“
There was rarely an obvious branching point in a person's life. People changed slowly, over time. You didn't take on step, then find yourself in a completely new location. You first took a little step off a path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn't led you better.
”
”
Brandon Sanderson (The Emperor's Soul (The Cosmere))
“
Close both eyes see with the other one. Then we are no longer saddled by the burden of our persistent judgments our ceaseless withholding our constant exclusion. Our sphere has widened and we find ourselves quite unexpectedly in a new expansive location in a place of endless acceptance and infinite love.
”
”
Gregory J. Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
My mother has always been the point I calibrated myself against. In knowing where she was, I could always locate myself, as well. These months she'd been gone, I felt like I'd been floating, loose and boundaryless, but now that I knew where she was, I kept waiting for a kind of certainty to kick in. It didn't. Instead, I was more unsure than ever, stuck between this new life and the one I'd left behind.
”
”
Sarah Dessen (Lock and Key)
“
There was rarely an obvious branching point in a person's life. People changed slowly, over time. You didn't take one step, then find yourself in a completely new location. You first took a little step off the path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn't led you better.
”
”
Brandon Sanderson (The Emperor's Soul (The Cosmere))
“
When Thoreau considered "where I live and what I live for," he tied together location and values. Where we live doesn't just change how we live; it informs who we become. Most recently, technology promises us lives on the screen. What values, Thoreau would ask, follow from this new location? Immersed in simulation, where do we live, and what do we live for?
”
”
Sherry Turkle (Alone Together: Why We Expect More from Technology and Less from Each Other)
“
You can discover new things by changing your perspective and your location
”
”
Jo Nesbø (The Son)
“
In reality, time doesn't pass; we pass. Time itself is invariant. It just is. Therefore, past and future aren't separate locations, the way New York and Paris are separate locations. And since the past isn't a location, you can't travel to it.
”
”
Michael Crichton (Timeline)
“
A three-legged dog
successfully crosses the road
to a new location
where there is greener grass
to piss on
”
”
Wesley Eisold
“
Every previous revolutionary movement in human history has made the same basic mistake. They’ve all seen power as a static apparatus, as a structure. And it’s not. It’s a dynamic, a flow system with two possible tendencies. Power either accumulates, or it diffuses through the system. In most societies, it’s in accumulative mode, and most revolutionary movements are only really interested in reconstituting the accumulation in a new location. A genuine revolution has to reverse the flow. And no one ever does that, because they’re all too fucking scared of losing their conning tower moment in the historical process. If you tear down one agglutinative power dynamic and put another one in its place, you’ve changed nothing. You’re not going to solve any of that society’s problems, they’ll just reemerge at a new angle. You’ve got to set up the nanotech that will deal with the problems on its own. You’ve got to build the structures that allow for diffusion of power, not re-grouping. Accountability, demodynamic access, systems of constituted rights, education in the use of political infrastructure
”
”
Richard K. Morgan (Woken Furies (Takeshi Kovacs, #3))
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
Mom has reorganized the kitchen so that the one room that was everyone's room is foreign to me. My visits are punctuated with me whipping around, angrily demanding, "Where are the forks, WHY DID YOU MOVE THE FORKS?" and she has to calmly open the drawer on the other side of the kitchen as if she moved it just to ruin my life. I just found out where she puts the bowls and their new location feels like such a personal attack that I can barely talk about it without raising my blood pressure.
”
”
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
“
If rumours are true a snail’s sex organs are located on the back of its head, how about that eh? It gives a whole new meaning to having your brains fucked out, no wonder their eyes are out on stalks.
”
”
Gillibran Brown (Fun With Dick and Shane (Memoirs of a Houseboy, #1))
“
NirVana chakra is the chakra of neuroplasticity. It allows the brain to continuously change and adapt, and build new neural connections as needed, and abandoning the pathways that drags people down.
”
”
Amit Ray (Ray 114 Chakra System Names, Locations and Functions)
“
He grumbles incoherently, opens the window a fraction and continues to smoke away. It’s like every time Sidney Drake enters a new location he has to readjust the atmosphere, akin to one of those sci-fi shows where they oxygenate the planet, but for my dad it’s in a suffocating reverse. He replaces the clean wholesome air with a non-stop puff of toxic poison.
”
”
Tom Conrad
“
I... briefly wondered why I kept running into repeat uses of various locations around town. This wasn't the first time I'd dealt with the bad guys choosing to reuse a location different bad guys had used before them. Maybe there was a Villainous Time-share Association. Maybe my life was actually a basic-cable television show, and they couldn't afford to spend money on new sets all the time.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
As more people have found the courage to break through shame and speak about woundedness in their lives, we are now subjected to a mean-spirited cultural response, where all talk of woundedness is mocked. The belittling of anyone's attempt to name a context within which they were wounded, were made a victim, is a form of shaming. It is psychological terrorism. Shaming breaks our hearts. All individuals who are genuinely seeking well-being within a healing context realize that it is important to that process not to make being a victim a stance of pride or a location from which to simply blame others. We need to speak our shame and our pain courageously in order to recover. Addressing woundedness is not about blaming others; however, it does allow individuals who have been, and are, hurt to insist on accountability and responsibility both from themselves and from those who were the agents of their suffering as well as those who bore witness. Constructive confrontation aids our healing.
”
”
bell hooks (All About Love: New Visions)
“
To be anorexic...she thought, amounted to wanting to shed yourself of some of the imperfect mosaic of pieces that made you who you were. She could understand that now for, maybe underneath that desquamated self you would locate a new version.
”
”
Meg Wolitzer (The Ten-Year Nap)
“
Perhaps you can help me locate some of my own blind spots.” This is another one of those phrases that have taken up lodging in my mind and that I often make use of in my clinical work.)
”
”
Irvin D. Yalom (The Gift of Therapy: An Open Letter to a New Generation of Therapists and Their Patients)
“
After the 11 September attack," March editorializes one morning, "amid all that chaos and confusion, a hole quietly opened up in American history, a vacuum of accountability, into which assets human and financial begin to vanish. Back in the days of hippie simplicity, people liked to blame 'the CIA' or 'a secret rogue operation.' But this is a new enemy, unnamable, locatable on no organization chart or budget line--who knows, maybe even the CIA's scared of them.
”
”
Thomas Pynchon (Bleeding Edge)
“
Of course we have a Tomorrow on the map…located east of Today and west of Yesterday…and we have no end of "times" in fairyland. Spring-time, long time, short time, new-moon time, good-night time, next time…but no last time, because that is too sad a time for fairyland; old time, young time…because if there is an old time there ought to be a young time, too; mountain time…because that has such a fascinating sound; night-time and day-time…but no bed-time or school-time; Christmas-time; no only time, because that also is too sad…but lost time, because it is so nice to find it; some time, good time, fast time, slow time, half-past kissing-time, going-home time, and time immemorial…which is one of the most beautiful phrases in the world.
”
”
L.M. Montgomery
“
When I got to college, the fake ID thing wasn't that important, since pretty much everyone could get away with drinking in New Orleans. But the drugs, well, that was a different story altogether, because drugs are every bit as illegal in New Orleans as anywhere else--at least, if you're black and poor, and have the misfortune of doing your drugs somewhere other than the dorms at Tulane University. But if you are lucky enough to be living at Tulane, which is a pretty white place, especially contrasted with the city where it's located, which is 65 percent black, then you are absolutely set.
”
”
Tim Wise (White Like Me: Reflections on Race from a Privileged Son)
“
I believe that in the process of locating new avenues of creative thought, we will also arrive at an existential conservatism. It is worth asking repeatedly: Where are our deepest roots? We are, it seems, Old World, catarrhine primates, brilliant emergent animals, defined genetically by our unique origins, blessed by our newfound biological genius, and secure in our homeland if we wish to make it so. What does it all mean? This is what it all means: To the extent that we depend on prosthetic devices to keep ourselves and the biosphere alive, we will render everything fragile. To the extent that we banish the rest of life, we will impoverish our own species for all time. And if we should surrender our genetic nature to machine-aided ratiocination, and our ethics and art and our very meaning to a habit of careless discursion in the name of progress, imagining ourselves godlike and absolved from our ancient heritage, we will become nothing.
”
”
Edward O. Wilson (Consilience: The Unity of Knowledge)
“
Despite his new eyes, man was still rooted in matter, his soul spun into it and subordinated to its blind laws. And yet he could see matter as a stranger, compare himself to all phenomena, see through and locate his vital processes. He comes to nature as an unbidden guest, in vain extending his arms to beg conciliation with his maker: Nature answers no more, it preformed a miracle with man, but later did not know him
”
”
Peter Wessel Zapffe (The Last Messiah)
“
The best way I can describe [being transgender] for myself [...] is a constant feeling of homesickness. An unwavering ache in the pit of my stomach that only goes away when I can be seen and affirmed in the gender I've always felt myself to be. And unlike homesickness with location, which eventually diminishes as you get used to the new home, this homesickness only grows with time and separation.
”
”
Sarah McBride (Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equality)
“
Out of character to be so obvious. You need to be more subtle. Locate a partially blocked artery in his brain, then just pinch it off. Bang, he's down and it's over."
- Mara Jade Skywalker
”
”
Michael A. Stackpole (Dark Tide I: Onslaught (Star Wars: The New Jedi Order, #2))
“
Fact: life is a giant classroom and every day is an opportunity to learn something new.
Fact: you have to be prepared for pop quizzes, because they can come from anywhere or anyone.
Also fact: I wished I'd called in sick today.
What I learned from professor Frosty?
How to properly boost cars. The guy could do wicked things with a single piece of wire.
