“
I love you," he said.
She looked up at him, her eyes shiny and black, then looked away. "I know," she said.
He pulled one of his arms out from under her and traced her outline against the couch. He could spend all day like this, running his hand down her ribs, into her waist, out to her hips and back again.... If he had all day, he would. If she weren't made of so many other miracles.
"You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know."
"I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh.
"Well, I'm not the Princess Leia," he said.
"Don't get so hung up on gender roles," Eleanor said.
”
”
Rainbow Rowell (Eleanor & Park)
“
You know what’s really, powerfully sexy? A sense of humor. A taste for adventure. A healthy glow. Hips to grab on to. Openness. Confidence. Humility. Appetite. Intuition. … Smart-ass comebacks. Presence. A quick wit. Dirty jokes told by an innocent-looking lady. … A storyteller. A genius. A doctor. A new mother. A woman who realizes how beautiful she is.
”
”
Courtney E. Martin
“
My knees were weak but he held me with one hand, guiding me with the motion of his hips. I was completely his to do with what he wanted and he knew it.
”
”
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
“
But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom.
”
”
Donna Tartt (The Goldfinch)
“
One second, he was in my mouth, my tongue flicking over the broad head of him; the next, his hands were on my waist and I flipped onto my front. He nudged my legs apart with his knees, spreading me as he gripped my hips, tugging them up, up before he sheathed himself deep in me with a single stroke.
I moaned into the pillow at every glorious inch of him, rising onto my forearms as my fingers grappled into the sheets.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Raffin appeared again, a floor above her, on the balconied passageway that ran past his workrooms. He leaned over the railing and called down to her. "Kat!"
"What is it?"
"You look lost . Have you forgotten the way to your rooms?"
"I'm stalling."
"How long will you be? I'd like to show you a couple of my new discoveries."
"I've been told to make myself pretty for dinner."
He grinned. "Well in that case, you'll be ages."
His face dissolved into laughter, and she tore a button from one of her bags an hurled it at him. He squealed and dropped to the floor, and the button hit the wall right where he'd been standing. When he peeked back over the railing, she stood in the courtyard with her hands on her hips, grinning. "I missed on purpose," she said.
"Show off! Come if you have time." He waved, and turned into his rooms.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
...
After a while I rest my head against his shoulder. Feel his hand caress my hair.
"Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
Everithing. That's what Peeta wants me to take from him.
...
"No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us.
This—this moment, when it was him and me and nothing between our bodies …
His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning.
His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger.
I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
The new acts' major influences were movies and their curvy queens Brigitte Bardot and Marilyn Monroe. With their big blonde hair, ample breasts, and highly fertile hips, these bombshells inspired women everywhere to exxagerate their own voluptuousness.
”
”
Dita Von Teese (Burlesque and the Art of the Teese / Fetish and the Art of the Teese)
“
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face.
For a brief moment,I'm lost to my surroundings.
The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance.
This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face.
Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede.
But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram.
This girl strikes like a viper.
”
”
Marie Lu (Legend (Legend, #1))
“
I feel your words on my lips
and feel your mood in my hips
”
”
Maquita Donyel Irvin Andrews
“
Matthias,” Nina said breathlessly, and then they were kissing again.
She was sweet as the first rain, lush as new meadows. His hands curled along her back, tracing her shape, the line of her spine, the emphatic flare of her hips.
“Matthias ,” she said more insistently, pulling away.
He opened his eyes, certain he’d made some horrible mistake. Nina was biting her lower lip—it was pink and swollen. But she was smiling, and her eyes sparkled. “Did I do something wrong?”
“Not at all, you glorious babink , but—”
Zoya cleared her throat. “I’m glad you two found a way to spend the time while you waited.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
He lifted his head, the sight of his dark, disheveled hair, eyes glinting with longing in the lamp light, the gorgeous spread of his shoulders, tapering down to the narrow thrust of his hips, made my ovaries ache deep in my belly.
”
”
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
“
He slipped the baldric over his head, laying the leather across his shoulder and the scabbard at his hip. Knowing the weapon a little more intimately, now, he had a new respect for it.
”
”
Terry Goodkind (Faith of the Fallen (Sword of Truth, #6))
“
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
”
”
Nikki Giovanni
“
I don’t believe we should carry backup
plans in life’s suitcase—
they’re too easy to unpack
like living a life in yoga pants,
so comfortable our hips spread
into new timezones...
”
”
Kelli Russell Agodon (Hourglass Museum)
“
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.
”
”
Jack Kerouac
“
Just as there was a first instant when someone rubbed two sticks together to make a spark, there was a first time joy was felt, and a first time for sadness. For a while, new feelings were being invented all the time. Desire was born early, as was regret. When stubbornness was felt for the first time, it started a chain reaction, creating the feeling of resentment on the one hand, and alienation and loneliness on the other. It might have been a certain counterclockwise movement of the hips that marked the birth of ecstasy; a bolt of lightening that caused the feeling of awe. Contrary to logic, the feeling of surprise wasn’t born immediately. It only came after people had enough time to get used to things as they were. And when enough time had passed, and someone felt the first feeling of surprise, someone, somewhere else, felt the first pang of nostalgia.
”
”
Nicole Krauss (The History of Love)
“
But one must remember that they were all men with systems. Freud, monumentally hipped on sex (for which he personally had little use) and almost ignorant of Nature: Adler, reducing almost everything to the will to power: and Jung, certainly the most humane and gentlest of them, and possibly the greatest, but nevertheless the descendant of parsons and professors, and himself a super-parson and a super-professor. all men of extraordinary character, and they devised systems that are forever stamped with that character.… Davey, did you ever think that these three men who were so splendid at understanding others had first to understand themselves? It was from their self-knowledge they spoke. They did not go trustingly to some doctor and follow his lead because they were too lazy or too scared to make the inward journey alone. They dared heroically. And it should never be forgotten that they made the inward journey while they were working like galley-slaves at their daily tasks, considering other people's troubles, raising families, living full lives. They were heroes, in a sense that no space-explorer can be a hero, because they went into the unknown absolutely alone. Was their heroism simply meant to raise a whole new crop of invalids? Why don't you go home and shoulder your yoke, and be a hero too?
”
”
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
“
I remember the woman who marched up to the front of a church where I was doing a meeting, put her hands on her hips, and she said, "I want my money back." I said, "What are you talking about?" She said, “I’ve been doing this two weeks, and it doesn’t work. I want my money back!” It was actually all that I could keep from doing to keep from laughing in her face, but she was serious. She actually was, like, giving almost to buy some kind of a new lifestyle that she wanted. Didn’t understand a thing about commitment and dedication and discipline. Two weeks! How many of you know you’re not going to throw a little money in the bucket and get your life that’s been a mess for 50 years turned around in two weeks!?!?
”
”
Joyce Meyer
“
I once defenestrated a guy. The cops got all pissed off at me. I was drunk, but they said that was no excuse."
"Ah well," Virgil said. Then, "The guy hurt bad?"
"Cracked his hip. Landed on a Prius. Really fucked up the Prius, too."
"I can tell you, just now is the only time in my life I ever heard 'defenestration' used in a sentence," Virgil said.
"It's a word you learn after you done it," Morton said. "Yup. The New Prague AmericInn, 2009."
Virgil was amazed. "Really? The defenstration of New Prague?
”
”
John Sandford (Mad River (Virgil Flowers, #6))
“
Each loss brings growth with it, and learning to handle new experiences and taking charge of your needs is part of the transformative process.
”
”
Elizabeth Berrien (Creative Grieving: A Hip Chick's Path from Loss to Hope)
“
Dante.Oh,Dante.Seal me!Seal me so hard!”.He grabs my hips and
pumps his toward mine.“Oh,Dante! You’re so hot when you seal souls.”
I shove my idiot-of-a-best-friend off me and laugh.“What the hell was that?” I ask.
“My new move.
”
”
Victoria Scott (The Collector (Dante Walker, #1))
“
I like the comfort in knowing that the Afro American invented rock and roll yet has only been rewarded or awarded for their accomplishments when conforming to the white man's standards. I like the comfort in knowing that the Afro American has once again been the only race that has brought a new form of original music to this decade: hip-hop/rap.
”
”
Kurt Cobain (Journals)
“
What—?” In one movement, Thorne lifted her onto the desk and pressed her back against an enormous potted fern and—oh. Cress had built a thousand fantasies around their rooftop kiss, but this kiss was something new. Where before, the kiss had been gentle and protective, now there was something passionate. Determined. Cress’s body dissolved into nothing but sensation. His hands burned her waist through the skirt’s thin fabric. Her knees pressed against his hips, and he pulled her closer, closer, like he couldn’t get her close enough. A whimper escaped her mouth, only to be swallowed by his. She heard a moan, but it could have come from either of them.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
The heavy black she had worn for years was gone; her dress was of turquoise-colored silk, bright and soft as the evening sky. It belled out full from her hips, and all the skirt was embroidered with thin silver threads and seed pearls and tiny crumbs of crystal, so that it glittered softly, like rain in April. She looked at the magician, speechless. “Do you like it?” “Where—” “It’s like a gown I saw a princess wear once, at the Feast of Sun-return in the New Palace in Havnor,” he said, looking at it with satisfaction. “You told me to show you something worth seeing. I show you yourself.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
A community of seriously hip observers is a scary and depressing thing.
”
”
J.D. Salinger
“
Just like that. Gone forever. They will not grow old together. They will never live on a beach by the sea, their hair turned white, dancing in a living room to Billie Holiday or Nat Cole. They will not enter a New York club at midnight and show the poor hip-hop fools how to dance. They will not chuckle together over the endless folly of the world, its vanities and stupid ambitions. They will not hug each other in any chilly New York dawn.
Oh, Mary Lou.
My baby.
My love.
”
”
Pete Hamill (Tabloid City)
“
The next real literary "rebels" in this country might well emerge as some weird bunch of anti-rebels, born oglers who dare somehow to back away from ironic watching, who have the childish gall actually to endorse and instantiate single-entendre principles. Who treat of plain old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and hip fatigue. These anti-rebels would be outdated, of course, before they even started. Dead on the page. Too sincere. Clearly repressed. Backward, quaint, naive, anachronistic. Maybe that'll be the point. Maybe that's why they'll be the next real rebels. Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today's risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the "Oh how banal". To risk accusations of sentimentality, melodrama. Of overcredulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
New York! I say New York, let black blood flow into your blood.
Let it wash the rust from your steel joints, like an oil of life
Let it give your bridges the curve of hips and supple vines.
Now the ancient age returns, unity is restored,
The recociliation of the Lion and Bull and Tree
Idea links to action, the ear to the heart, sign to meaning.
See your rivers stirring with musk alligators
And sea cows with mirage eyes. No need to invent the Sirens.
Just open your eyes to the April rainbow
And your eyes, especially your ears, to God
Who in one burst of saxophone laughter
Created heaven and earth in six days,
And on the seventh slept a deep Negro sleep.
”
”
Léopold Sédar Senghor (The Collected Poetry (CARAF Books: Caribbean and African Literature Translated from French))
“
Poetry is again hip in America as people are beginning to refuse to die of boredom and to choke in the fog of their funny money.
”
”
Andrei Codrescu (New Orleans, Mon Amour: Twenty Years of Writings from the City)
“
She was a full lipped and hipped italian tomato with Rome burning in her eyes. She had the look of a carnival in Rio, or Mardi Gras in New Orleans, or bullfights in Spain, or Saturday night in my apartment.
”
”
Richard S. Prather (Kill Me Tomorrow)
“
The joy of the new, hip, happening, double-espresso Dublin is that you can blame any strange mood on coffee deprivation. This never worked in the era of tea, at least not at the same level of street cred.
”
”
Tana French (In the Woods)
“
Let’s go be hip. Good thing I got a new one last year.
”
”
Elyssa Friedland (Last Summer at the Golden Hotel)
“
I heard him sweeping with the broom, and then he suddenly stopped.
I had obviously got his attention, and he was looking.
Take a good look, honey, I thought. Take a good look at what I’m offering.
I liked the sound of that silence. Do you know what I mean? Have you heard that silence yourself?
I love that silence you get, when a man who you fancy notices your body.
In a weird way, it’s so loud, it’s deafening.
It could be because of the way you sway your hips, your legs, or thrust your breasts.
And you just know his erection is talking to him, about what he’d like to do to your body. How he’d like to have his delightfully wicked way with you, undress you, smother your naked skin with hungry urgent kisses, and thrust his hard and moist cock deep inside the pouting red lips of your mouth…
I think you get my drift.
There’s a lovely tension in that moment; I call it the lust moment.
When a sexy man sees what you’ve deliberately put out on offer, and he stops in his steps as his lust lights up his mind, and puts him on a new track.
”
”
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
“
Everything is temporary,
almost like a passing fase,
some of laughter
Some of pain.
What we would do,
If we had the chance to explore
What we had taken for
Granted the very day before,
Some would say I'm selfish,
To hold a little sadness in my eyes,
But they don't feel the sorrow
When I can't do,
all that helps me feel alive.
I can express my emotions,
but I can't run wild and free,
My mind and soul would handle it
but hell upon my hip, ankle and knees,
This disorder came about,
as a friendship said its last goodbyes,
Soooo this is what I got given for all the years I stood by?
I finally stand still to question it, life it is in fact?
What the fuck is the purpose of it all if you get stabbed in the back?
And after the anger fills the air, the regret takes it places,
I never wanted to be that girl,
Horrid, sad and faded...
So I took with a grain of salt,
my new found reality,
I am not of my pain,
the disability doesnt define me.
I find away to adjust,
also with the absence of my friend,
I trust the choices I make,
allow my heart to mend.
I pick up the pieces
I retrain my leg,
I find where I left off
And I start all over again,
You see what happens...
When a warrior gets tested;
They grow from the ashes
Powerful and invested.
So I thank all this heartache,
As I put it to a rest,
I move forward with my life
And I'll build a damn good nest.
”
”
Nikki Rowe
“
very carnival! and it wasn’t politics, what he said, just a prank, because the political thing, the whole New Left, is all of a sudden like over on the hip circuit around San Francisco, even at Berkeley, the very citadel of the Student Revolution and all.
”
”
Tom Wolfe (The Electric Kool-Aid Acid Test)
“
It's only thunder."
"It just startled me," she said, her eyes on his. "I'm not afraid of storms.'
"Let's see."
Still, he moved slowly, taking his time as much to prolong this new moment as to gauge her reaction. He laid his hands on her hips as the rain beat and splashed, sliding them up her body, smooth and easy as he lowered his head, paused-one long breath-then fit his mouth to hers.
”
”
Nora Roberts (The Next Always (Inn BoonsBoro Trilogy, #1))
“
For no reason at all, I thought of New Year's Eve, when all those people crowd into Times Square and scream like jackals as the lighted ball slides down the pole, ready to shed its thin party glare on three hundred and sixty-five new days in this best of all possible worlds. I have always wondered what it would be like to be caught in one of those crowds, screaming and not able to hear your own voice, your individuality momentarily wiped out and replaced with the blind empathic overslop of the crowd's lurching, angry anticipation, hip to hip and shoulder to shoulder with no one in particular.
”
”
Richard Bachman
“
Those who have not lived in New Orleans have missed an incredible, glorious, vital city--a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation.
”
”
Jordan Flaherty (Floodlines: Community and Resistance from Katrina to the Jena Six)
“
In his cradle he had been given four gifts. The ring in his hands and the locket that hung around his neck, the sword on his hip and an oath sworn in his name. The locket, containing the painted images of the mother and father he could not remember seeing in life, was the most precious, the oath the heaviest. “To stand against the Shadow so long as iron is hard and stone abides. To defend the Malkieri while one drop of blood remains. To avenge what cannot be defended.” And then he had been anointed with oil and named Dai Shan, consecrated as the next King of Malkier and sent away from a land that knew it would die.
”
”
Robert Jordan (New Spring (The Wheel of Time, #0))
“
Near him were two men in hip-hop uniform, spotless footwear and
new baggy jeans and tilted Yankees caps. Shopping for blue jeans at
Macy’s, Dismas had discovered that hip-hop labels were as expensive
as, if not more expensive than some of the high-end names he coveted.
Functional clothing designed to absorb sweat and repel mud cost as
much as designer eveningwear. Phat Farm, Armani, same difference.
”
”
Jeet Thayil (The Book of Chocolate Saints)
“
Open your mouth,” Liam told me. I shook my head. He pushed forward into me again, and his dick felt even bigger and harder now. Holy shit, this was turning him on. Kidnapping girls turns him on. Fuck. FUCK. “Open. Your. Mouth,” he said again, and this time the menace in his voice was unmistakable. His prick nudged me again, and then his hips, shifting, sliding it slowly up the crack of my ass. I felt a whole new level of fear. Who is this man?
”
”
Joanna Wylde (Devil's Game (Reapers MC, #3))
“
Killian…the new kid?” Sloan asks, already wheezing. “Why are we running from him? He’s hotter than Bocher! That’s Bow plus Archer, in case your puny brain isn’t hip to my hop.
”
”
Gena Showalter (Firstlife (Everlife, #1))
“
All my other current friends were "intellectuals"––Chad the Nietzschean anthropologist, Carlo Marx and his nutty surrealist low-voiced serious staring talk, Old Bull Lee and his critical anti-everything drawl––or else they were slinking criminals like Elmer Hassel, with that hip sneer; Jane Lee the same, sprawled on the Oriental cover of her couch, sniffing at the New Yorker. But Dean's intelligence was every bit as formal and shining and complete, without the tedious intellectualness. And his "criminality" was not something that sulked and sneered; it was a wild yea-saying overburst of American joy; it was Western, the west wind, an ode from the Plains, something new, long prophesied, long a-coming. Besides, all my New York friends were in the negative, nightmare position of putting down society and giving their tired bookish or political or psychoanalytical reasons, but Dean just raced in society, eager for bread and love; he didn't care one way or the other.
”
”
Jack Kerouac (On the Road)
“
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it.
Jojo: WHAT THE FUCK JASMINE
I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again.
Life was all about the little things.
So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad.
Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared.
