Nice Hotels Quotes

We've searched our database for all the quotes and captions related to Nice Hotels. Here they are! All 100 of them:

My dream is to walk around the world. A smallish backpack, all essentials neatly in place. A camera. A notebook. A traveling paint set. A hat. Good shoes. A nice pleated (green?) skirt for the occasional seaside hotel afternoon dance.
Maira Kalman (The Principles of Uncertainty)
I think I get it now. It doesn't matter how nice home is--it just matters that it feels like home.
Jamie Ford (Hotel on the Corner of Bitter and Sweet)
I just wanted you to stay. I was stunned when you told me that I had a nice hotel." He smiles a little, and I feel stupid. "Things got pretty intense, pretty quickly. I didn't know how to tell you. I didn't want you to run away again. You kept running away.
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
Very nice lady served us drinks in hotel and was followed in by a cat. We all crooned at it. Alan [Rickman] to cat (very low and meaning it): 'Fuck off.' The nice lady didn't turn a hair. The cat looked slightly embarrassed but stayed.
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
What do you say we go find a hotel near here, have a nice dinner, hot showers and call it a night. I’d like to sleep in your bed, too.” “What did you say?” “I said I’d like to sleep in a bed, too.” “Oh.
Penelope Ward (Cocky Bastard (Cocky Bastard, #1))
Why was I mad? Because he'd surprised me with a really nice hotel room. What a bastard.
Laurell K. Hamilton
How was New York?' Ashley asks politely. I'm not sure how to respond. Something like: Well, the mustachioed master of the secret library is going to be pissed that I copied the entirety of his ancient codebook and delivered it to Google, but at least I got to stay at a nice hotel? Instead I say, "New York was good.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
12-27-10 Palace Hotel, San Francisco- Over Christmas In bed, lights out: O: 'Oh, oh, oh...!' I: 'What was that for?' O: 'I found your fifth rib.' In the middle of the night: 'Wouldn't it be nice if we could dream together?' O whispers.
Bill Hayes (Insomniac City: New York, Oliver, and Me)
Epicurus said you should live for pleasure - adding that nothing brings more pleasure than a little sun and a glass of water. It is on this principle that our conjugal existence has rested for three years, devoted to making love, reading, eating excellent meals, spending a few days in a nice hotel by the sea, visiting out friends (not very many, all without children), going to concerts and movies, sleeping, cultivating our garden.
Benoît Duteurtre (The Little Girl and the Cigarette)
For some reason women these days want men to love them the way they are naturally… While the thought is nice, in reality it means love me even if I put in no effort. Why? If you put no effort into taking care of yourself, even your own body rejects you and breaks down, so why demand that on another human being? Getting dolled up, as you put it, is only seen as negative by people who for whatever reason are unable to do so themselves. We judge books by covers. We judge restaurants and hotels by the décor. We judge. Accept it and make sure you are judged by the worth you believe you are.
J.J. McAvoy (Children of Vice (Children of Vice, #1))
All their lovers' talk began with the phrase "After the war". After the war, when we're married, shall we live in Italy? There are nice places. My father thinks I wouldn't like it, but I would. As long as I'm with you. After the war, if we have a girl, can we call her Lemoni? After the war, if we've a son, we've got to call him Iannis. After the war, I'll speak to the children in Greek, and you can seak to them in Italian, and that way they'll grow bilingual. After the war, I'm going to write a concerto, and I'll dedicate it to you. After the war, I'm going to train to be a doctor, and I don't care if they don't let women in, I'm still going to do it. After the war I'll get a job in a convent, like Vivaldi, teaching music, and all the little girls will fall in love with me, and you'll be jealous. After the war, let's go to America, I've got relatives in Chicago. After the war we won't bring our children with any religion, they can make their own minds up when they're older. After the war, we'll get our own motorbike, and we'll go all over Europe, and you can give concerts in hotels, and that's how we'll live, and I'll start writing poems. After the war I'll get a mandola so that I can play viola music. After the war I'll love you, after the war, I'll love you, I'll love you forever, after the war.
Louis de Bernières (Corelli’s Mandolin)
It's nice to have someone who knows you that well and still wants to see your face every day.
Victoria Fulton (Horror Hotel (Horror Hotel, #1))
I'm holding on by a damn thread. Your phone calls and the fact I know she's in nice hotels and eating good food is the only fucking thing keeping me sane.
Abbi Glines (Simple Perfection (Rosemary Beach, #6; Perfection, #2))
Could we move around the world staying in nice hotels, just we three, and writing letters home when some very witty remark is made by one of us?” Alice asked. “Could we do this forever?
Colm Tóibín (The Master)
And, lying on my bed in some biscuit-colored hotel room in Nice, with a balcony facing the Promenade des Anglais, I watch the clouds reflected on sliding panes and marvel even how my sadness can make me happy . . .
Donna Tartt (The Goldfinch)
In fact, I didn't like traveling first class at all. Yes, it was nice to have a bathroom in a hotel and fine service at breakfast...but none of it seemed foreign enough for me. It was all so pleasantly bland that I felt as if I were back on the SS America. I don't like it when everyone speaks perfect English; I'd much rather struggle with my phrasebook.
Julia Child (My Life in France)
I think of him dreaming of being married to Kim and of tractors and harvesters and conferences in nice country hotels while my dreams are filled with war, with snakes, with bloody wounds, disaster and death. I keep feeling blood trickling over my skin.
David Almond (Raven Summer)
And for the first time in years, Rick realizes how fortunate he is and was. All the wonderful actors he's worked with through the years—Meeker, Bronson, Coburn, Morrow, McGavin, Robert Blake, Glenn Ford, Edward G. Robinson. All the different actresses he got to kiss. All the affairs he had. All the interesting people he got to work with. All the places he got to visit. All the fun stories he got to live. All the times he saw his name and picture in the papers and magazines. All the nice hotel rooms. All the fuss people made over him. All the fan mail he never read. All the times driving through Hollywood as a citizen in good standing. He looks around at the fabulous house he owns. Paid for by doing what he used to do for free when he was a little boy: pretending to be a cowboy.
Quentin Tarantino (Once Upon a Time in Hollywood)
What you need Lois, is a man. All your artistic brilliance, wasted, toiling away in the sordid day-to-day of White’s little paper empire. Reporting on traffic mishaps. Domestic trifles. Wondering if you can afford a pair of shoes. Knowing you can’t afford the really good wines, the really exquisite things. That suit, for instance. Nice, but not the standard you’re used to.” “We’re not here to discuss my wardrobe.” “Or your writing career? How much have you gotten done, I mean, really done Lois?” “Still looking for an evening you aren’t exhausted? When will that be, Lois?” “The hotel. Or I’m out of here.” – Lois Lane & Lex Luthor
C.J. Cherryh (Lois & Clark: A Superman Novel)
No matter how vulgar the hotel is, the bar is always nice.
Ernest Hemingway
they’d ever enjoyed. Almost everyone mentioned some nice experience at a Four Seasons or Ritz-Carlton hotel.
Walter Isaacson (Steve Jobs)
But for the moment the hotel will do nicely, a neutral place requiring no commitment. He is in transit, his life is suspended.
José Saramago (The Year of the Death of Ricardo Reis)
I’m sure the driver was a great guy and all he wanted was to drive me to my hotel—but he was a complete stranger to me and the truth is that being vigilant isn’t a part-time job, it’s not about being nice to people, it’s about reality. I made a terrible mistake once, believing the monsters that want to hurt us are easily labeled and identified, rather than walking and hiding amongst us. That’s my reality.
Tucker Elliot (The Rainy Season)
A popular Chinese essay by an anonymous author carved out an archetype of the young white-collar class, the men and women who sip cappuccino, date online, have a DINK family, take subways and taxis, fly economy, stay in nice hotels, go to pubs, make long phone calls, listen to the blues, work overtime, go out at night, celebrate Christmas, have one-night-stands … keep The Great Gatsby and Pride and Prejudice on their nightstands. They live for love, manners, culture, art, and experience. In
Evan Osnos (Age of Ambition: Chasing Fortune, Truth, and Faith in the New China)
We will need to stay over two nights in a hotel on our trip home.” Momentarily alarmed, I glanced at Ren. “Okay. Umm, I was thinking that maybe this time if you don’t mind, we could check out one of those bigger hotels. You know, something that has more people around. With elevators and rooms that lock. Or even better, a nice high-rise hotel in a big city. Far, far, far away from the jungle?” Mr. Kadam chuckled. “I’ll see what I can do.” I graced Mr. Kadam with a beatific smile. “Good! Could we please go now? I can’t wait to take a shower.” I opened the door to the passenger side then turned and hissed in a whisper aimed at Ren, “In my nice, upper-floor, inaccessible-to-tigers hotel room.” He just looked at me with his innocent, blue-eyed tiger face again. I smiled wickedly at him and hopped in the Jeep, slamming the door behind me. My tiger just calmly trotted over to the back where Mr. Kadam was loading the last of his supplies and leapt up into the back seat. He leaned in the front, and before I could push him away, he gave me a big, wet, slobbery tiger kiss right on my face. I sputtered, “Ren! That is so disgusting!” I used my T-shirt to swipe the tiger saliva from my nose and cheek and turned to yell at him some more. He was already lying down in the back seat with his mouth hanging open, as if he were laughing. Before I could really lay into him, Mr. Kadam, who was the happiest I’d ever seen him, got into the Jeep, and we started the bumpy journey back to a civilized road. Mr. Kadam wanted to ask me questions. I knew he was itching for information, but I was still fuming at Ren, so I lied. I asked him if he could hold off for a while so I could sleep. I yawned big for dramatic effect, and he immediately agreed to let me have some peace, which made me feel guilty. I really liked Mr. Kadam, and I hated lying to people. I excused my actions by mentally blaming Ren for this uncharacteristic behavior. Convincing myself that it was his fault was easy. I turned to the side and closed my eyes. I slept for a while, and when I woke up, Mr. Kadam handed me a soda, a sandwich, and a banana. I raised my eyebrow at the banana and thought of several good monkey jokes I could annoy Ren with, but I kept quiet for Mr. Kadam’s sake.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
The BDS on campus operation is organized by, among others, a group in Chicago, Illinois, called American Muslims for Palestine, or AMP. For years, AMP, through its sponsorship of Students for Justice in Palestine (SJP), has been sending strategists, digital and communications experts, graphic designers, video editors, and legal advisors to colleges all over America and running flashy events in expensive hotels for the purpose of delegitimizing Israel, minimizing pro-Israel voices on campus, and harassing Jewish and pro-Israel students in order to deter them from supporting Israel. The embodiment of Cancel Culture. Managing such a sophisticated network of political operatives, extensive marketing, and (pre-COVID) ritzy gatherings at nice hotels is extremely expensive.11 So where is the money coming from? I
Noa Tishby (Israel: A Simple Guide to the Most Misunderstood Country on Earth)
And yet that performance has a method. Trump's artlessness, like Mark Antony's, is only apparent. Listen, for example, as he performs one of his favorite riffs. He begins by saying something critical of Mexicans and Chinese. Then he turns around and says, 'I love the Mexican and Chinese people, especially the rich ones who buy my apartments or stay at my hotels or play on my golf courses.' It's their leaders I criticize, he explains, but then in a millisecond he pulls the sting from the criticism: 'they are smarter and stronger than our leaders; they're beating us.' And then the payoff all this has been leading up to, the making explicit of what has been implied all along. 'If I can sell them condominiums, rent space to them in my building at my price, and outfox them in deals, I could certainly outmaneuver them when it came to trade negotiations and immigration.' (And besides, they love me.) Here is the real message, the message that makes sense of the disparate pieces of what looks like mere disjointed fumbling: I am Donald Trump; nobody owns me. I don't pander to you. I don't pretend to be nice and polite; I am rich and that's what you would like to be; I'm a winner; I beat people at their own game, and if you vote for me I will beat our adversaries; if you want wonky policy details, go with those losers who offer you ten-point plans; if you want to feel good about yourselves and your country, stick with me. So despite the lack of a formal center or an orderly presentation, Trump was always on point because the point was always the same. He couldn't get off message because the one message was all he had.
