New Zealand Beauty Quotes

We've searched our database for all the quotes and captions related to New Zealand Beauty. Here they are! All 34 of them:

They are quiet for a long time. “Do you remember the time you told me you were afraid that you were a series of nasty surprises for me?” he asks him, and Jude nods, slightly. “You aren’t,” he tells him. “You aren’t. But being with you is like being in this fantastic landscape,” he continues, slowly. “You think it’s one thing, a forest, and then suddenly it changes, and it’s a meadow, or a jungle, or cliffs of ice. And they’re all beautiful, but they’re strange as well, and you don’t have a map, and you don’t understand how you got from one terrain to the next so abruptly, and you don’t know when the next transition will arrive, and you don’t have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don’t really know what you’re doing, and often you make mistakes, bad mistakes. That’s sometimes what it feels like.” They’re silent. “So basically,” Jude says at last, “basically, you’re saying I’m New Zealand.
Hanya Yanagihara (A Little Life)
But being with you is like being in this fantastic landscape,' he continuous slowly. 'You think it's one thing, a forest, and then suddenly it changes, and it's a meadow, or a jungle, or cliffs, or ice. And they are all beautiful, but they're strange as well, and you don't have a map, and you don't understand how you got from one terrain to the next so abruptly, and you don't know when the next transition will arrive, and you don't have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don't really know what you're doing, and often you make mistakes, bad mistakes. That's sometimes what it feels like.' They're silent. 'So basically,' Jude says at last, 'basically you're saying I'm New Zealand.
Hanya Yanagihara (A Little Life)
Oh, waters - do not cover me! I would look long and long at those beautiful stars! Oh my wings - lift me - lift me I am not so dreadfully hurt...
Katherine Mansfield (The Collected Poems of Katherine Mansfield)
And then there I was, literally tenderized like pounded meat by my year of work, failure, and physical and emotional battering. My New Zealand beach realization that I was ready for all of the things I had feared I was too broken to ever want felt both good because it meant that I was normal, but also terrifying. I was normal. Years later, Lena Dunham’s character on Girls would have a similar moment when she broke down and wept to a nice, handsome doctor with a beautiful house, “Please don’t tell anyone this, but I want to be happy … I want all the things everyone wants.” I was embarrassed to be a thirty-five-year-old woman who was looking for true love, and a family. It was so freaking typical. But I was also deeply relieved that I’d finally gotten there.
Kristin Newman (What I Was Doing While You Were Breeding)
In Antartica, The Wright and half a dozen other valleys in the Central Transantarctic Mountains are collectively referred to as the dry valleys. It has not rained here in two million years. No animal abides, no plant grows. A persistent, sometimes ferocious wind has stripped the country to stone and gravel, to streamers of sand. The huge valleys stand stark as empty fjords. You look in vain for any conventional sign of human history- the vestige of a protective wall, a bit of charcoal, a discarded arrowhead. Nothing. There is no history, until you bore into the layers of rock or until the balls of your fingertips run the rim of a partially exposed fossil. At the height of the austral summer, in December, you smell nothing but the sunbeaten stone. In a silence dense as water, your eye picks up no movement but the sloughing of sand, seeking its angle of repose. On the flight in from New Zealand it had occurred to me, from what I had read and heard, that Antarctica retained Earth’s primitive link, however tenuous, with space, with the void that stretched out to Jupiter and Uranus. At the seabird rookeries of the Canadian Arctic or on the grasslands of the Serengeti, you can feel the vitality of the original creation; in the dry valleys you sense sharply what came before. The Archeozoic is like fresh spoor here.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
In my entire scientific life, extending over forty-five years, the most shattering experience has been the realization that an exact solution of Einstein's equations of general relativity, discovered by the New Zealand mathematician Roy Kerr, provides the absolute exact representation of untold numbers of massive black holes that populate the universe. This "shuddering before the beautiful," this incredible fact that a discovery motivated by a search after the beautiful in mathematics should find its exact replica in Nature, persuades me to say that beauty is that to which the human mind responds at its deepest and most profound level.
