New Wig Quotes

Magnus had animated one of his magnificent Chinese fans, and it flapped ineffectively at him, barely stirring the breeze. It was, if he was completely honest with himself (and he did not want to be), a bit too hot for this new striped blue-and-rose-colored coat, made of taffeta and satin, and the silk faille waistcoat embroidered with a scene of birds and cherubs. The wing collar, and the wig, and the silk breeches, the wonderful new gloves in the most delicate lemon yellow . . . it was all a bit warm. Still. If one could look this fabulous, one had an obligation to. One should wear everything, or one should wear nothing at all.

It is the certainty of never that hurts most. The knowledge that I will never eat star-shaped peanut butter and jelly sandwiches with her in the pediatric ward again. Never dance around her living room, headbanging our wigs to the beat. Never watch her paint a new masterpiece. I understand why people believe in the afterlife, why they soothe themselves with the faith that those who are no longer with us still exist elsewhere, eternally, in a celestial realm free of pain. As for me, all I know is that here on this earth, I cannot find my friend.

I do my best work in the bedroom. This is completely my domain. So it should be no big deal that she asked me to wait here. But something about being in Charlotte’s bedroom is wigging me out. Mostly because there’s nudity transpiring mere feet away. She’s taking a shower, and no matter how you slice them, New York apartments are thimble size. Let me spell this out—There is a wet, naked, hot woman in a ten-foot radius. Got it? Okay. Moving on.

That was before you guys turned up, the new hoodoo team. I knew this street samurai got a job working for a Special Forces type made the Wig look flat fucking normal. Her and this cowboy they’d scraped up out of Chiba, they were on to something like that. Maybe they found it. Istanbul was the last I saw of ’em. Heard she lived in London, once, a few years ago. Who the fuck knows?

I groaned,holding my stomach. "Easton Heights never covered this.Cue dramatic voice-over: 'On the next all-new episode: Halloween gone dangerously wrong. Carys consumes lethal amounts of sugar. Will she live to see Homecoming? And,more terrifying,Will anyone ask her now that she's gained three pounds?'" Arianna frowned as she pinned my wig into place. "No one made you eat an entire bag of Tootsie Rolls.

So I got my stuff and the girl at the register puts these other things in my bag, too. Little free samples: gum and a comb and a marker pen. So I says to her, 'Look, girlie, I got false teeth and I wear a wig.' So she fishes back in my bag and takes out the comb and the gum. Left the pen in there. Anyways, I went back to the van, even though I knew it was locked. Figured I'd just wait and have a smoke. You can't smoke in the van, see? So while I'm waiting there, minding my own business, this car pulls into the handicapped space right next to us--brand-new car, white and clean, and it's got this bumper sticker on it that says, 'Life Is a Shit Sandwich.' Isn't that stupid? So this guy gets out--good-lookin' fella, in his twenties. I say to him, 'Hey, handsome, tell me something.' He takes a look at my walker and gets all panicky. 'I'm just running in for two seconds,' he says. See, he thinks I'm going to yell at him for parking in a handicapped space, but I ain't. I don't give a rat's ass about that, you see. I'd rather walk the extra ten feet than be called handicapped. Where was I?' She amazed me. 'Life's a shit sandwich,' I said. 'Oh, yeah. Right. So that guy goes runnin' into the store and here's what I did. I fished that free pen out of the bag and marched right over there to that bumper of his. Got myself right down on the ground--and I wrote--just after the 'Life's a shit sandwich' part--I wrote, 'But only if you're a shithead.' 'Course, then I couldn't get myself back up again--had to yell over to a couple of kids at the phone booth to come pick me back up.

Such a creature—my, I’d love to know him!—   I’d call him Mr. Microcosm.   FAUST. What am I, then, if it can never be:   The realization of all human possibility,   That crown my soul so avidly reaches for?   MEPHISTO. In the end you are—just what you are.   Wear wigs high-piled with curls, oh millions,   Stick your legs in yard-high hessians,   You’re still you, the one you always were.   FAUST. I feel it now, how pointless my long grind 1840 To make mine all the treasures of man’s mind;   When I sit back and interrogate my soul,   No new powers answer to my call;   I’m not a hair’s breadth more in height,   A step nearer to the infinite.

