Debra Holland (Wild Montana Sky (Montana Sky, #1))
From this view, she could see how his light brown hair curled below his hat and over his collar. With a smile, she remembered the swashbuckling heroes in the forbidden novels she and Pamela used to read in secret. How they had swooned over those stories, their hearts beating rapidly in their not-yet-blossoming chests. Did Pamela ever remember those books when she looked at Nick?
Debra Holland (Wild Montana Sky (Montana Sky, #1))
They were in a pub called the Chough when Nick returned from his investigation of every corner of the place to find Jamie sitting at the bar exactly where he had left him.  He had not left him penned in by two men, however. Nick’s first thought was of magicians, and he reached for his nearest knife before it occurred to him that Jamie’s earring probably had more to do with this situation than his demon’s mark.  It had been a long and frustrating search already. Nick was itching for a fight.  “These guys bothering you?” he asked Jamie softly, and gave the two men his coldest look. One of them stepped back.  “No, no, no,” Jamie said at once, looking wildly around at empty air, as if Nick had started to throw knives.  Nick could throw knives quite well, but that was beside the point. 
Sarah Rees Brennan (The Demon's Lexicon)
Originally, the word "wilderness" was a compound of wild and deer; it was any place where wild animals roamed free. But wild-deer-ness was always more than just a place; it was a state of mind. Frances Zaunmiller, the mountain woman who spent forty-fire years living along Salmon River in the Idaho outback, defined wilderness as the psychological expanse where 'a man can walk without trespassing'.
Nick Hayes (The Book of Trespass: Crossing the Lines that Divide Us)
For the first time, she studied Nick’s face. Lowered eyelids hid his beautiful green eyes, making his long lashes stand out against his cheeks. He had the kind of fair skin that freckled and then tanned only after repeated days in the sun. His jaw rested on the violin. Without his hat, she noted his prominent cheekbones. The bump on his nose gave his face character, and she wondered how he’d broken it.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Do the girls swim too?” “Yes, Miz Carter lets them swim in their shifts.” Elizabeth raised an eyebrow at that. “What do you men wear?” Laughter glinted in his green eyes, and he slanted her a mischievous grin. “Since Miz Carter came here to live, we swim in old pants cut off at the knees.” Warmth crept up her cheeks. Bad enough thinking about a bare-chested Nick swimming in the pool without thinking of him naked!
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Nick began playing another piece—a beautiful one she’d never heard. The feelings in his eyes changed until they held love and compassion. “This is for you,” he whispered. Mesmerized, she became lost in the emerald enchantment cast over her by his gaze and the seductive music. Although not releasing her from her cares, the music soothed away the harsh edges so they didn’t cut so deep into her soul, giving her the strength to continue to bear them.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
That strange feeling came back to Nick’s stomach, although this time it traveled upward to the vicinity of his heart. His hands stroked and soothed the mare, but all his attention centered on the woman kneeling in the straw. The haughty attitude Elizabeth sometimes displayed had vanished. Happiness lit up her face, and her eyes shone with love. Look at me that way, he silently pleaded. He knew Star didn’t appreciate her loving attention the same way he would.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
At the sight of Elizabeth Hamilton, all his previous concerns flew out of his mind. She was dressed in green, the color of new leaves, with her burnished blonde hair pulled back in a simple knot. Her blue eyes, more azure than the sky back home, turned in inquiry toward him. The color of her surroundings suited her. Nick had never seen a more elegant woman. Damn, she’s beautiful. His tongue froze like lake water in a Montana winter, and his greeting died on his lips.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
The invisible alleyways of the air have twisted through mythology, in and out of landscapes and cultures, from zephyrs to howling gales. I have met the characters of the winds, and know the qualities they bring: the Bora strength and clarity; the Foehn destruction and depression; the Sirocco debilitation; the Mistral beauty and madness. Now it seems, hoping against hope, I am about to know the Helm – if only the Bar will come – and the wildness of the chase fills me, pulls me on.
