Newborn Boy Quotes

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[Magnus] held on to the boy, newborn in grave dirt and blood, and he wished that he had found him dead.
Cassandra Clare (Saving Raphael Santiago (The Bane Chronicles, #6))
Jesus, holy fuck,” Rivera murmured, coming to a quick halt and looking up at the tall, hulking, tattoo-sleeved Ryker. “Boy, what’d your Mama feed you growin’ up?” he asked. “Newborn babies,” Ryker answered, scowling down at Rivera.
Kristen Ashley (Games of the Heart (The 'Burg, #4))
And random bits of happiness, like Finnick and Annie's newborn boy.
Suzanne Collins (Mockingjay: The Hunger Games - Book Three (A BookCaps Study Guide))
You know what happens when someone dies?' Delia said suddenly, startling me a bit. I kept putting together my sandwich, though, not answering: I knew there was more. 'It's like, everything and everyone refracts, each person having a different reaction'...'When Wish died, it just knocked the wind out of me. Truly. It's like that stupid thing bert and Wes do, the leaping out thing, trying to scare each other: it was the biggest gotcha in the world.' She looked down at the sandwiches. 'I'd just assumed she'd be okay. It had never occurd to me she might actually just be... gone. You know?'...'And then she was,' Delia said, her hand on the bread bag. 'Gone. Gotcha. And suddenly I had these two boys to take care of, plus a newborn of my own. It was just this huge loss, this huge gap, you know'...'Some people... they can just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just ... something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remebering and getting on at the same time.' I envied Delia. At least she knew what she was up against. Maybe that's what you got when you stood over your grief, facing it finally. A sense of its depths, its area, the distance across, and the way over or around it, whichever you chose in the end.
Sarah Dessen (The Truth About Forever)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
After half an hour of forced family fun, in which I score fifty points and take out at least seventy-five percent of my anger trying to blast Frankie with the ball, our game is cut short. Princess gets stung on the top of her foot by a teeny-tiny newborn baby of a jelly-fish and carries on like some shark just swam away with her torso. For one brief moment I wonder if it's the ghost of my journal, reincarnated after its watery death to claim vengeance by stabbing her with its thin metal spiral. The thought makes me smile on the inside, just a little bit.
Sarah Ockler (Twenty Boy Summer)
Many years before, Abacus had come to the conclusion that the greatest of heroic stories have the shape of a diamond on its side. Beginning at a fine point, the life of the hero expands outward through youth as he begins to establish his strengths and fallibilities, his friendships and enmities. Proceeding into the world, he pursues exploits in grand company, accumulating honors and accolades. But at some untold moment, the two rays that define the outer limits of this widening world of hale companions and worthy adventures simultaneously turn a corner and begin to converge. The terrain our hero travels, the cast of characters he meets, the sense of purpose that has long propelled him forward all begin to narrow—to narrow toward that fixed and inexorable point that defines his fate. Take the tale of Achilles. In hopes of making her son invincible, the Nereid Thetis holds her newborn boy by the ankle and dips him into the river Styx. From that finite moment
Amor Towles (The Lincoln Highway)
Or guides might initiate a discussion of slave names. Many owners insisted on the right to name their newborn slaves—rather than allowing their parents this pleasure—and then deliberately gave them demeaning names or names that ironically invoked godlike figures from antiquity. George Washington, for instance, used Hercules, Paris-boy, Sambo, Sucky, Flukey, Doll, Suck Bass, Caesar, and Cupid. Most slaves received no last names. Guides could ask visitors to imagine the self-respect of black children under these conditions.
James W. Loewen (Lies Across America: What Our Historic Sites Get Wrong)
Long ago, when faeries and men still wandered the earth as brothers, the MacLeod chief fell in love with a beautiful faery woman. They had no sooner married and borne a child when she was summoned to return to her people. Husband and wife said a tearful goodbye and parted ways at Fairy Bridge, which you can still visit today. Despite the grieving chief, a celebration was held to honor the birth of the newborn boy, the next great chief of the MacLeods. In all the excitement of the celebration, the baby boy was left in his cradle and the blanket slipped off. In the cold Highland night he began to cry. The baby’s cry tore at his mother, even in another dimension, and so she went to him, wrapping him in her shawl. When the nursemaid arrived, she found the young chief in the arms of his mother, and the faery woman gave her a song she insisted must be sung to the little boy each night. The song became known as “The Dunvegan Cradle Song,” and it has been sung to little chieflings ever since. The shawl, too, she left as a gift: if the clan were ever in dire need, all they would have to do was wave the flag she’d wrapped around her son, and the faery people would come to their aid. Use the gift wisely, she instructed. The magic of the flag will work three times and no more. As I stood there in Dunvegan Castle, gazing at the Fairy Flag beneath its layers of protective glass, it was hard to imagine the history behind it. The fabric was dated somewhere between the fourth and seventh centuries. The fibers had been analyzed and were believed to be from Syria or Rhodes. Some thought it was part of the robe of an early Christian saint. Others thought it was a part of the war banner for Harald Hardrada, king of Norway, who gave it to the clan as a gift. But there were still others who believed it had come from the shoulders of a beautiful faery maiden. And that faery blood had flowed through the MacLeod family veins ever since. Those people were the MacLeods themselves.
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
Her baby boy would play little league baseball, star in the school play and be good at math. She didn't know then that she should have had much simpler dreams for her beautiful son, that she should have looked upon her newborn baby boy and thought 'I hope you learn to talk and use the bathroom by the time you're seven.