Stanley Fish
After my knighthood was announced, a woman from the BBC came to Glasgow to interview me. We sat down in a lovely hotel in a nice part of town, and she hit me with her first question: ‘This must mean a lot to you, with you coming from nothing?’ I looked at her, and I laughed. ‘I didnae come from nothing,’ I told her. ‘I come from something.’ I mean, I have never hidden that I come from humble stock. I grew up in the tenements of post-war Glasgow. In fact, I used to specify exactly where, onstage: it was on a kitchen floor, ‘on the linoleum, three floors up’. The early years of my life were spent in grinding poverty … but it wasn’t nothing. It was something – something very important. There is this viewpoint that if you have come from the working class you have come from nothing, whereas the middle and upper classes are something,
Billy Connolly (Made in Scotland: My Grand Adventures in a Wee Country)
The hotel which had had the bad luck to draw Aunt Agatha's custom was the Splendide, and by the time I got there there wasn't a member of the staff who didn't seem to be feeling it deeply. I sympathized with them. I've had experience of Aunt Agatha at hotels before. Of course, the real rough work was all over when I arrived, but I could tell by the way everyone grovelled before her that she had started by having her first room changed because it hadn't a southern exposure and her next because it had a creaking wardrobe and that she had said her say on the subject of the cooking, the waiting, the chambermaiding and everything else, with perfect freedom and candour. She had got the whole gang nicely under control by now. The manager, a whiskered cove who looked like a bandit, simply tied himself into knots whenever she looked at him.
P.G. Wodehouse
Pathways toward a New Shabbat Do 1. Stay at home. Spend quality time with family and real friends. 2. Celebrate with others: at the table, in the synagogue, with friends or community. 3. Study or read something that will edify, challenge, or make you grow. 4. Be alone. Take some time for yourself. Check in with yourself. Review your week. Ask yourself where you are in your life. 5. Mark the beginning and end of this sacred time by lighting candles and making kiddush on Friday night and saying havdalah on Saturday night. Don’t 6. Don’t do anything you have to do for your work life. This includes obligatory reading, homework for kids (even without writing!), unwanted social obligations, and preparing for work as well as doing your job itself. 7. Don’t spend money. Separate completely from the commercial culture that surrounds us so much. This includes doing business of all sorts. No calls to the broker, no following up on ads, no paying of bills. It can all wait. 8. Don’t use the computer. Turn off the iPhone or smartphone or whatever device has replaced it by the time you read this. Live and breathe for a day without checking messages. Declare your freedom from this new master of our minds and our time. Find the time for face-to-face conversations with people around you, without Facebook. 9. Don’t travel. Avoid especially commercial travel and places like airports, hotel check-ins, and similar depersonalizing encounters. Stay free of situations in which people are likely to tell you to “have a nice day” (Shabbat already is a nice day, thank you). 10. Don’t rely on commercial or canned video entertainment, including the TV as well as the computer screen. Discover what there is to do in life when you are not being entertained.
Arthur Green (Judaism’s Ten Best Ideas: A Brief Guide for Seekers)
This fucking top sheet. How do people sleep when this top sheet is tucked in so tightly? I can’t even fit my feet under here. Why do they always make it so tight? I guess the bed is supposed to look nice and made when you come in, and then it just gets ruined on a daily basis. What a stupid thing to be annoyed about, the top sheet. People are suffering in the world, everywhere, in terrible ways, and I’m in a hotel bed, annoyed at my fucking top sheet. What an asshole.
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
The article was written in scraps of time, between snatched moments of sleep. This can’t be normal, she thought, exhilarated, typing away in her slip at three in the morning. She’d been brought up to believe in regular work that took place in nice, clean offices, between fixed hours. Yet here she was, in a hotel room that could be anywhere, weaving a story into being and feeling like if she stopped for a second to breathe, the whole thing would fall apart. As long as she got the next sentence out, and the one after that, she’d be all right.
Jeremy Tiang (State of Emergency)
Rayna does not get sick on planes. Also, Rayna does not stop talking on planes. By the time we land at Okaloosa Regional Airport, I’m wondering if I’ve spoken as many words in my entire life as she did on the plane. With no layovers, it was the longest forty-five minutes of my whole freaking existence. I can tell Rachel’s nerves are also fringed. She orders an SUV limo-Rachel never does anything small-to pick us up and insists that Rayna try the complimentary champagne. I’m fairly certain it’s the first alcoholic beverage Rayna’s ever had, and by the time we reach the hotel on the beach, I’m all the way certain. As Rayna snores in the seat across from me, Rachel checks us into the hotel and has our bags taken to our room. “Do you want to head over to the Gulfarium now?” she asks. “Or, uh, rest up a bit and wait for Rayna to wake up?” This is an important decision. Personally, I’m not tired at all and would love to see a liquored-up Rayna negotiate the stairs at the Gulfarium. But I’d feel a certain guilt if she hit her hard head on a wooden rail or something and then we’d have to pay the Gulfarium for the damages her thick skull would surely cause. Plus, I’d have to suffer a reproving look from Dr. Milligan, which might actually hurt my feelings because he reminds me a bit of my dad. So I decide to do the right thing. “Let’s rest for a while and let her snap out of it. I’ll call Dr. Milligan and let him know we’ve checked in.” Two hours later, Sleeping Beast wakes up and we head to see Dr. Milligan. Rayna is particularly grouchy when hungover-can you even get hungover from drinking champagne?-so she’s not terribly inclined to be nice to the security guard who lets us in. She mutters something under her breath-thank God she doesn’t have a real voice-and pushes past him like the spoiled Royalty she is. I’m just about aggravated beyond redemption-until we see Dr. Milligan in a new exhibit of stingrays. He coos and murmurs as if they’re a litter of puppies in the tank begging to play with him. When he notices our arrival he smiles, and it feels like a coconut slushy on a sweltering day and it almost makes up for the crap I’ve been put through these past few days.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Oh, Lawd, I done forgot Harlem! Say, you colored folks, hungry a long time in 135th Street--they got swell music at the Waldorf-Astoria. It sure is a mighty nice place to shake hips in, too. There's dancing after supper in a big warm room. It's cold as hell on Lenox Avenue. All you've had all day is a cup of coffee. Your pawnshop overcoat's a ragged banner on your hungry frame. You know, downtown folks are just crazy about Paul Robeson! Maybe they'll like you, too, black mob from Harlem. Drop in at the Waldorf this afternoon for tea. Stay to dinner. Give Park Avenue a lot of darkie color--free for nothing!
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
Wow, this pizza is so good,” I said, swallowing a gooey bite. “It is,” Ben agreed. “But I think Sage needs a little more garlic on his. Piri says he loves the stuff.” “Nice,” I said, nodding. “So what have you guys been doing since we got to the hotel?” Rayna asked. “Playing cribbage,” Ben said. “Ask Sage who won.” “You say that like you never lost a game,” Sage countered. “Not at all. I’m just asking you to inform the ladies who won the most games.” “That would be you,” Sage admitted. “Four out of seven,” Ben crowed, “which is like winning the Stanley Cup of cribbage.” I had no idea what that meant. Ben had to explain that the Stanley Cup is a best-of-seven match. “I prefer soccer,” Sage said. “In the World Cup the preliminary games are just lead-ups to the final. And if Ben would be so kind as to let you know who won our final game…” “Misnomer,” Ben said. “You won the last game we played before dinner, yes, but the final game won’t come until right before we go our separate ways. You let me know when you’re about to head back to South America for good, and I’ll bring out the cards for that match. I’m ready whenever you are.” He said it lightly, but his eyes were steely, and we all picked up on his real message.
Hilary Duff (Elixir (Elixir, #1))
He looked behind me to Bernardo. "Can you think of anything else she needs to know?" "Only that he brags about the rape and what he did to her." "All right," I said, "you've both made your point. I only have one question." Edward just looked at me expectantly, Bernardo said, "Shoot." "If I kill another one of your backups, do I owe you another favor?" "Not if he deserves it." I dumped the bag on the doorsill. "Shit, Edward, if you keep putting me together with fucking crazies and I keep having to defend myself, I'll be owing you favors until we're in our graves." Bernardo said, "You're serious. You really killed his last backup." I glanced at him. "Yeah, I'm serious. And I want permission to off Olaf if he gets out of hand, without having to owe Edward another pound of flesh." "Who'd you kill?" Bernardo asked. "Harley," Edward said. "Shit, really?" I walked up to Edward, invading his space, trying to read past the blank blue of his eyes. "I want permission to kill Olaf if he gets out of hand, without owing you another favor." "And if I don't give it?" he asked, voice low. "Drive me to a hotel because I'm not staying in a house with a bragging rapist if I can't kill him." Edward looked at me for a long slow moment, then gave a small nod. "Done, as long as he's in this house. Outside the house, play nice.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Get a move on, Perico, and go ask him for the battery charger," and the apprentice hurried out, but everything was like a dream and what was the point of any of it: battery chargers, wrenches, mechanics, and he felt sorry for the terrified little boy because, he thought, all of us are dreaming and why punish kids and why fix cars and have crushes on nice boys and then get married and have children who also dream that they're alive, who have to suffer, go off to war or fight or give up hope all on account of mere dreams. He was simply drifting along now, like a boat without a crew swept along by shifting currents, and moving mechanically like those invalids who have lost almost all will and consciousness and yet allow themselves to be moved by the nurses and obey the instructions they are given with the obscure remains of that will and that consciousness without knowing why. The 493, he thought, I go as far as Chacarita and then I take the subway to Florida and then I walk from there to the hotel. So he got on the 493 and mechanically asked for a ticket, and for half an hour continued to see ghosts dreaming of things that kept them very busy; at the Florida stop he went out the exit on the Calle San Martin, walked along the Corrientes to Reconquista and from there headed for the Warszawa rooming house, Accommodations for Gentlemen, went up dirty, dilapidated stairs to the fourth floor, and threw himself on the wretched bed as though he had been wandering through labyrinths for centuries.