Nick Hunt (Where the Wild Winds Are: Walking Europe's Winds from the Pennines to Provence)
If Livingston won her, he’d keep Elizabeth in a cage like a gilded bird and never let her blossom into the vibrant person she really was. Nick shook his head in disbelief. How could that man want to clip her wings? Elizabeth had glowed with pride at her achievement. Her blue eyes had sparkled with pleasure. Beneath the dusting of flour, her cheeks had been pink. For the first time she’d been totally relaxed with him. Despite her disheveled appearance, Nick had never seen her look happier, nor more beautiful.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Sara’s voice, begging to pet Star, brought him back to the moment. Nick looked away from Elizabeth, and she scrambled to her feet. “Of course, Sara,” she said. “I didn’t mean to be selfish. It’s just that I’ve never fallen in love with a horse before.” She shook the straw out of her skirt. “It’s had quite an effect on me. I forgot you were waiting.” What about me? Nick thought. Could you bring yourself to let some of that love spill over to me? He mentally shook his head at his fantasy and made an effort to sound normal.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Wait! It’s too heavy,” Elizabeth called after him. Nick kept right on walking until he reached the carriage and deposited the trunk on the rack in the back. When he returned to her side, he smiled at her. “Not much bigger than a hay bale, Miss Hamilton.” Before Elizabeth could respond, Nick stooped down, lifted the second trunk, and carried it to the carriage. In tired bemusement, Elizabeth watched Nick’s broad shoulders and the muscles moving beneath his faded striped shirt. She felt a stirring in her breast and wondered at the unexpected feeling.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
She’s better off without you.” Livingston narrowed his eyes. “I see which way the land lies. If I didn’t trust Miss Hamilton’s superior values and morals—” Nick’s fist snaked out, aiming for the banker’s nose. Livingston barely had time to turn his head before Nick’s knuckles connected with the man’s cheek, sending him stumbling back against the wall. The seascape crashed to the ground. With shock and disbelief in his eyes, Livingston slid to the floor, cradling the rapidly forming red mark on his face. Nick shook his head in disgust. Pity he hadn’t broken the man’s nose.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Everybody knows, but many deny, that eating red meat gives one character. Strength, stamina, stick-to-it-iveness, constitution, not to mention a healthful, glowing pelt. But take a seat for a second. Listen. I eat salad. How’s that for a punch in the nuts, ladies? What’s more, as I sit typing this on a Santa Fe patio, I just now ate a bowl of oatmeal. That’s right. Because I’m a real human animal, not a television character. You see, despite the beautifully Ron Swanson–like notion that one should exist solely on beef, pork, and wild game, the reality remains that our bodies need more varied foodstuffs that facilitate health and digestive functions, but you don’t have to like it. I eat a bunch of spinach, but only to clean out my pipes to make room for more ribs, fool! I will submit to fruit and zucchini, yes, with gusto, so that my steak-eating machine will continue to masticate delicious charred flesh at an optimal running speed. By consuming kale, I am buying myself bonus years of life, during which I can eat a shit-ton more delicious meat. You don’t put oil in your truck because it tastes good. You do it so your truck can continue burning sweet gasoline and hauling a manly payload.
Nick Offerman (Paddle Your Own Canoe: One Man's Principles for Delicious Living)
Which is why, ultimately, we need to flame the place, Roz. And it's also why we should be eating more meat as a species. Each new vegetarian recipe Mankind allows is a recipe for disaster.' 'That sentence would be brilliantly funny, Nick. If it weren't also terrifyingly true.' 'I know, Roz. If only I could allow myself to appreciate the stark humor of it. Yet the reality is, these vegetarian fast-food outlets are the wild west of the modern convenience snack. And we've only just begun to realize the full implications of messing about with supposedly "healthy" ingredients that Mankind can neither taste nor understand.
Garth Marenghi (Garth Marenghi's TerrorTome)
Why don’t you take a turn now,” she suggested. “I want to see an expert in action.” A flush climbed his cheeks, but he took the Colt from her, reloaded, and stepped over to the steer. With an effortless lift of his arm, he rapidly shot five rounds dead center into the heart area. He lowered the gun, turned, and, lifting an eyebrow, waited for her reaction. Impressed by his quiet confidence, Elizabeth mirrored his raised eyebrow. “You make it look so easy.” Nick laughed. “Been shootin’ since I was Mark’s age.” She teased back. “That’s not so long ago.” “A man grows up fast in these parts. When you need to survive,” he spun the words into a drawl, “you learn to hit what ya aim for.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Here, let me help.” Nick stepped behind her, reached around her body, and placed his hands over hers, steadying the rifle against her shoulder. At his touch, unusual tingling sensations coursed through her. “Look down the sights to the target,” he murmured in her ear. His finger pressed over hers, guiding her movement. Her whole body warmed at his closeness. Too aware of him, she couldn’t concentrate. She just closed her eyes and squeezed the trigger. The noise of the shot reverberated in her ears. The recoil of the gun sent her staggering back into Nick. His arms tightened around her. She lowered the rifle. “You missed,” Nick’s voice teased in her ear. Elizabeth’s heart raced. She relaxed against his chest, loving the feel of his strong arms around her.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Hard to imagine, but Dakotah herself was 99.98 percent wolf, including, you might suppose, the part of her that loved pursuing and catching things over and over at breakneck speed and delivering them back to her pack, in a faint echo of the chase. I’ve wondered if some dogs may feel a higher level of drive for such games, since it’s their only outlet for genetically programmed catch-and-kill hunting behavior. A wolf in the same situation seems more relaxed, more purely at play—certainly the case with the black wolf just then, and with other wild wolves I’ve seen. After all, wolves hunt to live, on a daily basis; fooling around with a toy is more of a break, quite separate from the serious business of living—having fun for the sheer sake of it. To high-drive Labs and border collies, fetch is often more than just a game; it’s their job, a dead serious business.
