Newspapers Are A Thing Of The Past Quotes

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I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
Charles Bukowski (Women)
I am half inclined to think we are all ghosts…it is not only what we have inherited from our fathers and mothers that exists again in us, but all sorts of old dead ideas and all kinds of old dead beliefs and things of that kind. They are not actually alive in us; but there they are dormant all the same, and we can never be rid of them. Whenever I take up a newspaper and read it, I fancy I see ghosts creeping between the lines. There must be ghosts all over the world. They must be as countless as the grains of the sands, it seems to me. And we are so miserably afraid of the light, all of us.
Henrik Ibsen (Ghosts)
Disasterology The Badger is the thirteenth astrological sign. My sign. The one the other signs evicted: unanimously. So what? ! Think I want to read about my future in the newspaper next to the comics? My third grade teacher told me I had no future. I run through snow and turn around just to make sure I’ve got a past. My life’s a chandelier dropped from an airplane. I graduated first in my class from alibi school. There ought to be a healthy family cage at the zoo, or an open field, where I can lose my mother as many times as I need. When I get bored, I call the cops, tell them there’s a pervert peeking in my window! then I slip on a flimsy nightgown, go outside, press my face against the glass and wait… This makes me proud to be an American where drunk drivers ought to wear necklaces made from the spines of children they’ve run over. I remember my face being invented through a windshield. All the wounds stitched with horsehair So the scars galloped across my forehead. I remember the hymns cherubs sang in my bloodstream. The way even my shadow ached when the chubby infants stopped. I remember wishing I could be boiled like water and made pure again. Desire so real it could be outlined in chalk. My eyes were the color of palm trees in a hurricane. I’d wake up and my id would start the day without me. Somewhere a junkie fixes the hole in his arm and a racing car zips around my halo. A good God is hard to find. Each morning I look in the mirror and say promise me something don’t do the things I’ve done.
Jeffrey McDaniel
Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future. But there is a real significance to the pattern which finally appears, which resists all further change. In fact, there is the danger that if I continue to try, the whole concert of events will begin to fall apart in my hands like old newspaper, I can't bear to think of that. The myriad past, it enters us and disappears. Except within it, somewhere, like diamonds, exist the fragments that refuse to be consumed. Sifting through, if one dares, and collecting them, one discovers the true design.
James Salter
What I have most wanted to do throughout the past ten years is to make political writing into an art. My starting point is always a feeling of partisanship, a sense of injustice. When I sit down to write a book, I do not say to myself, ‘I am going to produce a work of art’. I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing. [...] My book about the Spanish civil war, Homage to Catalonia, is of course a frankly political book, but in the main it is written with a certain detachment and regard for form. I did try very hard in it to tell the whole truth without violating my literary instincts. But among other things it contains a long chapter, full of newspaper quotations and the like, defending the Trotskyists who were accused of plotting with Franco. Clearly such a chapter, which after a year or two would lose its interest for any ordinary reader, must ruin the book. A critic whom I respect read me a lecture about it. ‘Why did you put in all that stuff?’ he said. ‘You've turned what might have been a good book into journalism.’ What he said was true, but I could not have done otherwise. I happened to know, what very few people in England had been allowed to know, that innocent men were being falsely accused. If I had not been angry about that I should never have written the book.
George Orwell (Essays)
There was a time in my life when I did a fair bit of work for the tempestuous Lucretia Stewart, then editor of the American Express travel magazine, Departures. Together, we evolved a harmless satire of the slightly driveling style employed by the journalists of tourism. 'Land of Contrasts' was our shorthand for it. ('Jerusalem: an enthralling blend of old and new.' 'South Africa: a harmony in black and white.' 'Belfast, where ancient meets modern.') It was as you can see, no difficult task. I began to notice a few weeks ago that my enemies in the 'peace' movement had decided to borrow from this tattered style book. The mantra, especially in the letters to this newspaper, was: 'Afghanistan, where the world's richest country rains bombs on the world's poorest country.' Poor fools. They should never have tried to beat me at this game. What about, 'Afghanistan, where the world's most open society confronts the world's most closed one'? 'Where American women pilots kill the men who enslave women.' 'Where the world's most indiscriminate bombers are bombed by the world's most accurate ones.' 'Where the largest number of poor people applaud the bombing of their own regime.' I could go on. (I think number four may need a little work.) But there are some suggested contrasts for the 'doves' to paste into their scrapbook. Incidentally, when they look at their scrapbooks they will be able to re-read themselves saying things like, 'The bombing of Kosovo is driving the Serbs into the arms of Milosevic.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
At a lunchtime reception for the diplomatic corps in Washington, given the day before the inauguration of Barack Obama as president, I was approached by a good-looking man who extended his hand. 'We once met many years ago,' he said. 'And you knew and befriended my father.' My mind emptied, as so often happens on such occasions. I had to inform him that he had the advantage of me. 'My name is Hector Timerman. I am the ambassador of Argentina.' In my above album of things that seem to make life pointful and worthwhile, and that even occasionally suggest, in Dr. King’s phrase as often cited by President Obama, that there could be a long arc in the moral universe that slowly, eventually bends toward justice, this would constitute an exceptional entry. It was also something more than a nudge to my memory. There was a time when the name of Jacobo Timerman, the kidnapped and tortured editor of the newspaper La Opinion in Buenos Aires, was a talismanic one. The mere mention of it was enough to elicit moans of obscene pleasure from every fascist south of the Rio Grande: finally in Argentina there was a strict ‘New Order’ that would stamp hard upon the international Communist-Jewish collusion. A little later, the mention of Timerman’s case was enough to derail the nomination of Ronald Reagan’s first nominee as undersecretary for human rights; a man who didn’t seem to have grasped the point that neo-Nazism was a problem for American values. And Timerman’s memoir, Prisoner without a Name, Cell without a Number, was the book above all that clothed in living, hurting flesh the necessarily abstract idea of the desaparecido: the disappeared one or, to invest it with the more sinister and grisly past participle with which it came into the world, the one who has been ‘disappeared.’ In the nuances of that past participle, many, many people vanished into a void that is still unimaginable. It became one of the keywords, along with escuadrone de la muerte or ‘death squads,’ of another arc, this time of radical evil, that spanned a whole subcontinent. Do you know why General Jorge Rafael Videla of Argentina was eventually sentenced? Well, do you? Because he sold the children of the tortured rape victims who were held in his private prison. I could italicize every second word in that last sentence without making it any more heart-stopping. And this subhuman character was boasted of, as a personal friend and genial host, even after he had been removed from the office he had defiled, by none other than Henry Kissinger. So there was an almost hygienic effect in meeting, in a new Washington, as an envoy of an elected government, the son of the brave man who had both survived and exposed the Videla tyranny.
