Ng Celeste Quotes

Sometimes you need to scorch everything to the ground, and start over. After the burning the soil is richer, and new things can grow. People are like that, too. They start over. They find a way.

Before that she hadn’t realized how fragile happiness was, how if you were careless, you could knock it over and shatter it.

Most of the time, everyone deserves more than one chance. We all do things we regret now and then. You just have to carry them with you.

The things that go unsaid are often the things that eat at you—whether because you didn't get to have your say, or because the other person never got to hear you and really wanted to.

What made something precious? Losing it and finding it.

One had followed the rules, and one had not. But the problem with rules... was that they implied a right way and a wrong way to do things. When, in fact, most of the time they were simply ways, none of them quite wrong or quite right, and nothing to tell you for sure what side of the line you stood on.

You never got what you wanted; you just learned to get by without it.

He pushed her in. And then he pulled her out. All her life, Lydia would remember one thing. All his life, Nath would remember another.

People decide what you're like before they even get to know you

It came, over and over, down to this: What made someone a mother? Was it biology alone, or was it love?

ANGER IS FEAR’S BODYGUARD,

You’ll always be sad about this,” Mia said softly. “But it doesn’t mean you made the wrong choice. It’s just something that you have to carry.

It would disappear forever from her memory of Lydia, the way memories of a lost loved one always smooth and simplify themselves, shedding complexities like scales.

You loved so hard and hoped so much and then you ended up with nothing. Children who no longer needed you. A husband who no longer wanted you. Nothing left but you, alone, and empty space.

It bothers you, doesn’t it?” Mia said suddenly. “I think you can’t imagine. Why anyone would choose a different life from the one you’ve got. Why anyone might want something other than a big house with a big lawn, a fancy car, a job in an office. Why anyone would choose anything different than what you’d choose.

I don't have a plan, I'm afraid, but then, no one really does, no matter what they say.

To those out on their own paths, setting little fires

...the thing about portraits is, you need to show people the way they want to be seen. And I prefer to show people as I see them.

To a parent, your child wasn't just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all at the same time. You could see it every time you looked at her: layered in her face was the baby she'd been and the child she'd become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.

They never discussed it, but both came to understand it as a promise: he would always make sure there was a place for her. She would always be able to say, Someone is coming. I am not alone.

It’s too late. He’s already learned how not to drown.

It terrifies you. That you missed out on something. That you gave up something you didn’t know you wanted.” A sharp, pitying smile pinched the corners of her lips. “What was it? Was it a boy? Was it a vocation? Or was it a whole life?

She recognized it at once: love, one-way deep adoration that bounced off and did not bounce back; careful, quiet love that didn't care and went on anyway.

How had it begun? Like everything: with mothers and fathers. Because of Lydia’s mother and father, because of her mother’s and father’s mothers and fathers.

When a long, long time later, he stares down at the silent blue marble of the earth and thinks of his sister, as he will at every important moment of his life. He doesn't know this yet, but he senses it deep down in his core. So much will happen, he thinks, that I would want to tell you.

It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.

Rules existed for a reason: if you followed them, you would succeed; if you didn't, you might burn the world to the ground.

She understands. There is nowhere to go but on. Still, part of her longs to go back

She smelled of home...as if home had never been a place, but had always been this little person whom she'd carried alongside her.

I'll tell you a secret. A lot of times, parents are not the best at seeing their children clearly.

Everyone sees race, Lex," said Moody. "The only difference is who pretends not to.

All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never - could never - set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.

She had learned that when people were bent on doing something they believed was a good deed, it was usually impossible to dissuade them.

His life had been divided into a before and an after, and he would always be comparing the two.

He can guess, but he won't ever know, not really. What it was like, what she was thinking, everything she'd never told him. Whether she thought he'd failed her, or whether she wanted him to let her go. This, more than anything, makes him feel that she is gone.

He can guess, but he won't ever know, not really. What it was like, what she was thinking, everything she'd never told him.

The things that go unsaid are often the things that eat at you.