Nick Jans (A Wolf Called Romeo)
don’t want to pick saskatoons ever again,” she said in a small, fearful voice. “Now, honey, don’t you worry none,” Nick told her in an exaggerated drawl. “You’ve been picking berries here for years and never saw any ole bears until today.” He winked at her. “Besides, I don’t think that grizzly was after Miss Elizabeth. I think it was more interested in her basket of berries.” “Then why’d you kill it?” Sara asked, looking a little less fearful. “I saw that there grizzly, and I thought to myself, bear steaks! I sure do love bear steaks. And since your pa don’t let me keep any bears in the barn, I rarely get to eat any.” Sara laughed, and color returned to her cheeks. “Silly Nick. You can’t keep bears in the barn!” “Well, maybe not. But I couldn’t let an ole bear frighten a pretty little lady like Miss Elizabeth, now could I?” Elizabeth’s heart lightened at the compliment, but she pretended not to hear. As Nick reassured the child, she could feel the strain inside her ease. “We’ll get that bear’s head stuffed and mounted,” Nick continued. “Then Miss Elizabeth can hang it in her bedroom.” “Don’t you dare,” Elizabeth exclaimed in mock horror. “I’d never be able to sleep!
Debra Holland (Wild Montana Sky (Montana Sky, #1))
Nick leaped off the horse. Still pointing the rifle at the bear, he nudged the carcass with his foot, then lowered the rifle and turned to Elizabeth. She threw herself against him. His arm tightened around her. Setting the rifle on the ground, he pulled her close. Elizabeth clung to him, still too shaken to even burst into tears. Nick had saved her. She glanced back at the carcass, still hardly believing what had just happened, then shuddered and buried her face in his shoulder. “Elizabeth, are you all right?” She nodded, but didn’t lift her face. Her body trembled. A few relieved tears squeezed through her tightly shut eyelids. Nick reached up and stroked her hair, placing several comforting kisses on her head. “I was so frightened,” she murmured into his shoulder. “Thank goodness you came.” He pressed another kiss to her head. Elizabeth sighed in relief, her body shaky. Everything had happened so fast. But she was safe in Nick’s embrace, and she didn’t want to leave anytime soon. Nick scooped Elizabeth into his arms. She gasped, flung her arms around his neck, and clung to him. “Nick, I’m too heavy,” she protested. “Lighter than those hay bales,” he teased. “You make a better fit too.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
My father played the melodion Outside at our gate; There were stars in the morning east; And they danced to his music. Across the wild bogs his melodion called To Lennons and Callans. As I pulled on my trousers in a hurry I knew some strange thing had happened. Outside in the cow-house my mother Made the music of milking; The light of her stable-lamp was a star And the frost of Bethlehem made it twinkle. A water-hen screeched in the bog, Mass-going feet Crunched the wafer-ice on the pot-holes, Somebody wistfully twisted the bellows wheel. My child poet picked out the letters On the grey stone, In silver the wonder of a Christmas townland, The winking glitter of a frosty dawn. Cassiopeia was over Cassidy's hanging hill, I looked and three whin bushes rode across The horizon - the Three Wise Kings. An old man passing said: "Can't he make it talk" - The melodion, I hid in the doorway And tightened the belt of my box-pleated coat. I nicked six nicks on the door-post With my penknife's big blade - There was a little one for cutting tobacco. And I was six Christmases of age. My father played the melodion, My mother milked the cows, And I had a prayer like a white rose pinned On the Virgin Mary's blouse
Patrick Kavanagh (The Complete Poems)
The boy shows talent. The overheard words still rankled. Boy! At twenty-four! He’d like to see that banker do a man’s work around a ranch. He’d have blisters on those smooth hands inside of two hours. Not to mention how he’d feel after a long day in the saddle. Elizabeth wouldn’t be happy with Livingston. He knew it. True, the man had money, a large house, and a purebred pedigree—all the things she probably wanted in a man. But it wouldn’t be enough. He had instincts about her in the same way he knew horses—what they needed, how to touch them. In the last week, there’d been times when she’d thawed and shown her feelings. He’d bet anything a special woman lurked beneath her proper Boston exterior. With Livingston, that woman would never emerge. He straightened and ground a fist into his palm. He couldn’t step back and let Livingston waltz away with her. It wouldn’t be right. He’d have to change. Force himself past his shyness. Force himself to open up. Nick wasn’t sure how he’d do it. Aside from what he’d learned from Miz Carter, he’d not had any training in proper society manners. Now, he’d seen for himself how different things were in the East. But something in Elizabeth had touched him, something that went beyond social barriers, and he knew she’d sensed it too. He might not have much wealth to offer, but there were other things he could do to make her happy, and he’d love her with all his heart.