Christopher Hitchens (Hitch 22: A Memoir)
And although better coverage of the outbreak’s evolution in the press couldn’t have stopped the influenza virus, a single newspaper headline in Philadelphia saying “Don’t Go to Any Parades; for the Love of God Cancel Your Stupid Parade” could have saved hundreds of lives. It would have done a lot more than those telling people, “Don’t Get Scared!” Telling people that things are fine is not the same as making them fine. This failure is in the past. Journalists and editors had their reasons. Risking jail time is no joke. But learning from this breakdown in truth-telling is important because the fourth estate can’t fail again. We are fortunate today to have organizations like the Centers for Disease Control and Prevention and the World Health Organization that track how diseases are progressing and report these findings. In the event of an outbreak similar to the Spanish flu, they will be wonderful resources. I hope we’ll be similarly lucky to have journalists who will be able to share necessary information with the public. The public is at its strongest when it is well informed. Despite Lippmann’s claims to the contrary, we are smart, and we are good, and we are always stronger when we work together. If there is a next time, it would be very much to our benefit to remember that.
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
I am disgusted that I was often taken into their bed and told to do things to both of them. The things a decent parent wouldn't think of. I didn't know that having sex with her or with him was wrong because I'd never known anything else but I never understood why it used to hurt so much. It carried on right until she died and I am sure that if she was still alive it would still be going on now. I wished someone would help me and stop them hurting me. I tried to do what they told me to do because somethings they were nice to me if I did it properly." - Graham talks about being sexually abused by his mother (and her boyfriend) Graham was sexually abused by his mother. The only person who showed him any affection in his childhood was his grandmother. "My mother always told me the police would think I was a 'dirty little bastard' if I told them and they would take me away to a children's home and I would never see grandmother again." "I knew it was my fault and nobody would believe me." - Graham Children often do not tell about abuse because of their fears about how other people will respond. The most common fear is that they will not be believed, It is a child's word against an adult's and the adult may be well liked and respected in the community. Nowadays, because of the television and newspaper coverage, people are aware that child sexual abuse does happen. In the recent past it was thought to be a rare occurrence, so even if they were trusted adults around for a child to tell, the adult would probably have found it difficult to believe and would have little idea what to do about it.
Carolyn Ainscough (Breaking Free: Help for survivors of child sexual abuse)
Mother-daughter relationships can be complicated and fraught with the effects of moments from the past. My mom knew this and wanted me to know it too. On one visit home, I found an essay from the Washington Post by the linguistics professor Deborah Tannen that had been cut out and left on my desk. My mom, and her mom before her, loved clipping newspaper articles and cartoons from the paper to send to Barbara and me. This article was different. Above it, my mom had written a note: “Dear Benny”—I was “Benny” from the time I was a toddler; the family folklore was that when we were babies, a man approached my parents, commenting on their cute baby boys, and my parents played along, pretending our names were Benjamin and Beauregard, later shorted to Benny and Bo. In her note, my mom confessed to doing many things that the writer of this piece had done: checking my hair, my appearance. As a teenager, I was continually annoyed by some of her requests: comb your hair; pull up your jeans (remember when low-rise jeans were a thing? It was not a good look, I can assure you!). “Your mother may assume it goes without saying that she is proud of you,” Deborah Tannen wrote. “Everyone knows that. And everyone probably also notices that your bangs are obscuring your vision—and their view of your eyes. Because others won’t say anything, your mother may feel it’s her obligation to tell you.” In leaving her note and the clipping, my mom was reminding me that she accepted and loved me—and that there is no perfect way to be a mother. While we might have questioned some of the things our mother said, we never questioned her love.
Jenna Bush Hager (Sisters First: Stories from Our Wild and Wonderful Life)
I believe that a person's thoughts often manifest into actual events - that we think things into existence. Right? Well, think about this: one of the illnesses that has become an epidemic in the Western world is an addiction to news. Newspapers, Internet news, 24-hour news channels. And what is news? News is history in the making. So the addiction to news is the addiction to the outcome of history. Are you with me so far?' 'I get it. Go on.' 'In the past couple of decades, news has been produced as entertainment. So people's addiction to news is the addiction to its function as entertainment. If you combine the power of thought with this addiction to entertaining news, then the part of the hundreds of millions of people, the viewing public, that wishes peace on earth is overshadowed by the part of them that wants the next chapter in the story. Every person who turns on the news and finds there's no developments is disappointed. They're checking the news two or three times a day - they want drama, and drama means not only death but death by the thousands, so in the secrets parts of themselves, every news-addicted person is hoping for greater calamity, more bodies, more spectacular wars, more hideous enemy attacks, and these wishes are going out every day into the world. Don't you see? Right now, more than at any other time in history, the universal wish is a black one.
Steve Toltz (A Fraction of the Whole)
It is the responsibility of all of us to invest time and effort in uncovering our biases and in verifying our sources of information. As noted in earlier chapters, we cannot investigate everything ourselves. But precisely because of that, we need at least to investigate carefully our favourite sources of information – be they a newspaper, a website, a TV network or a person. In Chapter 20 we will explore in far greater depth how to avoid brainwashing and how to distinguish reality from fiction. Here I would like to offer two simple rules of thumb. First, if you want reliable information – pay good money for it. If you get your news for free, you might well be the product. Suppose a shady billionaire offered you the following deal: ‘I will pay you $30 a month, and in exchange, you will allow me to brainwash you for an hour every day, installing in your mind whichever political and commercial biases I want.’ Would you take the deal? Few sane people would. So the shady billionaire offers a slightly different deal: ‘You will allow me to brainwash you for one hour every day, and in exchange, I will not charge you anything for this service. The second rule of thumb is that if some issue seems exceptionally important to you, make the effort to read the relevant scientific literature. And by scientific literature I mean peer-reviewed articles, books published by well-known academic publishers, and the writings of professors from reputable institutions. Science obviously has its limitations, and it has got many things wrong in the past. Nevertheless, the scientific community has been our most reliable source of knowledge for centuries. If you think that the scientific community is wrong about something, that’s certainly possible, but at least know the scientific theories you are rejecting, and provide some empirical evidence to support your claim.