And foe-of-convenience, the United States, barely the hope of the world, guilty of torture, helpless before its sacred text conceived in an age of powdered wigs, a constitution as unchallengeable as the Koran. Its nervous population obese, fearful, tormented by inarticulate anger, contemptuous of governance, murdering sleep with every new handgun. Africa

As it is not a settled question, you must clear your mind of the fancy with which we all begin as children, that the institutions under which we live, including our legal ways of distributing income and allowing people to own things, are natural, like the weather. They are not. Because they exist everywhere in our little world, we take it for granted that they have always existed and must always exist, and that they are self-acting. That is a dangerous mistake. They are in fact transient makeshifts; and many of them would not be obeyed, even by well-meaning people, if there were not a policeman within call and a prison within reach. They are being changed continually by Parliament, because we are never satisfied with them.... At the elections some candidates get votes by promising to make new laws or to get rid of old ones, and others by promising to keep things just as they are. This is impossible. Things will not stay as they are. Changes that nobody ever believed possible take place in a few generations. Children nowadays think that spending nine years in school, oldage and widows’ pensions, votes for women, and short-skirted ladies in Parliament or pleading in barristers’ wigs in the courts are part of the order of Nature, and always were and ever shall be; but their great-grandmothers would have set down anyone who told them that such things were coming as mad, and anyone who wanted them to come as wicked.

I don't know what's worse, being ignored or stared at.

And foe-of-convenience, the United States, barely the hope of the world, guilty of torture, helpless before its sacred text conceived in an age of powdered wigs, a constitution as unchallengeable as the Koran. Its nervous population obese, fearful, tormented by inarticulate anger, contemptuous of governance, murdering sleep with every new handgun.

Everything's temporary...until it's not.

…are you saving enough stuff to furnish a whole alternate universe in which a skinnier you uses that dusty abdominal crunch machine every morning before inserting all your photos into a new album and then dons the old wig you’ve been storing for a costume party you’re hosting at which everyone will be lounging in the extra chairs that have been languishing in your basement for the last six years?

Wine, wax-lights, comestibles, rouge, crinoline-petticoats, diamonds, wigs, Louis-Quatorze gimcracks, and old china, park hacks, and splendid high-stepping carriage horses⁠—all the delights of life, I say⁠—would go to the deuce, if people did but act upon their silly principles and avoid those whom they dislike and abuse. Whereas, by a little charity and mutual forbearance, things are made to go on pleasantly enough: we may abuse a man as much as we like, and call him the greatest rascal unhanged⁠—but do we wish to hang him therefore? No. We shake hands when we meet. If his cook is good we forgive him and go and dine with him, and we expect he will do the same by us. Thus trade flourishes⁠—civilization advances; peace is kept; new dresses are wanted for new assemblies every week; and the last year’s vintage of Lafitte will remunerate the honest proprietor who reared it.

If every person is to be banished from society who runs into debt and cannot pay—if we are to be peering into everybody's private life, speculating upon their income, and cutting them if we don't approve of their expenditure—why, what a howling wilderness and intolerable dwelling Vanity Fair would be! Every man's hand would be against his neighbor in this case, my dear sir, and the benefits of civilization would be done away with. We should be quarreling, abusing, avoiding one another. Our houses would become caverns, and we should go in rags because we cared for nobody. Rents would go down. Parties wouldn't be given any more. All the tradesmen of the town would be bankrupt. Wine, wax-lights, comestibles, rouge, crinoline-petticoats, diamonds, wigs, Louis-Quatorze gimcracks, and old china, park hacks, and splendid high-stepping carriage horses—all the delights of life, I say,—would go to the deuce, if people did but act upon their silly principles and avoid those whom they dislike and abuse. Whereas, by a little charity and mutual forbearance, things are made to go on pleasantly enough: we may abuse a man as much as we like, and call him the greatest rascal unhanged—but do we wish to hang him therefore? No. We shake hands when we meet. If his cook is good we forgive him and go and dine with him, and we expect he will do the same by us. Thus trade flourishes—civilization advances; peace is kept; new dresses are wanted for new assemblies every week; and the last year's vintage of Lafitte will remunerate the honest proprietor who reared it.

By noon they will all be at my new house in the Victor’s Village. The reporters, the camera crews, even Effie Trinket, my old escort, will have made their way to District 12 from the Capitol. I wonder if Effie will still be wearing that silly pink wig, or if she’ll be sporting some other unnatural color especially for the Victory Tour. There will be others waiting, too. A staff to cater to my every need on the long train trip. A prep team to beautify me for public appearances. My stylist and friend, Cinna, who designed the gorgeous outfits that first made the audience take notice of me in the Hunger Games.

