Nick Rowe Quotes

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He was hearing Stevie Nicks singing in his head when Colt fell asleep in the bed, in the house, with the woman at his side that life meant him to have. After waiting for forty-four years, for the fifth night in a row, Alexander Colton was finally living the life he was meant to be living.
Kristen Ashley (For You (The 'Burg, #1))
Nick realized that the end of the world must be upon them, because his father preparing a home-cooked meal two nights in a row was surely a sign of the apocalypse.
Neal Shusterman (Tesla's Attic (Accelerati, #1))
The truckers are staring," I said after a few seconds. It was true. They were. The whole row of them was doing a bad job of pretending not to look at us. "We just got engaged," Lucy shouted over to them. "I just asked this man to be my wife." The men at the counter traded confused looks. I burst out laughing. "We're glad you and your ass cracks could share this moment with us," she went on. "Seriously. We really are. Those are serious cracks and this is a serious moment.
Nick Burd (The Vast Fields of Ordinary)
The Beatles were bubblegum cards and Help at the Saturday morning cinema and toy plastic guitars and singing 'Yellow Submarine' at the top of my voice in the back row of the coach on school trips. They belong to me, not to me and Laura, or me and Charlie, or me and Alison Ashworth, and though they'll make me feel something, they won't make me feel anything bad.
Nick Hornby (High Fidelity)
Other people cared a lot about what Jesse thought of them, but Seiji couldn’t picture Nicholas caring. Everyone liked Jesse better than Seiji, but Nicholas wouldn’t. Not even if, for some reason, Nicholas got to know Jesse and Jesse actually tried to be charming. Even then, Seiji was sure, though he didn’t have much basis for the certainty, that Nicholas would still like him better.
Sarah Rees Brennan (Striking Distance (Fence, #1))
But you can’t have it all, not at once, every duck in a row. Life won’t bend that way, and a belief in the possibility is corrosive… and all the while, the most precious stuff is sprinkled right at your feet, waiting to be held.
Nick Cutter (The Handyman Method)
Seiji sighed again and surrendered himself to his fate. He finished his breakfast, and then rose. “You go on to class without me. I want a word with Eugene.” Seiji hesitated. “You can save me a seat. If you insist.” Nicholas paused, then smiled. His face was a lot more tolerable when he did that. “I will.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Dr. Stuart Brown, a psychiatrist and founder of the National Institute for Play, says that we are hardwired to play and that to neglect our natural playful impulses can be as dangerous as avoiding sleep. Dr. Brown studied Death Row inmates and serial killers and found that nearly all of them had childhoods that lacked normal play patterns. He says the opposite of play is not work, it is depression, so play might well be considered a survival skill. Risky,
Nick Vujicic (Life Without Limits: Inspiration for a Ridiculously Good Life)
...[W]hen's it all going to f***ing stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even… I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have s*** for brains. I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like "Let's Get it On" sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
Nick Hornby (High Fidelity)
Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row. "I am taking Doofus for another walk," I said clearly,daring him to defy me. "That would not be good for Doofus." Josh folded his arms. "Mom,that would not be good for Doofus." Oh! Dragging Mom into this was low.Not to mention Doofus. "Since when is going for a walk not good for a dog?" I challenged Josh. "He's an old dog," Josh protested. "He's four!" I pointed out. "That's twenty-eight in dog years! He's practically thirty!" "Strike!" Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. "I'm not stupid, you know.And I'm not as out of it as you assume. I know the two of you are really arguing about something else.It's those jeans again, isn't it?" She nodded to me. "I should cut them in half and give each of you a leg.Why does either of you want to wear jeans with 'boy toy' written across the seat anyway?" "I thought that was the fashion." Josh said. "Grandma wears a pair of sweatpants with 'hot mama' written across the ass." "That is different," Mom hissed. "She wears them around the kitchen." I sniffed indignantly. "I said," I announced, "I am goig for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that,well! What is this world coming to? Come along, dear Doofus." I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around "our fair community," Mom and Josh both had lost interest and turned back to the TV. Or so I thought.But just as I was about to step outside,hosh appeared in the doorway between the kitchen and the mud room. "What the hell are you doing" he demanded. I said self-righteously, "I am taking my loyal canine for a w-" "You're going to Nick's,aren't you?" he whispered. "Do you think that's a good idea? I heard you yelled at him for no reason at the half-pipe,right before he busted ass.
