“
Suppose neutral angels were able to talk, Yahweh and Lucifer – God and Satan, to use their popular titles – into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their early kingdom?
Would God be satisfied the loaves and fishes and itty-bitty thimbles of Communion wine, while Satan to have the red-eye gravy, eighteen-ounce New York Stakes, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all night, no-holds-barred, nasty “can’t-get-enough-of-you” hot-as-hell-fucks?
Think about it. Would Satan get New Orleans, Bangkok, and the French Riviera and God get Salt Lake City? Satan get ice hockey, God get horseshoes? God get bingo, Satan get stud poker? Satan get LSD; God, Prozac? God get Neil Simon; Satan Oscar Wilde?
”
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Tom Robbins
“
Even the sidewalks in New Orleans had personality.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
Louisiana in September was like an obscene phone call from nature. The air--moist, sultry, secretive, and far from fresh--felt as if it were being exhaled into one's face. Sometimes it even sounded like heavy breathing. Honeysuckle, swamp flowers, magnolia, and the mystery smell of the river scented the atmosphere, amplifying the intrusion of organic sleaze. It was aphrodisiac and repressive, soft and violent at the same time. In New Orleans, in the French Quarter, miles from the barking lungs of alligators, the air maintained this quality of breath, although here it acquired a tinge of metallic halitosis, due to fumes expelled by tourist buses, trucks delivering Dixie beer, and, on Decatur Street, a mass-transit motor coach named Desire.
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Tom Robbins (Jitterbug Perfume)
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The morning sun in New Orleans felt like it was trying to make a point, convincing the old world to believe something new.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
The only way he could truly stick out in New Orleans was if he were walking down the street on fire.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid.
Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge.
Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year?
It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to.
Now that part, more than ever.
It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year.
It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one.
Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
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Chris Rose (1 Dead in Attic: Post-Katrina Stories)
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New Orleans' rebellious and free-spirited personality is nothing if not resilient. And so the disruptive energies of the place- its vibrancy and eccentricity, its defiance and nonconformity, and yes, its violence and depravity- are likely to live on.
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Gary Krist (Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans)
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You can take the people out of the city, but you can't take the soul — that remains here.
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T.J. Fisher (Orleans Embrace with The Secret Gardens of the Vieux Carré)
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New Orleans, it was often observed, was the first American metropolis to build an opera house, but the last to build a sewage system.
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Gary Krist (Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans)
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On the prow of the wagon, in an attempt to attract business among the Quarterites, Ignatius taped a sheet of Big Chief paper on which he had printed in crayon: TWELVE INCHES (12) OF PARADISE. So far no one had responded to its message.
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John Kennedy Toole
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In a low voice, I told her many things in English, only using French when for some reason I couldn’t find the word I wanted, rambling on about the France of my time, and the crude little colony of New Orleans where I had existed after, and how wondrous this age was, and how I’d become a rock star for a brief time, because I thought that as a symbol of evil I’d do some good.
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Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
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Sometimes, the choices we make have devastating consequences
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Jeanette Vaughan
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Toulouse Street ran one way toward the Mississippi River. Jackson looked over [Imogene's] head into one of those famous New Orleans courtyards, full of lush foliage, mossy brick, secrets, and wonder.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
The thought of being immersed in the jazz scene in New Orleans, that magical hodgepodge of Delta-blues guitar riffs, brassy ragtime horns, and sultry French Gypsy music is too painful for Karina to stomach. Every girl loves a wedding unless the groom is the lost love of her life.
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Lisa Genova (Every Note Played)
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This was, after all, New Orleans in 1890- the Crescent City of the Gilded Age, where aliases of convenience and unconventional living arrangements were anything but out of the ordinary, at least in certain parts of town. Identities were fluid here, and names and appearances weren't always the best guide to telling who was who.
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Gary Krist (Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans)
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Until the Civil War there was scarcely a man in public life in New Orleans or Louisiana who had not fought at least one duel; most of them had engaged in several.
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Herbert Asbury (The French Quarter: An Informal History of the New Orleans Underworld)
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Enormous oak trees towered over the boulevard, which boasted homes with fine woodwork, wraparound porches, and moss on the sidewalks. 'There’s nothing like a house in New Orleans. Would you look at those balconies and columns?' He rolled his window down to take in the sounds of life in New Orleans.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
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Our dreams drive us so. One after another. Jasmine sprung bravely from the fertile soil of our suffering. And who can live without dreams? Who loves their brief, sweet passage? Dum vivimus, vivimus. While we live, let us live.
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David B. Lentz (Bourbon Street: The Dreams of Aeneas in Dixie)
“
The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem.
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Billy Sothern (Down in New Orleans: Reflections from a Drowned City)
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There is a unique bond between the land and the people in the Crescent City. Everyone here came from somewhere else, the muddy brown current of life prying them loose from their homeland and sweeping them downstream, bumping and scraping, until they got caught by the horseshoe bend that is New Orleans. Not so much as a single pebble ‘came’ from New Orleans, any more than any of the people did. Every grain of sand, every rock, every drip of brown mud, and every single person walking, living and loving in the city is a refugee from somewhere else. But they made something unique, the people and the land, when they came together in that cohesive, magnetic, magical spot; this sediment of society made something that is not French, not Spanish, and incontrovertibly not American.
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James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
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Gregori stared with dismay at the small, two-story house enclosed in wrought-iron latticework and sandwiched between two smaller, rather rundown properties in the crowded French Quarter of New Orleans. He inserted the key in the lock and turned to look at Savannah's face. It was lit up with expectation, her blue eyes shining.
"I have definitely lost all good sense," he muttered as he pushed open the door.
The interior was dark, but he could see everything easily. The room was layered with dust, old sheets covered the furniture, and the wallpaper was peeling in small curls from the walls.
"Isn't it beautiful?" Savannah flung out her hands and turned in a circle. Jumping into Gregori's arms, she hugged him tightly. "It's so perfect!"
He couldn't help himself; he kissed her inviting mouth. "Perfect for torching. Savannah,did you even look at this place before you bought it?"