Ernesto Sabato
Religious people, the “people of God,” the people of the impossible, impassioned by a love that leaves them restless and unhinged, panting like the deer for running streams, as the psalmist says (Ps. 42:1), are impossible people. In every sense of the word. If, on any given day, you go into the worst neighborhoods of the inner cities of most large urban centers, the people you will find there serving the poor and needy, expending their lives and considerable talents attending to the least among us, will almost certainly be religious people — evangelicals and Pentecostalists, social workers with deeply held religious convictions, Christian, Jewish, and Islamic, men and women, priests and nuns, black and white. They are the better angels of our nature. They are down in the trenches, out on the streets, serving the widow, the orphan, and the stranger, while the critics of religion are sleeping in on Sunday mornings. That is because religious people are lovers; they love God, with whom all things are possible. They are hyper-realists, in love with the impossible, and they will not rest until the impossible happens, which is impossible, so they get very little rest. The philosophers, on the other hand, happen to be away that weekend, staying in a nice hotel, reading unreadable papers on “the other” at each other, which they pass off as their way of serving the wretched of the earth. Then, after proclaiming the death of God, they jet back to their tenured jobs, unless they happen to be on sabbatical leave and are spending the year in Paris.
John D. Caputo (On Religion (Thinking in Action))
At three o'clock in the afternoon, all the fashionable world at Nice may be seen on the Promenade des Anglais—a charming place, for the wide walk, bordered with palms, flowers, and tropical shrubs, is bounded on one side by the sea, on the other by the grand drive, lined with hotels and villas, while beyond lie orange orchards and the hills. Many nations are represented, many languages spoken, many costumes worn, and on a sunny day the spectacle is as gay and brilliant as a carnival. Haughty English, lively French, sober Germans, handsome Spaniards, ugly Russians, meek Jews, free-and-easy Americans, all drive, sit, or saunter here, chatting over the news, and criticizing the latest celebrity who has arrived—Ristori or Dickens, Victor Emmanuel or the Queen of the Sandwich Islands.
Louisa May Alcott (Little Women (Little Women #1))
I couldn't change enough, and I knew it. All I could do was something that would have pleased mo t h e r . I could give up swearing, I could clean up my language which had upset mother so. And so I did. "You mean you're not going to say 'fuck' or 'shit' or 'cocksucker' or even 'up yours' or 'in the ear' or anything, anymore?" Franny asked me. that's right," I said. "Not even 'asshole'?" Franny asked. "Right," I said. "You asshole," Franny said. "It makes as much sense as anything else," Frank reasoned. "You dumb prick," Franny baited me. "i think it's rather noble," Lilly said. "Small, but noble." "He lives in a second-rate whorehouse with people who want to start the world over and he wants to clean up his language," Franny said. "Cunthead," she told me. "You wretched fart," Franny said. "Beat your meat all night and dream of tits, but you want to sound nice, is that it?" she
John Irving (The Hotel New Hampshire)
Recently, I was in New York with most of the Robertson family promoting the season-four premiere of Duck Dynasty. We were staying at the Trump International Hotel, which is a really nice place near Central Park. I was already uncomfortable being in the big city. I don’t like traffic or concrete, and there are a lot of both in New York. After we checked in, we gathered downstairs to go to a Broadway musical show. I know it might seem bizarre for me to be going to a musical, but my very attractive wife can be mightily persuasive, especially when I have nothing else to do. As we were waiting or the others in the lobby, I asked a doorman if there was a nearby bathroom. He gave me directions to the nearest restroom, which included a walk through the hotel restaurant. As I entered the restaurant, a well-dressed staffer offered his assistance. I informed him I was only going to the restroom. But he very nicely continued to offer assistance and took the role of my escort, which I thought was quite courteous and professional. At his direction, we took a quick left turn and walked out of the hotel. Befuddled, I asked him, “Where is the bathroom?” He painted down the street or maybe toward Central Park and said, “Good luck to you, sir. Have a nice day.” I circled back around to the main entrance of the hotel, where I found Missy, who had witnessed the entire episode. “I thought you had to go to the bathroom,” she said. I laughed and told her I had been escorted out of the hotel because of the way I looked. It was no big deal to us, and I laughed about the incident later that night with my family over dinner. I shared the story the next day with Kelly Ripa and Michael Strahan on Live! with Kelly and Michael because I thought it was funny. Well, the story went viral and was all over the news and Internet the next few days. My phone wouldn’t stop ringing and various media outlets were trying to contact me. I’d jokingly labeled the incident “facial profiling” because in my mind that’s exactly what it was. People were surprised that it didn’t bother me, but my family and I have endured those kinds of things our entire lives. I figured the hotel employee was only trying to protect other hotel guests. The incident culminated with a call from Donald Trump’s office. They offered an apology for any inconvenience. I assured them that no apology was needed, and I asked them not to punish my courteous escort.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Survival Spanish: Your uncle's hotel sounds very nice, but I have reservations at the Holiday Inn. El hotel de su tio debe de ser muy lindo, pero tengo reservacions en el Holiday Inn. I would like your least expensive room. Quisiera su habitacion menos cara. I would like a better room. Quisiera una habitacion mejor. I would like any room not damaged by the recent earthquake. Quisiera cualquier habitacion que no sufrio danos en el temblor reciente. The local women do WHAT to cause fermentation? Las mujures aqui hacen QUE para causar la fermentacion? I don't question your abilities, but I am already married. No dudo sus habilidades, pero estoy botin. My friend is drunk and I am lost. Mi amigo esta borracho y estoy perdido. My friend is lost and I am drunk. Mi amigo esta perdido y estoy borracho. My apologies. I thought you asked me to dance. Disculpeme. Pense que me invito a bailar. Have I broken a law? He violado un ley? May I offer you the gift of money? Puedo ofrecerle un regalito de dinero? Did I say twenty dollars? I meant fifty. Dije veinte dolares? Queria decir CINCUENTA! You can have our women, but leave the plane tickets. Pueden llevarse a nuestras majeres, pero dejen nuestros boletos de avion.
Randy Wayne White (Last Flight Out: True Tales Of Adventure, Travel, And Fishing)
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones. I am looking forward to it. Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane. “I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.” “What, you don’t think I can handle it?” I say, a little defensive. “Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.” “I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.” “Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.” “I can tell you it will involve a lot of this,” I say, and I press my lips to his. His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent. I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming. “I love you,” I say. “I love you, too,” he says. “I’ll see you soon.” He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears. It’s time to be with my brother now.
Veronica Roth (Allegiant (Divergent, #3))
Well, hello, Cameron.” “Vanni, how are you?” “Very well, thanks. And you?” She chewed her lip a little bit. Why couldn’t this just be Paul? “I’m good. Listen, I know Virgin River is perfection, but I was wondering if you’d like to get out of town for a weekend.” “A weekend?” she asked, completely unprepared for such a question. “There’s a great seaside hotel in Mendocino, on the ocean. Lots to do around there. Very relaxing and entertaining.” “Cameron, I have a baby.” He chuckled. “I thought maybe I could bring along a pediatrician.” “But, Cameron, I’m really not ready for—” “Easy, Vanni. We’ll get two rooms. Think of it as a chance to get to know each other better, that’s all. And no, I have not mentioned my plans to Carol.” “Oh. Listen—I appreciate the invitation, but I’m not sure I’m ready for something like a weekend date. That’s moving a little fast for me…” “I’ll be a Boy Scout,” he laughed. “Two rooms, good views, great food, a little relaxation, conversation, no pressure…” “I appreciate the thought, really. It’s very nice of you, but…” “All right,” he said. “It was worth a try. Well, then, can I wrangle another run down to Virgin River? I have Jack’s phone number. I could make a reservation at that little cabin…” “You’re welcome anytime,” she said. “Maybe this weekend, since I scheduled it off?” “Sure,” she said without enthusiasm. “Let me know if you decide to come down.” *
Robyn Carr (Second Chance Pass)
They looked at each other as with the feeling of an occasion missed; the present would have been so much better if the other, in the far distance, in the foreign land, hadn’t been so stupidly meagre. There weren’t, apparently, all counted, more than a dozen little old things that had succeeded in coming to pass between them; trivialities of youth, simplicities of freshness, stupidities of ignorance, small possible germs, but too deeply buried—too deeply (didn’t it seem?) to sprout after so many years. Marcher could only feel he ought to have rendered her some service—saved her from a capsized boat in the bay or at least recovered her dressing-bag, filched from her cab in the streets of Naples by a lazzarone with a stiletto. Or it would have been nice if he could have been taken with fever all alone at his hotel, and she could have come to look after him, to write to his people, to drive him out in convalescence. Then they would be in possession of the something or other that their actual show seemed to lack. It yet somehow presented itself, this show, as too good to be spoiled; so that they were reduced for a few minutes more to wondering a little helplessly why—since they seemed to know a certain number of the same people—their reunion had been so long averted. They didn’t use that name for it, but their delay from minute to minute to join the others was a kind of confession that they didn’t quite want it to be a failure.
Henry James (The Beast in the Jungle)
He and Powell would be celebrating their twentieth wedding anniversary a few days later, and he admitted that at times he had not been as appreciative of her as she deserved. “I’m very lucky, because you just don’t know what you’re getting into when you get married,” he said. “You have an intuitive feeling about things. I couldn’t have done better, because not only is Laurene smart and beautiful, she’s turned out to be a really good person.” For a moment he teared up. He talked about his other girlfriends, particularly Tina Redse, but said he ended up in the right place. He also reflected on how selfish and demanding he could be. “Laurene had to deal with that, and also with me being sick,” he said. “I know that living with me is not a bowl of cherries.” Among his selfish traits was that he tended not to remember anniversaries or birthdays. But in this case, he decided to plan a surprise. They had gotten married at the Ahwahnee Hotel in Yosemite, and he decided to take Powell back there on their anniversary. But when Jobs called, the place was fully booked. So he had the hotel approach the people who had reserved the suite where he and Powell had stayed and ask if they would relinquish it. “I offered to pay for another weekend,” Jobs recalled, “and the man was very nice and said, ‘Twenty years, please take it, it’s yours.’” He found the photographs of the wedding, taken by a friend, and had large prints made on thick paper boards and placed in an elegant box. Scrolling through his iPhone, he found the note that he had composed to be included in the box and read it aloud: "We didn’t know much about each other twenty years ago. We were guided by our intuition; you swept me off my feet. It was snowing when we got married at the Ahwahnee. Years passed, kids came, good times, hard times, but never bad times. Our love and respect has endured and grown. We’ve been through so much together and here we are right back where we started 20 years ago—older, wiser—with wrinkles on our faces and hearts. We now know many of life’s joys, sufferings, secrets and wonders and we’re still here together. My feet have never returned to the ground."  By the end of the recitation he was crying uncontrollably. When he composed himself, he noted that he had also made a set of the pictures for each of his kids. “I thought they might like to see that I was young once.