"I'm a criminal now," I lamented as we soared down the highway. Killing in self defense didn't count.
"I'm an accomplice. A thief."
"Actually," he said smoothly, "you're a freelance valet. All you're doing is moving a car from one location to another. There's nothing wrong with that, now, is there?
”
”
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
“
Do you have to find the evil in yourself in order to truly recognize it in the world? The vilest thing I had located, within myself and within the system that held me prisoner, was an indifference to the suffering of others.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
If you want to see philosophy in action, pay a visit to a robo-rat laboratory. A robo-rat is a run-ofthe-mill rat with a twist: scientists have implanted electrodes into the sensory and reward areas in the rat’s brain. This enables the scientists to manoeuvre the rat by remote control. After short training sessions, researchers have managed not only to make the rats turn left or right, but also to climb ladders, sniff around garbage piles, and do things that rats normally dislike, such as jumping from great heights. Armies and corporations show keen interest in the robo-rats, hoping they could prove useful in many tasks and situations. For example, robo-rats could help detect survivors trapped under collapsed buildings, locate bombs and booby traps, and map underground tunnels and caves. Animal-welfare activists have voiced concern about the suffering such experiments inflict on the rats. Professor Sanjiv Talwar of the State University of New York, one of the leading robo-rat researchers, has dismissed these concerns, arguing that the rats actually enjoy the experiments. After all, explains Talwar, the rats ‘work for pleasure’ and when the electrodes stimulate the reward centre in their brain, ‘the rat feels Nirvana’.
To the best of our understanding, the rat doesn’t feel that somebody else controls her, and she doesn’t feel that she is being coerced to do something against her will. When Professor Talwar presses the remote control, the rat wants to move to the left, which is why she moves to the left. When the professor presses another switch, the rat wants to climb a ladder, which is why she climbs the ladder. After all, the rat’s desires are nothing but a pattern of firing neurons. What does it matter whether the neurons are firing because they are stimulated by other neurons, or because they are stimulated by transplanted electrodes connected to Professor Talwar’s remote control? If you asked the rat about it, she might well have told you, ‘Sure I have free will! Look, I want to turn left – and I turn left. I want to climb a ladder – and I climb a ladder. Doesn’t that prove that I have free will?
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
and went back to swabbing the grime of the bar-top into new and more interesting locations.
”
”
Travis Baldree (Legends & Lattes (Legends & Lattes, #1))
“
Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
By bringing together people who share interests, no matter their location or time zone, social media has the potential to transform the workplace into an environment where learning is as natural as it is powerful.
”
”
Marcia Conner (The New Social Learning: A Guide to Transforming Organizations Through Social Media)
“
Every previous revolutionary movement in human history has made the same basic mistake. They’ve all seen power as a static apparatus, as a structure. And it’s not. It’s a dynamic, a flow system with two possible tendencies. Power either accumulates, or it diffuses through the system. In most societies, it’s in accumulative mode, and most revolutionary movements are only really interested in reconstituting the accumulation in a new location. A genuine revolution has to reverse the flow. And no one ever does that, because they’re all too fucking scared of losing their conning tower moment in the historical process. If
”
”
Richard K. Morgan (Woken Furies (Takeshi Kovacs, #3))
“
Quantum mechanics holds that matter may not be as innocent of mind as the materialist would have us believe. For example, a subatomic particle can exist simultaneously in multiple locations, is pure possibility, until it is measured—that is, perceived by a mind. Only then and not a moment sooner does it drop into reality as we know it: acquire fixed coordinates in time and space. The implication here is that matter might not exist as such in the absence of a perceiving subject. Needless to say, this raises some tricky questions for a materialist understanding of consciousness. The ground underfoot may be much less solid than we think.
”
”
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
“
I’ve become quite efficient, both technically and physically, at opening a hole in the hard rock and locating a new water vein. So as soon as I notice one water source drying up, I can move on right away to another. If people who rely on a natural spring of talent suddenly find they’ve exhausted their only source, they’re in trouble.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
The sky over New England was crow black, pitch-black, Bible black, so black it could be difficult at night to keep to the path, so black that a line of trees might freely migrate to another location or that you might find yourself pursued after nightfall by a rabid black hog, leaving you to crawl home, bloody and disoriented, on all fours.
”
”
Stacy Schiff (The Witches: Salem, 1692)
“
In the travellers’ world, social media have enlarged the generation gap. The internet has brought a change in the very concept of travel as a process taking one away from the familiar into the unknown. Now the familiar is not left behind and the unknown has become familiar even before one leaves home. Unpredictability – to my generation the salt that gave travelling its savour – seems unnecessary if not downright irritating to many of the young. The sunset challenge – where to sleep? – has been banished by the ease of booking into a hostel or organised campsite with a street plan provided by the internet. Moreover, relatives and friends evidently expect regular reassurance about the traveller’s precise location and welfare – and vice versa, the traveller needing to know that all is well back home.
Notoriously, dependence on instant communication with distant family and friends is known to stunt the development of self-reliance. Perhaps that is why, amongst younger travellers, one notices a new timidity.
”
”
Dervla Murphy
“
I am better, like the tree that's been stripped of its limbs by fire begins new growth after a period of time. Still rooted in the same dirt, in the same location, with its new growth appears to be the same tree; but it's not. It has lived through a devastating blow that has forever changed its core.
”
”
G.A. Cockerham
“
Technique undoubtedly helps make photography magical, but I prefer to work with atmosphere. I think that the obsession with technique is a male thing. Boy's toys. They love playing.. but once you've perfected something, you have start searching for a new toy. I would rather search for a new model or location.
”
”
Ellen Von Unwerth
“
I was a vegetarian of sorts," he replied, "but the difference between animal and vegetable isn't as clearly defined on my home world as it is here."
"How do you mean?" I asked.
"Our plants can get out of the soil and move to a new location if they don't like where they're growing. Some of them are sentient. I tried not to eat those sorts of plants" he replied.
"Oh. Well, I'm sure they found that very thoughtful of you," I replied.
”
”
Lucy A. Snyder (Spellbent (Jessie Shimmer, #1))
“
In addition to the transience of their members, churches themselves face a crisis of hypermobility. Many churches have put down only shallow roots in their neighborhood, or no roots at all. We’ve all heard the question, “If our church suddenly moved to a new location fifteen miles away, would anyone in our neighborhood notice we were gone?” But what if we asked ourselves this question: “If our church was magically lifted off the ground and moved to a location fifteen miles away, would we notice the difference?” Western churches have become so disentangled from their own places that this question could be a cold, hard look in the mirror for many faith communities.
”
”
C. Christopher Smith (Slow Church: Cultivating Community in the Patient Way of Jesus)
“
Close both eyes; see with the other one. Then, we are no longer saddled by the burden of our persistent judgments, our ceaseless withholding, our constant exclusion. Our sphere has widened, and we find ourselves, quite unexpectedly, in a new, expansive location, in a place of endless acceptance and infinite love. We’ve wandered into God’s own
”
”
Gregory Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
The most powerful anti-Christian movement is the one that takes over and "radicalizes" the concern for victims in order to paganize it. The powers and principalities want to be “revolutionary” now, and they reproach Christianity for not defending victims with enough ardor. In Christian history they see nothing but persecutions, acts of oppression, inquisitions.
This other totalitarianism presents itself as the liberator of humanity. In trying to usurp the place of Christ, the powers imitate him in the way a mimetic rival imitates his model in order to defeat him. They denounce the Christian concern for victims as hypocritical and a pale imitation of the authentic crusade against oppression and persecution for which they would carry the banner themselves. In the symbolic language of the New Testament, we would say that in our world Satan, trying to make a new start and gain new triumphs, borrows the language of victims.
...
The Antichrist boasts of bringing to human beings the peace and tolerance that Christianity promised but has failed to deliver. Actually, what the radicalization of contemporary victimology produces is a return to all sorts of pagan practices: abortion, euthanasia, sexual undifferentiation, Roman circus games galore but without real victims, etc.
Neo-paganism would like to turn the Ten Commandments and all of Judeo-Christian morality into some alleged intolerable violence, and indeed its primary objective is their complete abolition. Faithful observance of the moral law is perceived as complicity with the forces of persecution that are essentially religious...
Neo-paganism locates happiness in the unlimited satisfaction of desires, which means the suppression of all prohibitions. This idea acquires a semblance of credibility in the limited domain of consumer goods, whose prodigious multiplication, thanks to technological progress, weakens certain mimetic rivalries. The weakening of mimetic rivalries confers an appearance of plausibility, but only that, on the stance that turns the moral law into an instrument of repression and persecution.
”
”
René Girard (I See Satan Fall Like Lightning)
“
The staff played hot potato with my call until someone could locate the Person in Charge of Lying to the Press. The PCLP said that the room that houses the base archives is locked. And that only the curator would have a key. And that Holloman currently has no curator. Evidently the new curator’s first task would be to find a way to open the archives.
”
”
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
“
It was Stevenson, I think, who most notably that there are some places that simply demand a story should be told of them. ...
