New Hampshire Sayings And Quotes

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Don’t you understand?” he would say, “You imagine the story better than I remember it.
John Irving (The Hotel New Hampshire)
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
Bret Easton Ellis (Less Than Zero)
This election is about the past vs. the future. It's about whether we settle for the same divisions and distractions and drama that passes for politics today or whether we reach for a politics of common sense and innovation, a politics of shared sacrifice and shared prosperity. There are those who will continue to tell us that we can't do this, that we can't have what we're looking for, that we can't have what we want, that we're peddling false hopes. But here is what I know. I know that when people say we can't overcome all the big money and influence in Washington, I think of that elderly woman who sent me a contribution the other day, an envelope that had a money order for $3.01 along with a verse of scripture tucked inside the envelope. So don't tell us change isn't possible. That woman knows change is possible. When I hear the cynical talk that blacks and whites and Latinos can't join together and work together, I'm reminded of the Latino brothers and sisters I organized with and stood with and fought with side by side for jobs and justice on the streets of Chicago. So don't tell us change can't happen. When I hear that we'll never overcome the racial divide in our politics, I think about that Republican woman who used to work for Strom Thurmond, who is now devoted to educating inner city-children and who went out into the streets of South Carolina and knocked on doors for this campaign. Don't tell me we can't change. Yes, we can. Yes, we can change. Yes, we can. Yes, we can heal this nation. Yes, we can seize our future. And as we leave this great state with a new wind at our backs and we take this journey across this great country, a country we love, with the message we carry from the plains of Iowa to the hills of New Hampshire, from the Nevada desert to the South Carolina coast, the same message we had when we were up and when we were down, that out of many, we are one; that while we breathe, we will hope. And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.
Barack Obama
A terrorist, I think, is simply another kind of pornographer. The pornographer pretends he is disgusted by his work; the terrorist pretends he is uninterested in the means. The ends, they say, are what they care about. But they are both lying. Ernst loved his pornography; Ernst worshiped the means. It is never the ends that matter -- it is only the means that matter. The terrorist and the pornographer are in it for the means. The means is everything to them. The blast of the bomb, the elephant position, the Schlagobers and blood -- they love it all. Their intellectual detachment is a fraud; their indifference is feigned. They both tell lies about having ‘higher purposes.’ A terrorist is a pornographer.
John Irving (The Hotel New Hampshire)
During the 1992 election I concluded as early as my first visit to New Hampshire that Bill Clinton was hateful in his behavior to women, pathological as a liar, and deeply suspect when it came to money in politics. I have never had to take any of that back, whereas if you look up what most of my profession was then writing about the beefy, unscrupulous 'New Democrat,' you will be astonished at the quantity of sheer saccharine and drool. Anyway, I kept on about it even after most Republicans had consulted the opinion polls and decided it was a losing proposition, and if you look up the transcript of the eventual Senate trial of the president—only the second impeachment hearing in American history—you will see that the last order of business is a request (voted down) by the Senate majority leader to call Carol and me as witnesses. So I can dare to say that at least I saw it through.
Christopher Hitchens (Hitch 22: A Memoir)
My God,” Franny would say later. “They would bring their daughter to see a murder, but they wouldn’t even let her hear about an orgasm. Americans sure are strange.