Jennifer Echols (The Ex Games)
Cooking’s a more popular hobby than fencing.” “They don’t have a Great British Fence-Off,” muttered Dante. There was a thoughtful pause. “Oh, that sounds like such a good show,” Nicholas murmured. “I like your idea for a television show as well,” Seiji told Dante. “Why do you picture it being British specifically?” Dante’s mouth opened and closed. No sound came out. “Could be because of the European history of dueling?” Nicholas suggested, and looked to Seiji. “Like in the book you let me borrow. Did you know that if you killed someone in a duel back in the old days, you could run away to France, because in France, dueling was still a totally cool and legal way to kill someone you had beef with?” Seiji nodded, pointing at Nicholas for emphasis. “I did know that, but clearly not everybody does. You’re right; the show would be educational for many people. Perhaps they could hold fencing displays in old manor houses and castles and châteaux? And, of course, in colleges such as Cambridge, Oxford, and Trinity, where the legacy of fencing students is so illustrious.” Breakfast conversation was so awesome now that Seiji had joined them! Nicholas bet nobody else had as much fun as they did. Dante had clearly given up on talking and was giving Bobby a silent, pleading look. Nicholas guessed Dante was shy. Seiji was pretty famous, so maybe Dante was overwhelmed.
Sarah Rees Brennan (Striking Distance (Fence, #1))
A gunshot punctured the air and spooked the birds on tree limbs above. She drew her hand back as the flutter of wings beat out the echoing shot. “Let’s hope he didn’t shoot himself in the foot,” Oscar said, his darkened expression brightening. The humor relieved her, and she got up to gather sticks for the campfire. She crouched and scooped a few dry limbs into the cradle of her arms. “Why me?” She said it before she could stop herself. “What?” Oscar asked. “My father and you were like father and son. Your loyalty’s always been to him first. Why would you row to me?” All the times she’d felt the rise of her skin under the palm of his hand, the rapid pace of her heart, the breath lost from her lungs. She’d hoped her touch had left warmth lingering in him, too. She’d imagined her scent intoxicated him, drew him to her, even though it was selfish and senseless. Ira broke into the clearing before Oscar could answer. “I was this close!” he shouted, holding his thumb and index finger an inch apart. “Nicked her with that shot, I did.” Oscar smirked and shook his head, visibly relieved to move away from Camille’s question. “Doesn’t matter none. We got pike. See this one?” Ira made sure Camille was looking. “Caught this one with my bare hands.” “He’s lying,” Oscar said, building the fire. “He’s got fingers made of sweet butter.” Ira shrugged. “All right, I’ll let her think you caught ‘em all if that’s what your ego needs.
Angie Frazier (Everlasting (Everlasting, #1))
WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY
Tracy Kidder (Good Prose: The Art of Nonfiction)
Any harder edge may also have been a subconscious reaction to the accusations of ‘dinosaur rock’ that were being thrown at bands like Led Zeppelin, Emerson, Lake & Palmer and ourselves. We were all aware of the arrival of punk – even anyone who didn’t listen to the music could not have failed to notice the Sex Pistols’ explosion into the media spotlight. Just in case we had missed this, locked in our Britannia Row bunker, Johnny Rotten kindly sported a particularly fetching ‘I hate Pink Floyd’ T-shirt.