After all, perhaps Stevenson had only half of the matter. It is true there are places which stir the mind to think that a story must be told about them. But there are also, I believe, places which have their story stored already, and want to tell this to us, through whatever powers they can; through our legends and lore, through our rumors, and our rites. By its whispering fields and its murmuring waters, by the wailing of its winds and the groaning of its stones, by what it chants in darkness and the songs it sings in light, each place must reach out to us, to tell us, tell us what it holds. ("The Axholme Toll")
”
”
Mark Valentine (Best New Horror 21 (The Mammoth Book of Best New Horror, #21))
“
Nothing‟s going to change, Jamie had said that day, but I‟d known even then this wasn‟t true. My mother had always been the point that I calibrated myself against. In knowing where she was, I could always locate myself, as well. These months she‟d been gone, I felt like I‟d been floating, loose and boundaryless, but now that I knew where she was, I kept waiting for a kind of certainty to kick in. It didn‟t. Instead, I was more unsure than ever, stuck between this new life and the one I‟d left behind
”
”
Sarah Dessen (Lock and Key)
“
The real University, he said, has no specific location. It owns no property, pays no salaries and receives no material dues. The real University is a state of mind. It is that great heritage of rational thought that has been brought down to us through the centuries and which does not exist at any specific location. It's a state of mind which is regenerated throughout the centuries by a body of people who traditionally carry the title of professor, but even that title is not part of the real University. The real University is nothing less than the continuing body of reason itself.
In addition to this state of mind, 'reason,' there's a legal entity which is unfortunately called by the same name but which is quite another thing. This is a nonprofit corporation, a branch of the state with a specific address. It owns property, is capable of paying salaries, of receiving money and of responding to legislative pressures in the process.
But this second university, the legal corporation, cannot teach, does not generate new knowledge or evaluate ideas. It is not the real University at all. It is just a church building, the setting, the location at which conditions have been made favorable for the real church to exist.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintainance)
“
W-MT: There was a book I read about in the New York Times Book Review. It had a red cover, maybe? A.J.: Yeah, that sounds familiar. [Translation: That is excessively vague. Author, title, description of the plot—these are more useful locators. That the cover might have been red and that it was in the New York Times Book Review helps me far less than you might think.] Anything else you remember about it? [Use your words.]
”
”
Gabrielle Zevin (The Storied Life of A.J. Fikry)
“
In the end both people realized something so utterly simple and yet horrifyingly distant- by removing the ‘otherness’ from their respective identification, they can embrace a land that animates their historical sense of purpose and direction. They can embrace fate by embracing each other as joint caretakers of a historical location that witnessed rivers of blood and the silent weeping of those who dream of a New Jerusalem.
”
”
R.F. Georgy (Absolution: A Palestinian Israeli Love Story)
“
And no resident in their right mind would go over their heads to the mighty Housing Authority honchos in Manhattan, who did not like their afternoon naps disturbed with minor complaints about ants, toilets, murders, child molestation, rape, heatless apartments, and lead paint that shrunk children’s brains to the size of a full-grown pea in one of their Brooklyn locations, unless they wanted a new home sleeping on a bench at the Port Authority Bus Terminal.
”
”
James McBride (Deacon King Kong)
“
So herein lies the paradox and predicament of young black men labeled criminals. A war has been declared on them, and they have been rounded up for engaging in precisely the same crimes that go largely ignored in middle-and upper-class white communities—possession and sale of illegal drugs. For those residing in ghetto communities, employment is scarce—often nonexistent. Schools located in ghetto communities more closely resemble prisons than places of learning, creativity, or moral development. And because the drug war has been raging for decades now, the parents of children coming of age today were targets of the drug war as well. As a result, many fathers are in prison, and those who are “free” bear the prison label. They are often unable to provide for, or meaningfully contribute to, a family. Any wonder, then, that many youth embrace their stigmatized identity as a means of survival in this new caste system?
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
The New York City Marathon was like a citywide block party that happened the first Sunday of every November. It was for serious runners who raced to win money, but also for people who did it for fun. The Vanderbeekers loved watching the marathon every year and cheering on the runners. Because Harlem was located near the end of the course, many of the runners were exhausted by the time they ran past the Vanderbeekers and had leg cramps and needed encouragement.
”
”
Karina Yan Glaser (The Vanderbeekers Lost and Found)
“
For the fact is that neuroscientists who study memory remain unclear on the question of whether each time we remember something we are accessing a stable “memory fragment”—often called a “trace” or an “engram”—or whether each time we remember something we are literally creating a new “trace” to house the thought. And since no one has yet been able to discern the material of these traces, nor to locate them in the brain, how one thinks of them remains mostly a matter of metaphor: they could be “scribbles,” “holograms,” or “imprints”; they could live in “spirals,” “rooms,” or “storage units.” Personally, when I imagine my mind in the act of remembering, I see Mickey Mouse in Fantasia, roving about in a milky, navy-blue galaxy shot through with twinkling cartoon stars.
”
”
Maggie Nelson (Bluets)
“
The encounter put me in the mood to shop...Babette and the kids followed me into the elevator, into the shops set along the tiers, through the emporiums and the department stores, puzzled but excited by my desire to buy. When I could not decide between two shirts, they encouraged me to buy both. When I said I was hungry they fed me pretzels, beer, souvlaki. The two girls scouted ahead, spotting things they thought I might want or need, running back to get me, to clutch my arms, to plead with me to follow. The...y were my guides to endless well-being...My family gloried in the event. I was one of them, shopping, at last. They gave me advice, badgered clerks on my behalf...We moved from store to store, rejecting not only items in certain departments, not only entire departments but whole stores, mammoth corporations that did not strike our fancy for one reason or another. There was always another store, three floors, eight floors...I shopped with reckless abandon. I shopped for immediate needs and distant contingencies. I shopped for its own sake, looking and touching, inspecting merchandise I had no intention of buying, then buying it...I began to grow in value and self-regard. I filled myself out, found new aspects of myself, located a person I'd forgotten existed. Brightness settled around me. I traded money for goods. The more money I spent, the less important it seemed. I was bigger than these sums. These sums poured off my skin like so much rain
”
”
Don DeLillo (White Noise)
“
Ricci created memory palaces in his mind. Each item in the palace represented a series of concepts. The rooms and locations within the palace served as directories and files, similar to computer data storage. Ricci instantaneously learned, retained and retrieved hundreds of new Chinese kanji, to the astonished delight of Chinese nobles.
”
”
Janet M. Tavakoli (Archangels: Rise of the Jesuits)
“
If your spirit is persistently harmless or if it has shown itself to you, in a non-threatening way, then you most definitely have a ghost. The ghost can be frightening, by its very nature. But the ghost will never intentionally frighten you. They will be there for three reasons: 1. They used to live there and are attached to the location 2. They are trying to communicate something to the living or 3. They are protective of somebody who lives in the house and so they are “standing guard” so to speak, over the loved one.
”
”
Alexei Maxim Russell (The New Homeowner's Guide to House Spirits)
“
Okay, so first we get you a new computer and then a Facebook page. Priorities, you know," he said, typing in Kyle's password.
"What would I do without you--"
"Found her," he interrupted. "She's at Carrie's OK Bar. It's downtown."
"What the hell is Carrie's OK Bar?"
"It's a karaoke bar. Travis, come on."
"Wait, how do you know she's there?"
"She checked in there about twenty minutes ago."
"What does that mean?"
"Oh. Right. Since you left, it's become very important that we all constantly know each other's thoughts, locations, and birthdays."
"That's really stupid. Except for in this one very specific situation. I can't go if her fiancé's there, though. That would be too weird."
"He's not."
"How do you know?"
"Because she put 'Girls' Night' with about five exclamation points after it."
"Are people just asking to be murdered?"
"Pretty much. So are we going?
”
”
John Corey Whaley (Noggin)
“
Even more important is the way complex systems seem to strike a balance between the need for order and the imperative for change. Complex systems tend to locate themselves at a place we call “the edge of chaos.” We imagine the edge of chaos as a place where there is enough innovation to keep a living system vibrant, and enough stability to keep it from collapsing into anarchy. It is a zone of conflict and upheaval, where the old and new are constantly at war. Finding the balance point must be a delicate matter—if a living system drifts too close, it risks falling over into incoherence and dissolution; but if the system moves too far away from the edge, it becomes rigid, frozen, totalitarian. Both conditions lead to extinction. . . . Only at the edge of chaos can complex systems flourish.8 This threshold line, that edge between anarchy and frozen rigidity, is not a like a fence line, it is a fractal line; it possesses nonlinearity.
”
”
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
“
Classifieds"
WHOEVER’S found out what location
compassion (heart’s imagination)
can be contacted at these days,
is herewith urged to name the place;
and sing about it in full voice,
and dance like crazy and rejoice
beneath the frail birch that appears
to be upon the verge of tears.
I TEACH silence
in all languages
through intensive examination of:
the starry sky,
the Sinanthropus’ jaws,
a grasshopper’s hop,
an infant’s fingernails,
plankton,
a snowflake.
I RESTORE lost love.
Act now! Special offer!
You lie on last year’s grass
bathed in sunlight to the chin
while winds of summers past
caress your hair and seem
to lead you in a dance.
For further details, write: “Dream.”
WANTED: someone to mourn
the elderly who die
alone in old folks’ homes.
Applicants, don’t send forms
or birth certificates.
All papers will be torn,
no receipts will be issued
at this or later dates.
FOR PROMISES made by my spouse,
who’s tricked so many with his sweet
colors and fragrances and sounds–
dogs barking, guitars in the street–
into believing that they still
might conquer loneliness and fright,
I cannot be responsible.
Mr. Day’s widow, Mrs. Night.
”
”
Wisława Szymborska (Poems New And Collected)
“
I was 22 when I came to prison and of course I have changed tremendously over the years. But I had always had a strong sense of myself and in the last few years I felt that I was losing my identity. There was a deadness in my body that eluded me, as though I could not exactly locate its site….And since encountering you, I feel life strength flowing back into that spot. My step, the tread of my stride, which was becoming tentative and uncertain, had begun to recover and take on a new definiteness, a confidence, a boldness which makes me want to kick over a few tables.
