New Jack City Quotes

We've searched our database for all the quotes and captions related to New Jack City. Here they are! All 58 of them:

I could hear everything, together with the hum of my hotel neon. I never felt sadder in my life. LA is the loneliest and most brutal of American cities; New York gets godawful cold in the winter but there's a feeling of wacky comradeship somewhere in some streets. LA is a jungle.
Jack Kerouac (On the Road)
It wasn’t so much that I thought there was nowhere to go, in this huge city; but with so many places to go, where were you supposed to begin?
Kelly Braffet (Fabulous Things: A Slightly Twisted Love Story)
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.
Jack Kerouac
I had traveled eight thousand miles around the American continent and I was back on Times Square; and right in the middle of a rush hour, too, seeing with my innocent road-eyes the absolute madness and fantastic hoorair of New York with its millions and millions hustling forever for a buck among themselves, the mad dream-grabbing, taking, giving, sighing, dying, just so they could be buried in those awful cemetery cities beyond Long Island City.
Jack Kerouac (On the Road)
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
I know you told me you'd wait for me, but I don't want either of us to wait anymore. Especially when I knew from the first moment I saw you that you were special. I feel like I've been running my whole life, speeding from small town into a big city, jumping from one place to the next for years until they all blurred together. And right when I decided it was time to finally stop running and set down some roots, there you were. My new beginning." Her eyes filled with tears as she smiled up at him and slid her arms around his neck to pull him closer. "My love." Jack sank down onto the couch with Mary, her curves soft beneath his muscles. "I'll always be yours, Angel. Forever.
Bella Andre (Kissing Under the Mistletoe (San Francisco Sullivans, #9; The Sullivans, #9))
Suddenly I found myself on Times Square. I had traveled eight thousand miles around the American continent and I was back on Times Square; and right in the middle of a rush hour, too, seeing with my innocent road-eyes the absolute madness and fantastic hoorair of New York with its millions and millions hustling forever for a buck among themselves, the mad dream––grabbing, taking, giving, sighing, dying, just so they could be buried in those awful cemetery cities beyond Long Island City.
Jack Kerouac (On the Road)
They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon.
Erik Larson (The Devil in the White City)
To this boy of New England the May morning was like faint music in the woods again, some unspeakably exciting foregathering of events far in the deep shade of morning pines, all of it stirring there. He could hear it all faintly in the woods from far away, from across the fields and pastures, in the cool misty morning air, and he wanted to go there too.
Jack Kerouac (The Town and the City)
I did everything with that great mad joy you get when you return to New York City.
Jack Kerouac (Lonesome Traveler)
She had used a simile, to explain and flatter and apologize all at once. She had written, “You’re like New York City. I love to visit, but I could never live there.
Lee Child (The Midnight Line (Jack Reacher, #22))
Another hour it would come streaming through the Golden Gate to shroud the romantic city in white, and a young man would hold his girl by the hand and climb slowly up a long white sidewalk with a bottle of Tokay in his pocket. That was Frisco; and beautiful women standing in white doorways, waiting for their men; and Coit Tower, and the Embarcadero, and Market Street, and the eleven teeming hills. I spun around till I was dizzy; I thought I'd fall down as in a dream, clear off the precipice. Oh where is the girl I love? I thought, and looked everywhere, as I had looked everywhere in the little world below. And before me was the great raw bulge and bulk of my American continent; somewhere far across, gloomy, crazy New York was throwing up its cloud of dust and brown steam. There is something brown and holy about the East; and California is white like washlines and emptyheaded -- at least that's what I thought then.
Jack Kerouac (On the Road)
They tasted a new snack called Cracker Jack and a new breakfast food called Shredded Wheat.
Erik Larson (The Devil in the White City)
LA is the loneliest and most brutal of American cities; New York gets god-awful cold in the winter but there’s a feeling of wacky comradeship somewhere in some streets. LA is a jungle.
Jack Kerouac (On the Road)
Nine o'clock in the morning, the World Trade Center on its own is the sixth largest city in New York State. Bigger than Albany. Only sixteen acres of land, but a daytime population of 130,000 people.