Jojo: WHY WOULD YOU NOT TELL ME
Jojo: HOW COULD YOU DO THIS TO ME
Jojo: DID THE REST OF YOU KEEP THIS FROM ME
Tali: What happened? What did she not tell you?
Tali: OH MY GOD, Jasmine, did you get knocked up?
Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty.
Sebastian: Jasmine’s pregnant?
Rubes: She’s not pregnant.
Rubes: What happened, Jojo?
Jojo: MOM DID YOU KNOW ABOUT THIS
Tali: Would you just tell us what you’re talking about?
Jojo: JASMINE IS SKATING WITH IVAN LUKOV
Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts.
Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW
Tali: ARE YOU KIDDING ME? IS THIS TRUE?
Tali: JASMINE
Tali: JASMINE
Tali: JASMINE
Jojo: I’m going on Lukov’s website right now to confirm this
Rubes: I just called Mom but she isn’t answering the phone
Tali: She knew about this. WHO ELSE KNEW?
Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you.
Jojo: ^^ You’re such a vibe kill
Sebastian: No, I’m just not flipping my shit because she got a new partner.
Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else?
Jojo: I FOUND OUT ON PICTUREGRAM
Sebastian: She doesn’t like you. I wouldn’t tell you either.
Tali: I can’t find anything about it online.
Jojo: JASMINE
Tali: JASMINE
Jojo: JASMINE
Tali: JASMINE
Tali: Tell us everything or I’m coming over to Mom’s today.
Sebastian: You’re annoying. Muting this until I get out of work.
Jojo: Party pooper
Tali: Party pooper
Jojo: Jinx
Tali: Jinx
Sebastian: Annoying
...
I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me.
That didn’t mean my response had to be what they wanted.
Me: Who is Ivan Lukov?
”
”
Mariana Zapata (From Lukov with Love)
“
Whether we consider hip-hop as an evolved manifestation of the Harlem Renaissance or something completely new under the sun, it clearly has moved beyond the stage of just entertaining lives to that of informing and empowering lives.
”
”
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
“
They pine for the hip, frosty girlfriend they abandoned for a pleasant if unexciting marriage to her sunnier, less mentally present sister coast.
”
”
Sari Botton (Never Can Say Goodbye: Writers on Their Unshakable Love for New York)
“
Rob came to me and I stood, his body fitting against mine so easy, my shoulder tucked under his, his hip against the curve of my waist. I looked up at him, and he ducked his head to give me a soft, gentle, easy kiss.
It were a husband's kiss, I rather thought. It weren't the first kiss, a thing of hunger and new tastes. It weren't all our sad kisses of leaving and coming back, full of desperation and scared. It were just a kiss. A kiss that felt like he'd done it before, a kiss that knew he could do it again.
Then again, it also sent lightning crackling down my back, and I remembered there were ways we weren't husband and wife just yet. I felt a blush running up my face and he stroked my cheek, kissing me again.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
..."Emeninemletters," Caucasian girls from the wrong side of the tracks with big mouths and big attitudes, who weren't taking shit from anyone(except the men in their lives). They had thinly plucked eyebrows, corn-rowed hair, hip-hop vocabularies, and baby daddies, and they thought Paris Hilton was the ne plus ultra of feminine beauty."
-Piper Kerman, page 137
”
”
Piper Kerman (Orange Is the New Black)
“
I am the dangerous daughter, thigh-stroking, soft-tongued lover, the pit, the well, and the well of horniness, laughter rolling up out of me like gravy boiling over the edge of a pan. I become the romantic, the mystic, the one without shame, rocking myself on the hip of a rock, a woman as sharp as coral. I make in my mind the muscle that endures, tame rage and hunger to spirit and blood. I become the rock. I become the knife. I am myself the mystery. The me that will be waits for me. If I cannot dream myself new, how will I find my true self?
”
”
Dorothy Allison (Trash)
“
The pain was creeping in her hands again, and there was a new place. Her right hip ached angrily when she moved. She thought: So the pain will move in towards the center, and sooner or later all the pains will meet … and join, like rats in a clot.
”
”
John Steinbeck (East of Eden)
“
I lift my chin, tighten my thighs at his hips, and roll again. Clench tighter, introducing his cock to its new mistress. I will possess this warrior under me. The man they call Gladiator taken captive by a girl half his size and a decade younger. I'm a girl he could crush, but everything in the way he looks at me says cherish. Says treasure. Says protect.
Says I'm his, too.
”
”
Kennedy Ryan (Hook Shot (Hoops, #3))
“
Jasper frowned at the name. "Like, a meet-cute?"
"At the end," I supplied. "It's when Darcy tells Elizabeth he loves her most ardently, when Mark brings Bridget a new diary, when Harry tells Sally he loves her, when Will buys Junie the inn." I smiled up at the name, putting my hands on my hips. "The grand romantic gesture."
So, obviously, we named the bookshop the Grand Romantic.
”
”
Ashley Poston (A Novel Love Story)
“
I believe that a new philosophy will be created by those who were born after Hiroshima which will dramatically change the human condition. It will have these characteristics: (1) It will be scientific in essence and science-fiction in style. (2) It will be based on the expansion of consciousness, understanding and control of the nervous system, producing a quantum leap in intellectual efficiency and emotional equilibrium. (3) Politically it will stress individualism, decentralization of authority, a Iive-and-let-Iive tolerance of difference, local option and a mind-your-own-business libertarianism. (4) It will continue the trend towards open sexual expression and a more honest, realistic acceptance of both the equality of and the magnetic difference between the sexes. The mythic religious symbol will not be a man on a cross but a man-woman pair united in higher love communion. (5) It will seek revelation and Higher Intelligence not in formal rituals addressed to an anthropomorphic deity, but within natural processes, the nervous system, the genetic code, and without, in attempts to effect extra-planetary communication. (6) It will include practical, technical neurological psychological procedures for understanding and managing the intimations of union-immortality implicit in the dying process. (7) The emotional tone of the new philosophy will be hedonic, aesthetic, fearless, optimistic, humorous, practical, skeptical, hip. We are now experiencing a quiescent preparatory
waiting period. Everyone knows something is going to happen. The seeds of the Sixties have taken root underground. The blossoming is to come.
”
”
Timothy Leary (Neuropolitique)
“
Where America really differs from other countries is in the colossal costs of its health care. An angiogram, a survey by The New York Times found, costs an average of $914 in the United States, $35 in Canada. Insulin costs about six times as much in America as it does in Europe. The average hip replacement costs $40,364 in America, almost six times the cost in Spain, while an MRI scan in the United States is, at $1,121, four times more than in the Netherlands. The entire system is notoriously unwieldy and cost-heavy. America has about 800,000 practicing physicians but needs twice that number of people to administer its payments system. The inescapable conclusion is that higher spending in America doesn’t necessarily result in better medicine, just higher costs.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
Leaning against my car after changing the oil,
I hold my black hands out and stare into them
as if they were the faces of my children looking
at the winter moon and thinking of the snow
that will erase everything before they wake.
In the garage, my wife comes behind me
and slides her hands beneath my soiled shirt.
Pressing her face between my shoulder blades,
she mumbles something, and soon we are laughing,
wrestling like children among piles of old rags,
towels that unravel endlessly, torn sheets,
work shirts from twenty years ago when I stood
in the door of a machine shop, grease blackened,
and Kansas lay before me blazing with new snow,
a future of flat land, white skies, and sunlight.
After making love, we lie on the abandoned
mattress and stare at our pale winter bodies
sprawling in the half-light. She touches her belly,
the scar of our last child, and the black prints
of my hand along her hips and thighs.
”
”
B.H. Fairchild
“
He told me that a German doctor named Wolff figured it out in the 1800s by studying X-rays of infants’ hips as they transitioned from crawling to walking. “A whole new evolution of bone structure takes place to support the mechanical loads associated with walking,” said Lang. “Wolff had the great insight that form follows function.” Alas, Wolff did not have the great insight that cancer follows gratuitous X-raying with primitive nineteenth-century X-ray machines.
”
”
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
“
Free-thinking is the new counterculture, which makes it cutting-edge and subversive, like punk rock or hip-hop in the early 1980s. It’s on the periphery where all the sexy, rebellious, and exciting stuff happens, not the mainstream center left, which has become like an R-rated movie stripped down to PG for minimum offense.
”
”
Dave Rubin (Don't Burn This Book: Thinking for Yourself in an Age of Unreason)
“
Placing a kiss on my collarbone, Aaron finally pressed into me. One slow and deep thrust, filling me completely and sending my head, my body, my soul to a whole new galaxy. “God,” I whimpered, blissfully full. Aaron’s grunt fell against my temple. “Oh fuck, baby.” His hips rocked, retreating and sliding back in with more force now, eliciting a cry of pleasure from me. His mouth nuzzled my neck. “That sound, Catalina.” He thrust in again. “It’s going to be my end.” Another one followed.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
There’s a pulse in my body, vibrating every pressure point. “I like kissing you.”
His hand lowers to my waist. “I could kiss you forever.”
I lazily glance at him from under my eyelashes. “Just kissing.” Because I think I’ll combust if we do more.
The right side of his mouth quirks. “Just kissing. And some touching.” To prove his point Isaiah’s hands caress my back, weave into my hair and slide against the dip of my waist.
Yes, definitely some touching. I inhale deeply, reminding myself that breathing is still a requirement. “I agree. Some touching. No new clothes off.”
Because I’d probably pass out at the thought of his jeans off. They already hang low on his hips. Too low. Very low. Low enough that I start to imagine what more there is to him.
Isaiah wraps his hand around the back of my neck and performs this deep massage that makes my eyes roll into my head in ecstasy. “I’ll put my shirt back on if you want.”
“No,” I breathe out. “I’m fine with it off.” More than fine.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
And then there was Joss. I met him in a dimly lit office, where he regaled me with tales of adventure, swashbuckling, shootings, spaceships, and narrow escapes. Um, where do I sign? He gave me a new identity, a costume, a gun, and a long brown duster for a cape. I remember that meeting so well; it was like a superhero "origin" issue. I remember Joss looking at Polaroid photos of my first costume fitting, holding up the one with the duster and gun saying, "Action figure, anyone?"
Never in my wildest. Like some sort of super-team benefactor, Joss made superheroes out of all of us, complete with a super-hideout spaceship. During filming, we'd all retreat to our dressing room trailers and emerge like Supermen with our alter egos. The boots, the suspenders, gun holstered low on my hip... with a flick and a spin of that wicked awesome coat over my shoulders, I became someone else.
”
”
Nathan Fillion
“
Small, Local, Old, and Particular are almost always better than Big, Global, New, and Abstract.
”
”
Rod Dreher (Crunchy Cons: How Birkenstocked Burkeans, gun-loving organic gardeners, evangelical free-range farmers, hip homeschooling mamas, right-wing nature ... America (or at least the Republican Party))
“
My new dance partner instantly responds by moving in rhythm to my hips. He buries his fingertips into my waist
”
”
K.M. Moronova (Leave Me Behind)
“
Free-thinking is the new counterculture, which makes it cutting-edge and subversive, like punk rock or hip-hop in the early 1980s.
”
”
Dave Rubin (Don't Burn This Book: Thinking for Yourself in an Age of Unreason)
“
AVA
God you are a delight
you have delivered what I like
heaven delivers a gift with lips
heaven delivers a gift with hips
God you delivered what I like
oh God you are in the spotlight
”
”
R.M. Romarney (Contemporary Passion: I Nearly Loved Her Perfectly)
“
A harmonica is easy to carry. Take it out of your hip pocket, knock it against your palm to shake out the dirt and pocket fuzz and bits of tobacco. Now it’s ready. You can do anything with a harmonica: thin reedy single tone, or chords or melody with rhythm chords. You can mold the music with curved hands, making it wail and cry like bagpipes, making it full and rounds like an organ, making it as sharp and bitter as the reed pipes of the hills. And you can play it and put it back in your pocket. It is always with you, always in your pocket. And as you play, you learn new tricks, to pinch the tone with your lips, and no one teaches you. You feel around—sometimes in the tent door after supper when the women are washing up. Your foot taps gently on the ground. Your foot taps gently on the ground. Your eyebrows rise and fall in rhythm. And if you lose it or break it, why, it’s no great loss. You can buy another for a quarter.
”
”
John Steinbeck (The Grapes of Wrath)
“
What was that about?” “She’s a famous boyfriend stealer.” “Okay, one”—I held up a finger—“I’m not your boyfriend. I’m half of your binary pairing.” She pushed me so hard I had to take a step back or fall over. “You’re the one to my zero?” “I’m your mate. A boyfriend can be stolen. A mate can’t.” I held up a second finger. “Two, she’s not my type.” She crossed her arms and leaned on one hip. “Is there a three?” “Three.” I made a W. “Knew it.” “You need new friends if you can’t trust the ones you have.” “Did you text the kettle to tell him he was black, Mr. Pot?
”
”
C.D. Reiss (King of Code)
“
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes.
From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant.
The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time.
My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen.
In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
”
”
K.D. Enos
“
I lick my lips as his teeth nibble on my earlobe. Between my muscles melting under his touch, my blood tingling with the teasing of my ear and the way my foot rubs against his calf, my thoughts become hazy.
My shirt rides up and Isaiah rubs his thumb in small circles on the bare skin of my stomach. The sensation causes me to arch my back and Isaiah groans as I kiss his neck. I like these feelings. Actually, I more than like them. They’re addicting, and I love how every little thing I do causes Isaiah to kiss and touch me more.
He rolls and I move with him. Our tangled legs become unraveled as my thighs fall open, accepting his weight. Isaiah’s body over mine is heavier than I would have imagined, but it’s a weight I craved without knowing it.
Isaiah kisses up my neck and when his lips meet mine again, he rocks his hips. Suddenly very aware parts of him are touching very aware parts of me, and my head falls to the side as a new sensation spikes through my body.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
Then what do you want, Lola? I know I’m pretty new to this whole dating thing, but I seem to be missing how we can go from being glued to the hip after Kalendae to barely even messaging each other.
”
”
Kayla Edwards (City of Souls and Sinners (House of Devils, #2))
“
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent.
”
”
Donna Tartt (The Goldfinch)
“
I smile when he snakes one hand between the tight seal of our bodies, trying to find his cock. He’s burning up, his face and chest flushed with desire. When he bears down on my ass and groans in frustration, I take pity on my man and rise to my knees again, yanking his hips to pull him closer. The new angle makes him curse. His fingers seek out his erection, but I gently bat them away. “My job, baby. I make you come.
”
”
Sarina Bowen (Him (Him, #1))
“
Our relationship was always platonic and never got weird. After he heard me sing, Will believed in my talent. He took me with him to Def Jam Recordings, the hottest new hip-hop label at the time, where he was signed.
”
”
Mariah Carey (The Meaning of Mariah Carey)
“
New clothes? Oh, no, no, no.” Eros put one hand on his hip while the other hand made a big Z in the air as he snapped his fingers three times. “Sistah, you need an entire makeover.”
This “sistah” sighed and said, “Oh, brother.
”
”
A. Kirk (Demons in Disguise (Divinicus Nex Chronicles, #3))
“
Goddess Rising
This is for the women
Who have walked with hidden shame
Stirring like all is well
Though weighted down in pain.
This is for her Inner Child
Who longs to forget
Her innocence stolen
Body, soul and spirit rent
into pieces- fragments-broken-bent
This is for the Maiden
Longing to belong
-To another -
In hopes
to make right the darkened wrongs
Not realizing-blinded by oozing wounds
Her own innate delicious power
Thick within her womb
This is for the Mother
Breaking eons of fettered chains
For the children she has birthed
Through blood and breaths of change
She calls them Redemption
Regardless of their names
This is for the Crone
Who called her shattered pieces Home
To herself-
To all her luminous bodies
Where she never dared to feel
Making strong her bones
Crushing~ oppressors
With the swaying of her hips
Her hands soaring like doves
Honey dripping from her lips
This is for the Wild Woman
Who traversed the Underground
Leaving her footprints
While taming the Hellhounds.
Like a seed breaking fallow ground
Emerging fruitful garden
No longer bound
By the nightmare of the past
Awakened from the Dream-
Of Separation
SHE. IS.- merging realms between.
This is for the woman, for the Goddess
For me
For you
Rising from our ashes
Making ALL things new~
”
”
Mishi McCoy
“
On the back of the government scratching Wall Street’s back with its corrupt bailout, it was corporate America’s turn to return the favor. They did it by directly assuming the responsibilities of democratic government—especially the agendas of liberal politicians who might otherwise have harmfully regulated or penalized big business. Messy debates about racial inequality? Don’t worry: we’ve got it covered. New policies to fight climate change? We’ll take care of that too. Big business volunteered to take on the role of liberal government itself—crucially, on terms that were favorable to its own interests. That’s what woke capitalism is all about. It’s the hip new avatar of old-school crony capitalism.
”
”
Vivek Ramaswamy (Woke, Inc.: Inside Corporate America's Social Justice Scam)
“
What happened then was that, for an instant, almost nothing happened. He wasn't even there. Failure didn't even cross his mind. It felt like a sort of floating. He could have been in the meadow. His body loosened and took on the shape of the wind. The play of the shoulder could instruct the ankle. His throat could soothe his heel and moisten the ligaments at his ankle. A touch of the tongue against the teeth could relax the thigh. His elbow could brother his knee. If he tightened his neck he could feel it correcting in his hip. At his center he never moved. He thought of his stomach as a bowl of water. If he got it wrong, the bowl would right itself. He felt for the curve of the cable with the arch and then sole of his foot. A second step and a third. He went out beyond the first guy lines, all of him in synch.
Within seconds he was pureness moving, and he could do anything he liked. He was inside and outside his body at the same time, indulging in what it meant to belong to the air, no future, no past, and this gave him the offhand vaunt to his walk. He was carrying his life from one side to the other. On the lookout for the moment when he wasn't even aware of his breath.
The core reason for it all was beauty. Walking was a divine delight. Everything was rewritten when he was up in the air. New things were possible with the human form. It went beyond equilibrium.
He felt for a moment uncreated. Another kind of awake.