”
”
Eldridge Cleaver
“
18 NEVER PAY YOUR LAWYER BY THE HOUR Incentive Super-Response Tendency To control a rat infestation, French colonial rulers in Hanoi in the nineteenth century passed a law: for every dead rat handed in to the authorities, the catcher would receive a reward. Yes, many rats were destroyed, but many were also bred specially for this purpose. In 1947, when the Dead Sea scrolls were discovered, archaeologists set a finder’s fee for each new parchment. Instead of lots of extra scrolls being found, they were simply torn apart to increase the reward. Similarly, in China in the nineteenth century, an incentive was offered for finding dinosaur bones. Farmers located a few on their land, broke them into pieces and cashed in. Modern incentives are no better: company boards promise bonuses for achieved targets. And what happens? Managers invest more energy in trying to lower the targets than in growing the business. These are examples of the incentive super-response tendency. Credited to Charlie Munger, this titanic name describes a rather trivial observation: people respond to incentives by doing what is in their best interests. What is noteworthy is, first, how quickly and radically people’s behaviour changes when incentives come into play or are altered and, second, the fact that people respond to the incentives themselves and not the grander intentions behind them.
”
”
Rolf Dobelli (The Art of Thinking Clearly: The Secrets of Perfect Decision-Making)
“
Yet in recent years I have witnessed a new phenomenon among filmgoers, especially those considered intelligent and perceptive. I have a name for this phenomenon: the Instant White-out. People are closeted in cozy darkness; they turn off their mobile phones and willingly give themselves, for ninety minutes or two hours, to a new film that got a fourstar rating in the newspaper. They follow the pictures and the plot, understand what is spoken either in the original tongue or via dubbing or subtitles, enjoy lush locations and clever scenes, and even if they find the story superficial or preposterous, it is not enough to pry them from their seats and make them leave the theatre in the middle of the show.
But something strange happens. After a short while, a week or two, sometimes even less, the film is whitened out, erased, as if it never happened. They can’t remember its name, or who the actors were, or the plot. The movie fades into the darkness of the movie house, and what remains is at most a ticket stub left accidentally in one’s pocket.
”
”
A.B. Yehoshua (The Retrospective)
“
The work I do is not exactly respectable. But I want to explain how it works without any of the negatives associated with my infamous clients. I’ll show how I manipulated the media for a good cause. A friend of mine recently used some of my advice on trading up the chain for the benefit of the charity he runs. This friend needed to raise money to cover the costs of a community art project, and chose to do it through Kickstarter, the crowdsourced fund-raising platform. With just a few days’ work, he turned an obscure cause into a popular Internet meme and raised nearly ten thousand dollars to expand the charity internationally. Following my instructions, he made a YouTube video for the Kickstarter page showing off his charity’s work. Not a video of the charity’s best work, or even its most important work, but the work that exaggerated certain elements aimed at helping the video spread. (In this case, two or three examples in exotic locations that actually had the least amount of community benefit.) Next, he wrote a short article for a small local blog in Brooklyn and embedded the video. This site was chosen because its stories were often used or picked up by the New York section of the Huffington Post. As expected, the Huffington Post did bite, and ultimately featured the story as local news in both New York City and Los Angeles. Following my advice, he sent an e-mail from a fake address with these links to a reporter at CBS in Los Angeles, who then did a television piece on it—using mostly clips from my friend’s heavily edited video. In anticipation of all of this he’d been active on a channel of the social news site Reddit (where users vote on stories and topics they like) during the weeks leading up to his campaign launch in order to build up some connections on the site. When the CBS News piece came out and the video was up, he was ready to post it all on Reddit. It made the front page almost immediately. This score on Reddit (now bolstered by other press as well) put the story on the radar of what I call the major “cool stuff” blogs—sites like BoingBoing, Laughing Squid, FFFFOUND!, and others—since they get post ideas from Reddit. From this final burst of coverage, money began pouring in, as did volunteers, recognition, and new ideas. With no advertising budget, no publicist, and no experience, his little video did nearly a half million views, and funded his project for the next two years. It went from nothing to something. This may have all been for charity, but it still raises a critical question: What exactly happened? How was it so easy for him to manipulate the media, even for a good cause? He turned one exaggerated amateur video into a news story that was written about independently by dozens of outlets in dozens of markets and did millions of media impressions. It even registered nationally. He had created and then manipulated this attention entirely by himself.
”
”
Ryan Holiday (Trust Me, I'm Lying: Confessions of a Media Manipulator)
“
How do you solve a problem as old as the United States? Gentrification may be a relatively recent phenomenon, but as geographer Neil Smith notes, it's really just the continuation of the 'locational seesaw' - capital moves to one place seeking high profits, then, when that place becomes less profitable, it moves to another place. The real estate industry is always looking for new markets in which it can revitalize its profit rate. Fifty years ago that place was suburbs. Today it's cities. But that's only half the explanation for gentrification. In order to understand why cities are so attractive to invest in, it's important to understand what made them bargains for real estate speculators in the first place. It may sound obvious, but gentrification could not happen without something to gentrify. Truly equitable geographies would be largely un-gentrifiable ones. So first, geographies have to be made unequal.
”
”
P.E. Moskowitz (How to Kill a City: Gentrification, Inequality, and the Fight for the Neighborhood)
“
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.
I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
”
”
Henry David Thoreau (The Journal, 1837-1861)
“
This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
She means," Nate said, turning away from the books, "That David has gone full weird."
"He was always that way<' Janelle said in a low voice.
"Yeah, but now he's completed his journey. Our little caterpillar has turned into a freaky butterfly."
"Tell her about the screaming," Janelle said. "Because I can't."
"The screaming? Stevie repeated.
"The other morning he started something called 'screaming meditation'," Nate said. "Guess what happens in screaming meditation? Did you guess screaming? For fifteen minutes? Because that's what happens in screaming meditation. Fifteen. Minutes. Outside. At five in the morning. Do you know what happens when someone screams outside for fifteen minutes at five in the morning at a remote location in the mountains, especially after a . . ."
The implied dot dot dot was "student dies in a terrible accident or maybe murder and another one goes missing."
"When security got to him he claimed it was his new religion and that it is something he needs to do every morning now as a way to talk to the sun."
So this is what Edward King had been referring to.
"Sometimes," Nate went on, tapping the books into place so that the spines lined up perfectly, "he sleeps on the roof. Or somewhere else. Sometimes the green."
"Naked," Janelle added. "He sleeps on the green naked."
"Or in classrooms," Nate said. "Someone said they went into differential equations and he was asleep in the corner of the room under a Pokémon comforter."
"Your boy has not been well," Janelle said.
”
”
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))
“
On the eleventh day, it finally stopped raining. Musashi chafed to be out in the open, but it was another week before they were able to return to work under a bright sun. The field they had so arduously carved out of the wilderness had disappeared without a trace; in its place were rocks, and a river where none had been before. The water seemed to mock them just as the villagers had. Iori, seeing no way to reclaim their loss, looked up and said, “This place is beyond hope. Let’s look for better land somewhere else.” “No,” Musashi said firmly. “With the water drained off, this would make excellent farmland. I examined the location from every angle before I chose it.” “What if we have another heavy rain?” “We’ll fix it so the water doesn’t come this way. We’ll lay a dam from here all the way to that hill over there.” ‘That’s an awful lot of work.” “You seem to forget that this is our dōjō. I’m not giving up a foot of this land until I see barley growing on it.” Musashi carried on his stubborn struggle throughout the winter, into the second month of the new year. It took several weeks of strenuous labor to dig ditches, drain the water off, pile dirt for a dike and then cover it with heavy rocks. Three weeks later everything was again washed away. “Look,” Iori said, “we’re wasting our energy on something impossible. Is that the Way of the Sword?” The question struck close to the bone, but Musashi would not give in. Only a month passed before the next disaster, a heavy snowfall followed by a quick thaw. Iori, on his return from trips to the temple for food, inevitably wore a long face, for the people there rode him mercilessly about Musashi’s failure. And finally Musashi himself began to lose heart. For two full days and on into a third, he sat silently brooding and staring at his field. Then it dawned on him suddenly. Unconsciously, he had been trying to create a neat, square field like those common in other parts of the Kanto Plain, but this was not what the terrain called for. Here, despite the general flatness, there were slight variations in the lay of the land and the quality of the soil that argued for an irregular shape. “What a fool I’ve been,” he exclaimed aloud. “I tried to make the water flow where I thought it should and force the dirt to stay where I thought it ought to be. But it didn’t work. How could it? Water’s water, dirt’s dirt. I can’t change their nature. What I’ve got to do is learn to be a servant to the water and a protector of the land.” In his own way, he had submitted to the attitude of the peasants. On that day he became nature’s manservant. He ceased trying to impose his will on nature and let nature lead the way, while at the same time seeking out possibilities beyond the grasp of other inhabitants of the plain. The snow came again, and another thaw; the muddy water oozed slowly over the plain. But Musashi had had time to work out his new approach, and his field remained intact. “The same rules must apply to governing people,” he said to himself. In his notebook, he wrote: “Do not attempt to oppose the way of the universe. But first make sure you know the way of the universe.
”
”
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
“
But surely everyone can also testify to another, less reckonable kind of homesickness, one having to do with unsettlements that cannot be located in spaces of geography or history; and accordingly it's my belief that the communal, contractual phenomenon of New York cricket is underwritten, there where the print is finest, by the same agglomeration of unspeakable individual longings that underwrites cricket played anywhere--longings concerned with horizons and potentials sighted or hallucinated and in any event lost long ago, tantalisms that touch on the undoing of losses too private and reprehensible to be acknowledged to oneself, let alone to others. I cannot be the first to wonder if what we see, when we see men in white take to a cricket field, is men imagining an environment of justice.