Lee Child (Tripwire (Jack Reacher, #3))
I never felt sadder in my life. LA is the loneliest and most brutal of American cities; New York gets god-awful cold in the winter but there’s a feeling of wacky comradeship somewhere in some streets. LA is a
Jack Kerouac (On the Road)
can. “New York City, huh?” “Yup.” She rolled up her sleeves and dipped down into the water. And that was when I noticed the scar. “Jeez. What’s that?” It started just inside her left elbow and ran down to the wrist like a long pink twisted worm. She saw where I was looking. “Accident,” she said. “We were in a car.” Then she looked back into the water where you could see her reflection shimmering. “Jeez.” But then she didn’t seem to want to talk much after that. “Got any more of ’em?” I don’t know why scars are always so fascinating to boys, but they are, it’s a fact of life, and I just couldn’t help it. I couldn’t shut up about it yet. Even though I knew she wanted me to, even though
Jack Ketchum (The Girl Next Door)
Neal is coming to New York. Neal is coming to New York. Neal is coming to New York for New Year´s Eve. Neal is coming to New York for New Year´s Eve. Neal is coming to New York for New Year´s Eve in a ’49 Hudson. [ca. December 16, 1948]
Jack Kerouac (Jack Kerouac and Allen Ginsberg: The Letters)
Don’t think they have them in New York City.” She laughed. I didn’t mind. “We get lobsters, though. They can hurt you.” “Can you keep one? I mean, you can’t keep a lobster like a pet or anything, right?” She laughed again. “No. You eat them.” “You can’t keep a crayfish either. They die. One day or maybe two, tops. I hear people eat them too, though.” “Really?” “Yeah. Some do. In Louisiana or Florida or someplace.” We looked down into the can. “I don’t know,” she said, smiling. “There’s not a whole lot to eat down there.” “Let’s get some big ones.” We lay across the Rock side by side. I took the can and slipped both arms down into the brook. The trick was to turn the stones one at a time, slowly so as not to muddy the water, then have the can there
Jack Ketchum (The Girl Next Door)
ready for whatever scooted out from under. The water was so deep I had my shortsleeve shirt rolled all the way up to my shoulders. I was aware of how long and skinny my arms must look to her. I know they looked that way to me. I felt pretty strange beside her, actually. Uncomfortable but excited. She was different from the other girls I knew, from Denise or Cheryl on the block or even the girls at school. For one thing she was maybe a hundred times prettier. As far as I was concerned she was prettier than Natalie Wood. Probably she was smarter than the girls I knew too, more sophisticated. She lived in New York City after all and had eaten lobsters. And she moved just like a boy. She had this strong hard body and easy grace about her. All that made me nervous and I missed the first one. Not an enormous crayfish but bigger than what we had. It scudded backward beneath the Rock. She asked if she could try. I gave her the
Jack Ketchum (The Girl Next Door)
Until 1864, extramarital sex and illegitimate pregnancy had been punishable by law. Additionally, in 1859 a law regulating prostitution in the city had been introduced to quell the spread of venereal disease, specifically syphilis. The new legislation was a threat to any woman living in a potentially compromising situation.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
Within the fair’s buildings visitors encountered devices and concepts new to them and to the world. They heard live music played by an orchestra in New York and transmitted to the fair by long-distance telephone. They saw the first moving pictures on Edison’s Kinetoscope, and they watched, stunned, as lightning chattered from Nikola Tesla’s body. They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon. Visitors also encountered the latest and arguably most important organizational invention of the century, the vertical file, created by Melvil Dewey, inventor of the Dewey Decimal System. Sprinkled among these exhibits were novelties of all kinds. A locomotive made of spooled silk. A suspension bridge built out of Kirk’s Soap. A giant map of the United States made of pickles. Prune makers sent along a full-scale knight on horseback sculpted out of prunes, and the Avery Salt Mines of Louisiana displayed a copy of the Statue of Liberty carved from a block of salt. Visitors dubbed it “Lot’s Wife.
Erik Larson (The Devil in the White City)
Soon it got dusk, a grappy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgundy red, the fields the color of love and Spanish mysteries. LA is the loneliest and most brutal of American cities; New York gets god-awful cold in the winter but there's a feeling of wacky comradeship somewhere in some streets. LA is a jungle.
Jack Kerouac (On the Road)
I settled down to long sweet sleeps, day-long meditations in the house, writing, and long walks around beloved old Manhattan a half hour subway ride away. I roamed the streets, the bridges, Times Square, cafeterias, the waterfront, I looked up all my poet beatnik friends and roamed with them, I had love affairs with girls in the Village, I did everything with that great mad joy you get when you return to New York City.