She laughed and ruffled his thick mane of hair. "Don't be such a pessimist. Can't you see its potential?"
"It is a firetrap," he groused.
”
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Christine Feehan (Dark Magic (Dark, #4))
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We believe that, despite a possibly cruel temperament and an impetuous nature that she followed throughout her life, Madame Delphine Macarty Lopez Blanque Lalaurie was not a serial killer, a sexual sadist or a perpetrator of bizarre medical experiments. She was a willful, spoiled, beautiful Creole socialite whose temper led her down the path of infamy.
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Victoria Cosner Love (Mad Madame LaLaurie: New Orleans' Most Famous Murderess Revealed (True Crime))
“
New Orleans, unlike a lot of those places you go back to and that don’t have the magic anymore, still has got it. So
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James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
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You pay your money and you takes your choice.
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Herbert Asbury (The French Quarter: An Informal History Of The New Orleans Underworld)
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The Ojibwe tribe, known to the white-eyes as the Algonquins, named her Misi-ziibi or ‘great river’.” He looks at Linda who has her eyes shaded. He adds, “The French named her Mississippi.
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O'Neil De Noux (City of Secrets (John Raven Beau New Orleans Police #2))
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Lagniappe, usually attributed to the French of New Orleans, in fact originated among the Kechuan Indians of Peru as yapa. The Spanish adopted it as ñapa. The French then took it from the Spanish and we from the French.
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Bill Bryson (Made in America)
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A truly enlightened attitude to language should simply be to let six thousand or more flowers bloom. Subcultures should be allowed to thrive, not just because it is wrong to squash them, because they enrich the wider culture. Just as Black English has left its mark on standard English Culture, South Africans take pride in the marks of Afrikaans and African languages on their vocabulary and syntax.
New Zealand's rugby team chants in Maori, dancing a traditional dance, before matches. French kids flirt with rebellion by using verlan, a slang that reverses words' sounds or syllables (so femmes becomes meuf). Argentines glory in lunfardo, an argot developed from the underworld a centyry ago that makes Argentine Spanish unique still today. The nonstandard greeting "Where y'at?" for "How are you?" is so common among certain whites in New Orleans that they bear their difference with pride, calling themselves Yats. And that's how it should be.
”
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Robert Lane Greene (You Are What You Speak: Grammar Grouches, Language Laws, and the Politics of Identity)
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The river breeze washed over him. He saw the magnificent views of the city and the bridge connecting Algiers Point to New Orleans. He marveled at the crescent shape of New Orleans as the ferry traveled nearly parallel to the curve in the Mississippi River.
”
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
Are you gay, Cherie?
Me, No… I’m not anything… I-I mean I prefer not to indulge, I stammered.
“Really... how do you mean?”
Well love has been an elusive story, like a fairytale adults tell children but I have never known any of it to be true. In reality it reminds me of religion. I am not sure God is real either, if God is real why do so many innocents suffer?
Innocents suffer because it is their destiny to suffer.
What? What does that mean?” I’m annoyed.
God has nothing to do with it. We are born into this world to experience all that is not God-like, so we can then be inspired to reach for higher spiritual goals.
I have never thought of it that way before. If that is so then I must be preparing for sainthood. Am I to think that all of my suffering as a child has been to prepare me for greatness?
”
”
Darwun St. James (Angel Sins)
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On sentry duty with Hazel, he would try to take his mind off it. He loved spending time with her. He asked her about growing up in New Orleans, but she got edgy at his questions, so they made small talk instead. Just for fun, they tried to speak French to each other. Hazel had some Creole blood on her mother’s side. Frank had taken French in school. Neither of them was very fluent, and Louisiana French was so different from Canadian French it was almost impossible to converse. When Frank asked Hazel how her beef was feeling today, and she replied that his shoe was green, they decided to give up. Then Percy Jackson had arrived. Sure, Frank had seen kids fight monsters before. He’d fought plenty of them himself on his journey from Vancouver. But he’d never seen gorgons. He’d never seen a goddess in person. And the way Percy had controlled the Little Tiber—wow. Frank wished he had powers like that.
”
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Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
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partial exception to this pattern was the Catholic Church, which generally did not require black worshippers to sit in separate pews (although its parochial schools were segregated). Some freedmen abandoned Catholicism for black-controlled Protestant denominations, but others were attracted to it precisely because, a Northern teacher reported from Natchez, “they are treated on terms of equality, at least while they are in church.” And Catholicism retained its hold on large numbers of New Orleans free blacks who, at least on Sunday, coexisted harmoniously with the city’s French and Irish white Catholic population.
”
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Eric Foner (Reconstruction: America's Unfinished Revolution, 1863-1877)
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There were places in this world that magic avoided, like the bleak lunar planes of the National Mall in Washington, D.C., and places it was drawn to, like Rockefeller Center in Manhattan and the French Quarter in New Orleans. New Haven had an extremely high concentration of sites where magic seemed to catch and build, like cotton candy on a spool.
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Leigh Bardugo (Ninth House (Alex Stern, #1))
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The wild notes of tuba and trumpet and trombone rattled and hummed through the trees. In the first group of musicians, there were kids as young as fourteen playing the tuba and one kid who probably couldn’t drive banging a bass drum. They stomped together in rhythm to the music. Two ladies had dressed up in what looked like princess outfits. They wore white gloves and socks with tassels.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
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Had Stella been named anything else, and/or had we lived in any other city besides New Orleans, my desperate call would have been just my desperate call. In that alternate universe the neighbors might have peeked from behind the curtains but they wouldn't have laughed or, worse, joined in. But you simply cannot shout the name Stella while standing under a window in New Orleans and hope for anything like an authentic or even mildly earnest moment. Literature had beaten me to this moment, had staked its flag here first, and there was nothing I could do outside in that soupy, rain-drenched alleyway that could rise above sad parody. Perhaps if she'd been named Beatrice, or Katarzyna-maybe then my life would have turned out differently. Maybe then my voice would have roused her to the window, maybe then I could have told her that I was sorry, that I could be a better man, that I couldn't promise I knew everything it meant but I loved her. Instead I stared up at that black window, shutmouthed and impotent, blinking and reblinking my eyes to flush out the rainwater. "Stella," I whispered. The French have an expression: "Without literature life is hell." Yeah, well. Life with it bears its own set of flames.
