New Rims Quotes

Chapter 1. He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.' Uh, no let me start this over. 'Chapter 1. He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'. Ah, corny, too corny for my taste. Can we ... can we try and make it more profound? 'Chapter 1. He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...' No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here. 'Chapter 1. He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...' Too angry, I don't want to be angry. 'Chapter 1. He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.' I love this. 'New York was his town, and it always would be.

Tomorrow is not a promise. Tomorrow is a second chance.

it’s just that i am not afraid of blood which is also part of being a girl. but being the only girl means making yourself lose when you’ve won too much so i bounce the coin off the rim of the shot glass and let johnny slice me open.

I held out the rune for Hearthstone. ‘I know what it feels like to be an empty cup, to have everything taken away from you. But you’re not alone. However much magic you need to use, it’s okay. We’ve got you. We’re your family.’ Hearth’s eyes rimmed with green water. He signed to us, and this time I think he actually meant I love you and not the giantesses are drunk. He took the rune and set it between the prongs of his new staff. The stone snapped into place the same way my pendant did on its chain. The symbol perthro glowed with a gentle gold light. My sign, he announced. My family’s sign. Blitzen sniffled. ‘I like that. A family of four empty cups!’ Sam wiped her eyes. ‘Suddenly I feel thirsty.’ ‘Al-Abbas,’ I said, ‘I nominate you for the role of annoying sister.’ ‘Shut up, Magnus.

The morning is in itself a miracle, the chance to be able to live life - is the greatest gift we have. The morning is a reminder of that, every day.

I can dig my claws into the rim of a building's crown and spread my arms and feel the buffets and gouts of boisterous air and I can close my eyes and remember, for a moment, what it is to fly.

My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?

...gripping the rim of the sink you claw your way to stand and cling there, quaking with will, on heron legs, and still the hot muck pours out of you. (p. 27)

The greatest of all capabilities of a human being is to become born again.

Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.

I hurried out of the lobby and turned the corner into the English hall, so I didn’t see the guy in front of me until it was too late. “Oh!” I exclaimed as we bumped shoulders. “Sorry!” Then I realized who I’d bumped into, and I immediately regretted my apologetic tone. If I’d known it was David Stark, I would have tried to hit him harder, or maybe stepped on his foot with the spiky heel of my new shoes for good measure. I did my best to smile at him, though, even as I realized my stomach was jumping all over the place. He must have scared me more than I’d thought. David scowled at me over the rims of his ridiculous hipster glasses, the kind with the thick black rims. I hate those. I mean, it’s the 21st century. There are fashionable options for eyewear. “Watch where you’re going,” he said. Then his lips twisted in a smirk. “Or could you not see through all that mascara?” I would’ve loved nothing more than the tell him to kiss my ass, but one of the responsibilities of being a student leader at The Grove is being polite to everyone, even if he is a douchebag who wrote not one, but three incredibly unflattering articles in the school paper about what a crap job you’re doing as SGA president. And you especially needed to be polite to said douchebag when he happened to be the nephew of Saylor Stark, President of the Pine Grove Junior League, head of the Pine Grove Betterment Society, Chairwoman of the Grove Academy School Board, and, most importantly, Founder and Organizer of Pine Grove’s Annual Cotillion. So I forced myself to smile even bigger at David and said, “Nope, just in a hurry. Are you, uh… are you here for the dance?” He snorted. “Um, no. I’d rather slam my testicles in a locker door. I have some work to do on the paper.

I held my fingers out to the new day. I that virgin light -- bold strands of pink and orange breaking over the rim of the horizon -- I saw hope, and I wrapped my fingers around that light and brought it to my heart.

Seeing your child for the first time is rarest of occasions. You see glimpses of yourself from the past. The potential of a brand new life happening right before your eyes. And most importantly, that life begins again.

Advertisements on YouTube are the new infomercials.

One day I realized a new found superpower was bestowed upon me. I could walk straight on sidewalks.

It is true that you can't choose your family, but you can choose your friends. It is also true that you can choose your partner and in doing so, you end up choosing the family you've always wanted.

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

ROMEO: I love you. RIMMEL: Romeo... ROMEO: I love your glasses, your clumsiness, your wild hair, even the way you snort when you laugh. (He smiled) I love you in spite of yourself, Rim. Can't you love me in spite of myself?

I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door. Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers. 'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome. 'Husband at home?' I croaked, fist in pocket. I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.

The tyrant Palpatine is dead. But the fight isn’t over. The war goes on even as the Empire’s power diminishes. But we are here for you. Know that wherever you are, no matter how far out into the Outer Rim you dwell, the New Republic is coming to help. Already we’ve captured dozens of Imperial capital ships and Destroyers—

And then, to the sound of death, the sound of the jets cutting the sky in two black pieces beyond the horizon, he would lie in the loft, hidden and safe, watching those strange new stars over the rim of the earth, fleeing from the soft color of dawn.

Did you, like, google me or something?” She frowned. “I don’t know that word.” “You looked me up,” he said. “Almost like you had some interest in me.” She wrinkled her nose. “I have an interest in not making you a new set of clothes every other day. I have an interest in you not smelling so bad and walking around my island in smouldering rags.” “Oh, yeah.” Leo grinned. “You’re really warming up to me.” Her face got even redder. “You are the most insufferable person I have ever met! I was only returning a favour. You fixed my fountain.” “That?” Leo laughed. The problem had been so simple he’d almost forgotten about it. One of the bronze satyrs had been turned sideways and the water pressure was off, so it started making an annoying ticking sound, jiggling up and down and spewing water over the rim of the pool. He’d pulled out a couple of tools and fixed it in about two minutes. “That was no big deal. I don’t like it when things don’t work right.” “And the curtains across the cave entrance?” “The rod wasn’t level.” “And my gardening tools?” “Look, I just sharpened the shears. Cutting vines with a dull blade is dangerous. And the pruners needed to be oiled at the hinge, and—” “Oh, yeah,” Calypso said, in a pretty good imitation of his voice. “You’re really warming up to me.

The librarian is a caricature of librarian - short white hair, horn-rimmed glasses, a bosom you could hide Christmas presents under and a New England-tight-ass face that looks like she hasn's taken a shit since her family came over on the Mayflower.

I cleaned the shit off my pink high-tops and drove home, stopping for an espresso at the coffeehouse across from the college. Men and women were hunched over copies of Jean Paul Sartre and writing in their journals. Most wore the thin-rimmed tortoiseshell glasses favored by intellectuals. Their clothes were faded to a precisely fashionable degree; you can buy them that way from catalogs now, new clothes processed to look old. The intellectuals looked at me in my overalls the way such people inevitably look at farmers. I dumped a lot of sugar in my espresso and sipped it delicately at a corner table near the door. I looked at them the way farmers look at intellectuals.

You ease a record from its cover. It's years since you've held one but you do this without thinking. Slide your fingers inside the sleeve, careful not to touch the vinyl. Draw it out. Hear the rustle of paper. Balance it in the span of your palm, the outer rim on your thumb, the label on the tip of your middle finger. As it brushes your wrist, feel the soft static kiss of it. Smooth as liquorice and twice as shiny. Light spills over it like water. Breathe in the new smell.

Inside the house there was no sound save the ticking of the mantel clock in the front room. He went out and shut the door. "Dark and cold and no wind and a thin gray reef beginning along the eastern rim of the world. He walked out on the prairie and stood holding his hat like some supplicant to the darkness over them all and he stood there for a long time. "As he turned to go he heard the train. He stopped and waited for it. He could feel it under his feet. It came boring out of the east like some ribald satellite of the coming sun howling and bellowing in the distance and the long light of the headlamp running through the tangled mesquite brakes and creating out of the night the endless fenceline down the dead straight right of way and sucking it back again wire and post mile on mile into the darkness after where the boilersmoke disbanded slowly along the faint new horizon and the sound came lagging and he stood still holding his hat in his hands in the passing ground-shudder watching it till it was gone. Then he turned and went back to the house.