Walter Isaacson (Steve Jobs)
We can’t walk through the house like this--we’ll make a mess.” Ryder’s jeans are soaked through and caked with mud. I’m wearing shorts, but my bare legs are spattered all over. “We’re going to have to strip here,” I say, shaking my head. “Just leave it all in a pile. I’ll toss it in the wash after lunch.” He just stares at me, wide-eyed. “What? Now?” “Yeah, you go first,” I say, amused by the blush that’s creeping up his neck. “Geez, Ryder. It’s not like I haven’t seen you in your underpants before.” I have vague memories of Ryder running around Magnolia Landing’s lawn wearing nothing but superhero undies. And after all the years of shared beach houses and hotel suites, well…like I said, we were more like siblings when we were little. “If it’ll make you more comfortable, I’ll turn around,” I offer. “Nah, it’s fine.” He reaches for the hem of his T-shirt and pulls it over his head in one fluid motion. And then I remember why this was a bad idea. My mouth goes dry at the sight of his tanned, sculpted chest, his narrow waist, and jutting hip bones. Oh, man. What was I thinking? I swallow hard as he unbuttons his jeans and slides down the zipper. Boxers or briefs? That’s all I’m thinking as he peels down the wet denim--slowly, as if he’s enjoying this little striptease. He steps out of them gracefully and tosses them into a heap beside his shirt before straightening to his full height, facing me. Oh. My. God. I exhale sharply. The answer is boxer briefs, heather-gray ones. And right now they’re clinging to him wetly, leaving absolutely nothing to the imagination. He looks like a god. A six-foot-four, football-playing god, and I am staring at him with my mouth hanging open like some kind of pathetic freak. Snap out of it. “Sorry,” I say, averting my gaze. My cheeks are burning now. I probably look like a clown. That’s what happens when a fair-skinned redhead like me blushes. “If you…um…want to shower. I mean, you know--” “I’ll just go put on something dry for now. We really need to eat and then get that stuff out of the barn.” I just nod, biting my lower lip. I can’t even look at him. This is crazy. “Your turn to strip,” he says, and my gaze shoots up to meet his. He’s smiling now, his dimples in full effect. “Ugh, just go and change.” I cover my eyes with one hand and flap the other toward the hall. “I’ll meet you in the kitchen in five,” he says. “Great.” I let my hand drop only when I hear his footsteps move away. Then yeah, I’ll admit it--I allow myself a nice long look at his backside as he walks away from me. And let me tell you, it was well worth the look.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The best way not to have to use your military power is to make sure that power is visible. When people know that we will use force if necessary and that we really mean it, we’ll be treated differently. With respect. Right now, no one believes us because we’ve been so weak with our approach to military policy in the Middle East and elsewhere. Building up our military is cheap when you consider the alternative. We’re buying peace and we’re locking in our national security. Right now we are in bad shape militarily. We’re decreasing the size of our forces and we’re not giving them the best equipment. Recruiting the best people has fallen off, and we can’t get the people we have trained to the level they need to be. There are a lot of questions about the state of our nuclear weapons. When I read reports of what is going on, I’m shocked. It’s no wonder nobody respects us. It’s no surprise that we never win. Spending money on our military is also smart business. Who do people think build our airplanes and ships, and all the equipment that our troops should have? American workers, that’s who. So building up our military also makes economic sense because it allows us to put real money into the system and put thousands of people back to work. There is another way to pay to modernize our military forces. If other countries are depending on us to protect them, shouldn’t they be willing to make sure we have the capability to do it? Shouldn’t they be willing to pay for the servicemen and servicewomen and the equipment we’re providing? Depending on the price of oil, Saudi Arabia earns somewhere between half a billion and a billion dollars every day. They wouldn’t exist, let alone have that wealth, without our protection. We get nothing from them. Nothing. We defend Germany. We defend Japan. We defend South Korea. These are powerful and wealthy countries. We get nothing from them. It’s time to change all that. It’s time to win again. We’ve got 28,500 wonderful American soldiers on South Korea’s border with North Korea. They’re in harm’s way every single day. They’re the only thing that is protecting South Korea. And what do we get from South Korea for it? They sell us products—at a nice profit. They compete with us. We spent two trillion dollars doing whatever we did in Iraq. I still don’t know why we did it, but we did. Iraq is sitting on an ocean of oil. Is it out of line to suggest that they should contribute to their own future? And after the blood and the money we spent trying to bring some semblance of stability to the Iraqi people, maybe they should be willing to make sure we can rebuild the army that fought for them. When Kuwait was attacked by Saddam Hussein, all the wealthy Kuwaitis ran to Paris. They didn’t just rent suites—they took up whole buildings, entire hotels. They lived like kings while their country was occupied. Who did they turn to for help? Who else? Uncle Sucker. That’s us. We
Donald J. Trump (Great Again: How to Fix Our Crippled America)
In Caracas I sleep under a bridge. A youth hostel in Brussels. Sometimes I splurge and rent a room in a nice hotel, take long hot showers, shave, eat meals in bathrobe. I watch color TB, the eighties, the roads, the countryside, the people I meet- they all begin to blur. I tell myself I am searching for something. But more am more, it feels like I am wandering, waiting for something to happen to me, something that will change everything, something that my whole life has been leading up to.
Khaled Hosseini (And the Mountains Echoed)
We are nearly all chancellors of the exchequer: it is the pride of the moment. Newspapers are full of articles explaining how to live on such-and-such a sum, and these articles provoke a correspondence whose violence proves the interest they excite. Recently, in a daily organ, a battle raged round the question whether a woman can exist nicely in the country on L85 a year. I have seen an essay, "How to live on eight shillings a week." But I have never seen an essay, "How to live on twenty-four hours a day." Yet it has been said that time is money. That proverb understates the case. Time is a great deal more than money. If you have time you can obtain money—usually. But though you have the wealth of a cloak-room attendant at the Carlton Hotel, you cannot buy yourself a minute more time than I have, or the cat by the fire has.
Arnold Bennett (How to Live on 24 Hours a Day)
Smith in his book and with his life is telling us how to live. Seek wisdom and virtue. Behave as if an impartial spectator is watching you. Use the idea of an impartial spectator to step outside yourself and see yourself as others see you. Use that vision to know yourself. Avoid the seductions of money and fame, for they will never satisfy. How to be virtuous is not so obvious, and that comes next. But I want to close this chapter with Peter Buffett, the man who ended up selling his Berkshire Hathaway stock for $90,000 and giving up the $100 million he could have had in order to pursue a career as a musician. A few years ago, Peter Buffett reflected on his decision to sell his Berkshire Hathaway stock to pursue his dreams in his memoir, Life Is What You Make It. He claims to have no regrets. But could a life as a successful musician possibly be worth giving up $100 million? Wouldn’t $100 million be even more pleasant? Then you ask yourself—what could he have with the extra millions? A nicer car? He could have a Lamborghini Veneno Roadster that retails for about $4 million. Or he could settle for the lovely Ferrari Spider, at $300,000; he could have a couple of those. He could have a mansion you and I can only imagine, anywhere in the world. Like Onassis, he could own an island or two rather than enduring the indignity of visiting an island in the Mediterranean, say, and having to share it with others while staying at a nice hotel. Could those physical pleasures possibly be worth sacrificing the life in music that he dreamed of and ultimately achieved? I think Peter Buffett got a bargain. He gave up $100 million and got something—hard as it is to imagine—that was even more precious. A good life. I think Adam Smith would agree with me.
Russel "Russ" Roberts (How Adam Smith Can Change Your Life: An Unexpected Guide to Human Nature and Happiness)
We completed meetings with leaders from over a dozen ministries over a ten-day period. Toward the end of our journey, we asked our Sri Lankan host for his feedback. After about the fourth day, he had become convinced that we were actually there to listen, so his feedback was honest. He said (and I'm paraphrasing): Paul and Christie, you and your leadership training are welcome here in Sri Lanka. If you host your training in a nice Colombo (Sri Lanka's capital) hotel with a nice venue and a buffet lunch, we can get fifty to one hundred pastors and ministry leaders to come. They will come, and you can get some great pictures for your newsletter. Then, after the seminar, they will take your manual home with them and put it on the shelf with [U.S. megachurch pastor's] training manual and [another U.S. megachurch pastor's] training manual and [a well-known U.S. leadership trainer's] training manual, and they will go about their own ministry in their own way.
Paul Borthwick (Western Christians in Global Mission: What's the Role of the North American Church?)
Thank you for coming after me,” she said softly, her mind beginning to comprehend the magnitude of what he’d done and the risks he’d taken—even putting his own life in jeopardy—to find her. “I don’t know what I would have done without your help.” “You’re welcome.” A slow smile worked its way up his lips. The flames from the fire reflected on his face, highlighting his pleasure at her words. “After all the times I’ve had to bail you out of trouble, I have to admit, it’s kind of nice to hear you finally admit you needed my help.” “All the times?” “Yes, all the times.” His grinned widened. “Starting from the first night you stepped into the Northern Hotel.” “If I remember right, I didn’t do such a bad job taking care of myself.” A smile twitched her lips. “But I suppose if it makes you feel like a knight in shining armor, I’ll let you take the credit for saving me from doom.” “Oh, come on, admit it.” His voice was low and edged with laughter. “You know for a fact I’m your knight in shining armor.” Her heart swelled. “Since you’re forcing a confession out of me,” she bantered, “then yes, I admit you’re my hero.” Little did he know just how much he was winning her heart. “Well, then that’s settled.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
You do seem different.” He touched her arms, pulled her in closer. “I’m happy to see you too, if you’d know. I think I missed you a bit.” “That’s the nicest thing you’ve ever said to me.” “I’m certain I could think of something nicer.” He looked up, thinking before turning back to her again. “I’m sorry about what I said before. All the other women I’ve seen at Pembrook Park seemed to be toying with ideas of affairs while their husbands were on business trips. I couldn’t reconcile what I knew of the women who come here and what I knew of you. When I saw you that day walking with Mr. Nobley and the others, I realized you’re here because you’re not satisfied--you’re looking for something. And when I finally realized that, can you imagine how lucky I felt that out of everyone, you would choose me?” “Thanks,” she said. “That was honest and encouraging, but Martin, you were going for nice.” “I wasn’t finished yet! I also wanted to tell you that you’re beautiful.” “That’s better.” “Unbelievably beautiful. And…and I don’t know how to say it. I’m not very good at saying what I’m thinking. But you make me feel like myself.” He swept a loose lock of hair from her forehead. “You remind me of my sister.” “Oh, really? You have that kind of sister?” “Yes, confident, funny…” “No, I meant the kind that you want to smooch.” Martin swept her up again, this time in a more romantic style than the over-the-shoulder baggage. She fit her arm around his neck and let him kiss her. She pressed her hand to his chest, trying to detect if his heart was pounding like hers. She peered at him and saw a little frown line between his eyes. “No, my sister doesn’t kiss half so well.” He walked her around, singing some ludicrous lullaby as though she were a baby, then set her down on a tree stump so they were nearly the same height. “Martin, could you lose your job over this?” He traced the line of her cheek with his finger. “At the moment, I don’t care.” “I’ll talk to Mrs. Wattlesbrook about it at our departure meeting tomorrow, but I don’t think my opinion means much to her.” “It might. Thank you.” Then there was silence and with it a hint of ending, and Jane realized she wasn’t quite ready for it. Martin was the first real guy she’d ever been able to relax with, turn off the obsessive craziness and just have fun. She needed to be with him longer and practice up for the real world. “I’m supposed to leave tomorrow,” she said, “but I can stay a couple more days, change my flight. I could find a hotel in London, far away from Wattlesbrook’s scope of vision, and I could see you. Just hang out a bit before I go home, no weirdness, no pressure, I promise.” He smiled broadly. “That’s an offer I can’t refuse because I’m simply mad to see you in pants. I have a feeling you have a very nice bum.