”
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Jonathan Miles (Dear American Airlines)
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Every town has ‘THAT house’: the one that once held dark secrets. You know the house… the one no one will purchase? The one whose walls have seen blood? The one that even birds avoid, and the darkened windows resemble empty eye sockets? There are furtive, yet insistent, whispers about ‘that’ house, murmurs that perhaps the house is best left alone, lest the dark stain left upon that abode’s history seep into our own present-day.
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James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
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Just as the Mediterranean separated France from the country Algiers, so did the Mississippi separate New Orleans proper from Algiers Point. The neighborhood had a strange mix. It looked seedier and more laid-back all at the same time. Many artists lived on the peninsula, with greenery everywhere and the most beautiful and exotic plants. The French influence was heavy in Algiers, as if the air above the water had carried as much ambience as it could across to the little neighborhood. There were more dilapidated buildings in the community, but Jackson and Buddy passed homes with completely manicured properties, too, and wild ferns growing out of baskets on the porches, as if they were a part of the architecture. Many of the buildings had rich, ornamental detail, wood trim hand-carved by craftsmen and artisans years ago. The community almost had the look of an ailing beach town on some forgotten coast.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
I was owned by Johnson Bell and born in New Orleans, in Loisiana. Cordin to the bill of sale, I'm eighty-six years old, and my master was a Frenchman and was real mean to me. He ran saloon and kept bad women. I don't know nothing 'bout my folks, if I had any, 'crept my mama. They done tell me she was a bad woman and a French Creole.
I worked 'round master's saloon, kep everything cleaned up after they'd have all night drinkin' parties, men and women.
”
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Born In Slavery: Slave Narratives from The Federal Writers Project
“
Ever since I could remember reading, I was a fan of Horror Novels, then just an Avid reader of all things dark and deeply written or off the cuff styles and not so bland and sterile as if the grammar police forensically wrote it to be safe, then re-edited it to be even more annoyingly not from an emotion but from a text book, I love dark dark fiction that's why i write it. Some of my favorite writers are Anne Rice, Hunter S. Thompson and Clive Barker, perhaps you can sense this in my writing.
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Liesalette (Lalin: Bayou Moon Series Volume I)
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At the Treaty of San Ildefonso, Napoleon had promised Spain not to sell Louisiana to a third party, a commitment he now decided to ignore. On the same day that Whitworth called for his passports in Paris, across the Atlantic President Thomas Jefferson signed the Louisiana Purchase, doubling the size of the United States at the stroke of his pen. The Americans paid France 80 million francs for 875,000 square miles of territory that today comprises all or some of thirteen states from the Gulf of Mexico across the Midwest right up to the Canadian border, at a cost of less than four cents an acre.93 ‘Irresolution and deliberation are no longer in season,’ Napoleon wrote to Talleyrand. ‘I renounce Louisiana. It is not only New Orleans that I cede; it is the whole colony, without reserve; I know the price of what I abandon … I renounce it with the greatest regret: to attempt obstinately to retain it would be folly.’94 After the Saint-Domingue debacle and the collapse of Amiens, Napoleon concluded he must realize his largest and (for the immediate future) entirely useless asset, one that might eventually have drawn France into conflict with the United States. Instead, by helping the United States to continental greatness, and enriching the French treasury in the process, Napoleon was able to prophesy: ‘I have just given to England a maritime rival that sooner or later will humble her pride.’95 Within a decade, the United States was at war with Britain rather than with France, and the War of 1812 was to draw off British forces that were still fighting in February 1815, and which might otherwise have been present at Waterloo.
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Andrew Roberts (Napoleon: A Life)
“
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
”
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Delia Owens (Where the Crawdads Sing)
“
A pair of shots rang out from outside, near the front of the house, followed by shouting. A sudden flood of adrenaline doused my fatigue and political confusion.
Jean’s posture straightened, and he rose quickly. “That is Dominique, whose men were watching the transport. Something is amiss.”
Ya think? I ran for my bag and pulled out the staff.
Jean slipped a triangular-bladed dagger from beneath his tunic, wrenched open the door to the study, and strode out ahead of me. As always where the pirate was concerned, I trailed along, a step behind.
I edged around Jean in time to see his older half-brother and fellow pirate captain Dominique Youx dragging a stumbling, bleeding man into the front hallway from outside and shoving him to the floor. I breathed a sigh of relief that it wasn’t Alex, followed by a chaser of disappointment that it wasn’t Alex, topped by a dollop of concern that our friend Ken Hachette had been shot.
Ken, a human NOPD detective who’d recently been clued in about the big bad world surrounding him, had missed all the recent events due to a family emergency that had taken him out of town.
Why would he be coming to Old Barataria alone via Jean Lafitte’s private transport unless Alex sent him? My adrenaline jump-started my heart to another race, this one fueled by worry. Something bad had happened; it was the only explanation.
Jean and Dominique exchanged a rapid-fire torrent of French that went way past my abilities to interpret. “He claims to be a friend to her,” Dominique finally spat out, and I could tell by the way he said her, much as one might say flesh-eating maggot, that he referred to me. He’d never liked me; he considered me a bad influence on his baby brother the immortal pirate. As if.
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Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
“
All the attacks had been on Italian grocers. What was the significance of this? Why not German or French or American grocers? When Joseph and Conchetta Rissetto were attacked, the New Orleans Item suggested they were the victims of “vengeance”—i.e., the Italian vendetta. “Both families,” the paper deliberately noted (referring to the Cruttis and Rissettos), “are of Italian descent.” After Joe Davi’s death, the Daily Picayune opined that the “fact that all the victims were Italians of the small tradesmen class should point the direction in which the clews [sic] are to be sought.” Everyone in New Orleans knew what this meant.