In Antartica, The Wright and half a dozen other valleys in the Central Transantarctic Mountains are collectively referred to as the dry valleys. It has not rained here in two million years. No animal abides, no plant grows. A persistent, sometimes ferocious wind has stripped the country to stone and gravel, to streamers of sand. The huge valleys stand stark as empty fjords. You look in vain for any conventional sign of human history- the vestige of a protective wall, a bit of charcoal, a discarded arrowhead. Nothing. There is no history, until you bore into the layers of rock or until the balls of your fingertips run the rim of a partially exposed fossil. At the height of the austral summer, in December, you smell nothing but the sunbeaten stone. In a silence dense as water, your eye picks up no movement but the sloughing of sand, seeking its angle of repose. On the flight in from New Zealand it had occurred to me, from what I had read and heard, that Antarctica retained Earth’s primitive link, however tenuous, with space, with the void that stretched out to Jupiter and Uranus. At the seabird rookeries of the Canadian Arctic or on the grasslands of the Serengeti, you can feel the vitality of the original creation; in the dry valleys you sense sharply what came before. The Archeozoic is like fresh spoor here.

CUP AND OCEAN These forms we seem to be are cups floating in an ocean of living consciousness. They fill and sink without leaving an arc of bubbles or any good-bye spray. What we are is that ocean, too near to see, though we swim in it and drink it in. Don't be a cup with a dry rim, or someone who rides all night and never knows the horse beneath his thighs, the surging that carries him along.

When I closed the door Grandmother was already seated at her spinning wheel. Her foot was on the treadle but her eyes were thoughtfully on me. The spinner was beautifully carved of dark oak with leaves twining their way round and round the outer rim. It must have been very old, as the designs were too fanciful to have been made i the new England. She called to me and asked me if I could spin. I told her yes, well enough, but that I could sew better, which was a statement only half true. A camp surgeon would have a better hand with a cleaver to a limb than I with a needle on the cloth. She spun the wool through knotted fingers glistening with sheep's oil and wrapped the threads neatly around the bobbin. Gently probing, she teased out the story of our days in Billerica just as she teased out the fine thread from the mix and jumble of the coarse wool in her hands.

It was a gringo; in the remote corners of the world the short-sleeved flowered tourist shirt, the steel-rimmed glasses, khaki pants and bulldog shoes had become the uniform of earnest American enterprise. Moon recognized the man as the new missionary. His head was cropped too close, so that his white skull gleamed, and the red skin of his neck and jaw was riddled with old acne; his face was bald with anxiety and tiresome small agonies.

The light grew stronger, gushing up against the dark sap-hire of the transparent night. The light grew stronger, whiter, then over it hovered a flush of rose. A flush of rose, and then yellow, pale, new-created yellow, the whole quivering and poising momentarily over the fountain on the sky’s rim. The rose hovered and quivered, burned, fused to flame, to a transient red, while the yellow urged out in great waves, thrown from the ever-increasing fountain, great waves of yellow flinging into the sky, scattering its spray over the darkness, which became bluer and bluer, paler, till soon it would itself be a radiance, which had been darkness. The sun was coming.

Each in His Own Tongue A fire mist and a planet, A crystal and a cell, A jellyfish and a saurian, And caves where the cave men dwell; Then a sense of law and beauty, And a face turned from the clod — Some call it Evolution, And others call it God. A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod — Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod — Some of us call it Longing, And others call it God. A picket frozen on duty, A mother starved for her brood, Socrates drinking the hemlock, And Jesus on the rood; And millions who, humble and nameless, The straight, hard pathway plod — Some call it Consecration, And others call it God.

A Witness to Creation If you could have that one day back, the one that you have kept a secret in your soul, what day would it be? What? One among the many? Well, let me make you this offering: It would be the day on which I stood on the rim of Monument Valley and beheld those ineffable monoliths for the first time. I was young, you see, like a fledgling who leaves the nest and flies out over the earth. I saw beyond time, into timelessness. It was the first and holiest of all days. On such a day— on that original day—did the First Man behold the First World. It filled him with wonder and humility. Then and there, looking for one enchanted moment into eternity, I was the First Man. I was present at Creationl

And then, to the sound of death, the sound of the jets cutting the sky into two black pieces beyond the horizon, he would lie in the loft, hidden and safe, watching those strange new stars over the rim of the earth, fleeing from the soft colour of dawn.

You may be a serious writer if …. 10. your hard drive is littered with random notes and story ideas … but not nearly as littered as your head. 9. you keep pen and paper next to your bed. And in the glove compartment. And in your gym bag. Also on the rim of the bathtub. 8. a day without Roget’s Thesaurus is a day without sunshine. 7. your emotional landscape includes creativity, confidence, elation, frustration, and the occasional neurosis. 6. you’ve ever had to clean peanut butter and bread crumbs off your keyboard, because the work was going well, and you didn’t want to stop for lunch. 5. grammar and punctuation turn you on. 4. your interest in a new acquaintance is directly proportionate to his/her potential as a secondary character. 3. you’ve worn the white e, r, s, and t clean off your keyboard. 2. the search history on your web browser would raise red flags with the FBI, CIA, DEA, and mental health professionals everywhere. 1. you have stories to tell, and you just. Keep. Telling. Them.

I held out the rune for Hearthstone. ‘I know what it feels like to be an empty cup, to have everything taken away from you. But you’re not alone. However much magic you need to use, it’s okay. We’ve got you. We’re your family.’ Hearth’s eyes rimmed with green water. He signed to us, and this time I think he actually meant 'I love you' and not 'the giantesses are drunk.' He took the rune and set it between the prongs of his new staff. The stone snapped into place the same way my pendant did on its chain. The symbol

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

He can't take it all in, dazed from early death. But their looking flashes an owl from behind the rim of the crown. And brushing downwards slowly along the great cheek, the one of ripest roundness, the bird limns into the dead youth's new hearing, across a double open page, the indescribable contour. And, higher, the stars.

The Father and his Troubadour sat down Upon the outer rim of space. "And here, My Singer," said Earthmaker, "is the crown Of all my endless skies-the green, brown sphere Of all my hopes." He reached and took the round New planet down, and held it to his ear. "They're crying, Troubadour," he said. "They cry So hopelessly." He gave the little ball Unto his Son, who also held it by His ear. "Year after weary year they all Keep crying. They seem born to weep then die. Our new man taught them crying in the Fall. "It is a peaceless globe. Some are sincere In desperate desire to see her freed Of her absurdity. But war is here. Men die in conflict, bathed in blood and greed." Then with his nail he scraped the atmosphere And both of them beheld the planet bleed. Earthmaker set earth spinning on its way And said, "Give me your vast infinity My son; I'll wrap it in a bit of clay. Then enter Terra microscopically To love the little souls who weep away Their lives." "I will," I said, "set Terra free." And then I fell asleep and all awareness fled. I felt my very being shrinking down. My vastness ebbed away. In dwindling dread, All size decayed. The universe around Drew back. I woke upon a tiny bed Of straw in one of Terra's smaller towns. And now the great reduction has begun: Earthmaker and his Troubadour are one. And here's the new redeeming melody--The only song that can set Terra free. The

She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.