”
”
Joseph O'Neill (Netherland)
“
I am puzzled. Yesterday, at the very moment when I thought. everything was untangled, and that all the X's were at last found, new unknowns appeared in my equation. The origin of the coordinates of the whole story is of course the Ancient House. From this center the axes of all the X's, Y's, and Z's radiate, and recently they have entered into the formation of my whole life.
I walked along the X-axis (Avenue 59) toward the center. The whirlwind of yesterday still raged within me: houses and people upside down; my own hands torturingly foreign to me; glimmering scissors; the sharp sound of drops dripping from the faucet; all this existed, all this existed once! All these things were revolving wildly, tearing my flesh,· rotating wildly beneath the molten surface, there where the "soul" is located.
”
”
Yevgeny Zamyatin (We)
“
Charlotte had tried to read his work. It seemed only polite, after all, given that they were neighbors. But after a while, she'd simply had to give up. 'Love' always rhymed with 'dove,' (Where, she wondered, did one locate that many doves in Derbyshire?) and 'you' rhymed so often with 'dew,' that Charlotte had wanted to grab Rupert by the shoulders and yell, 'Few, hue, new, woo, Waterloo!' Good gracious, even 'moo' would have been preferable. Rupert's poetry could surely have been improved by a cow or two.
Saying moo on cue at Waterloo.
”
”
Julia Quinn (Where's My Hero? (The Gamblers of Craven's, #2.5; Brotherhood - MacAllister's, #4.5; Splendid, #3.5))
“
In the 1954 Internal Revenue Code, a Republican Congress changed forty-year, straight-line depreciation for buildings to permit 'accelerated depreciation' of greenfield income-producing property in seven years. By enabling owners to depreciate or write off the value of a building in such a short time, the law created a gigantic hidden subsidy for the developers of cheap new commercial buildings located on strips. Accelerated depreciation not only encouraged poor construction, it also discouraged maintenance...After time, the result was abandonment.
”
”
Dolores Hayden (Building Suburbia: Green Fields and Urban Growth, 1820-2000)
“
I was extremely shy of approaching my hero but he, as I found out, was sorely in need of company. By then almost completely blind, he was claustrated and even a little confused and this may help explain the rather shocking attitude that he took to the blunt trauma that was being inflicted in the streets and squares around him. 'This was my country and it might be yet,' he intoned to me when the topic first came up, as it had to: 'But something came between it and the sun.' This couplet he claimed (I have never been able to locate it) was from Edmund Blunden, whose gnarled hand I had been so excited to shake all those years ago, but it was not the Videla junta that Borges meant by the allusion. It was the pre-existing rule of Juan Perón, which he felt had depraved and corrupted Argentine society. I didn't disagree with this at all—and Perón had victimized Borges's mother and sister as well as having Borges himself fired from his job at the National Library—but it was nonetheless sad to hear the old man saying that he heartily preferred the new uniformed regime, as being one of 'gentlemen' as opposed to 'pimps.' This was a touch like listening to Evelyn Waugh at his most liverish and bufferish. (It was also partly redeemed by a piece of learned philology or etymology concerning the Buenos Aires dockside slang for pimp: canfinflero. 'A canfinfla, you see,' said Borges with perfect composure, 'is a pussy or more exactly a cunt. So a canfinflero is a trafficker in cunt: in Anglo-Saxon we might say a 'cunter."' Had not the very tango itself been evolved in a brothel in 1880? Borges could talk indefinitely about this sort of thing, perhaps in revenge for having had an oversolicitous mother who tyrannized him all his life.)
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
I say is someone in there?’ The voice is the young post-New formalist from
Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that
hesitant knocking of when you know perfectly well someone’s in there, the
bathroom door composed of thirty-six that’s three times a lengthwise twelve
recessed two-bevelled squares in a warped rectangle of steam-softened wood, not
quite white, the bottom outside corner right here raw wood and mangled from
hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and
offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic
spirals of pale blue smoke from the elephant-colored rubble of ash and little
blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent
her sliding down along the wall past knotted washcloth, towel rack, blood-flower
wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated
sky’s blue that’s left her uprightly fetal with chin on knees in yet another North
American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All
Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the
claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer,
she’s holding the bottle, recalling vividly its slogan for the past generation was The
Choice of a Nude Generation, when she was of back-pocket height and prettier by
far than any of the peach-colored titans they’d gazed up at, his hand in her lap her
hand in the box and rooting down past candy for the Prize, more fun way too much
fun inside her veil on the counter above her, the stuff in the funnel exhausted though
it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s
best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold
edge to pull herself up as the white- party-noise reaches, for her, the sort of
stereophonic precipice of volume to teeter on just before the speaker’s blow, people
barely twitching and conversations strettoing against a ghastly old pre-Carter thing
saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance
where their acknowledgement of her commands seems like magic, both clogs simply
gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean
medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair
of the flame she’s eaten now trailing like the legs of wasps through the air of the
glass she uses to locate the de-faced veil and what’s inside it, loading up the cone
again, the ashes from the last load make the world's best filter: this is a fact. Breathes
in and out like a savvy diver…
–and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s
lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting
muddy juice and blue smoke and dots of mercuric red into the claw-footed trough,
and can hear again and seems to see, against the fire of her closed lids’ blood, bladed
vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue
light from one sky, searching.
”
”
David Foster Wallace (Infinite Jest)
“
A horoscope is a specific map, or picture, of the heavens that is cast for the date, time, and location of your birth. The positions of the sun, moon, and planets, as well as the sign that hovers at the horizon, are all placed around the wheel of the zodiac to reveal the intricate mathematical relationships that portray your personal blueprint and potential for development. This map can reveal your physical, mental, emotional, and spiritual gifts and challenges, and you are always free to grow and change, according to your own volition. Also noteworthy are the nodal points, or the locations where the path of Earth and the path of the moon intersect, forming what is known as the “head and tail of the sky dragon,” or the north and south nodes. The location of the celestial dragon in a chart is of utmost importance, for it indicates the direction in which you are moving to achieve the fulfillment of your personal destiny, as well as the place in the past that you are emerging from. Once you are born into physical reality, you unfold your life within an imprint of cosmic energy that embodies a plan of intent and purpose, a plan designed and approved by you. Throughout
”
”
Barbara Marciniak (Path of Empowerment: New Pleiadian Wisdom for a World in Chaos)
“
Soon thereafter, a maid brought Poppy a tray of neat boxes tied with ribbons. Opening them, Poppy discovered that one was filled with toffee, another with boiled sweets, and another with Turkish delight. Best of all, one box was filled with a new confection called "eating-chocolates" that had been all the rage at the London Exhibition.
"Where did these come from?" Poppy asked Harry when he returned to her room after a brief visit to the front offices.
"From the sweet shop."
"No, these," Poppy showed him the eating-chocolates. "No one can get them. The makers, Fellows and Son, have closed their shop while they moved to a new location. The ladies at the philanthropic luncheon were talking about it."
"I sent Valentine to the Fellows residence to ask them to make a special batch for you." Harry smiled as he saw the paper twists scattered across the counterpane. "I see you've sampled them."
"Have one," Poppy said generously.
Harry shook his head. "I don't like sweets." But he bent down obligingly as she gestured for him to come closer. She reached out to him, her fingers catching the knot of his necktie.
Harry's smile faded as Poppy exerted gentle tension, drawing him down. He was suspended over her, an impending weight of muscle and masculine drive. As her sugared breath blew against his lips, she sensed the deep tremor within him. And she was aware of a new equilibrium between them, a balance of will and curiosity. Harry held still, letting her do as she wished.
She tugged him closer until her mouth brushed his. The contact was brief but vital, striking a glow of heat.
Poppy released him carefully, and Harry drew back.
"You won't kiss me for diamonds," he said, his voice slightly raspy, "but you will for chocolates?"
Poppy nodded.
As Harry turned his face away, she saw his cheek tauten with a smile. "I'll put in a daily order, then.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
But even more important,” he said, “is the way complex systems seem to strike a balance between the need for order and the imperative to change. Complex systems tend to locate themselves at a place we call ‘the edge of chaos.’ We imagine the edge of chaos as a place where there is enough innovation to keep a living system vibrant, and enough stability to keep it from collapsing into anarchy. It is a zone of conflict and upheaval, where the old and the new are constantly at war. Finding the balance point must be a delicate matter—if a living system drifts too close, it risks falling over into incoherence and dissolution; but if the system moves too far away from the edge, it becomes rigid, frozen, totalitarian. Both conditions lead to extinction. Too much change is as destructive as too little. Only at the edge of chaos can complex systems flourish.” He paused. “And, by implication, extinction is the inevitable result of one or the other strategy—too much change, or too little.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
Introductory paragraph incorporating the thesis: After a challenging childhood marked by adversity, Adam Parrish has become a successful freshman at Harvard University. In the past, he had spent his time doubting himself, fearing he would become like his father, obsessing that others could see his trailer-park roots, and idealizing wealth, but now he has built a new future where no one has to know where he's come from. Before becoming a self-actualized young man at Harvard, Adam had been deeply fascinated by the concept of the ley lines and also supernaturally entangled with one of the uncanny forests located along one, but he has now focused on the real world, using only the ghost of magic to fleece other students with parlor trick tarot card readings. He hasn't felt like himself for months, but he is going to be just fine.
Followed by three paragraphs with information that supports the thesis. First: Adam understands that suffering is often transient, even when it feels permanent. This too shall pass, etc. Although college seems like a lifetime, it is only four years. Four years is only a lifetime if one is a guinea pig.