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Miriam C. Davis (The Axeman of New Orleans: The True Story)
“
It was at this bleak moment that Tom Sancton wandered through the French Quarter one evening and passed by the open wrought-iron gate of 726 St. Peter Street.
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Tom Sancton (Song for My Fathers: A New Orleans Story in Black and White)
“
I’m mesmerized by the way he speaks—New Orleans is pronounced N’awlins. When he says backyard, it’s backyaaad. It’s the kind of voice that makes you feel instantly at home, like you’re a close friend or part of the inner circle.
—SINGLE-MINDED
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Lisa Daily (Single-Minded: A Novel)
“
So...how the hell does a dominatrix from New Orleans hook up with a French farmer?” “Do you want the long version or the short version?” Nora asked. “Short version first,” Justine said. “I used to work for Nico’s father.” “As a…writer?” “As a dominatrix,” Nora said. Justine looked at Nico, and then back at Nora. “Yeah, I’m gonna need that long version.
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Tiffany Reisz (Mischief (The Original Sinners #8.3))
“
French Library It’s not just an impossibly adorable bookstore – it’s an impossibly adorable bookstore where the books are all in French.
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”
Lonely Planet (Lonely Planet New Orleans (Travel Guide))
“
At a patio party recently in New Orleans' French Quarter, an oil millionaire from Dallas allowed, “I'd vote for him in a minute, and give him all the money I could, if I just felt I could trust him-if he wouldn't wind up getting tamed by Washington like Lester Maddox over there in Georgia. I'm a Republican, but I'd love to support him, and every one of my friends-oilmen, fellows in wheat-feel the same way.
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Marshall Frady (Wallace: The Classic Portrait of Alabama Governor George Wallace)
“
With the end of the American Revolution, ambitious European and American planters and woud-be planters flowed into the lower Mississippi Valley. They soon demanded an end to the complaisant regime that characterized slavery in the long half century following the Natchez rebellion, and Spanish officials were pleased to comply. The Cabildo - the governing body of New Orleans - issued its own regulations combining French and Spanish black codes, along with additional proscriptions on black life. In succeeding years, the state - Spanish (until 1800), French (between 1800 and 1803), and finally American (beginning in 1803) - enacted other regulations, controlling the slaves' mobility and denying their right to inherit property, contract independently, and testify in court. Explicit prohibitions against slave assemblage, gun ownership, and travel by horse were added, along with restrictions on manumission and self-purchase. The French, who again took control of Louisiana in 1800, proved even more compliant, reimposing the Code Noir during their brief ascendancy. The hasty resurrection of the old code pleased slaveholders, and, although it lost its effect with the American accession in 1803, planters - in control of the territorial legislature - incorporate many of its provisions in the territorial slave code.
Perhaps even more significant than the plethora of new restrictions was a will to enforce the law. Slave miscreants faced an increasingly vigilant constabulary, whose members took it upon themselves to punish offenders. Officials turned with particular force on the maroon settlements that had proliferated amid the warfare of the Age of Revolution. They dismantled some fugitive colonies, scattering their members and driving many of them more deeply into the swamps. Maroons unfortunate enough to be captured were re-enslaved, deported, or executed.
”
”
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
“
The purchase of Louisiana from a beleaguered France, engineered by Thomas Jefferson, created not an 'empire for liberty,' as Jefferson had promised, but an empire for slavery. With New Orleans and its vast hinterland now under American rule, planters quickly occupied the rich lands between the western Appalachian ranges and the Mississippi River. The two great thrusts of slavery's expansion - one east to west from the Chesapeake and lowcountry, the other south to north from the lower Mississippi Valley - soon joined. Before long, slaveholders were casting covetous eyes on the southwestern corner of the North American continent, a vision that they translated into reality with the successful American assault on Mexico in 1848.
The territorial settlement that followed the Mexican War exposed the federal government's long-established role as the agent of slavery's expansion. Federal diplomats who had wrested Louisiana from the French in 1803 took Florida from the Spanish in 1819. Between these two landmarks in slavery's expansion, federal soldiers and state militiamen forcibly expropriated millions of acres of land from the Indians through armed conquest and defended the slave regime from black insurrectionists and foreign invaders. After defeating slave rebels in St. John the Baptist Parish, Louisiana, in 1811 and British invaders in New Orleans in 1814, federal soldiers turned their attention to sweeping aside Native peoples.
”
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Ira Berlin (Generations of Captivity: A History of African-American Slaves)
“
By the following year, the rumor had been confirmed. Jefferson then spent much of 1802 contemplating the implications of neighboring a large French holding. His immediate concern was access to New Orleans, where the Mississippi River emptied into the Gulf of Mexico—small streams and rivers as far north as Pennsylvania and New York merged and flowed into the vital Mississippi. Jefferson decided to dispatch James Monroe as a special envoy to negotiate with France. Once in Paris, Monroe was to join the American minister to France, Robert R. Livingston, to negotiate the purchase of New Orleans and territories near it. Jefferson authorized up to $10 million. Monroe and Livingston, however, were shocked at the French willingness to cede the entirety of the French holding in North America. As transoceanic communication was only as fast as that of a sailing vessel, and relaying the message back to Washington raised the risk of Napoleon changing his mind, the American negotiators went beyond their mandate and agreed in principle to pay $15 million for the territory ranging from New Orleans up to Canada, with a natural western border ending at the foothills of the Rocky Mountains. The news of the agreement took well over a month to reach the president. With the details finalized through the remainder of 1803, the United States more than doubled in size.
”
”
Bhu Srinivasan (Americana: A 400-Year History of American Capitalism)
“
When everything else is gone you’ll still have the French Quarter, cockroaches and Cher.
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David Lennon (The Quarter Boys (The Michel Doucette-Sassy Jones New Orleans Mysteries Book 1))
“
Mobile’s reputation as the birthplace of Mardi Gras in North America does not rest solely on the fact that a few half-starved French colonists observed the pre-Lenten feasts here 300 years ago… In 1852, a group of Mobile "Cowbellians" moved to New Orleans and formed the Krewe of Comus, which is now that larger city’s oldest and most secretive Carnival society.