We had pale yellow tile in our bathroom rimmed with thin tiles of white. I’d dumped Tack’s old, mismatched towels and added new, thick emerald green ones. They were hanging on the towel rack. My eyes moved. My moisturizer and toner bottles were the deep hued color of moss. My toothbrush was bright pink, Tack’s was electric blue. There was a little bowl by the tap where I tossed my jewelry when I was washing my hands or preparing for bed. It was ceramic painted in glossy sunshine yellow and grass green. My eyes went to the mirror. My undies were cherry red lace. I grinned at myself in the mirror. I lived in color, every day, and my life was vibrant. I rubbed in moisturizer hoping our baby got his or her Dad’s sapphire blue eyes. But I’d settle if they were my green.

there was my eclipse beginning! The life went boiling through my veins; I was a new man! The rim of black spread slowly into the sun’s disk, my heart beat higher and higher, and still the assemblage and the priest stared into the sky, motionless. I knew that this gaze would be turned upon me, next. When it was, I was ready. I was in one of the most grand attitudes I ever struck, with my arm stretched up pointing to the sun.

For lo! the New-moon winter-bright! And overspread with phantom light, (With swimming phantom light o'erspread But rimmed and circled by a silver thread) I see the old Moon in her lap, foretelling The coming-on of rain and squally blast. And oh! that even now the gust were swelling, And the slant night-shower driving loud and fast! Those sounds which oft have raised me, whilst they awed, And sent my soul abroad, Might now perhaps their wonted impulse give, Might startle this dull pain, and make it move and live!

RIM shipped PlayBooks to major retail clients, such as Best Buy, which had preserved premium display space for the new product. Unfortunately, RIM had neglected to create a demo program to showcase and explain its latest product. With no helpful presentation on the screen of the device, shoppers were left to rummage around PlayBook programs on their own. Countless PlayBooks were immobilized after customers armed the devices with passwords, which the sales staff couldn’t unlock. “This happened hundreds of times,” says McDowell.

A clear example is the wheel, which is first attested around 3400 B.C. near the Black Sea, and then turns up within the next few centuries over much of Europe and Asia. All those early Old World wheels are of a peculiar design: a solid wooden circle constructed of three planks fastened together, rather than a rim with spokes. In contrast, the sole wheels of Native American societies (depicted on Mexican ceramic vessels) consisted of a single piece, suggesting a second independent invention of the wheel—as one would expect from other evidence for the isolation of New World from Old World civilizations

Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?” “I do.” She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?” I roll my eyes. “You do realize that’s the same song, don’t you?” Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud. “Oh my God, I’m an imbecile!” “You shouldn’t be so hard on yourself, but if you say so.” She narrows her eyes. “Bully.” Then she sticks out her tongue. Big mistake. Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard. Painfully, achingly hard. Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water. “Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?” “You sound doubtful.” She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.” I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.” Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.” And I laugh hard—almost as hard as my cock is. “Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.” “Wait till you get to know me—I’m definitely one of a kind.” The funny thing is, I’m starting to think that’s absolutely true. I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.” “Umm . . . Ed Sheeran.” I shake my head. “All the girls love Ed Sheeran.” “He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.” “Women everywhere already adore me.” “If you were a ginger prince, there’d be more.” “All right, hush now smartarse-bottum. And listen.” Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.

Jeremy fixed her with a dark look, full of reproach. A hot blush singed the tips of her opal-adorned ears. For a moment, Lucy felt as though she were sitting in the breakfast room wearing only her nightgown—or less. But if he meant to shame her, he would be sorely disappointed. Her lips tingled, and she slowly wet them with her tongue before flashing him a bold grin. He quickly looked away. Oh, what fun it was to vex him. He made it so easy to do. Hunting and fishing were all welland good, but truly, Jemmy-baiting had always been her favorite autumn sport. Lucy viewedhis staid countenance as an unending challenge. A smooth, thick-shelled egg that begged to be cracked. Any rearrangement of his features constituted a victory, be it a wince, a scowl, or that rarest of expressions—a smile. A smile that showed teeth counted double.Last night had shown her an entirely new way to bedevil Jeremy Trescott. Not with girlish pranks, but with womanly wiles. Oh, yes. She ‟ d cracked the egg last night, but good. Hisexpression of befuddled desire was far more amusing than a wince or a scowl, or even asmile that showed teeth. That last kiss had to count at least ten.She lifted her cup of chocolate to her lips. Closing her eyes, she pressed her tongue againstthe cool china rim, remembering the power of a proper kiss. Drinking in the hot, sweetrichness, feeling delicious warmth spread down her throat and pool in her belly. And lower.She sighed into the cup. If Jeremy ‟ s kiss could rival chocolate, Lucy shivered to imaginehow it would be to kiss—

I’m so stressed that a weird Olympic-style commentary starts up in my head. And here we have Zelah Green, the fourteen-year-old champion of rituals, attempting the afternoon toilet-touching event for the first time … I take my first faltering step towards the rim. And she’s approaching the target, booms the voice. Steady approach, good footwork … My right hand, naked and trembling, is now hovering over the inside of the toilet. Will she set a new world record? screams the voice. Will Zelah Green take the gold medal for bravery and/or total stupidity? ‘I’m going in!’ I say. I skim the curved cool surface of the bowl with the fingertips of my right hand and jump back as if I’ve been electrified. And she’s done it! shrieks the commentator. Zelah Green wins the gold medal for toilet touching!

The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.

Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.

here is one other element of the apocalyptic tradition to be considered, namely transition. I said a minute ago that one of the assumptions prevalent in sophisticated apocalyptism was what Yeats called 'antithetical multiform influx'--the forms assumed by the inrushing gyre as the old one reaches its term. The dialectic of Yeats's gyres is simple enough in essence; they are a figure for the co-existence of the past and future at the time of transition. The old narrows to its apex, the new broadens towards its base, and the old and new interpenetrate. Where apex and base come together you have an age of very rapid transition. Actually, on Yeats's view of the historical cycle, there were transient moments of perfection, or what he called Unity of Being; but there was no way of making these permanent, and his philosophy of history is throughout transitional. In this he is not, of course, original; but his emphasis on the traditional character of our own pre-apocalyptic moment, in contrast with those exquisite points of time when life was like the water brimming beautifully but unstably over the rim of a fountain, seems, for all the privacy of the expression, characteristically modern. It is commonplace that our times do in fact suffer a more rapid rate of change technologically, and consequently in the increase of social mobility, than any before us. There is nothing fictive about that, and its implications are clear in our own day-to-day lives. What is interesting, though, is the way in which this knowledge is related to apocalypse, so that a mere celebratory figure for social mobility, like On the Road, acquires apocalyptic overtones and establishes the language of an elect; and the way in which writers, that is to say, clerks, are willing to go along, arguing that the rate of change implies revolution or schism, and that this is a perpetual requirement; that the stage of transition, like the whole of time in an earlier revolution, has become endless.

The extraordinary value of the I Ching is that it reveals the secrets of dynamic natural law. Working with its changes opens up access to the middle level of the Positive Paradigm Wheel, the “e” energy layer of Einstein's Unified Theory. This middle level serves as mediating, two-directional gate-keeper between the ever-changing surface rim and the universal, timeless center. You can't get from here to there, except through the middle layer which, in Western thinking, is effectively taboo, buried in the inaccessible "unconscious." To the extent that natural law is a blind spot in the prevailing, linear and exclusively empirical paradigm, we are left powerless to move beyond the surface level of experience. The realm of light and conscience which rests beyond, on the far side of the dynamic energy level, remains functionally inaccessible. Moral codes promoted by religionists or politicians are sometimes equated with conscience. But they're no substitute for direct experience. Only by becoming intelligently competent in managing the subtle energies of the middle level is it possible to travel further inwards for the immediate, personal experience of inner light. When the middle level becomes clogged with painful memories, negative emotions and socially taboo urges, it becomes a barrier to deeper knowing. The Book of Change is indispensable as a tool for restoring the unnecessarily "unconscious" to conscious awareness, so that the levels of human potential can be linked and unified. In Positive Paradigm context, survivors who prevail in dangerous times aren't those with the most material wealth, possessions or political power. They're the ones who've successfully navigated the middle realm, reached the far shore of enlightenment and returned to the surface with their new information intact. Those who succeed in linking the levels of experience are genius-leaders in whatever fields they choose to engage. They're the fortunate ones who've acquired the inner wealth necessary to both hear the inner voice of conscience and act on the guidance they receive.