Jack Kerouac (Lonesome Traveler)
Electricity," Purva said, rolling the strange new word around in her mouth, giving it at once an Australian and a French inflection. "Sir William was playing around with it when we met, do you remember?" Jack said to Clare. "He was storing charges in boxes." "I remember he was blowing things up," Clare replied. "Six of one..." Jack grinned. "Nobody really knows how it works, but down here it powers most of the lights in the big cities and parts of the automobiles and the stoves in the train kitchen. You can store the power in blocks, then hook it up to anything you might otherwise run on a boiler. It's cooler, and the blocks last longer than coal. I think I can reproduce it when we get home, if I can take enough schematics with me." "He is going to kill himself," Purva said, but her tone was casual, not overly worried. "I'm not going to kill myself," Jack answered, equally casual. "Just because it can cause your heart to stop doesn't mean it always does.
Sam Starbuck (The Dead Isle)
The old world was passing. P. T. Barnum died; grave-robbers attempted to steal his corpse. William Tecumseh Sherman died, too. Atlanta cheered. Reports from abroad asserted, erroneously, that Jack the Ripper had returned. Closer at hand, a gory killing in New York suggested he might have migrated to America. In Chicago the former warden of the Illinois State Penitentiary at Joliet, Major R. W. McClaughry, began readying the city for the surge in crime that everyone expected the fair to produce,
Erik Larson (The Devil in the White City)
A display of indifference to all the actions and passions of mankind was not supposed to be such a distinguished quality at that time, I think, as I have observed it to be considered since. I have known it very fashionable indeed. I have seen it displayed with such success, that I have encountered some fine ladies and gentlemen who might as well have been born caterpillars. Perhaps it impressed me the more then, because it was new to me, but it certainly did not tend to exalt my opinion of, or to strengthen my confidence in, Mr. Jack Maldon.
Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
HENRY MORGAN, the New York radio comedian, intellectual, sophisticate, “liberal” and whatnot, although being a very intelligent, clever and amusing person in himself, has more or less made his decadent views known on a variety of subjects through the medium of his radio work; and on the subject of family I gather this: A skit relates the horror of having to look through a family album of pictures, very well done, especially in delineating the horror which city men of the higher cognitive order have when they go through this routine. I have my sympathies with these high cognizers, but let us see how high it really is: I went through a family album tonight, with a magnifying glass, and heard my aunt relate histories, events, legends connected with the old forebears, and never before have I seen such glimpses into society, changing times, the law of families, lineal heritage and such; in no book have I ever seen so much, learned so much about human beings (if I may be permitted the phrase, Mr. Morgan and all ye sycophants). What does this mean, if it doesn’t mean that the so-called high consciousness, or complex understanding, or sensitive enlightenment, or whatnot of the city intellectual, is not high enough, or conscious enough, or complex enough, or understanding enough, or sensitive enough, or enlightened enough, or whatnot enough, if it is going to deny its vaunted intellectual powers a thorough and earnest study of the family album, with all the illuminative wonders and secrets therein, and all for the sake of fashionably shrinking back from the “Bourgeois horror” of such an album.
Jack Kerouac (The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings)
When he was sixteen (1923), Peter got a job as copy boy on a New York tabloid and entered a saltier, more hard-bitten world. It was a roaring, lush, lousy tabloid. Everybody was drunk all the time. The managing editor hired girl reporters on condition they sleep with him. New staffs moved in and were mowed down like the Light Brigade. Chorus girls, debutantes, and widows suspected of murdering their husbands were perched on desks with their thighs showing to be photographed. An endless parade of cranks, freaks, ministers, actresses, and politicians moved through the big babbling room, day and night. The city editor went crazy one afternoon. So did his successor. And among the typewriters and the paste pots and the thighs, Peter walked with simple delight. A young reporter took a liking to him, found he was homeless, and insisted he share an elegant bachelor apartment uptown. There were constant parties, starting at dawn and ending as the hush of twilight settled over the city. People went to work and went to parties until they got the two pursuits confused and never noticed the difference. Whisky was oxygen, women were furniture, thinking was masochism.