John Irving (The Hotel New Hampshire)
We are not a nation of truth-lovers. McGovern understands this, but he keeps on saying these terrible things anyway… and after watching him in New Hampshire for a while I found myself wondering—to a point that bordered now and then on quiet anguish—just what the hell it was about the man that left me politically numb, despite the fact that I agreed with everything he said.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
I had recently read to my dismay that they have started hunting moose again in New England. Goodness knows why anyone would want to shoot an animal as harmless and retiring as the moose, but thousands of people do—so many, in fact, that states now hold lotteries to decide who gets a permit. Maine in 1996 received 82,000 applications for just 1,500 permits. Over 12,000 outof-staters happily parted with a nonrefundable $20 just to be allowed to take part in the draw. Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old. That’s all there is to it. Without doubt, the moose is the most improbable, endearingly hopeless creature ever to live in the wilds. Every bit of it—its spindly legs, its chronically puzzled expression, its comical oven-mitt antlers—looks like some droll evolutionary joke. It is wondrously ungainly: it runs as if its legs have never been introduced to each other. Above all, what distinguishes the moose is its almost boundless lack of intelligence. If you are driving down a highway and a moose steps from the woods ahead of you, he will stare at you for a long minute (moose are notoriously shortsighted), then abruptly try to run away from you, legs flailing in eight directions at once. Never mind that there are several thousand square miles of forest on either side of the highway. The moose does not think of this. Clueless as to what exactly is going on, he runs halfway to New Brunswick before his peculiar gait inadvertently steers him back into the woods, where he immediately stops and takes on a startled expression that says, “Hey—woods. Now how the heck did I get here?” Moose are so monumentally muddle-headed, in fact, that when they hear a car or truck approaching they will often bolt out of the woods and onto the highway in the curious hope that this will bring them to safety. Amazingly, given the moose’s lack of cunning and peculiarly-blunted survival instincts, it is one of the longest-surviving creatures in North America. Mastodons, saber-toothed tigers, wolves, caribou, wild horses, and even camels all once thrived in eastern North America alongside the moose but gradually stumbled into extinction, while the moose just plodded on. It hasn’t always been so. At the turn of this century, it was estimated that there were no more than a dozen moose in New Hampshire and probably none at all in Vermont. Today New Hampshire has an estimated 5,000 moose, Vermont 1,000, and Maine anywhere up to 30,000. It is because of these robust and growing numbers that hunting has been reintroduced as a way of keeping them from getting out of hand. There are, however, two problems with this that I can think of. First, the numbers are really just guesses. Moose clearly don’t line up for censuses. Some naturalists think the population may have been overstated by as much as 20 percent, which means that the moose aren’t being so much culled as slaughtered. No less pertinent is that there is just something deeply and unquestionably wrong about killing an animal that is so sweetly and dopily unassuming as a moose. I could have slain this one with a slingshot, with a rock or stick—with a folded newspaper, I’d almost bet—and all it wanted was a drink of water. You might as well hunt cows.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Why does it seem to take more than half a lifetime to get to be a lousy teenager? Why does childhood take forever – when you’re a child? Why does it seem to occupy a solid three-quarters of the whole trip? And when it’s over, when the kids grow up, when you suddenly have to face facts…well,” Frank said to me, just recently, “you know the story. When we were in the first Hotel New Hampshire, it seemed we’d go on being thirteen and fourteen and fifteen forever. For fucking forever, as Franny would say. But once we left the first Hotel New Hampshire,” Frank said, “the rest of our lives moved past us twice as fast. That’s just how it is,” Frank claimed, smugly. “For half your life, you’re fifteen. Then one day your twenties begin, and they’re over the next day. And your thirties blow by you like a weekend spent with pleasant company. And before you know it, you’re thinking about being fifteen again.
John Irving (The Hotel New Hampshire)
I have a peculiar affection for McCarthy; nothing serious or personal, but I recall standing next to him in the snow outside the “exit” door of a shoe factory in Manchester, New Hampshire, in February of 1968 when the five o’clock whistle blew and he had to stand there in the midst of those workers rushing out to the parking lot. I will never forget the pain in McCarthy’s face as he stood there with his hand out, saying over and over again: “Shake hands with Senator McCarthy… shake hands with Senator McCarthy… shake hands with Senator McCarthy…,” a tense plastic smile on his face, stepping nervously toward anything friendly, “Shake hands with Senator McCarthy”… but most of the crowd ignored him, refusing to even acknowledge his outstretched hand, staring straight ahead as they hurried out to their cars. There was at least one network TV camera on hand that afternoon, but the scene was never aired. It was painful enough, just being there, but to have put that scene on national TV would have been an act of genuine cruelty.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
Frank, tell us what sex is,” Franny would say, but Father would rescue us all by saying, in his dreamy voice, “I can tell you: it couldn’t have happened today. You may think you have more freedom, but you also have more laws. That bear could not have happened today.