Shannon Hale (Austenland (Austenland, #1))
I'm supposed to leave tomorrow," she said, "but I can stay a couple more days, change my flight. I could find a hotel in London, far away from Wattlesbrook's scope of vision, and I could see you. Just hang out a bit before I go home, no weirdness, no pressure, I promise." He smiled broadly. "That's an offer I can't refuse because I'm simply mad to see you in pants. I have a feeling you have a very nice bum.
Shannon Hale (Austenland (Austenland, #1))
See, squire,” he said to the wide-eyed hotel manager, “our boss tells us we don’t want a lot of fuss about this. None of this evacuating the area bollocks you see on telly. We go in, we disarm him nice and quiet, then bob’s your uncle, we’re out of your hair for good. Okay? No problems for us and no bad publicity for the hotel.
Peter Robinson (Final Account (Inspector Banks, #7))
He frowned and reached out, lifting a lock of her hair off her shoulder. “Do you have mud in your hair?” “Probably,” she said. “I was standing on the porch, appreciating the beauty of this nice spring morning when one end gave way and spilled me right into a big, nasty mud puddle. And I wasn’t brave enough to try out the shower—it’s beyond filthy. But I thought I got it all off.” “Oh, man,” he said, surprising her with a big laugh. “Could you have had a worse day? If you’d like, I have a shower in my quarters—clean as a whistle.” He grinned again. “Towels even smell like Downy.” “Thanks, but I think I’ll just move on. When I get closer to the coast, I’m going to get a hotel room and have a quiet, warm, clean evening. Maybe rent a movie.” “Sounds nice,” he said. “Then back to Los Angeles?” She shrugged. “No,” she said. She couldn’t do that. Everything from the hospital to the house would conjure sweet memories and bring her grief to the surface. She just couldn’t move on as long as she stayed in L.A. Besides, now there was nothing there for her anymore.
Robyn Carr (Virgin River (Virgin River, #1))
Elvira, as befitting one who represented a magazine, registered first and demanded a room and bath. She pronounced it "bawth." The clerk seemed aghast at the request. However, in that hotel, any lady got whatever she asked for. It was her unquestioned right, as a lady. But there was no bath in the hotel, nor running water for that matter. The clerk faltered out something about a nice bowl and pitcher in every room, and said he thought they could provide a foot tub. He was sorry; there was no bath. Elvira couldn't grasp the situation. She thought the clerk was stupid--a hotel without a bath was a contradiction in terms. When she explained that she wanted something for complete immersion, the clerk seemed embarrassed. At his wits' end, he suggested (blushing like fire) that the colored boy could bring up the hog scalder.
Beatrice Fairfax (Ladies now and then)
Dexter, of course, is made of sterner stuff than any mere mortal, and imploring looks from a beautiful woman have never had any power over Our Wicked Warrior. And it was an absurd idea, something far too strange even to contemplate—me, a bodyguard? It was out of the question. And yet somehow, when the workday ended that evening and all good wage slaves trotted dutifully away to hearth and home, I found myself on the balcony of a suite at the Grove Isle Hotel, sipping a mojito and watching as a spectacular sunset blew up the sky behind us, reflecting orange and red and pink onto the water of Biscayne Bay. There was a tray of cheese and fresh fruit on the table beside me, and the Glock was an uncomfortable lump in my side, and I was filled with wonder at the unavoidable notion that Life makes no sense at all, especially when things have taken a sudden and extravagant turn into surreal and unearned luxury. Terror, pain, and nausea I can understand, but this? I could only assume I was being set up for something even worse. Still, the mojito was very good, and one of the cheeses had a very nice bite to it. I wondered if anyone ever really got used to living like this. It didn’t seem possible; weren’t we all made to sweat and suffer and endure painful hardship as we toiled endlessly in the vile cesspit of life on earth? How did sharp cheese, fresh strawberries, and utter luxury fit in with that?
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
I came here in 1906. I had been in Arkansas and sold some land for a nice profit so I thought I’d try my luck here in Oklahoma. I thought maybe I’d manage to buy some land with oil beneath its surface, but it appears that I might have missed the mark on that goal. I bought 40 acres and opened a boarding house since it presented some difficulty for people of color to find lodging in these parts. I could see that many people were arriving here to work in the oil fields and they needed a place to stay, so I figured I might as well provide that service. It was a small property located on a dusty road but it did quite well. Then I ventured out and built three office buildings where doctors, lawyers, dentists, and realtors could set up shop. Later we added barbershops and beauty salons to take care of the tenants. Those ventures proved to be good investments and provided me with the capital to build this hotel. As you can see, we have a rather tame clientele but they pay the bills.
Corinda Pitts Marsh (Holocaust in the Homeland: Black Wall Street's Last Days)
Very well, then. We'll take it." "Now, wait just one moment," Gareth protested, growing angry. "I will not have my wife and daughter spending the night in a bawdy house!" Juliet took him aside, leaning close to him and tilting her face up to whisper in his ear:  "Gareth, I don't like this any more than you do, but it's only for one night, and it will save us some money." "We have plenty of money, we don't need to be frugal!" "That is the most absurd statement I've yet to hear you utter." He set his jaw. She continued, "You gave most of your money to the vicar, and what Perry and the duke gave us, though substantial, won't last forever. We cannot afford to be choosy, Gareth. Now, please — put aside your pride for a moment and be practical, would you?" "It has nothing to do with pride. I want to bring you to a hotel," he said sullenly. "A nice hotel. It's our wedding night, Juliet; you deserve no less." "A wedding night is a night just like any other," she said pragmatically, her unthinking words inadvertently cutting him to the bone. She saw the sudden hurt in his eyes and laid her hand on his wrist. "We don't have money to waste, Gareth." He stared at her, crushed by how lightly she seemed to regard the symbolic parts of marriage that he considered special — that she, had she loved him, would consider special, too. Was that how she rated their marriage, as well? Dispensable? Not worth some extra effort? He wondered, rather bitterly, if her marriage to Charles would have meant so little that she would have dishonored it by spending their wedding night in a brothel, as she was happy to do with theirs. Somehow he doubted it. "Very well, madam," he said, retreating into formal aloofness to disguise his hurt. "Have it your way, then."   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
more, but no more than twenty. I had four songs left after the one I was doing when I saw her. And the talk between songs, well, I keep that short. So fifteen minutes, likely no more than seventeen.” “Did you see anyone follow her out?” “I didn’t, but I was looking for Forrest once she got up and started out. I wasn’t watching the door.” “I bet you saw a lot of familiar faces in the crowd tonight.” “I did. It was so nice to see everyone.” She thought of Arlo. “Mostly.” “A lot of unfamiliar ones, too.” “Tansy did a lot of marketing. She had flyers all over. I heard we had a lot of people in tonight who’re staying at the hotel and the lodge and so on, even campers who came in tonight. Something new, you know?” “Wish I could’ve been here myself. We’re going to make a point of it, the wife and me, next time. Now, did anybody strike you, Shelby? Somebody who just didn’t look right?
Nora Roberts (The Liar)
got out and gave the hotel the gander. It was nice looking if you were blind in one eye and couldn’t see out the other.
Anonymous
Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily. He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked. Calm down, he’d instructed himself. It’s only Lily. His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap. Was it possible Kaye hadn’t bothered to tell Lily he’d be coming? “I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . . Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke. “But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face. And suddenly Sean understood. Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy. Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black. His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—” Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.” The door to her hotel room had come at his face faster than a bullet train. He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead. Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.
Laura Moore (Night Swimming: A Novel)
Look, it doesn’t make sense for me to leave you pregnant and clueless on the pavement when I am headed for your very hotel.” “I can manage to find a phone and call for a cab. I graduated from college and everything.” “You don’t say? Can you take a degree in childbearing in this country?” “That was my minor. My major was social grace with an emphasis on tolerating the obnoxious—ack! I did it again! I keep telling myself, ‘Be nice, don’t insult him.’ Then you say something and out it comes.
Shannon Hale (The Actor and the Housewife)
Joe had a perfect game to pass the time, he’d said. Kevin had smirked and agreed. And there were four couples, so it was perfect. Sean should have known better. The reason having four couples was perfect, he found out too late, was because the game was a kind of demented adult version of The Newlywed Game. And now Joe and Kevin were laughing their asses off on the inside because Dani and Roger’s presence meant Sean and Emma had to keep up the pretense or Dani would tell her dad, who would in turn rat them out to Cat. “What’s the first place you had sex?” Roger read from a card. Dani hit the timer and six of them bent over their notepads, furiously scribbling down answers. Sean looked down at his blank page and decided to keep it simple. Hopefully, Emma would do the same. When the timer dinged, he tossed his pencil down. Joe and Keri scored the first point by both writing, In the backseat of Joe’s 1979 Ford Grenada.For Kevin and Beth it was the hotel where Joe and Keri’s wedding reception was held, and Dani and Roger both wrote, Dani’s dorm room. Emma grimaced at Sean and then held up her notebook. “‘On a quilt, under the flowering dogwood.’” The other women made sweet awww noises, but Joe and Kevin were already snickering. That wasn’t keeping it simple. Under a flowering dogwood? “We need your answer,” Roger said. Sean held up his paper. “‘In a bed.’” His cousins’ snickers became full belly laughs, while Dani and Roger just looked a little confused. “Oh,” Emma said. “You meant sex with each other?” It was a nice save, but Sean had a gut feeling it was only going to go downhill from here.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
My phone dings. Probably my mother, who has mom-radar and always knows when I’m up to no good. Undoubtedly asking how many Hail Marys she needs to say for me today. I grab my phone just to make sure it’s not a somebody died text, and almost fall off my stool. Tarzan here. Looking for Ms. P. This her? I close my eyes, blow out a slow breath. One, if he’s texting me, his date with Lila Valentine probably didn’t produce a second, which makes me happier than I have any right to be. Two, I’m not asking the guy to marry me. I’m asking him to be a hot piece of ass to make me look good. And three, I’m suddenly worried that my bad taste in men is making an unfortunate appearance again. What man in his right mind would text back a woman who made that proposition last weekend? Am I wrong about his date with the auction winner? Did I leave something behind at the hotel, and he’s just returning it? Or does he actually have some secret fetish that’ll play out wrong in the middle of my class reunion? "Who’s that?" Sia demands. "Tele-texter," I lie. I ignore the glares from my friends and type a quick reply. Yes, this is Parker. Except my phone hates me, and it autocorrects to Trying. This is Parking. Thanks, phone. Y E S, I type. Damn autocorrect. I hit send, and "Ohmygod." "What? What?" My friends all peer around me, and I jump off my stool to keep them from seeing my screen. Autocorrect just autocorrected to autocunnilingus. I just told Tarzan I’m eating myself. What have I done? Does that count as sexting? I don’t know. This is why I can’t have nice things.