Subrahmanyan Chandrasekhar
I come from the heart land of New Zealand. A place where men are men and there is no such thing as a latte. Where a day’s work is only done one way. THE HARD WAY. Where the vehicle you drive doesn’t symbolize who you are. A place where a beer is a beer and it comes only one way, ICE COLD. Yes the great land I like to call home the Waikato but yes all this beauty comes at a price obviously where men actually act like men not knob head; makeup wearing, tight jean wearing homos there will always be a shortage of real women. So just as the last generation of real men, almost every weekend we head into every bar, club, party or music festival we can in the hopes of finding a real women. Don’t get me wrong, bars clubs a music fests are the best fun ever. And I drink alcohol like it’s going out of fashion not that we care about fashion round here. See you in the heart land
Daniel Anderson
They are quiet for a long time. 'Do you remember the time you told me you were afraid that you were a series of nasty surprises for me?' he asks him, and Jude nods, slightly. 'You aren’t,' he tells him. 'You aren’t. ‘Being with you is like being in this fantastic landscape,’ he continues, slowly. ‘You think it’s one thing, a forest, and then suddenly it changes and it’s a meadow, or a jungle, or cliffs of ice. And they’re all beautiful, but they’re strange as well, and you don’t have a map, and you don’t understand how you got from one terrain to the next so abruptly, and you don’t know when the next transition will arrive, and you don’t have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don’t really know what you’re doing, and often you make mistakes, bad mistakes. That’s sometimes what it feels like.’ They’re silent. ‘So basically,’ Jude says at last, ‘basically, you’re saying I’m New Zealand.’ It takes him a second to realize Jude is joking, and when he does he begins to laugh, unhingedly, with relief and sorrow, and he turns Jude toward him and kisses him. ‘Yes,’ he says. ‘Yes, you’re New Zealand.
Hanya Yanagihara (A Little Life)
They are quiet for a long time. “Do you remember the time you told me you were afraid that you were a series of nasty surprises for me?” he asks him, and Jude nods, slightly. “You aren’t,” he tells him. “You aren’t. But being with you is like being in this fantastic landscape,” he continues, slowly. “You think it’s one thing, a forest, and then suddenly it changes, and it’s a meadow, or a jungle, or cliffs of ice. And they’re all beautiful, but they’re strange as well, and you don’t have a map, and you don’t understand how you got from one terrain to the next so abruptly, and you don’t know when the next transition will arrive, and you don’t have any of the equipment you need. And so you keep walking through, and trying to adjust as you go, but you don’t really know what you’re doing, and often you make mistakes, bad mistakes. That’s sometimes what it feels like.” They’re silent. “So basically,” Jude says at last, “basically, you’re saying I’m New Zealand.” It takes him a second to realize Jude is joking, and when he does he begins to laugh, unhingedly, with relief and sorrow, and he turns Jude toward him and kisses him. “Yes,” he says. “Yes, you’re New Zealand.
Hanya Yanagihara (A Little Life)
timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,
Blake Crouch (Recursion)
Japanese people like New Zealand, the quality of education, the beautiful natural surroundings, the value for money and the perceived high safety aspect. These unique characteristics attract tourists, working holidaymakers and students alike.
Peter Hanami (Buyer Behaviour of Japanese Students in New Zealand)
Real Landscaping turns dreams into reality with amazing landscapes, bringing your vision to life. We are your A-Z landscaping company and we cover New Zealand. We are passionate about creating beautiful and functional outdoor spaces. We believe that every landscape should be unique and reflect the personality of the people who live there. Our experienced team works closely with you to understand your needs and goals, crafting a customized plan that will bring your vision to life.
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.. and finish my letter by telling you of Ilam's chief outdoor charm: from all parts of the garden and grounds which I have told you of, and my bedroom window has a perfect panoramic view of them. I watch them under all their changes of tint, and find each new phase the most beautiful. In the very early morning I have often stood shivering at my window to see the noble outline gradually assuming shape, and finally standing out sharp and clear against a dazzling sky, then as the sun rises, the softest rose-coloured and golden tints touch the highest peaks, the shadows deepening by contrast.
Lady Barker (Station life in New Zealand)
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You take bits off crickets and they grow new parts,” Edwards explains in his cheery New Zealand accent. “My interest in this alpine work is that you find creatures growing in habitats where you wouldn’t expect anything to be.
Bruce Barcott (The Measure of a Mountain: Beauty and Terror on Mount Rainier)
Early May 2012 Andy’s E-mail reply caught me by surprise as I was starting the daily writing of my memoirs. He wrote: Dear Young, I am saddened to hear that our separation caused you so much pain. I would have come running if I knew. Like you, I was equally unsettled. I missed you significantly. Your childlike phantasm continues to haunt me wherever I go. At times, memories of you have thrown me into unfathomable melancholy and at times into paralytic states, from which I have been unable to rise to perform the simplest of task. My daily rowing saved me from falling into depression during those early days of our parting. The natural beauty of New Zealand nurtured me, helping me to recover. No one in my life has had this effect on me. We must have been inseparable in our past lives and our alienation in this life has ripped a gaping perforation through my heart.
Young (Unbridled (A Harem Boy's Saga, #2))
Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
pohutukawa: native tree; called the “New Zealand Christmas Tree” for its beautiful
Rosalind James (Just Say Yes (Escape to New Zealand, #10))
It’s a beautiful morning that’s promising to be stinking hot by the afternoon. We ride the ponies down to the warm-up ring, surrounded by horses and ponies of all shapes and sizes, Alec calling out greetings to people he knows. I love everything about the atmosphere of a horse show. The smell of crushed grass, the drum of hoofbeats across the ground, the clatter of the poles coming down, the scattered applause from spectators.