Pico and Lorenzo and Poliziano and the young Michelangelo. They held in each hand the new world and the old world. The library hunted down the last four books of Cicero. They imported a giraffe, a rhinoceros, a dodo. Toscanelli drew maps of the world based on correspondence with merchants. They sat in this room with a bust of Plato and argued all night. And then came Savonarola’s cry out of the streets: “Repentance! The deluge is coming!“ And everything was swept away—free will, the desire to be elegant, fame, the right to worship Plato as well as Christ. Now came the bonfires—the burning of wigs, books, animal hides, maps.

I was at first unwilling to show my teacher my own work, but after I summoned the courage he was generous in his praise and astute in his criticism. Thus I learned a number of the professional artist's tricks: clever matters of line and shadow. He also spoke freely of the new styles of painting, the abandonment of high wigs and whalebone for flowing costumes, and that most excellent word, Truth. "Portraiture should not be confused with flattery," he said. "What is more ridiculous than a stout duchess tricked out in hoops, masquerading as a goddess? Use your excellent eye to record what you see, Mrs. Croxon. Painting is eighty parts looking to twenty parts moving one's brush.

Yes, I think a lot happened here. This fountain in the wall. Pico and Lorenzo and Poliziano and the young Michelangelo. They held in each hand the new world and the old world. The library hunted down the last four books of Cicero. They imported a giraffe, a rhinoceros, a dodo. Toscanelli drew maps of the world based on correspondence with merchants. They sat in this room with a bust of Plato and argued all night. And then came Savonarola's cry out of the streets: 'Repentance! The deluge is coming!' And everything was swept away – free will, the desire to be elegant, fame, the right to worship Plato as well as Christ. Now came the bonfires – the burning of wigs, books, animal hides, maps. More than four hundred years later they opened up the graves. Pico's bones were preserved. Poliziano's had crumbled into dust.

HYSTERICAL HISTORY Bumping into Vincent O’Neil makes me think about what Uncle Frankie said. I need new material for Boston, not Vincent’s stale and stinky fart jokes from The Big Book of Butt Bugles and Blampfs. So I keep my eyes open for new concepts to work out as I go to history class that afternoon. We’re supposed to give a presentation on our favorite president. I chose Millard Fillmore. Why? Because nobody else will. Plus, his name is funny. Who knows? Maybe I’ll get a whole bit out of him for Boston. I roll to the front of the class and prop a portrait of President Fillmore on the flip-chart easel. “Millard Fillmore was the thirteenth president of the United States. Born in January 1800, he was named after a duck. No, I’m sorry. That was his brother Mallard Fillmore. Millard Fillmore was the last member of the Whig Party to ever hold the office of president. Probably because they all wore wigs.

This would be the third year that she would try halfheartedly to keep her mother unaware that there even was a Fall Ball,let alone the theme. But there was no question that Mrs. Winslow would get the info somehow, probably within six hours of the announcement. It didn't matter that she was presently in the Caribbean. She was connected. By morning,she would be on the phone to someone in New York or Paris or Milan, finding the perfect costume for her daughter. The last one was a historically accurate replica of an eighteenth-century dress, appropraite to rural New York State gentility, no less. It had possessed a wig, corset, and padded butt. Sadie,itchy and unable to breathe, let alone eat or drink or shake her extended booty, had spent the four hours of the dance sitting in a dark corner.I,dressed in a high-necked, tattered, and "blood"-spattered white dress and veil (Bride of the Headless Horseman),sat with her.

the foot of the downhill Eighties lay the Hudson, as dense as mercury. On the points of radio towers in New Jersey red lights like small hearts beat or tingled. In midstreet, on the benches, old people: on faces, on heads, the strong marks of decay: the big legs of women and blotted eyes of men, sunken mouths and inky nostrils. It was the normal hour for bats swooping raggedly (Ludeyville), or pieces of paper (New York) to remind Herzog of bats. An escaped balloon was fleeing like a sperm, black and quick into the orange dust of the west. He crossed the street, making a detour to avoid a fog of grilled chicken and sausage. The crowd was traipsing over the broad sidewalk. Moses took a keen interest in the uptown public, its theatrical spirit, its performers—the transvestite homosexuals painted with great originality, the wigged women, the lesbians looking so male you had to wait for them to pass and see them from behind to determine their true sex, hair dyes of every shade.