Lisa Genova (Love Anthony)
Mrs. Faulkner had sidled up to me and said Good day, Mrs. Elliot? I just looked at her, and I saw in her eyes that she was wanting some kind of approval for her boy because of his career ahead, and she suddenly just looked like an old lady, not fancy and rich and frightening. An old lady whose son admired my husband, and who herself would be as helpless in the Territories as a newborn calf and not nearly as useful. Good day, I said back. It is a funny thing how much more proud people can be of themselves if they never step back and take a good look in a glass.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901, Arizona Territories (Sarah Agnes Prine, #1))
I had to show Teddy Lupin was okay. I hated killing Lupin and Tonks. Hated it. Hated it. But I was writing about war. That’s what war does. It leaves little, newborn babies who never know . . .
Melissa Anelli (Harry, A History: The True Story of a Boy Wizard, His Fans, and Life Inside the Harry Potter Phenomenon)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
The Illusory Self I am composed of body and soul, I seem to have mind, reason, sense, yet I find none of them my own. For where was my body prior to my birth, and whither will it go when I have departed? Where are the various states produced by the life stages of an illusory self? Where is the newborn babe, the child, the boy, the pubescent, the stripling, the bearded youth, the lad, the full-grown man? Whence came the soul, whither will it go, how long will it be our mate? Can we tell its essential nature? When did we acquire it? Prior to our birth? But we were not then in existence. What of it after death? But then we who are embodied, compounds endowed with quality, shall be no more, but shall hasten to our rebirth, to be with the unbodied, without composition and without quality. But now, inasmuch as we are alive, we are the dominated rather than the rulers, known rather than knowing. The soul knows us, though unknown by us, and imposes commands we are obliged to obey as wervants their mistress. And when it will, it will transact its divorce in court and depart, leaving our home desolate of life. If we press it to remain, it will dissolve our relationship. So subtle is its nature that it furnishes no handle to the body.
Philo of Alexandria
In fact, they didn’t even keep track of birth dates here. Instead, they used a traditional method of counting a person’s age. Newborn babies were “one year old,” and became one year older at the start of the new year. As for the reason it didn’t start at zero... I was briefly afraid I’d discover they didn’t yet have the concepts of zero or place-value notation. In fact, they had both. Newborn babies being “one” was just a holdover from previous times, before the numeral “zero” existed within their culture. Old
Kanata Yanagino (The Faraway Paladin: Volume 1: The Boy in the City of the Dead)
Didn’t even have to argue with her. She just told me she loved me and offered the back of her neck.” He crossed his arms over his chest. “How many pups you got with Janie Mae now, Bubba Ray . . . and still she’s as unmarked as a newborn babe. So which Smith has control of his female now, boy?
Shelly Laurenston (Howl for It Bundle: The Mane Event / Angel of Darkness / Howl for It)
Unfortunately, gentlemen, Crozier had told the boys during their first day aboard—the captain had been more than usually drunk that day—if you look around, you’ll notice that while Terror and Erebus were both built as bombardment ships, gentlemen, neither has a single gun between them. We are, young volunteers from Excellent—unless one counts the Marines’ muskets and the shotguns secured in the Spirit Room—as gunless as a newborn babe. As gunless as fucking Adam in his fucking birthday suit. In other words, gentlemen, you gunnery experts are about as useful to this expedition as teats would be on a boar.
Dan Simmons (The Terror)
Circumcision remains prevalent in the United States, though varying greatly by region, ranging from about 40 percent of newborns circumcised in western states to about twice that in the Northeast. This widespread procedure, rarely a medical necessity, has its roots in the anti-masturbation campaigns of Kellogg and his like-minded contemporaries. As Money explains, “Neonatal circumcision crept into American delivery rooms in the 1870s and 1880s, not for religious reasons and not for reasons of health or hygiene, as is commonly supposed, but because of the claim that, later in life, it would prevent irritation that would cause the boy to become a masturbator.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
A boy, and a fox, and a crow, and two squirrels, and a new-born lamb, are coming to see me this morning. I want them brought upstairs as soon as they come," he said. “You are not to begin playing with the animals in the servants’ hall and keep them there. I want them here.
Frances Hodgson Burnett (The Secret Garden)
...he made an announcement to the nurse in his most Rajah-like manner. "A boy, and a fox, and a crow, and two squirrels, and a new-born lamb, are coming to see me this morning. I want them brought upstairs as soon as they come," he said. "You are not to begin playing with the animals in the servants' hall and keep them there. I want them here." The nurse gave a slight gasp and tried to conceal it with a cough.
Frances Hodgson Burnett (The Secret Garden)
The child was a boy – beautiful in the face, with a great mop of silky black hair. He was perfectly formed, but there was something attached to his back. Estelle gasped with horror when she discovered the baby had black, leathery wings, like those of a bat, neatly folded on his back. The Fae did not have wings! Somewhere she had heard that they used to have – long ago. Maybe her child was a throwback? But what would her father think of a baby with wings? She tried again to call Griff, to tell him his child was born. There was a terrible sharp pain in her head, then a fierce whisper that seemed to fill her mind. ‘Don't call HIM! I forbid you to call HIM ever!’ The child's eyes had opened. They were beautiful Faen eyes – an impossible colour of violet-black and much too intelligent for a new-born baby. Worse than that – they were evil!
Bernie Morris (The Fury of the Fae)
I emerge from my three-week-long ECT treatment to discover that I am not only this Princess Leia creature but also several-sized dolls, various T-shirts and posters, some cleansing items, and a bunch of other merchandise. It turns out I was even a kind of pin-up—a fantasy that geeky teenage boys across the globe jerked off to me with some frequency. How’s that for a newborn-how-do-you-do damsel in very little cinematic distress?