Come help me!” he yelled. Mark beat at hands and fingers with his flashlight; then Alec pulled back on the door and pushed it forward again, crushing it against those still trying to fight their way in. There were yelps and screams, and several pulled out. But another surge pressed ahead and almost made Alec topple over. Mark abandoned his flashlight to help Alec. Together they held the outer rim of the door and jerked it open, then rammed it against those trying to break in. More arms pulled out, only to be replaced by new ones just as Mark and Alec swung the door out and slammed the edge against the assailants again. More cries of anguish, fewer arms left. They did it again. And again. Quicker, with more force, and a little closer each time. “One more big one!” Alec yelled. Mark braced himself, pulled the door out, then screamed and threw his body and all his strength into it. The slab of metal crunched bones and smashed fingers, and every body part disappeared from view. Alec leaned into the door and closed it with a booming metallic ring. Mark spun the wheel.

Out of the fog that shrouded the countryside, softening the outlines of people and things, demonstrators emerged, flags waved and speakers rose spontaneously to address spontaneous gatherings. Mostly they were people who had not been allowed to speak for years. They clambered on to piles of rock, balanced on the rims of fountains and on pedestals of statues whose removal they demanded, just as they demanded the removal of those who had bowed down before these statues. They spun visions of how everyone's life, including Pavel's own, would quickly be transformed and rise above the poverty in which it had for so long been mired. Others, who preferred actions to words, climbed onto rooftops to remove the snow-covered symbols of yesterday's power. They pulled down street signs and fastened in their place new plaques scrawled with names that until recently had been unmentionable, and they sometimes gathered threateningly under the windows of abandoned Party secretariats, ready to break in and begin, or rather complete, the purging. In every face he saw a kind of ecstasy that looked almost sexual.

The Armonica: Among the most amusing of his inventions was a musical instrument he called the armonica. It was based on the common practice of bored dinner guests, and some musicians, of producing a resonant tone by moving a wet finger around the rim of a glass. Franklin attended a concert in England of music performed on wineglasses, and in 1761 he perfected the idea by taking thirty-seven glass bowls of different sizes and attaching them to a spindle. He rigged up a foot pedal and flywheel to spin the contraption, which allowed him to produce various tones by pressing on the glass pieces with his wet fingers. In a letter to an Italian electrician, Franklin described the new instrument in minute detail. “It is an instrument,” he said, “that seems peculiarly adapted to Italian music, especially that of the soft and plaintive kind.” Franklin’s armonica was quite a rage for a while. Marie Antoinette took lessons on it, Mozart and Beethoven wrote pieces for it, and its haunting tones became popular at weddings. But it tended to produce melancholia, perhaps from lead poisoning, and it eventually went out of fashion.19

Alligator Poem I knlet down at the edge of the water, and if the white birds standing in the tops of the trees whistled any warning I didn't understand, I drank up to the very moment it came crashing toward me, its tail flailing like a bundle of swords, slahsing the grass, and the inside of its cradle-shaped mouth gaping, and rimmed with teeth- and that's how I almost died of foolishness in bueatiufl Florida. But I didn't. I leaped aside, and fell, and it streamed past me, crushing everything in its path as it swept down to the water and threw itself in, and, in the end, this isn't a poem about foolishess but about how I rose from the ground and saw the world as if for the second time, the way it really is. The water, that circle of shattered galss, healed itself with a slow whisper and lay back with the back-lit light of polished steel, and the birds, in the endless waterfalls of the trees, shook open the snowy pleats of their wings, and drifted away, while, for a keepsake, and to steady myself, I reached out, I picked the wild flowers from the grass around me- blue stars and blood-red trumpets on long green stems- for hours in my trembling hands they glittered like fire.

I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.

Soon, droves of children start to show up, keeping us rather busy. We start tallying up the number of Trolls, Batmans, Lego men, and princesses we see. The most popular costume? Batman and Superwoman with the fabrics and accessories varying from child to child. But my favorite so far is the girl who dressed as Little Debbie, but then again, I may be biased. “I think she might be my new favorite,” Emma says as a little girl dressed as a nurse walks away. “That’s because you’re a nurse, but you can’t play favorites,” I say, reminding Emma of the rules. She levels with me. “This coming from the guy whose favorite child was dressed as Little Debbie.” “Come on.” I lean back in my chair and motion to my head. “She had the rim of blue on her hat. That’s attention to detail.” “And good fucking parenting,” Tucker chimes in, and we clink our beer bottles together. Amelia chuckles next to me as Emma shakes her head. “Ridiculous. What about you, Amelia? What costume has been your favorite so far?” “Hmm, it’s been a tough competition. There has been some real winning costumes and some absolute piss-poor ones.” She shakes her head. “Just because you put a scarf around your neck and call yourself Jack Frost doesn’t mean you dressed up.” “Ugh, that costume was dumb.” “It shouldn’t be referred to as a costume, but that’s beside the point.” I like how much Amelia is getting into this little pretend competition. She’s a far cry from the girl who first came home earlier. I love that having Tucker and Emma over has given me more time with Amelia, getting to know the woman she is today, but also managed to put that beautiful smile back on her face. “So who takes the cake for you?” I ask, nudging her leg with mine. Smiling up at me, she says, “Hands down it’s the little boy who dressed as Dwight Schrute from The Office. I think I giggled for five minutes straight after he left. That costume was spot on.” “Oh shit, you’re right,” I reply as Emma and Tucker agree with me. “He even had the watch calculator.” “And the small nose Dwight always complains about.” Emma chuckles. “Yeah, he has to be the winner.” “Now, now, now, let’s not get too hasty. Little Debbie is still in the running,” Tucker points out. Amelia leans forward, seeming incredibly comfortable, and says, “There is no way Little Debbie beats Dwight. Sorry, dude.” The shocked look on Tucker’s face is comical. He’s just been put in his place and the old Amelia has returned. I fucking love it.