You have criminals?” “Of course.” But the mere fact that Quin responded in this way caused Orolo to jump to a new leaf of the questionnaire. “How do you know?” “What?!” “You say of course there are criminals, but if you look at a particular person, how do you know whether or not he is a criminal? Are criminals branded? Tattooed? Locked up? Who decides who is and isn’t a criminal? Does a woman with shaved eyebrows say ‘you are a criminal’ and ring a silver bell? Or is it rather a man in a wig who strikes a block of wood with a hammer? Do you thrust the accused through a doughnut-shaped magnet? Or use a forked stick that twitches when it is brought near evil? Does an Emperor hand down the decision from his throne written in vermilion ink and sealed with black wax, or is it rather that the accused must walk barefoot across a griddle? Perhaps there is ubiquitous moving picture praxis—what you’d call speelycaptors—that know all, but their secrets may only be unlocked by a court of eunuchs each of whom has memorized part of a long number. Or perhaps a mob shows up and throws rocks at the suspect until he’s dead.

I touched my hairline. Maybe she was right. Maybe it had receded somewhat. Or was it my imagination? Something new to worry about. “What do you mean?” I asked. “How can I be careful?” “You can’t, I guess. There’s nothing you can do. There’s no way to prevent baldness. Guys who are going to go bald go bald. When their time comes, that’s it: they just go bald. There’s nothing you can do to stop it. They tell you you can keep from going bald with proper hair care, but that’s bullshit. Look at the bums who sleep in Shinjuku Station. They’ve all got great heads of hair. You think they’re washing it every day with Clinique or Vidal Sassoon or rubbing Lotion X into it? That’s what the cosmetics makers will tell you, to get your money.” “I’m sure you’re right,” I said, impressed. “But how do you know so much about baldness?” “I’ve been working part time for a wig company. Quite a while now. You know I don’t go to school, and I’ve got all this time to kill. I’ve been doing surveys and questionnaires, that kind of stuff. So I know all about men losing their hair. I’m just loaded with information.” “Gee,” I said. “But you know,” she said, dropping her cigarette butt on the ground and stepping on it, “in the company I work for, they won’t let you say anybody’s ‘bald.’ You have to say ‘men with a thinning problem.’ ‘Bald’ is discriminatory language. I was joking around once and suggested ‘gentlemen who are follically challenged,’ and boy, did they get mad! ‘This is no laughing matter, young lady,’ they said. They’re so damned seeerious. Did you know that? Everybody in the whole damned world is so damned serious.

At a thirty-foot distance she was a very attractive, ripe-bodied young girl. At close range the coarseness, and the sleaziness of the materials used in construction were all too evident. Her tanned hide had a coarse and grainy look. Her crinkle of putty-colored hair looked lifeless as a Dynel wig. The strictures of the bottom half of the bikini cut into the belly-softness of too many beers and shakes, hamburger rolls and french fries. The meat of her thighs had a sedentary looseness. Her throat and her ankles and the underside of her wrists were faintly shadowed with grime. There was a coppery stubble in her armpits, and a bristle of unshaven hair on her legs, cracked red enamel on her toenails. The breast band of the bikini was just enough askew to reveal a brown new-moon segment of the nipple of her right breast.

SWEETEST IN THE GALE by Michelle Valois After Emily Dickinson You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me. Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier. Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.

What happens when the mediators lose their legitimacy—when the shared stories that hold us together are depleted of their binding force? That’s easy to answer. Look around: we happen. The mirror in which we used to find ourselves faithfully reflected in the world has shattered. The great narratives are fracturing into shards. What passes for authority is devolving to the political war-band and the online mob—that is, to the shock troops of populism, left and right. Deprived of a legitimate authority to interpret events and settle factual disputes, we fly apart from each other—or rather, we flee into our own heads, into a subjectivized existence. We assume ornate and exotic identities, and bear them in the manner of those enormous wigs once worn at Versailles. Here, I believe, is the source of that feeling of unreality or post-truth so prevalent today. Having lost faith in authority, the public has migrated to the broken pieces of the old narratives and explanations: shards of reality that deny the truth of all the others and often find them incomprehensible.

She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?

It's in a can. It's good forever.

...but freedom is scary.

I think we should wean Grandma.

What if my boobs decide to grow WHILE I'm at school?

Just think of them as your little pets.