John Irving (The Hotel New Hampshire)
Paul Harvey, a University of New Hampshire professor and GYPSY expert, has researched this, finding that Gen Y has "unrealistic expectations and a strong resistance toward accepting negative feedback," and "an inflated view of oneself." He says that "a great source of frustration for people with a strong sense of entitlement is unmet expectations. They often feel entitled to a level of respect and rewards that aren't in line with their actual ability and effort levels, and so they might not get the level of respect and rewards they are expecting.
Waitbutwhy Blog
There’s no one in the house, obviously. It’s probably good for you to go there anyway to make sure everything’s all right.” As if there would be a break-in in Beresford, New Hampshire. My mother presses the key into my palm. “Just sleep on it,” she says. I know I should refuse, make a clean break.
Jodi Picoult (Lone Wolf)
But Bachmann’s efforts to strut her IQ were undermined by gaffes galore. In New Hampshire, she hailed the state for being “where the shot was heard round the world in Lexington and Concord.” (That blast emanated from Massachusetts.) On June 27, the day of her official announcement in her hometown of Waterloo, Iowa, Bachmann proclaimed in a Fox News interview that “John Wayne was from Waterloo.” (Wayne was in fact from Winterset, Iowa; serial killer John Wayne Gacy was from Waterloo.) From now on, her son Lucas razzed his mother, “you can’t say George Washington was the first president unless we Google that shit first.
Mark Halperin (Double Down: Game Change 2012)
Muskie is already finished,” he said then. “He had no base. Nobody’s really for Muskie. They’re only for the Front-Runner, the man who says he’s the only one who can beat Nixon—but not even Muskie himself believes that anymore; he couldn’t even win a majority of the Democratic vote in New Hampshire, on his own turf.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
One consequence, presumably unintended, of America’s failure to ratify the Kyoto Protocol has been the emergence of a not-quite-grassroots movement. In February 2005, Greg Nickels, the mayor of Seattle, began to circulate a set of principles that he called the “U.S. Mayors Climate Protection Agreement.” Within four months, more than a hundred and seventy mayors, representing some thirty-six million people, had signed on, including Mayor Michael Bloomberg of New York; Mayor John Hickenlooper of Denver; and Mayor Manuel Diaz of Miami. Signatories agreed to “strive to meet or beat the Kyoto Protocol targets in their own communities.” At around the same time, officials from New York, New Jersey, Delaware, Connecticut, Massachusetts, Vermont, New Hampshire, Rhode Island, and Maine announced that they had reached a tentative agreement to freeze power plant emissions from their states at current levels and then begin to cut them. Even Governor Arnold Schwarzenegger, the Hummer collector, joined in; an executive order he signed in June 2005 called on California to reduce its greenhouse gas emissions to 2000 levels by 2010 and to 1990 levels by 2020. “I say the debate is over,” Schwarzenegger declared right before signing the order.
Elizabeth Kolbert (Field Notes from a Catastrophe)
In the churchyard in Jaffrey, New Hampshire are two handsome headstones. The slate weathered well and William Farnsworth's chiseling is clearly readable. They say: Sacred to the memory of Amos Fortune who was born free in Africa a slave in America he purchased liberty professed Christianity lived reputably and died hopefully Nov. 17, 1801 Aet. 91 Sacred to the memory of Violate by sale the slave of Amos Fortune by marriage his wife by her fidelity his friend and solace she died his widow Sept. 13 1802 Aet. 73
Elizabeth Yates (Amos Fortune, Free Man)
There was only a hint of it in New Hampshire, but in Wisconsin it came together with a decisiveness that nobody could quite understand in the alcoholic chaos of election night… but when the votes were all counted and the numbers broken down by wards, districts, and precincts, all you had to do was scan the tally sheets to see that McGovern had won all across the board. In Green Bay’s Ward 12, which the tally sheet says is “mostly paper mill workers,” he beat Wallace by 32 to 22 percent. In Sheboygan’s Ward 4, another blue-collar, factory-worker neighborhood,
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
And Father will say, “Of course I know what you mean, dear. We’ve been in the business for years, and that’s just what a good hotel does: it simply provides you with the space, and with the atmosphere, for what it is you need. A good hotel turns space and atmosphere into something generous, into something sympathetic—a good hotel makes those gestures that are like touching you, or saying a kind word to you, just when (and only when) you need it. A good hotel is always there,” my father will say, the baseball bat conducting both his lyrics and his song, “but it doesn’t ever give you the feeling that it’s breathing down your neck.