CUCHULAIN’S FIGHT WITH THE SEA A MAN came slowly from the setting sun, To Emer, raddling raiment in her dun, And said, ‘I am that swineherd whom you bid Go watch the road between the wood and tide, But now I have no need to watch it more.’ Then Emer cast the web upon the floor, And raising arms all raddled with the dye, Parted her lips with a loud sudden cry. That swineherd stared upon her face and said, ‘No man alive, no man among the dead, Has won the gold his cars of battle bring.’ ‘But if your master comes home triumphing Why must you blench and shake from foot to crown?’ Thereon he shook the more and cast him down Upon the web-heaped floor, and cried his word: ‘With him is one sweet-throated like a bird.’ ‘You dare me to my face,’ and thereupon She smote with raddled fist, and where her son Herded the cattle came with stumbling feet, And cried with angry voice, ’It is not meet To idle life away, a common herd.’ ‘I have long waited, mother, for that word: But wherefore now?’ ‘There is a man to die; You have the heaviest arm under the sky.’ ‘Whether under its daylight or its stars My father stands amid his battle-cars.’ ‘But you have grown to be the taller man.’ ‘Yet somewhere under starlight or the sun My father stands.’ ‘Aged, worn out with wars On foot, on horseback or in battle-cars.’ ‘I only ask what way my journey lies, For He who made you bitter made you wise.’ ‘The Red Branch camp in a great company Between wood’s rim and the horses of the sea. Go there, and light a camp-fire at wood’s rim; But tell your name and lineage to him Whose blade compels, and wait till they have found Some feasting man that the same oath has bound.’ Among those feasting men Cuchulain dwelt, And his young sweetheart close beside him knelt, Stared on the mournful wonder of his eyes, Even as Spring upon the ancient skies, And pondered on the glory of his days; And all around the harp-string told his praise, And Conchubar, the Red Branch king of kings, With his own fingers touched the brazen strings. At last Cuchulain spake, ‘Some man has made His evening fire amid the leafy shade. I have often heard him singing to and fro, I have often heard the sweet sound of his bow. Seek out what man he is.’ One went and came. ‘He bade me let all know he gives his name At the sword-point, and waits till we have found Some feasting man that the same oath has bound.’ Cuchulain cried, ‘I am the only man Of all this host so bound from childhood on. After short fighting in the leafy shade, He spake to the young man, ’Is there no maid Who loves you, no white arms to wrap you round, Or do you long for the dim sleepy ground, That you have come and dared me to my face?’ ‘The dooms of men are in God’s hidden place,’ ‘Your head a while seemed like a woman’s head That I loved once.’ Again the fighting sped, But now the war-rage in Cuchulain woke, And through that new blade’s guard the old blade broke, And pierced him. ‘Speak before your breath is done.’ ‘Cuchulain I, mighty Cuchulain’s son.’ ‘I put you from your pain. I can no more.’ While day its burden on to evening bore, With head bowed on his knees Cuchulain stayed; Then Conchubar sent that sweet-throated maid, And she, to win him, his grey hair caressed; In vain her arms, in vain her soft white breast. Then Conchubar, the subtlest of all men, Ranking his Druids round him ten by ten, Spake thus: ‘Cuchulain will dwell there and brood For three days more in dreadful quietude, And then arise, and raving slay us all. Chaunt in his ear delusions magical, That he may fight the horses of the sea.’ The Druids took them to their mystery, And chaunted for three days. Cuchulain stirred, Stared on the horses of the sea, and heard The cars of battle and his own name cried; And fought with the invulnerable tide.

Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.

It was odd that I hadn’t really noticed till now what a beautiful evening it was. The street lamps glowed like ripe oranges among the bare boughs. Below in the wet street their globes glimmered down and down, to drown in their own reflections. He hangs in shades the orange bright, like golden lamps … and on the pavements there were piles of oranges, too, real ones, spilled there in prodigal piles with aubergines and green and scarlet peppers. The open door of a wine-shop glittered like Aladdin’s cave with bottles from floor to roof, shelf on shelf of ruby and amber and purple, the rich heart of a hundred sun-drenched harvests. From a brightly-lit workmen’s café nearby came music, the sound of voices loud in argument, and the smell of new bread. The last lamp drowned its golden moon in the road ahead. The last house vanished and we were running between hedgeless fields. To the right a pale sky still showed clear under the western rim of the rain-clouds, and against it the bare trees that staked the road stood out black and sheer. The leaves of an ilex cut the half-light like knives. A willow streamed in the wind like a woman’s hair. The road lifted itself ahead, mackerel-silver under its bending poplars. The blue hour, the lovely hour … Then the hills were round us, and it was dark.

David Chang, who had become the darling of the New York restaurant world, thanks to his Momofuku noodle and ssäm bars in the East Village, opened his third outpost, Momofuku Milk Bar, just around the corner from my apartment. While everyone in the city was clamoring for the restaurants' bowls of brisket ramen and platters of pig butt, his pastry chef, Christina Tosi, was cooking up "crack pie," an insane and outrageous addictive concoction made largely of white sugar, brown sugar, and powdered sugar, with egg yolks, heavy cream, and lots of butter, all baked in an oat cookie crust. People were going nuts for the stuff, and it was time for me to give this crack pie a shot. But as soon as I walked into the industrial-style bakery, I knew crack could have nothing on the cookies. Blueberry and cream. Double chocolate. Peanut butter. Corn. (Yes, a corn cookie, and it was delicious). There was a giant compost cookie, chock-full of pretzels, chips, coffee grounds, butterscotch, oats, and chocolate chips. But the real knockout was the cornflake, marshmallow, and chocolate chip cookie. It was sticky, chewy, and crunchy at once, sweet and chocolaty, the ever-important bottom side rimmed in caramelized beauty. I love rice crisps in my chocolate, but who would have thought that cornflakes in my cookies could also cause such rapture?

He lay under the great bearskin and stared out of the window at the stars of spring, no longer frosty and metallic, but as if they had been new washed and had swollen with the moisture. It was a lovely evening, without rain or cloud. The sky between the stars was of the deepest and fullest velvet. Framed in the thick western window, Alderbaran and Betelgeuse were racing Sirius over the horizon, the hunting dog-star looking back to his master Orion, who had not yet heaved himself above the rim. In at the window came also the unfolding scent of benighted flowers, for the currants, the wild cherries, the plums and the hawthorn were already in bloom, and no less than five nightingales within earshot were holding a contest of beauty among the bowery, the looming trees...He watched out at the stars in a kind of trance. Soon it would be the summer again, when he could sleep on the battlements and watch these stars hovering as close as moths above his face and, in the Milky Way at least, with something of the mothy pollen. They would be at the same time so distant that unutterable thoughts of space and eternity would baffle themselves in his sighing breast, and he would imagine to himself how he was falling upward higher and higher among them, never reaching, never ending, leaving and losing everything in the tranquil speed of space.

I Love You' Early on, I noticed that you always say it to each of your children as you are getting off the phone with them just as you never fail to say it to me whenever we arrive at the end of a call. It's all new to this only child. I never heard my parents say it, at least not on such a regular basis, nor did it ever occur to me to miss it. To say I love you pretty much every day would have seemed strangely obvious, like saying I'm looking at you when you are standing there looking at someone. If my parents had started saying it a lot, I would have started to worry about them. Ofcourse, I always like hearing it from you. That is never a cause for concern. The problem is I now find myself saying it back if only because just saying good-bye then hanging up would make me seem discourteous. But like Bartleby, I would prefer not to say it so often, would prefer instead to save it for special occasions, like shouting it out as I leaped into the red mouth of a volcano with you standing helplessly on the smoking rim, or while we are desperately clasping hands before our plane plunges into the Gulf of Mexico, which are only two of the examples I had in mind, but enough, as it turns out, to make me want to say it to you now, and what better place than in the final couplet of a poem where, as every student knows, it really counts.

One solution might be to liken the path of the light beam through a changing gravitational field to that of a line drawn on a sphere or on a surface that is warped. In such cases, the shortest line between two points is curved, a geodesic like a great arc or a great circle route on our globe. Perhaps the bending of light meant that the fabric of space, through which the light beam traveled, was curved by gravity. The shortest path through a region of space that is curved by gravity might seem quite different from the straight lines of Euclidean geometry. There was another clue that a new form of geometry might be needed. It became apparent to Einstein when he considered the case of a rotating disk. As a disk whirled around, its circumference would be contracted in the direction of its motion when observed from the reference frame of a person not rotating with it. The diameter of the circle, however, would not undergo any contraction. Thus, the ratio of the disk’s circumference to its diameter would no longer be given by pi. Euclidean geometry wouldn’t apply to such cases. Rotating motion is a form of acceleration, because at every moment a point on the rim is undergoing a change in direction, which means that its velocity (a combination of speed and direction) is undergoing a change. Because non-Euclidean geometry would be necessary to describe this type of acceleration, according to the equivalence principle, it would be needed for gravitation as well.