Carrie Fisher (Wishful Drinking: Carrie Fisher)
Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end. It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell. "Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
I’ve never been around a child so sweet natured. I’m afraid the other shoe’s going to drop and she’s going to start screaming her head off. Since I first met her this morning, she’s done nothing but smile and coo.” “Isn’t that nice? How’s Vanni doing with the news?” Mel asked. “I kind of dumped this on her. I was afraid to call her, so I just brought Hannah home. Vanni’s in shock. We just barely started trying for one of our own.” “Oh, boy,” Cam said. “Speaking as one who hasn’t slept through the night since Julia and Justin were born in June, I can imagine her hesitancy.” “Yeah, she pretty much wants me dead right now.” He rubbed a hand across the back of his neck. “But what was I gonna do? Do you say no thank-you to a living, breathing, beautiful human being who needs a home? Do you say, shove her in a foster home while I think it over?” He shook his head. “This might not be the most convenient thing, but I couldn’t do that.” “Thank God it was you and not me,” Cameron said. “If I brought another child home to Abby and newborn twins, I would be dead.
Robyn Carr (Forbidden Falls)
Alive. That was the first thing. A daughter. That was the second. They knew this without being told, without searching the newborn's features for some telltale sign. If the child had been a boy, the Mothers would have emerged empty-handed. They would have filed quietly from the house, leaving the family to their disappointment. A boy was simply another mouth to feed, another body to keep warm during the winter. A boy might wield an axe or trap a bird. He might mend a roof or skin a rabbit. Such things were useful; there was no denying it. But a daughter? A daughter could do those too, and much more besides.
Meg McKinlay (A Single Stone)
We got pregnant with Angel almost by accident. I was thinking it was just about time to go on birth control and wham-it happened. We wanted two children, but were thinking of spacing them out a little more. God and Angel had other plans. I’m so glad. Bubba and Angel are so close in age and such good friends that I can’t imagine it any other way. But at the time, I was more than a little apprehensive about it. Once again, it worked out that Chris was preparing to leave just when I was due. They say God only gives you what you can handle. Chris didn’t cope with crying babies very well. So either he paid the military to deploy him with each baby, or God was looking out for him with well-timed, newborn-avoiding deployments. This time, the Team guy karma worked: the sonogram technician confirmed it was a girl several months into the pregnancy. She was going to be the first female born into the Kyle side of the family in eighty years. Which made her unique, and her grandparents particularly tickled. Chris couldn’t resist the opportunity to tease them with the news. “We’re having a boy,” he said when he called them back in Texas with the news. “Oh, how nice,” they said. “No, we’re having a girl.” “Whoo-hoo!” they shouted. “No, we’re having a boy.” “Chris! Which is it!?” “A girl!” If they could have gotten away to visit us that night, I doubt they would have needed an airplane to fly.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth. In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes. I was the best rag doll of a baby brother that she could have ever dreamt of. It is why we have always been so close. To her, I am still her little baby brother. And I love her for that. But--and this is the big but--growing up with Lara, there was never a moment’s peace. Even from day one, as a newborn babe in the hospital’s maternity ward, I was paraded around, shown off to anyone and everyone--I was my sister’s new “toy.” And it never stopped. It makes me smile now, but I am sure it is why in later life I craved the peace and solitude that mountains and the sea bring. I didn’t want to perform for anyone, I just wanted space to grow and find myself among all the madness. It took a while to understand where this love of the wild came from, but in truth it probably developed from the intimacy found with my father on the shores of Northern Ireland and the will to escape a loving but bossy elder sister. (God bless her!) I can joke about this nowadays with Lara, and through it all she still remains my closest ally and friend; but she is always the extrovert, wishing she could be on the stage or on the chat show couch, where I tend just to long for quiet times with my friends and family. In short, Lara would be much better at being famous than me. She sums it up well, I think: Until Bear was born I hated being the only child--I complained to Mum and Dad that I was lonely. It felt weird not having a brother or sister when all my friends had them. Bear’s arrival was so exciting (once I’d got over the disappointment of him being a boy, because I’d always wanted a sister!). But the moment I set eyes on him, crying his eyes out in his crib, I thought: That’s my baby. I’m going to look after him. I picked him up, he stopped crying, and from then until he got too big, I dragged him around everywhere.
Bear Grylls (Mud, Sweat and Tears)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
One can take the ape out of the jungle, but not the jungle out of the ape. This also applies to us, bipedal apes. Ever since our ancestors swung from tree to tree, life in small groups has been an obsession of ours. We can’t get enough of politicians thumping their chests on television, soap opera stars who swing from tryst to tryst, and reality shows about who’s in and who’s out. It would be easy to make fun of all this primate behavior if not for the fact that our fellow simians take the pursuit of power and sex just as seriously as we do. We share more with them than power and sex, though. Fellow-feeling and empathy are equally important, but they’re rarely mentioned as part of our biological heritage. We would much rather blame nature for what we don’t like in ourselves than credit it for what we do like. As Katharine Hepburn famously put it in The African Queen, ”Nature, Mr. Allnut, is what we are put in this world to rise above.” This opinion is still very much with us. Of the millions of pages written over the centuries about human nature, none are as bleak as those of the last three decades, and none as wrong. We hear that we have selfish genes, that human goodness is a sham, and that we act morally only to impress others. But if all that people care about is their own good, why does a day-old baby cry when it hears another baby cry? This is how empathy starts. Not very sophisticated perhaps, but we can be sure that a newborn doesn’t try to impress. We are born with impulses that draw us to others and that later in life make us care about them. The possibility that empathy is part of our primate heritage ought to make us happy, but we’re not in the habit of embracing our nature. When people commit genocide, we call them ”animals”. But when they give to the poor, we praise them for being ”humane”. We like to claim the latter behavior for ourselves. It wasn’t until an ape saved a member of our own species that there was a public awakening to the possibility of nonhuman humaneness. This happened on August 16, 1996, when an eight-year-old female gorilla named Binti Jua helped a three-year-old boy who had fallen eighteen feet into the primate exhibit at Chicago’s Brookfield Zoo. Reacting immediately, Binti scooped up the boy and carried him to safety. She sat down on a log in a stream, cradling the boy in her lap, giving him a few gentle back pats before taking him to the waiting zoo staff. This simple act of sympathy, captured on video and shown around the world, touched many hearts, and Binti was hailed as a heroine. It was the first time in U.S. history that an ape figured in the speeches of leading politicians, who held her up as a model of compassion. That Binti’s behavior caused such surprise among humans says a lot about the way animals are depicted in the media. She really did nothing unusual, or at least nothing an ape wouldn’t do for any juvenile of her own species. While recent nature documentaries focus on ferocious beasts (or the macho men who wrestle them to the ground), I think it’s vital to convey the true breadth and depth of our connection with nature. This book explores the fascinating and frightening parallels between primate behavior and our own, with equal regard for the good, the bad, and the ugly.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