John Irving (The Hotel New Hampshire)
Toyota wasn’t really worried that it would give away its “secret sauce.” Toyota’s competitive advantage rested firmly in its proprietary, complex, and often unspoken processes. In hindsight, Ernie Schaefer, a longtime GM manager who toured the Toyota plant, told NPR’s This American Life that he realized that there were no special secrets to see on the manufacturing floors. “You know, they never prohibited us from walking through the plant, understanding, even asking questions of some of their key people,” Schaefer said. “I’ve often puzzled over that, why they did that. And I think they recognized we were asking the wrong questions. We didn’t understand this bigger picture.” It’s no surprise, really. Processes are often hard to see—they’re a combination of both formal, defined, and documented steps and expectations and informal, habitual routines or ways of working that have evolved over time. But they matter profoundly. As MIT’s Edgar Schein has explored and discussed, processes are a critical part of the unspoken culture of an organization. 1 They enforce “this is what matters most to us.” Processes are intangible; they belong to the company. They emerge from hundreds and hundreds of small decisions about how to solve a problem. They’re critical to strategy, but they also can’t easily be copied. Pixar Animation Studios, too, has openly shared its creative process with the world. Pixar’s longtime president Ed Catmull has literally written the book on how the digital film company fosters collective creativity2—there are fixed processes about how a movie idea is generated, critiqued, improved, and perfected. Yet Pixar’s competitors have yet to equal Pixar’s successes. Like Toyota, Southern New Hampshire University has been open with would-be competitors, regularly offering tours and visits to other educational institutions. As President Paul LeBlanc sees it, competition is always possible from well-financed organizations with more powerful brand recognition. But those assets alone aren’t enough to give them a leg up. SNHU has taken years to craft and integrate the right experiences and processes for its students and they would be exceedingly difficult for a would-be competitor to copy. SNHU did not invent all its tactics for recruiting and serving its online students. It borrowed from some of the best practices of the for-profit educational sector. But what it’s done with laser focus is to ensure that all its processes—hundreds and hundreds of individual “this is how we do it” processes—focus specifically on how to best respond to the job students are hiring it for. “We think we have advantages by ‘owning’ these processes internally,” LeBlanc says, “and some of that is tied to our culture and passion for students.
Clayton M. Christensen (Competing Against Luck: The Story of Innovation and Customer Choice)
I couldn't change enough, and I knew it. All I could do was something that would have pleased mo t h e r . I could give up swearing, I could clean up my language which had upset mother so. And so I did. "You mean you're not going to say 'fuck' or 'shit' or 'cocksucker' or even 'up yours' or 'in the ear' or anything, anymore?" Franny asked me. that's right," I said. "Not even 'asshole'?" Franny asked. "Right," I said. "You asshole," Franny said. "It makes as much sense as anything else," Frank reasoned. "You dumb prick," Franny baited me. "i think it's rather noble," Lilly said. "Small, but noble." "He lives in a second-rate whorehouse with people who want to start the world over and he wants to clean up his language," Franny said. "Cunthead," she told me. "You wretched fart," Franny said. "Beat your meat all night and dream of tits, but you want to sound nice, is that it?" she
John Irving (The Hotel New Hampshire)
If our young men miscarry in their first enterprises, they lose all heart. If the young merchant fails, men say he is ruined. If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who  teams it, farms it, peddles, keeps a school, preaches, edits  a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not ‘studying a profession,’ for he does not postpone his life, but lives already. He has not one chance, but a hundred chances. Let a Stoic open the resources of man, and tell men they are not leaning willows, but can and must detach themselves; that with the exercise of self-trust, new powers shall appear; that a man is the word made flesh, born to shed healing to the nations, that he should  be ashamed of our compassion, and that the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more, but thank and revere him, — and that teacher shall restore the life of man to splendor, and make his name dear to all history.