”
”
Colum McCann (Let the Great World Spin)
“
Cece was all I had. Without her, I’d be totally alone in the world.
Oh, God. I probed her gentle face, her receptive dream state. What would I do without you?
Stop it, my brain screamed. She’s here with you now. Thats what matters.
I took a deep breath to quell my anxiety. Try to. I needed her. Cece was a part of me now. The me that felt solid and sure and strong. She was the one thing in my life that kept me going, made me happy.
And that happiness hadn't come without a price. I'd given up a lot to be with Cece: my home, friends, family. Maybe even my future family. Plus this sense of belonging I’d always had. The sense of fitting in, knowing where I stood. It might not be so bad if could be like her. Out. Proud. With a new place of belonging in the gay community. With new friends. A new family.
But what I’d lost was insignificant compared to what I’d found. Me. The missing part of myself. And Cece. Knowing love. Being loved.
“Please, God," I whispered into the night. “Let me be loved.”
Beside me, Cece whimpered a little and rolled onto her side. She snaked an arm around my hip and pulled me close. Cece gave me life, she nurtured me, and I burrowed into the warm cocoon of her. –Ch.22
”
”
Julie Anne Peters (Keeping You a Secret)
“
The DJ at the Edge tonight isn’t wearing a shirt and his nipples are pierced and he wears a leather cowboy hat and between songs he keeps mumbling “Hip-Hip-Hooray.” Kim tells me that the DJ obviously cannot decide whether he’s butch or New Wave.
”
”
Bret Easton Ellis (Less Than Zero)
“
At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin…
Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive…
Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.
”
”
Yukio Mishima (Patriotism)
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
The wild is an integral part of who we are as children. Without pausing to consider what or where or how, we gather herbs and flowers, old apples and rose hips, shiny pebbles and dead spiders, poems, tears and raindrops, putting each treasured thing into the cauldron of our souls. We stir our bucket of mud as if it were, every one, a bucket of chocolate cake to be mixed for the baking. Little witches, hag children, we dance our wildness, not afraid of not knowing.
But there comes a time when the kiss of acceptance is delayed until the mud is washed from our knees, the chocolate from our faces. Putting down our wooden spoon with a new uncertainty, setting aside our magical wand, we learn another system of values based on familiarity, on avoiding threat and rejection. We are told it is all in the nature of growing up. But it isn't so.
Walking forward and facing the shadows, stumbling on fears like litter in the alleyways of our minds, we can find the confidence again. We can let go of the clutter of our creative stagnation, abandoning the chaos of misplaced and outdated assumptions that have been our protection. Then beyond the half light and shadows, we can slip into the dark and find ourselves in a world where horizons stretch forever. Once more we can acknowledge a reality that is unlimited finding our true self, a wild spirit, free and eager to explore the extent of our potential, free to dance like fireflies, free to be the drum, free to love absolutely with every cell of our being, or lie in the grass watching stars and bats and dreams wander by.
We can live inspired, stirring the darkness of the cauldron within our souls, the source, the womb temple of our true creativity, brilliant, untamed
”
”
Emma Restall Orr
“
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars.
You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing?
I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance.
And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
”
”
Lang Leav (Memories)
“
Now put your hands on the countertop, and bend over. I’m going to shove you so full of cock you won’t even remember how to spell your name for a week,” he said in his deep voice.
“Oh my. Ok,” I said as I did what he asked. As I grabbed the edges of the countertop, I felt his foot kicking the insides of my shoes, spreading my legs farther apart.
“You long legged, sexy little bitch. I have to get your pussy down here where I can get to it,” he said, as he slapped the right side of my butt, hard. The slap startled me, and the sting felt like fire.
As soon as he stopped kicking my shoes and spreading my legs apart, I felt the head of his cock slide past my lips. His hands grabbed my waist, and he slid all the way inside of me. As soon as I felt his balls against my clit, I began to contract and felt as if I was going to cum. His cock slid out, and then back in again. He found a rhythm and began to fuck me slowly, his hips slapping lightly against my butt as he slid all the way into my wet pussy. As his hips slapped my ass, I could feel his balls against my clit. I couldn’t take it anymore. If he kept up this pace, I would explode.
“Fuck me Erik, fuck me. Fuck me harder. Fuck me,” I said loudly.
“Fuck me, Erik. Oh God. Fuck me.”
“Fuck me.”
“Harder.” I begged.
“Who owns you, baby girl? Who fucking owns you?” he almost screamed.
“Oh God, you do. You own me. You.”
“Don’t forget it, do you hear me?” he said in a loud, stern tone.
“Yes, I am yours. You own me,” I responded...I loved this.
In and out he forced himself, each time it felt as I was being stretched open for the first time. Not a tremendous pain, but each stroke felt like it was the first, the entry stroke. It was a new feeling to me, and it was more than I could take. I was going to explode.
“Please…Faster. Fuck me. Give me that cock. Give me that big fat….Oh my God. Give it to me.
”
”
Scott Hildreth (Baby Girl (Erik Ead Trilogy, #1))
“
Why are you looking at me like that?’’ he asked, his hand tensing for a second on my hip.
“No reason.’’ I moved my hand up his chest and on the way his abs contracted.
He pushed me away abruptly, forcing me to sit up with him. With the scruff hiding parts of his cheeks I wasn’t sure, but he seemed to be blushing. “You shouldn’t touch a man like that in the morning,’’ he rasped, his hand hiding his crotch.
”
”
Stephanie Witter (Six Years)
“
Sometimes, When the Light"
Sometimes, when the light strikes at odd angles
and pulls you back into childhood
and you are passing a crumbling mansion
completely hidden behind old willows
or an empty convent guarded by hemlocks
and giant firs standing hip to hip,
you know again that behind that wall,
under the uncut hair of the willows
something secret is going on,
so marvelous and dangerous
that if you crawled through and saw,
you would die, or be happy forever.
Lisel Mueller, Alive Together: New and Selected Poems. (LSU Press October 1, 1996)
”
”
Lisel Mueller (Alive Together)
“
I throw my arms around him and lift my chin expectantly, waiting for my good-night kiss. He nuzzles his face against mine, and I feel gladness for the fact that he has smooth cheeks and barely even needs to shave. I close my eyes, breathe him in, wait for my kiss. And he plants a chaste peck on my forehead. “Good night, Covey.”
My eyes fly open. “That’s all I get?”
Smugly he says, “You said earlier that I’m not that good at kissing, remember?”
“I was kidding!”
He winks at me as he hops in his car. I watch him drive away. Even after a whole year of being together, it can still feel so new. To love a boy, to have him love you back. It feels miraculous.
I don’t go inside right away. Just in case he comes back. Hands on my hips, I wait a full twenty seconds before I turn toward the front steps, which is when his car comes peeling back down our street and stops right in front of our house. Peter sticks his head out the window. “All right then,” he calls out. “Let’s practice.”
I run back to his car, I pull him toward me by his shirt, and angle my face against his— and then I push him away and run backward, laughing, my hair whipping around my face.
“Covey!” he yells.
“That’s what you get!” I call back gleefully. “See you on the bus tomorrow!
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
”
”
Sherman Alexie (Face)
“
Will you have any regrets once she’s dead?
Brooklyn’s question and her voice echoed in my head as I watched her walking to her house, her hips swaying tantalizingly at every step. A heavy weight fell on my shoulders because I didn’t have to ponder that question to find the answer.
”
”
Stephanie Witter (Six Years)
“
Wigger: a young white who wants desperately to be down with hip-hop, who identifies more strongly with Black culture than white. (What's disturbing about this expression is its racist implications: if white kids down with hip-hop are "wiggers," what does that make Black kids down with hip-hop?)
”
”
Bakari Kitwana (Why White Kids Love Hip Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America)
“
There is a new song on Top 40 radio right now that's so good I want to kill myself. I'm not sure why exceptionally good hip-hop singles make me want to commit suicide, but they often do. I don't know what the title of the song is, but it's that religious woman with the perfect stomach from Destiny's Child and Jay-Z doing a duet featuring a horn riff from the '70s that I've never heard before (but that sounds completely familiar), and the chorus is something along the lines of, "Your love is driving me crazy right now/ I'm kind of hoping you'll page me right now." It's also possible that Jay-Z compares himself to Golden State Warriors guard Nick Van Exel during the last verse, but I can't be positive.
ANYWAY, by the time you read this sentence, the song I am referring to will be ten thousand years old. You will have heard it approximately 15,000 times, and you might hate it, and I might hate it, too. But right now -- today -- I am living for this song. As far as I'm concerned, there is nothing that matters as much as hearing it on the radio; I am interested in nothing beyond Beyonce Knowles's voice. All I do is scan the FM dial for hours at a time, trying to find it.
”
”
Chuck Klosterman (Killing Yourself to Live: 85% of a True Story)
“
You want me to teach you all the dirty words?” I looked up at him and wiggled my eyebrows. Aaron gave me a lopsided smile that would have made my panties drop to the floor had they been resting on my hips. “Well, you are in luck; I’m a wonderful teacher.” “And I’m a highly dedicated student.” He winked. And that goddamn wink disrupted the beating of my heart. “Although I might get a little distracted every now and then.” “I see.” I placed my index finger against his chest, watching Aaron’s eyes dive down quickly before returning to my face. “Maybe you need the right kind of motivation to keep your attention on the subject.” I trailed that finger up, traveling across his pec and then up his neck, following the line of his jaw until reaching his lips. They parted with a shallow breath. “This …” I pushed myself up and kissed his lips gently. “This is a six-letter word in Spanish. Labios. Tus labios. Your lips.” The only answer he gave me was taking my mouth in his again. As if the only way he’d learn the word was tasting it. “And this,” I said before parting his lips and making the kiss deeper, our tongues dancing together, “is another six-letter word. Lengua—tongue.” “I think I really like that one.” Aaron’s head dipped low, his new favorite word reaching my breast. “And this? What do you call this?” he said, grazing his mouth over the peak. A giggle that soon turned into a moan left my mouth before I was able to answer. “That’s a five-letter word. Pezón. Nipple.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
But baby, you started this.” The hand on her hip tugged her closer, her inner thighs brushing against the smooth fabric pulled taut over his long legs.
She tugged at the fingers on her hip, wriggling at the same time, desperate to escape. “And now I’m ending it.”
“I’ll decide where it ends,” he said.
”
”
Tracey Alvarez (In Too Deep (Stewart Island, #1))
“
Leo backed me against the door frame, his demeanor turning all 'take-no-prisoners' as he pinned me in place with his hips. His hands traced up and down the curve of my body until they wound their way through the loose strands of my hair. He was in control, I was totally at his mercy, and I. Didn’t. Even. Care.
”
”
Sarah Darlington (He Belongs with Me)
“
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
I am going to hate New Orleans," he whispered against her silken hair before she began lowering her head.
Her breath warmed the velvet tip of him, sending fire racing through his blood. "Maybe we can think of something interesting to make it more enjoyable for you," she ventured. Her mouth was satin soft, moist and hot.
Gregori pressed his hips forward, forcing her back on the bed, his knees on the thick blanket above her. She was so beautiful, her flawless skin like cream, her thick hair spilling around her slender shoulders. Sitting up, she slowly peeled off the cotton shirt, baring her full breasts to his silver gaze. She looked lush and sexy in the dark of the night, a mysterious,erotic gift to him.
"You think you might make New Orleans more bearable for me then?" His eyes were saying more than his mouth, touching her here and there, dwelling on every curve of her body.
Her hand spanned his flat stomach and lingered there. "I'm sure I can be inventive enough to make you forget your dread of crowds. Take off my jeans."
"Your jeans?" he echoed.
"You put them on me, and they're definitely in the way. Take them off." Her hand was wandering lower, her fingeres walking lightly over his clenching muscles, a deliberate persuasion.
His hands made quick work of unfastening her jeans and tugging them down her legs. She kicked them aside and leaned forward to press a kiss onto his stomach. Her hair slid over his heavy fullness, a silken tangle that nearly drove him out of his mind. "Sometimes your orders are very easy to follow,ma cherie," he murmured, his eyes closing as her mouth wandered lower.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Improbable as it may be, the day still has a few indignities left. The day waters down indignity with frustration to make it last longer. Abomination, thy name is Subway. He cannot enter. They flood through turnstiles, hips banging rods, and will not let him enter. He must get home, but it's all he can do to get halfway in before another one charges at him. A fish out of school. Everybody knows how it works except for him. All of them from every floor are crammed into this one subway car: the makers of memos, the routers of memos, the indexers filers and shredders of memos, the always-at-their-desks and the never-around. How do they all fit. Squabbling like pigeons over stale crumbs of seats. Everyone thinks they are more deserving, everyone thinks their day has been harder than everyone else's, and everyone is correct.
”
”
Colson Whitehead (The Colossus of New York)
“
The final new elements in music making (as opposed to listening, considered in the next section) were introduced by Carl Maria von Weber (1786–1826). Weber had a diseased hip and walked with a limp but he was a virtuoso of the guitar and an excellent singer, until he damaged his voice by accidentally drinking a glass of nitric acid.
”
”
Peter Watson (The German Genius: Europe's Third Renaissance, the Second Scientific Revolution, and the Twentieth Century)
“
The Kids at the ranch weren’t hip to exactly how much Charlie wanted to be a rock star. How much he wanted fame, money, and recognition. Because to them, Charlie preached against those base desires.
They thought Charlie was on a spiritual path to enlightenment.
They thought Charlie’s true desire was to pass on that enlightenment.
They thought Charlie’s goal was to create a new world order guided by that enlightenment and love for all Mankind.
They believed Charlie had a higher purpose, because he told them he did, and they believed him. It never would occur to them that he’d ditch all that horseshit in a minute to put on revolutionary war outfit and trade places with Mark Lindsay.
”
”
Quentin Tarantino (Once Upon a Time in Hollywood)
“
I let my sword slip to the ground, and for the second time I stood unarmed in the presence of werewolves.
Kresh put his lips to my forehead, and my skin burned beneath his kiss. When his hands repositioned to take me by the waist, my breathing—already shallow—ceased entirely. Then his lips fell on mine and I was suddenly everything he claimed me to be—his mate, his wife, his world.
The taste of him seemed mysteriously new and old at the same time. Every bit of tension eased as if internally I had come home again, and yet a sense of foreignness made our connection a sweet venture. My breast was afire as he continued to grasp my hips, keeping me close. I burned for him as if vampire venom were coursing through every inch of me.
The man was a constellation of suns in my desire, unlike Thaddeus who hardly equaled a speck of stardust. The thought of that coward reminded me of grim news. It took every bit of willpower I possessed to tear my lips away from what they craved, and yet I remained a submissive puddle in this werewolf’s arms.
”
”
Richelle E. Goodrich (The Tarishe Curse)
“
About 20 percent of older adults who break a hip die within a year.
”
”
John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
“
He watched her walk away with a sway in her hips that tossed her long, milk-chocolate-colored ponytail from side to side.
”
”
Meg Knight (New Shifter in Town (Alpha City Police Department #1))
“
They're here, they're queer, get hip to them. ~ B. Ruby Rich
”
”
B. Ruby Rich
“
A CRUNCHY CON MANIFESTO
1. We are conservatives who stand outside the conservative mainstream; therefore, we can see things that matter more clearly.
2. Modern conservatism has become too focused on money, power, and the accumulation of stuff, and insufficiently concerned with the content of our individual and social character.
3. Big business deserves as much skepticism as big government.
4. Culture is more important than politics and economics.
5. A conservatism that does not practice restraint, humility, and good stewardship—especially of the natural world—is not fundamentally conservative.
6. Small, Local, Old, and Particular are almost always better than Big, Global, New, and Abstract.
7. Beauty is more important than efficiency.
8. The relentlessness of media-driven pop culture deadens our senses to authentic truth, beauty, and wisdom.
9. We share Russell Kirk's conviction that "the institution most essential to conserve is the family.
”
”
Rod Dreher (Crunchy Cons: How Birkenstocked Burkeans, gun-loving organic gardeners, evangelical free-range farmers, hip homeschooling mamas, right-wing nature ... America (or at least the Republican Party))
“
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
”
”
Donna Tartt (The Goldfinch)
“
I walked around him, champagne in hand. Great feeling.
-Give me a flash, he said – just a little quick…
I flashed opened the coat as I strolled by. He exhaled with a sigh- O, he said, Please Again.
This time I stood squarely in front of him. He was sitting on the beautiful new over stuffed chair, and swung the coat open, all the way open. And then slowly closed it, and walked away, hips and heels swaying away from him.
I could hear the groan. God, this was powerful.
He came up behind me and slid his hand down over the fur, the softness, silkiness of the lining flowed over my naked body, a caress on every inch of my flesh –umm indeed.
Now he was sliding his hands up my legs and under the coat.
-Aah,Aah not yet, I said and pulled away from him.
He moaned again – Please, he said…
”
”
Germaine Gibson (Sensation & Magic 2 - the apprentice)
“
In the United States, thirteen-year-old Jewish boys often mark the transition to adulthood with a bar mitzvah, involving a rather elaborate ceremony that includes singing a passage from the ancient Torah, followed by a celebration of dancing to hip-hop music and gorging on dessert. Sambian boys in Papua New Guinea mark the same transition by participating in the Flute Ceremony, which includes playing ritual flutes and performing fellatio on older boys and elders of their tribe. Imagine if the Sambian and American Jewish boy suddenly changed places. We’d witness how a momentous source of pride to members of one culture could be a totally meaningless or humiliating experience to members of another, because the behaviors and achievements that confer self-esteem do so only to the extent that we embrace a cultural worldview that deems them worthy.