Walking back through the mall to the exit nearest our part of the parking lot, we passed one shop which sold computers, printers, software, and games. It was packed with teenagers, the kind who wear wire rims and know what the new world is about. The clerks were indulgent, letting them program the computers. Two hundred yards away, near the six movie houses, a different kind of teenager shoved quarters into the space-war games, tensing over the triggers, releasing the eerie sounds of extraterrestrial combat. Any kid back in the computer store could have told the combatants that because there is no atmosphere in space, there is absolutely no sound at all. Perfect distribution: the future managers and the future managed ones. Twenty in the computer store, two hundred in the arcade. The future managers have run on past us into the thickets of CP/M, M-Basic, Cobal, Fortran, Z-80, Apples, and Worms. Soon the bosses of the microcomputer revolution will sell us preprogrammed units for each household which will provide entertainment, print out news, purvey mail-order goods, pay bills, balance accounts, keep track of expenses, and compute taxes. But by then the future managers will be over on the far side of the thickets, dealing with bubble memories, machines that design machines, projects so esoteric our pedestrian minds cannot comprehend them. It will be the biggest revolution of all, bigger than the wheel, bigger than Franklin’s kite, bigger than paper towels.

Your question.” “Never mind.” “I’ll tell you.” He shook his head. “Not necessary.” “It is you. It’s true, I haven’t wanted it to be you who tells me things I can’t recall. Not you.” She saw his flinch, and the effort to hide it. Tears sprang to her eyes. “Who are you, that you get to know so much about me that even I don’t know? Why do you get to tell me who I am? How did you get so much power? I have none. It’s not fair. You are unfair.” Her voice broke. “I am unfair.” His expression changed. “Kestrel.” She held her breath until her lungs ached. She couldn’t speak. Here was the truth, it peeled itself open: she was the reason she was in that prison. She had made some fatal, unknown mistake. Arin looked like a good culprit, but he wasn’t the right one. She was. It had been her fault, hers alone. He reached across the table. His warm hand dwarfed hers. She saw it through her swimming vision. Those black-rimmed nails. Blacksmith. A sudden understanding held her still. She became aware of the weight of the dagger at her hip. Her sight cleared. She looked at Arin. He looked young. And too careful, and worried, and uncertain, and…something new was emerging, she saw it. It changed the quality of his expression the way light changes everything. A small sort of hope. “Maybe,” he said, “we could try being honest with each other.” She wondered what was in her expression that hope would grow in his. She wondered what he saw. “Arin,” she said, “I like the dagger.” He smiled.

We had little money but didn’t think of ourselves as poor. Our vision, if I can call it that, was not materialistic. If we had a concept about ourselves, it was egalitarian, although we would not have known what that word meant. We spoke French entirely. There was a bond between Cajuns and people of color. Cajuns didn’t travel, because they believed they lived in the best place on earth. But somehow the worst in us, or outside of us, asserted itself and prevailed and replaced everything that was good in our lives. We traded away our language, our customs, our stands of cypress, our sugarcane acreage, our identity, and our pride. Outsiders ridiculed us and thought us stupid; teachers forbade our children to speak French on the school grounds. Our barrier islands were dredged to extinction. Our coastline was cut with eight thousand miles of industrial channels, destroying the root systems of the sawgrass and the swamps. The bottom of the state continues to wash away in the flume of the Mississippi at a rate of sixteen square miles a year. Much of this we did to ourselves in the same way that a drunk like me will destroy a gift, one that is irreplaceable and extended by a divine hand. Our roadsides are littered with trash, our rain ditches layered with it, our waterways dumping grounds for automobile tires and couches and building material. While we trivialize the implications of our drive-through daiquiri windows and the seediness of our politicians and recite our self-congratulatory mantra, laissez les bons temps rouler, the southern rim of the state hovers on the edge of oblivion, a diminishing, heartbreaking strip of green lace that eventually will be available only in photographs.

You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.

Joshua smiles, runs his finger round the rim of the coconut. ‘Some people are summer, and some people are winter,’ he says softly after a moment, but I’m just looking at the ocean now, trying not to fall.

We are at the dawn of a new age,” said James Taggart, from above the rim of his champagne glass. “We are breaking up the vicious tyranny of economic power. We will set men free of the rule of the dollar. We will release our spiritual aims from dependence on the owners of material means. We will liberate our culture from the stranglehold of the profit-chasers. We will build a society dedicated to higher ideals, and we will replace the aristocracy of money by—” “—the aristocracy of pull,” said a voice beyond the group.

It was in Horace Greeley that Margaret recognized a “go-ahead, fearless adroitness” that was simply “American.” Waldo’s deprecatory assessment that Greeley was “no scholar,” but rather a “mother of men . . . an abettor,” captured the very reasons Margaret quickly warmed to the tall, unkempt newspaperman, whose thick wire-rimmed glasses, settled unsteadily on his ruddy baby face, were the only hint of erudition in a carelessly rustic ensemble that usually included an old white coat of Irish linen, heavy boots, and baggy black trousers.

Dr. Daniel Siegel has said that the mental processes of awareness, which the yogis identified as the subtle body, can be used to meditate on our entire sphere of experience, and then to be able to distinguish the experiencer from the experience that is being had. He calls this the Wheel of Awareness, a straightforward and profound practice that guides you through meditating on your five senses; the interior sense of your body (interoception), which he calls the sixth sense; your mental activities, the seventh sense; and your sense of interconnectedness, the eighth sense. These senses exist as the rim of the wheel, where our senses meet experience. The hub of the wheel, however, is our clear, calm, receptive, open, and aware sense of being. It is our center, a center that is connected to all other centers, and perhaps where we can sense divinity within us.5

can hear the waters of the Dordelle chuckling against the hull of our boat, see the silver moonlight glow on the rim of our little window, taste the warm night air. Your lilac scent floats in my senses. By the light of the moon I can see your open eyes, fixed on the dark corner of my cabin, but in truth staring into your future. For you are beginning a new life, a life apart from everything you knew, and you are anxious on that account. I would help you

The party does not have to end, but the music might have to change.

My keycard unlocks the door with the gold-rimmed sign of CEO and it swings open on automatic hinges. I put his lunch and coffee on his desk. Keyboard to the left. Lunch to the right.

Christine is his daughter. Sole heir. Thirty-one. Likes her nightlife, I understand.” I sipped carefully before speaking. “And she’s the new CEO?” “Uh huh.” I glanced over to where Kirsten studied my face over the rim of her cup. “What does she know about running a shipping company?” “Not. One. Damn. Thing.

The day will come, my dear, when your children's children stride the galactic rim as the kings and queens of all they survey. But first, you — we — must teach them how to survive, until that moment. In your generation, there were five hundred. Of them all, I kept only you and your closest siblings. The rest are scattered across the galaxy, burrowed into the flesh of a dying empire, so that they might best guide it to its well-deserved and long overdue grave. They, and their children, carry on my teachings into the dark. Generation upon generation, their strength breeding true. As mankind dies, so it nurtures its own replacement, all unknowing. But you are different. You and your kin are to be my hand on the throat of the future. For my brothers will not surrender to fate with dignity. Those who remain, after that final hour, will fight one another for the right to rule the ashes. And in that moment, you and yours shall assert yourselves, for the first time and the last. You will hunt angels, in the days to come, and make a new kingdom from their bones". ‘And where will you be?’ she asked softly. Fabius stepped back. ‘I imagine I will be first among the foundations, my dear.’ He smiled thinly. ‘There will be no place for me in the paradise to come.’ He laughed. Behind them, the entrance to the laboratorium whined open, and someone entered. Fabius ignored the newcomer, even as Igori stiffened. ‘But until then, I persist. Until my work is done.