Tomorrow would be a new day filled with uncertainty and very possibly danger, but right now all was right with my world. “Come on, baby. Let’s go home,” Hank said. “Will you guys be okay?” I asked my granny and BFF. “Oh, hell yeah. We’re gonna play Twister and then try on wigs and girdles,” Granny informed us. Hank seemed confused, so I pushed him out the door before he asked questions he didn’t want the answers to. “That visual was disturbing,

Making her debut in 1947, Black Canary was the archetype of the new Film Noir era heroine. Originally, Black Canary was a mysterious female vigilante, who played the role of criminal in order to infiltrate the underworld and bring its gangsters to justice. A gorgeous blonde in a low cut black swimsuit, bolero jacket and fishnet tights, Black Canary was actually Dinah Drake, a florist who wore her black hair tied in a bun, and sensible, high-necked blouses. When trouble brewed, Dinah slipped into her fishnets and pinned on a blonde wig to become the gutsy, karate chopping Black Canary. But Dinah had another incentive to lead a secret life. A roguishly handsome private detective named Larry Lance became a frequent customer in Dinah’s florist shop. He had a knack for getting into trouble, and Dinah would usually end up switching into her Black Canary guise to rescue him.

The Drag Queen Dies in New Castle Returning home at twenty-nine, you made a bed your throne, your brothers carrying you from room to room, each one in turn holding the glass to your lips, though you were the oldest of the brood. Buried by the barn, you vanished, but the church women bought your wigs for the Christmas pageant that year, your blouses sewn into a quilt under which two newlyweds lay, skin to skin as if they carried some sense of your undressing. Skirts swayed where sheep grazed the plow and the farmer reached between legs to pull out the calf, fluid gushing to his feet. On lines across town, dresses flapped empty over mulch while you kept putting on your show, bones undressing like it's never over, throwing off your last great shift where a fox snake sank its teeth into a corn toad's back, the whole field flush with clover.

perhaps she should get a dreadlock wig in keeping with her new identity, become one of those Rastafarians and sell drugs

it began to be noted that the Wig had gone over the edge. Specifically, the Finn said, the Wig had become convinced that God lived in cyberspace, or perhaps that cyberspace was God, or some new manifestation of same. The Wig’s ventures into theology tended to be marked by major paradigm shifts, true leaps of faith.

Jane passed by the library. There in a corner sat Inflexibility. He raised his eyes when he heard her footfalls. “Oh,” said Jane, antsy with embarrassment. “Good morning, Mr. Nobley.” “You weren’t at breakfast,” he said. “I’m off.” She indicated her bonnet and spencer jacket. “Just saying good-bye to the house. It’s a lovely old house.” “New, actually. Built in 1809.” “Right.” His insistence on maintaining the charade chafed her. She had a surging and ridiculous desire to plop down beside him and shake him and make him talk to her like a real person. “Well, since I ran into you, I can thank you in person for a great vacation. I feel sort of sheepish that it didn’t turn out differently.” Mr. Nobley shrugged, and she was surprised to detect anger in his eyes. Still playing the jilted man? Or had she wounded his actor’s ego? Maybe he was denied a paycheck bonus for not getting engaged. “It has been a pleasure to have you here, Miss Erstwhile. I might miss you, actually.” “Really?” “It is possible.” “Hey, I’ve been wondering something…What is Mr. Nobley’s first name?” “William. You know, you are the first person to ask.” Any further awkwardness was cut off by the sound of an approaching carriage. Jane stepped out the front door for the last time, and she and Amelia, gratefully and mournfully, took their leave. Aunt Saffronia stood by the door, waving her handkerchief and shedding rather impressive tears. Colonel Andrews strolled out to wave good-bye with the stately line of house servants in their white caps and white wigs. Captain East smiled knowingly, his eyes earnest with whatever fake promises he and Amelia had made. Mr. Nobley didn’t bother to join the farewell.

Whether your WIG comes from within the whirlwind or outside it, your real aim is not only to achieve it, but also to then make the new level of performance a natural part of your team’s operation.

Chap in the cagoule.” “What’s a cagoule?” “Eleven? Do I hear eleven? Big fat man with the shameless wig? No? Still with the chap in the lightweight, knee-length anorak of French origin, very popular with bearded prannies who wear ethnic shoes, get off on Olde English folk music and have girlfriends called Ros who run encounter groups where you can find your true self and be at one with the cosmos. Eleven still with you, sir.” “Well!” said the chap in the cagoule. “I don’t know if I want it now.” “Oh go on,” said Ros, his girlfriend. “Twelve,” said a new voice.