Kate Lattey (Flying Changes (Clearwater Bay, #1))
The fleabitten grey mare's short legs are slightly over at the knee, she has a Roman nose and a neck of solid muscle well-practiced at pulling her rider out of the saddle. Her head is up and a layer of sweat darkens her pale shoulders, but Alec’s holding his reins tight and he’s maintaining control. All the riders who have gone before on beautifully turned out, well-schooled ponies were merely passengers as their ponies jumped. Alec has harnessed the raw talent of his mare, her power barely held in check as the bell rings and he canters her around towards the first jump. Jess strains against the martingale as she charges towards the first fence and with one strong push off her hocks, flies over the jump with her knees tucked into her chest.
Kate Lattey (Flying Changes (Clearwater Bay, #1))
Mrs Bennet was a great connoissuer of feminine beauty and indeed it must be owned that she herself was a very handsome woman. As to the sweetness of her temper, there was less compelling evidence; yet in all her forty years she had given none of her family or general acquaintance reason to suppose her a murderess.
Debbie Cowens (Murder & Matchmaking)
We walked almost a mile before we came out of the woods atop a ridge overlooking a broad green meadow that looked almost artificial in its pastoral sweetness, like someone had transplanted it from a movie set in New Zealand. Fluffy clouds of sheep dotted the green, and we were far enough away that they looked a little dingy but not filthy—a beautiful trick of distance. (Sheep are some of the nastiest creatures in the world. They’re smelly, stupid things that have been bred to have way too much hair, meaning that all their bodily fluids and drippings get felted right into the wool. If not for bleach, we’d all walk around covered in sheep shit all the time. Agriculture is not a pretty thing.)
Seanan McGuire (Pocket Apocalypse (InCryptid, #4))
beautiful storybook self out of here.”  TriStyle Woman had become her real home in these past seven years, she realized with gratitude as she
Rosalind James (Just This Once (Escape to New Zealand, #1))
New Zealand, is paradise found.
Anthony T. Hincks
Nobody can agree which tree is the most photographed in the world. Some say it’s a Cypress in Monterey, California, others a Jeffry Pine in nearby Yosemite and others still a Willow in Lake Wanaka, New Zealand. Even if you’ve never seen them, you can probably guess what these trees look like. They stand alone in endless vistas of water, sky or rock. Millions of brains have been attracted to the hidden and half-hidden truths that emit from these solitary trees. They triggered something in the photographers’ subconscious which responded by giving their owners a pleasurable hit of feeling. Lonely, brave, relentless and beautiful, those who stop and snap are not taking pictures of trees, but of themselves.
Will Storr (The Science of Storytelling)
Grandmotherly sales clerks present an unusual problem in their tendency to praise Polly for her beauty. 'Aren't you beautiful?' is a common greeting (to which Polly would reply with devastating honesty: 'I know'). This necessitated long speeches from me about the inconsequence of exterior beauty in comparison with the vital importance of interior beauty. The devastating logic of my speeches has now prompted Polly to offer the compromise response, 'I'm beautiful on the inside, too' (sometimes ungraciously adding: 'I have a brother called Bob who's beautiful as well — but he's only beautiful on the inside'). -(from Høstens Vemod)
David Haywood (Tell You What: Great New Zealand Nonfiction 2017)
I may not know what color you are,” he told her, falling into those mermaid eyes and happy to go, “but I know it’s beautiful.
Rosalind James (Just Say (Hell) No (Escape to New Zealand, #11))
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Tackling the task of delivering to readers a poignant and credible romantic liaison between a 17-year-old teenage boy and a middle-aged Tahitian beauty was always going to be a challenge for this writer!
Lance Morcan (New Zealand)
The Tahitian beauty is Tahitian Queen Obadia who believes the blue-eyed, blond-haired Nicholas has been sent to her by the island’s gods to give her the child she has never had.
Lance Morcan (New Zealand)
At the sight of Queen Obadia, the air was driven from Nicholas’s lungs. It was as if Hercules himself had punched him in the gut. She’s beautiful! Nicholas fought for breath as he took in every feature of the royal figurehead who was now standing only a few paces from him. He knew there wasn’t a more exquisite creature on the face of the planet. Others around him were equally impressed.
Lance Morcan (New Zealand)
High cheek bones gave Queen Obadia's face a rare and exotic beauty, but her most riveting feature was her almond eyes. Large and hypnotic, they roamed over the faces of the visitors seated before her, settling for one magical instant on Nicholas’s face. In that split-second he thought he saw something register in the queen’s eyes. Then it was gone as she turned her attention to others.
Lance Morcan (New Zealand)
Despite the fact that she was probably nearer forty than thirty, her radiance and beauty outshone that of the prettiest wahine. Statuesque, her golden skin was unblemished, and beneath the colourful cape that hung from her graceful shoulders her body was, in Nicholas’s opinion, perfection personified.
Lance Morcan (New Zealand)