”
”
Sheldon Solomon (The Worm at the Core: On the Role of Death in Life)
“
It was 1977. Bob Marley was in a foreign studio, recovering from an assassin’s ambush and singing: “Many more will have to suffer. Many more will have to die. Don’t ask me why.” Bantu Stephen Biko was shackled, naked and comatose in the back of a South African police Land Rover. The Baader-Meinhof gang lay in suicide pools in a German prison. The Khmer Rouge filled their killing fields. The Weather Underground and the Young Lords Party crawled toward the final stages of violent implosion. In London, as in New York City, capitalism’s crisis left entire blocks and buildings abandoned, and the sudden appearance of pierced, mohawked, leather-jacketed punks on Kings Road set off paroxysms of hysteria. History behaved as if reset to year zero. In the Bronx, Herc’s time was passing. But the new culture that had arisen around him had captured the imagination of a new breed of youths in the Bronx. Herc had stripped down and let go of everything, save the most powerful basic elements—the rhythm, the motion, the voice, the name. In doing so, he summoned up a spirit that had been there at Congo Square and in Harlem and on Wareika Hill. The new culture seemed to whirl backward and forward—a loop of history, history as loop—calling and responding, leaping, spinning, renewing.
”
”
Jeff Chang (Can't Stop Won't Stop: A History of the Hip-Hop Generation (PICADOR USA))
“
You need to learn some patience,” I tell him. But shit, I’m teasing myself as much as I’m teasing him. My balls are so tight they hurt, already tingling with the telltale signs of impending release. “Screw patience,” he grumbles. “Wanna come.” “Sulking ain’t helping your cause, dude.” “No? How about this then?” He pushes his ass back against me and starts fucking my cock, fast and greedy. Holy hell. There’s no way I can hold back now. It’s too good. I’m too horny. My fingers dig into his hips as I slam into him, each deep thrust sending me closer and closer to the edge. Our breathing grows labored as our bodies slap together, but I need more. I need… I plant my hands on his chest and tug him up so his back is plastered to me. The new angle makes him cry out in pleasure, and then he twists his head toward me and our lips meet in a scorching kiss that fogs my brain.
”
”
Sarina Bowen (Him (Him, #1))
“
tooled cowboy boots, engraved hip flask and, in recognition of his new passion for geology, a nineteenth-century explorer’s specimen hammer in a leather case. To bless his second adolescence on turning fifty, a trumpet that had once belonged to Guy Barker. These offerings represented only a fraction of the happiness she urged on him, and sex was only one part of that fraction, and only latterly a failure, elevated by him into a mighty injustice.
”
”
Ian McEwan (The Children Act)
“
Okay, okay . . . where do you hear it coming from?”
“Around here somewhere.”
“Always in this spot?”
“No. Not always. You are going to think I am even more insane, but I swear it is following me around.”
“Maybe it is my new powers. The power to drive you mad.” She wriggled her fingers at him theatrically as if she were casting a curse on him.
“You already drive me mad,” he teased, dragging her up against him and nibbling her neck with a playful growling. “Ah hell,” he broke off. “I really am going mad. I cannot believe you cannot hear that. It is like a metronome set to some ridiculously fast speed.”
He turned and walked into the living room, looking around at every shelf.
“The last person to own this place probably had a thing for music and left it running. Listen. Can you hear that?”
“No,” she said thoughtfully, “but I can hear you hearing it if I concentrate on your thoughts. What in the world . . . ?”
Gideon turned, then turned again, concentrating on the rapid sound, following it until it led him right up to his wife.
“It is you!” he said. “No wonder it is following me around. Are you wearing a watch?” He grabbed her wrist and she rolled her eyes.
“A Demon wearing a watch? Now I have heard everything.”
Suddenly Gideon went very, very still, the cold wash of chills that flooded through him so strong that she shivered with the overflow of sensation. He abruptly dropped to his knees and framed her hips with his hands.
“Oh, Legna,” he whispered, “I am such an idiot. It is a baby. It is our baby. I am hearing it’s heartbeat!”
“What?” she asked, her shock so powerful she could barely speak. “I am with child?”
“Yes. Yes, sweet, you most certainly are. A little over a month. Legna, you conceived, probably the first time we made love. My beautiful, fertile, gorgeous wife.”
Gideon kissed her belly through her dress, stood up, and caught her up against him until she squeaked with the force of his hug. Legna went past shock and entered unbelievable joy. She laughed, not caring how tight he held her, feeling his joy on a thousand different levels.
“I never thought I would know this feeling,” he said hoarsely. “Even when we were getting married, I never thought . . . It did not even enter my mind!” Gideon set her down on her feet, putting her at arm’s length as he scanned her thoroughly from head to toe. “I cannot understand why I did not become aware of this sooner. The chemical changes, the hormone levels alone . . .”
“Never mind. We know now,” she said, throwing herself back up against him and hugging him tightly. “Come, we have to tell Noah . . . and Hannah! Oh, and Bella! And Jacob, of course. And Elijah. And we should inform Siena—”
She was still rattling off names as she teleported them to the King’s castle.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
And so, nearly in sight of the capital of Ruthgar, they boarded the odd new skimmer that Ben-hadad had dubbed the Mighty Thruster.
Kip had shaken his head. Tisis had muttered, "Boys." Ferkudi had guffawed. Winsen had grinned. Cruxer had blushed and said, "you can't call it that."
"We're the Mighty," Ben-hadad said. "The propulsion units are thrusters, that's all". The damn liar.
"i guess you'll be the first man to ride the Mighty Thruster?", tisis asked.
His brown wrinkled. "That makes it sound..."
"Make sure you take a good wide stance, legs apart, or he'll thrown you."
"He? i didn't..."
"Do you need more instruction? Because I'm getting quite adept at riding a mighty thruster myself," she said.
Ben-hadad blanched.
"You'll want to make sure you have a good grip, and loosen up your hips a--"
"All right! All right!"
Hours later, they sped into the mouth of the Great River -- on the good skimmer Blue Falcon
”
”
Brent Weeks (The Blood Mirror (Lightbringer, #4))
“
At that moment we caught sight of a drunken man, reeling along at the far end of the street. With head thrust forward, arms dangling, and nerveless legs, he advanced towards us by short rushes of three, six, or ten rapid steps, followed by a pause. After a brief spasm of energy, he found himself in the middle of the street, where he stopped dead, swaying on his feet, hesitating between a fall and a fresh burst of activity. Suddenly he made off in a new direction. He ran up against a house, and clung to the wall as if to force his way through it. Then, with a start, he turned round, and gazed in front of him, open-mouthed, his eyes blinking in the sun. With a movement of the hips, he jerked his back away from the wall and continued on his way. A small yellow dog, a half-starved mongrel, followed him barking, halting when he halted, and moving when he moved.
‘Look,’ said Marambot, ‘there’s one of Madame Husson’s Rose-kings'.
”
”
Guy de Maupassant (The House of Madame Tellier and Other Stories (32 stories))
“
Americans consume more cow’s milk and its products per person than most populations in the world. So Americans should have wonderfully strong bones, right? Unfortunately not. A recent study showed that American women aged fifty and older have one of the highest rates of hip fractures in the world. 1 The only countries with higher rates are in Europe and in the south Pacific (Australia and New Zealand) 1 where they consume even more milk than the United States. What’s going on?
”
”
T. Colin Campbell (The China Study: The Most Comprehensive Study of Nutrition Ever Conducted and the Startling Implications for Diet, Weight Loss, and Long-Term Health)
“
As Harry marveled, the Cenobite continued his brutal effort of making new adjustments to his own flesh so as to fit the Devil’s suit: first a slice off his other hip, down to the red meat; then up to his arms, slicing away the flesh at the back of his triceps; and passing the knife from left hand to right and back again, cutting effortlessly with either. The area around his feet looked like the floor of a butcher’s store. Cobs and slices of fatty meat were scattered everywhere.
”
”
Clive Barker (The Scarlet Gospels)
“
You’ve really got a thing for watching me, don’t you?” Tylin’s voice echoes around the small space. “I think the real question is why do you like that I watch?” I tilt my head to him. “He definitely likes you watching.” Mase bumps his hip against my leg, and I can’t help but smirk at him. “How many fucking people are in here?” Tylin tilts his head to look past the curtain, finding only Mason and myself in the small—slightly overcrowded—bathroom. Our new home isn’t as fabulous as our last.
”
”
A.K. Koonce (An Assassin's Deception (The Huntress #2))
“
[Gethin] was used to New York and schlepping down to Buddakan or a trendy bistro in Manhattan’s meatpacking district or some other hip and happening joint, she thought, running out of ‘Sex and the City’ hotspots. Welsh cuisine probably wasn’t sexy enough for him now, but once you got over the sight of laver bread and cockles, all that iodine was supposed to do wonders for your love life. On the other hand, Gethin Lewis didn’t look like a man who needed any chemical crutch to boost his libido.
”
”
Christine Stovell (Move Over Darling)
“
I’d grown up with disco in the 1970s, when I just knew it as exciting pop music on AM radio. In the 1980s it died off, but still inspired everyone from New Order to Duran Duran to Kraftwerk. And then in the late 1980s the ghost of disco came back with a fury, giving birth to house music, techno, rave culture, and even a lot of hip-hop. Disco was the crucible in which most modern music had been born, and within the disco pantheon no one had ever reigned higher or more supreme than Donna Summer.
”
”
Moby (Then It Fell Apart)
“
I cross the bathroom floor and open the door. I stay standing there for a while. Then I go outside. When I walk down the street, it’s a struggle, as if I have roots in the house that are stretched long behind me, and no matter how far I go, no matter how many corners I turn on the way to Franziska’s flat-share by the beach, they are stuck. They stretch, get thinner and thinner until they are as fine as thread Slowly but surely I imagine that the brewery crumbles and follows me, threading itself on my cord as though it’s a house built from small gleaming beads. The front door reaches me first, then the floor panels from the kitchen, the enamel from the bathtub and the steel covering from the taps, glass-splinters from the chandelier and the apple cores from the compost. And Carral follows too. She crumbles in the bathtub. Tooth by tooth, nail by nail, bone by bone. And new beads grow, threading themselves on my roots. The beads appear from her mouth and eyes, her crotch, hip socket and fingertips.
”
”
Jenny Hval (Paradise Rot)
“
Could I be brave enough to look lower? I could. His black tee shirt licked his hard body and I could only guess what was hidden underneath it. His faded jeans hung dangerously low, revealing a slice of his narrow hips, and I could easily imagine the rest.
”
”
Jennifer Loiske (Club Number Five (Immortal Blood, #1))
“
years through college in Mexico City. Her dreams had been populated by the same whipped current of ocean air, the same bright, liquid colors, the same thrumming beats and aromas of her childhood, the same languorous swaying of hips that had always defined the pace of life here in this place she knew so well. Sure, there had been new violence, an unfamiliar hitch of anxiety. Sure, crime was on the rise. But until that morning, the truth had felt insulated beneath the illusory film of Acapulco’s previous immunity.
”
”
Jeanine Cummins (American Dirt)
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Back in the office, Socrates drew some water from the spring water dispenser and put on the evening’s tea specialty, rose hips, as he continued. “You have many habits that weaken you. The secret of change is to focus all your energy not on fighting the old, but on building the new.
”
”
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
“
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
In the past, before the physiology of abdominal training was well understood, bodybuilders used to do a lot of “conventional” abdominal exercises such as Sit-Ups and Leg Raises. Unfortunately, those are not primary abdominal exercises but instead work the iliopsoas muscles—the hip flexors.
”
”
Arnold Schwarzenegger (The New Encyclopedia of Modern Bodybuilding: The Bible of Bodybuilding, Fully Updated and Revised)
“
I did not so much look like a woman who had spent the past three weeks backpacking in there wilderness as I did like a woman who had been the victim I have a violent and bizarre crime. Bruises that arranged in color from yellow to black lined my arms and legs, my back and rump, as if I've been beaten with sticks. My hips and shoulders we are covered with blisters and rashes, inflamed welts and dark scabs where my skin had broken open from being chafed by my pack. Beneath the bruises and wounds and dirt I could see new ridges of muscle, my flat taught in places that has recently been soft.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
was the first time I had thought of my mother as a sexual creature. I was thirteen at the time and just coming to understand the power and treachery that came with breasts and hips and body hair. Men had begun catcalling me as I walked home from school in the afternoons—but that was my burden to bear.
”
”
Krystal Sutherland (House of Hollow: The haunting New York Times bestseller)
“
Harry had felt the gnawing ache for alcohol from the moment he woke up that morning. First as an instinctive physical craving, then as a panic-stricken fear because he had put a distance between himself and his medicine by not taking his hip flask or any money with him to work. Now the ache was entering a new phase in which it was both a wholly physical pain and a feeling of blank terror that he would be torn to pieces. The enemy below was pulling and tugging at the chains, the dogs were snarling up at him from the pit, somewhere in his stomach beneath his heart. God, how he hated them. He hated them as much as they hated him.
”
”
Jo Nesbø (The Devil's Star (Harry Hole, #5))
“
She was always saying, ‘I know I am dying from radium poisoning,’” remembered one of her physicians. “I convinced her she wasn’t; that she was going to get better. It is tact of a physician not to reveal a fatal prognosis.”17 Martland wasted no time enlightening the world about the evolution of radium’s MO. He had seen enough cases now to know that these latent sarcomas—which could leave a victim healthy for years after her exposure to radium, before coming horribly to life and taking over her body—were the new phase of this terrifying poisoning. He added: “When I first described this disease, there was a strong tendency among some of those interested in the production and therapeutic use of radium to place the entire blame on mesothorium… In the cases autopsied recently, the mesothorium has disappeared while the radium persists.”18 He could reach only one conclusion: “I am now of the opinion that the normal radioactivity of the human body should not be increased; [to do so] is dangerous.”19 It had to be, for each week another dial-painter presented another sarcoma, each in a new location—her spine, her leg, her knee, her hip, her eye… Irene’s family couldn’t believe how fast she was fading from them. But she still had grit in her. On May 4, 1931, as she lay dying in hospital, she filed a claim for damages
”
”
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
“
This is an important lesson for someone with an anxious attachment style: If you just wait a little longer before reacting and jumping to conclusions, you will have an uncanny ability to decipher the world around you and use it to your advantage. But shoot from the hip, and you’re all over the place making misjudgments and hurting yourself.
”
”
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
“
Did you not swap out your magazine for banishment rounds?” she scolded, hands on hips. The guard looked sheepish. “But you said they was expen—” “There is expensive and then there is needlessly paying for your funeral,” Eve snapped. An immediate ratchet and clatter of magazines being ejected and replaced signalled that the message had gotten across.
”
”
Charles Stross (Quantum of Nightmares (Laundry Files #11; The New Management, #2))
“
He dropped the jacket and pulled his T-shirt off over his head; the collar caught for a moment, and Clary just stared, suddenly hyperaware of the fact that they were alone, and of his body: honey-colored skin mapped with old and new Marks, a fading scar just under the curve of his left pectoral muscle. Flat, ridged stomach tapering to narrow hips; he’d lost weight, and his weapons belt hung loose. Legs, arms, graceful like a dancer’s; he pulled free of the shirt and shook out his bright hair, and she thought with a sudden sinking in her stomach that it just wasn’t possible that he was hers, he wasn’t the sort of person ordinary people got to be near, much less touch, and then he looked up at her, hands on his belt, and smiled his familiar crooked smile.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Well? Does anybody here wish to belong to a selfish young lady who will keep you as a handsome pet and will refuse to compromise on anything? Make yourself known if you are indeed that fool.”
There was a long, dead silence.
Angelika glared at him. “Is that how you would have introduced me at the military academy ball?”
“Are you still angry about that? It was weeks ago.”
“Yes. I am angry that my brother refused to take me somewhere to dance with soldiers and meet the new commander.” She put her hands on her hip. “It’s my fault that I’m considered odd, and superior, and a bit witchy. But it’s your fault, too.”
Victor ran a hand through his famous honey-red hair; the same color as hers. He conceded. “I accept that I could do more. But I draw the line at country dances.
”
”
Sally Thorne (Angelika Frankenstein Makes Her Match)
“
Sheila and Hugh Resting in arms Testing your charms Repeating a ritualized “I love you” Sharing a fight Or a kiss in the night Shrugging when friends ask “What’s new?” After the wedding Her hips started spreading His hair line began to recede They remained together Out of habit now And not out of any great need He’ll show up from work Showing signs of strain While her day was spent cleaning Letting the soap operas wash her brain . . . He reads the evening paper She calls him in to eat They share their meal silently She’s bored, he’s just beat Then they climb the stairs Multiplying the monotony With each step they take The hours spent sleeping They find more satisfying Than those spent awake He removes his work clothes She puts on her curlers and cream Hoping the sheets will protect them From the demon of daily routine Then he clicks off the lamp And the darkness holds no noise For in the dark you can be anyone Housewives will be girls And businessmen boys . . . “I love you, Sheila” I love you, Hugh” But she’s deciding on dishes And his thoughts are all askew And the sheets supply refuge For this perpetual pair Neither really knowing anymore Why the other one is there
”
”
Carrie Fisher (The Princess Diarist)
“
Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will.
Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me.
"Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips.
"Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it.
And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me.
Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth."
I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways.
Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that.
She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge.
My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..."
She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
”
”
Kristen Callihan (Make It Sweet)
“
1. Close Friend, someone who got yo back, yo "main nigga."
2. Rooted in blackness and the Black experience. From a middle-aged social worker: "That Brotha ain like dem ol e-lights, he real, he a shonuff nigga"
3. Generic, neutral refrence to African Americans. From a 30 something college educated Sista: "The party was live, it was wall to wall niggaz there"
4. A sista's man/lover/partner. from the beauty shop. "Guess we ain gon be seein too much of girlfriend no mo since she got herself a new nigga" From Hip Hop artist Foxy brown, "Ain no nigga like the on I got."
5. Rebellious, fearless unconventional, in-yo-face Black man. From former NBA superstar Charles Barkley, "Nineties niggas... The DailyNews, The Inquirer has been on my back... They want their Black Athletes to be Uncle Tom. I told you white boys you've never heard of a 90s nigga. We do what we want to do" quoted in The Source, December 1992).
6. Vulgar, disrespectful Black Person, antisocial, conforming to negative sterotype of African Americans. From former Hip Hop group Arrested Development, in their best-selling song, "People Everyday" 1992: A black man actin like a nigga... got stomped by an African"
7. A cool, down person, rooted in Hip Hop and black culture, regardless of race, used today by non-blacks to refer to other non-Blacks.