…All of Mobile’s parading societies throw Moon Pies along with beads and doubloons, providing sugary nourishment to the revelers lining the streets.
The crowd is very regional, mostly coastal Alabamians. Everyone seems to know each other, and they are always honored and often extra hospitable when they learn that you traveled a long way just to visit *their* Carnival. Late into the evening, silk-gowned debutantes with their white-tie and tail clad escorts who’ve grown weary of their formal balls blend easily with the street crowds…
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Gary Bridgman (Lonely Planet Louisiana & the Deep South)
“
don’t take the trip, let the trip take you. Meaning, don’t overplan or be ruthless about sticking to an artificial schedule. Sure, you can plan things and have a rough idea of what is supposed to happen when, but don’t become so inflexible that you miss out on something amazing.
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James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
“
American motor-and-music city of Detroit. Two centuries after the settlement’s founding, Cadillac’s name was a synonym for mass-produced luxury. He thus has the best name recognition today of any French colonist, and his memory resounds in countless song lyrics.
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Ned Sublette (The World That Made New Orleans: From Spanish Silver to Congo Square)
“
He turned around to see the bass drum popping and the horn sections pointing their instruments to the balconies and sending glorious notes to the rooftops.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
A good crowd had formed along the sidewalk and the concrete ledge that bordered Louis Armstrong Park. The anticipation was dizzying...New Orleans had the big-boy parades and [Jackson & Billy] couldn't wait to attend a second line...
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
The only way he could truly stick out in New Orleans was if he were walking down the street on fire. A businessman in suit and tie would stick out more than the characters Jackson passed on those old streets.
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Hunter Murphy (Imogene in New Orleans (Imogene and the Boys #1))
“
We played like a dead French kiss reincarnated
as a saxophone with tendencies to hiss
galaxophonic secrets through the tombs of trombones
reborn as the lower bones of Bojangles, dancing
on base drums prancing like songs of the railroad
set free, we played like freedom, stirring
on those hills reflected in the back heels
of a dancer in New Orleans
tapping prosperity
”
”
Inua Ellams
“
An old French saying that goes, ‘The heart has reasons of which reason knows nothing’.
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O'Neil De Noux (New Orleans Confidential (Lucien Caye Private Eye Stories))
“
Beau allowed the boat to stop, so that they bobbed gently in the water. “It’s funny you should ask about that particular tale. The man who gave me the tickets for your concert was very interested in that alligator. We used to come out here at night together, gathering herbs and bark, and we poked around looking for the monster. We never did find it, though.”
“Who gave you tickets to Savannah’s show?” Gregori asked softly, already knowing the answer.
“A man named Selvaggio, Julian Selvaggio. His family has been in New Orleans almost from the first founding. I met him years ago. We’re good friends”— he grinned engagingly—“ despite the fact that he’s Italian.”
Gregori’s eyebrows shot up. Julian was born and raised in the Carpathian Mountains. He was no more Italian than Gregori was French. Julian had spent considerable time in Italy, just as Gregori had in France, but both were Carpathian through and through.
“I know Julian,” Gregori volunteered, his white teeth gleaming in the darkness. Water lapped at the boat, making a peculiar slapping sound. The rocking was more soothing and peaceful than disturbing.
Beau looked smug. “I thought you might. You both have a connection to Savannah, you both ask the same questions about natural medicine, and you both look as intimidating as hell.”
“I am nicer than he is,” Gregori said, straight-faced.
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Christine Feehan (Dark Magic (Dark, #4))
“
You have many assets, Drusilla, but apparently a respect for time is not among them.” Deep, disapproving voice, French accent, broad shoulders encased in a red linen shirt, long dark hair pulled back into a tail, eyes such a cobalt blue they bordered on navy. And technically speaking, dead. He was as sexy as ever. “Sorry.” I slipped my hand
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Suzanne Johnson (River Road (Sentinels of New Orleans, #2))
“
It seemed some pulp-novel version of a European hub, equal parts Renaissance-age Florence and modern day Paris with a heavy helping of Las Vegas and New York—at least, that was the way she thought of it. It was so far beyond description and unrelatable to any other place that she grasped desperately at straws trying to puzzle out how she'd tell the tale she'd no doubt live tonight.
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Alaria Thorne (Flogged In The French Quarter)
“
Napoleon’s minion shocked Livingston almost out of his knee breeches with an astonishing offer: not just New Orleans, but all of French Louisiana—the whole west bank of the Mississippi and its tributaries. Now the United States was offered—for a mere $15 million—828,000 square miles, 530 million acres, at three cents per acre.
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Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
“
However we assess the relief of the siege of Orleans and the subsequent successes in the Loire Valley, the military proficiency of the French shocked the English to the point that French victory now seemed almost inevitable. If the English had learned that the French had new materiel or a brilliant new commander, they might have been able to devise counter procedures. But they had underestimated everything, from the loyalty evoked by Joan's leadership at Orleans to the fresh resolve of the men who knew her. In a way she also stood for something like a principle of minimal violence, for although she was always exposed to injury and indeed sustained serious wounds, she never personally harmed an enemy solider. The events of the late spring and early summer of 1929 engendered a new collective spirit among the French.
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Donald Spoto (Joan: The Mysterious Life of the Heretic Who Became a Saint)
“
New Orleans, said he usually dresses in costume for the Mardi Gras holiday, but the weather deterred him this year. Baker said he chose to celebrate a little differently — sipping cocktails under the cover of a friend's French Quarter patio balcony while watching other costumed revelers
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Anonymous
“
Endless night of Eternal love in the heart of the French Quarter. Tears of Crimson, the New Orleans Vampire Bar.