You could stop taking their phone calls, tear up their letters, pretend they'd never existed. Start over as a new person with a new life. Just a problem of geography, he thought, with the confidence of someone who had never yet tried to free himself of family.

You don't feel like smiling? Then what? Force yourself to smile. Act as if you were already happy, and that will tend to make you happy.

Dreaming of his future, he no longer heard all the things she did not say.

It will be all right, she told herself, and she stepped out of the boat into the water.

Like after a prairie fire...It seems like the end of the world. The earth is all scorched and black and everything green is gone. But after the burning, the soil is richer, and new things can grow....People are like that, too, you know. They start over. They find a way.

In the dark they are careful of each other, as if they know they are fragile, as if they know they can break.

All up and down the street the houses looked like any others—but inside them were people who might be happy, or taking refuge, or steeling themselves to go out into the world, searching for something better. So many lives she would never know about, unfolding behind those doors.

Lydia, five years old, standing on tiptoe to watch vinegar and baking soda foam in the sink. Lydia tugging a heavy book from the shelf, saying, "Show me again, show me another." Lydia, touching the stethoscope, ever so gently, to her mother’s heart. Tears blur Marilyn’s sight. It had not been science that Lydia had loved

The firemen said there were little fires everywhere,” Lexie said. “Multiple points of origin. Possible use of accelerant. Not an accident.

Every time she kissed him, every time he opened his arms and she crawled into them, felt like a miracle. Coming to her made him feel perfectly welcomed, perfectly at home, as he had never in his life felt before.

There is nowhere to go but on. Still, part of her longs to go back for one instant—not to change anything, not even to speak to Lydia, not to tell her anything at all. Just to open the door and see her daughter there, asleep, one more time, and know all was well.

Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.

He felt as if he’d dived into a deep, clear lake and discovered it was a shallow, knee-deep pond. What did you do? Well, you stood up. You rinsed your mud-caked knees and pulled your feet out of the muck. And you were more cautious after that. You knew, from then on, that the world was a smaller place than you’d expected.

Why did I tell you so many stories? Because I wanted the world to make sense to you. I wanted to make sense of the world, for you. I wanted the world to make sense.

Morning sun fills the house, creamy as lemon chiffon, lighting the insides of cupboards and empty closets and clean, bare floors.

Maybe at birth everyone should be given to a family of a different race to be raised. Maybe that would solve racism once and for all.

The photos stirred feelings she couldn't quite frame in words, and this, she decided, must mean they were true works of art.

But the problem with rules, he reflected, was that they implied a right way and a wrong way to do things. When, in fact, most of the time there were simply ways, none of them quite wrong or quite right, and nothing to tell you for sure which side of the line you stood on.

it seemed the sanest and most logical course: if the world was on fire, you might as well burn bright.

If we fear something, it is all the more imperative we study it thoroughly.

Hannah, as if she understood her place in the cosmos, grew from quiet infant to watchful child: a child fond of nooks and corners, who curled up in closets, behind sofas, under dangling tablecloths, staying out of sight as well as out of mind, to ensure the terrain of the family did not change.

She did not know how to explain what happened, how everything has changed in just one day, how someone she loved so dearly could be there one minute, and the next minute: gone.

In Pauline and Mal’s house, nothing was simple. In her parents’ house, things had been good or bad, right or wrong, useful or wasteful. There had been nothing in between. Here, she found, everything had nuance; everything had an unrevealed side or unexplored depths. Everything was worth looking at more closely.

To a parent, your child wasn't just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once.

But at that moment she had known, with a certainty she would never feel about anything else in her life, that it was right, that she wanted this man in her life. Something inside her said, He understands. What it's like to be different.

All of that will be gone by morning. Instead, they will dissect this last evening for years to come. What had they missed that they should have seen? What small gesture, forgotten, might have changed everything? They will pick it down to the bones, wondering how this had all gone so wrong, and they will never be sure.

Irony: a contradictory outcome of events as if in mockery of the promise and fitness of things,

Everything, she had come to understand, was something like infinity.