Yuval Noah Harari (21 Lessons for the 21st Century)
virus, a single newspaper headline in Philadelphia saying “Don’t Go to Any Parades; for the Love of God Cancel Your Stupid Parade” could have saved hundreds of lives. It would have done a lot more than those telling people, “Don’t Get Scared!” Telling people that things are fine is not the same as making them fine. This failure is in the past. Journalists and editors had their reasons. Risking jail time is no joke. But learning from this breakdown in truth-telling is important because the fourth estate can’t fail again. We are fortunate today to have organizations like the Centers for Disease Control and Prevention and the World Health Organization that track how diseases are progressing and report these findings. In the event of an outbreak similar to the Spanish flu, they will be wonderful resources. I hope we’ll be similarly lucky to have journalists who will be able to share necessary information with the public. The public is at its strongest when it is well informed. Despite Lippmann’s claims to the contrary, we are smart, and we are good, and we are always stronger when we work together. If there is a next time, it would be very much to our benefit to remember that.
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
Karen Marie Moning (Faefever (Fever, #3))
He looked like the wrathful Old Testament God getting ready to throw down some well-deserved punishment on the earth. “This might be hard to understand, lady. But in war, you do the right thing, whatever it takes, and if you come out alive, you know how easy you could have screwed up, so bragging on it is dead-solid wrong. Only assholes do that. I don’t Facebook. Don’t tweet. Don’t Instagram. I don’t talk about the past, and it pisses me off that you remembered that old DDT thing and were able to find that newspaper photo.
Dean Koontz (The Silent Corner (Jane Hawk, #1))
In these days [1908], when all things and memories of the past are at length become not only subservient to, but submerged by, the matters and needs of the immediate present, those paths of knowledge that lead into regions seemingly remote from such needs are somewhat discredited; and the aims of those that follow them whither they lead are regarded as quite out of touch with the real interests of life. Very greatly is this so with archaeology, and the study of ancient and curious tongues, and searchings into old thoughts on high and ever-insistent questions; a public which has hardly time to read more than its daily newspaper and its weekly novel has denounced - almost dismissed - them, with many other noble and wonderful things, as 'unpractical,' whatever that vague and hollow word may mean.
Battiscombe G. Gunn
There is an instinct for rank which, more than anything, is already an indication of a high rank. There is a delight in the nuances of respect which permits us to surmise a noble origin and habits. The refinement, good, and loftiness of a soul are put to a dangerous test when something goes past in front of it which is of the first rank, but which is not yet protected by the shudders of authority from prying clutches and crudities: something that goes its way unmarked, undiscovered, tempting, perhaps arbitrarily disguised and hidden, like a living touchstone. The man whose task and practice is to investigate souls will use precisely this art in a number of different forms in order to establish the ultimate value of a soul, the unalterable innate order of rank to which it belongs: he will put it to the test for its instinct of reverence. Différence engendre haine [difference engenders hatred]: the nastiness of some natures suddenly spurts out like dirty water when some sacred container, some precious object from a locked shrine, some book with marks of a great destiny is carried by. On the other hand, there is an involuntary falling silent, a hesitation in the eye, an end to all gestures, things which express that a soul feels close to something most worthy of reverence. The way in which reverence for the Bible in Europe has, on the whole, been maintained so far is perhaps the best piece of discipline and refinement of tradition for which Europe owes a debt of thanks to Christianity: such books of profundity and ultimate significance need for their protection an externally imposed tyranny of authority in order to last for those thousands of years which are necessary to exhaust them and sort out what they mean. Much has been achieved when in the great mass of people (the shallow ones and all sorts of people with diarrhoea) that feeling has finally been cultivated that they are not permitted to touch everything, that there are sacred experiences before which they have to pull off their shoes and which they must keep their dirty hands off - this is almost the highest intensification of their humanity. By contrast, perhaps nothing makes the so-called educated people, those who have faith in "modern ideas," so nauseating as their lack of shame, the comfortable impudence in their eyes and hands, with which they touch, lick, and grope everything, and it is possible that these days among a people, one still finds in the common folk, particularly among the peasants, more relative nobility of taste and tactful reverence than among the newspaper-reading demi-monde of the spirit, among the educated. Friedrich Nietzsche - Beyond Good and Evil
Friedrich Nietzsche (Beyond Good and Evil)
Ah, the problem is that you didn’t DTR,” said Holly wisely. Kami stared. “What?” “D. T. R.,” Holly spelled out, slowly and helpfully. “Do try rollerblading?” Kami guessed. “Dump the recycling. Don’t taste reptiles. No, that doesn’t make any sense at all.” Holly wrinkled her nose. “Because the others made perfect sense?” Kami shrugged, and Holly grinned. “Determine the Relationship,” Holly said. “That’s when the two of you have been kissing a bunch and then you find yourself on a sofa or somewhere and someone’s like, ‘Oh, do you want to be my girlfriend?’ or ‘Is this an exclusive thing, then?’ And then you say ‘Yes’ or ‘No’ and then you’ve either determined the relationship or determined that there isn’t a relationship. You guys needed to DTR.” “Well, we have,” Kami said. “We D’d the R, or rather he D’d that there wasn’t an R, and now we’re done.” Holly put out the hand that wasn’t holding the book, and wiggled it noncommittally. “I don’t know,” she said. “He—we talked about you, once.” “That one time you two made out?’ Kami asked with a sinking feeling. “Uh, I don’t remember exactly when.” Holly looked shifty. “It was totally that time you made out, wasn’t it?” “Oh, come on,” said Holly. “What’s that thing you say? The past is another country. You make out with different people there.” “That’s not how it goes but I admire your creative weaseling,” said Kami. “You are the most promising reporter on my newspaper staff.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
She stood in line outside the American embassy in Lagos, staring straight ahead, barely moving, a blue plastic file of documents tucked under her arm. She was the forty-eighth person in the line of about two hundred that trailed from the closed gates of the American embassy all the way past the smaller, vine-encrusted gates of the Czech embassy. She did not notice the newspaper vendors who blew whistles and pushed The Guardian, Thenews, and The Vanguard in her face. Or the beggars who walked up and down holding out enamel plates. Or the ice-cream bicycles that honked. She did not fan herself with a magazine or swipe at the tiny fly hovering near her ear. When the man standing behind her tapped her on the back and asked, “Do you have change, abeg, two tens for twenty naira?” she stared at him for a while, to focus, to remember where she was, before she shook her head and said, “No.” The air hung heavy with moist heat. It weighed on her head, made it even more difficult to keep her mind blank, which Dr. Balogun had said yesterday was what she would have to do. He had refused to give her any more tranquilizers because she needed to be alert for the visa interview. It was easy enough for him to say that, as though she knew how to go about keeping her mind blank, as though it was in her power, as though she invited those images of her son Ugonna’s small, plump body crumpling before her, the splash on his chest so red she wanted to scold him about playing with the palm oil in the kitchen. Not that he could even reach up to the shelf where she kept oils and spices, not that he could unscrew the cap on the plastic bottle of palm oil. He was only four years old.