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Michelle Hughes (Tears of Crimson (ReVamped))
“
Marie the Second sported a bright tignon to signal her status and identity. She flaunted her turban, gold jewelry, and a proud walk that announced to all that saw her -- I am not white, not slave, not black, not French, not Negro, not African American. I am a free woman, a Creole of New Orleans.
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Martha Ward (Voodoo Queen: The Spirited Lives of Marie Laveau)
“
Angelina, I adore you...," crooned Louis. Then the New Orleans Gang picked up the beat and King Louis sang, "I eat antipasto twice, just because she is so nice, Angelina..."
Fresh pasta time. Angelina cracked three eggs into the center of a mound of 00 flour, in time to the music, and began teasing the flour into the sticky center. With a hand-cranked pasta maker, she rolled out the dough into long, silky-thin sheets, laid them out until they covered the entire table, then used a 'mezza luna' to carefully slice wide strips of pasta for a new dish she wanted to try that she called Lasagna Provencal, a combination of Italian and French cheeses, Roma and sun-dried tomatoes, Herbes de Provence, and fresh basil. It was a recipe for which she had very high hopes.
Angelina started assembling her lasagna. She mixed creamy Neufchatel, ricotta, and a sharp, grated Parmigiano-Reggiano in with a whole egg to bind it together. She layered fresh pasta sheets in a lasagna dish, coated them with the cheesy mixture, ripped in some fresh basil and oregano and sun-dried tomatoes. She worked quickly, but with iron concentration.
"I'm-a just a gigolo, everywhere I go...," sang King Louie.
For the second layer, she used more pasta topped with Gruyere and herbed Boursin cheese. The third layer was the same as the first. For the fourth layer, she used the rest of the Boursin and dollops of creme fraiche, then ladled the thick, rich tomato sauce from the stove on top and finished it with a sprinkling of shredded Gruyere. She set it aside for baking later and felt a flush of craftswomanly pride in the way it had all come together.
”
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Brian O'Reilly (Angelina's Bachelors)
“
Brave men don't fight for nothing, like children.' protested Howell's (Major Joe Howell) friend. 'We want to know what we are fighting about. If we are wrong we may apologize.
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Herbert Asbury (The French Quarter: An Informal History of the New Orleans Underworld)
“
1718: Foundation of New Orleans, Louisiana, by the French.
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John Rudd (Timeline of the Early Modern Age)
“
They were all in New Orleans, a place like none other in America. A city whose residents treasured their food, their music, their architecture, and their ability to live in the moment. Founded by the French, conquered by the Spanish, then taken back under French rule before being sold to the Americans, New Orleans had survived slavery, the Civil War, yellow-fever epidemics, and ferocious hurricanes resulting in the deaths of hundreds, the displacement of thousands more, and the destruction of huge swaths of the city. People who lived in the Big Easy well understood the fragility of life.
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Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
“
Piper helped out at the counter as a steady stream of customers came in throughout the morning. They bought bags of powdered beignets, French almond croissants, and rings of buttery pastry with praline filling and caramel icing sprinkled with sweet southern pecans.
”
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Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
“
On the German Coast of Louisiana, where the rebellion took place—named as such for the German immigrants who settled there—roughly 60 percent of the total population was enslaved. The fear of armed insurrection had long been in the air. That fear had escalated over the course of the Haitian Revolution, in which the enslaved population in Haiti rose up against the French and in 1804 founded what became the first Black-led republic in the world. The French army was so beleaguered from battle and disease—by the end of the war, more than 80 percent of the soldiers sent to the island had died—that Napoleon Bonaparte, looking to cut his losses and refocus his attention on his military battles in Europe, sold the entire territory of Louisiana to Thomas Jefferson’s negotiators for a paltry fifteen million dollars—about four cents an acre. Without the Haitian Revolution, it is unlikely that Napoleon would have sold a landmass that doubled the size of the then United States, especially as Jefferson had intended to approach the French simply looking to purchase New Orleans in order to have access to the heart of the Mississippi River. For enslaved people throughout the rest of the “New World,” the victory in Haiti—the story of which had spread through plantations across the South, at the edges of cotton fields and in the quiet corners of loud kitchens—served as inspiration for what was possible.
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Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
“
Most belief systems that don’t have a central text like the Koran or the Old Testament become extremely pragmatic, adopting whatever else is around if it fits. New Orleans voodoo has a lot of French Catholicism embedded in it, while Brazilian forms have incorporated some of the indigenous beliefs from there.
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Andrew Mayne (Looking Glass (The Naturalist, #2))
“
RABBIT INVENTS THE SAXOPHONE When one of the last trails of tears wound through New Orleans Rabbit, that ragged trickster, decided he wanted To be a musician. He was tired of walking. And they had all the fun. They got all the women, they were surrounded By fans who gave them smokes, drinks, and he could have All kinds of friends to do his bidding. But, Rabbit hadn’t proved to be musical. When he led at stomp dance no one would follow. No shell shaker would shake shells for him. He was never invited to lead, even when the young ones Were called up to practice. The first thing a musician needs is a band, he said to his friends. The hottest new music was being made at Congo Square— So many tribes were jamming there: African, Native, and a few remnant French. Making a new music of melody, love and beat. Rabbit climbed up to the stage but had nothing to offer. Just his strut, charming banter, and what looked like a long stick Down the tight leg of pants. Musicians are musicians, no trick will get by.