Abruptly the drumbeat softens into heartbeat. The camera becomes his eye. This was what had summoned him—a human heart beating from within a ripped-off, rolled-up tiny piece of cloth. A discarded newborn. Black. A useless, half-dead, famished, thrown-away boy. The madwoman’s? No, she’s beyond childbearing years. He approaches, his steps making no sound at all. When he reaches down to turn it over, the thing quivers. Suddenly Milo’s brain fills with a soft cascade of men and women’s voices from the past in French and English, German and Dutch, Cree and Gaelic. They gurgle and babble and blend as he stares at the unwanted infant. Is it breathing? Yes,
Nancy Huston (Black Dance)
Mothers not only pass the harms of endocrine-disrupting chemicals on to their fetuses but on to even more distant generations. When a mother is exposed to EDCs, so too are her fetus's germ cells, which develop into eggs or sperm. "It's thought that during that exposure, the chemical can target those germ cells and do what we call reprogramming, or making epigenetic changes," says Flaws. "That can be a permanent change that gets carried through generations, because those germ cells will eventually be used to make the next generation, and those fetuses will have abnormal germ cells that would then go on to make the next generation." In the mid-20th century, scientists documented this in women who took a synthetic form of estrogen, called diethylstilbestrol or DES, to prevent miscarriages.? The drug worked as intended, and the women gave birth to healthy babies. But once some of those children hit puberty, the girls developed vaginal and breast cancer. The boys developed testicular cancer, and some suffered abnormal development of the penis. Scientists called them DES daughters and sons. "When those DES daughters and sons had children, we now have DES granddaughters and grandsons, and a lot of them have increased risk of those same cancers and reproductive problems," says Flaws. "Even though it was their great-grandmother that took DES and they don't have any DES in their system-their germ cells have been reprogramming, and they're passing down some of these disease traits." And now toxicologists are gathering evidence that mothers are passing microplastics and nanoplastics complete with EDCs and other toxic substances- to their fetuses. In 2021, scientists announced that they'd found microplastics in human placentas for the first time, both on the fetal side and maternal side.Later that year, another team of researchers found the same, and they also tested meconium-a newborn's first feces and discovered microplastic there too. Children are consuming microplastics, then, before they're even born.
Matt Simon (A Poison Like No Other: How Microplastics Corrupted Our Planet and Our Bodies)
BABY FASHION TRENDS 2021 AND BEYOND Fashion for babies is fun - dressing up the babies in the tiniest adorable attires. Relished with excitement, all mommies want to keep their little ones on top of the fashion trends. Even before they're born, their wardrobe is well stocked, with piles of new onesies, dungarees, dresses for little girls, and a range of shorts for boys. Well, before you know, these adorable munchkins grow up within a blink of an eye, as you're stunned how quickly they grew out of their wardrobe. Whether you're soon to become a new mommy or already have your little one playing around, you've come to the right place to find all sorts of options to endearingly dress up the tiny souls. With the fascinating boom in baby apparel in the last few decades, new and adorable trends are revealed each year. Passionate as ever, you would want to try out the styles on your baby. Though your little one might not know what they're wearing, but just a few years - actually months – later, the way you dress them will reflect in the fashion sense and personality they develop! While you would want the trendiest closet for your newborn and toddlers, keep in mind that children feel the most comfortable when their clothes do not pose an obstacle in their flexibility and freedom. Dressed up in stylish yet practical clothes would give your little one freedom of self-expression as they indulge in their innocence. Therefore, when dressing up your kids, keeping a tonal mixture of style and comfort is vital. At Motheringo, we understand your mommy concerns to buy chic yet affordable clothing for your little ones. Stocked with a range of collections offering greater value of money, our clothes are aligned with your budget while ensuring we provide premium quality outfits made with the finest fabrics for your young fashionista.
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Fudge Fudge. Call the Judge. Momma’s gotta a newborn baby. It ain’t no boy. It ain’t no girl. It’s just an ordinary baby.
Ann M. Martin (Claudia and Crazy Peaches (The Baby-Sitters Club, #78))
In the wake of the Great Famine of 1847, nearly one million immigrants fled Ireland for the United States. Among them was a farmer from Wexford County, Patrick Kehoe. Leaving his wife and seven children behind until he could establish himself in the New World, he first settled in Howard County, Maryland, where he found work as a stonemason. In 1850, he sent for his oldest son, Philip, a strapping seventeen-year-old. The rest of the family followed in 1851. By then, Michigan Fever—as the great surge of settlers during the 1830s came to be known—had subsided. Still, there was plenty of cheap and attractive land to be had for pioneering immigrants from the East. In 1855, Philip Kehoe, then twenty-two, left his family in Maryland and journeyed westward, settling in Lenawee County, roughly one hundred miles southeast of Bath. For two years, he worked as a hired hand, saving enough money to purchase 80 acres of timberland. That land became the basis of what would eventually expand into a flourishing 490-acre farm.1 In late 1858, he wed his first wife, twenty-six-year-old Mary Mellon, an Irish orphan raised by her uncle, a Catholic priest, who brought her to America when she was twenty. She died just two and a half years after her marriage, leaving Philip with their two young daughters, Lydia and a newborn girl named after her mother.2 Philip married again roughly three years later, in 1864. His second wife, twenty-nine at the time of their wedding, was the former Mary McGovern, a native New Yorker who had immigrated to Michigan with her parents when she was five. By the time of her death in 1890, at the age of fifty-five, she had borne Philip nine children: six girls and three boys. From the few extant documents that shed light on Philip Kehoe’s life during the twenty-six years of his second marriage, a picture emerges of a shrewd, industrious, civic-minded family man, an epitome of the immigrant success story.