Ralph Waldo Emerson (Self-Reliance)
How Could You Not - for Jane Kenyon It is a day after many days of storms. Having been washed and washed, the air glitters; small heaped cumuli blow across the sky; a shower visible against the firs douses the crocuses. We knew it would happen one day this week. Now, when I learn you have died, I go to the open door and look across at New Hampshire and see that there, too, the sun is bright and clouds are making their shadowy ways along the horizon; and I think: How could it not have been today? In another room, Keri Te Kanawa is singing the Laudate Dominum of Mozart, very faintly, as if in the past, to those who once sat in the steel seat of the old mowing machine, cheerful descendent of the scythe of the grim reaper, and drew the cutter bars little reciprocating triangles through the grass to make the stalks lie down in sunshine. Could you have walked in the dark early this morning and found yourself grown completely tired of the successes and failures of medicine, of your year of pain and despair remitted briefly now and then by hope that had that leaden taste? Did you glimpse in first light the world as you loved it and see that, now, it was not wrong to die and that, on dying, you would leave your beloved in a day like paradise? Near sunrise did you loosen your hold a little? How could you not already have felt blessed for good, having these last days spoken your whole heart to him, who spoke his whole heart to you, so that in the silence he would not feel a single word was missing? How could you not have slipped into a spell, in full daylight, as he lay next to you, with his arms around you, as they have been, it must have seemed, all your life? How could your cheek not press a moment to his cheek, which presses itself to yours from now on? How could you not rise and go, with all that light at the window, those arms around you, and the sound, coming or going, hard to say, of a single-engine plane in the distance that no one else hears?
Galway Kinnell
In a 2013 interview with academics who do research on gun control and gun-free zones, Jake Berry, a reporter with the Nashua Telegraph (New Hampshire) found: “On the whole, Lott’s colleagues—both in the media and academia—don’t dispute his findings.”31 The dispute is over why these attacks keep occurring where guns are banned: •​David Hemenway, a public health researcher at Harvard, explained: “I suspect that most places that mass public shootings could logically occur are ‘gun-free zones’ either determined by the government (schools) or by private businesses and institutions.” •​Similarly, Dan Webster, a public health researcher at Johns Hopkins, said: “Schools might be a likely target because that is where a mass of people congregate and those people involve a lot of troubled adolescents who may harbor bad feelings toward the people there who bullied them, were unfair to them, etc. The shooters in these instances didn’t say, ‘Hey, I’ll find a gun-free zone where I can shoot a lot of people.’ No, they went to a place for reasons wholly unrelated to gun-free zones.
John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
Although Greta had been born and raised in Los Angeles, she liked to tell people she was from New Hampshire, because that’s where she went to high school, and also because she was unable to bring herself to say, “It’s all good,” one of the more vapid verbal tics of Californians at the time. She could only ever say, “Well, that’s one good thing, I guess.