What made something precious? Losing it and finding it. All those times he’d pretended to lose her.

That long-ago day, sitting in this very spot on the dock, she had already begun to feel it: how hard it would be to inherit their parents’ dreams. How suffocating to be so loved.

Sex changed things, she realized - not just between you and the other person, but between you and everyone.

Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?

All their lives Nath had understood, better than anyone, the lexicon of their family, the things they could never truly explain to outsiders: that a book or a dress meant more than something to read or something to wear; that attention came with expectations that—like snow—drifted and settled and crushed you with their weight. All the words were right, but in this new Nath’s voice, they sounded trivial and brittle and hollow. The way anyone else might have heard them. Already her brother had become a stranger.

Sometimes you almost forgot: that you didn't look like everyone else. In homeroom or at the drugstore or at the supermarket, you listened to morning announcements or dropped off a roll of film or picked up a carton of eggs and felt like just another someone in the crowd. Sometimes you didn't think about it at all. And then sometimes you noticed the girl across the aisle watching, the pharmacist watching, the checkout boy watching, and you saw yourself reflected in their stares: incongruous. Catching the eye like a hook. Every time you saw yourself from the outside, the way other people saw you, you remembered all over again.

And Lydia herself—the reluctant center of their universe—every day, she held the world together. She absorbed her parents’ dreams, quieting the reluctance that bubbled up within.

Change doesn't just happen,” her mother had always said, echoing the Shaker motto. “It has to be planned.

Librarians, of all people, understood the value of knowing, even if that information could not yet be used.

Parents, she thought, learned to survive touching their children less and less.

People decide what you're like before they even get to know you.

Nearly two decades later, others would raise this question, would talk about books as mirrors and windows, and Ed Lim, tired by then, would find himself as frustrated as he was grateful. We’ve always known, he would think; what took you so long?

The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.

No one, she had learned from experience, could stand such silence for long. If you waited long enough, someone would start talking, and more often than not they would give you a chance to press further, to crack the conversation open and scoop out what you needed to know.

How did you explain to someone—how did you explain to a child, a child you loved—that someone they adored was not to be trusted? She

Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast.

Most communities just happen; the best are planned.

If a soul could leave the body, she thought, this is the sound it would make: like the screech of a nail being pulled from old wood.

I could have done that, Marilyn thought. And the words clicked into place like puzzle pieces, shocking her in their rightness. The hypothetical past-perfect. The tense of missed chances. Tears dripped down her chin. No! She though suddenly. I could do that.

But the thing about portraits is, you need to show people the way they want to be seen. And I prefer to show people as I see them. So in the end I’d probably just frustrate us both.” She

His job was to make losses feel smaller. But the students never turned their C-minuses into Bs; new funding never materialized. You never got what you wanted; you just learned to get by without it.

Everything, she noticed, seemed capable of transmogrification. Even the two boulders in the backyard sometimes turned to silver in the early morning sunlight. In the books she read, every stream might be a river god, every tree a dryad in disguise, every old woman a powerful fairy, every pebble an enchanted soul. Anything had the potential to transform, and this, to her, seemed the true meaning of art. Only her brother, Warren, seemed to understand the hidden layer she saw in things, but then they had always had an understanding, since before he had been born.

To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once.

When does she stop speaking? When are you ever done with the story of someone you love? You turn the most precious of your memories over and over, wearing their edges smooth, warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?

It had not been science that Lydia had loved. And then, as if the tears are telescopes, she begins to see more clearly: the shredded posters and pictures, the rubble of books, the shelf prostrate at her feet. Everything that she had wanted for Lydia, which Lydia had never wanted but had embraced anyway. A dull chill creeps over her. Perhaps—and this thought chokes her—that had dragged Lydia underwater at last.

Asian men could be socially inept and incompetent and ridiculous, like a Long Duk Dong, or at best unthreatening and slightly buffoonish, like a Jackie Chan. They were not allowed to be angry and articulate and powerful. And possibly right, Mr. Richardson thought uneasily.