Second paragraph, building on the first point: Magic has not always been good for Adam. During high school, he frequently immersed himself in it as a form of avoidance. Deep down, he fears that he is prone to it as his father is prone to abuse, and that it will eventually make him unsuitable for society. By depriving himself of magic, he forces himself to become someone valuable to the unmagic world, i.e. the Crying Club.
Third paragraph, with the most persuasive point: Harvard is a place Ronan Lynch cannot be, because he cannot survive there, either physically or socially. Without such hard barriers, Adam will surely continue to return to Ronan Lynch again and again, and thus fall back in with bad habits. He will never achieve the life of financial security and recognition he planned.
Thesis restated, bringing together all the information to prove it: Although life is unbearable now, and Adam Parrish seems to have lost everything important to him in the present by pursuing the things important to him in the past, he will be fine.
Concluding paragraph describing what the reader just learned and why it is important for them to have learned it: He will be fine. He will be fine. He will be fine. He will be fine.
”
”
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
“
. . . [E]very single writer I met likened writing for television to one thing--laying track for an incoming speeding train. The story is the track and you gotta keep laying it down because of the train. That train is production. You keep writing, you keep laying track down, no matter what, because the train of production is coming toward you--no matter what. Every eight days, the crew needs to being to prepare a new episode--find locations, build sets, design costumes, find props, plan shots. And every eight days after that, the crew needs to film a new episode. Every eight days. Eight days to prep. Eight days to shoot. Eight days, eight days, eight days, eight days. Which means every eight days, that crew needs a brand-new script. And my job is to damn well provide them with one. Every. Eight. Days. That train of production is a'coming. Every eight days that crew on that soundstage better have something to shoot. Because the worst thing you can do is halt or derail production and cost the studio hundreds of thousands of dollars while everyone waits. That is how you go from being a TV writer to being a failed TV writer.
”
”
Shonda Rhimes (Year of Yes)
“
This should not be the only book you read by a fat person about fatness and anti-fatness. Read Sonya Renee Taylor’s The Body Is Not an Apology, Da’Shaun Harrison’s Belly of the Beast, Charlotte Cooper’s Fat Activism, Roxane Gay’s Hunger, Caleb Luna’s Revenge Body, Kiese Laymon’s Heavy, Nicole Byer’s #VeryFat #VeryBrave, Esther Rothblum and Sondra Solovay’s The Fat Studies Reader, Rachel Wiley’s Fat Girl Finishing School, and more. Whether you’re new to thinking critically about anti-fatness or a longstanding fat activist, be sure to locate this book, accurately, as just one of many fat perspectives available to you. Writers who aren’t fat have made substantial contributions here too. Sabrina Strings’s Fearing the Black Body: The Racial Origins of Fat Phobia is an indispensable history linking anti-Black racism to anti-fatness. J. Eric Oliver’s Fat Politics analyzes the emergence in the 1990s and 2000s of the United States’ so-called obesity epidemic. Each of these works offer vital analysis of the mechanics and history of anti-fatness. And each will deepen your thinking about anti-fatness and your clarity in countering anti-fatness.
”
”
Aubrey Gordon ("You Just Need to Lose Weight": And 19 Other Myths About Fat People (Myths Made in America))
“
As with all social service projects, a lexicon of terms accumulated around the Housing First movement. Permanent Supportive Housing (PSH) described the movement’s general aim and means, and a model program conducted in the 1990s in New York had shown that housing for chronically homeless people could indeed be long-lasting and beneficial, provided they received adequate support. This trial—The Consumer Preference Supported Housing Model (CPSH)—had involved 242 people who suffered from either mental illness or substance abuse or both. The model had housed them, via various grants and public subsidies, in apartments situated in “affordable locations throughout the city’s low-income neighborhoods.” And they had been supported by Assertive Community Treatment (ACT) teams, somewhat modified from the general prototype, but substantial. These included nurses, social workers, drug counselors, administrative assistants, and “peer counselors,” who directed the support services with the advice and consent of the tenants. Each team had access to psychiatrists and other professionals, and each stood ready to help the tenants every night and day of the week. After five years, 88 percent remained housed—a remarkable result.
”
”
Tracy Kidder (Rough Sleepers)
“
The Mercy
The ship that took my mother to Ellis Island
eighty-three years ago was named "The Mercy."
She remembers trying to eat a banana
without first peeling it and seeing her first orange
in the hands of a young Scot, a seaman
who gave her a bite and wiped her mouth for her
with a red bandana and taught her the word,
"orange," saying it patiently over and over.
A long autumn voyage, the days darkening
with the black waters calming as night came on,
then nothing as far as her eyes could see and space
without limit rushing off to the corners
of creation. She prayed in Russian and Yiddish
to find her family in New York, prayers
unheard or misunderstood or perhaps ignored
by all the powers that swept the waves of darkness
before she woke, that kept "The Mercy" afloat
while smallpox raged among the passengers
and crew until the dead were buried at sea
with strange prayers in a tongue she could not fathom.
"The Mercy," I read on the yellowing pages of a book
I located in a windowless room of the library
on 42nd Street, sat thirty-one days
offshore in quarantine before the passengers
disembarked. There a story ends. Other ships
arrived, "Tancred" out of Glasgow, "The Neptune"
registered as Danish, "Umberto IV,"
the list goes on for pages, November gives
way to winter, the sea pounds this alien shore.
Italian miners from Piemonte dig
under towns in western Pennsylvania
only to rediscover the same nightmare
they left at home. A nine-year-old girl travels
all night by train with one suitcase and an orange.
She learns that mercy is something you can eat
again and again while the juice spills over
your chin, you can wipe it away with the back
of your hands and you can never get enough.
”
”
Philip Levine (The Mercy)
“
Monstrous Sea Private Message
2:54 p.m. 28 - Oct -16
rainmaker: Hey, it’s Wallace. Please tell me I blew your mind again. You make the best face when your mind is being blown.
MirkerLurker: Whoa that sounded dirty.
rainmaker: Too much?
MirkerLurker: Ummmmmmmmmm
rainmaker: Too much. Noted.
MONSTROUS SEA FORUMS
USER PROFILE
rainmaker *
Fanfiction Moderator
AGE: Not telling you
LOCATION: NO
INTERESTS: MS. Writing things.Campfires. Sweaters. Sleeping in. Dogs.
Followers 1,350,199 | Following 54 | Posts 9,112
[Unique Works 144]
UPDATES
View earlier updates
Oct 20 2016
The next chapter of the Auburn Blue fanfic will probably be a little late. Just started at the new school. So, that’s fun.
Oct 21 2016
Thanks to @joojooboogee for my new avatar! #DallasRainerForever
Oct 23 2016
If math homework were a real person, I’d be doing 25 to life. #Mathslaughter
Oct 24 2016
There might actually be other MS fans at this school. THANK JESUS I’M SAVED.
Oct 26 2016
Life is destroying me today. No time to write. Stupid math. #Mathslaughter
Oct 27 2016
Definitely another MS fan at this school. Pros: Awesome; Not alone; Pretty girl. Cons: Pretty girl. #Fuuuuuuuuck
Oct 28 2016
Heyyyy let’s not talk about the pretty girl anymore okay she’s probably looking at this.
”
”
Francesca Zappia (Eliza and Her Monsters)
“
I’ve been operating according to the idea that it is almost impossible to let go of mental patterns that operate unconsciously and that I have to know such a pattern of thinking first in order to let go of it and abide in my true nature. Leave all those mental habits and patterns alone. The self that is apparently operating, that seems to know these patterns and that would ‘let go of them’ is itself simply one such pattern. These patterns of thinking and feeling have taken their shape, over the years, from the belief that we are a separate self, without our making any particular effort. In just the same way, as our experiential conviction that we are not a limited, located self deepens, so our thoughts, feelings and subsequent behaviour will slowly, effortlessly and naturally realign themselves with this new understanding. In order to know our self we do not need to know the mind. No other knowledge than the knowledge that is present right now in this very moment is required to know our self. What does it mean to know our self? We are our self, so we are too close to our self to be able to know our self as an object. Our simply being our self is as close to knowing our self as we will ever come. We cannot get closer than that. In fact, being our self is the knowing of our self, but it is not the knowing of our self as an object. To say ‘I am’, (in other words to assert that we are present), we must know that ‘I am’. Being and knowing are, in fact, one single non-objective experience. But we do not step outside of our self in order to know our own being. We simply are our self. That being of our self is the knowing of our self. This being/knowing is shining in all experience. This experiential understanding dissolves the idea that our self is not present here and now and that it is not known here and now. And when our desire to know or find ourselves as an object is withdrawn, we discover that our own self was and is present all along, shining quietly in the background, as it were, of all experience. As this becomes obvious we discover that it is not just the background but also the foreground. In other words, it is not just the witness but simultaneously the substance of all experience. Completely relax the desire to find yourself as an object or to change your experience in any way. Relax into this present knowing of your own being. See that it is intimate, familiar and loving. See clearly that it is never not with you. It is shining here in this experience, knowing and loving its own being. It runs throughout all experience, closer than close, intimately one with all experience but untouched by it. As this intimate oneness, it is known as love. In its untouchable-ness it is known as peace and in its fullness it is known as happiness. In its openness and willingness to give itself to any possible shape (including the apparent veiling of its own being), it is known as freedom and, as the substance of all things, it is known as beauty. However, more simply it is known just as ‘I’ or ‘this’. Who Is? Q: All these questions about consciousness
”
”
Rupert Spira (Presence: The Intimacy of All Experience)
“
Keeping a new church outwardly focused from the beginning is much easier than trying to refocus an inwardly concerned church.
