New Bed Sheets Quotes

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The dark is generous. Its first gift is concealment: our true faces lie in the dark beneath our skins, our true hearts remain shadowed deeper still. But the greatest concealment lies not in protecting our secret truths, but in hiding from the truths of others. The dark protects us from what we dare not know. Its second gift is comforting illusion: the ease of gentle dreams in night’s embrace, the beauty that imagination brings to what would repel in the day’s harsh light. But the greatest of its comforts is the illusion that dark is temporary: that every night brings a new day. Because it’s the day that is temporary. Day is the illusion. Its third gift is the light itself: as days are defined by the nights that divide them, as stars are defined by the infinite black through which they wheel, the dark embraces the light, and brings it forth from the center of its own self. With each victory of the light, it is the dark that wins. The dark is generous, and it is patient. It is the dark that seeds cruelty into justice, that drips contempt into compassion, that poisons love with grains of doubt. The dark can be patient, because the slightest drop of rain will cause those seeds to sprout. The rain will come, and the seeds will sprout, for the dark is the soil in which they grow, and it is the clouds above them, and it waits behind the star that gives them light. The dark’s patience is infinite. Eventually, even stars burn out. The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow. The dark is generous and it is patient and it always wins – but in the heart of its strength lies its weakness: one lone candle is enough to hold it back. Love is more than a candle. Love can ignite the stars.
Matthew Woodring Stover
When the cold comes to New England it arrives in sheets of sleet and ice. In December, the wind wraps itself around bare trees and twists in between husbands and wives asleep in their beds. It shakes the shingles from the roofs and sifts through cracks in the plaster. The only green things left are the holly bushes and the old boxwood hedges in the village, and these are often painted white with snow. Chipmunks and weasels come to nest in basements and barns; owls find their way into attics. At night,the dark is blue and bluer still, as sapphire of night.
Alice Hoffman (Here on Earth)
The history of the world? Just voices echoing in the dark; images that burn for a few centuries and then fade; stories, old stories that sometimes seem to overlap; strange links, impertinent connections. We lie here in our hospital bed of the present (what nice clean sheets we get nowadays) with a bubble of daily news drip-fed into our arm. We think we know who we are, though we don't quite know why we're here, or how long we shall be forced to stay. And while we fret and write in bandaged uncertainty - are we a voluntary patient? - we fabulate. We make up a story to cover the facts we don't know or can't accept; we keep a few true facts and spin a new story round them. Our panic and our pain are only eased by soothing fabulation; we call it history.
Julian Barnes (A History of the World in 10½ Chapters)
Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank you, in the name of your Son, Jesus Christ, Amen.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
to do list (after the breakup) 1. take refuge in your bed 2. cry. till the tears stop (this will take a few days). 3. don’t listen to slow songs. 4. delete their number from your phone even though it is memorized on your fingertips. 5. don’t look at old photos. 6. find the closest ice cream shop and treat yourself to two scoops of mint chocolate chip. the mint will calm your heart. you deserve the chocolate. 7. buy new bed sheets. 8. collect all the gifts, t-shirts, and everything with their smell on it and drop it off at a donation center. 9. plan a trip. 10. perfect the art of smiling and nodding when someone brings their name up in conversation. 11. start a new project. 12. whatever you do. do not call. 13. do not beg for what does not want to stay. 14. stop crying at some point. 15. allow yourself to feel foolish for believing you could’ve built the rest of your life in someone else’s stomach. 16. breathe.
Rupi Kaur (milk and honey)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
I am going to carry my bed into New York City tonight complete with dangling sheets and ripped blankets; I am going to push it across three dark highways or coast along under 600,000 faint stars.
Gerald Stern (This Time: New and Selected Poems)
After hearing the boy scream, the cats formed their pyramid in front of the glass door. Belle turned the handle while Harry and the others pushed the door open. They scrambled in and searched the room and small bathroom and shower. Bombarded with the boy’s scent, the cats continued to search. He had to be somewhere. A knock on the door startled the animals. Belle ran to the door and sniffed. “Food,” she whispered. “Must be for the boy.” “We must find that boy,” Harry said. “If the human enters, they will find us. Quickly, everyone, show time!” One-by-one, the cats crawled under the bed sheet and maneuvered between the opened books. “Just as in The Catman’s act,” Curry said, trying not to snicker. “Hush!” Belle scolded. Two moved upward, two downward, two to the right, and three to the left. Belle and Harry crouched in the middle. Allie crawled to the pillow and poked out her back and head. With her ears lowered, only her straggling black hair could be seen.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
I flicked on the light beside my bed, waiting for my breathing to slow, veins full of adrenaline from the realistic dream. A new dream, but in essence so much the same as the many others that had plagued me in the past months. No, not a dream. Surely a memory. I could still feel the heat of Jared's lips on mine. My hands reached out without my permission, searching across the rumpled sheets, looking for something they didn't find. My heart ached when they gave up, falling to the bed limp and empty.