Jack Iams
„w Kalifornii nie trzeba mieć domu, bo nigdy nie jest zimno” mówi Slim i śmieje się radośnie. „Rany w życiu nie widziałaś takich ślicznych słonecznych dni, że przez większość roku nawet nie potrzeba płaszcza ani węgla do ogrzewania domu ani zimowych butów ani nic. I nigdy nie umiera się z gorąca w lecie tam na północy we frisco i Oakland i okolicach. Mówię ci, to jest miejsce do życia. I nie da się już pojechać dalej w Ameryce, zostaje tylko woda i Rosja”. „A co jest złego w Nowym Jorku?” warczy matka Sheili. „Och, nic!” Slim pokazuje na okno, „Ocean Atlantycki przynosi diabelne wiatry w zimie i jakiś szatański syn przenosi te wiatry na ulice, tak że człowiek może zamarznąć na progu. Bóg zawiesił słonce nad wyspą Manhattan, ale diabeł nie wpuści go w twoje okno, chyba że kupisz sobie mieszkanie w domu wysokim na mile, ale wtedy nawet nie można wyjść odetchnąć powietrzem, bo można spaść tę milę na dół, o ile w ogóle cię stać na takie mieszkanie. Można pracować, ale wtedy w ogóle nie ma się czasu, bo osiem godzin pracy to dwanaście bo trzeba doliczyć te wszystkie metra, autobusy, windy, tunele, promy, schody i znowu windy i jeszcze czekanie, bo to wielkie i beznadziejne miasto. Ale nie, w Nowym Jorku nie ma nic złego.
Jack Kerouac (Pic)
A fost odată Louis Armstrong, cântând la frumoasa lui trompetă în noroaiele din New Orleans. Înaintea lui fuseseră muzicienii trăsniţi care mărşăluiau la paradele oficiale şi transformau marşurile în ragtime. Pe urmă a apărut swingul şi Roy Elridge, viguros, viril, scoţând din trompetă valuri de forţă şi logică şi subtilitate - se apleca asupra ei cu ochi sclipitori şi cu un zâmbet minunat şi trimitea sunetele prin radio să legene lumea jazzului. Sosise apoi Charlie Parker, care copilărise doar cu maică-sa într-o căsuţă de lemn din Kansas City, unde cântase la saxofon alto printre buşteni, repetând în zile ploioase, mergând în oraş să-i vadă pe bătrânii interpreţi de swing Basie şi Benny Moten cu a lor Hot Lips Page şi celelalte, Charlie Parker plecând de acasă şi sosind în Harlem, întâlnindu-se cu nebunul de Thelonius Monk şi cu celălalt smintit, Gillespie, Charlie Parker la începuturile carierei sale, când cânta învârtindu-se în cerc. Puţin mai tânăr decât Lester Young, tot din K. C., un scrântit de geniu, sumbru, a cărui muzică acoperea toată istoria jazzului. Când îşi ţinea saxofonul în sus, în poziţie orizontală, scotea cel mai formidabil sunet. Pe urmă părul îi crescu şi deveni mai leneş şi saxul îi coborî mai jos, ajunse în sfârşit să-l ţină vertical, şi acum, când purta pantofi cu talpa groasă ca să nu mai simtă cărările tari ale vieţii, instrumentul îi zăcea rezemat de piept, iar el sufla lejer şi scotea fraze tot mai simple. Aceştia erau copiii bopului din noaptea americană.
Jack Kerouac (On the Road)
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real. Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine. “Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?” “Nope,” I answered. “Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly. Our knees buckled under the heat, and before I knew it we were back where we’d been before, rolling around and kissing manically in the bed of his diesel pickup. Occasionally my arm would hit a crowbar and my head would slam against a spare tire or a cattle prod or a jack; I didn’t care, of course. I’d said what I wanted to say that night. Everything else--even minor head injuries--was a piece of cake. We stayed there a long, long time, the balmy night air giving us no good reason to leave. Under the innumerable stars, amidst all the embraces and kisses and sounds from the surrounding livestock, I suddenly felt more at peace in my decision than I had since my phone call with Rhonda the Realtor that morning. I felt at home, comfortable, nestled in, wonderful. My life had changed that day, changed in a way I never, ever, could have predicted. My big-city plans--plans many months in the making--had all at once been smashed to smithereens by a six-foot cowboy with manure on his boots. A cowboy I’d known, essentially, for less than three weeks. It was the craziest thing I’d ever done, deciding to take an impulsive walk down this new and unexpected path. And while I secretly wondered how long it would take for me to regret my decision, I rested easily, at least for that night, in the knowledge that I’d had the courage to step out on such an enormous limb. It was late. Time to go. “Want me to drive you home now?” Marlboro Man asked, lacing our fingers together, kissing the back of my hand. “Or, do you…” He paused, considering his words. “Do you want to come stay at my place?