Chimamanda Ngozi Adichie (The Thing Around Your Neck)
It looked as though knowing that you were right meant nothing; they all knew they were right. Weeks had no intention of undermining the boy's faith, but he was deeply interested in religion, and found it an absorbing topic of conversation. He had described his own views accurately when he said that he very earnestly disbelieved in almost everything that other people believed. Once Philip asked him a question, which he had heard his uncle put when the conversation at the vicarage had fallen upon some mildly rationalistic work which was then exciting discussion in the newspapers. "But why should you be right and all those fellows like St. Anselm and St. Augustine be wrong?" "You mean that they were very clever and learned men, while you have grave doubts whether I am either?" asked Weeks. "Yes," answered Philip uncertainly, for put in that way his question seemed impertinent. "St. Augustine believed that the earth was flat and that the sun turned round it." "I don't know what that proves." "Why, it proves that you believe with your generation. Your saints lived in an age of faith, when it was practically impossible to disbelieve what to us is positively incredible." "Then how d'you know that we have the truth now?" "I don't." Philip thought this over for a moment, then he said: "I don't see why the things we believe absolutely now shouldn't be just as wrong as what they believed in the past." "Neither do I." "Then how can you believe anything at all?" "I don't know." Philip asked Weeks what he thought of Hayward's religion. "Men have always formed gods in their own image," said Weeks. "He believes in the picturesque." Philip paused for a little while, then he said: "I don't see why one should believe in God at all.
W. Somerset Maugham
Loth as one is to agree with CP Snow about almost anything, there are two cultures; and this is rather a problem. (Looking at who pass for public men in these days, one suspects there are now three cultures, in fact, as the professional politician appears to possess neither humane learning nor scientific training. They couldn’t possibly commit the manifold and manifest sins against logic that are their stock in trade, were they possessed of either quality.) … Bereft of a liberal education – ‘liberal’ in the true sense: befitting free men and training men to freedom – our Ever So Eminent Scientists nowadays are most of ’em simply technicians. Very skilled ones, commonly, yet technicians nonetheless. And technicians do get things wrong sometimes: a point that need hardly be laboured in the centenary year of the loss of RMS Titanic. Worse far is what the century of totalitarianism just past makes evident: technicians are fatefully and fatally easily led to totalitarian mindsets and totalitarian collaboration. … Aristotle was only the first of many to observe that men do not become dictators to keep warm: that there is a level at which power, influence, is interchangeable with money. Have enough of the one and you don’t want the other; indeed, you will find that you have the other. And of course, in a world of Eminent Scientists who are mere Technicians at heart, pig-ignorant of liberal (in the Classical sense) ideas, ideals, and even instincts, there is exerted upon them a forceful temptation towards totalitarianism – for the good of the rest of us, poor benighted, unwashed laymen as we are. The fact is that, just as original sin, as GKC noted, is the one Christian doctrine that can be confirmed as true by looking at any newspaper, the shading of one’s conclusions to fit one’s pay-packet, grants, politics, and peer pressure is precisely what anyone familiar with public choice economics should expect. And, as [James] Delingpole exhaustively demonstrates, is precisely what has occurred in the ‘Green’ movement and its scientific – or scientistic – auxiliary. They are watermelons: Green without and Red within. (A similar point was made of the SA by Willi Münzenberg, who referred to that shower as beefsteaks, Red within and Brown without.)
G.M.W. Wemyss
There is an instinct for rank which, more than anything, is already an indication of a high rank. There is a delight in the nuances of respect which permits us to surmise a noble origin and habits. The refinement, goodness, and loftiness of a soul are put to a dangerous test when something goes past in front of it which is of the first rank, but which is not yet protected by the fear of authority from prying clutches and crudities: something that goes its way unmarked, undiscovered, tentative, perhaps arbitrarily disguised and hidden, like a living touchstone. The man whose task and practice is to investigate souls will use precisely this art in a number of different forms in order to establish the ultimate value of a soul, the unalterable innate order of rank to which it belongs: he will put it to the test for its instinct of reverence. Différence engendre haine [Difference engenders hatred]: the nastiness of some natures suddenly spurts out like dirty water when some sacred container, some precious object from a locked shrine, or some book with marks of a great destiny is carried by. On the other hand, there is an involuntary falling silent, a hesitation in the eye, an end to all gestures, things which express that a soul feels close to something most worthy of reverence. The way in which reverence for the Bible in Europe has, on the whole, been maintained so far is perhaps the best piece of discipline and refinement of habits for which Europe owes a debt of thanks to Christianity: such books of profundity and ultimate significance need for their protection an externally imposed tyranny of authority in order to last for those thousands of years necessary to exhaust them and sort out what they mean. Much has been achieved when in the great mass of people (the shallow ones and all sorts of people with diarrhoea) the feeling has finally been cultivated that they are not permitted to touch everything, that there are sacred experiences before which they have to pull off their shoes and which they must keep their dirty hands off—this is almost the highest intensification of their humanity. By contrast, perhaps nothing makes the so-called educated people, those who have faith in “modern ideas,” so nauseating as their lack of shame, the comfortable impudence in their eyes and hands, with which they touch, lick, and grope everything, and it is possible that these days among a people, one still finds in the common folk, particularly among the peasants, more relative nobility of taste and tactful reverence than among the newspaper-reading demi-monde of the spirit, among the educated.