Jen Beagin (Big Swiss)
I wanted to get away. Not because life was so bad. But it was stifling. New England’s as old as this country gets. Its traditions are firm and true and it felt like there was no room to breathe, to explore. To be yourself. In New Hampshire they like to say Live Free or Die. In Connecticut it was more like Conform or Perish. Florida
A.J. Stewart (Offside (A Miami Jones Case, #2))
We must send Daisy to London as soon as possible,” Lillian fretted. “It’s the height of the season, and she’s buried in Hampshire away from all the balls and soirées—” “It was her choice to come here,” Marcus reminded her, reaching for her other foot. “She would never forgive herself if she missed the baby’s birth.” “Oh, bother that. I would rather Daisy miss the birth and meet eligible men instead of having to wait here with me until her time runs out and she has to marry Matthew Swift and move with him to New York and then I’ll never see her again—” “I’ve already thought of that,” Marcus said. “Which is why I undertook to invite a number of eligible men to Stony Cross Park for the stag-and-hind hunt.” “You did?” Her head lifted from the pillow. “St. Vincent and I came up with a list and debated the merits of each candidate at length. We settled on an even dozen. Any one of them would do for your sister.” “Oh, Marcus, you are the most clever, most wonderful—” He waved away the praise and shook his head with a grin, remembering the lively arguments. “St. Vincent is damned finicky, let me tell you. If he were a woman, no man would be good enough for him.” “They never are,” Lillian told him impudently. “Which is why we women have a saying…‘Aim high, then settle.’” He snorted. “Is that what you did?” A smile curved her lips. “No, my lord. I aimed high and got far more than I’d bargained for.” And she giggled as he crawled over her prone body and kissed her soundly.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Reaching for his water glass, Jack rubbed his thumb over the film of condensation on the outside. Then he shot me a level glance as if taking up a challenge. “My turn,” he said. I smiled, having fun. “You’re going to guess my perfect day? That’s too easy. All it would involve is earplugs, blackout shades, and twelve hours of sleep.” He ignored that. “It’s a nice fall day—” “There’s no fall in Texas.” I reached for a cube of bread with little shreds of basil embedded in it. “You’re on vacation. There’s fall.” “Am I by myself or with Dane?” I asked, dipping a corner of the bread into a tiny dish of olive oil. “You’re with a guy. But not Dane.” “Dane doesn’t get to be part of my perfect day?” Jack shook his head slowly, watching me. “New guy.” Taking a bite of the dense, delicious bread, I decided to humor him. “Where are New Guy and I vacationing?” “New England. New Hampshire, probably.” Intrigued, I considered the idea. “I’ve never been that far north.” “You’re staying in an old hotel with verandas and chandeliers and gardens.” “That sounds nice,” I admitted. “You and the guy go driving through the mountains to see the color of the leaves, and you find a little town where there’s a crafts festival. You stop and buy a couple of dusty used books, a pile of handmade Christmas ornaments, and a bottle of genuine maple syrup. You go back to the hotel and take a nap with the windows open.” “Does he like naps?” “Not usually. But he makes an exception for you.” “I like this guy. So what happens when we wake up?” “You get dressed for drinks and dinner, and you go down to the restaurant. At the table next to yours, there’s an old couple who looks like they’ve been married at least fifty years. You and the guy take turns guessing the secret of a long marriage. He says it’s lots of great sex. You say it’s being with someone who can make you laugh every day. He says he can do both.” I couldn’t help smiling. “Pretty sure of himself, isn’t he?” “Yeah, but you like that about him. After dinner, the two of you dance to live orchestra music.” “He knows how to dance?” Jack nodded. “His mother made him take lessons when he was in grade school.” I forced myself to take another bite of bread, chewing casually. But inside I felt stricken, filled with unexpected yearning. And I realized the problem: no one I knew would have come up with that day for me. This is a man, I thought, who could break my heart.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