Pippa Grant (Stud in the Stacks (Girl Band #2))
Positano hotel into the GPS, and they drove away on schedule. They left the city and got onto the autostrada, headed south. The weather was sunny and warm, and traffic moved freely. “Where do you live in New York?” Stone asked. “I have a loft in SoHo. I live and work there. Do you know the area?” “Sort of. I get a nosebleed if I go below Forty-second Street, so I don’t hang out downtown.” “Where do you live?” “In Turtle Bay. Do you know it?” “I once went to see Katharine Hepburn there,” she said. “I was supposed to paint her for Vanity Fair, but she didn’t like my preliminary sketches, and they replaced me with Annie Leibovitz. Ms. Hepburn preferred photographs. Nice neighborhood, though.” “Ms. Hepburn was a neighbor, sort of. I didn’t know her, but I saw her
Stuart Woods (Foreign Affairs (Stone Barrington, #35))
to the door of the undesirable little apartment, flinging it open, it seemed to Laurel, with a gesture of disgust. But Laurel’s mother told her she ought to be thankful that such things as cheapest rooms existed. “It is only by occupying the cheapest room in the house, that you and I can go to nice hotels, where nice people go,” Mrs. Dallas explained to her daughter.
Olive Higgins Prouty (Stella Dallas)
once gave him a tour of a hotel in Orlando called “Art of Animation.” It’s a huge hotel, three thousand rooms, priced more affordably than many of our hotels. I was proud of its quality for the price, and when Steve came down for a board retreat shortly after it opened, I took him to see it. We walked into the hotel, and Steve looked around and proclaimed, “This is crap. You’re not faking anybody.” “Steve,” I said, “this is for people who want to come to Disney World with their kids and can’t afford to spend hundreds of dollars a night on a room. It’s ninety bucks, and it’s a decent, nice, clean, pleasant place.” “I don’t get it,” he barked. Most people would have appreciated the quality and the care we’d taken to design it, but Steve wasn’t most people. He was looking at it through his own lens. “It’s not for you,” I said. “I’m sorry that I showed it to you.” I was a little mad at his snobbery, but I also knew that was just who he was. He built things of the highest quality, not necessarily affordable to all, but he never sacrificed quality in order to attain affordability. I never showed him anything like that again.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
I know that this would be a fantasy for many women—to find yourself in a big bed in a fancy hotel room with both a handsome man and a beautiful girl available for your enjoyment. But from a matter of sheer logistics, I quickly discovered that three people engaging in sexual exploits at the same time can be both a problematic and arduous situation. One never quite knows where to put one’s attention, you see. There are so many limbs to organize! There can be a great deal of: Oh, pardon me, I didn’t see you there. And just when you’re getting settled into something nice, somebody new shows up to interrupt you. One also never quite knows when it is over. Just when you think you’re done with your pleasure, you find that somebody out there isn’t yet done with theirs, and back you go, into the fray.
Elizabeth Gilbert (City of Girls)
The bed is nice and soft, and from bobbing up and down on it, I can tell it won’t make too much noise. Good. I don’t want the whole hotel to know what played out in here. Hell, I’m not sure I even want to know what’s going to happen, but a small part of me is too curious to run. Oh, who am I kidding … a big part of me is eager to find out.
Clarissa Wild (Hotel O)
For some reason women these days want men to love them the way they are naturally…while the thought is nice, in reality it means love me even if I put in no effort. Why? If you put no effort into taking care of yourself, even your own body rejects you and breaks down, so why demand that on another human being? unable to do so themselves. We judge books by covers. We judge restaurants and hotels by the décor. We judge. Accept it and make sure you are judged by the worth you believe you are.
J.J. McAvoy (Children of Vice (Children of Vice, #1))
The whole idea of driving trips was grounded on the concept of going where you wanted for as far as you liked. Particularly in rural parts of America, towns were infrequent, and the hotels in them, if any, varied greatly in cost and quality. If you found yourself driving between towns and it grew dark, continuing on the road was dangerous. Car headlights were still primitive, and even the best roads were poorly marked. Wildlife and livestock frequently ambled across—at night, a deer or cow might be practically on your fender before you realized it. Even if you did reach town safely, its hotels might not have rooms available. If there were rooms, and if the hotel was a nice one with a restaurant, guests were frequently required to “dress for dinner,” coats and ties for gentlemen, nice dresses for ladies. Much of the appeal of car trips lay in wearing comfortable clothes.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
The whole idea of driving trips was grounded on the concept of going where you wanted for as far as you liked. Particularly in rural parts of America, towns were infrequent, and the hotels in them, if any, varied greatly in cost and quality. If you found yourself driving between towns and it grew dark, continuing on the road was dangerous. Car headlights were still primitive, and even the best roads were poorly marked. Wildlife and livestock frequently ambled across—at night, a deer or cow might be practically on your fender before you realized it. Even if you did reach town safely, its hotels might not have rooms available. If there were rooms, and if the hotel was a nice one with a restaurant, guests were frequently required to “dress for dinner,” coats and ties for gentlemen, nice dresses for ladies.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
Erica seemed slightly confused by this line of thought, as it concerned human emotions, but she nodded agreement anyhow. “Exactly.” “It might not work out so easily for you,” Chip warned. “Jessica Shang has a lot going for her. She’s pretty, she’s nice, she’s fun—and she’s rich.” “Yes,” Erica agreed. “But I’m me.” Chip laughed dismissively. “I’m just saying, given the choice between two girls, if one of them’s a billionaire, that’s gonna mean something. This Mike character’s gonna show up to the hotel, find out Daddy Shang rented the whole darn thing, and be gobsmacked. And once Jessica starts batting her eyes at him, he’s gonna think he hit the mother lode.” “Mike’s not that shallow,” I argued. “We’re all that shallow,” Chip retorted. “Whether we want to believe it or not. Mike’s on a weeklong vacation. He’s not looking to fall in love. He’s looking to have fun! And who’s he gonna have more fun with? The girl he can only afford to take to McDonald’s—or the girl who has an entire hotel and a private jet and all the free food they can eat?” “Good point,” I conceded. “I can compete with that,” Erica said confidently. “How?” Jawa asked. “No offense, but you’re not exactly the warmest person in the world. Your own family doesn’t even think you can make friends with Jessica. So what do you know about winning over a boy’s affection?” “I know it’s easy,” Erica replied. “Much easier than making friends with someone. To make friends with another girl is work. You have to be nice and pretend to like the same things and have all these excruciatingly dull conversations about your feelings. To get a guy to fall for you, you barely even need to use your brain.” “That is not true,” Jawa argued, offended. “Really?” Erica came around the table to Jawa, kneeled close to him, batted her eyelashes, and purred, “Would you like to go somewhere quiet and explain why you’re right to me?” Jawa looked as though his brain had shorted out. Face-to-face with Erica, his fourteen-year-old mind was completely overwhelmed by her beauty. “Sure!” he said eagerly. “Let’s go right now!
Stuart Gibbs (Spy Ski School (Spy School Book 4))
What should we do now?” She’d meant her question as a joke. After all, hadn’t they come here specifically to have sex? So she was surprised at his next words. “How about a game?” He climbed onto the bed and sprawled back into the mess of pillows against the carved wood headboard. “Like what?” A glance around the room revealed nothing. “I didn’t see any games. Do you think the lobby has some to borrow?” “That’s not the kind of game I was talking about.” “Oh?” Now she was curious. Did he mean something sexual? “Let’s play I never.” It took her a second, and then she remembered the game from high school. “The game where we say something we’ve never done and if you have done that something, you take a drink? Do we need beer?” “Yep. There’s a mini–bar in that cabinet.” She settled in across from him, crossing her legs. “Why do you want to play I never? Feeling nostalgic for high school?” “I want to know you better.” “You could just ask.” “Yeah, but this is more fun.” He grinned. “Planning on getting me drunk and having your wicked way with me?” “You read my mind.” He took a sip of beer and she watched his Adam’s apple bob as he swallowed. “Let’s start off slow,” he said. “I’ve never watched television.” They both took a drink. The wine she’d selected was dry and she felt it in her nose as she swallowed. “Okay, my turn. I’ve never spent the night in a hotel with anyone other than my parents.” He drank. “You have? When?” “Twice in high school, once a few months back.” They hadn’t been together a few months ago, but hearing he’d spent the night in a hotel with a woman felt like a kick in her gut. “Loren, Xander, and I went to London to rescue Adam.” “Oh.” She felt instantly happy again. “What about the other times?” “Prom. A whole bunch of us chipped in to get a room. They kicked us out by 3:00 a.m. Money well spent.” She laughed. “And the other?” “I was the equipment manager for our high school basketball team. We made it to a big championship that year. Man, the moms baked every day for weeks so we could have bake sales and earn enough to get three rooms for the twelve of us. Good times,” he said nostalgically. “Okay, my turn again. I’ve never taken the SAT.” She took a long gulp of wine. “How’d you do?” “Good enough to get into college.” “Nice. But you didn’t go.” “Nope. Got married.” She took a therapeutic drink of wine. His mention of his trip to London reminded her of another thing she’d never done. “I’ve never been on a plane,” she said. Unsurprisingly, he drank. Had she thought they’d taken a boat or car to London? “But it was only that one time to London,” he explained. “I’d never been on a plane before.” “Did you like it?” She’d always wondered what it would be like to sit in a tube that high off the ground. And it was petty of her, but she liked that Rowan had a similar amount of experience to her when it came to world travel. She’d have felt inadequate if he’d been all over the world. “I was so worried about Adam, it was hard to concentrate on the flight. I’d like to go try it again. With you if you’re willing.” “I’d love to. My parents were big into road trips, and Jack never took me anywhere. I want to see as much of the world as possible.” “Then let’s do it. We’ll save up and head out every chance we get.” They grinned at each other. “Okay, another one. Prepare to get your drink on,” he said with a devastating grin. “I’ve never had long hair.” She drank, and understood his game at once. “I’ve never been in the boy’s locker room. Rowan drank. “I’ve never worn a bra.” She laughed and nearly snorted wine up her nose. “I’ve never shaved my beard.” He drank. “I’ve never shaved my legs.” She drank.” I’ve never…” She took another sip for courage. The wine was clearly getting to her or she never would’ve said her next thing. “I’ve never had an erection.