8. Anyone engaged in inappropriate, negative behavior; in this sense, Blacks may even apply the term to White folk. According to African American scholar Clarence Major's From Juba to Jive, Queen Latifah was quoted in Newsweek as criticizing the US government with these words. "Those niggers don't know what the fuck they doing
”
”
H. Samy Alim
“
June 28, 1983 Mianus River Bridge Greenwich, Connecticut George Tesla was drunk. This wasn’t new for him, but the reason was. He was going to be a father. Fifty years old, and he’d knocked up a thirty-year-old carnie. Someone careful enough to live through a trapeze act ought to be careful enough to not get pregnant. But she hadn’t been. Tatiana flat-out refused to talk about abortion or adoption or any sensible solution to the problem. She was perfectly willing to talk about leaving him to raise the baby alone, but nothing else. Her mind was set. He leaned against the cold side of the bridge and took a long sip of Jack Daniel’s from his silver hip flask. He’d bought the flask when he was first made professor of mathematics at New York University. Another thing that would have to change, since Tatiana had told him she had no intention of giving up performing to move to New York
”
”
Rebecca Cantrell (The Tesla Legacy (Joe Tesla, #2))
“
I gripped his hips and angled my cock just right. Pushing forward, I pierced his sphincter and buried my dick deep inside his tight hole. A low groan escaped my lips as I pulled back, sliding my dick through his chute. My entire body lit up with electricity as ecstasy flowed through me. It was so fucking intense just being inside him. My dick was tingling with pleasure as his prostate secretions seeped into my flesh, swelling my cock even more.
”
”
Nicholas Bella (House of Theoden: Season Two Complete Boxset (The New Haven Series))
“
She has never believed herself fit to be loved by any person. But now she has a new life, of which this is the first moment, and even after many years have passed she will still think: Yes, that was it, the beginning of my life. TWO DAYS LATER (April 2011) He stands at the side of the bed while his mother goes to find one of the nurses. Is that all you have on you? his grandmother says. Hm? says Connell. Is that jumper all you have on you? Oh, he says. Yeah. You’ll freeze. You’ll be in here yourself. His grandmother slipped in the Aldi car park this morning and fell on her hip. She’s not old like some of the other patients, she’s only fifty-eight. The same age as Marianne’s mother, Connell thinks. Anyway, it looks like his grandmother’s hip is kind of messed up now and possibly broken, and Connell had to drive Lorraine into Sligo town to visit the hospital. In the bed across the ward someone is coughing.
”
”
Sally Rooney (Normal People)
“
Directly Mr Pye stepped ashore he heard her voice. 'The name is Dredger,' it said.
Mr Pye lifted his head again, his thorn-shaped nose veering towards her and the rest of his round face following it, as a ship must follow its bowsprit. His little mouth continued to smile gently but it gave nothing away.
As he remained silent, Miss Dredger raised her voice as though to establish the fact of her forthright nature from the outset. 'Mr Pye, I imagine!'
Her new acquaintance removed his glasses, wiped them carefully, and re-set them on his nose.
'Who else?' he murmured. 'Who else, dear lady?'
As Miss Dredger could not think 'who' else could possibly be Mr Pye, and had no wish to follow so foolish a train of conjecture, she blew some smoke out of her nostrils.
Mr Pye watched the smoke-jets with interest, ad then, as though he were suggesting an alternative attitude to life, he drew a little box from his waistcoat pocket and helped himself to a fruit-drop.
At this, Miss Dredger raised one of her black eyebrows, and as she did so she caught sight of young Pépé - and seeing him reminded her of Mr Pye's luggage. She turned to Mr Pye, her scrubbed hands on her tweed hips.
'What have you brought with you?' she said. Mr Pye turned his gaze upon her. 'Love,' he said. 'Just ... Love ...' and then he transferred the fruit-drop from one cheek to the other with a flick of his experience tongue. His fat little hands that held the lapels of his coat were quite green with the light reflected from the harbour water.
Miss Dredger's face had turned the most dreadful colour and she had shut her eyes. The smoke drifted out of her nostrils with no enthusiasm. There were some things that simply are not mentioned - unless one wishes to be offensive and embarrassing. Religion, Art, and now this new horror - Love. What on earth did the man mean?
”
”
Mervyn Peake (Mr Pye)
“
Well, well, do we have a new girl?’ I looked up to see three girls standing behind Tak. The one in the middle was tall and slim with bronzed skin and long shiny black hair and she had that air about her that the popular girls at school back home did. I was instantly wary. Those girls had never been nice to me. ‘Don’t be shy, what’s your name?’ the girl on her left said. Curly red hair framed her perfect face and she put her hands on her ample, curvy hips, waiting for me to answer. ‘Pandora,’ I said quietly. ‘I’m Arketa,’ said the slim girl. ‘And this is Filis and Kiko.’ The red-head, Kiko, cocked her head and gave me an over-the-top smile. ‘We’re Aphrodite descendants.’ That explained why they were so attractive, I thought. ‘You know, you’re not pretty enough to hang out with us but you’re better than these losers,’ Filis said. She was shorter than the other two, with rich brown hair and an exotic looking face with full pouty lips.
”
”
Eliza Raine (Olympus Academy: The Complete Collection)
“
We didn’t speak again for seven years after that phone call. There comes a point where you realize you’re just banging your head against a brick wall: no matter how many times you do it, you’re never going to break through, you’re just going to end up with a constant headache. I still made sure she was looked after financially. When she said she wanted to move to Worthing, I bought her a new house. I paid for everything; made sure she had the best care when she needed a hip operation. She auctioned every gift I’d ever given her – everything from jewellery to platinum discs I’d had specially inscribed with her name – but she didn’t need money. She told the papers she was downsizing, but it was just another way of telling me to fuck off – like hiring an Elton John tribute act for her ninetieth birthday party. I ended up buying back some of the jewellery myself, stuff that had sentimental value to me, even if it no longer had for Mum.
”
”
Elton John (Me)
“
So your luck still holds with women, too.” Ryne’s laugh had an edge. Perhaps he fancied her himself. “The Light knows, they can’t find you handsome; you get uglier every year. Maybe I ought to try some of that coy modesty, let women lead me by the nose.” Lan opened his mouth, then took a drink instead of speaking. He should not have to explain, but it was too late for explanation with Ryne in any case. His father had taken him to Arafel the year Lan turned ten. The man wore a single blade on his hip instead of two on his back, yet he was Arafellin to his toenails. He actually started conversations with women who had not spoken to him first. Lan, raised by Bukama and his friends in Shienar, had been surrounded by a small community who held to Malkieri ways. If Lira did share his bed tonight, as seemed certain, she would discover there was nothing shy or retiring about him once they were abed, yet the woman chose when to enter that bed and when to leave.
”
”
Robert Jordan (New Spring (The Wheel of Time, #0))
“
No matter who was here first, whiteness and American identity have been joined at the hip for centuries; the sons and daughters of England, Ireland, Germany, Scotland and the like, have long been able to look in the mirror and see ourselves as the living embodiment of the American ideal. No matter their prior presence on these shores, the black, brown and red have forever and always had to lobby, petition, plead, scrape, fight and even die for the right to lay claim to that ideal as their own.
”
”
Tim Wise (Dear White America: Letter to a New Minority)
“
Recently, a judge of the prestigious 2014 British Forward Prize for Poetry was moved to observe that “there is an awful lot of very powerful, lyrical, and readable poetry being written today,” but we need education, because “we have lost the sense that poetry sits halfway between prose and music—that you can’t expect to read it like a novel.”
A few years ago, the New York Times published an op-ed of mine, about learning poetry by heart. The response to it confirmed that people of all ages think about poetry as a kind of inspired music, embodying beauty and insight. On one hand, poetry has always flowed from music, as rap and hip-hop remind us big-time. Rappers know how poetry walks and talks. So we have music, or deeply felt recitations of poems that belong to collective memory. On the other hand, we have overly instructive prose poems, as well as the experiments of certain critical ideologies, or conceptual performance art. These aspects seem to represent the public, Janus face of poetry.
”
”
Carol Muske-Dukes
“
I cross the bathroom floor and open the door. I stay standing there for a while.
Then I go outside. When I walk down the street, it’s a struggle, as if I have roots
in the house that are stretched long behind me, and no matter how far I go, no
matter how many corners I turn on the way to Franziska’s flat-share by the
beach, they are stuck. They stretch, get thinner and thinner until they are as fine
as thread. Slowly but surely I imagine that the brewery crumbles and follows
me, threading itself on my cord as though it’s a house built from small gleaming
beads. The front door reaches me first, then the floor panels from the kitchen, the
enamel from the bathtub and the steel covering from the taps, glass-splinters
from the chandelier and the apple cores from the compost. And Carral follows
too. She crumbles in the bathtub. Tooth by tooth, nail by nail, bone by bone. And
new beads grow, threading themselves on my roots. The beads appear from her
mouth and eyes, her crotch, hip socket and fingertips.
”
”
Jenny Hval (Paradise Rot)
“
Like all Freed musicals and all Astaire musicals, The Band Wagon believes that high and low, art and entertainment, elite and popular aspirations meet in the American musical. The Impressionist originals in Tony’s hotel room, which eventually finance his snappier vision of the show, draw not only a connection to An American in Paris but to painters, like Degas, who found art in entertainers. The ultimate hymn to this belief is the new Dietz and Schwartz song for the film, “That’s Entertainment,” which is to filmusicals what Berlin’s “There’s No Business Like Show Business” is to the stage.11 Whether a hot plot teeming with sex, a gay divorcée after her ex, or Oedipus Rex, whether a romantic swain after a queen or “some Shakespearean scene (where a ghost and a prince meet and everything ends in mincemeat),” it’s all one world of American entertainment. “Hip Hooray, the American way.” Dietz’s lyrics echo Mickey’s theorem in Strike Up the Band. What’s American? Exactly this kind of movie musical from Mount Hollywood Art School.
”
”
Gerald Mast (CAN'T HELP SINGIN': THE AMERICAN MUSICAL ON STAGE AND SCREEN)
“
When you live with someone, your relationship inevitably moves past the honeymoon, exploratory stage where each touch and kiss is new and thrilling. It becomes more intense in some ways, though. The newness fades, replaced by familiarity. You know how she’ll respond. You know, just by the way she looks at you, that she wants you. You don’t need the buildup, the kiss that moves into desperation, the slide of palm over skin that becomes a caress and then a frantic removal of clothes. You don’t always need the foreplay. You look at each other, and you know. You just know. You reach for each other, and you merge. Rhythm is instinctive. You breathe in synch. Your hips meet, hands find flesh, foreheads touch, eyes flutter and flicker and lock. You slide into her. You don’t need to look or guide yourself in, you just fit. You match. She lifts her hips just so, and you’re there, and she lets out a sweet sigh of love as you fill her, and then everything fades and you find your rhythm and your completion together, and you don’t need to say a word.
”
”
Jasinda Wilder (Beta (Alpha, #2))
“
Aelin lifted onto her toes. She felt Rowan’s eyes on her the whole time, felt his body go still with predatory focus, as she kissed the corner of his mouth, the bow of his lips, the other corner. Soft, taunting kisses. Designed to see which one of them yielded first. Rowan did. With a sharp intake of breath, he gripped her hips, tugging her against him as he slanted his mouth over hers, deepening the kiss until her knees threatened to buckle. His tongue brushed hers—lazy, deft strokes that told her precisely what he was capable of doing elsewhere. Embers sparked in her blood, and the moss beneath them hissed as rain turned to steam. Aelin broke the kiss, breathing ragged, satisfied to find Rowan’s own chest rising and falling in an uneven rhythm. So new—this thing between them was still so new, so … raw. Utterly consuming. The desire was only the start of it. Rowan made her magic sing. And maybe that was the carranam bond between them, but … her magic wanted to dance with his. And from the frost sparkling in his eyes, she knew his own demanded the same.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
Ride my cock harder, boy!” I demanded with labored breath. Alessio nodded rapidly and really started to work his hips. “Oh fuck yeah, so big. Oh, it makes me feel so good. I’m so close to cumming.” He started to get even more touchy-feely, which I enjoyed as he rubbed his hands over my chest, then his own. I was flattered and well on my way to shooting another load. Between the two full-blooded dragons working me over, I couldn’t hold back any longer. My balls drew up and I arched, screaming as cum erupted deep inside Alessio’s tight ass.
”
”
Nicholas Bella (House of Theoden: Season Two Complete Boxset (The New Haven Series))
“
She blinked once before the most brilliant smile lit up her face. “Just when I think I can’t possibly love you even more, you do something incredibly unexpected. Thank you.”
The ground shifted beneath him the tiniest bit every time she told him she loved him. She’d confessed the first time two days after he’d saved her from Einar. He’d been waiting for the right moment but she’d beat him to it. The only positive thing to come out of that bastard Einar infiltrating the mountain sector was that they’d patched up a security hole. He still wasn’t certain what the male had wanted; probably just to cause as much destruction as he could. It didn’t matter now.
“I love you too.” He moved toward her, planning to show her just how much.
But she shook her head and waved some wand thing at him. She used it to do something to her eyebrows.
Since she’d moved all her stuff into his room he’d discovered that females took up a lot of space. “I know that look. We don’t have time.” She disappeared into the bathroom once again.
This time he followed, his body already humming with the need to be inside her. “We have plenty of time.”
She’d invited half a dozen females from their sector as well as their mates tonight to celebrate the unanimous change in the Ducereco law. They’d also started plans on her new project. Things were about to change for his people and he knew it was for the better.
Shaking her head, she turned away from him and faced the mirror. That would not deter him. If anything, the sight of her pert ass made him even harder. Her tunic only covered the top half, making him crazy as he moved up behind her. He slid his hands up her hips and under her tunic until he grasped the thin scrap of material of her sheer panties and slid them down her legs. She’d paused what she was doing and watched him in the mirror, her own hunger sparking as wild as his. He moved in close, pressing his erection against her back. Leaning down, he brushed her hair to one side and nuzzled her neck. He never got tired of her sweet scent or the perfect way she fit right up against him.
“Maybe we have some extra time,” she murmured, her eyes going heavy-lidded as they met his in the mirror.
-Leilani & Con
”
”
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
“
My kin would sooner have a badger in their house than a Campbell."
Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it.
"Most MacGregors were comfortable enough with badgers in the parlor."
"Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them."
Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers."
Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers."
"We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?"
"Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them."
"Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land."
Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to."
"Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example.
For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint.
Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!"
Shelby found herself swept off her feet in a crushing hug that held welcome.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything.
”
”
Donna Tartt (The Goldfinch)
“
You have to stop letting me do this,” he bit off, half-angrily.
“If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!”
He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver.
“That’s…new,” she said with a strained attempt at humor.
“It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm.
It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther.
“What Colby gets is none of your business! You get out of my apartment!” she raged at him.
She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do.
“Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!”
“That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.”
She stared at him curiously, still shaken. “I don’t understand.”
“You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.”
He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.”
He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.”
“Can you?” he said softly. He searched her eyes. “In a weak moment…”
“I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.”
His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.”
“You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
You’re missing the whole point, by the way.”
“What’s the whole point, Peter?”
He clears his throat. “That day in McClaren’s basement. You were my first kiss too.”
Abruptly I stop laughing. “I was?”
“Yeah.”
I stare at him. “Why didn’t you ever tell me?”
“I don’t know. I guess I forgot. Also it’s embarrassing that I made up a girl. Don’t tell anybody!”
I’m filled with a glowy kind of wonder. So I was Peter Kavinsky’s first kiss. How perfectly wonderful!
I throw my arms around him and lift my chin expectantly, waiting for my good-night kiss. He nuzzles his face against mine, and I feel gladness for the fact that he has smooth cheeks and barely even needs to shave. I close my eyes, breathe him in, wait for my kiss. And he plants a chaste peck on my forehead. “Good night, Covey.”
My eyes fly open. “That’s all I get?”
Smugly he says, “You said earlier that I’m not that good at kissing, remember?”
“I was kidding!”
He winks at me as he hops in his car. I watch him drive away. Even after a whole year of being together, it can still feel so new. To love a boy, to have him love you back. It feels miraculous.
I don’t go inside right away. Just in case he comes back. Hands on my hips, I wait a full twenty seconds before I turn toward the front steps, which is when his car comes peeling back down our street and stops right in front of our house. Peter sticks his head out the window. “All right then,” he calls out. “Let’s practice.”
I run back to his car, I pull him toward me by his shirt, and angle my face against his--and then I push him away and run backward, laughing, my hair whipping around my face.
“Covey!” he yells.
“That’s what you get!” I call back gleefully. “See you on the bus tomorrow!
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
He’s close, licking my neck and my nipples, scraping his teeth around my throat. It makes everything worse and so much better. “I don’t know what I’m doing, either. Not with you. This is new.” My head is a jumbled mess of pleasure and panic. This is—oh God. “That’s humble of you,” I manage to push out. My hips shift, trying to meet him and get more friction. Jack sees me strain, and he does nothing. I hate him. I hate him, I hate him, I— “There’s something really humbling about having the face of your brother’s girlfriend in your head every time you come.” Another whimper. Mine. “I was never his.” “I didn’t know it. For months, I didn’t know.” I want to ask him what he thought of. When it started. I just say, “I was sure you hated me.” He laughs, a little wistful, and leans in for a kiss against my temple. “I did sometimes. For making me hate my brother, just because he was the one who got to eat you out.” His hand twists, and something in his grip changes: more points of contact, Jack parting my folds, the heel of his hand pressing against my clit. It’s even better. So much better. “Should I put a finger inside you?” A flush spreads up from my chest.
”
”
Ali Hazelwood (Love, Theoretically)
“
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see.
Everyone already saw
A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby.
"Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes.
"Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy).
Clearly, ice wasn't required for me to fall.
A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good.
I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently.
The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say.
She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon.
"Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better.
Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder.
"Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming?
"Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?"
Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be.
Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again.
"Actually," Romeo said, his voice calm, "I am pretty bored."
Three smirks were sent my way. What a bunch of idiots.
"The view from where I'm standing sure leaves a lot to be desired."
One by one, their eyes rounded when they realized the view he referenced was them.
Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair."
Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder.
He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms.
He checked her. “This isn’t the time.”
She flushed.
“General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.”
Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said.
Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away.
Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.”
“I know.”
He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.”
The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military.
“I want you to be at the front of the crowd,” Kestrel said.
“I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.”
Kestrel nodded, though she had no intention of taking his advice.
She walked through the throngs of people to meet Irex.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Fuck," he whimpered, mouth at my ear. "You feel--- so --- fucking good." His hips were already picking up speed, his body pistoning into mine so insistently, so needfully, it obliterated all self-doubt. He grabbed both of my hands in one of his, pinning them above my head, and stared transfixed at the way my breasts bounced with his movements. The way he was looking at me--- and the way it felt, my cunt clenching around him as he thrust into me again, and again, and again---
His hands dropped down to grip my ass, lifting my hips and changing the angle of our connection. Something about the new positioning opened me up to him even further, allowed him to go deeper, harder, to brush up against parts of me no one had touched before.
"Reggie," I gasped. "Oh, fuck." Something... something was different. I cried out again, helpless in the face of this delicious mounting pleasure, an ecstatic sort of pressure at the base of my spine that was threatening to pull me under. I felt drunk, wild, and burning hot, my body already racing towards another sharp crescendo as my hips sped up to match his movements.
Without thinking, I flung my head back onto the pillow, the angle leaving my neck completely exposed.
His hips stuttered to a stop, even as he remained fully seated inside me.
He growled.
”
”
Jenna Levine (My Vampire Plus-One (My Vampires, #2))
“
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room.
Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him.
When their eyes met, she smiled a little. And then a lot.
His first impulse was to hide his own grin behind his Goose.
But then he stopped himself.
New world order. Come on, smile, motherfucker, he thought.
Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something.
“Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be.
He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her.
“Hi, V . . . How are—”
Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.”
And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . .
He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate.
But whatever.
This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer.
As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti.
“Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn.
Vishous cleared his throat. “I have an announcement to make.”
Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out.
Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.”
Dead. Quiet.
Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
Evander laughed hard, shaking us both as he did. “Bit off more than you can chew, Prince?” My chest heaved as I breathed, forcing myself to calm down enough to move. “I… need a… minute.” “You don’t have one.” Evander clenched his anal walls, pressing my cock harder against his prostate, which seeped his secretions into my flesh, and I exploded inside him. “Arrrghhhh, fuck!” I yelled as cum shot out of my dick inside Evander. I went into convulsions again as I rode the powerful orgasm that raced through me. I clung to Evander, my hips thrusting erratically as I emptied into him. “Yes, yes, that’s it… cum for me,” Evander coaxed, as he kneaded my ass cheek with his hand.
”
”
Nicholas Bella (House of Theoden: Season Two Complete Boxset (The New Haven Series))
“
Rebecca,why haven't you burned his wardrobe yet?"
Rebecca turned to see what had provoked that question, then just stared. Her husband was wearing one of those horribly bright satin coats better suited to a costume ball, this one in a ghastly orange, with excesive lace at the wrists and the throat. With his long black hair and his soft cheeks so smoothly shaved,it made him look somewhat effeminate when she knew he was anything but.
But he actually looked to be trying not to laugh when he said to his mother, "She'll do nothing of the sort. She likes my taste in clothes. It reminds her of when we first met."
Rebecca continued to just stare, her mind in a whirl. It sounded as if he was just teasing, but she couldn't be sure. To imply that she had fond memories of their first meeting wasn't even remotely amusing. She had nothing of the sort.
"You can't seriously intend to take your wife out wearing something like that?" Julie continued.
"What's wrong with what she's wearing?"
"Not her,you fool.You! You're married now. Your old taste in clothes-"
"Marriage has nothing to do with taste, Mother," Rupert cut in. "Well, perhaps a little,at least in women, but nothing a'tall to do with one's wardrobe.Shall we go, m'dear?"
The last was added for Rebecca as he put an arm around her to lead her out of the room. His hand on her hip was all she could think about.
But his mother refused to be dismissed so easily. Julie actually shouted at him, "Find a new tailor! You're mortifying your wife!
”
”
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
“
This guy! I plead the fifth. This guy is nuts.”
- Eminem
“Dope questions, man. Very insightful, very thoughtful.”
- Guru (Gang Starr)
“You like a Psychiatrist or some shit? This shit is just coming out but go ahead.”
- Mary J. Blige
“Definitely a real interview! Digging deep up in there, man. Not afraid to ask questions!”
- K-Ci Hailey (Jodeci)
“The Wizard asked me for a copy of your magazine.”
- Guy-Manuel de Homem-Christo (Daft Punk)
“You didn’t wear your glasses and you haven’t carried your hearing aid. What else is wrong with you?”
- Bushwick Bill
“Peace and blessing, Brother Harris. Thank you for inspiring my words. Keep ‘yo balance.”
- Erykah Badu
“Can I see that pen?”
- Bobby Brown
“What else do you want to know? Talk to me.”
- Aaliyah
”
”
Harris Rosen
“
From the Desire Field”
I don’t call it sleep anymore.
I’ll risk losing something new instead—
like you lost your rosen moon, shook it loose.
But sometimes when I get my horns in a thing—
a wonder, a grief or a line of her—it is a sticky and ruined
fruit to unfasten from,
despite my trembling.
Let me call my anxiety, desire, then
Let me call it, a garden.
Maybe this is what Lorca meant
when he said, verde que te quiero verde—
because when the shade of night comes,
I am a field of it, of any ready to flower in my chest.
My mind in the dark is una bestia, unfocused,
hot. And if not yoked to exhaustion
beneath the hip and plow of my lover,
then I am another night wandering the desire field—
bewildered in its low green glow,
belling the meadow between midnight and morning.
Insomnia is like Spring that way—surprising
and many petaled.
the kick and leap of gold grasshoppers at my brow.
I am struck in the witched hours of want—
I want her green life. Her inside me
in a green hour I can’t stop.
Green vein in her throat green wind in my mouth
green thorn in my eye. I want her like a river goes, bending.
Green moving green, moving.
Fast as that, this is how it happens—
soy una sonámbula.
And even though you said today you felt better,
and it is so late in this poem, is it okay to be clear,
to say, I don’t feel good,
until I can smell its sweet smoke,
leave this thrashed field, and be smooth.
Natalie Diaz, poets.org (5 June 2017)
”
”
Natalie Díaz
“
There was something of an unwritten code about working in the office of Rudy Giuliani, as I suppose there is in most organizations. In his case, the message was that Rudy was the star at the top and the successes of the office flowed in his direction. You violated this code at your peril. Giuliani had extraordinary confidence, and as a young prosecutor I found his brash style exciting, which was part of what drew me to his office. I loved it that my boss was on magazine covers standing on the courthouse steps with his hands on his hips, as if he ruled the world. It fired me up. Prosecutors almost never saw the great man in person, so I was especially pumped when he stopped by my office early in my career, shortly after I had been assigned to an investigation that touched a prominent New York figure who dressed in shiny tracksuits and sported a Nobel-sized medallion around his neck. The state of New York was investigating Al Sharpton for alleged embezzlement from his charity, and I was assigned to see if there was a federal angle to the case. I had never even seen Rudy on my floor, and now he was at my very door. He wanted me to know he was personally following the investigation and knew I would do a good job. My heart thumped with anxiety and excitement as he gave me this pep talk standing in the doorway. He was counting on me. He turned to leave, then stopped. “Oh, and I want the fucking medal,” he said, then walked away. But we never made a federal case. The state authorities charged Sharpton, and he was acquitted after a trial. The medal stayed with its owner.
”
”
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
When he saw narcissus flowers dappled with sunlight, he knew. Fates, he thought, why now?
The dream, repeated throughout the aeons of his rule, hadn't manifested for centuries. But this past fortnight, every time he shut his eyes, there she was- lying entwined with him in a shaded grove, with flowers growing all around them.
Her face was hidden- it was always hidden. He got teasing glimpses: a flash of russet hair, his hand on her flared hips, her flower-trimmed ankles brushing against his shins, her soft fingers dancing across his skin. Her hand brushed across his chest and down his stomach. He closed his eyes, felt her breath on his cheek, and heard her whisper his familiar name into his ear.
Aidon...
He turned and captured her lips in a kiss, tasting distant memories of sunlight and heady new life springing from the earth. He could not see her, but he knew it was her- his unknown betrothed- that haunted his dreams. It was her that inexorably drew him to this shaded bed of white and yellow-trumpeted flowers time and time again. Her fingers tangled in his hair and he carefully rolled over her...
Aidon...
His pulse quickened as she encircled him in her arms, drawing him closer and covering her supine body with his. He grew hungry for her, giving in to the delights of skin upon skin, his mouth upon hers. The dream was always like this. He would caress her, she would kiss him, their hands, their mouths demanding more. These motions were familiar- their dance repeated across the aeons.
My lord husband, she said within his very thoughts. Come to me... Find me, Aidoneus.
”
”
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
“
Now we're going to one of the coolest places in Florence."
"Where's that?"
"A pharmacy."
"You're taking the princess to a drugstore?"
"I said a pharmacy. Climb on."
Profumo Farmaceutica di Santa Maria Novella is a pharmacy only in the ancient sense of the word. As soon as I saw and smelled what "pharmacy" it was, I recognized it as the origin of the exquisitely wrapped, handcrafted soaps, colognes, potpourris, and creams I had seen in their shop on New York's Lower East Side. But nothing could compare with seeing them in the frescoed chapel where thirteenth-century Dominican friars had first experimented with elixirs and potions. Centuries-old apothecary jars and bottles sat on the shelves of carved wooden cupboards that swept almost to the top of a high, vaulted ceiling. I walked slowly around the room, taking it all in, as Danny spoke to a smartly dressed salesgirl.
"What an incredible place!" I sighed, walking over to stand beside him. "It's so beautiful."
"Pretty special," he agreed, putting his hand high on my back and turning to the salesperson. "I think mimosa," he told her.
"A very good choice, I think," she said, dabbing a small amount of mimosa eau de cologne on my wrist and then my neck with a delicate applicator.
Danny bent forward so he could smell my neck, then stood back. He drew his eyebrows together and put his hands on his hips. "I definitely think that's you. First, you get this oddly enticing tart kick, then you detect the sweetness. It's a subtle sweetness- not overpowering, but definitely there."
"Hilarious," I said sarcastically and kicked him playfully in the shin.
"Then you get the kick again," he winced, rubbing his leg.
”
”
Nancy Verde Barr (Last Bite)
“
He cupped her buttocks in his hands, lifted her up, and guided her down over his shaft with a long sigh. When he was deeply inside her, their eyes locked.
Susannah's breasts slid against his chest, both of their bodies sweat-sheened, as she rose up again, knowing instinctively what to do. He smiled faintly, guided her down again. Which is when she saw his eyes go black again with desire and she exulted. She loved this power to give and take, this humbling exchange of strength and vulnerability.
"There's a place inside you, Susannah...," he said hoarsely. "Guide me. You'll know it when you feel it. I'll hold on to you."
So she lifted up again... and slid down again... and oh, he was right. There was a place.
She moved up over him again, with a sultry smile, enjoying this new knowledge, feeling that mysterious need escalating... she held it at bay for as long as she could. Which, as it turned out, wasn't very long at all. For her body took over, found the cadence it craved, and she began to ride him in an instinctive rhythm that grew ever swifter, and he held her, his hips thrusting up to meet hers.
The world became the harsh roar of their breathing, incoherent sounds of pleasure, softly groaned words of urging. Susannah could feel her release pushing, pushing at the seams of her, roaring through her veins like a river of stars, until it flooded its banks and burst from her in an exultant cry. The unthinkable pleasure of it rocked her, shook her like a rag; she trembled and trembled from it.
Kit held on to her, his own hoarse cry following, and she could feel his seed filling her as she breathed her exhaustion against his neck. Felt his chest heaving against hers as they clung together.
”
”
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
“
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.”
Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.”
A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.”
He grinned. “I have more.”
She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts.
By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes.
“I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.”
“I wouldn’t have done it without you.”
She shook her head. “You did it for yourself not for me.”
Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.”
She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.”
“Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.”
Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased.
His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him.
Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life.
Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face.
Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it.
“I heard you that night,” he admitted. “When you told me you loved me.”
Her head tilted. “I thought you were asleep.”
“No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.”
Her smile was smug. “I know.” She kissed him again. “Make love to me.”
His entire body pulsed. “I intend to, but there’s one thing I have to do first.”
Rose frowned. “What’s that?”
Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store.
Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches.
I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet.
"Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?"
We.
There is no we.
I know it.He knows it.And it bugs me that he tries to pretend otherwise.
The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more.
Acting like we won't really end long before our passports are stamped RETURN.
And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce.
"Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!"
I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?"
I gape.Surely he's joking.
"Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return.
Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life.
Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna."
Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
But whether I’m on deck or below it, I’ll never be far.”
“Shall I take that as a promise? Or a threat?”
She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath.
Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both.
And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.”
“Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown.
“What the devil are you doing? You think you can just hike up your shift and make-“
“Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five…
“There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.”
He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.”
“I wouldn’t trust you for anything. Not even two shillings.”
He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in.
“Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor.
Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.”
“While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.”
“Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this.
Very.
“You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough.
“Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?”
He had a point there. “I suppose we’re squared away then.”
“I suppose we are.”
“There’s nothing else I owe you?”
His eyes were ice. “Not a thing.”
But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know.
But he didn’t. He reached for the door.
“Wait,” he said. “There is one last thing.”
Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric.
“There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.”
And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded.
A lace-trimmed handkerchief, embroidered with a neat S.H.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Kate cradled his face between her hands, drinking him in with her mouth while her beauty and her sheer, sweet innocence enveloped him in an almost holy fire.
As his hands began to wander over all the soft enticements of her body, she undulated under his palms in seductive invitation. Her breasts swelled beneath his roaming touch. He chafed her erect nipples with his thumbs, but soon could not resist their tautened allure. He dragged his lips away from hers and moved lower to pay homage.
He sampled each with a deep, slow, savoring kiss. Her chest heaved as she lay back on her elbows, watching him, and enjoying his attentions. With her breast in his mouth, his hand was free to discover and to claim new territory.
And he had a very clear idea of where he wanted to go. His hand inched down her stomach, teasing her as he neared her mound of Venus. His fingers drew playful circles at the bottom of her belly; he made sure she was dying for his touch before he deigned to give it to her. When she groaned with kittenish frustration, her hips rising impatiently to meet his cupped hand, he introduced himself to her mound with a deft caress.
Ah, but when his fingertips pressed deeper, he nearly lost his mind. She was dripping for him, anointing his hand with her yearning nectar. She let out an urgent sigh of pleasure and dropped her head back as he began to finger her. His pulse slammed in his arteries, for she was as ready for love as any woman he had ever bedded, her breathless motions urging on his explorations. So wet. It was at about that moment that her unexpected wantonness enslaved him, heart and mind, body and soul.
Her silken moans transported him to a throbbing frenzy. He had never wanted anyone with such a deep and elemental need.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
This was a new way to do it. We’d just discovered it. Staring into each other’s eyes was another way of keeping them closed, or off the details at hand, anyway. We locked onto each other. Meanwhile the Object was very subtly flexing her legs. I was aware of the mound beneath her cutoffs rising toward me, just a little, rising and suggesting itself. I put my hand on the Object’s thigh, palm down. And as we continued to swing, looking at each other while crickets played their fiddles in the grass, I slid my hand sideways up toward the place where the Object’s legs joined. My thumb went under her cutoffs. Her face showed no reaction. Her green eyes under the heavy lids remained fastened on mine. I felt the fluffiness of her underpants and pressed down, sliding under the elastic. And then with our eyes wide open but confined in that way my thumb slipped inside her. She blinked, her eyes closed, her hips rose higher, and I did it again. And again after that. The boats in the bay were part of it, and the string section of crickets in the baking grass, and the ice melting in our lemonade glasses. The swing moved back and forth, creaking on its rusted chain, and it was like that old nursery rhyme, Little Jack Horner sat in the corner eating his Christmas pie. He stuck in his thumb and pulled out a plum . . . After the first roll of her eyes the Object resettled her gaze on mine, and then what she was feeling showed only there, in the green depths her eyes revealed. Otherwise she was motionless. Only my hand moved, and my feet on the rail, pushing the swing. This went on for three minutes, or five, or fifteen. I have no idea. Time disappeared. Somehow we were still not quite conscious of what we were doing. Sensation dissolved straight into forgetting.
”
”
Jeffrey Eugenides (Middlesex)
“
Marry me.” A statement. Not a question. It came again. “Marry. Me.” His eyes burned into
mine. I breathed in, my ears ringing. My pulse sped up, my heart raced, I was trying to remember exactly what breathing meant. I was wet, and I was gasping.
“I want you. I want that, what they had today. I want it all, and I want it with you. I want you, want you to be my wife. I’ve got a ring, I’ll give it to you right now if you’ll say yes.” With every
word, his hands tightened on my hips, desperate, crazy, longing. “I had this all planned out, so much smoother and romantic and everything you deserve. But my head’s been spinning since
yesterday, when I saw my best friend steal a van to go meet his new family. And all I want, all I’ve ever wanted, is exactly that. Exactly you. And when I walked up those stairs, and heard the
shower go on, and knew you were in here all naked and wet and waiting for me, I knew I couldn’t wait another day, another hour, another minute, without asking you to be my wife. So. Marry. Me.”
He knelt. Christ on a crutch, he knelt on the shower floor, where he had knelt countless times before . . . ahem . . . took my hand, and repeated those words
again. Finally, with a question mark at the end. “Marry me?”
And in that moment, I realized all the worrying, all the hand wringing and wonder ponder, all the thoughts about who says what’s right for a couple, and when is it too soon, and when is it the right time, and if it ain’t broke don’t blah blah blah. Fuck all that noise. It wasn’t about what was right for other couples, it was about what was right for us. Simon and me. Because when Wallbanger kneels down and asks you to be his wife, it’s not really something you need to think too long on. Funny thing about getting proposed to in a shower. You can’t tell which is water and which is tears.