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
the art of growing i felt beautiful until the age of twelve when my body began to ripen like new fruit and suddenly the men looked at my newborn hips with salivating lips the boys didn’t want to play tag at recess they wanted to touch all the new and unfamiliar parts of me the parts i didn’t know how to wear didn’t know how to carry and tried to bury in my rib cage boobs they said and i hated that word hated that i was embarrassed to say it that even though it was referring to my body it didn’t belong to me it belonged to them and they repeated it like they were meditating upon it boobs he said let me see yours there is nothing worth seeing here but guilt and shame i try to rot into the earth below my feet but i am still standing one foot across from his hooked fingers and when he charges to feast on my half moons i bite into his forearm and decide i hate this body i must have done something terrible to deserve it when i go home i tell my mother the men outside are starving she tells me i must not dress with my breasts hanging said the boys will get hungry if they see fruit says i should sit with my legs closed like a woman oughta or the men will get angry and fight said i can avoid all this trouble if i just learn to act like a lady but the problem is that doesn’t even make sense i can’t wrap my head around the fact that i have to convince half the world’s population my body is not their bed i am busy learning the consequences of womanhood when i should be learning science and math instead i like cartwheels and gymnastics so i can’t imagine walking around with my thighs pressed together like they’re hiding a secret as if the acceptance of my own body parts will invite thoughts of lust in their heads i will not subject myself to their ideology cause slut shaming is rape culture virgin praising is rape culture i am not a mannequin in the window of your favorite shop you can’t dress me up or throw me out when i am worn you are not a cannibal your actions are not my responsibility you will control yourself the next time i go to school and the boys hoot at my backside i push them down foot over their necks and defiantly say boobs and the look in their eyes is priceless
Rupi Kaur (The sun and her flowers)
THE PEOPLE OF ICE PLANET BARBARIANS As of the end of BARBARIAN’S TOUCH (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 Vektal (Vehk-tall) - The chief of the sa-khui. Mated to Georgie. Georgie – Human woman (and unofficial leader of the human females). Has taken on a dual-leadership role with her mate. Talie (Tah-lee) – Their baby daughter. CAVE 2 Maylak (May-lack) – Tribe Healer. Mated to Kashrem and currently pregnant with child. Kashrem (Cash-rehm) - Her mate, also a leather-worker. Esha (Esh-uh) – Their young daughter. CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah (Ses-uh) - Their youngest son CAVE 4 Warrek (War-ehk) – Tribal hunter. Eklan (Ehk-lan) – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Currently pregnant for a second time. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Mother to Pacy, a baby boy. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, father to Pacy. Pacy – Their infant son. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Spends 75% of her time there with her family. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Mother to newborn Holvek. Cashol – (Cash-awl) – Mate to Megan. Hunter. Father to newborn Holvek. Holvek – (Haul-vehk) – Wee blue baby boy! CAVE 11 Marlene (Mar-lenn) – Human mate to Zennek. Has unnamed child. French. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Human female. Mate to Zolaya. Mother to Analay. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Father to Analay. Analay – (Ah-nuh-lay) – Their infant son. CAVE 13 Tiffany – Human female. Mated to Salukh and newly pregnant. Salukh - Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli and Pashov. CAVE 14 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Human woman, mate to Aehako, mother of Kae. Was the first to be abducted by aliens and wore an ear-translator for a long time. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. CAVE 15 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. She has a pet dvisti named Chahm-pee (Chompy). CAVE 16 Drayan (Dry-ann) – Elder. Drenol (Dree-nowl) – Elder. CAVE 17 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. Loves to creep on the ladies. CAVE 18 Asha (Ah-shuh) – Separated from Hemalo. No living child. Maddie – Lila’s sister. Found in second crash. CAVE 19 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. Hemalo (Hee-mah-lo) – Separated from Asha. CAVE 20 Josie – Human woman. Mated to Haeden and newly pregnant. Haeden (Hi-den) – Hunter. Previously resonated to Zalah but she died (along with his khui) in the khui-sickness before resonance could be completed. Now mated to Josie. CAVE 21 (formerly a storage cave) Rokan (Row-can) – Oldest son to Sevvah and Oshen. Brother to Aehako and Sessah. Adult male hunter. Now mated to Lila. Has ‘sixth’ sense. Lila – Maddie’s sister. Hearing impaired. Resonated to Rokan.
Ruby Dixon (Barbarian's Touch (Ice Planet Barbarians, #7))
set the iPod in the dock and gently shift my newborn baby boy in my arms so that his cheek rests on my shoulder. When the music starts to play, I dance slowly around the living room, rocking him to and fro. I feel such joy, I begin to wonder if I’ve died and gone to heaven.
Julianne MacLean (The Color of a Silver Lining (The Color of Heaven #13))
the men looked at my newborn hips with salivating lips the boys didn’t want to play tag at recess they wanted to touch all the new and unfamiliar parts of me the parts i didn’t know how to wear didn’t know how to carry and tried to bury in my rib cage
Rupi Kaur (The Sun and Her Flowers)
Some part of her had been hoping that she would look into Lasse’s eyes when the newborn was laid on her chest. That he would come back in the form of a little boy who was well suited for life in a way Lasse hadn’t been. But no, that gaze was its very own. He was a robust little guy who lifted his head to root for her breast right away. It hurt, and she cried, and Ante misunderstood and thought they were happy tears. But she would never be happy again.