calm herself down. “I’m getting married today. Today.” “Just relax,” I command in a stern, take-charge voice. “What’s going on?” “Oh, Helen. I’m just so stressed out. Where are you? I was hoping you’d show up last night. Aren’t you coming? I thought you’d be coming.” “Yeah,” I tell her, groaning and repositioning my sore body. Liam has turned on the car to begin warming us up, but it hasn’t started working yet. “I’m on my way to you. I was living in New Hampshire, so it’s a bit of a trip.” “Thank goodness,” Carmen says, and her tears abate almost immediately. “I can’t wait to see you! How long until you get here?” “Uh. I don’t know. A few hours?” “Great! Oh, I’m so glad you’re coming home, Hellie. I invited a bunch of great guys that I went to school with, so maybe I can introduce them to you, and one of them can be your date!” “Wait, what?” I say grouchily, blinking and rubbing my eyes. My vision might not work, but my eyes still feel gross after sleeping for a few hours. “A date? Why do I need a date?” “Because you’re my sister! You can’t be single at your sister’s wedding. Everyone knows that. We need to find a handsome man for you to wear on your arm. There’s this guy, Brad—I met him in a philosophy class, but now he’s a copyright lawyer. He’s very passionate about intellectual property. I figured that you two might have something in common, since he sort of works with books?” “Carmen, are you insane?” I say angrily, clutching my head. “I don’t want to date some douchebag lawyer. I’m
Loretta Lost (Clarity (Clarity, #1))
in 1992, presidential candidate Bill Clinton vowed that he would never permit any Republican to be perceived as tougher on crime than he. True to his word, just weeks before the critical New Hampshire primary, Clinton chose to fly home to Arkansas to oversee the execution of Ricky Ray Rector, a mentally impaired black man who had so little conception of what was about to happen to him that he asked for the dessert from his last meal to be saved for him until the morning. After the execution, Clinton remarked, “I can be nicked a lot, but no one can say I’m soft on crime.”97 Once
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
But an old friend of mine in New Hampshire…” The stress she put on the words “old friend” indicated that she was talking about a fellow witch. “They said that there were indications that some of the bears there might be manifestations.” Manifestations was Cymbeline-speak for the spirit or god of a locality. What my British colleague Peter Grant would call a genius loci—which is just a fancy way of saying “local spirit”.
Ben Aaronovitch (Winter's Gifts)
I’m talking about you-know-who,’ Valance explained helpfully. ‘Torture. Maggie the Bitch.’ Oh. ‘She’s radical all right. What she wants – what she actually thinks she can fucking achieve – is literally to invent a whole goddamn new middle class in this country. Get rid of the old woolly incompetent buggers from fucking Surrey and Hampshire, and bring in the new. People without background, without history. Hungry people. People who really want, and who know that with her, they can bloody well get. Nobody’s ever tried to replace a whole fucking class before, and the amazing thing is she might just do it if they don’t get her first. The old class. The dead men. You follow what I’m saying.’ ‘I think so,’ Chamcha lied. ‘And it’s not just the businessmen,’ Valance said slurrily. ‘The intellectuals, too. Out with the whole faggoty crew. In with the hungry guys with the wrong education. New professors, new painters, the lot. It’s a bloody revolution. Newness coming into this country that’s stuffed full of fucking old corpses. It’s going to be something to see. It already is.
Salman Rushdie (The Satanic Verses)
The poems in this collection were short and terse except for the last one, about his father’s death, which spanned nearly seven pages. I read it quickly, my eyes tripping over the page, gulping it down so fast it stuck in my throat. When I finished, I read it again, slowly, trying to see how he had done it, captured something so ineffable, that moment when you pass from one state to another. But also how he had managed to describe the terror and ugliness of death so beautifully. It seemed impossible and yet he had done it. His words brought me back to my mother’s last moments, the hospital room, the incessant beeping of machines, the smells appalling and vile. My mother terrified and desperate and out of her mind with pain. “This isn’t supposed to happen,” Abe kept saying as though he had a say in things, as though the world made sense. Toward the end of the poem, Connelly wondered if his father would have wanted his son to witness his body making its final, horrifying turn against itself and if it would be wrong to leave. He wrote about wanting so desperately for it all to be over and then, when it was, his shame at having wished it. It was exactly how I had felt when my mother died, but I’d never told anyone because it felt wrong. How could you not want to spend every last second you could with someone you loved? But here Connelly was, not just talking about it but writing it. It was true what he told us in class: you could write anything, say anything. There were no rules. This poem was proof. I’d once read that writing is a conversation you have with an invisible reader and that is exactly how it felt to read his poem. It was as if he had written it so I might read it one day, sitting on the floor of a library in New Hampshire, as if he had moved across time and space and spoken directly to me.