”
”
Alice Clayton
“
The fist on his chest uncurled. A finger began to stray, tracing the line of hair down toward his navel. It was a slow, tentative movement, for this was all too new. Passion unchained. Not just her own nakedness, but his.Especially his. She was still half-afraid to touch him. Then all at once he caught her hand, as if he could stand it no longer, and guided it down the tight grid of his belly, between the ridge of his hips.
Straight to the heart of him.
She gasped in shock when he dragged her hand up and down, up and down. Her eyes flew wide. It was a caress as outrageously shocking as when he'd slid his fingers inside her; as bold and daring as the man himself.
"Aid- Aidan!" She stuttered his name, part-question, part jarringly shocked.
"No, it's all right. Touch me, sweet, just like that... Oh, yes, just like that."
His whisper compelled surrender. Watching him, the glint of his eyes, half-closed now, her reserve slipped away.
”
”
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
“
Footsteps came to her, nearly invisible in the worn carpet. There were no words, just the creaking of old joints as they approached the bed, the lifting of expensive and fragrant sheets, and an understanding between two living ghosts.
Jahns's breath caught in her chest. Her hand groped for a wrist as it clutched her sheets. She slid over on the small convertible bed to make room, and pulled him down beside her.
Marnes wrapped his arms around her back, wiggled beneath her until she was lying on his side, a leg draped over his, her hands on his neck. She felt his moustach brush against her cheek, heard his lips purse and peck the corner of hers.
Jahns held his cheeks and burrowed her face into his shoulder. She cried, like a schoolchild, like a new shadow who felt lost and afraid in the wilderness of a strange and terrifying job. She cried with fear, but that soon drained away. It drained like the soreness in her back as his hands rubbed her there. It drained until numbness found its place, and then, after what felt like a forever of shuddering sobs, sensation took over.
Jahns felt alive in her skin. She felt the tingle of flesh touching flesh, of just her forearm against his hard ribs, her hands on his shoulder, his hands on her hips. And then the tears were some joyous release, some mourning of the lost time, some welcomed sadness of a moment long delayed and finally there, arms wrapped around it and holding tight.
She fell asleep like that, exhausted from far more than the climb, nothing more than a few trembling kisses, hands interlocking, a whispered word of tenderness and appreciation, and then the depths of sleep pulling her down, the weariness in her joints and bones succumbing to a slumber she didn't want but sorely needed. She slept with a man in her arms for the first time in decades, and woke to a bed familiarly empty, but a heart strangely full.
”
”
Hugh Howey (Wool Omnibus (Silo, #1))
“
The Unknown Soldier
A tale to tell in bloody rhyme,
A story to last ’til the dawn of end’s time.
Of a loving boy who left dear home,
To bear his countries burdens; her honor to sow.
–A common boy, I say, who left kith and kin,
To battle der Kaiser and all that was therein.
The Arsenal of Democracy was his kind,
–To make the world safe–was their call and chime.
Trained he thus in the far army camps,
Drilled he often in the march and stamp.
Laughed he did with new found friends,
Lived they together for the noble end.
Greyish mottled images clipp’ed and hack´ed–
Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ
—marching armies off to ’ttack.
Images scratched, chopped, theatrical exaggerate,
Confetti parades, shouts of high praise
To where hell would sup and partake
with all bon hope as the transport do them take
Faded icons board the ship–
To steel them away collaged together
–joined in spirit and hip.
Timeworn humanity of once what was
To broker peace in eagles and doves.
Mortal clay in the earth but to grapple and smite
As warbirds ironed soar in heaven’s light.
All called all forward to divinities’ kept date,
Heroes all–all aces and fates.
Paris–Used to sing and play at some cards,
A common Joe everybody knew from own heart.
He could have been called ‘the kid’ by the ‘old man,’
But a common private now taking orders to stand.
Receiving letters from his shy sweet one,
Read them over and over until they faded to none.
Trained like hell with his Commander-in-Arms,
–To avoid the dangers of a most bloody harm.
Aye, this boy was mortal, true enough said,
He could be one of thousands alive but now surely dead.
How he sang and cried and ate the gruel of rations,
And grumbled as soldiers do at war’s great contagions.
Out–out to the battle this young did go,
To become a man; the world to show.
(An ocean away his mother cried so–
To return her boy safe as far as the heavens go).
Lay he down in trenched hole,
With balls bursting overhead upon the knoll.
Listened hardnfast to the “Sarge” bearing the news,
—“We’re going over soon—” was all he knew.
The whistle blew; up and over they went,
Charging the Hun, his life to be spent
(“Avoid the gas boys that’ll blister yer arse!!”).
Running through wires razored and deadened trees,
Fell he into a gouge to find in shelter of need
(They say he bayoneted one just as he–,
face to face in War’s Dance of trialed humanity).
A nameless sonnuvabitch shell then did untimely RiiiiiiiP
the field asunder in burrrstzʑ–and he tripped.
And on the field of battle’s blood did he die,
Faceless in a puddle as blurrs of ghosting men
shrieked as they were fleeing by–.
Perished he alone in the no man’s land,
Surrounded by an army of his brother’s teeming bands . . .
And a world away a mother sighed,
Listened to the rain and lay down and cried.
. . . Today lays the grave somber and white,
Guarded decades long in both the dark and the light.
Silent sentinels watch o’er and with him do walk,
Speak they neither; their duty talks.
Lone, stark sentries perform the unsmiling task,
–Guarding this one dead–at the nation’s bequest.
Cared over day and night in both rain or sun,
Present changing of the guard and their duty is done
(The changing of the guard ’tis poetry motioned
A Nation defining itself–telling of
rifles twirl-clicking under the intensest of devotions).
This poem–of The Unknown, taken thus,
Is rend eternal by Divinity’s Iron Trust.
How he, a common soldier, gained the estate
Of bearing his countries glory unto his unknown fate.
Here rests in honored glory a warrior known but to God,
Now rests he in peace from the conflict path he trod.
He is our friend, our family, brother, our mother’s son
–belongs he to us all,
For he has stood in our place–heeding God’s final call.
”
”
douglas m laurent
“
His arms wrapped around her, and he rolled easily to his back, taking her with him.
Surprised and flummoxed, Merritt floundered a little as he gently pushed her up and arranged her legs to straddle him. "What are you doing?"
"Putting you to work," he said, "since you're so set on wringing me dry."
She looked at the brawny male beneath her and shook her head slightly.
A brief laugh escaped him as he saw her confusion. "You're a horsewoman, aye?" he asked, and nudged upward with his hips. "Ride."
Genuinely shocked at finding herself in the dominant position, Merritt braced her hands on his chest for balance. Her first tentative movement was rewarded by an encouraging lift of his hips. It sent him even deeper than before, the angle seeming to open something inside her, and she quivered in sensitive reaction. Hot and excited and mortified, she understood what he wanted. As she began to move, she gradually lost her self-consciousness and found a rhythm, her sex rubbing and pumping against his. Every downstroke sent pleasure through her, every sensation connected to the thick length of him.
Panting heavily, Keir reached up to cup her breasts, his thumbs stroking the stiff peaks. "Merry, love... I'm going to come soon."
"Yes," she gasped, a tide of heat approaching fast.
"You'll... you'll have to pull away, if you dinna want me to release inside you."
"I want it," she managed to say. "Stay in me. I want to feel you come... Keir..."
He began to pump fast and hard, his hands grasping her hips to keep her in place. His eyes half closed, the passion-drowsed intensity of his gaze pushing her over the edge. The release went on and on, new swells and crests washing over her, having her moaning and shivering in their wake. She felt his hands grip her thighs as he bucked beneath her once, twice, and held fast.
When he subsided, trembling like a racehorse held in check, she lay on top of him with their bodies still fused. Feeling euphoric, she nuzzled the dark golden fleece of his chest.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
More than putting another man on the moon,
more than a New Year’s resolution of yogurt and yoga,
we need the opportunity to dance
with really exquisite strangers. A slow dance
between the couch and dinning room table, at the end
of the party, while the person we love has gone
to bring the car around
because it’s begun to rain and would break their heart
if any part of us got wet. A slow dance
to bring the evening home, to knock it out of the park. Two people
rocking back and forth like a buoy. Nothing extravagant.
A little music. An empty bottle of whiskey.
It’s a little like cheating. Your head resting
on his shoulder, your breath moving up his neck.
Your hands along her spine. Her hips
unfolding like a cotton napkin
and you begin to think about how all the stars in the sky
are dead. The my body
is talking to your body slow dance. The Unchained Melody,
Stairway to Heaven, power-cord slow dance. All my life
I’ve made mistakes. Small
and cruel. I made my plans.
I never arrived. I ate my food. I drank my wine.
The slow dance doesn’t care. It’s all kindness like children
before they turn four. Like being held in the arms
of my brother. The slow dance of siblings.
Two men in the middle of the room. When I dance with him,
one of my great loves, he is absolutely human,
and when he turns to dip me
or I step on his foot because we are both leading,
I know that one of us will die first and the other will suffer.
The slow dance of what’s to come
and the slow dance of insomnia
pouring across the floor like bath water.
When the woman I’m sleeping with
stands naked in the bathroom,
brushing her teeth, the slow dance of ritual is being spit
into the sink. There is no one to save us
because there is no need to be saved.
I’ve hurt you. I’ve loved you. I’ve mowed
the front yard. When the stranger wearing a shear white dress
covered in a million beads
comes toward me like an over-sexed chandelier suddenly come to life,
I take her hand in mine. I spin her out
and bring her in. This is the almond grove
in the dark slow dance.
It is what we should be doing right now. Scrapping
for joy. The haiku and honey. The orange and orangutan slow dance.
”
”
Matthew Dickman
“
Mesmerized by the gilt ghastliness of it all, Elizabeth slowly turned in a full circle. Above the fireplace there was a gilt-framed painting of a lady attired in nothing whatsoever but a scrap of nearly-transparent red silk that had been draped across her hips. Elizabeth jerked her eyes away from that shocking display of nudity and found herself confronted by a veritable army of cavorting cupids. They reposed in chubby, gilt splendor atop the mantel and the bed tables; a cluster of them formed the tall candelabra beside the bed, which held twelve candles-one of which the footman had lit-and more cupids surrounded an enormous mirror.
“It’s…” Berta uttered as she gazed through eyes the size of saucers, “it’s…I can’t find words,” she breathed, but Elizabeth had passed through her own state of shock and was perilously close to hilarity.
“Unspeakable?” Elizabeth suggested helpfully, and a giggle bubbled up from her throat. “U-Unbelievable?” she volunteered, her shoulders beginning to shake with mirth.
Berta made a nervous, strangled sound, and suddenly it was too much for both of them. Days of relentless tension erupted into gales of hilarity, and they gave in to it with shared abandon. Great gusty shouts of laughter erupted from them, sending tears trickling down their cheeks. Berta snatched for her missing apron, then remembered her new, elevated station in life and instead withdrew a handkerchief from her sleeve, dabbing at the corners of her eyes; Elizabeth simply clutched the forgotten bust to her chest, perched her chin upon its smooth head, and laughed until she ached. So complete was their absorption that neither of them realized their host was entering the bedchamber until Sir Francis boomed enthusiastically, “Lady Elizabeth and Lady Berta!”
Berta let out a muffled scream of surprised alarm and quickly shifted her handkerchief from the corners of her eyes to her mouth.
Elizabeth took one look at the satin-clad figure who rather resembled the cupids he obviously admired, and the dire reality of her predicament hit her like a bucket of icy water, banishing all thoughts of laughter. She dropped her gaze to the floor, trying wildly to remember her plan and to believe she could make it work. She had to make it work, for if she failed, this aging roué with the penchant for gilded cupids could very likely become her husband.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Nude Descending a Soapbox
It was hard to take her seriously.
The issues were real
I know
But so was the show of thigh
the smooth swagger of hips
the ripple of tender tissue as it flexed
and unflexed before the listening eye.
She had a point to make
strong arguments too
but she had curves
that flashed into the afternoon light
and a bend in her back
that took three beats
out of the heart's every four.
She aroused with her conviction
entertained with her wit
and reasoned soundly
but as the nude stepped down from her soapbox
the utterance of her flesh
the parlance of her posture
the two pronouncements of her breasts
spoke with a diction that was far more convincing
than any jargon rhetorical.
In the end
it was the appeal
of the succulent spaces
that shaped her ankles
that lasted
and left one believing
that no lifetime would be wasted
in pursuit of her out-takes
on a quest for the mysteries of and beyond her flesh.
Sometimes the only available hold is language.
The body begs translation
of what words approximate
because the meaning of things said
and unsaid
like the line
of her neck
is exactly
what renders one satisfied
and speechless.
”
”
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
“
It was much nicer sitting in his lap. She was surrounded by him, cocooned by the hard lap beneath her and the warm chest and arms around her. Relaxing against the arm at her back, she slid her own arms around his neck again, careful to avoid the sore spot on the back of his head as she kissed him enthusiastically. Evelinde shuddered and pressed against him as his hands slid over her back, and then gasped and arched as his hand moved around to find and clasp one breast through her damp chemise. Clutching at the cloth of his plaid, Evelinde groaned into his mouth and held on for dear life as he kneaded the round orb, and was inundated by a whole new swell of sensations.
When his thumb brushed over the excited nipple through the cloth, it sent shocks of pleasure through her, and she couldn't keep from wiggling in his lap. Her hips moved off their own volition as they ground her bottom down against the hardness under her.
This seemed to have an electrifying effect on the Duncan, his kiss immediately became more demanding. The hand at her back shifted to her head to tilt her one way, then the other as the fingers at her breast tightened and began to pluck at her nipple through the quickly drying cloth.
This time Evelinde turned her head to give him better access when his mouth moved to her ear once more. His attention there soon had her gasping and moaning. Other than to dig her fingers more firmly into his shoulders, she hardly noticed when he leaned her back against his arm so his mouth could travel down her neck. His hand was still doing delightful things to first one breast, then the other, and that, combined with his lips nibbling over the flesh of her throat, had her giving one long, seemingly unending moan. By the time he reached the shockingly sensitive area of her collarbone, she was a mass of excitement, wiggling in his lap in response to the liquid heat now pooling in her lower belly.
So distracted was she, Evelinde didn't realize he had tugged aside the top of her chemise, revealing one breast, until his lips suddenly left her collarbone and dipped to close over the naked nipple.
She cried out then with both shock and excitement and tugged frantically at his plaid as he suckled and drew on the nipple, his tongue flicking over it repeatedly.
Evelinde knew she shouldn't be allowing this. She was betrothed to someone else. Even if she hadn't been, however, as an unmarried lady, she shouldn't be allowing it... but it felt so good.
”
”
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
“
The franchise and the virus work on the same principle: what thrives in one
place will thrive in another. You just have to find a sufficiently virulent
business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it,
and embed it in the fertile lining of a well-traveled highway, preferably one
with a left-turn lane. Then the growth will expand until it runs up against its
property lines.
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of
joe, and you would feel right at home. It worked just fine if you never left
your hometown. But if you went to the next town over, everyone would look up
and stare at you when you came in the door, and the Blue Plate Special would be
something you didn't recognize. If you did enough traveling, you'd never feel
at home anywhere.
But when a businessman from New Jersey goes to Dubuque, he knows he can walk
into a McDonald's and no one will stare at him. He can order without having to
look at the menu, and the food will always taste the same. McDonald's is Home,
condensed into a three-ring binder and xeroxed. "No surprises" is the motto of
the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every
sign and logo that make up the curves and grids of light that outline the Basin.
The people of America, who live in the world's most surprising and terrible
country, take comfort in that motto. Follow the loglo outward, to where the
growth is enfolded into the valleys and the canyons, and you find the land of
the refugees. They have fled from the true America, the America of atomic
bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree
killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's
March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked
their bimbo boxes in identical computer-designed Burbclave street
patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl
floors and ill-fitting woodwork and no sidewalks, vast house farms out in the
loglo wilderness, a culture medium for a medium culture.
The only ones left in the city are street people, feeding off debris;
immigrants, thrown out like shrapnel from the destruction of the Asian powers;
young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong.
Young smart people like Da5id and Hiro, who take the risk of living in the city
because they like stimulation and they know they can handle it.
”
”
Neal Stephenson (Snow Crash)
“
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer.
“Nope,” I tell him. “Found it.”
“Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns.
“I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no.
“Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt.
“You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom.
“I gave you an orgasm.” He seems confused by my accusation.
I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt.
He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.”
“Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.”
He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’”
“I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting.
I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs.
I turn and nod, sadly. “I know. You’re kind of a menace.”
“It’s good of you to put up with me.”
I shrug. “Someone’s got to.”
“I’m not going to be able to rip those underwear off of you.”
“Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
”
”
Jana Aston (Right (Cafe, #2))
“
He was so very gentle, despite his power and size, his fingertips sliding over her in light, beguiling patterns. His focus on her, his awareness of every sound, pulse, shiver, was absolute. His low voice tickled her ear as he murmured how beautiful she was, how good she felt, how hard she made him... and all the while, the thick shaft kept sinking deeper and deeper.
By the time he filled her completely, she was feverish with need. A little sob of anticipation escaped her as he began to move. But every thrust was long and agonizingly slow, withholding the last bit of stimulation she needed. He held her more closely now, his weight on her from pelvis to breasts, while his hips rolled and circled, drawing up new surges of feeling. His mouth lowered to one of her breasts, licking and gently gnawing at the erect nipple. Squirming in frustration, she pushed her hips upward, but he pulled back reflexively.
"No, love. I could hurt you."
"You won't. Please... Keir..."
"Please what?"
"I need more."
His laugh, a smolder of a sound, could have come from the devil himself. "I dinna think you can take more than this, darlin'."
"I can." She strained against him.
"This deep?" he asked, reaching places in her that had never been touched before.
She shook at the pleasure of it. "Oh, God. Yes."
His hands grasped her hips, keeping them angled firmly upward as he pumped in a steady rhythm. Slow in... slow out...
"Faster," she said desperately.
"No' yet," he whispered.
"Please," she begged.
His low, dark voice curled in her ear. "There's a saying we have about whisky: Slow fire makes sweet malt."