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty. And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day. One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area. “It’s probably just a bobcat,” Marlboro Man reassured me. I didn’t believe him. “No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!” “I’ve gotta go,” he said. Cows mooed in the background. I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout. My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The S curve is not just important as a model in its own right; it’s also the jack-of-all-trades of mathematics. If you zoom in on its midsection, it approximates a straight line. Many phenomena we think of as linear are in fact S curves, because nothing can grow without limit. Because of relativity, and contra Newton, acceleration does not increase linearly with force, but follows an S curve centered at zero. So does electric current as a function of voltage in the resistors found in electronic circuits, or in a light bulb (until the filament melts, which is itself another phase transition). If you zoom out from an S curve, it approximates a step function, with the output suddenly changing from zero to one at the threshold. So depending on the input voltages, the same curve represents the workings of a transistor in both digital computers and analog devices like amplifiers and radio tuners. The early part of an S curve is effectively an exponential, and near the saturation point it approximates exponential decay. When someone talks about exponential growth, ask yourself: How soon will it turn into an S curve? When will the population bomb peter out, Moore’s law lose steam, or the singularity fail to happen? Differentiate an S curve and you get a bell curve: slow, fast, slow becomes low, high, low. Add a succession of staggered upward and downward S curves, and you get something close to a sine wave. In fact, every function can be closely approximated by a sum of S curves: when the function goes up, you add an S curve; when it goes down, you subtract one. Children’s learning is not a steady improvement but an accumulation of S curves. So is technological change. Squint at the New York City skyline and you can see a sum of S curves unfolding across the horizon, each as sharp as a skyscraper’s corner. Most importantly for us, S curves lead to a new solution to the credit-assignment problem. If the universe is a symphony of phase transitions, let’s model it with one. That’s what the brain does: it tunes the system of phase transitions inside to the one outside. So let’s replace the perceptron’s step function with an S curve and see what happens.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
She'd discreetly asked a few of her customers today and found out, much to her dismay, that everyone was under the impression Jack was back, and not just for a visit. She let her head fall back and sighed heavily. Damn him. Damn him and my sister both. She knew it wasn't fair to be mad at Jack just for coming home, but she couldn't help it. After everything she'd sacrificed to keep Amanda's secret, it was ready to be blown to bits by his arrival. She was going to drive herself crazy if she didn't stop dwelling on it. Cassie picked up her phone and slid her finger across the screen. With a couple taps on the glass, it was ringing. Time to call in the reinforcements. "Hey girl, what's shaking?" came the sound of Lissa's voice. "Hey." She sat there, unsure what to say to her best friend, just knowing she needed her support. "Uh oh. What's going on?" "Jack came in my shop this morning." "I'll be right there." The line went dead. Cassie smiled. Of course she would. She closed her eyes and rested while she waited. She and Melissa Winters had been through everything side by side, so why should this be any different? Lissa was the only person in the world besides Cassie that knew the secret about Sarah. She had helped her adjust to a new baby, teaching her everything she had learned from growing up the oldest sister of five. It was always in times like those that Cassie wished she had her mother around, but Lissa had stepped up. Caroline Powell would have loved helping with Sarah, but as it was, she often didn't even remember who Sarah was when Cassie would take her for visits to the full-time care facility she lived at in The city. Footsteps on the porch stairs shook her out of her reverie, and she opened her eyes to see Lissa walking up, Chinese takeout bags in hand. "General Tso to the rescue," she proclaimed, dropping into the rocker next to Cassie. "And some sweet and sour chicken for Miss Priss, of course." "Of course," Cassie smiled. "You're the best." They sat in silence for a few moments, Cassie turning her glass round and round in her hands until Lissa couldn't take it any longer. "Okay, spill. You can't drop a bomb on me like that and then just sit there in silence," Lissa chided. "I just don't know what to say. I'm terrified, Liss." "Let's think rationally. There is no reason for him to suspect anything." "He seemed really confused about Sarah. Surprised. He kept asking about her.