She was bony, with firm, stringy muscles, and had no business wearing a tank top. Her Bellevue eyes complemented the wild salt-and-pepper hair that was straight out of a fright-wig catalog, or perhaps one of Darwin’s early sketchbooks. She appeared to be in her late fifties and was a quintessential New York loon—one of those classic Upper West Side ladies who smiled too much, had intergalactic notions about the existence of man, yet fiercely observed the High Holidays.

She's been scouted by Ford and Elite- real New York agencies. Micah, the agent for Elite- a tall black guy in silver eyeliner- said that Felice was "heart-stopping." Everyone says that Felice looks like Elizabeth Taylor- all pleased with themselves, as if she were hearing this for the first time. It used to bug Felice: she pictured that squat, henlike woman in her wig and jewels, holding hands with Michael Jackson. But one day, Duffy brought over an old movie magazine while Felice and Berry lounged at their cafe table. He opened it and jabbed at the photo. "There. Look. You kids really are morons. You really don't know anything, do you? 'That's' Elizabeth Taylor." Berry craned over the page. "Wow, you really kind of do. Look at her. You guys could be related." A little nearsighted, Felice held the magazine closer, startled to see the resemblance- the straight brow bone, glimmering eyes, the fine jaw; only Felice's straight hair was self-hacked below the shoulders and Liz's hair was a sable bob, thick as a paintbrush. She finally realized what a compliment this comparison was.

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The eighteenth century is famously the age of wigs and salons, of wits and philosophes, of experimental science and the first turning of the wheels of the Industrial Revolution—and the transatlantic slave trade. In England, the era dubbed itself the Augustan Age. On the other side of Europe, Immanuel Kant coined another term: the Age of Enlightenment. They might just as well have called it the Age of Locke. No thinker since Socrates dominated the minds of his immediate successors as John Locke did. His ideas were the flammable fuel of the Enlightenment, and sent it soaring to new intellectual heights.

I’d have to transfer to a new school and wear a weird DISGUISE, like maybe a cheap wig and fake mustache, to hide my true identity. Then I’d be even LESS popular than

By the next morning, however, I’m feeling almost as good as new, if a little tired, when who should knock at my door but Joe Tanaka himself! “Hi-ro-miii!” Yuki screams, though I’m only behind my curtain. “It’s for you-uuu!” Flustered, I tighten my wig band over my hair and pull on my blond curls, peeking frantically at my hand mirror to ensure that none of my black hair shows. “Hiromi!” “For the last time, it’s Bette now!

First of all,” Doran told me, “that red Escalade was a new model 2007, worth at least $55,000, and had been paid for in cash. Second of all, they found at least $54,000 in bills in the vehicle, and more envelopes with more letters and cash from his followers. There was also a police scanner, fifteen cell phones plus walkie-talkies, laptop computers, credit cards, and keys to several other luxury vehicles with them. They had wigs and sunglasses and all kinds of accessories to keep them unrecognizable.

I must not forget to say, while I think of it, that your new false teeth are done, my dear, and your wig. Keep your head well bundled with a shawl till the latter comes, and so cheat your persecuting neuralgias and rheumatisms.

Living anonymously in a new city and wearing wigs and sunglasses most of the time, I felt as if I were in a witness protection program, hiding out from the cancer that had tried to kill me.

The shanties of indigent newcomers to the place were scattered on one side of the crossroads, and on the other side, beyond the shops, were two stinking shebeens where drunken men squatted on the dirt floor, drooling over their home-brewed beer, while a haggard woman ladled more of it into tin cans from a plastic barrel. Outside under a tree, a man in rags, either drunk or exhausted, lay in a posture of crucifixion. Nearby were seven stalls made of rough planks. Two sold used clothes, and one sold new clothes. One offered vegetables, another milky tea and stale bread rolls for the schoolchildren. In a butcher’s shack the stallholder hacked with a machete at the black, flyblown leg of a goat. The last and most salubrious stall, labeled Real Hair, sold wigs and foot-long hair extensions. Near the shops was a shade tree under which a dozen women and about ten children sat in a friendly chatting group, some of them pounding ostrich shells into small discs, while others, using homemade tools, drilled holes in the middle, and still others threaded the punctured discs into bracelets and necklaces to sell to tourists.