Friedrich Nietzsche (Beyond Good and Evil)
FACT 4 – There is more to the creation of the Manson Family and their direction than has yet been exposed. There is more to the making of the movie Gimme Shelter than has been explained. This saga has interlocking links to all the beautiful people Robert Hall knew. The Manson Family and the Hell’s Angels were instruments to turn on enemy forces. They attacked and discredited politically active American youth who had dropped out of the establishment. The violence came down from neo-Nazis, adorned with Swastikas both in L.A. and in the Bay Area at Altamont. The blame was placed on persons not even associated with the violence. When it was all over, the Beatles and the Rolling Stones were the icing on this cake, famed musicians associated with a racist, neo-Nazi murder. By rearranging the facts, cutting here and there, distorting evidence, neighbors and family feared their own youth. Charles Manson made the cover of Life with those wide eyes, like Rasputin. Charles Watson didn’t make the cover. Why not? He participated in all the killings. Manson wasn’t inside the house. Manson played a guitar and made records. Watson didn’t. He was too busy taking care of matters at the lawyer’s office prior to the killings, or with officials of Young Republicans. Who were Watson’s sponsors in Texas, where he remained until his trial, separate from the Manson Family’s to psychologically distance him from the linking of Watson to the murders he actually committed. “Pigs” was scrawled in Sharon Tate’s house in blood. Was this to make blacks the suspects? Credit cards of the La Bianca family were dropped intentionally in the ghetto after the massacre. The purpose was to stir racial fears and hatred. Who wrote the article, “Did Hate Kill Tate?”—blaming Black Panthers for the murders? Lee Harvey Oswald was passed off as a Marxist. Another deception. A pair of glasses was left on the floor of Sharon Tate’s home the day of the murder. They were never identified. Who moved the bodies after the killers left, before the police arrived? The Spahn ranch wasn’t a hippie commune. It bordered the Krupp ranch, and has been incorporated into a German Bavarian beer garden. Howard Hughes knew George Spahn. He visited this ranch daily while filming The Outlaw. Howard Hughes bought the 516 acres of Krupp property in Nevada after he moved into that territory. What about Altamont? What distortions and untruths are displayed in that movie? Why did Mick Jagger insist, “the concert must go on?” There was a demand that filmmakers be allowed to catch this concert. It couldn’t have happened the same in any other state. The Hell’s Angels had a long working relationship with law enforcement, particularly in the Oakland area. They were considered heroes by the San Francisco Chronicle and other newspapers when they physically assaulted the dirty anti-war hippies protesting the shipment of arms to Vietnam. The laboratory for choice LSD, the kind sent to England for the Stones, came from the Bay Area and would be consumed readily by this crowd. Attendees of the concert said there was “a compulsiveness to the event.” It had to take place. Melvin Belli, Jack Ruby’s lawyer, made the legal arrangements. Ruby had complained that Belli prohibited him from telling the full story of Lee Harvey Oswald’s murder (another media event). There were many layers of cover-up, and many names have reappeared in subsequent scripts. Sen. Philip Hart, a member of the committee investigating illegal intelligence operations inside the US, confessed that his own children told him these things were happening. He had refused to believe them. On November 18, 1975, Sen. Hart realized matters were not only out of hand, but crimes of the past had to be exposed to prevent future outrages. How shall we ensure that it will never happen again? It will happen repeatedly unless we can bring ourselves to understand and accept that it did go on.
Mae Brussell (The Essential Mae Brussell: Investigations of Fascism in America)
They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.
John Edgar Wideman (Fever)
Here are a couple of headlines that won’t get past a newspaper editor, because they are unlikely to get past our own filters: “MALARIA CONTINUES TO GRADUALLY DECLINE.” “METEOROLOGISTS CORRECTLY PREDICTED YESTERDAY THAT THERE WOULD BE MILD WEATHER IN LONDON TODAY.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About the World—and Why Things Are Better Than You Think)
I hadn’t been much help packing for the trip. I was accustomed to America, where I was always within striking distance of a grocery store, gas station, or equipment supply. The Australian bush wasn’t like that. Parts of the Burdekin were dangerously remote, and these, of course, were the parts where we were headed. Steve had to pack his own fuel, water, food, spare tires, boat, engine, and extra parts. He loaded up the Ute. Swags went in, but no tent. We would be sleeping under the stars. As we headed out, it came to light that this would be a sixteen-hour trip--and the driving would be shared. “Remember one thing,” Steve said as he climbed over the seat. “If you see a road train coming, you’ve got to get clear off the road.” “Okay,” I agreed. “But I need you to explain what a road train is.” I learned that long-distance truckers in the outback drive huge rigs--double-deckers that are three trailers long. “Okay, great,” I said. “Drive on the left, and watch out for road trains. Got it.” Steve climbed into the back under the canvas canopy and stretched out on top of one of the swags. I wasn’t worried about falling asleep while I was driving. I was too nervous to be sleepy. The farther north I drove, the smaller the roads became. Cars were few and far between. I saw the headlights of an oncoming Ute. Maybe I’ll practice pulling off the road, I thought. I miscalculated the speed of the oncoming vehicle, slowed down more abruptly than I intended, and pulled completely onto the soft gravel shoulder. The draft of the passing truck hit our Ute like a sonic boom--it was a giant beast with a huge welded bull bar on its front and triple trailers behind. The road train flew past us doing every bit of seventy-five miles per hour, never slowing down. I realized that if I hadn’t pulled over, I would have probably been knocked off the face of the earth. I imagined a small paragraph buried deep inside the Eugene Register-Guard, my hometown newspaper: “Oregon Woman Bites the Dust.” Road trains owned the road, but I had passed my first test. I could do this! I should not have spoken so soon.