Nick Mason (Inside Out: A Personal History of Pink Floyd (Reading Edition): (Rock and Roll Book, Biography of Pink Floyd, Music Book))
Basically, this is a rigorous analysis that shows that numerous universal constants—like the force of gravity, the weight of a proton, the force that binds protons and neutrons within atomic nuclei, and so on—have to be almost exactly what they are for life to exist in the universe. The odds of these constants all having the precise values needed for life are worse than the odds of winning the lottery a thousand times in a row. “So how is this possible? Theologians believe God is the answer. Scientists were initially stumped but soon declared that this riddle was easily answered if one posited an infinite number of universes. Given an infinite number of universes, one of them was bound to get it right. And, lucky for us, we happen to find ourselves in this perfect universe.” Faith raised her eyebrows. “But science admits it has no way to prove the existence of other universes. So both explanations rely on faith. Given this, why is a creator any more absurd than infinite universes? A creator may not be the answer, but science’s answer isn’t really any better.
Douglas E. Richards (Unleashed (Nick Hall Book 4))
games like Taito’s Space Invaders were not designed with the peculiarities of the Atari VCS in mind. Sprites were different in many post-1977 arcade games. Most important, there were often more than two per screen! When faced with the rows of aliens in Space Invaders or the platoon of ghosts that chases Pac-Man, VCS programmers needed to discover and use methods of drawing more than two sprites, even though only two one-byte registers were available.
Nick Montfort (Racing the Beam: The Atari Video Computer System (Platform Studies))
Crap,” he said. “Now we have to wait five minutes.” “No. Try spiking the solenoid.” He shrugged, gave me a dyspeptic scowl, and twisted the keypad off the safe door. It’s meant to be easily removed, so you can change the battery. He pushed on a couple of clips, releasing a plastic cover, then pulled out the black rubber membrane. This exposed a circuit board and a row of eight tiny metal posts.
Joseph Finder (Vanished (Nick Heller, #1))
gets her phone back from the burly guy in the front row and thanks him for recording their duet. He says to Nick, “You and your girlfriend did a great job. Song of the night!” “Oh thank you, but she’s not my girlfriend,” says Nick very respectfully. “Well, she should be!” he says.
Sheri Fink (Cake in Bed)
What did you do on your Christmas break, dear?" Wren mocked in a high thin voice. "Oh just fought an evil mist with salt. No biggie. No one's going to believe this shit! No wonder Nick ended up in a nuthouse." "Yeah, and we're just getting started," Trevor said, pointing at the last of the mist that was exiting the room, leaving the floor clear of its remnants except for that which was trapped in the circle of salt. "We've still got to get that box closed and sealed up so it can't do any more harm. Then figure out how to stop what's out there," he said pointing at the door. Outside they could hear more screams and cries for help mixed in with the sounds of men and horses and dogs and weaponry clashing. As if on cue, another row of symbols rotated about forty-five degrees in the opposite direction from the row above it. The other two rows moved at the same time, each in opposite directions, opening the gaps in the box sides more. "Uhh, Trev, didn't you and Jax mention that some of those really large paintings down in the great hall were of some of your family's enemy clans?
Denise Bruchman (Deadly Inheritance Collection: Books 1-3)
What did you do on your Christmas break, dear?" Wren mocked in a high thin voice. "Oh just fought an evil mist with salt. No biggie. No one's going to believe this shit! No wonder Nick ended up in a nuthouse." "Yeah, and we're just getting started," Trevor said, pointing at the last of the mist that was exiting the room, leaving the floor clear of its remnants except for that which was trapped in the circle of salt. "We've still got to get that box closed and sealed up so it can't do any more harm. Then figure out how to stop what's out there," he said pointing at the door. Outside they could hear more screams and cries for help mixed in with the sounds of men and horses and dogs and weaponry clashing. As if on cue, another row of symbols rotated about forty-five degrees in the opposite direction from the row above it. The other two rows moved at the same time, each in opposite directions, opening the gaps in the box sides more.
Denise Bruchman (The Art of War: A Deadly Inheritance Novel)
When Nick started the label, he put us in Pink Floyd’s studio in Britannia Row,” says Del incredulously. “It was massive, and when you went upstairs, they still had that big pink pig up there. It was phenomenally expensive, about £500 a day, maybe more, which was a lot of money in 1983. We had the studio block-booked for a month, and we never used to go. It was always empty; we’d be back in Brighton doing loads of mushrooms and acid! I’d be tripping all night, get up about 4 o’clock in the afternoon, go to the pub, and suddenly remember I should be in the studio doing guitars, and I’d just blow it out and go back to bed.