Daisy Alpert Florin (My Last Innocent Year)
This River (sawco), as I am told by the Savages, cometh from a great mountain called the Cristall hill, being as they say 100 miles in the Country, yet it is to be seene at the sea side, and there is no ship ariuse in
Nicholas Howe (Not Without Peril: 150 Years of Misadventure on the Presidential Range of New Hampshire)
As is evident from the previous 216 pages, for any progress to be made in this country, the media has to be destroyed. A vital part of immigration reform, health care reform, federal court reform—even Trump reform—is cutting out the cancer of the mainstream media. Don’t feel sorry for them. They had plenty of opportunities to do the right thing. They chose not to. The press no longer provides news. The media have become something people go to for confirmation, not information. Once venerated outposts of journalism have imploded under Trump, reducing their value to zero. The New York Times treats the rules of journalism like a speed limit sign on a back road in New Hampshire: rules that exist only for our amusement. Reporters say, you’ll be sorry when you can’t get the truth! They seem not to realize that we don’t feel like we’re getting it now. Polls show that a majority of Americans of all political stripes think the media publishes fake news.1 Henceforth, when the MSM reports anything, it should be prefaced with, “Perhaps you should look into this. We know you don’t trust us.” We have to be ruthlessly unsentimental. There will be a rash of reporter suicides and vows to do better. We will accept no promises of future good behavior. There’s no fixing this problem. They all have to go. For many of us, this is old news. The press is like a mob hit man who has been hiding out in Indiana for thirty-two years, then suddenly decides, Oh, screw it. I’m going to run for Congress using my own name . . . BAM! Dead. That’s what’s happening with the press. They decided, Yes, we’ll look like scum, but it’s all hands on deck to stop Trump. Driven absolutely crazy by Trump’s election, journalists’ number-one job is destroying him. Now everyone knows what they are.
Ann Coulter (Resistance Is Futile!: How the Trump-Hating Left Lost Its Collective Mind)
At sea, the darker the night the closer you will get to your past. The music you decide to play is the radio dial of your history. Van Morrison’s “Have I Told You Lately” played as I stared at the setting moon. This is a song that always transports me to a New Hampshire backroad of my youth. Her name was Katie. She was tall, blond, and wore the girl next door look like an angel. She was smart, funny, and kind. She infatuated me from the moment I met her at Wentworth Marina. She was the daughter of two well-to-do doctors from upstate New York. It was her plan to sail around the world, and she wanted me to join her. “Just to mate” she would always say with a wink. She told me, “Pull over, pull over. I love this song. We have to dance.” So I found myself with goosebumps despite dancing in the warmth of the summer air. The sky around us filled with the flashing luminance of fireflies, and it seemed like we were dancing in the heavens above. You could almost touch the music as it drifted out of my truck windows. I will never forget the look in those crystal-blue eyes as we danced to that song alongside my Dodge Ram pickup. Little did I know it would be the last night I would ever get to look into them again.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
What I saw in Washington that October were a lot of Americans who were genuinely dismayed by what their country was doing in Vietnam; I also saw a lot of other Americans who were self-righteously attracted to a most childish notion of heroism--namely, their own. They thought that to force a confrontation with soldiers and policemen would not only elevate themselves to the status of heroes; this confrontation, they deluded themselves, would expose the corruption of the political and social system they loftily thought they opposed. These would be the same people who, in later years, would credit the antiwar "movement" with eventually getting the U.S. armed forces out of Vietnam. That was not what I saw. I saw that the righteousness of many of these demonstrators simply helped to harden the attitudes of those poor fools who *supported* the war. That is what makes what Ronald Reagan would say--two years later, in 1969--so ludicrous: that the Vietnam protests were "giving aid and comfort to the enemy." What I saw was that the protests did worse than that; they gave aid and comfort to the idiots who endorsed the war--they made that war last *longer*. That's what *I* saw. I took my missing finger home to New Hampshire, and let Hester get arrested in Washington by herself; she was not exactly alone--there were mass arrests that October.
John Irving (A Prayer for Owen Meany)