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Joy Harjo (An American Sunrise)
“
In 1429, a seventeen-year-old girl who would soon come to be renowned as Jehanne la Pucelle (“Jeanne, the maiden”) left a small town in northeast France to offer her services as a military strategist to Charles VII, the Dauphin—or heir to the throne—whose forces were losing a protracted war against English partisans threatening to displace him. At first, no one took her seriously, but Jehanne’s determination overcame initial resistance: her skill and insight helped the French develop new battle plans and her courage inspired the demoralized troops. Under Jehanne’s leadership, the French forces successfully thwarted a siege on the city of Orleans. Later she led a campaign to retake the city and cathedral of Reims, where the kings of France had been crowned ever since the Frankish tribes were united under one ruler, allowing the Dauphin to be crowned king in the ancient tradition. Jehanne’s remarkable successes seemed divinely ordained, which necessarily implied Charles’s divine right to rule France. In 1430 Jehanne was captured in battle and imprisoned. An ecclesiastical tribunal stacked with English partisans tried her for heresy. But Jehanne’s faith was beyond reproach. She showed an astonishing familiarity with the intricacies of scholastic theology, evading every effort to lure her into making a heretical statement. Unable to discredit her faith through her verbal testimony, the tribunal seized on the implicit statements made by Jehanne’s attire. In battle, she wore armor, which required linen leggings and a form-fitting tunic fastened together with straps—both traditionally masculine attire—and, like the men she fought alongside, she adopted this martial attire when off the battlefield as well. Citing the biblical proscription in Deuteronomy 22:5 (KJV) which warns, “A woman shall not wear anything that pertains to a man, nor shall a man put on a women’s garment, for all who do are an abomination to the Lord your God,” the tribunal charged Jehanne with heresy. They burned her at the stake in 1431.
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Richard Thompson Ford (Dress Codes: How the Laws of Fashion Made History)
“
hotel drapes and gazed out the window at the bright, clear sky. She had far too much excited pent-up energy to hang around inside on such a gorgeous day, and she couldn’t bear to waste any of the precious hours she had in New Orleans. Three hours was plenty of time for a stroll through the French Quarter, she decided. But was it a good idea to go out alone? She’d been warned the city could be dangerous. But no, it was broad daylight and her hotel was on Canal Street, only a stone’s throw from the Quarter. And by the time the sun went down, she’d be
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M.M. Chouinard (The Dancing Girls (Detective Jo Fournier, #1))
“
Jefferson’s initial plan was to pay for 30,000 Americans to immigrate into the new territory and “amalgamate” with the French residents. “This would not sweeten the pill to the French,” Jefferson wrote, “but in making that acquisition we had some view to our own good as well as theirs.” Governor William Claiborne, who spoke neither French nor Spanish, would be in charge of this grand task, assisted by a top general, the questionably loyal James Wilkinson. New Orleans society did not look favorably on the newcomer’s attempts to instill American values in a much older and longer-established French society.
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Daniel Rasmussen (American Uprising: The Untold Story of America's Largest Slave Revolt)
“
Steam fingers reached up through Decatur's freshly scoured sidewalks as they did each morning, the ancestors of the Choctaw and Saint-Dominguens and Spanish and French, no doubt reminding them they would not reliquish this colony again to the Americans.
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Parker Bauman (Tiny Righteous Acts)
“
The whiffs of coffee and chicory and fried dough danced awkwardly with the occasional and unmistakable wafts of urine left by naive tourists or wild fraternity brothers or desperate homeless people or all of the above. Beset among throngs of tourists identified by lanyards and name tags, and dramatic straw hats, the board awaited the delivery of mountains of beignets dusted like the Alps with sweet snow.
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Parker Bauman
“
Prior to 1700, Bayou Metairie was called Bayou Chapitoulas (or Tchoupitoulas) after an Indian tribe of that name, who lived near the stream’s confluence with the Mississippi River. It was renamed Metairie (meaning farm) by the French settlers who established plantations there. Traces of the original bayou may still be found in Metairie Cemetery. Bayou Gentilly, originally called Bayou Sauvage, was so named by the French because the French word sauvage meant savage, wild, or untamed and was used to describe the Indians. Bayou Sauvage therefore meant Bayou of the Indians or Indian Bayou. It was renamed Bayou Gentilly around 1718 to commemorate the Paris home of the Dreux brothers, early settlers along the waterway.
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Joan B. Garvey (Beautiful Crescent: A History of New Orleans)
“
the plan was a scheme to bilk money from the investors in return for selling them Louisiana. Law was given a monopoly on trade, as well. Later, when it turned out that Law’s company was merely a large confidence game, many of the settlers decided to ignore this and stay on. During the first year of Law’s operation, he decided that a town should be founded at a spot that could be reached from both Lake Pontchartrain and the Mississippi River. In 1718, this town became La Nouvelle Orleans. Development of the city began that year, but work was slow, thanks to brutal heat and the rising and falling waters of the Mississippi. There was talk of moving the city because of the danger of flooding, so levees were constructed, which spread out as the city and the plantations of the area grew. But rising water was not the only danger that could be found at the mouth of the Mississippi. In many early documents, writers spoke of the monsters that dwelt in the murky waters, and the Indian legends told of gigantic beasts that waited to spring upon unwary travelers. “May God preserve us from the crocodiles!” wrote Father Louis Hennepin. Meanwhile, John Law was having problems holding up his end of the bargain that he made with the French. In order to get his money, he had promised his investors that he would have a colony of six thousand settlers and three thousand slaves by 1727. His problem, however, was a shortage of women. The colony’s governor, Jean-Baptiste Le Moyne, Sieur de Bienville, wrote, “The white men are running in the woods after the Indian girls.” About 1720, one solution to cure the shortage of women arrived when the jails of Paris were emptied of prostitutes. The ladies of the evening were given a choice: serve their term in prison or become a colonist in Louisiana. Those who chose the New World quickly became the wives of the men most starved for female companionship. The prisons also served as a source for male colonists. Many thieves, vagabonds, deserters and smugglers also chose to come to Louisiana to avoid prison time. They made for strange company when mixed with aristocrats, indicted for some wrongdoing or another, who also chose New Orleans over the Bastille. New Orleans also lacked education and medical care. Despairing over the conditions, Governor Bienville coaxed the sisters of Ursuline to come from France and assist the new city. The first Ursulines arrived in 1727 and set to work caring for orphans, operating
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Troy Taylor (Haunted New Orleans: History & Hauntings of the Crescent City (Haunted America))
“
And finally she crowded the high French windows with a veritable garden of camellia and fern. 'I miss the flowers; more than anything else I miss the flowers,' she mused. And sought after them even in the paintings which we bought from the shops and the galleries, magnificent canvases such as I'd never seen in New Orleans―from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like to those states when I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. Paris flowed into these rooms.