Lynne Silver (Desperate Match (Coded for Love, #5))
Myron’s eyes narrowed, swerving from Clip to Calvin Johnson, back to Clip. Their expressions were neutral. “Why do I have the feeling,” Myron asked, “that I’m missing something here?” Clip finally smiled. He looked over to Calvin Johnson. Calvin Johnson forced up a return smile. “Perhaps I should be less”—Clip paused, searched for the word—“opaque.” “That might be helpful.” “I want you on the team. I don’t much care if you play or not.” Myron waited again. When no one continued, he said, “It’s still a bit opaque.” Clip let loose a long breath. He walked over to the bar, opened a small hotel-style fridge, and removed a can of Yoo-Hoo. Stocking Yoo-Hoos. Hmm. Clip had been prepared. “You still drink this sludge?” “Yes,” Myron said. He tossed Myron the can and poured something from a decanter into two glasses. He handed one to Calvin Johnson. He signaled to the seats by the glass window. Exactly midcourt. Very nice. Nice leg room too. Even Calvin, who was six-eight, was able to stretch a bit. The three men sat next to one another, all facing the same way, which again felt weird in a business setting. You were supposed to sit across from one another, preferably at a table or desk. Instead they sat shoulder to shoulder, watching the work crew pound the floor into place.
Harlan Coben (Fade Away (Myron Bolitar, #3))
Syn unlocked his door and let Furi into his place for the second time that night. “Shouldn’t I be in witness protection or something, in a secure location?” Furi fired off indignantly. Syn flicked on the lamp in the living room and turned to look at Furious, shooting him a look that said ‘really?’ “Would you rather I take you down to the station, where a detective can question you for five hours before they take you to the shittiest hotel in the next city? While some cop that’s ridden a desk for the last ten years sits on his ass the entire time he's so-called guarding you?” Furi dropped his duffle bag to the floor and shook his head. “I guess not.” “Yeah. That’s what I thought.” Syn grinned. He removed his coat and draped it over the back of his new sofa. It was nice, but he hadn’t had the chance to enjoy it yet. Furi walked backwards until the back of his legs hit the couch. He flopped down like he had the weight of the world on his shoulders. Syn rubbed the back of his neck, wincing at the tension there. He needed to say something to Furi ... anything ... but what? Bad people, crime, guns blazing, cars running you off the road, all this was normal for Syn, but Furi was just trying to live his life. Syn sat down next to the beautiful man, his hand hovering over his knee before he moved it and placed it on his shoulder. The gesture was meant to be comforting but didn’t look like it was helping. “Are you okay?” “No, no, Syn. I’m not okay. That crazy bitch just tried to kill me, and for what? Because I wouldn’t fuck her.” Furi’s voice was rising with each word.
A.E. Via
When Gould arrives at a party, people who have never seen him before usually take one look at him and edge away. Before the evening is over, however, a few of them almost always develop a kind of puzzled respect for him; they get him in a corner, ask him questions, and try to determine what is wrong with him. Gould enjoys this. "When you came over and kissed my hand," a young woman told him one night, "I said to myself, 'what a nice old gentleman.' A minute later I looked around and you were bouncing up and down with your shirt off, imitating a wild Indian. I was shocked. Why do you have to be such an exhibitionist?" "Madam," Gould said, "it is the duty of the bohemian to make a spectacle of himself. If my informality leads you to believe that I'm a rum-dumb, or that I belong in Bellevue, hold fast to that belier, hold fast, hold fast, and show your ignorance.
Joseph Mitchell (Up in the Old Hotel)
In 1925, a master plan was instituted to blend the French neo-classical design with the tropical background. The Art Deco movement, both in Havana and in Miami Beach, took hold during the late 1920’s, and is found primarily in the residential section of Miramar. Miramar is where most of the embassies are located, including the massive Russian embassy. The predominant street is Fifth Avenue known as La Quinta Avenida, along which is found the church of Jesus de Miramar, the Teatro Miramar and the Karl Marx Theater. There is also the Old Miramar Yacht Club and the El Ajibe Restaurant, recently visited and televised by Anthony Bourdain on his show, “No Reservations.” Anthony Bourdain originally on the Travel Channel is now being shown on CNN. The modern five-star Meliá Habana hotel, known for its cigar bar, is located opposite the Miramar Trade Centre. Started in 1772, el Paseo del Prado, also known as el Paseo de Marti, became the picturesque main street of Havana. It was the first street in the city to be paved and runs north and south, dividing Centro Habana from Old Havana. Having been designed by Jean-Claude Nicolas Forestier, a French landscape architect, it connects the Malecón, the city’s coastal esplanade, with a centrally located park, Parque Central. Although the streets on either side are still in disrepair, the grand pedestrian walkway goes for ten nicely maintained blocks. The promenade has a decorated, inlaid, marble terrazzo pavement with a balustrade of small posts. It is shaded by a tree-lined corridor and has white marble benches for the weary tourist. Arguably, the Malecón is the most photographed street in Havana. It lies as a bulwark just across the horizon from the United States, which is only 90, sometimes treacherous miles away. It is approximately 5 miles long, following the northern coast of the city from east to west. This broad boulevard is ideal for the revelers partaking in parades and is the street used for Fiesta Mardi Gras, known in Cuba as Los Carnavales. It has at times also been used for “spontaneous demonstrations” against the United States. It runs from the entrance to Havana harbor, alongside the Centro Habana neighborhood to the Vedado neighborhood, past the United States Embassy on the Calle Calzada.
Hank Bracker
What’s the first thing you do now before you visit a new restaurant for the first time or book a hotel room online? You probably ask a friend for a recommendation or you check out the reviews online. Now more than ever, the story your customers tell about you is a big part of your story. Word of mouth is accelerated and amplified. Trust is built digitally beyond the village. Reputations are built and lost in a moment. Opinions are no longer only shared one to one; they are broadcasted one to many, through digital channels. Those opinions live on as clues to your story. The cleanliness of your hotel bathrooms is no longer a secret. Guests’ unedited photos are displayed alongside a hotel brochure’s digital glossies. TripAdvisor ratings are proudly displayed by hotels and often say more about the standards guests can expect than do other, more established star ratings systems, such as the Forbes Travel Guide‘s ratings. Once-invisible brands and family-run hotels have had their businesses turned around by the stories their customers tell about them. “With 50 million reviews and counting, [TripAdvisor] is shaking the travel industry to its core.” —Nathan Labenz It turns out that people are more likely to trust the stories other people tell about you than to trust the well-lit Photoshopped images in your brochure. Reputation is how your idea and brand story are spread. A survey conducted by Chadwick Martin Bailey found that six in ten cruise customers said “they were less likely to book a cruise that received only one star.” There is no marketing more powerful than what one person says to another to recommend your brand. “Don’t waste money on expensive razors.” “Nice hotel; shame about the customer service.” In a world where online reputation can increase a hotel’s occupancy and revenue, trust has become a marketing metric. “[R]eputation has a real-world value.” —Rachel Botsman When we were looking to book a quiet, off-the-beaten-track hotel in Bali, the first place we looked wasn’t with the travel agents or booking.com. I jumped online and found that one of the area’s best-rated hotels on tripadvisor.com wasn’t a five-star resort but a modest family-run, three-star hotel that was punching well above its weight. This little fifteen-room hotel had more than 400 very positive reviews and had won a TripAdvisor Travellers Choice award. The reviews from the previous guests sealed the deal. The little hotel in Ubud was perfect. The reviews didn’t lie, and of course the place was fully booked with a steady stream of guests who knew where to look before taking a chance on a hotel room. Just a few years before, this $50-a-night hotel would have been buried amongst a slew of well-marketed five-star resorts. Today, thanks to a currency of trust, even tiny brands can thrive by doing the right thing and giving their customers a great story to tell.
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
Right as I go to kiss Echo, someone knocks on the door. Damn it all to hell. “Go away!” “Be nice! It’s probably housekeeping.” Echo shoves at my chest and while she doesn’t have enough strength to push me away, I drop back like a domino, and she hops out of bed. “Be right there,” she calls out, then she lowers her voice to address me. “We’re lucky we didn’t get kicked out last night over the clothes.” “We?” I repeat. “I’m not the one clogging hotel filters with boxer shorts.” She pins me with a glare. I turn onto my side and prop my head up on my hand, deciding to enjoy the show of Echo hot as hell and strutting across the room. Spaghetti-strapped tank top and boy shorts that show a hint of her ass. On second thought... “You may want a robe if you’re going to open that door.” Hell, a shirt would help. “I’m going to crack it open to tell them that we’re still sleeping.” “We’re eighteen and in a hotel. Did you want them to laugh?” Her face turns red, and she shushes me. Damn, she’s going to answer the door like that. I roll off the bed and grab a pair of jeans. “Let me. My luck it’ll be the maintenance guy, then he’ll be stalking you for the rest of the trip.” Echo sticks her tongue out at me, but steps back to let me by. “Be nice.” My lips tilt up as I rub my thumb against her cheek. “I’m always nice.”
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
It was another beautiful crisp, clear day, in what has always been considered picturesque Überlingen. The village was internationally known for its traditional beauty and was a popular vacation destination long before the war. As usual, there was just a hint of a breeze off the brilliantly blue lake and I could understand why so many Germans would come here for their urlaub or vacation. Having a little money left over from the last check sent by Mina, I found a nice room for the three of us, overlooking the lake at a classy resort hotel. For the next two days we lived quite comfortably in our new surroundings. In fact we even enjoyed a real hot bath, something that I had almost forgotten. As I soaked in the warm, sudsy water I could hear my children laughing and giggling in the next room, and longed for a time when the world would be at peace again. During the day we walked along the shore of the beautiful Bodensee, but in the back of my mind, I knew that this was nothing more than a horrible illusion and couldn’t last; besides I had to find work. In reality, the children and I would have to settle in somewhere so that we could find some sort of stability. It was also important that they enroll in a school again. That “somewhere” turned out to be a room in a house owned by two old ladies who took in boarders. The old house faced the railroad station and was quaint in the old world style. It fit right into the picture postcard appearance of romantic Überlingen. Erika, the younger of the two ladies, was very kind and helpful to me. There were also two other tenants, Mr. and Mrs. Koestoll. He was German and she seemed to be what could be considered a typical French housewife, who devoted her life to her German husband. Herr Koestoll, was old and feeble and they sustained themselves on a very small pension. In fact it was so bad that he couldn’t even afford shoes. However their happiness didn’t seem to depend on money. I grew very fond of them for the short time that we knew each other.
Hank Bracker
One important key to understand is that God doesn’t need you to save money on one thing, so you can spend it on something else. There’s enough money for you to buy a business class ticket to fly overseas, stay at a nice hotel, eat good food, feed the poor, and clothe the naked. You don’t have to take money from one thing so you can have it for another thing. God is El Shaddai, the God of more than enough. He has enough for all those things.
Jonathan Shuttlesworth (Financial Overflow: 10 Bible Principles To Unlock Heavens Unending Supply)
Christmas Days at sea are of varied character, fair to middling and down to plainly atrocious. In this statement I do not include Christmas Days on board passenger ships. A passenger is, of course, a brother (or sister), and quite a nice person in a way, but his Christmas Days are, I suppose, what he wants them to be: the conventional festivities of an expensive hotel included in the price of his ticket.
Charles Dickens (Delphi Christmas Collection Volume I (Illustrated) (Delphi Anthologies Book 6))
I want a hotel room,” Cam demanded. “A nice one. With free breakfast and unlimited internet. And I want another Slurpee.” “Deal.” It was a better idea than letting him crash on my couch. “Let’s go.