Debra Holland (Wild Montana Sky (Montana Sky, #1))
What’s going on?’ she said. ‘Talk to me.’ ‘I …’ I looked down. I didn’t want her to see me. But Rooney was looking at me, eyebrows furrowed, so many thoughts churning behind her eyes, and it was that look that made me start spilling everything out. ‘I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ ‘B-but … that’s not how the world works, people always put romance over friendships –’ ‘Says who?’ Rooney spluttered, smacking her hand on the ground in front of us. ‘The heteronormative rulebook? Fuck that, Georgia. Fuck that.’ She stood up, flailing her arms and pacing as she spoke. ‘I know you’ve been trying to help me with Pip,’ she began, ‘and I appreciate that, Georgia, I really do. I like her and I think she likes me and we like being around each other and, yep, I’m just gonna say it – I think we really, really want to have sex with each other.’ I just stared at her, my cheeks tear-stained, having no idea where this was going. ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman
Nick..." She started as his mouth descended to the nest of blond curls. "Nick..." But he did not listen, completely absorbed in her salt-scented female flesh. His breath filled the moist cleft with steamy heat. A moan rose from her throat, and her wrists twisted in his grasp. His tongue searched through the springy curls until he reached the rosy lips hidden beneath. He licked one side of her sex, then the other, the tip of his tongue teasing delicately. His mouth ravished her so gently, his tongue slipping over her melting flesh to find the secret entrance to her body, filling her with silky heat... withdrawing... filling. Lottie went weak all over, her sex pulsing urgently. As he nuzzled and played with her, she tried to angle her body so that he would touch the peak that throbbed so desperately. He seemed not to understand what she wanted, licking all around the sensitive spot but never quite reaching it. "Nick," she whispered, unable to find words for what she wanted. "Please. Please." But he continued to deny her, until she realized he was doing it deliberately. Frustrated beyond bearing, she reached down to his head, and she felt the puff of his brief laugh against her. Immediately his mouth slid away and traveled downward, tasting the damp creases of her knees, moving to the hollows of her ankles. By the time he made his way back to her loins, her entire body was sweltering. His head hovered over the place between her legs again. Lottie held her breath, aware of a hot trickle of moisture from her body. His tongue brushed the peak of her sex in a tentative lap. Lottie could not hold back a wild cry as she arched into his mouth. "No," he murmured against her damp flesh. "Not yet, Lottie. Wait just a little longer." "I can't, can't, oh, don't stop..." She pulled at his dark head frantically, groaning as he feathered his tongue over her once more. Catching her wrists, Nick pulled them over her head and settled his body between her thighs, taking care not to crush her. His shaft was cradled in the hot valley between her legs. His dark blue eyes stared directly into hers as he released her hands. "Leave them there," he said, and she obeyed with a sob. He kissed her breasts, moving from one to the other. With each incendiary swirl of his tongue, she nearly rose off the sheet. His sex slid against her in disciplined thrusts that teased and rubbed and tormented, while his mouth drew hungrily on her nipples. She arched upward with supplicating moans. Stunning pleasure built inside her, gaining intensity... she hovered on the brink, waiting, waiting... oh, please... until the culmination was finally upon her. She cried out in bashful amazement as rich spasms spread from the center of her body. "Yes," he whispered against her taut throat, his hips working gently over hers.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Her most favored dish—the one the three families requested most for fifth-Sunday meals—was the cream-cheese crescent squares, known affectionately as Sugar Dump, for obvious reasons. The few times she bought expensive name brands were when she fixed this dish. A layer of Pillsbury crescent rolls popped from the tube and rolled out onto a casserole dish. Then a layer of Philadelphia cream cheese mixed with a cup of sugar, followed by another layer of crescent rolls. She baked it at 350 for thirty minutes, and while it cooled, she drizzled the top with a thin glaze of powdered sugar and milk. A simple recipe with store-bought ingredients, but people loved it. I suspect my mother took great pleasure in feeding her husband’s congregation. Perhaps a kind of communion: The more they ate her food, the less she felt like that old Debra Rose, the bona fide wild woman I wanted to meet, and more like the woman she had willed herself to be: Dr. Dillard’s wife.
Nick White (How to Survive a Summer)
Nick looked at Jackie. Her head was buried in her hands. She was more flushed than Justin. In fact, she wasn't pink—she was fire engine red. "You're not sick now, are you?" he asked. "I am so embarrassed," said Jackie. "Do you two have any idea who that was?" "Let me take a wild guess at it?" said Nick. "Ummm...Nancy?" "Yes, Nancy," said Jackie. "Nancy Copeland! She is the whole reason I want to be a 46er. She climbed all 46 high peaks in one winter." "In one winter?" said Nick. "Wow, she didn't look crazy.
Justin VanRiper (Rescue on Bald Mountain (The Adirondack Kids #2))
Rijeka was full of grubby ghosts wandering in twilight.
Nick Hunt (Where the Wild Winds Are: Walking Europe's Winds from the Pennines to Provence)
In Germany, western Europe’s second-longest river is affectionately called Old Father Rhine, so if the Foehn is the Oldest Man then the coming together of river and wind is a meeting between two venerable, ancient and respected beings; a harking back, it seemed to me, to a time when both were gods.
Nick Hunt (Where the Wild Winds Are: Walking Europe's Winds from the Pennines to Provence)
Every pine tree I walked beneath had its particular inflection, its needles hissing in frequencies subtly different from the ones before – the dictionary term is ‘psithurism’, the noise of wind passing through leaves – an evergreen language that sounded like whispered words.