Terri Irwin (Steve & Me)
Print media started collapsing in the mid-2000s. When I first started out, it seemed like alternative news weeklies were the future of newspapers. It was a booming industry. It was a product of the nineties and that nineties mentality. At the time, I had a day job at the University of Virginia and I was sending my strip out and picked up one paper here and another paper there very gradually. I was building up a client list and then that fateful day where Village Voice Media dropped comics across the entire chain. I was actually spared the worst of that. I think I was just in the Village Voice at the time, but that was a big loss. [laughs] Not that the pay was all that great, but it had been my goal to get into that paper. At the time I really wasn’t sure whether I would be able to continue, but then dailykos came along and picked up a bunch of alt weekly cartoonists and breathed some life into our industry online. They did really well on dailykos they were shared a lot and got good traffic and I think it set a precedent. Not that it was the first home for political cartoons online, but something about dailykos at that moment turned the tide a bit. A few more websites started running political cartoons – and paying fairly for them. People started realizing that they were highly shareable and that they could do well online. I’ll add that print has stabilized. At least it had stabilized under the second Obama administration. I actually added papers during that time. I wouldn’t say this is a growth industry. I think it would be very hard to break into now, but I did get the sense that print media had stabilized and some papers were doing okay. For me it’s really a hybrid now between print and digital. Certainly the digital side of things has grown the most in the past few years. (Interview with Comicsbeat)
Jen Sorensen
He looked back at me and then I was the one that wanted to look away. “Sometimes I’ll stand in front of that mirror talking to myself. I’ll tell myself stories about my day, or stories from my past, my future, things I dream about, that I can only see when I close my eyes. When I get tired of talking about myself, I’ll pick up something to read out loud. Books, newspaper articles, receipts, ingredients on the backs of snack foods—did you know on Goldfish bags in addition to all the chemicals and shit, it says ‘Made with smiles’?” Billy himself smiled for a second at that, but then seemed to remember who he was talking to. “Basically, I say everything that I should be saying to you.” It was impossible not to hear the anger
Jean Kyoung Frazier (Pizza Girl)
A month can do that, too, can't it, just fly past before you know it. And, for the life of me, I can't recall a dingle thing I did during that whole time. It feels like I did a whole lot, and it feels like I did nothing at all. Indeed, I had no idea a month had gone by until someone came on the last day to collect the newspaper money.
Haruki Murakami
A cough like a rake through gravel came from a man who’d taken the stool next to him. Arthur looked up to see the fiery-eyed stranger of the day before scrutinizing him closely. “I think about the past, too,” said the man, who had a disconsolate, cut-down look, as if aware of the anger in his eyes and regretted it and wanted to conceal a special power of judgment so as to conform to his surroundings. “Oh, the past,” Arthur said with a sigh. He felt as if he were speaking not with a stranger but with someone he’d known for many years. “Do you come here often?” “Two or three times a week,” Arthur admitted. “It will do until I find something better.” “There’s a lot worse places,” the stranger observed in an easy-going voice, like the whisper of a torch-singer on vacation. Arthur noticed that when they weren’t glowing like the pit of a volcano, the man’s eyes were veined and filmy and that the corners of his mouth were turned down, as if his outlook on life controlled the muscles of his face. “It’s only my second visit, but I’ve been in many places like it.” “About the newspaper you showed me yesterday,” Arthur said. “Mr. Gunderson hasn’t told us a thing about winning the sweepstakes.” “Apparently you didn’t check the date,” the man sniffed. “It’s two years in the future.” “I see,” Arthur said and tapped his teeth with the end of his pencil.
Richard French (The Nightsongs of Arthur Goodbody)
On the park’s stage, two men juggled. I walked past a group of poncho-sheathed students sitting in a semi-circle. A dyed-blond Asian man built like the Thing from the Fantastic Four glided to my right. I glanced behind me. The man who’d been reading the newspaper was gone. I
Harlan Coben (Tell No One)
Books, newspapers, and journals contained our past, the way we saw things, and the way we wished things would be. They carried our longings, our dreams for children, an hour of escape, and an education.
Janet Skeslien Charles (Miss Morgan's Book Brigade)
Instead of focusing, in the style of the “neural correlates of consciousness” (NCC) approach, on a single exemplary conscious experience—like the experience of “seeing the color red”—Tononi and Edelman asked what was characteristic about conscious experiences in general. They made a simple but profound observation: that conscious experiences—all conscious experiences—are both informative and integrated. From this starting point, they made claims about the neural basis of every conscious experience, not just of specific experiences of seeing red, or feeling jealous, or suffering a toothache. The idea of consciousness as simultaneously informative and integrated needs a little unpacking. Let’s start with information. What does it mean to say that conscious experiences are “informative”? Edelman and Tononi did not mean this in the sense that reading a newspaper can be informative, but in a sense that, though it might at first seem trivial, conceals a great deal of richness. Conscious experiences are informative because every conscious experience is different from every other conscious experience that you have ever had, ever will have, or ever could have. Looking past the desk in front of me through the window beyond, I have never before experienced precisely this configuration of coffee cups, computer monitors, and clouds—an experience that is even more distinctive when combined with all the other perceptions, emotions, and thoughts that are simultaneously present in the background of my inner universe. At any one time, we have precisely one conscious experience out of vastly many possible conscious experiences. Every conscious experience therefore delivers a massive reduction of uncertainty, since this experience is being had, and not that experience, or that experience, and so on. And reduction of uncertainty is—mathematically—what is meant by “information.” The informativeness of a particular conscious experience is not a function of how rich or detailed it is, or of how enlightening it is to the person having that experience. Listening to Nina Simone while eating strawberries on a roller coaster rules out just as many alternative experiences as does sitting with eyes closed in a silent room, experiencing close to nothing. Each experience reduces uncertainty with respect to the range of possible experiences by the same amount. In this view, the “what-it-is-like-ness” of any specific conscious experience is defined not so much by what it is, but by all the unrealized but possible things that it is not. An experience of pure redness is the way that it is, not because of any intrinsic property of “redness,” but because red is not blue, green, or any other color, or any smell, or a thought or a feeling of regret or indeed any other form of mental content whatsoever. Redness is redness because of all the things it isn’t, and the same goes for all other conscious experiences.
Anil Seth (Being You: A New Science of Consciousness)
Yet it seems possible that one can make too much of the hardships of the soldiers at Gallipoli, or rather there is a danger of seeing these hardships out of their right context. With the mere cataloguing of the Army’s miseries a sense of dreariness is transmitted, and this is a false impression; at this stage life on the peninsula was anything but dreary. It was ghastly but it was not yet petty or monotonous. There can be no fair comparison with the relatively comfortable lives of the soldiers in the second world war, or even with the lives of these men themselves before they enlisted. Gallipoli swallowed them up and made conditions of its own. With marvellous rapidity the men removed themselves to another plane of existence, the past receded, the future barely existed, and they lived as never before upon the moment, released from the normal weight of human ambitions and regrets. ‘It was in some ways,’ Herbert says, ‘a curiously happy time.’ It is a strange remark, but one feels one understands it very well. The men had no cinemas, no music, no radios, no ‘entertainment’ of any kind, and they never met women or children as the soldiers did behind the lines in France. Yet the very absence of these pleasures created another scale of values. They had a sharp and enormous appetite for the smallest things. Bathing in the sea became an inexpressible joy. To get away from the flies, to wash the dust from one’s eyes and mouth, to feel cool again: this was a heightening of sensation which, for the moment, went beyond their dreams of home. The brewing of tea in the evening, the sharing out of a parcel, a cake or a bar of chocolate, the long talks in the starlight talking of what they would do ‘when it was all over’—all these things took on an almost mystical emphasis of a kind that became familiar enough in the western desert of Egypt in the second world war, or indeed on any distant front in any war. There were no pin-up girls; no erotic magazines reached them—they were lucky if they even saw a newspaper from home that was under a month old—and there were no nurses or Ensa troupes. Perhaps because of this the sexual instinct seems to have been held in abeyance for the time, or rather it was absorbed in the minutiae of their intensely friendly life, the generous feelings created by the danger all around them. There was very little vice; ordinary crimes became lost in the innocence of the crime of war itself. Certainly there was no possibility of drunkenness,22 and gambling was not much more than an anaemic pastime in a world where money was the least of things. They craved not soft beds and hot baths but mosquito nets and salt water soap.