Whenever he remembered this moment, it lasted forever: a flash of complete separateness as Lydia disappeared beneath the surface. Crouched on the dock, he had a glimpse of the future: without her, he would be completely alone. In the instant after, he knew it would change nothing. He could feel the ground still tipping beneath him. Even without Lydia, the world would not level. He and his parents and their lives would spin into the space where she had been. They would be sucked into the vacuum she left behind. More than this: the second he touched her, he knew that he had misunderstood everything. When his palms hit her shoulders, when the water closed over her head, Lydia had felt relief so great she had sighed in a deep choking lungful. She had staggered so readily, fell so eagerly, that she and Nath both knew: that she felt it, too, this pull she now exerted, and didn't want it. That the weight of everything tilting toward her was too much.

Journalists,” she explained in a civics speech about dream careers, “chronicle our everyday lives. They reveal truths and information that the public deserves to know, and they provide a record for posterity, so that future generations can learn from our mistakes and improve upon our achievements.

The writer's job, after all, is not to dictate meaning, but to give the reader enough pieces to create his or her own satisfying meaning. The story is truly finished—and meaning is made—not when the author adds the last period, but when the reader enters the story and fills that little ambiguous space, completing the circuit, letting the power flow through.

At the Richardson house were overstuffed sofas so deep you could sink into them as if into a bubble bath. Credenzas. Heavy sleigh beds. Once you owned an enormous chair like this, Pearl thought, you would simply have to stay put. You would have to plant roots and make the place that held this chair your home.

All their lives Nath had understood, better than anyone, the lexicon of their family, the things they could never truly explain to outsiders: that a book or a dress meant more than something to read or something to wear; that attention came with expectations that—like snow—drifted and settled and crushed you with their weight.

To a parent, your child wasn’t just a person: your child was a place, a kind of Narnia, a vast eternal place where the present you were living and the past you remembered and the future you longed for all existed at once. You could see it every time you looked at her: layered in her face was the baby she’d been and the child she’d become and the adult she would grow up to be, and you saw them all simultaneously, like a 3-D image. It made your head spin. It was a place you could take refuge, if you knew how to get in. And each time you left it, each time your child passed out of your sight, you feared you might never be able to return to that place again.

And tomorrow, next month, next year? It will take a long time. Years from now, they will still be arranging the pieces they know, puzzling over her features, redrawing her outlines in their minds. Sure that they've got her right this time, positive in this moment that they understand her completely, at last. They will think of her often: when Marilyn opens the curtains in Lydia's room, opens the closet, and begins to take the clothing from the shelves. When their father, one day, enters a party for the first time does not glance, quickly, at all the blond heads in the room. When Hannah begins to stand a little straighter, when she begins to speak a bit clearer, when one day she flicks her hair behind her ear in a familiar gesture and wonders, for a moment, where she got it. And Nath. When at school people ask if he has siblings: two sisters, but one died; when one day, he looks at the small bump that will always mar the bridge of Jack's nose and wants to trace it, gently, with his finger. When a long, long time later, he stares down at the silent blue marble of the earth and thinks of his sister, as he will at every important moment of his life. He doesn't know this yet, but he senses it deep down in his core. So much will happen, he thinks, that I would want to tell you.

Motherhood seems to be a no-win battle: however you decide to do (or not do) it, someone’s going to be criticizing you. You went to too great lengths trying to conceive. You didn’t go to great enough lengths. You had the baby too young. You should have kept the baby even though you were young. You shouldn’t have waited so long to try and have a baby. You’re a too involved mother. You’re not involved enough because you let your child play on the playground alone. It never ends. It strikes me that while all this judgment goes on, the options available to women become fewer and fewer. I’m not even (just) talking about the right to choose—across the U.S., women have less access to birth control, health care, reproductive education, and post-partum support. So we give women less information about their bodies and reproduction, less control over their bodies, and less support during and after pregnancy—and then we criticize them fiercely for whatever they end up doing. This

Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.