Ann-Helén Laestadius (Stolen)
I look at the tiny fingers of a newborn baby and try to understand how they could possibly grow into the fingers of a killer. The dead boy is named Jamal Jones. In the newspaper photo, his eyes are as dark as velvet. My boy is named Adam Shuster. His eyes are the color of the sea in Tel Aviv. They say he killed Jamal. But that's not true.
Ayelet Gundar-Goshen (The Wolf Hunt)
A deep-rooted part of me had always wanted to foster children one day. The forgotten. The unloved. The homeless and abused. It was a blooming desire that grew wings with every passing day. Reed was fully supportive of the idea, so a year into our whirlwind relationship, we fostered newborn twins that had been pulled from a drug-addled home: a girl and a boy. Mina and Jayce. Mina meant “love,” and Jayce meant “to heal.
Jennifer Hartmann (Older)
These Magi were wealthy and well-educated. They likely came from Persia, but they had been ordered by King Herod to discover the location of Christ, purportedly so that Herod could pay homage to the child, but in all likelihood to murder the newborn threat to his power. Word quickly reached King Herod of the arrival of a new-born “King of the Jews,” and as he was understandably unwilling to allow any threat to his own authority, Herod was determined to do away with this child. He sent soldiers to kill all of the boys that were up to two years old in and around Bethlehem – an event known as the “Massacre of the Innocents
Charles River Editors (Bethlehem: The History and Legacy of the Birthplace of Jesus)
Jack’s. He’d only been there a minute, waiting for someone to come from the back to serve him, when Mel struggled into the bar, baby against her chest, toddler in hand, diaper bag slung over her shoulder. Right inside the door, the toddler took a tumble down onto his knees and sent up a wail. “Oh, punkin,” she said. She spied Luke and said, “Oh, Luke, here.” She thrust the baby into his hands so she could stoop to lift up the boy. “Oh, you’re okay,” she said, brushing off his knees. “Don’t cry now, you didn’t even break the floor. It’s okay.” She was just about to stand, when she heard her husband’s voice. “Mel,” he said. She looked up from the floor. Jack was behind the bar. He inclined his head toward Luke with a smile on his face. Luke was holding the baby out in front of him at arm’s length, a startled expression on his face while Emma kicked her little legs and squirmed. Mel burst out laughing, then covered her mouth. She rose and went to him, taking the baby. “I’m sorry, Luke,” she said. “It’s been such a long time since I’ve been around a man who didn’t know exactly what to do with a baby.” “Sorry,” he said. “I don’t have much experience with this.” “It’s okay—my mistake.” She couldn’t help but laugh again. “The first day I met Jack, there was a newborn at the clinic and he scooped her up like an old pro.” “Because I was an old pro, Mel,” Jack said, coming around to the front of the bar. “Four sisters, eight nieces and one on the way,” he told Luke. “Prolific family,” Luke observed. “I don’t know much about babies.” “If you’re looking to learn babies, this is the place,” Mel said. “I don’t think there are any virgins left in Virgin River. The birth rate around here is on the rise.” “Me and babies—incompatible. And I like it that way.” Jack
Robyn Carr (Temptation Ridge)
Korie: When I was a student at Ouachita Christian School, my senior-year Bible teacher, David Matthews, adopted a little five-year-old boy. In class that year, we talked a lot about how important it was for Christians families to adopt and that children should never be left without a home and loving parents. The idea always stuck with me. James 1:27 says: “Religion that God our Father accepts as pure and faultless is this: to look after orphans and widows in their distress and to keep oneself from being polluted by the world.” When we were dating, like most couples, Willie and I talked about how many kids we wanted to have. I told Willie about my desire to adopt and he was all for it. We both grew up with big families so we decided we wanted to have four kids, with at least one of them through adoption. We never knew how that would happen. We didn’t know if we would adopt a boy or a girl or a newborn baby or older child. We decided we would remain open, and if God wanted it to happen, it would happen. There were several families at White’s Ferry Road Church that adopted children, including one couple that had adopted biracial twins. Their lawyer came to them and asked if they were interested in adopting another biracial child who was about to be born. They told her they couldn’t do it at the time, but they remembered that we had expressed an interest in adopting a child. Their lawyer called Willie and me and told us how difficult it was to place biracial children in homes in the South. We were shocked. It was the twenty-first century. We committed to being a part of changing that in our society. Skin color should not make a difference.
Willie Robertson (The Duck Commander Family)
What happened?” She shook her hand and looked at her palm. “I gave myself a splinter.” She looked closer. “I think.” “Let me see.” “No, I’m fine. I can get a needle when I get home.” He waved his hand in front of him impatiently. “Stubborn woman, let me have your hand.” “It’s not like you can see anything.” With a wild swipe, he captured her wrist. “That’s where you’re wrong. My myopia gives me about two inches of clear vision if I hold something in just the right place.” He tugged her up to stand and pulled her hand closer to his nose. “And it just so happens that clear swath is somewhat magnified. I assume you’re the kind of woman to carry a pocketknife?” She pulled out her knife and handed it to him. For some reason he grinned. She held her breath, realizing how very close she was to him. He flipped open her knife, and his face screwed up in concentration. “You’re also not the kind of woman who’d shriek or tug away from me like my mother does, right?” “Of course not.” She’d rather die than embarrass herself that way. But anticipating pain wasn’t what was sending her heart to throbbing—rather it was being close enough to see the individual hairs darkening his jawline. Her heart had never flipped like this for a man before. She’d evidently not outgrown her schoolgirl infatuation with the handsomest boy in class, but now that they were older, the feelings were quite different. Harrison gently squeezed the flesh of her hand. She squirmed—not because he scraped the knife against her skin but rather because his breath tickled her wrist. “Done.” He ran his thumb across the scratch on her palm and smiled. “Splinter removal—a talent in which you can never outdo me.” “I thought you told me gloating wasn’t a good thing.” Why rub such a silly skill in her face anyway? “I was kidding.” Sure he was. “Being talented at splinter removal isn’t worth being blind as a newborn pup and unable to shoot worth a nickel.” His smile disappeared until his jaw clenched. Then he dropped her hand and stalked away. “Sorry.” Harrison ran into a desk and muttered under his breath. “Seems we are a lot alike, as you said.” Though maybe gloating wasn’t really her downfall, rather speaking without thinking. She hadn’t meant to shove his weakness in his face. If she couldn’t stop competing and ridiculing his weaknesses, they’d part as enemies instead of becoming the kind of friends Lydia and Beatrice were. Then again, remaining enemies might be a good thing. One did not pine for one’s enemy.