How did you know it was me?” she asked. “I didn’t. But I heard one of the other girls chatting about how the new courtesan had taught her to read Michel de Montaigne. I knew there was almost no chance, but I asked her to identify you. Even then, I had to get close before I realized it was truly my starling.” He stroked her wig and then his hand dropped to her waist. “You look like you haven’t eaten in days. You should come stay with me, let me take care of you. We could run away together.” Cass imagined it. Her and Falco, together, in some other country. Far away from the Order. She could take the crate of gold and jewels from Villa Querini. Falco could earn money as an artist. Her obligation to Luca was a moral one, not a legal one. It wasn’t an impossible dream anymore. She and Falco could be together if they truly desired. It would be…easy.

One thing more makes these men and women from the age of wigs, swords, and stagecoaches seem surprisingly contemporary. This small group of people not only helped to end one of the worst of human injustices in the most powerful empire of its time; they also forged virtually every important tool used by citizens’ movements in democratic countries today. Think of what you’re likely to find in your mailbox—or electronic mailbox—over a month or two. An invitation to join the local chapter of a national environmental group. If you say yes, a logo to put on your car bumper. A flier asking you to boycott California grapes or Guatemalan coffee. A poster to put in your window promoting this campaign. A notice that a prominent social activist will be reading from her new book at your local bookstore. A plea that you write your representative in Congress or Parliament, to vote for that Guatemalan coffee boycott bill. A “report card” on how your legislators have voted on these and similar issues. A newsletter from the group organizing support for the grape pickers or the coffee workers. Each of these tools, from the poster to the political book tour, from the consumer boycott to investigative reporting designed to stir people to action, is part of what we take for granted in a democracy. Two and a half centuries ago, few people assumed this. When we wield any of these tools today, we are using techniques devised or perfected by the campaign that held its first meeting at 2 George Yard in 1787. From their successful crusade we still have much to learn. If, early that year, you had stood on a London street corner and insisted that slavery was morally wrong and should be stopped, nine out of ten listeners would have laughed you off as a crackpot. The tenth might have agreed with you in principle, but assured you that ending slavery was wildly impractical: the British Empire’s economy would collapse. The parliamentarian Edmund Burke, for example, opposed slavery but thought that the prospect of ending even just the Atlantic slave trade was “chimerical.” Within a few short years, however, the issue of slavery had moved to center stage in British political life. There was an abolition committee in every major city or town in touch with a central committee in London. More than 300,000 Britons were refusing to eat slave-grown sugar. Parliament was flooded with far more signatures on abolition petitions than it had ever received on any other subject. And in 1792, the House of Commons passed the first law banning the slave trade. For reasons we will see, a ban did not take effect for some years to come, and British slaves were not finally freed until long after that. But there was no mistaking something crucial: in an astonishingly short period of time, public opinion in Europe’s most powerful nation had undergone a sea change. From this unexpected transformation there would be no going back.

We have a wig," Les said, "two broaches, two scarves, two shirts and a ticking time-bomb in my head. So we're going to focus on the purely visual aspects of the art.

Yet by the early years of the new century the New York/Newport social set was growing tired of Mrs. Astor’s stiffly elegant gatherings. When a stroke diminished her faculties in 1905, Caroline Astor became a recluse, inspiring a depiction in the Edith Wharton story “After Holbein” in which “the poor old lady who was gently dying of softening of the brain … still came down every evening to her great shrouded drawing-rooms with her tiara askew on her purple wig, to receive a stream of imaginary guests.” The death of the Mrs. Astor in 1908 marked the end of an era in New York society, but it also provided an opportunity for her son and his wife to end their moribund union.

In 1958, Kaufman accompanied her husband Lewis Rosenstiel to a “party” hosted by Cohn at the Plaza Hotel in New York. Kaufman recalled entering through a side entrance and taking an elevator to the 2nd or 3rd floor; her husband knew the way well enough that she “had the impression [he] had been there before.” The suite was one of the largest available at the hotel and it was “all done in light blue.” Inside the suite were Cohn and another figure closely associated with both Cohn and Rosenstiel: FBI Director J. Edgar Hoover. To Kaufman’s surprise, Hoover was wearing women’s clothes and wig, with Cohn introducing him as “Mary” in a bout of barely concealed laughter. “Mary” was also incidentally the nickname widely used among New York Catholic clergy for Cardinal Spellman, who was also alleged to attend other parties hosted by Cohn in the Plaza’s “blue suite.”47