Rim-Sin, had been on the throne for an unprecedented sixty years.

Rim-Sin was the only enemy king he referred to by name. Rim-Sin was a legend among kings,

Once Hammurabi had defeated Rim-Sin and taken control of Larsa,

properties were now his (that is, which lands had previously belonged to the palace of Rim-Sin),

They’re waiting for us in the… room,” Cora sniffs, pulling back to glance at me through red-rimmed eyes. She swipes at the tears along her cheekbone. “Mandy’s at work. She said it was too hard to be here. Mom and Dad are going to wait out here, but… did you want to come in with me? To say goodbye?” “Of course.” I don’t hesitate. We rescued this dog together, and I’ll be damned if I’m not with Cora when Blizzard takes her last breath. Goddamn. Cora gives a tight nod, then alerts one of the staff that we’re ready to go in. I follow her, a solemn silence settling between us. It’s a quiet, peaceful room, adorned with electronic candles and soft music. Blizzard is lying very still on a dog bed in the center of the floor, her fluffy chest heaving ever so slowly with each breath. I feel my emotions get stuck in my throat when I lay eyes on the dog that has felt like my own for the last ten years. I’d dog-sit her when the Lawsons took family vacations. I’d take her to the dog park with Mandy and Cora, watching her chase tennis balls and make new friends. Blizzard always greeted me first when I’d walk through the front door with Mandy, collapsing onto my feet and rolling over for belly rubs. She always sat beside me at the dinner table, waiting for the snack I’d inevitably offer her, and she always wagged her tail in adoration as I sang karaoke in the Lawson’s living room.

But what is this thing we call experience? Beyond science is a personal experience shared by the ancients and all humans today, a sense of the awe and mystery of existence. For me this experience must count as an observation even if it si considered incommensurate with our rhetorical vision of the objective tests of science. That power to inspire awe is magically expressed in Carruth’s moving lines, Like tide on a crescent sea-beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in: Come from the mystic ocean Whose rim no foot has trod,— Some of us call it Longing, And others call it God. Materialism ignores any references to experiences of awe and mystery as evidence of the nonmaterial.

They walked slowly past fire-swallowers, conjurors and tumblers, pausing to purchase a skin of new wine. Daisy drank carefully from the wineskin, but a drop escaped from the corner of her lips. Matthew smiled and began to reach into his pocket for a handkerchief, then appeared to think better of it. Instead he ducked his head and kissed away the wine droplet. “You’re supposed to be protecting me from impropriety,” she said with a grin, “and instead you’re leading me astray.” The backs of his knuckles stroked gently against the side of her face. “I’d like to lead you astray,” he murmured. “In fact, I’d like to lead you straight into those woods and…” He seemed to lose his train of thought as he stared into her soft, dark eyes. “Daisy Bowman,” he whispered. “I wish—” But she was never to find out what his wish was, because she was abruptly pushed into him as a crowd jostled past. Everyone was bent on obtaining a view of a pair of jugglers who had clubs and hoops spinning in the air between them. In the rush the wineskin was knocked from Daisy’s hands and trampled underfoot. Matthew put his arms around her protectively. “I dropped the wine,” Daisy said regretfully. “Just as well.” His mouth lowered to her ear, his lips brushing the delicate outer rim. “It might have gone to my head. And then you might have taken advantage of me.” Daisy smiled and snuggled against his hard form, her senses delighting in the reassuring warmth of his embrace. “Are my designs on you that obvious?” she asked in a muffled voice. He nuzzled into the soft space beneath her earlobe. “I’m afraid so.

The term honeymoon was coined to refer to the sweetness of a new marriage. But according to Norse legend, a man abducted his bride from a neighboring village. He was then required to take her into hiding until the bride’s family abandoned their search. His whereabouts were known only to his best man. While in seclusion, the couple drank mead, a honeyed wine. 1 ½ oz. good quality bourbon 1 oz. apple cider ½ oz. Calvados ½ oz. honey syrup* A dash of bitters 1 wide slice of orange peel *To make honey syrup, boil ½ cup of water together with a cup of honey until the honey dissolves. Store in a sealed jar. Measure everything into a cocktail shaker and add a good handful of ice. Shake vigorously and then strain the drink into a clear lowball glass with one large piece of ice. Rub the orange peel around the rim of the glass. Garnish with an apple slice. [Source: Original]

The New England wilderness March 1, 1704 Temperature 10 degrees And then a creek, so fast-flowing that even in this wicked cold it had not frozen. The Indians stood in ice water up to their thighs, handing the small children across, but the adults had to wade. Wet clothing froze to the body. In this wind, at this temperature, that could spell death. Should you fall in and get entirely wet, could you even get back on your feet in the force of that current? Would not your heart stop and your lungs fill? The adults dithered fearfully along the ice-rimmed rocks. Lord, thought Mercy, wishing for solid English shoes instead of Indian slippers, I have to get myself over, I can’t let Daniel fall in; Ruth needs help, she hasn’t thrown anything today because she’s so tired she can hardly put one foot in front of another. Joanna can’t see and Eliza is still only half here. When her turn came, however, the Indians lifted Daniel from her arms and passed him safely to the other side. Mercy took a deep breath, steeling herself to enter the frigid water, but Tannhahorens lifted her as if she weighed nothing and set her ashore, dry and safe. “Thank you, Tannhahorens,” she said. They handed Ruth over as well, but Ruth did not thank them. “How could you?” she said to Mercy as the march went on. “How could you thank that man for anything? He killed your family.

Robert Macfarlane, a masterful writer-walker of the countryside, offers this summary of the practice: ‘Unfold a street map of London, place a glass, rim down, anywhere on the map, and draw round its edge. Pick up the map, go out into the city, and walk the circle, keeping as close as you can to the curve. Record

I tried to write a story about a reunion between my father and myself in heaven one time. An early draft of this book in fact began that way. I hoped in the story to become a really good friend of his. But the story turned out perversely, as stories about real people we have known often do. It seemed that in heaven people could be any age they liked, just so long as they had experienced that age on Earth. Thus, John D. Rockefeller, for example, the founder of Standard Oil, could be any age up to ninety-eight. King Tut could be any age up to nineteen, and so on. As author of the story, I was dismayed that my father in heaven chose to be only nine years old. I myself had chosen to be forty-four—respectable, but still quite sexy, too. My dismay with Father turned to embarrassment and anger. He was lemur-like as a nine-year-old, all eyes and hands. He had an endless supply of pencils and pads, and was forever tagging after me, drawing pictures of simply everything and insisting that I admire them when they were done. New acquaintances would sometimes ask me who that strange little boy was, and I would have to reply truthfully, since it was impossible to lie in heaven, “It’s my father.” Bullies liked to torment him, since he was not like other children. He did not enjoy children’s talk and children’s games. Bullies would chase him and catch him and take off his pants and underpants and throw them down the mouth of hell. The mouth of hell looked like a sort of wishing well, but without a bucket and windlass. You could lean over its rim and hear ever so faintly the screams of Hitler and Nero and Salome and Judas and people like that far, far below. I could imagine Hitler, already experiencing maximum agony, periodically finding his head draped with my father’s underpants. Whenever Father had his pants stolen, he would come running to me, purple with rage. As like as not, I had just made some new friends and was impressing them with my urbanity—and there my father would be, bawling bloody murder and with his little pecker waving in the breeze. I complained to my mother about him, but she said she knew nothing about him, or about me, either, since she was only sixteen. So I was stuck with him, and all I could do was yell at him from time to time, “For the love of God, Father, won’t you please grow up!” And so on. It insisted on being a very unfriendly story, so I quit writing it.