Alan Moorehead (Gallipoli)
Given Loreti's position in society, the press had followed, panting. But they were to be disappointed by the police's failure to find any sign of what the English call "foul play," and so the investigation had been downsized to "missing person," whereupon the articles began to grow shorter and the pages on which they were printed further to the back of the newspapers. After a month or two, the articles followed the person into obscurity. Brunetti, who often saw things in a literary way, thought of this as a transposed simile. In the first days, the Loreti case was compared to some crime from the past. After a year, a new crime was compared to the Loreti disappearance. Over the years and generations, it had drifted into the distant past, Brunetti realized: from sensation to footnote.
Donna Leon (So Shall You Reap (Commissario Brunetti #32))
Who?” “Bill Judd Jr.” “Oh, noooo.” Round, Swedish oooo’s. “Miz Sweet, when we were going through Judd Sr.’s office, we found some invoices on your computer, for chemicals that were apparently used in an ethanol plant out in South Dakota…” “I heard about it on TV. That was the same one? The one where they were making drugs?” “Yes, it was,” Virgil said. “Oh, nooo.” The sound was driving him crazy; she sounded like a bad comedian. “Who in town knew about the ethanol plant?” She turned her face to one side and put a hand to her lips. “Well, the Judds, of course.” “Both of them?” Virgil asked. “Well…Junior set it up, but Senior knew about it.” He pressed. “Are you sure about that?” “Well, yes. He signed the checks.” “Did you see him signing the checks?” Virgil asked. “No, but I saw the checks. It was his signature…” “Do you remember the bank?” She shook her head. “No, no, I don’t.” She frowned. “I’m not even sure that the bank name was on the checks.” “Did you ever talk to Junior about that?” “No. It wasn’t my business,” she said. “They wanted to keep it quiet, because, you know, when ethanol started, it sounded a little like the Jerusalem artichoke thing. The Judds were involved in that, of course.” “So how quiet did they keep it?” Virgil asked. “Who else knew? Did you tell anybody?” He saw it coming, the noooo. “Oh, noooo…Junior told me, don’t talk about this, because of my father. So, I didn’t.” “Not to anybody?” Her eyes drifted. She was thinking, which meant that she had. “It’s possible…my sister, I might have told. I think there might have been some word around town.” “It’s really important that you remember…” She put her hand to her temple, as though she were going to move a paper clip with telekinesis, and said, “I might have mentioned it at bridge. At our bridge club. That a plant was being built, and some local people were involved.” “All right,” Virgil said. “So who was at the bridge club?” “Well, let me see, there would have been nine or ten of us…” She listed them; he only recognized one of the names. WHEN HE WAS DONE with Sweet, he strolled up the hill to the newspaper office. He pushed in, and found Williamson behind the business counter, talking to a woman customer. Williamson looked past the woman and snapped, “What do you want?” “I have a question, when you’re free.” “Wait.” Williamson was wearing a T-shirt and had sweat stains under his arms, as though he’d been lifting rocks. “Take just a minute.” The customer was trying to dump her Beanie Baby collection locally—ten years too late, in Virgil’s opinion—and wanted the cheapest possible advertisement. She got twenty words for six dollars, looking back and forth between Virgil and Williamson, and after writing a check for the amount, said to Virgil, “I’d love to hear your question.” Virgil looked at her over his sunglasses and grinned: “I’d love to have you, but I’m afraid it’s gotta be private, for the moment.” “Shoot.” She looked at Williamson, who shrugged, and she said, “Oh, well.” WHEN SHE’D GONE out the door, Williamson said, “I’m working. You can ask me out back.” “You still pissed about the search?
John Sandford (Dark Of The Moon (Virgil Flowers, #1))
The room was large and airy. Shelves lined the walls on three sides, shelves that stretched way above his head, bending under the weight of the hundreds of books stored there. The fourth wall was covered in old newspaper, yellowed and faded but still readable. The room had become a shrine of sorts, he supposed. The books he had saved before the last days. He ran his finger along the spines: Shakespeare, Dickens, Keats, the ancients, all there alongside books from the last century. Nothing wasted, nothing lost. His private collection. He would find it difficult to let them go when the time came, but he would let them go. He couldn’t risk them being found at a later date. There were few incidents where people managed to decode words after Nicene, very few. Nonetheless, he wouldn’t take that chance. They would be destroyed along with everything the wordsmith had managed to salvage. For a second, images of the wordsmith filled his head, but he pushed them away. He turned his back on the books and walked across to the wall of newsprint. Here was a potted history of the past hundred years. The warnings. The signs. Global warming. Water levels rising. It was incomprehensible even now that man had just ignored it all. Young people talked about the Melting as if it were a single event, but it hadn’t been like that. The earth had been heating up for years. His finger touched one of the news sheets. Scientists were warning of an alarming acceleration in the melting of the polar ice caps. They predicted a dramatic rise in sea levels. That was back in the twenty-first century! He shook his head. He chose another article from around the same time. The writer was warning about the disappearing ice caps. “Until recently, the Arctic ice cap covered two percent of the earth’s surface. Enormous amounts of solar energy are bounced back into space from those luminous white ice fields. Replacing that mass of ice with dark open ocean will induce a catastrophic tipping point in the balance of planetary energy.” Torrents of words had followed. Words from politicians assuring people there was no such thing as global warming. Words from industrialists who justified their emissions of CO2 into the atmosphere. Words to hide behind. Words to deceive. Useless, dangerous, destructive words… He drew back his hand and punched the wall, hurting his knuckles and leaving a trail of blood on the yellowing paper.