Ian Glasper (Burning Britain: The History of UK Punk 1980-1984)
You seem a bit quiet, bro,” Eugene remarked in a low voice. “Not that you’re what I’d describe as chatty, but normally you’d have accidentally insulted someone by now. Something wrong?” He was tempted to snap, but Eugene was a teammate, too. Seiji cleared his throat. “Nicholas is angry with me. I’m not sure why. Do you know why? I know you two socialize frequently.” Eugene paused. “I don’t think Nicholas is angry with you.” “No, he is,” said Seiji. “He told me to go away.” “He probably just meant that you could go practice in the salle if you’re hating the midnight feast, dude,” said Eugene. “Your face went all grumpy cat when we broke out the marshmallows.” Seiji opened his mouth to protest that Nicholas never cared when Seiji made faces, and never told him to go away, but Eugene continued. “I think there’s something else going on.” Seiji gave Eugene his full attention. “What?” Eugene turned his protein shake in his hands for another moment. “We went to town Saturday, and some Kings Row guys there were awful to him. It’s been bothering me all weekend, actually. They acted like they were so far above Nicholas. They made it seem like he was going to shoplift! Which he wasn’t!” Eugene added hastily, as though Seiji might imagine Nicholas would. The burner’s blue flame hissed. Harvard was talking about how delicious the pasta sauce smelled. Their captain was very good at making conversation. Seiji frowned. “Why would people from our school represent Nicholas as a common thief?” “Right? It sucks!” said Eugene. “You might know them? They were the first two guys to wash out of fencing tryouts. They think they’re so much better than Nicholas.” “They think they’re better than Nicholas?” Seiji asked sharply. “But they can’t fence at all!
Sarah Rees Brennan (Striking Distance (Fence, #1))
Nicholas walked back to their dormitory, bumping shoulders with Seiji companionably in the way nobody else ever did, but he was still much quieter than usual. It was worrying.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Seiji was not having a good day. He felt he’d been horribly misled by Eugene. He’d trusted him to be correct in his reading of social dynamics, but as it emerged, him was an imbecile, Nicholas hadn’t even been upset, and the whole prank had been an exercise in futility. As the illicit brown sugar sprinkled on this oatmeal of horror, he’d been hauled around like a deeply shamed sack of potatoes by weight lifters. Seiji wasn’t sure he could look anyone at Kings Row in the face right now. Any escape from their watching eyes and embarrassing congratulations was welcome. The last time Seiji’d been in the woods, he’d gotten lost in them. Seiji headed into the trees now, hoping he could again. Perhaps by the time he found his way back, everybody would have forgotten about the prank. He feared not.
Sarah Rees Brennan (Striking Distance (Fence, #1))
There was a book called The Twenty-Six Commandments of Irish Dueling. That sounded cool. Nicholas reached for it, but Seiji’s books were packed together so tightly he actually had to force the book out. The bookcase rocked, and a watch in a little case tumbled from the top shelf and hit the floor. A different book fell down and struck Nicholas’s foot. Nicholas, hopping in wild dismay, stepped on the watch. The plastic case cracked. When Nicholas hastily removed his foot, he saw that the watch inside the case had cracked, too. The whole disaster took about five seconds. Seiji sounded calmly pleased to be proven right. “I knew you would do something like this.” “Um,” said Nicholas. “Oops. Sorry. I’ll pay for that! Or I’ll get it fixed or something!” Seiji sighed dismissively, opening his book back up. “All right.” That made Nicholas feel much worse. There were plenty of guys at Kings Row who would’ve got very nasty about Nicholas daring to touch, let alone break, their stuff. Seiji wasn’t like that. Seiji’s words might cut, but he didn’t say them to cut. Seiji wasn’t Aiden, whom Nicholas never paid attention to. When Aiden spoke, all Nicholas heard was: Blah, blah, blah, I’m a snotty rich kid who talks too much. Nicholas had never seen Seiji get any pleasure out of being cruel. That was what made Seiji’s words cut deep. Nicholas knew Seiji meant what he said.