In order to plant a successful church, you have to know that you know that you are undeniably called by God.
The call to start a new church plant is not the same as the call to serve in an existing church or work in a ministry-related organization. You may be the greatest preacher this side of Billy Graham but still not be called to start a church.
If you think you may have allowed an improper reason, voice or emotion to lead you to the idea of starting a new church, back away now. Spend some more time with God. You don’t want to move forward on a hunch or because you feel “pretty sure” that you should be planting a church. You have to be completely certain.
“You’re afraid? So what. Everybody’s afraid. Fear is the common ground of humanity. The question you must wrestle to the ground is, ‘Will I allow my fear to bind me to mediocrity?’”
When you think of a people group that you might be called to reach, does your heart break for them? If so, you may want to consider whether God is specifically calling you to reach that group for His kingdom.
Is your calling clear? Has your calling been confirmed by others? Are you humbled by the call? Have you acted on your call?
Do you know for certain that God has called you to start a new church? Nail it down. When exactly were you called? What were the circumstances surrounding your call? How did it match up with the sources of proper calling? Do you recognize the four specific calls in your calling? How? How does your call measure up to biblical characteristics? What is the emerging vision that God is giving you with this call?
As your dependence on God grows, so will your church.
One of the most common mistakes that enthusiastic and well-meaning church starters make is to move to a new location and start trying to reach people without thinking through even a short-term strategy.
Don’t begin until you count the cost.
why would you even consider starting a church (the only institution Jesus left behind and the only one that will last forever) without first developing a God-infused, specific, winning strategy?
There are two types of pain: the pain of front-end discipline and the pain of back-end regret. With the question of strategy development, you get to choose which pain you’d rather live with.
Basically, a purpose, mission and vision statement provides guiding principles that describe what God has called you to do (mission), how you will do it (purpose) and what it will look like when you get it done (vision). Keep your statement simple. Be as precise as possible. Core values are the filter through which you fulfill your strategy. These are important, because your entire strategy will be created and implemented in such a way as to bring your core values to life.
Your strategic aim will serve as the beacon that guides the rest of your strategy. It is the initial purpose for which you are writing your strategy.
He will not send more people to you than you are ready to receive. So what can you do? The same thing Dr. Graham does. Prepare in a way that enables God to open the floodgates into your church. If you are truly ready, He will send people your way. If you do the work we’ve described in this chapter, you’ll be able to build your new church on a strong base of God-breathed preparation. You’ll know where you are, where you’re going and how you are going to get there. You’ll be standing in the rain with a huge bucket, ready to take in the deluge. However, if you don’t think through your strategy, write it down and then implement it, you’ll be like the man who stands in the rainstorm with a Dixie cup. You’ll be completely unprepared to capture what God is pouring out. The choice is yours!
”
”
Nelson Searcy (Launch: Starting a New Church from Scratch)
“
What he did there was, if one were to make a story of it to someone, absolutely nothing. It was fall, and in the mountains the early-autumn sun has a power of its own; mornings it lifted him up and bore him to some tree high up on the slopes, from beneath which one looked into the far distance, for in spite of his heavy hiking boots he was really not conscious of walking. In the same self-forgetful way he changed his location several times during the day and read a little in a few books he had with him. Nor was he really thinking, although he felt his mind more deeply agitated than usual, for his thoughts did not shake themselves up as they usually do, so that a new idea is always landing on top of the pyramid of the earlier ones while the ones at the bottom are becoming more and more compacted until finally they fuse with flesh, blood, skull case, and the tendons supporting the muscles, but his insights came like a jet into a full vessel, in endless overflowing and renewal, or they passed in an everlasting progression like clouds through the sky in which nothing changes, not the blue depths and not the soundless swimming of those mother-of-pearl fish. It could happen that an animal came out of the woods, observed Ulrich, and slowly bounded away without anything changing; that a cow grazed nearby, or a person went past, without any more happening than a beat of the pulse, twin to all the others of the stream of life that softly pounds without end against the walls of the understanding.
”
”
Robert Musil (The Man Without Qualities)
“
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't.
Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do."
Suddenly she heard a voice calling to her.
"Kilikina!"
Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around.
"Kilikina," called out the tall, blond surfer who was running toward her.
Christy looked up into the screaming silver-blue eyes that could only belong to one person.
"Todd?" she whispered, convinced she was hallucinating.
"Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be?
"Todd?" she whispered again. "How? I mean, what...? I don't..."
Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed.
"For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?"
Christy shook her head, unable to find any words.
"Didn't Dr. Benson tell you?"
She shook her head again.
"You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised.
"No, I thought you were in Papua New Guinea or something. I had no idea you were here!"
"They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling."
Christy had never heard him talk like this before.
Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God."
The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips.
"Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever."
Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible.
Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp.
Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding.
Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart.
In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever."
"Forever," Christy whispered back.
Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
”
”
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
“
As we stated, after their initial conquest, the Milesians began assimilating the gnosis of their predecessors. Of course they were no lovers of the Druids. After all, the British Druids were collaborators with their dire enemies, the Amenists. Nevertheless, returning to the ancient homeland was a most important step for the displaced and despised Atonists. Owning and controlling the wellspring of knowledge proved to be exceptionally politically fortunate for them. It was a key move on the grand geopolitical chessboard, so to speak. From their new seats in the garden paradise of Britain they could set about conquering the rest of the world. Their designs for a “New World Order,” to replace one lost, commenced from the Western Isles that had unfortunately fallen into their undeserving hands. But why all this exertion, one might rightly ask? Well, a close study of the Culdees and the Cistercians provides the answer. Indeed, a close study of history reveals that, despite appearances to the contrary, religion is less of a concern to despotic men or regimes than politics and economics. Religion is often instrumental to those secretly attempting to attain material power. This is especially true in the case of the Milesian-Atonists. The chieftains of the Sun Cult did not conceive of Christianity for its own sake or because they were intent on saving the world. They wanted to conquer the world not save it. In short, Atonist Christianity was devised so the Milesian nobility could have unrestricted access to the many rich mines of minerals and ore existing throughout the British Isles. It is no accident the great seats of early British Christianity - the many famous churches, chapels, cathedrals and monasteries, as well as forts, castles and private estates - happen to be situated in close proximity to rich underground mines. Of course the Milesian nobility were not going to have access to these precious territories as a matter of course. After all, these sites were often located beside groves and earthworks considered sacred by natives not as irreverent or apathetic as their unfortunate descendants. The Atonists realized that their materialist objectives could be achieved if they manufactured a religion that appeared to be a satisfactory carry on of Druidism. If they could devise a theology which assimilated enough Druidic elements, then perhaps the people would permit the erection of new religious sites over those which stood in ruins. And so the Order of the Culdees was born. So, Christianity was born. In the early days the religion was actually known as Culdeanism or Jessaeanism. Early Christians were known as Culdeans, Therapeuts or suggestively as Galileans. Although they would later spread throughout Europe and the Middle East, their birthplace was Britain.
”
”
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)
“
This is what makes the subatomic world unique. It possesses not just physical qualities, but also energetic qualities. In truth, matter on a subatomic level exists as a momentary phenomenon. It’s so elusive that it constantly appears and disappears, appearing into three dimensions—in time and space—and disappearing into nothing—into the quantum field, in no space, no time— transforming from particle (matter) to wave (energy), and vice versa. But where do particles go when they vanish into thin air? [...]
Quantum experiments demonstrated that electrons exist simultaneously in an infiniite array of possibilities or probabilities in an invisible field of energy. But only when an observer focuses attention on any location of any one electron does that electron appear. In other words, a particle cannot manifest in reality—that is, ordinary space-time as we know it—until we observe it.
Quantum physics calls this phenomenon “collapse of the wave function” or the “observer effect.” We now know that the moment the observer looks for an electron, there is a specific point in time and space when all probabilities of the electron collapse into a physical event. With this discovery, mind and matter can no longer be considered separate; they are intrinsically related, because subjective mind produces measurable changes on the objective, physical world. [...]
If your mind can influence the appearance of an electron, then theoretically it can influence the appearance of any possibility. [...]
How would your life change if you learned to direct the observer effect and to collapse infinite waves of probability into the reality that you choose? Could you
get better at observing the life you want?
”
”
Joe Dispenza (Breaking the Habit of Being Yourself: How to Lose Your Mind and Create a New One)
“
Dear patient (first name, last name)! You are presently located in our experimental state hospital. The measures taken to save your life were drastic, extremely drastic (circle one). Our finest surgeons, availing themselves of the very latest achievements of modern medicine, performed one, two, three, four, five, six, seven, eight, nine, ten operations (circle one) on you. They were forced, acting wholly in your interest to replace certain parts of your organism with parts obtained from other persons, in strict accordance with Federal Law (Rev. Stat. Comm. 1-989/0-001/89/1). The notice you are now reading was thoughtfully prepared in order to help you make the best possible adjustment to these new if somewhat unexpected circumstances in your life, which, we hasten to remind you, we have saved. Although it was found necessary to remove your arms, legs, spine, skill, lungs, stomach, kidneys, liver, other (circle one or more), rest assured that these mortal remains were disposed of in a manner fully in keeping with the dictates of your religion; they were, with the proper ritual, interred, embalmed, mummified, buried at sea, cremated with the ashes scattered in the wind—preserved in an urn—thrown in the garbage (circle one). The new form in which you will henceforth lead a happy and healthy existence may possibly occasion you some surprise, but we promise that in time you will become, as indeed all our dear patients do, quite accustomed to it We have supplemented your organism with the very best, the best, perfectly functional, adequate, the only available (circle one) organs at our disposal, and they are fully guaranteed to last a year, six months, three months, three weeks, six days (circle one).