Christine Kingsley (Hometown Hearts)
At the very same moment, close by, a car breaks down. Two young Canadians are trying to get to New York City to sell a treasure. They’re stranded at a lonely motel in the middle of nowhere. It’s a
Lee Child (Past Tense (Jack Reacher, #23))
His training was nil: he matriculated on the stages of vaudeville; his education ended in the sixth grade. Winchell was born April 7, 1897, in New York City, By 1910 he was working at the Imperial Theater, where he, Jack Weiner, and George Jessel formed a trio of singing ushers. Gus Edwards took them on as part of his “Newsboys’ Sextet,” an act he worked for two years. He continued in vaudeville until 1917, when he joined the Navy, and he returned to the stage when his hitch was up.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
It’s the start of a new era, when people are finally ready to embrace the microbial world. When I walked through San Diego Zoo with Rob Knight at the start of this book, I was struck by how different everything seemed with microbes in mind. Every visitor, keeper, and animal looked like a world on legs – a mobile ecosystem that interacted with others, largely oblivious to their inner multitudes. When I drive through Chicago with Jack Gilbert, I experience the same dizzying shift in perspective. I see the city’s microbial underbelly – the rich seam of life that coats it, and moves through it on gusts of wind and currents of water and mobile bags of flesh. I see friends shaking hands, saying’ “how do you do”, and exchanging living organisms. I see people walking down the street, ejecting clouds of themselves in their wake. I see the decisions through which we have inadvertently shaped the microbial world around us: the choice to build with concrete versus brick, the opening of a window, and the daily schedule to which a janitor now mops the floor. And I see, in the driver’s seat, a guy who notices those rivers of microscopic life and is enthralled rather than repelled by them. He knows that microbes are mostly not to be feared or destroyed, but to be cherished, admired, and studied.
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
Scott Cooper Florida called the film [New Jack City] "a superior example of what used to be called blaxploitation.
Scott Cooper Florida
bridge into mainland China. It was a pleasing message of ‘business as usual’ smartly tailored to the merchant princes of the Mandarin Oriental. Few would have predicted such Sino-British ‘harmony’ (a favoured Beijing phrase) when Hong Kong was handed back to China on 30 June 1997, after the ninety-nine-year lease on the New Territories came to an end. Then, it was all tears and angst, pride and regret. At the stroke of midnight the Union Jack was lowered to the strains of ‘God Save the Queen’, the Hong Kong police ripped the royal insignia from their uniforms, and Red Army troops poured over the border. Britain’s last governor, former Conservative Party chairman Chris Patten, recorded the final, colonial swansong in all its lachrymose glory: its ‘kilted pipers and massed bands, drenching rain, cheering crowds, a banquet for the mighty and the not so mighty, a goose-stepping Chinese honour guard, a president and a prince’. Steaming out of Victoria Harbour, as the Royal Marines played ‘Rule, Britannia!’ and
Tristram Hunt (Ten Cities that Made an Empire)
Wiley was waking up, in his bedroom, the same place he had woken up for the last three months. In his rented apartment on the waterfront. The new development. A village within the city. But not really. It was actually a giant dormitory, full of incurious people who rushed in and out in the dark, and slept the few hours between. He had never seen his neighbors, and as far as he knew they had never seen him. Perfect. He
Lee Child (Night School (Jack Reacher, #21))
Reacher put his hand on his gun in his pocket and stepped all the way out to the sunlight. The woman was stuffing her purse back in her bag. The taxi was driving away. The woman looked up. She saw Reacher and looked momentarily confused. Reacher was not the guy she was expecting to see. She was in her early twenties, with jet black hair and olive skin. She was very good looking. She could have been Turkish or Italian. She was the messenger. The two guys with her were waiting patiently, stoic and unexcited, like laborers ahead of routine tasks. They were airport workers, Reacher thought. He remembered telling Sinclair that Wiley had chosen Hamburg because it was a port. The second largest in Europe. The gateway to the world. Maybe once. But the plan had changed. Now he guessed they planned to drive the truck into the belly of a cargo plane. Maybe fly it to Aden, which was a port of a different kind. On the coast of Yemen. Where ten tramp steamers would be waiting to complete the deliveries, after weeks at sea. Straight to New York or D.C. or London or LA or San Francisco. All the world’s great cities had ports nearby. He remembered Neagley saying the radius of the lethal blast was a mile, and the radius of the fireball was two. Ten times over. Ten million dead, and then complete collapse. The next hundred years in the dark ages. The
Lee Child (Night School (Jack Reacher, #21))
Meeting and Greeting 1. Use eye contact and smiling as your first contact with others. In doing so, you can scout out the friendly, approachable strangers in the room and feel immediately more at ease. 2. Be the first to say hello. Stay calm if you are left alone to mingle—large parties, forgetful hosts, and friendly guests make this situation inevitable. 3. Introduce yourself to others. Offer your hand and say: “Hello. My name is . . .” 4. As you shake hands, repeat the person’s name. “Nice to meet you, Jack.” This will help imprint the name in your own mind. 5. Make an extra effort to remember names and use them in conversation: “Don’t you agree, Jim?” This makes people feel special. 6. Go out of your way to meet new people. They may feel as out of place as you do: “Hi, I don’t believe we’ve met yet, I’m . . . “ or “I don’t know a soul.” 7. Ask neutral questions that are easy to answer to convey the message that you’d like to get to know this person better. 8. Be prepared to say something interesting about what you do—but in small doses. No one wants to hear you talk exclusively about yourself. 9. Communicate a sense of enthusiasm about the event at hand or life in general. Focus on the positive. 10. Look for passing comments that could open up a whole topic of conversation. “The New York subways were a real experience for this country boy” could lead to a discussion of childhood on the farm, adjusting to city life, public transportation. . . . Clothes, jewelry, and accessories also make excellent conversation pieces. It’s up to you to take the conversational ball and run with it, but be sure to pass it back to your teammate from time to time.