”
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Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
“
Where does the word cocktail come from? There are many answers to that question, and none is really satisfactory.
One particular favorite story of mine, though, comes from The Booze Reader: A Soggy Saga of a Man in His Cups, by George Bishop: “The word itself stems from the English cock-tail which, in the middle 1800s, referred to a woman of easy virtue who was considered desirable but impure. The word was imported by expatriate Englishmen and applied derogatorily to the newly acquired American habit of bastardizing good British Gin with foreign matter, including ice. The disappearance of the hyphen coincided with the general acceptance of the word and its re-exportation back to England in its present meaning.”
Of course, this can’t be true since the word was applied to a drink before the middle 1800s, but it’s entertaining nonetheless, and the definition of “desirable but impure” fits cocktails to a tee.
A delightful story, published in 1936 in the Bartender, a British publication, details how English sailors of “many years ago” were served mixed drinks in a Mexican tavern. The drinks were stirred with “the fine, slender and smooth root of a plant which owing to its shape was called Cola de Gallo, which in English means ‘Cock’s tail.’ ” The story goes on to say that the sailors made the name popular in England, and from there the word made its way to America.
Another Mexican tale about the etymology of cocktail—again, dated “many years ago”—concerns Xoc-tl (transliterated as Xochitl and Coctel in different accounts), the daughter of a Mexican king, who served drinks to visiting American officers. The Americans honored her by calling the drinks cocktails—the closest they could come to pronouncing her name.
And one more south-of-the-border explanation for the word can be found in Made in America, by Bill Bryson, who explains that in the Krio language, spoken in Sierra Leone, a scorpion is called a kaktel. Could it be that the sting in the cocktail is related to the sting in the scorpion’s tail? It’s doubtful at best.
One of the most popular tales told about the first drinks known as cocktails concerns a tavernkeeper by the name of Betsy Flanagan, who in 1779 served French soldiers drinks garnished with feathers she had plucked from a neighbor’s roosters. The soldiers toasted her by shouting, “Vive le cocktail!”
William Grimes, however, points out in his book Straight Up or On the Rocks: A Cultural History of American Drink that Flanagan was a fictional character who appeared in The Spy, by James Fenimore Cooper. He also notes that the book “relied on oral testimony of Revolutionary War veterans,” so although it’s possible that the tale has some merit, it’s a very unsatisfactory explanation.
A fairly plausible narrative on this subject can be found in Famous New Orleans Drinks & How to Mix ’em, by Stanley Clisby Arthur, first published in 1937. Arthur tells the story of Antoine Amedie Peychaud, a French refugee from San Domingo who settled in New Orleans in 1793. Peychaud was an apothecary who opened his own business, where, among other things, he made his own bitters, Peychaud’s, a concoction still available today. He created a stomach remedy by mixing his bitters with brandy in an eggcup—a vessel known to him in his native tongue as a coquetier. Presumably not all Peychaud’s customers spoke French, and it’s quite possible that the word, pronounced coh-KET-yay, could have been corrupted into cocktail. However, according to the Sazerac Company, the present-day producers of Peychaud’s bitters, the apothecary didn’t open until 1838, so there’s yet another explanation that doesn’t work.
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Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
“
The virtual extinction of the French expeditionary force, which had been scheduled to proceed to New Orleans after dispatching the blacks of Santo Domingo, was the immediate cause of Napoleon's decision to cut his losses in the Western Hemisphere. In that sense, Jefferson was not only extraordinarily lucky but also beholden to historical forces that he had actually opposed.
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Joseph J. Ellis (American Sphinx: The Character of Thomas Jefferson)
“
Walking around the Quarter with its horses and buggies, cobblestone streets, and kerosene lamps felt like stepping back in time, all the way back to the time when Louise was a small child living in Fayetteville. I imagined her in a linen jumper with a white collar, skipping along the cobblestones, avoiding the cracks that would break her mother's back.
It was quiet outside as well as sweltering August temperatures kept tourists off the streets and residents inside their homes. The blocks felt private and sensual as Gabriel and I held hands and walked under the lush vegetation spilling from the baskets that hung off the balconies of the houses on St. Philip.
I could smell the sweet olive and the jasmine and I had the pleasant sensation of knowing that they were coming from outside of my body. New Orleans was my equal in scent, and as long as it was night and the air was a degree or two cooler than in the daytime I was sure I could walk around freely without attracting any unwanted attention.
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Margot Berwin (Scent of Darkness)
“
New Orleans restaurants are so good, you'll want to slap your momma, you neighbor's momma, and your neighbor's momma's momma.
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Ren French (Creating a Concierge)
“
I speak New Orleans sassy black woman dialect. I love it.
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Ren French (Creating a Concierge)
“
esprit de l'escalier (French) and Theppenwitz (German)
Clever remark that comes to mind when it is too late to utter it. [nouns]
The French said it first when they came up with a name for that special kind of unspoken word or phrase, the clever rejoinder to the public insult, or the brilliantly witty remark that comes into your mind only after you have left the party: Esprit de l'escalier (ehs-PREE duh les-kall-YAY) literally means "the spirit of the staircase." Sometimes, this feeling about what you ought to have said at a crucial moment can haunt you for the rest of your life.
If it happens to you or a friend, and if you are feeling Continental, the French idiom is probably appropriate. In other cases, however, the German derivative Treppenwitz (TRAP-pen-vitz, rhymes with "Jack and Fritz") may prevail, since it carries the concept further, to historical dimensions. In addition to referring to the kind of remark that occurs to a person when it is too late, it also applies to events that appear to be the result of a joke played by fate or history. The Battle of New Orleans in the War of 1812 is a classic example. Andrew Jackson led his irregulars to the war's greatest victory for the Americans, but because of the slow communications of the era, it was fought two weeks after the British and Americans had signed a peace treaty!
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Howard Rheingold (They Have a Word for It: A Lighthearted Lexicon of Untranslatable Words & Phrases)