She whimpered as he rolled his hips gently, his hardness caressing everywhere inside. The deliberate pace didn't alter, no matter how she tried to drive herself harder onto the rigid length of him. Every time she began to plead for more, his mouth came to hers in another one of those obliterating kisses.
None of this was what she'd expected. Her husband had been a considerate lover, doing everything she liked and giving her exactly what she wanted. Keir, however, was doing the exact opposite. He delighted in tormenting her until she didn't recognize herself in the frantic creature she'd become. He was absolutely wicked, shameless, making love to her in ways that felt unimaginably good, always holding satisfaction just out of reach.
"You give me so much pleasure, darlin'... more than a body can stand. The way you hold me so tight inside... like that... I can feel you pulling at me. Your wee, hungry body wants me deeper, aye? Put your hands on me... anywhere... ah, how I love your sweet touch...
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity.
Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run.
Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week.
Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk.
“Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.”
“And let’s not forget our important morning ritual.”
Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.”
“C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.”
Jon smiled. “Can we get back to work?”
Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.”
Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.”
Jessie looked at Jon with a quizzical smile.
“Not to blow my own horn but I have a new and brilliant thought my young apprentice.”
Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off.
“Stop it.”
Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
”
”
Matthew Alan
“
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. And all this mental thrashing and tossing was mixed up with recurring images, or half-dreams, of Popchik lying weak and thin on one side with his ribs going up and down—I’d forgotten him somewhere, left him alone and forgotten to feed him, he was dying—over and over, even when he was in the room with me, head-snaps where I started up guiltily, where is Popchik; and this in turn was mixed up with head-snapping flashes of the bundled pillowcase, locked away in its steel coffin.
”
”
Donna Tartt (The Goldfinch)
“
He bent to kiss her stomach, so low that his chin brushed the triangle of curls. The tip of his tongue touched her skin, painting a delicate pattern. Her hips undulated, trying in vain to coax him lower, her entire body begging, Please down there down there. She felt as helpless as a jointed doll.
Different parts of her were quivering, tensing, trembling, while her insides closed frantically on emptiness.
He changed their positions with a quiet grunt of discomfort, until they were both lying on their sides, his head toward her feet. She felt him pull her top leg up and across, and then he relaxed with what sounded like a purr. As she felt him breathing between her thighs, she moaned, panted, licked her dry lips, wanting to say his name but afraid she might scream it. She tensed at the touch of his fingers, stroking lightly across the wet entrance of her body.
All her consciousness focused on what he was doing, the fingertip that dipped very slightly into the pulsing cove. A teasing finger slid all the way inside and began to thrust in the slowest, gentlest rhythm possible, while her intimate muscles clenched and squeezed at the invasion, and her belly writhed. His breath rushed against the hard, tender bud of her clitoris in feathery tickles. It was heaven. It was torture. She wanted to kill him. He was the meanest, wickedest man who'd ever lived, the devil himself, and she would have told him so if she'd had the breath to spare.
He added another finger, and a deep glow began at her core. The feeling spread through every limb and swept upward, until it burned in her face and throat, even at the lobes of her ears. It was beneath her arms, between her toes, at the backs of her knees, a radiant heat that kept climbing. His fingers curved gently inside and held her like that, and then, finally, she felt his mouth at her sex, his tongue stroking in catlike laps. It sent her into a climax unlike anything she'd ever felt, pure ecstasy without a precise beginning or end, a long open spasm that went on and on.
A new surge of wetness emerged when his fingers finally withdrew. His tongue was strong and eager as he hunted for the taste of her, making her writhe. Her head came to rest close to his groin, her cheek brushing the satiny skin of his aroused flesh. Languidly she rubbed her parted lips along the rigid length, making him jolt as if he'd received an electric shock.
Encouraged by his response, she took hold of the shaft with one hand and drew her tongue along it. When she reached the tip, she fastened her lips over the silkiness and salt taste, and sucked lightly. He groaned between her thighs. With his fingers, he spread her furrow wider, and nibbled at the taut, full center, flicked at it. She moaned, vibrating around the head of his shaft.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything.
She’d gone and changed her dress.
Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin.
She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief.
Gray thought she just might be the loveliest creature he’d ever seen.
Therefore, he knew he ought to look away.
He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable.
He looked at her again.
Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog.
Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone.
But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air.
He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.”
And then he walked away.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
And for the first time she has a feeling: too late, toil has exhausted her youth, the war has taken it away. Something must have snapped inside her, and men seem to sense it, for she isn't really being pursued by any of them, even though her delicate blond profile has an aristocratic look among the coarse faces, round and red like apples, of the village girls. But these postwar seventeen-and eighteen-year-old aren't waiting quietly and patiently, waiting for someone to want them and take them.
They're demanding pleasure as their right, demanding it as impetuously a though it's not just their own young lives that they're living but the lives of the hundred thousand dead and buried too. With a kind of horror, Christine now twenty six watches how they act, these newcomers, these young ones, sees their self-assurance and covetousness, their knowing and impudent eyes, the provocation in their hips, how unmistakably they laugh on matter how boldly the boys embrace them and how shamelessly they take the men off into the woods_she sees them on her way home. It disgusts her, Surrounded by this coarse and lustful postwar generation she feels ancient, tired, useless and overwhelmed, unwilling and unable to compete.
No more struggling, no more striving, that's the main thing! Breathe calmly, daydream quietly, do your work, water the flowers in the window, ask not, want not,. No more asking for anything, nothing new, nothing exciting. The war stole her decade of youth.
She has no courage, no strength left even for happiness.
”
”
Stefan Zweig (The Post-Office Girl)
“
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!”
I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened.
We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks.
I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back.
“What’s that, Davy?” I said. “What’s that song?”
…Round…round…get around…wha wha wha-oooooo…
“What’s that song?” I asked him, close to panic that I might never know.
“Haven’t you heard that yet? All the high-school guys are singin’ it.”
…Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip…
“What’s the name of it?” I demanded, standing at the center of ecstasy.
“It’s on the radio all the time. It’s called—”
Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street.
“—by the Beach Boys,” Davy Ray finished.
“What?”
“The Beach Boys. That’s who’s singin’ it.”
“Man!” I said. “That sounds…that sounds…”
What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth?
“Cool,” Davy Ray supplied.
It would have to do.
…Yeah the bad guys know us and they leave us alone…I get arounnnnddddd…
I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
”
”
Robert McCammon (Boy's Life)
“
He gripped the sides of her body carefully, keeping her in place as he parted her with his tongue and stroked the sides of the soft furrow. Entranced by the vulnerable shaper of her, he lapped at the edges of softly unfurled lips and tickled them lightly. The delicate flesh was unbelievably hot, almost steaming. He blew a stream of cooling air over it, and relished the sound of her moan. Gently he licked up through the center, a long glide through silk and salty female dampness. She squirmed, her thighs spreading as he explored her with flicks and soft jabs. The slower he went, the more agitated she became. He paused to rest the flat of his tongue on the little pearl of her clitoris to feel its frantic throbbing, and she jerked and struggled to a half-sitting position.
Pausing, Keir lifted his head. "What is it, muirninn?"
Red-faced, gasping, she tried to pull him over her. "Make love to me."
"'Tis what I'm doing," he said, and dove back down.
"No- Keir- I meant now, right now-" She quivered as he chuckled into the dark patch of curls. "What are you laughing at?" she asked.
"At you, my wee impatient bully."
She looked torn between indignation and begging. "But I'm ready," she said plaintively.
Keir tried to enter her with two fingers, but the tight, tender muscle resisted. "You're no' ready," he mocked gently. "Weesht now, and lie back. 'Tis one time you won't be having your way." He nuzzled between her thighs and sank his tongue deep into the heat and honey of her. She jerked at the feel of it, but he made a soothing sound and took more of the intimate flavor he needed, had to have, would never stop wanting. Moving back up to the little bud where all sensation centered, he sucked at it lightly until she was gasping and shaking all over. He tried to work two fingers inside her again, and this time they were accepted, her depths clenching and relaxing repeatedly. As he stroked her with his tongue, he found a rhythm that sent a hard quiver through her. He kept the pace steady and unhurried, making her work for it, making her writhe and arch and beg, and it was even better than he'd imagined, having her so wild beneath him, hearing her sweet little wanton noises.
There was a suspended moment as it all caught up to her... she arched as taut as a drawn bow... caught her breath... and began to shudder endlessly. A deep and primal satisfaction filled him at the sounds of her pleasure, and the sweet pulsing around his fingers. He drew out the feeling, patiently licking every twitch and tremor until at last she subsided and went limp beneath him.
Even then, he couldn't stop. It felt too good. He kept lapping gently, loving the salty, silky wetness of her.
Her weak voice floated down to him... "Oh, God... I don't think... Keir, I can't..."
He nibbled and teased, breathing hotly against the tender core. "Put your legs over my shoulders," he whispered. In a moment, she obeyed. He could feel the trembling in her thighs. A satisfied smile flicked across his mouth, and he pressed her hips upward to a new angle. Soon he'd have her begging again, he thought, and lowered his head with a soft growl of enjoyment.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
I’ll let you off your leash, but you have to show some manners. No humping, no pissing on anything man made, and keep the crotch greetings exclusive to your four-legged fury friends. Got it?”
Swarley nods because I’ve made him part human over the past few months and I’m pretty sure I saw him roll his eyes at me too. Guess I’d better start getting used to sassiness and eye rolling … read that on a parenting blog too.
Note to self. Find more positive bloggers that paint the picture of parenthood with rainbows, fairies, and pixie dust.
“Sydney?”
I turn. “Hey, Dane!”
He bends down to let his dogs off their leashes. “Gosh, I didn’t think you’d be back. How was Paris?”
Which part? The view of the ceiling from the couch or the drain from the top of the toilet?
“Great!” Extremely sugarcoated … maybe teetering on an outright lie.
“So how long are you staying?” He rests his hands on his hips.
Dane is adorable. I’m sure grown men don’t like to be called adorable; hell, I didn’t like it when Lautner said it to me, but Dane is just that. Tall, dark, and admittedly handsome with a boyish grin that makes me want to take him home, bake him cookies, and pour him a tall glass of milk.
“I’m not sure. Trevor and Elizabeth just moved to San Diego and I’m staying at their house until it sells or until I find something else.”
He cocks his head to the side. “Yet, they left Swarley?”
Turning my gaze to look for the wild pooch, I shake my head. “Their condo association doesn’t allow large pets. They’ve been looking for a new home for him, but for now I have him.”
“You two have come a long way since the first day you showed up at my office.”
Clasping my hands behind my back, I look down and kick at the dirt. “Yeah, you’re right. As of lately, I’ve considered taking him myself. But until I know where I’m going to end up, offering it would be a little premature if not irresponsible.”
“Grad school with a dog. You’d have to find some place to live that allows pets.”
My faces wrinkles as I peek up at him. “I’m not going to grad school, at least not for a while. Something’s kind of come up.”
“Oh?” Dane’s hands shift from his hips to crossing over his chest as he widens his stance.
I blow out a long breath, scrubbing my hands over my face. My fingers trace my eyebrows as I meet his eyes again. “I’m … pregnant.”
Dane’s eye are going to pop out of his head and the dogs will be chasing them if he opens them any wider. “I’m sorr—or congrat—or—”
I smile because his adorableness doubles when he gets all nervous and starts stuttering.
“It’s congratulations now … ‘I’m sorry’ was last month.”
He nods in slow motion. “So you came back for Lautner?”
“No … well, yes, but that backfired on me. He’s … moved on.”
“Moved on? Are you serious? From … you?”
I shrug, bobbing my head up and down.
“Well … he’s a fuc—a freaking idiot.”
As much pain as this conversation brings me, I still manage to let a giggle escape with an accompanying smile.
“You’re right. He is a fucafreaking idiot.”
Dane grins.
“Especially because he’s with Claire.”
His eyes go wide again. “Dr. Brown?”
I nod. “Dr. Fucafreaking Brown.”
Dane mouths WOW!
“Exactly.
”
”
Jewel E. Ann (Undeniably You)
“
Should I be scared?”
“I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.”
“What if I don’t want to go on a second date?”
“Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?”
“Well, now I feel pressured to say yes just so I can hear the inquiry.”
“You’re going to have to deal with the pressure, sweet cheeks.”
“Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.”
“Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?”
“Bobbies obviously.”
He blinks. Sits back. “What?”
“Bobbies for life.”
“But I’m on the Rebels.”
“Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.”
“We’re dating.”
“Eh.” I wave my hand.
“Fine. We’re living together.”
“Hmm, I don’t know.” I twist a strand of hair in my finger.
“Christ, we’re married.”
“Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.”
“Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it.
“Do we have kids?” I ask.
“Six.”
“Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?”
“Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.”
Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn.
“We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.”
“Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless.
“So . . . with all that said, our six children at your side, would you wear a Rebels shirt?”
I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it?
With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years.
“I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.”
He lifts his finger to the sky. “I’ll take it.
”
”
Meghan Quinn (The Lineup)
“
Chris- the one who wrote the halfway creepy thing about missing me so much when I didn't post and thinking I was dead- found it mind-boggling that before the Julie/Julia Project began, I had never eaten an egg. She asked, "How can you have gotten through life without eating a single egg? How is that POSSIBLE???!!!!!"
Of course, it wasn't exactly true that I hadn't eaten an egg. I had eaten them in cakes. I had even eaten them scrambled once or twice, albeit in the Texas fashion, with jalapeños and a pound of cheese. But the goal of my egg-eating had always been to make sure the egg did not look, smell, or taste anything like one, and as a result my history in this department was, I suppose, unusual. Chris wasn't the only person shocked. People I'd never heard of chimed in with their awe and dismay. I didn't really get it. Surely this is not such a bizarre hang-up as hating, say, croutons, like certain spouses I could name.
Luckily, eggs made the Julia Child way often taste like cream sauce. Take Oeufs en Cocotte, for example. These are eggs baked with some butter and cream in ramekins set in a shallow pan of water. They are tremendous. In fact the only thing better than Oeufs en Cocotte is Ouefs en Cocotte with Sauce au Cari on top when you've woken up with a killer hangover, after one of those nights when somebody decided at midnight to buy a pack of cigarettes after all, and the girls wind up smoking and drinking and dancing around the living room to the music the boy is downloading from iTunes onto his new, ludicrously hip and stylish G3 Powerbook until three in the morning. On mornings like this, Oeufs en Cocotte with Sauce au Cari, a cup of coffee, and an enormous glass of water is like a meal fed to you by the veiled daughters of a wandering Bedouin tribe after one of their number comes upon you splayed out in the sands of the endless deserts of Araby, moments from death- it's that good.
”
”
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
“
joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of
”
”
Emma Scott (Endless Possibility (Rush, #1.5))
“
By the authority of God Almighty, the Father, Son, and Holy Ghost, and of the holy canons, and of the undefiled Virgin Mary, mother and patroness of our Saviour, and of all the celestial virtues, angels, archangels, thrones, dominions, powers, cherubins and seraphins, and of all the holy patriarchs, prophets, and of all the apostles and evangelists, and of the holy innocents, who in the sight of the Holy Lamb, are found worthy to sing the new song of the holy martyrs and holy confessors, and of the holy virgins, and of all the saints together, with the holy and elect of God, may he be damn'd.
We excommunicate, and anathematize him, and from the thresholds of the holy church of God Almighty we sequester him, that he may be tormented, disposed, and delivered over with Dathan and Abiram, and with those who say unto the Lord God, Depart from us, we desire none of thy ways. And as fire is quenched with water, so let the light of him be put out for evermore, unless it shall repent him' and make satisfaction. Amen.
May the Father who created man, curse him.
May the Son who suffered for us curse him.
May the Holy Ghost, who was given to us in baptism, curse him
May the holy cross which Christ, for our salvation triumphing over his enemies, ascended, curse him.
May the holy and eternal Virgin Mary, mother of God, curse him.
May St. Michael, the advocate of holy souls, curse him.
May all the angels and archangels, principalities and powers, and all the heavenly armies, curse him.
[Our armies swore terribly in Flanders, cried my uncle Toby,---but nothing to this.---For my own part I could not have a heart to curse my dog so.]
May St. John the Pre-cursor, and St. John the Baptist, and St. Peter and St. Paul, and St. Andrew, and all other Christ's apostles, together curse him. And may the rest of his disciples and four evangelists, who by their preaching converted the universal world, and may the holy and wonderful company of martyrs and confessors who by their holy works are found pleasing to God Almighty, curse him.
May the holy choir of the holy virgins, who for the honor of Christ have despised the things of the world, damn him
May all the saints, who from the beginning of the world to everlasting ages are found to be beloved of God, damn him
May the heavens and earth, and all the holy things remaining therein, damn him.
May he be damn'd wherever he be---whether in the house or the stables, the garden or the field, or the highway, or in the path, or in the wood, or in the water, or in the church.
May he be cursed in living, in dying.
May he be cursed in eating and drinking, in being hungry, in being thirsty, in fasting, in sleeping, in slumbering, in walking, in standing, in sitting, in lying, in working, in resting, in pissing, in shitting, and in blood-letting!
May he be cursed in all the faculties of his body!
May he be cursed inwardly and outwardly!
May he be cursed in the hair of his head!
May he be cursed in his brains, and in his vertex, in his temples, in his forehead, in his ears, in his eye-brows, in his cheeks, in his jaw-bones, in his nostrils, in his fore-teeth and grinders, in his lips, in his throat, in his shoulders, in his wrists, in his arms, in his hands, in his fingers!
May he be damn'd in his mouth, in his breast, in his heart and purtenance, down to the very stomach!
May he be cursed in his reins, and in his groin, in his thighs, in his genitals, and in his hips, and in his knees, his legs, and feet, and toe-nails!
May he be cursed in all the joints and articulations of the members, from the top of his head to the sole of his foot! May there be no soundness in him!
May the son of the living God, with all the glory of his Majesty and may heaven, with all the powers which move therein, rise up against him, curse and damn him, unless he repent and make satisfaction! Amen.
I declare, quoth my uncle Toby, my heart would not let me curse the devil himself with so much bitterness!
”
”
Laurence Sterne
“
The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))