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Seiji was direly embarrassed by Nicholas’s presence, not to mention his appearance. He hadn’t wished to see Jesse again. If forced to, he would have preferred to see him while winning Olympic gold. Failing that, Seiji would’ve preferred to see Jesse literally anywhere other than here. In the middle of the woods, in a state of undress, with a companion who had apparently been raised by wolves and then abandoned by the pack for being too scruffy. There was… another consideration, besides embarrassment. Sometimes there were people who were obviously not on the winning side, and never would be. Bad at fencing or at words or at life in some crucial way Jesse could always ascertain. Occasionally, Jesse would casually amuse himself at some unfortunate soul’s expense. Seiji wouldn’t laugh because he never actually understood the jokes or why they were funny, but he didn’t care much. It was simply Jesse’s way. Now he recalled with unwelcome vividness how those people’s cheeks would bear sudden swift streaks of red, as though slashed. Or they might slink off with a curious look of defeat, as if a lunch table were a fencing match. Some of them, Seiji had noticed, never came back again. Seiji didn’t want to see Jesse do that to Nicholas. Not Nicholas.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Tell me—or anyone else—something thatis personal to you, Coach had said. Seiji couldn’t talk to just anyone, but Nicholas had said they were friends. “I was… Jesse’s mirror,” said Seiji slowly. “I reflected his—glow, his glories and his victories. I used to think it was an honor. We were similar, I told myself, in all the ways that really mattered.” Jesse was left-handed like Nicholas, so facing him sometimes felt like looking into a mirror. Like seeing yourself through the glass, a better, golden self in a different world. A self who fenced just as well but didn’t have to work as hard for it. A Seiji who did everything in life with the same skill as he fenced. “You’re not a mirror,” said Nicholas. “You’re real.” “It’s a metaphor, Nicholas.” Nicholas shrugged. “You’re still not a mirror. Mirrors break. You never do.” Seiji thought of his moment of defeat against Jesse. The moment that Aiden had seen, and taunted Seiji with, making Seiji lose again. Seiji had trained his whole life to be strong, but somehow, he was still weak. Jesse had taken his sword, and Seiji hadn’t been able to stop him. The bitterness of that defeat sent Seiji to Kings Row. Always keep moving toward your target, his dad’s voice said, but somehow Seiji had ended up getting his target wrong. He’d moved toward loss and pain he still didn’t entirely understand. “I lost,” confessed Seiji. “Badly.” “Doesn’t make you a loser,” said Nicholas, having another lapse where he didn’t understand what words—let alone metaphors—meant. “You didn’t burst into tears and give up fencing. And you didn’t follow Jesse to Exton like a little lamb, the way he was expecting. You came to Kings Row, and you came to fence. You came to fight.” This view of the matter was so shocking that Seiji said something he’d thought he would never say to Nicholas Cox. “I suppose…,” said Seiji, “… you’re right.” Nicholas’s gaze remained fixed on the floor. “Being rivals shouldn’t be about being someone’s mirror. Both of you get to be real. Neither of you has to break.” “Sometimes you’re insightful, Nicholas,” said Seiji. Nicholas looked pleased before Seiji added: “I think it’s mainly by accident.” At that point, Nicholas rolled his eyes and stepped into his side of the room, yanking the curtain closed between them.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Seiji took the picture willingly enough, since it would please Bobby, but it was a strain to figure out how to behave in unfamiliar surroundings. The least Nicholas could do was help him, but instead he was sulking in the corner. The only reasonable explanation was that Seiji had offended him. Seiji was always offending people, though Nicholas seemed to bounce back faster than most. Seiji couldn’t figure out what the problem was. He hadn’t said anything worse to Nicholas than he usually did.
Sarah Rees Brennan (Striking Distance (Fence, #1))
It seemed as though there was something going on here that Nicholas didn’t understand. Nicholas felt grievously injured. He’d become Seiji’s friend first, but here Seiji was having secrets with Eugene. On the other hand, Seiji didn’t train with Eugene, so that was sort of like Nicholas having a secret with Seiji. And going to the fair with Eugene would be fun, though obviously it would be better if Seiji were there, too.