Jonathan Berent
A young woman entered a cafeteria in New York City, placed her suitcase by a table where another person was eating, and went off to get some food. While she was away, a young man came by, picked up her bag, and walked off with it. In only one out of eight trials of this experiment did the customer at the table make an effort to stop him. When the same woman again entered the cafeteria and placed her bag down by a table where someone else was sitting, but then asked that person to keep an eye on it while she got some food, her table mate stopped the young man when he began to make away with it every time. On another day, the same young woman visited a beach, spread out her blanket, left a radio on it, and went off, either saying nothing to the nearest bystander or else asking that person to keep an eye on her things. Moriarity got the same results. At both locations, nearly all of the bystanders she asked to watch her possession tried to stop the “thief,” but of those she did not ask, only a few—one in eight in the cafeteria and one in five at the beach—did so. 4 —Pryor Report, February 1992
Jack Canfield (The Aladdin Factor)
Soon after Cortez conquered Mexico, the French explorer Jacques Cartier cautiously sailed his ships up America’s North Atlantic coast. In 1534 his expedition explored the coast of Canada, and like Cortez, he also wanted to venture inland in search of treasures and new cities. To prepare for the excursion into the interior, he kidnapped Taignoagny and Agaya, two coastal natives whom he took back to France with him to teach them to speak French. Cartier returned in the spring of the following year with the interpreters, whom he used to guide his ships up the St. Lawrence River to the Huron territory of Chief Donnaconna and on to the Huron village of Hochelaga, which became Montreal.
Jack Weatherford (Native Roots: How the Indians Enriched America)
On the working-class, multiethnic Upper West Side alone, Moses bulldozed two stable communities of color. One, along West 98th and 99th Streets, he destroyed as a gift to the builders of a market-rate development called Manhattantown (now Park West Village). At a reunion in 2011, a former resident told the Times, “It was a great neighborhood to live in. I remember playing jacks, eating Icees, playing stickball and dodge ball, jumping double Dutch and when it got really hot out they would open up the fire hydrants.” Said another, “It wasn’t a slum; why tear it down?” The other neighborhood was San Juan Hill, destroyed to make way for Lincoln Center. An African-American and Latino working-class community, San Juan Hill was full of theaters, dance halls, and jazz clubs. In the early 1900s, it was the center of black cultural life in Manhattan, where James P. Johnson wrote the song “The Charleston,” inspired by southern black dockworkers on the Hudson River. Still, it was branded as “blight.” While they fought the city in court, 7,000 families and 800 small businesses were removed and scattered.
Jeremiah Moss (Vanishing New York: How a Great City Lost Its Soul)
Nine o’clock in the morning, the World Trade Center on its own is the sixth largest city in New York State. Bigger than Albany. Only sixteen acres of land, but a daytime population of 130,000 people. Chester Stone felt like most of them were swirling around him as he stood in the plaza. His grandfather would have been standing in the Hudson River. Chester himself had watched from his own office window as the landfill inched out into the water and the giant towers had risen from the dry riverbed.