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
Something you have to say to me, my pretty little bad boy?” Genesis said softly, walking over to stand so close to Curtis he could feel Genesis’ heart beating. Curtis chuckled. “Why do you keep calling me a bad boy? You know I’m not.” “My brother told me what you did in the parking lot, how you took your cue from Ruxs.” Genesis held Curtis’ injured arm like it was newborn baby. “I think it’s amazing.” Curtis blushed terribly. “It was nothing.” “If you say so. But I find it very, very attractive.” Genesis’ voice had gotten even deeper, sexier. “All that toughness, wrapped up in such a pretty package.” Curtis
A.E. Via (Here Comes Trouble (Nothing Special #3))
In the mist of the heavy shelling and bombing, my terrified mother worried for the safety of her newborn. She did not know what to do; she worried that if one of the bombs fell on the camp, they would all die, and while she was worried about the life of her daughters and herself, she was more worried about her fragile, newborn baby boy. She wanted him to live and survive this savage war. Without any logical thinking, during the heavy shelling on the second night of the war, my mother fed me well and decided to protect me the only way she knew how. She put me in a straw bassinet and then she wrapped and covered it with a few blankets and placed it in a low, sandy spot under a heavy bush in the middle distance between the camp structure and the beach of the Mediterranean Sea. She was frantic, shivering and crying as she did this. She felt like burying her own child alive. But while she was torn, at the same time she was full of hope that I would have a better chance to survive the night if I was not inside the camp. She was indescribably scared, and continuously prayed to God to sacrifice her life instead of mine. My mother left me outside under the gloomy sky for the entire night. When the navy shelling stopped in the next dawn, she ran, shivering to check on me. Filled with horror and guilt, slowly she uncovered my face. I opened my eyes and looked into her face, recognizing her immediately. Then I started crying for milk. Nana screamed and cried from happiness that I was alive, scaring me more and more. Then, she pulled me out of the bassinet and hugged me hard to her chest, kissing me nonstop.
Frank Moses (Cactus: Life Story and Fate, With an Unexpected Twist)
Finally, a period of healing began for those who had lost so much. Veterans everywhere, no matter the color of their uniform or skin, licked their wounds and headed for home. Prisoners of Japanese internment camps and Jewish concentration camps alike lamented their stolen lives. And broken families around the globe mourned the loss of a generation of young men: boys who became men through valor but whose hair would never go gray; soldiers who would never bask in the glory of a victory parade, never smell the warm, milky breath of their newborn babies; sailors who would never turn their sweethearts into brides.
Kristina McMorris (Letters from Home)
I had to show Teddy Lupin was okay. I hated killing Lupin and Tonks. Hated it. Hated it. But I was writing about war. That’s what war does. It leaves little, newborn babies who never know . . .” She trails off. “So, it happened to Harry, and it happened again. They let it happen again; they didn’t want to believe Harry. So I had to show that evil all over again.
Melissa Anelli (Harry, A History: The True Story of a Boy Wizard, His Fans, and Life Inside the Harry Potter Phenomenon)
I lay there, depleted and relieved that whatever used to be in my body was now out. Marlboro Man, on the other hand, was stunned. Patting me affectionately, he stared at our newborn baby girl with a shocked expression he couldn’t have hidden if he’d tried. “Congratulations,” Dr. Oliver had said moments before. “You have a daughter.” You have a daughter. In the previous several months of gestation, I’d been so indoctrinated with the notion that we were having a boy, it hadn’t even occurred to me that things might go the other way. I couldn’t even imagine Marlboro man’s surprise. “Good job, Mama,” he said, leaning down and kissing my forehead. The nurses immediately wrapped our little one in a white blanket and set her on my chest. Plop. There she was. Lying on top of me. Writhing and looking pink and pitiful and about as precious as anything I'd ever seen. Marlboro Man grasped my hand, squeezing it softly. “Wow,” he said, almost in a whisper. He stared and stared. We were totally quiet. We could hardly move. My throat began to tighten as I realized what had just happened. The being that had been growing inside of my abdomen, that had tapped and kicked and pummeled me in the ribs and bladder during those final weeks, that had brought me heartburn and exhaustion and weeks of debilitating nausea, was now lying on my chest, looking around this strange new world in which she found herself. It was the most surreal moment of my life--more surreal than any moment of surprise during my courtship with Marlboro Man, the father of this new human that had just arrived on the scene and changed absolutely everything. She had arms and legs and a nose and a tongue, which she slowly thrust in and out of her tiny mouth in an effort to familiarize herself with the sensation of air. She was a person--alive and moving around in a real world. I realized that tears were rolling down my face. I hadn’t even noticed I was crying.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The Circumcision Decision If you have a baby boy, chances are you’ll be asked whether or not you want to circumcise him in the hospital. Most of us have inherited a vague sense that circumcision is somehow cleaner or healthier. But these are myths. We’ll share a few facts to jumpstart your research. - The significance of the infant’s pain is often overlooked in circumcision. Hospitals use painful Gomco clamps that sever nerve endings, and most docs make the cut without anesthesia. - Many infants go into shock as a result of the pain they experience in circumcision, and the breastfeeding relationship may be compromised as a result. - The circumcised penis is no cleaner than an intact penis, and requires far more care during the healing process. - “...[P]rofessional societies representing Australian, Canadian, and American pediatricians do not recommend routine circumcision of male newborns.” ~American Medical Association What if you plan to circumcise for reasons of Jewish faith? In Jewish circumcisions, - Boys are circumcised eight days after birth, when natural levels of Vitamin K are the highest. - Anesthetic is traditionally given (in the form of a tiny amount of wine and/or numbing agents). - Mohels (traditional circumcisers) don’t use painful skin clamps. Overheard… After reading up on circumcision, I knew I didn’t want to go through with it. The first reason was medical: the AAP doesn’t recommend routine circumcision. My second reason was emotional. It went against my mama bear instinct to protect my baby. Convincing dad was more difficult. He wanted to have his son like him. (I asked him if he and his dad compared their penises; the answer was no.) My husband watched videos of the procedure being done but had to stop them before they were over. He’d thought it was a simple snip of the ‘extra’ skin, but it’s not. The foreskin is actually fused to the head of the penis, like a fingernail to a nail bed. We took our baby home from the hospital the way he was born, and we haven’t regretted it. ~Lani, mom to Bentley Want to learn more? Check out the Circumcision Resource Center online, a helpful resource filled with medical and psychological literature for those questioning the practice.