Elle Cosimano (Finlay Donovan Knocks 'Em Dead (Finlay Donovan, #2))
admittedly it's kind of a trash move, like at a wedding when the minister basically goes: 'if you think this union is a steaming pile of doo-doo, then totes feel free to stand up and give everyone your amazon 1-star review of the couple's relationship.' first of all minister, why are you being a messy lil bitch? people put on nice underwear, use shick mock 5 razors to get the smoothest shave, dressed in tacky bridesmaid dresses and goofy ass colonel sanders beige suits, paid for flights and hotel rooms, both the bride and groom, bride and bride, or groom and groom went through the painful process of cutting certain folks from the guest list and the wedding band had to learn both journey and earth wind and fire's entire catalogue, and now you want to take the temperature of the room?" 64%
Phoebe Robinson (Everything's Trash, But It's Okay)
It was November of 1987. I remember because it was nine years after the first one.” Dahmer hung his head as he continued. “It was the day before Thanksgiving. I met him at Club 219. I already told Pat about it. He was really nice looking and we both got drunk; I took him to the hotel and gave him the mixture of sleeping pills and rum, but I don’t remember anything after that. I swear. When I woke up, he was dead. There were bruises all over his face and chest. My arms were all sore, and black and blue. I must have beaten him to death in an alcoholic blackout or else I gave him too much of the sleeping potion, I don’t know. All I know is that he was dead. “The story about the suitcase is true. I put him in the fruit cellar in Grandma’s basement and waited for my family to leave after the holiday. It all came back to me quickly. Just like when I was a kid. I severed the flesh from the bones and inspected the inside viscera. It was sexually exciting and I masturbated several times while disposing of the body. I placed the severed flesh and bones into several double-wrapped plastic bags and dropped them into the trash barrels behind Grandma’s house. It was so easy. The garbage men came and took all the evidence away: nothing was ever said, no one ever knew. I had gotten away with murder for the second time.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
FREYA: Snorri, darling. It’s been too long. [Air-kisses SS.] Mwah. Mwah. Miles, be a love and take—what was your name again, dear? WOMAN: Ag-Agnes. F: Hmm. [Taps finger on lips.] Are you quite certain Ag-Agnes is the name you want for the rest of your death? AG-AGNES: What do you mean the rest of my death? F: Maybe something a little perkier. Let’s see. [Strokes cats.] I think Kitty will do nicely. That’s what we’ll call you, my dear. KITTY: Who are you people? F: Miles, explain everything to Kitty, will you? M: I’m on it. [Fires a finger gun at SS.] Catch ya later, Athane. Here, Kitty, Kitty, Kitty! K: Seriously. What is going on? F: Oh, darling, don’t you see? You’re dead. K: I’m dead? M [grabbing Kitty in a headlock and giving her knuckle noogies]: Come on, Kit-Kat, it’s not so bad! K: I’m dead? [Miles and Kitty depart.]
Rick Riordan (Hotel Valhalla Guide to the Norse Worlds: Your Introduction to Deities, Mythical Beings & Fantastic Creatures (Magnus Chase and the Gods of Asgard))
Baseball player’s description of Cincinnati: “Horseshit park, horseshit clubhouse, horseshit hotel, lots of movies, nice place to eat after the game, tough town to get laid in.” We had to wait for an hour-and-a-half at the airport because there were no taxis and our bus didn’t arrive on time. It was three in the morning, but that’s no excuse. And do you know that all you can hear at the Cincinnati airport at three in the morning are crickets? Goddam crickets? While we were standing there Larry Dierker said, “This city isn’t a completely lost cause. Look, they’ve got one of those computer IQ games.” So we walked over, dropped a couple of quarters in and discovered the machine was broken.
Jim Bouton (Ball Four)
There was no opportunity to discuss his plans with Wynne that night, but the following morning he sought her out and issued his invitation. “It will give me great pleasure,” said Franz in a solemn voice, “it will give me great pleasure if you will dine with me tonight. I will telephone and order a nice dinner at the Grand Hotel and afterwards we will go to the Picture House. I see in the newspaper that Norma Shearer is there, and it says the film is very good.
D.E. Stevenson (The English Air)
Oh yes,” agreed Tom. “But he saw you arrive. He saw you walk into the hotel with a knapsack on your back so he didn’t know you were an important person until I told him. If you had arrived in a big automobile with a great deal of luggage he would have been nice to you from the beginning.” This was not what Will meant, but he had to leave it.
D.E. Stevenson (Still Glides the Stream)
He's the endgame boy. The one you make your dad be nice to at dinner, even if dinner is only Kentucky Fried Chicken. He's the boy you tell every secret to in the quiet of night and under the blanket of a million stars in the Mojave Desert. He's the boy you trust without question, that you question without fear. He's the one for me, and I know it, but he doesn't know it. Yet.
Victoria Fulton (Horror Hotel (Horror Hotel, #1))
This idea is extremely clever and highlights that there is exclusivity even around the use of violence. The state can legitimately use force to impose its will and increasingly so can the rich. Take away that facility and societies will begin to equalize. If that hotel in India that I went to was stripped of its security, they’d have to address the complex issues that led to them requiring it. “These systems can be very expensive. America employs more private security guards than high school teachers. States and countries with high inequality tend to hire proportionally more guard labor. If you’ve ever spent time in a radically unequal city in South Africa, you’ll see that both the rich and the poor live surrounded by private security contractors, barbed wire, and electrified fencing. Some people have nice prison cages, and others have not-so-nice ones. But when there’s inequality, there’s got to be someone making sure, with force, that it stays that way.” Matt here, metaphorically, broaches the notion that the rich too are impeded by inequality, imprisoned in their own way. Much like with my earlier plea for you to bypass the charge of hypocrisy, I now find myself in the unenviable position of urging you, like some weird, bizarro Jesus, to take pity on the rich. It’s not an easy concept to grasp, and I’m not suggesting it’s a priority. Faced with a choice between empathizing with “the rich” and “the homeless,” by all means go with the homeless. It is reductive, though, not to acknowledge that all are encompassed by this system and none of us are free while it endures. I’m not saying it’s worse to be one of Bernie Ecclestone’s kids than Jason, the homeless bloke who lives under the bridge at the end of my street; I’m saying that the two are connected and everyone will benefit from change. I should also point out that empathy, sympathy, and love are limitless resources, energies that never deplete, and at this time of dwindling fuels we should cherish and explore these inexhaustible inner resources more than ever.
Russell Brand (Revolution)
In such a world it is perfectly credible that a mental defective should sit on the upper floor of a little-used building, wearing a Hanes T-shirt, eating take-out chicken, and waiting to use his mail-order rifle to blow out the brains of an American president; perfectly possible that another mental defective should be able to stand around in a hotel kitchen a few years later waiting to do exactly the same thing to that defunct president’s younger brother; perfectly understandable that nice American boys from Iowa and California and Delaware should have spent their tours in Vietnam collecting ears, many of them extremely tiny; that the world should begin to move once more toward the brink of an apocalyptic war because of the preachings of an eighty-year-old Moslem holy man who is probably foggy on what he had for breakfast by the time sunset rolls around. All of these things are mentally acceptable if we accept the idea that God has abdicated for a long vacation, or has perchance really expired.
Stephen King (Danse macabre)
You don’t want me to lose control of myself, pretty girl. You don’t want me to let the monster off its leash. I played nice that night we spent at the hotel, but nice isn’t what I am. I keep telling you I’m not good, but you refuse to listen.
J.T. Geissinger (Fall Into You (Morally Gray, #2))
Okay, Cliff, but let me just say this: right now Johnny needs to feel as if he were the only star you have.” “Okay,” said Cliff. “I get it.” I then talked Johnny into seeing Cliff. “That’s the least you owe him.” And up we went. Once Carson entered the suite, the Perlman charm took over. He took Carson by the arm and showed him the apartment. Sitting atop the hotel, it was 10,000 square feet of opulence, with a rooftop swimming pool, Jacuzzi, wine cellar, health spa, six bedrooms, and a living room that was easily able to accommodate 300 people. “Every time you come to Caesars,” said Perlman, “this is where you’ll stay.” “Nice,” said Johnny, now notably calmer. “But I don’t see a tennis court up here.” “No, it’s downstairs. But you know that our head pro is Pancho Gonzales,” said Cliff, invoking the name of one of the greatest players of the pre-Open era. “Any time you want to hit with him, it’s on me.” “Thank you, Cliff.” “You know,” said Perlman, closing the deal, “I’ve never let anyone stay up here, not even Sinatra. But I owe this to you as a show of my appreciation for your working here.
Henry Bushkin (Johnny Carson)
Fifty Best Rock Documentaries Chicago Blues (1972) B. B. King: The Life of Riley (2014) Devil at the Crossroads (2019) BBC: Dancing in the Street: Whole Lotta Shakin’ (1996) BBC: Story of American Folk Music (2014) The Weavers: Wasn’t That a Time! (1982) PBS: The March on Washington (2013) BBC: Beach Boys: Wouldn’t It Be Nice (2005) The Wrecking Crew (2008) What’s Happening! The Beatles in the U.S.A. (1964) BBC: Blues Britannia (2009) Rolling Stones: Charlie Is My Darling—Ireland 1965 (2012) Bob Dylan: Dont Look Back (1967) BBC: The Motown Invasion (2011) Rolling Stones: Sympathy for the Devil (1968) BBC: Summer of Love: How Hippies Changed the World (2017) Gimme Shelter (1970) Rumble: The Indians Who Rocked the World (2017) Cocksucker Blues (1972) John Lennon & the Plastic Ono Band: Sweet Toronto (1971) John and Yoko: Above Us Only Sky (2018) Gimme Some Truth: The Making of John Lennon’s “Imagine” Album (2000) Echo in the Canyon (2018) BBC: Prog Rock Britannia (2009) BBC: Hotel California: LA from the Byrds to the Eagles (2007) The Allman Brothers Band: After the Crash (2016) BBC: Sweet Home Alabama: The Southern Rock Saga (2012) Ain’t in It for My Health: A Film About Levon Helm (2010) BBC: Kings of Glam (2006) Super Duper Alice Cooper (2014) New York Dolls: All Dolled Up (2005) End of the Century: The Story of the Ramones (2004) Fillmore: The Last Days (1972) Gimme Danger: The Stooges (2016) George Clinton: The Mothership Connection (1998) Fleetwood Mac: Rumours (1997) The Who: The Kids Are Alright (1979) The Clash: New Year’s Day ’77 (2015) The Decline of Western Civilization (1981) U2: Rattle and Hum (1988) Neil Young: Year of the Horse (1997) Ginger Baker: Beware of Mr. Baker (2012) AC/DC: Dirty Deeds (2012) Grateful Dead: Long, Strange Trip (2017) No Direction Home: Bob Dylan (2005) Hip-Hop Evolution (2016) Joan Jett: Bad Reputation (2018) David Crosby: Remember My Name (2019) Zappa (2020) Summer of Soul (2021)
Marc Myers (Rock Concert: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There)