Nick Hunt (Where the Wild Winds Are: Walking Europe's Winds from the Pennines to Provence)
This was my first intimation of what would become a strong theme on these walks: highlands have always been the home of wild winds and wild people.
Nick Hunt (Where the Wild Winds Are: Walking Europe's Winds from the Pennines to Provence)
The party never stopped at Mick's place. He categorized three phases of a good drug binge: ascending, transcending, disintegration.
Rob Sheffield (The Wild Heart of Stevie Nicks)
Stop! I’ll tell Father you’re eloping,” Nick said as he tore after Rune and Elise. Rune stopped running. “That’s a great idea,” he said, his face serious. “What? No! Mikk!” Nick roared. Elise almost tripped, she was laughing so hard as she and Rune fled the portrait gallery and ran.
K.M. Shea (The Wild Swans (Timeless Fairy Tales, #2))
You know, Levi, I wouldn’t want any of us to get separated and run into any wild animals.” They’d reached the zoo, and Nick opened the door to the main office for Levi and Lilly to pass through. After trotting inside, Levi lifted his serious face toward Nick. “That would be bad.” “I think we should all hold hands just in case.” Nick held out his open hand to Lilly. She shot him a fiery glare. Levi grabbed Nick’s other hand. “Mama, you’d better hold Mr. Nick’s hand. You don’t want to get eaten by agitatored alligators, do you?” “That’s not the beast I’m most worried about,” she muttered. Nick looked at his empty, outstretched hand and raised his brows. Holding hands with him in public? Didn’t he realize what he was asking? It was nearly a declaration. “For your safety, ma’am,” he said like a sheriff from the Wild West. With a sigh, she placed her hand in Nick’s palm. She only hoped she wouldn’t regret it.
Lorna Seilstad (The Ride of Her Life)
Oh, there's a them now.
Nick Wilde
La coerenza è l'estremo rifugio degli uomini privi di fantasia, sono intervenuto io. Ancora Wilde, non sapevo resistere.
Nick Hornby (A Long Way Down)
Nick relaxed as he and Jordan settled into the last two open chairs at the bar. This kind of wine tasting was much more his style. Mike slid two empty glasses in front of them. “Where do you guys want to start?” Nick thought about this. “Do you have anything in a pink?” Mike eagerly grabbed a bottle from the back bar. “Actually, we have a gorgeous Rosato. Predominantly made from cabernet and Sangiovese grapes, fermented in stainless steel, then briefly in French oak, it’s a lush, aromatic blend of wild strawberries and blood oranges, full in the mouth without being too heavy. Perfect for a sunny, spring day like this.” “Sounds delicious,” Nick said. “I’ll take everything but that one.
Julie James (A Lot like Love (FBI/US Attorney, #2))
I don’t know how to swim,” I said as we walked onto the back deck where the pool awaited. “I’ll teach you,” Bailey said, smiling over her shoulder. “First, I need to clean out some of the gunk from the storm.” After scooping up dead leaves and bugs until the pool looked pristine, Bailey jumped into the pool. “There’s a secret to swimming,” she said, giving me a wink. Tossing off my shirt, I didn’t think about how much I hated to go shirtless outside of the cage. I just walked into the water and returned her bright smile. “What’s the secret?” “Friction.” Before I could ask, Bailey slid her wet body against mine. “Lots of friction,” she murmured, grinning wildly. The moment my hands went to her ass, her legs wrapped around my waist. “I feel like I might drown. More friction might be necessary.” When I nibbled at her shoulder, she went soft in my arms. Getting cocky, I tugged at the strap of her bikini with my teeth. “Shit,” she muttered and I knew we had company. Glancing back, I found Kirk watching us while Sawyer gnawed at an ice cream. “Screwing my daughter in the pool,” he said, exhaling cigarette smoke. “I like a man with balls.” Bailey frowned. “We’re not screwing.” To ensure the moment was truly awkward, Bailey slid her hands up and down my chest. Nothing made a guy piss his pants like having his nutty girlfriend feel him up in front of her scary dad. “We’re going out to Longhorn’s for dinner tomorrow night. Brass Balls can come with us.” “Thanks, Pop,” Bailey said, grinning like her hands weren’t on my ass. “We’re grilling and your brothers are here.” Sawyer grinned at me then Bailey. “A man should die with a full stomach.” Snorting at his kid’s comment, Kirk took her hand then walked away. Bailey watched them leave then looked at me. “I was going to fuck you in the pool,” she whispered. “You’re going to get me killed.