Everything new is on the rim of our view, in the darkness, below the horizon, so that nothing new is visible but in the light of what we know.

A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod. Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod. Some of us call it Longing, And others call it God

A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod. Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod. Some of us call it Longing, And others call it God.

One million arid acres stretch out in the afternoon sun. The mile-high crust, layers of umber, russet, charcoal, goldenrod, burn sienna, and ochre, exposes two billion years of geologic history. We stand awe-smacked. We're the newest things on earth. Everything at the rim—all of the particles that big-banged themselves through the universe to be alive in just these forms—has been set in motion. Our lives are the vestiges of these events, events that seem to happen ceaselessly. As tired and grief-stricken as I am, there's still a part of me that knows that Richard's loss of memory, the death of his identity, his coming back as a new man, it all has its place in the order of things, or perhaps the chaos of things—just like these ancient, awesome rock formations.

Lao Tze's vision is compatible with the Positive Paradigm of Change. In fact, placing the language of his passages into the levels of the Wheel serves to clarify his vision. The model is therefore shown here, along with its application to the subtitle: Common Sense. The right-brain compliment to the left-brain words of Passage One is also supplied below as a hint of what's possible. Einstein's warning, the basis of Rethinking Survival, could well have been spoken by a Chinese sage: 'Our task must be to free ourselves from the prison [of separatist thinking] by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty. . . We shall require a substantially new manner of thinking if mankind is to survive." Prominent themes which link Einstein with the Chinese yoga tradition include not only Compassion but also Unity and Survival. In addition, anticipating the Positive Paradigm, Lao Tze repeated alludes to a timeless center at life's hub encompassed by the surface rim of fluctuating events. 1. The Eternal is beyond words, undefinable and illusive, all-pervading yet mysterious. The timeless, though ungraspable, is the unfailing source of all experience. To transcend mortality, and attain sublime peace, turn inward, releasing desire and ambition. To manifest inner vision, accomplishing every goal in time, extend outward with passionate conviction. Unmanifest and manifest are two sides of a coin, seamlessly joined, though apparently opposite. Entering this paradox is the beginning of magic.

In the Black Palace, in the capital city below, the man know as the Patron – Martel the Mighty, ruler of this dark world - had packed his coffers and was now also, presumably, making good his escape. For the Corsair elite and ruling class – those whose hands were literally dripping blood, profiteering from the bloodshed and violence that terrorized dozens of worlds - escape was the only option left and he would not be the only one to mount an escape attempt, nor be the only one to succeed. For years to come, there would be countless bounties offered on missing prominent Corsairs that had slipped through the net, with the occasional report of so-and-so being spotted on some or other rim world, presumably sporting a new beard and a pair of sunglasses – which might have raised a few eyebrows in the case of the many female Corsairs.

You're asking for trouble, woman." At the gruff tone of his voice, I raised my head and met his dark, chocolate-brown eyes, rimmed by long lashes that didn't take an ounce away from his masculinity. I wanted to drown in those eyes. "I like trouble, remember?

The Lord is good to all: and his tender mercies are over all his works. —Psalm 145:9 (KJV) The gray clouds hung below the mountain peaks, smothering the sun. A cold breeze brushed across my cheeks as I tossed hay in the feeder for the horses and mules. I glanced at the brown grass in the pasture rimmed by the skeletal trees. Not a sprig of life showed anywhere. The gloomies seeped into my soul. How I longed for signs of life! Lord, I need You to brighten my day. I heard a low bellow from the neighbors’ pasture a few hundred yards away. Uh-oh, it sounds like a cow’s having problems giving birth. The neighbors lived miles away and wouldn’t be back to check on the cows for a couple more hours. “C’mon, Sunrise,” I called to my golden retriever, “let’s go check it out.” As we neared the pasture, I noticed a lone black cow standing with her head down. Keeping my distance, I stood on tiptoes, craning my neck. A brand-new wet calf lay on the ground. “Isn’t this exciting? What a cute baby!” Sunrise’s nose wiggled as she caught the scent of the baby. For the next hour I sat in the pasture, watching the newborn struggle to stand on its stiltlike legs. I giggled as the calf sucked on its mom’s knees and elbows before it found the udder and slurped. Lord, when my days are glum, remind me to ask You to brighten them. —Rebecca Ondov Digging Deeper: Pss 8, 84:11

Is it too late to enjoy some lunch?” “No,” he said, not looking as relieved as she’d hoped; but then, it was what it was. Both of them would have to find their way past their personal disappointment on their own. “Not at all.” He reached for the wine again as she took the rest of the containers out of the hamper and began setting out a more organized spread. “Although,” he said, easing the cork up and out as his grin flickered back to life, like a long-awaited ray of sunshine after a storm, “I don’t suppose you have anything else to wear.” She gave a little spurt of laughter at that, relieved that he wasn’t going to make it harder on either of them, and was perversely that much more turned on. His eyes widened when she grinned and held up a finger, then scrambled back aft and retrieved her canvas tote. She came back wearing the faded hoodie and ancient fishing hat. “Better?” she asked, plopping back down on the blanket and modeling her new look. His gaze skimmed over her legs, then back up to her face, his own eyes glittering now. “Not in the least.” She swallowed. Hard. When he surprised her by not looking away, her palms began to sweat. Then he shocked her speechless by reaching behind his neck, grabbing the back collar of his shirt, and pulling it over his head and off. A life spent on a cattle station had given him a deeply golden, well-muscled torso. One she’d thought about often, though, it turned out, her imagination hadn’t remotely done justice to reality. Even though she’d been on Cameroo Downs for a full year in a wide variety of different situations, this was the first time she’d ever seen him with his shirt off. He grinned for real at her dumbfounded expression, then began filling his plate as if he’d done nothing more than take off his hat. More at ease than she’d seen him since she’d arrived at the dock. “I suppose I deserve that,” she said, shaking her head in a silent touché. He just winked at her, then went back to filling his plate with another lobster roll, a few more hush puppies, and a small mound of blueberries. She laughed--what else was there to do?--then shook her head as he handed her a glass of wine. She lifted it in a toast. “To good food, good company, and a few hours of solid torture on the high seas.” Chuckling, he lifted his glass, tapped hers, then held her gaze over the rim as he took a sip. She was now intimately acquainted with his reference to aching teeth and need. You’re in so much trouble, Kerry McCrae.

Deliberately he punished his body, strained his endurance, tested his capacity for strenuousness. He took out deliberately over trails that Indians and old timers warned him against. He tackled cliffs that more than once left him dangling halfway between talus and rim. With his burros he disappeared into the wild canyons and emerged weeks later, hundreds of miles away, with a new pack of sketches and paintings and a whole new section in his journal and a new batch of poems.

Not that I would mind if through the inheritance of a rich uncle I was finally able to afford health insurance, or go to a dentist who wasn’t a student. Before we left for the will reading, I did what I could to make myself presentable, which was always an uphill battle. My hair was shaggy, about three months overdue for a haircut, and my beard nearly reached my Adam’s apple. I hadn’t gotten new frames for my glasses in six or seven years, so I still wore my painfully hipster thick black rims. And, of course, there was little I could do about the wear in the knees of my pants, the dangling threads on my sweater, and least of all the tattoo of SpongeBob SquarePants on my forearm. A remnant of simpler times. I doubt I would have thought of any of those things had Robby not generously pointed them out one by one. My mind was elsewhere.