Lee Child (Tripwire (Jack Reacher, #3))
Still, Frederic Allen and his partners recognized that the markets were changing. Given its Boston roots, Lee Higginson lacked the national networks of Morgan or National City, a leading commercial bank. The firm needed someone to establish stronger connections, first with new companies whose securities would appeal to investors, and then throughout the United States with the investors themselves. Every American already knew Jack Morgan. They were getting to know National City’s chairman, Charles Mitchell, a former electrical goods salesman, who had been encouraging his brokers with sales contests, high commissions, and motivational speeches. Lee Higginson needed someone to join this fray, and to introduce the firm’s name and the companies it discovered to the public. It wouldn’t hurt if this man resembled Fred Astaire
Frank Partnoy (The Match King: Ivar Kreuger and the Financial Scandal of the Century)
(Page 91) LUKE JENNER: Julian Casablancas showed up one night to fight that dude, because he had said something derogatory about the Strokes. That guy was huge, like the high school quarterback. Jack White and Julian Casablancas, those dudes will fuck you up.
Lizzy Goodman (Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011)
my
Jack Fitzgerald (War Stories: From a New York City Cop in the Seventies and Eighties)
When we started shooting New Jack City in April of 1990, I wasn’t nervous anymore; I was fucking scared. Chris Rock was, too. We had a lot of heavy, dramatic scenes to pull off and we were both feeling the pressure.
Ice-T (Split Decision: Life Stories)
What made New Jack City work is that I showed up with zero attitude. I was a wide-eyed rookie, a sponge, trying to soak it up and willing to learn from everybody. I didn’t know shit about hitting marks or character motivation—all this acting
Ice-T (Split Decision: Life Stories)
One thing I learned on New Jack City is that when you’re making a movie, the trick is to make it feel real but not be
Ice-T (Split Decision: Life Stories)
Chris Rock often says I was an uncredited codirector on New Jack City. It wasn’t really codirecting, but when we were shooting, I sometimes wore the hat of technical advisor for those little street details.
Ice-T (Split Decision: Life Stories)
Eve taught me to look at the overall picture, to read the cards as art and intuition as much as a science. Women were more in touch with that innate sense than men. Women resonated with the cards. Rather than read the cards in order, I let the entire pattern seep in. I understood the 8 of Clubs and the Ace of Spades. The Queen of Diamonds, I sensed, would be a real person to provide the essentials of life. Then my heart sank when I saw the two Jacks, the Pretenders, the Liars who would upset my balance on the one hand, and try to exert power over me on the other. They framed the 2 of hearts. The Jacks would jeopardize my love life. I’d have to be wary in that domain. It had been quite a while since I had taken a lover. With this news, I would wait. I’d return to New York City, and meet two people who would be my Ace and my Queen. I took the calendar from the wall near the telephone, and sat down on Nestor’s chair. I stared at it, unbelieving; it had been six months since Nestor’s passing. I had spent half a year sorting through Nestor’s things, working, making no new friends, and taking no lovers. I had performed my duties, including marking the calendar mechanically. I operated in a daze. Several people had asked me if they could help. I didn’t understand, but now I knew. I had lost all sense of time and of myself, and I needed to rejoin life. My nineteenth birthday was just six months away. I would stay in Key West until then. In the interim, I would decide what I wanted to keep from Nestor’s legacy and, as he wished, place the rest.
Robin Ader (Lovers' Tarot)
Historically, this group would come to dominate the realm carved out for them, often celebrated unless they went head to head against an upper-caste person, as did the black boxer Jack Johnson when he unexpectedly knocked out James Jeffries in 1910. The writer Jack London had coaxed Jeffries out of retirement to fight Johnson in an era of virulent race hatred, and the press stoked passions by calling Jeffries “the Great White Hope.” Jeffries’s loss on that Fourth of July was an affront to white supremacy, and triggered riots across the country, north and south, including eleven separate ones in New York City, where whites set fire to black neighborhoods and tried to lynch two black men over the defeat. The message was that, even in an arena into which the lowest caste had been permitted, they were to know and remain in their place.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Just how difficult has LoJack made life for auto thieves? For every additional percentage point of cars that have LoJack in a given city, overall thefts fall by as much as 20 percent. Since a thief can’t tell which cars have LoJack, he’s less willing to take a chance on any car. LoJack is relatively expensive, about $700, which means it isn’t all that popular, installed in fewer than 2 percent of new cars.
Steven D. Levitt (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
Dr. Jack Mbabuike, MD, is a highly regarded specialist in orthopedic pain management, dedicated to serving the diverse population of New York City with compassion and skill.
Jack Mbabuike MD