Patricia Forde (The List)
After a stint at community college, and with the encouragement of professors, Roberts applied to Berkeley and was admitted at age twenty-three. There was no box on the form to check that would indicate he was disabled, so, after his acceptance, he had to figure out how he would live on campus. Students with other disabilities had attended Berkeley and other colleges in the United States, but nearly all of Roberts’s body was paralyzed, so he would need assistance in an acute way, for things like getting from his bed to his wheelchair every day—the kind of help that exceeded dormitory norms. Berkeley administrators initially tried to backtrack and refuse him admission, citing past failed experiments with enrolling disabled students. Roberts went to see Dr. Henry Bruyn at the Cowell Hospital on campus. Bruyn had overseen the care of children in Roberts’s generation who’d contracted polio and lived with the aftermath of the disease. He agreed to work with Roberts to outfit a hospital room for his needs while on campus—as a makeshift, semipermanent approximation of a dorm room. Berkeley agreed, and Roberts arrived on campus, but expectations were low. The headline in Cal’s own newspaper read: “Helpless Cripple Attends UC Classes Here in Wheelchair.
Sara Hendren (What Can a Body Do?)
And the main thing that was wrong was that everything seemed to have gotten just a little worse, or at best remained the same. You would have predicted that at least a few facets of everyday life would improve markedly in twenty-two years. Her father contended the War was behind it all: any person who showed a shred of talent was sucked up by UNEF; the very best fell to the Elite Conscription Act and wound up being cannon fodder. It was hard not to agree with him. Wars in the past often accelerated social reform, provided technological benefits, even sparked artistic activity. This one, however, seemed tailor-made to provide none of these positive by-products. Such improvements as had been made on late-twentieth-century technology were—like tachyon bombs and warships two kilometers long—at best, interesting developments of things that only required the synergy of money and existing engineering techniques. Social reform? The world was technically under martial law. As for art, I’m not sure I know good from bad. But artists to some extent have to reflect the temper of the times. Paintings and sculpture were full of torture and dark brooding; movies seemed static and plotless; music was dominated by nostalgic revivals of earlier forms; architecture was mainly concerned with finding someplace to put everybody; literature was damn near incomprehensible. Most people seemed to spend most of their time trying to find ways to outwit the government, trying to scrounge a few extra K’s or ration tickets without putting their lives in too much danger. And in the past, people whose country was at war were constantly in contact with the war. The newspapers would be full of reports, veterans would return from the front; sometimes the front would move right into town, invaders marching down Main Street or bombs whistling through the night air—but always the sense of either working toward victory or at least delaying defeat. The enemy was a tangible thing, a propagandist’s monster whom you could understand, whom you could hate. But this war...the enemy was a curious organism only vaguely understood, more often the subject of cartoons than nightmares. The main effect of the war on the home front was economic, unemotional-more taxes but more jobs as well. After twenty-two years, only twenty-seven returned veterans; not enough to make a decent parade. The most important fact about the war to most people was that if it ended suddenly, Earth’s economy would collapse.
Joe Haldeman (The Forever War (The Forever War, #1))
As can be seen from their tweets and more, many young Muslims are reacting to this suppression, watching the Islamic State's antics around the world and how it's making them look, studying the scripture their parents taught them was infallible, and dealing with high levels of unemployment and economic difficulty due to their governments' corrupt, ineffectual policies. They are watching their leaders use religion and blasphemy laws to solidify their authority and restrict the freedoms of their people. This worked in the past, but not anymore. On websites like WikiLeaks, they learn things about their governments and the world that they have never seen in their newspapers. They discover the roles that their own leaders have played in bringing about the frustrations and difficult conditions they were told were the fault of the United States and Israel.
Ali A. Rizvi (The Atheist Muslim: A Journey from Religion to Reason)
Dudley’s bait, but Dudley had said the very thing Harry had been thinking himself . . . maybe he didn’t have any friends at Hogwarts. . . . Wish they could see famous Harry Potter now, he thought savagely as he spread manure on the flower beds, his back aching, sweat running down his face. It was half past seven in the evening when at last, exhausted, he heard Aunt Petunia calling him. “Get in here! And walk on the newspaper!” Harry moved gladly into the shade of the gleaming kitchen. On top of the fridge stood tonight’s pudding: a huge mound of whipped cream and sugared violets. A loin of roast pork was sizzling in the oven. “Eat quickly! The Masons will be here soon!” snapped Aunt Petunia, pointing to two slices of bread and a lump of cheese on the kitchen table. She was already wearing a salmon-pink cocktail dress. Harry washed his hands and bolted down his pitiful supper. The moment he had finished, Aunt Petunia whisked away his plate. “Upstairs! Hurry!” As he passed the door to the living room, Harry caught a glimpse of Uncle Vernon and Dudley in bow ties and dinner jackets. He had only
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Kenneth seemed like a busy man who had hired many interns in the past and didn’t want to waste time. He offered me the job without meeting me in person and demanded I make a decision while we were still on the phone. I said yes and told him that I would have to tell the other places I was interviewing that I was no longer available. I planned on telling them both that, if they ever called back. On my first day working for Kenneth, I quickly learned why I didn’t have an in-person interview. If I’d had an in-person interview, I may not have taken the job. Kenneth’s office was in his home, in a creaky, prewar apartment building. Which war, I couldn’t say for certain. Probably World War I. Possibly the Civil War. Maybe even the Hundred Years’ War. Parts of the office were exceedingly impressive. Kenneth had a collection of hockey media guides that dated back to before most teams were in the league. He also had walls and walls of books, many of which he had written. And newspapers. He had so many newspapers. The size of the apartment was also impressive—a four-bedroom apartment on the Upper West Side was not cheap. Though it was pretty easy to figure out that he’d been living there since the time that a four-bedroom apartment on the Upper West Side had been cheap. You could tell that just by reading the dates on the newspapers. The least impressive thing about the office, other than the dust, was the ferret cage. Kenneth had two pet ferrets and part of the job of his interns was to clean up after them. Ferrets can be cute if you’re looking at pictures of them. If you’re cleaning their cages, ferrets are smelly weasels with a tendency to bite. I’d imagine it’s hard to conduct a successful in-person interview when the whole office smells of ferret. The first time I had to clean the ferret cage, I made the rookie mistake of thinking the ferrets
Steve Hofstetter (Ginger Kid: Mostly True Tales from a Former Nerd)