Bijou Hunter (Damaged and the Dragon (Damaged, #5))
4.02 You Have It or You Don’t A King was watching a great magician perform his act. The crowd were enthralled and so was the King. At the end the audience roared with approval. And the King said: “What a gift this man has. A God-given talent.” But a Wise Counsellor said to the King, “My Lord, genius is made, not born. This magician’s skill is the result of discipline and practice. These talents have been learned and honed over time with determination and discipline.” The King was troubled by this message. The Counsellor’s challenge had spoiled his pleasure in the magician’s arts. “Limited and spiteful swine. How dare you criticise true genius. As I said, you either have it or you don’t. And you most certainly don’t.” The King turned to his bodyguard and said, “Throw this man into the deepest dungeon. And,” he added for the Counsellor’s benefit, “so you won’t be lonely you can have two of your kind to keep you company. You shall have two piglets as cellmates.” From the very first day of his imprisonment, the Wise Counsellor practised running up the steps of his cell to the prison door carrying in each hand a piglet. As the days turned into weeks, and the weeks into months, the piglets steadily grew into sturdy wild boars. And with every day of practice the Wise Counsellor increased his power and strength. One day the King remembered the Wise Counsellor and was curious to see how imprisonment had humbled him. He had the Wise Counsellor summoned. When the prisoner appeared, a man of powerful physique, carrying a wild boar on each arm, the King exclaimed, “What a gift this man has. A God-given talent.” The Wise Counsellor replied, “My Lord, genius is made, not born. My skill is the result of discipline and practice. These talents have been learned and honed over time with determination and discipline.
Nick Owen (The Magic of Metaphor: 77 Stories for Teachers, Trainers and Therapists)
As a band we were also demonstrating a distinct lack of commitment to the necessary input required. We seemed to be more interested in booking squash courts, for example, than perfecting the set. As a result our shows were a wildly erratic mix of the good and bad (and occasionally ugly) both technically and musically. The exception to this state of affairs was provided by the two backing singers, Carlena Williams and Venetta Fields, who always performed wonderfully, looked great and went to sleep whenever the band started arguing or sulking.
Nick Mason (Inside Out: A Personal History of Pink Floyd)
The second element to why the show has worked is undoubtedly my team. And guess what? I am not alone out there. I work with a truly brilliant, small tight-knit crew. Four or five guys. Heroes to a man. They work their nuts off. Unsung. Up to their necks in the dirt. Alongside me in more hellholes than you could ever imagine. They are mainly made up of ex-Special Forces buddies and top adventure cameramen--as tough as they come, and best friends. It’s no surprise that all the behind-the-scenes episodes we do are so popular--people like to hear the inside stories about what it is really like when things go a little “wild.” As they often do. My crew are incredible--truly--and they provide me with so much of my motivation to do this show. Without them I am nothing. Simon Reay brilliantly told me on episode one: “Don’t present this, Bear, just do it--and tell me along the way what the hell you are doing and why. It looks amazing. Just tell me.” That became the show. And there is the heroic Danny Cane, who reckoned I should just: “Suck an earthworm up between your teeth, and chomp it down raw. They’ll love it, Bear. Trust me!” Inspired. Producers, directors, the office team and the field crew. My buddies. Steve Rankin, Scott Tankard, Steve Shearman, Dave Pearce, Ian Dray, Nick Parks, Woody, Stani, Ross, Duncan Gaudin, Rob Llewellyn, Pete Lee, Paul Ritz, and Dan Etheridge--plus so many others, helping behind the scenes back in the UK. Multiple teams. One goal. Keeping one another alive. On, and do the field team share their food with me, help collect firewood, and join in tying knots on my rafts? All the time. We are a team.
Bear Grylls (Mud, Sweat and Tears)
Arkady's smile was probably intended to be reassuring, but it was a trifle too wide; with his wild white hair sticking out from under his curly brimmed beaver hat he looked slightly manic, like Christopher Lloyd in 'Back to the Future', a film Nick had finally stopped renting after the girl at the video store started calling him 'Marty McFly'.
Bee Ridgway (The River of No Return)
Sentimentally, he thought of Jess. Irrationally, he despaired of having her. But this was not a question of pursuit. Raj would laugh at him, and Nick would look askance. His fantasies were nurturing, not predatory. If he could have Jess, he would feed her. Laughable, antique, confusingly paternal, he longed to nourish her with clementines, and pears in season, fresh whole-wheat bread and butter, wild strawberries, comte cheese, fresh figs and oily Marcona almonds, tender yellow beets. He would sear red meat, if she would let him, and grill spring lamb. Cut the thorns off artichokes and dip the leaves in fresh aioli, poach her fish- thick Dover sole in wine and shallots- julienne potatoes, and roast a whole chicken with lemon slices under the skin. He would serve a salad of heirloom tomatoes and fresh mozzarella and just-picked basil. Serve her and watch her savor dinner, pour for her, and watch her drink. That would be enough for him. To find her plums in season, and perfect nectarines, velvet apricots, dark succulent duck. To bring her all these things and watch her eat.
Allegra Goodman (The Cookbook Collector)
...Her heart was racing faster than an Enzo Ferrari, and her hands became icy cold and trembling. She went wild. Her senses varnished. Suddenly her purse dropped onto the floor, but neither one of them looked away to the ground beneath their feet. Their faces attracted each other until they could feel their breaths upon each other. His hands started moving towards her without him noticing—but Chioma noticed. He moved his hands over her hips, and she slipped hers around his huge biceps. She was no longer shy.