Megan McGrory Massaro (The Other Baby Book: A Natural Approach to Baby's First Year)
Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily. He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked. Calm down, he’d instructed himself. It’s only Lily. His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap. Was it possible Kaye hadn’t bothered to tell Lily he’d be coming? “I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . . Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke. “But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face. And suddenly Sean understood. Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy. Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black. His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—” Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.” The door to her hotel room had come at his face faster than a bullet train. He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead. Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.
Laura Moore (Night Swimming: A Novel)
Newborn boys, on average, are actually more emotionally reactive than girls. For example, studies show that baby boys cry more than baby girls when they are frustrated or upset.
Dan Kindlon (Raising Cain: Protecting the Emotional Life of Boys)
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls. The Bad Ibeji’s one hand splayed itself on the one-eyed scientist’s neck and chest. He unhooked each claw and a little blood ran out of each hole. The second hand unwrapped itself from the scientist’s waist, leaving a welt. I shook and screamed into the gag and kicked against the shackles but the only thing free was my nose to huff. The Bad Ibeji pulled his head off the twin’s shoulder and one eye popped open. The head, a lump upon a lump, upon a lump, with warts, and veins, and huge swellings on the right cheek with a little thing flapping like a finger. His mouth, squeezed at the corners, flopped open, and his body jerked and sagged like kneaded flour being slapped. From the mouth came a gurgle like from a baby. The Bad Ibeji left the scientist’s shoulder and slithered on my belly and up to my chest, smelling of arm funk and shit of the sick. The other scientist grabbed my head with both sides and held it stiff. I struggled and struggled, shaking, trying to nod, trying to kick, trying to scream, but all I could do was blink and breathe.
Marlon James
Why did this music move her? Was it really a signal of some kind? They had all been so musical-both her grandfathers, Alexander and Jacob—and Genrikh … Genrikh … And from her heart a deep lament rose up and choked her, and it was as though it wasn't she crying, but Genrikh in her. Little Genrikh, intolerable little child who threw himself on the floor and thrashed his arms and legs, who wanted to fly a glider or an plane, whom they barred from his beloved profession of aviation—yes, of course, because his father, was an enemy of the people and ruined everything. He was robbed of his dreams, his hopes, his shining, beckoning future. Oh, poor Genrikh! Nora cried together with him, this boy, her future and former father, who had not been given the chance to live the life he dreamed about. He sobbed and gasped for then grew tired and moaned quietly, then howled again, and started throwing a tantrum. Nora just wiped away the tears. How awful! Would his grief never end? Would it never burn out, never die? Would it torment him, and Nora, and the newborn who had only just arrived and was not guilty of anything at all? Is it possible that the evil we commit never dissipates, but hangs above the head of every new child that emerges out of this river of time?
Lyudmila Ulitskaya (Лестница Якова)
A woman lay before the exhausted flames of her dying fire, and he could see at once that she, as was the habit of mortals, was dying too. But in her arms she held a new-born child, covered by a shawl. “Why do you weep?” Azhrarn inquired in fascination as he leant at the door, marvelously handsome, with hair that shone like blue-black fire, and clothed in all the magnificence of night. “I weep because my life has been so cruel, and because now I must die,” said the woman. “If your life has been cruel, you should be glad to leave it, therefore dry your tears, which will, in any case, avail you nothing.” The woman’s eyes grew dry indeed, and flashed with anger almost as vividly as the coal-black eyes of the stranger. “You vileness! The gods curse you that you come mocking me in my last moments. All my days have been struggle and torment and pain, but I should perish without a word if it were not for this boy that I have brought into the world only a few hours since. What is to become of my child when I am dead?” “That will die, too, no doubt,” said the Prince, “for which you should rejoice, seeing he will be spared all the agony you tell me of.” At this the mother shut her eyes and her mouth and expired at once, as if she could no longer bear to linger in his company. But as she fell back, her hands left the shawl, and the shawl unfolded from the baby like the petals of a flower.
Tanith Lee (Night's Master (Tales from the Flat Earth, #1))
While Money's theory of human newborns as total psychosexual blank slates may strike a contemporary reader as science fiction, such was not the case in the mid-1950s, when it was met with almost universal acceptance by clinicians and scientists
John Colapinto (As Nature Made Him: The Boy Who Was Raised as a Girl)