”
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Stanisław Lem (The Futurological Congress: From the Memoirs of Ijon Tichy)
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Peasant families were close-knit. However, as the Black Death swept through village after village, it became difficult for young peasants to find spouses. The fragmentation of families by illness, coupled with new economic mobility, led many young men to move to the city.
"In England, many noblemen encouraged this migration by converting their land to raising livestock rather than farming, evicting their tenants and closing down entire villages ...
"...Sometimes a village was abandoned because the surrounding soils were depleted and ceased to yield good crops. In other locations, the decline in populations caused by the Black Death lowered food prices and made farming unprofitable.
"But whatever the reason, once a village was abandoned, most of its peasants headed for the city to try to make their living. And as migration increased and the cities grew in size and importance, many noblemen decided to move their too ... however, in the city, nobles discovered that their relationship with the lower classes had changed. Men had opportunities for advancement regardless of social class; the manorial system did not exist in urban centers of growth and progress.
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Patricia D. Netzley (Life During Renaissance (The Way People Lived))
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Sometimes,” she told me, “a girl will give a guy a blow job at the end of the night because she doesn’t want to have sex with him and he expects to be satisfied. So if I want him to leave and I don’t want anything to happen . . .” She trailed off, leaving me to imagine the rest.
There was so much to unpack in that short statement: why a young man should expect to be sexually satisfied; why a girl not only isn’t outraged, but considers it her obligation to comply; why she doesn’t think a blow job constitutes “anything happening”; the pressure young women face in any personal relationship to put others’ needs before their own; the potential justification of assault with a chaser of self-blame. “It goes back to girls feeling guilty,” Anna said. “If you go to a guy’s room and are hooking up with him, you feel bad leaving him without pleasing him in some way. But, you know, it’s unfair. I don’t think he feels badly for you.”
In their research on high school girls and oral sex, April Burns, a professor of psychology at City University of New York, and her colleagues found that girls thought of fellatio kind of like homework: a chore to get done, a skill to master, one on which they expected to be evaluated, possibly publicly. As with schoolwork, they worried about failing or performing poorly—earning the equivalent of low marks. Although they took satisfaction in a task well done, the pleasure they described was never physical, never located in their own bodies. They were both dispassionate and nonpassionate about oral sex—socialized, the researchers concluded, to see themselves as “learners” in their encounters rather than “yearners.”
The concern with pleasing, as opposed to pleasure, was pervasive among the girls I met, especially among high schoolers, who were just starting sexual experimentation.
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Peggy Orenstein (Girls & Sex: Navigating the Complicated New Landscape)
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Roosevelt fought hard for the United States to host the opening session [of the United Nations]; it seemed a magnanimous gesture to most of the delegates. But the real reason was to better enable the United States to eavesdrop on its guests. Coded messages between the foreign delegations and their distant capitals passed through U.S. telegraph lines in San Francisco. With wartime censorship laws still in effect, Western Union and the other commercial telegraph companies were required to pass on both coded and uncoded telegrams to U.S. Army codebreakers. Once the signals were captured, a specially designed time-delay device activated to allow recorders to be switched on. Devices were also developed to divert a single signal to several receivers. The intercepts were then forwarded to Arlington Hall, headquarters of the Army codebreakers, over forty-six special secure teletype lines. By the summer of 1945 the average number of daily messages had grown to 289,802, from only 46,865 in February 1943. The same soldiers who only a few weeks earlier had been deciphering German battle plans were now unraveling the codes and ciphers wound tightly around Argentine negotiating points.
During the San Francisco Conference, for example, American codebreakers were reading messages sent to and from the French delegation, which was using the Hagelin M-209, a complex six-wheel cipher machine broken by the Army Security Agency during the war. The decrypts revealed how desperate France had become to maintain its image as a major world power after the war. On April 29, for example, Fouques Duparc, the secretary general of the French delegation, complained in an encrypted note to General Charles de Gaulle in Paris that France was not chosen to be one of the "inviting powers" to the conference. "Our inclusion among the sponsoring powers," he wrote, "would have signified, in the eyes of all, our return to our traditional place in the world." In charge of the San Francisco eavesdropping and codebreaking operation was Lieutenant Colonel Frank B. Rowlett, the protégé of William F. Friedman. Rowlett was relieved when the conference finally ended, and he considered it a great success. "Pressure of work due to the San Francisco Conference has at last abated," he wrote, "and the 24-hour day has been shortened. The feeling in the Branch is that the success of the Conference may owe a great deal to its contribution."
The San Francisco Conference served as an important demonstration of the usefulness of peacetime signals intelligence. Impressive was not just the volume of messages intercepted but also the wide range of countries whose secrets could be read. Messages from Colombia provided details on quiet disagreements between Russia and its satellite nations as well as on "Russia's prejudice toward the Latin American countries." Spanish decrypts indicated that their diplomats in San Francisco were warned to oppose a number of Russian moves: "Red maneuver . . . must be stopped at once," said one. A Czechoslovakian message indicated that nation's opposition to the admission of Argentina to the UN.
From the very moment of its birth, the United Nations was a microcosm of East-West spying. Just as with the founding conference, the United States pushed hard to locate the organization on American soil, largely to accommodate the eavesdroppers and codebreakers of NSA and its predecessors.
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James Bamford (Body of Secrets: Anatomy of the Ultra-Secret National Security Agency from the Cold War Through the Dawn of a New Century)
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The principal reason that districts within states often differ markedly in per-pupil expenditures is that school funding is almost always tied to property taxes, which are in turn a direct function of local wealth. Having school funding depend on local wealth creates a situation in which poor districts must tax themselves far more heavily than wealthy ones, yet still may not be able to generate adequate income. For example, Baltimore City is one of the poorest jurisdictions in Maryland, and the Baltimore City Public Schools have the lowest per-pupil instructional expenses of any of Maryland's 24 districts. Yet Baltimore's property tax rate is twice that of the next highest jurisdiction.(FN2) Before the funding equity decision in New Jersey, the impoverished East Orange district had one of the highest tax rates in the state, but spent only $3,000 per pupil, one of the lowest per-pupil expenditures in the state.(FN3) A similar story could be told in almost any state in the U.S.(FN4) Funding formulas work systematically against children who happen to be located in high-poverty districts, but also reflect idiosyncratic local circumstances. For example, a factory closing can bankrupt a small school district. What sense does it make for children's education to suffer based on local accidents of geography or economics?
To my knowledge, the U.S. is the only nation to fund elementary and secondary education based on local wealth. Other developed countries either equalize funding or provide extra funding for individuals or groups felt to need it. In the Netherlands, for example, national funding is provided to all schools based on the number of pupils enrolled, but for every guilder allocated to a middle-class Dutch child, 1.25 guilders are allocated for a lower-class child and 1.9 guilders for a minority child, exactly the opposite of the situation in the U.S. where lower-class and minority children typically receive less than middle-class white children.(FN5) Regional differences in per-pupil costs may exist in other countries, but the situation in which underfunded urban or rural districts exist in close proximity to wealthy suburban districts is probably uniquely American.
Of course, even equality in per-pupil costs in no way ensures equality in educational services. Not only do poor districts typically have fewer funds, they also have greater needs.
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Robert E. Slavin
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The secret of enlightenment is the absolute, unequivocal conviction that it exists.
What does that mean? It means you have discovered an unshakable confidence in the fact of nonduality—in the perennial mystical revelation that IT IS . . . and I AM THAT. A confidence in that which can never be seen or known is the very ground of the enlightened state. Being is ungraspable, it’s unknowable, it’s ever elusive, and yet it is the only place you can find true confidence in life. Why? Because it is the very source of life itself.
The conscious experience of Being, which is what enlightenment is, has always been the ultimate answer to the most fundamental spiritual questions: Who am I? and Why am I here? Those who have tasted enlightened awareness find that in that experience, any trace of existential doubt and all the questions that go along with it instantaneously disappear. It’s not even that they are answered, but rather, the questions lose their meaning. When you locate the nonrelative, or absolute, nature of consciousness in the depths of your own self, it is experienced as a clarity that is empty of content; a weightiness that is full of nothing in particular; a profound knowing that dissolves all questions. In that questionless state, you find yourself profoundly rooted and radically free, supported by an absolute confidence in the knowing of no-thing that changes everything. The experience of that empty ground is the answer—the one answer that always liberates each and every one of us. You simply know, unequivocally, before thought, that I am. That’s the only answer: I AM. There is no why.
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Andrew Cohen (Evolutionary Enlightenment: A New Path to Spiritual Awakening)
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Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion.
In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten.
Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage.
Where will the family patterns collide?
In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now?
In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end?
But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays.
Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all?
Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers?
Then comes for many couples an even bigger challenge – children of their own!
At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
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David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
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In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
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Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
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Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
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Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
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He opened his eyes then, white fire flaring hotly within them.
“Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion.
She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it.
Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations.
But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability.
“You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement.
Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep.
Nelissuna . . . go to bed. I will help you sleep.
Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds.
She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own.
His masculine laughter vibrated through her, setting her skin to tingle.
So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew.
As if living for over a millennium is not long enough? she asked him.
On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna.
And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to.
Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
”
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Jacquelyn Frank (Gideon (Nightwalkers, #2))
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It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store.
Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches.
I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet.
"Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?"
We.
There is no we.
I know it.He knows it.And it bugs me that he tries to pretend otherwise.
The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more.
Acting like we won't really end long before our passports are stamped RETURN.
And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce.
"Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!"
I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?"
I gape.Surely he's joking.
"Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return.
Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life.
Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna."
Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
”
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Alyson Noel (Fated (Soul Seekers, #1))