Nick Nwaogu (The Almost Kiss)
The origins of domestication have been traced to diverse parts of the world using archaeological evidence which clearly shows that several important wild species from deserts and semi-deserts were among the first to undergo this process. Some of the earliest food crops to be cultivated were wheat and barley, two desert annuals, in the Fertile Crescent of the Near East around 7,000 to 9,000 years ago. Natural adaptations of these species for life in drylands made them particularly suitable for agriculture. They thrive on ephemeral supplies of water and respond by growing rapidly and producing an abundance of seeds, constituting the grain we eat.
Nick Middleton (Deserts: A Very Short Introduction)
...but somehow, it's part of why Stevie Nicks means so much to us. It's why we hear our own broken forevers in this music, why we hear our own emotional avalanches in her songs. When she rides the landslide, she rides it all the way down, and she takes us down with her.
Rob Sheffield (The Wild Heart of Stevie Nicks)
One of her best songs ever is 'Annabel Lee,' which she just released a few years ago on her underrated 2011 album In My Dreams. It's a six-minute sex-and-death trip with a lyric from one of her hot dead rock-and-roll boyfriends: Edgar Allan Poe. The key line is: 'The moon never beams without bringing me dreams.' Poe might have written that line in 1849, but he clearly always meant it for Stevie Nicks to sing.
Rob Sheffield (The Wild Heart of Stevie Nicks)
It was a wild, animalistic compulsion, an urgent need to have his insights and emotions fly from his heart and onto a page, or a screen, or shadows on a rock.
Nick Oliveri (The Conjurer (Stories of Shadow and Flame, #2))
We need space for the mind to rave, to wander and to dream. Access to land is access to experience and access to nature is access to our own wild, spiritual mind.
Nick Hayes (The Book of Trespass: Crossing the Lines that Divide Us)
The head has the same eyes as the fish, beady and unblinking, only they’re cloudy and flat, sunken deep into its skull. Its hair grows wild, tangled with beetles, twigs, and burs, and it trails the head like a tail. The flesh itself is rotten and foul, dead as the Heaven and Hell tree, once the tallest old oak on the reservation—its branches stretching for the stars, its roots reaching for the abyss below—and as ragged around its missing neck as the hem of my jeans.” The chain he wore on his wallet rattled as he lifted a foot over the fire, showing off the frayed cuff of his pant leg, streaked with mud. “The mouth”—he paused, clenching his jaw to steel himself—“that’s the worst part of it. It can stretch as wide as it wants . . . wide enough to suck you between its wormy lips.” She thought of the catfish again, their mouths gaping and wide, flanked by whiskers that had curled and turned black after her father had hacked off the fish heads and tossed them into the fire he’d stoked to cook the fish fillets. “It’s got a tongue of old leather and teeth like shattered glass, jagged and sharp.
Nick Medina (Sisters of the Lost Nation)
Julian’s childhood was secluded, living in Bithynia, where he spent most of his time reading, as he later described himself: ‘Some men have a passion for horses, others for birds, others again for wild beasts; but I, from childhood have been infused with a passionate longing to acquire books.
Nick Holmes (The Fall of Rome: End of a Superpower)
Another reason it can be so hard to escape this vicious cycle is that the anxiety causing our overthinking works in clever and mischievous ways. It feeds on our worst fears. You might have noticed that your overthinking is exacerbated by some very specific triggers. This can be your insecurities about your personal capabilities, your relationships with certain people, your physical or mental health, etc. Simply trying to suppress your thoughts when they’re running wild often results in the opposite outcome. You start thinking even more about the thing you were worried about. This might sound like a helpless situation, but later in this book, we’ll discuss some techniques you can utilize to get out of this cycle.
Nick Trenton (Stop Overthinking: 23 Techniques to Relieve Stress, Stop Negative Spirals, Declutter Your Mind, and Focus on the Present (The Path to Calm Book 1))
One morning as Eddie Murphy stepped out of his Porsche in NYC, his foot came down into a curl of dog crap. Gingerly taking off his expensive, now-besmirched Italian shoes, he left them on the street and walked on. Another pair was hurriedly couriered direct to his feet.