Sarah Rees Brennan (Striking Distance (Fence, #1))
I could have explained that I wanted to walk without Doofus and get some air. But it would be pretty unusual—one might even go so far as to say unheard of—for me to take a hike on a winter night when I was exhausted from boarding all day. I could also come right out and tell both of them that Nick had fallen on the slopes today and I wanted to check on him. But then Mom would suggest I take the car to his house. And then I could never pull off the charade that I just happened by his mansion while walking my dog. Besides, it was the principle of the thing—the very idea that Josh saw I wanted to walk Doofus and he was going out of his way to foil me, like a normal little brother. This made me angry. Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row. “I am taking Doofus for another walk,” I said clearly, daring him to defy me. “That would not be good for Doofus.” Josh folded his arms. “Mom, that would not be good for Doofus.” Oh! Dragging Mom into this was low. Not to mention Doofus. “Since when is going for a walk not good for a dog?” I challenged Josh. “He’s an old dog!” Josh protested. “He’s four!” I pointed out. “That’s twenty-eight in dog years! He’s practically thirty!” “Strike!” Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. “I’m not stupid, you know. And I’m not as out of it as you assume. I know the two of you are really arguing about something else. It’s those jeans again, isn’t it?” She nodded to me. “I should cut them in half and give each of you a leg. Why does either of you want to wear jeans with ‘boy toy’ written across the seat anyway?” “I thought that was the fashion,” Josh said. “Grandma wears a pair of sweatpants with ‘hot mama’ written across the ass.” “That is different,” Mom hissed. “She wears them around the kitchen.” I sniffed indignantly. “I said,” I announced, “I am going for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that, well! What is this world coming to? Come along, dear Doofus.” I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around “our fair community,” Mom and Josh both had lost interest and turned back to the TV. Or so I thought. But just as I was about to step outside, Josh appeared in the doorway between the kitchen and the mud room. “What the hell are you doing?” he demanded. I said self-righteously, “I am taking my loyal canine for a w—” “You’re going to Nick’s, aren’t you?” he whispered. “Do you think that’s a good idea? I heard you yelled at him for no reason at the half-pipe, right before he busted ass.” I swallowed. Good news traveled fast. “So?” “So, why are you going over there? Best case scenario, you make out with him again and then have another fight.” Good news about everything traveled fast.
Jennifer Echols (The Ex Games)
I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her, staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like 'Let's Get It On' sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
Nick Hornby
As they walked together down the halls and the back staircase, Nicholas studied the ceiling, which was all white with twirly bits like a wedding cake. He had a troubling thought. “You hate fist bumps?” he asked. “But you’ve fist-bumped me and Eugene.” “I don’t mind if it’s you,” said Seiji. “And I don’t mind much if it’s Eugene. But not Chad!” “Okay, not Chad,” Nicholas soothed, and grinned at the back of Seiji’s head as they entered the dining hall.
Sarah Rees Brennan (Striking Distance (Fence, #1))
The Bon was carrying a fruit basket with a card that read Get Well Soon, Aiden! on it in glitter. Nicholas hadn’t known Aiden was under the weather. He hoped he felt better soon. Aiden wasn’t Nicholas’s favorite person or anything, but he was one of Nicholas’s teammates. That was more important than anything else.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Nicholas ignored Eugene’s delicate sensibilities in order to focus on Seiji’s plate. Seiji’s breakfast remained disappointing. “Next time you should get some more bacon. I’ll eat it if you don’t want it.” “I don’t eat more than a single slice of bacon and you shouldn’t, either,” Seiji told him. “Excessive bacon will make your arteries clog and slow your progress on the piste. Your extraordinary speed is the only thing you have going for you.” Nicholas preened. “Oh, my extraordinary speed, is it?” “Shut up,” said Seiji. “Quit gushing over me, ’m getting all bashful,” said Nicholas.
Sarah Rees Brennan (Striking Distance (Fence, #1))