Nick de Semlyen (Wild and Crazy Guys: How the Comedy Mavericks of the '80s Changed Hollywood Forever)
Take me back to the house, please," she said. Lord Sydney released her. Lottie stepped away, almost bumping against the large tree behind her. Following, he pressed her against the wide trunk, using his arms to protect her from the rough bark. Her breath caught sharply. Her hands slid to his upper arms, where the brutal swell of muscle was manifest through his coat. She knew that he was going to kiss her, that he wanted her. And heaven help her, she wanted him too. He stroked the curve of her cheek with a single fingertip, so carefully, as if she were a wild creature that would bolt at the slightest sign of haste. Her breath quickened as he touched her chin and tilted her head back in an angle of surrender. His gentle mouth descended to hers, molding, coaxing, until she parted her lips with a gasp of pleasure. The tip of his tongue stroked the edge of her teeth, ventured farther, brushed the inside of her cheek in a burning, delicate exploration. The kiss made her light-headed, and she wrapped her arms around his neck in a desperate bid for balance. He let her have more of his weight, pinning her securely between his body and the unyielding oak at her back. She twisted and pulled at him, until he made a soothing noise and ran his hands down her back. The slow caress only sharpened her need, making her arch against him in a blind, instinctive search.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Nick curled his lip in obvious hatred. "I'm not going anywhere with him. I'd rather be dead." Urian forced Nick to look down at Satara's body. “I’m going to make the wildly unfounded assumption that Satara’s dead by your hand and not Tory’s." Gripping Nick's chin, he forced him to meet his gaze. "Now, stay with me on this, Cajun. My father slit my throat and murdered my wife because he thought I’d betrayed him by getting married. Before that, he loved me more than his life and I was his last surviving child. His second in command. Now what do you think he’s going to do to you once he sees her body? I can assure you, it won’t be a fun-filled trip to Chuck E. Cheese. For all their animosity toward each other, Satara is his sister and she's served him well over the centuries. If you really want to stay here and have some fun with Stryker, I won't stop you. But I really wouldn't recommend it.
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
There was a book called The Twenty-Six Commandments of Irish Dueling. That sounded cool. Nicholas reached for it, but Seiji’s books were packed together so tightly he actually had to force the book out. The bookcase rocked, and a watch in a little case tumbled from the top shelf and hit the floor. A different book fell down and struck Nicholas’s foot. Nicholas, hopping in wild dismay, stepped on the watch. The plastic case cracked. When Nicholas hastily removed his foot, he saw that the watch inside the case had cracked, too. The whole disaster took about five seconds. Seiji sounded calmly pleased to be proven right. “I knew you would do something like this.” “Um,” said Nicholas. “Oops. Sorry. I’ll pay for that! Or I’ll get it fixed or something!” Seiji sighed dismissively, opening his book back up. “All right.” That made Nicholas feel much worse. There were plenty of guys at Kings Row who would’ve got very nasty about Nicholas daring to touch, let alone break, their stuff. Seiji wasn’t like that. Seiji’s words might cut, but he didn’t say them to cut. Seiji wasn’t Aiden, whom Nicholas never paid attention to. When Aiden spoke, all Nicholas heard was: Blah, blah, blah, I’m a snotty rich kid who talks too much. Nicholas had never seen Seiji get any pleasure out of being cruel. That was what made Seiji’s words cut deep. Nicholas knew Seiji meant what he said.
Sarah Rees Brennan (Striking Distance (Fence, #1))
see why. She was far too thin for his taste, but her light brown skin and wild curly hair gave her an exotic look. Best of all, she was something of a ballbuster. It was always a joy to watch her handle his brother. Nick held up his hands.
M. Malone (Christmas with the Alexanders (The Alexanders, #3.5))
Try to imagine what cinema would look like without them. Collaborating with behind-the-camera talents including John Landis, Ivan Reitman, Carl Reiner, and John Hughes-and fellow stars such as Tom Hanks, Robin Williams, and Golden Hawn-this new wave would produce a litany of big, brash blockbusters and evergreen oddities: National Lampoon's Animal House, The Jerk, The Blues Brothers, Caddyshack, 48 Hrs., Trading Places, The Man with Two Brains, Beverly Hills Cop, Ghostbusters, Fletch, Coming to America, and Scrooged, to name but some. That list alone makes a compelling case that this period is as good as things have ever gotten for big-screen comedy. Quentin Tarantino certainly thinks so. "I think the '80s is the worst decade, with the '50s being the second worst, in the history of Hollywood," the director said in 2015. "The only movies from the '80s that I find myself really, really hanging on to, oddly enough, are the silly comedies. They're the ones that you have the most affection for.
Nick de Semlyen (Wild and Crazy Guys: How the Comedy Mavericks of the '80s Changed Hollywood Forever)
Hollywood would never be the same again. Because what was possible, this scruffy and slightly shambolic band had proven, was absolutely anything. They had battled ghouls, made a giant action movie based around blues music, set the template for the buddy-cop film, and inspired millions around the world to memorize and repeat their quips. They had even, on occasion, made people cry. Not all of their material has aged well, and some of it wasn't even funny at the time. But there is no denying that their vast ambition, raw talent, and total disregard for the rules combined to create a movement that was beloved, influential, and truly special. Their movies have been remade, spun off, and homaged to death, and fans still dress up as Ghostbusters, Blutos, and Blues Brothers (the mutant troll-babies from Nothing But Trouble, not so much). Hollywood scouts now keep a close eye on TV sketch shows, particularly SNL, as well as web series on the cutting edge of comedy, in the hopes of finding the next big star. And studio comedies have become raunchier, weirder, bigger, and looser, always chasing that elusive alchemy that happened in the 1980s, when a bunch of very silly men were given very large sums of money and allowed to go play.
Nick de Semlyen (Wild and Crazy Guys: How the Comedy Mavericks of the '80s Changed Hollywood Forever)