Stephenie Meyer (The Host (The Host, #1))
I told her the clitoris is like a Bonsai tree that needs constant tending and the g-spot is an unexplored island waiting to have a flag pinned on its peak. She laughed and said I should be a poet. Then we went to bed and crossed the sheets as if it were a new continent we had just discovered.
Chloe Thurlow (Sophie's Secret)
... and it was quite a sad thing, the way I watched you sleep like nothing could go wrong and I did not want to harm it, I did not want to blur it, but how could I not when everything I’ve ever known has slowly gone away and I know by now that that’s the way you let the new day in with new roads and views and chances to grow but it was quite a sad thing because I don’t want this to ever become ’then’ or ’was’ and it was quite an unfamiliar thing. The way I took off my shoes again, put down my bag and quietly went back to bed, slowly between the sheets of moments I don’t want to leave and it was quite a beautiful thing the way you had no idea but still must have known because you did not even open your eyes, but turned around and took my hand and you were still asleep, breathing in and out like nothing could go wrong, but still held my hand like you were glad I didn’t leave. ’Thank you for staying’ and it was quite a wonderful thing, the way I smiled and so did you, sound asleep, and that’s all I need to know for now. That’s all I want to know for now.
Charlotte Eriksson
It's a bummer in some ways, since she never surprises me by making up my sheets anymore, or leaving folded laundry or a new sundress on my bed like she did when I was in middle school. But at least I know she's not rooting through my drawers while I'm at school, looking for drugs or sex toys or whatever.
Lauren Oliver (Before I Fall)
We lie under the sheet after making love, speaking of loneliness relieved in a book relived in a book so on that page the clot and fissure of it appears words of a man in pain a naked word entering the clot a hand grasping through bars: deliverance What happens between us has happened for centuries we know it from literature still it happens sexual jealousy outflung hand beating bed dryness of mouth after panting there are books that describe all this and they are useless
Adrienne Rich (The Fact of a Doorframe: Poems Selected and New, 1950-1984)
You have the lovers, they are nameless, their histories only for each other, and you have the room, the bed, and the windows. Pretend it is a ritual. Unfurl the bed, bury the lovers, blacken the windows, let them live in that house for a generation or two. No one dares disturb them. Visitors in the corridor tip-toe past the long closed door, they listen for sounds, for a moan, for a song: nothing is heard, not even breathing. You know they are not dead, you can feel the presence of their intense love. Your children grow up, they leave you, they have become soldiers and riders. Your mate dies after a life of service. Who knows you? Who remembers you? But in your house a ritual is in progress: It is not finished: it needs more people. One day the door is opened to the lover's chamber. The room has become a dense garden, full of colours, smells, sounds you have never known. The bed is smooth as a wafer of sunlight, in the midst of the garden it stands alone. In the bed the lovers, slowly and deliberately and silently, perform the act of love. Their eyes are closed, as tightly as if heavy coins of flesh lay on them. Their lips are bruised with new and old bruises. Her hair and his beard are hopelessly tangled. When he puts his mouth against her shoulder she is uncertain whether her shoulder has given or received the kiss. All her flesh is like a mouth. He carries his fingers along her waist and feels his own waist caressed. She holds him closer and his own arms tighten around her. She kisses the hand besider her mouth. It is his hand or her hand, it hardly matters, there are so many more kisses. You stand beside the bed, weeping with happiness, you carefully peel away the sheets from the slow-moving bodies. Your eyes filled with tears, you barely make out the lovers, As you undress you sing out, and your voice is magnificent because now you believe it is the first human voice heard in that room. The garments you let fall grow into vines. You climb into bed and recover the flesh. You close your eyes and allow them to be sewn shut. You create an embrace and fall into it. There is only one moment of pain or doubt as you wonder how many multitudes are lying beside your body, but a mouth kisses and a hand soothes the moment away.
Leonard Cohen
Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
But you sent off that Flounder fellow," Loki said, and I rolled my eyes. "His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning." "Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?" "Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you." "But I know you had a soft spot for Finn," Loki continued. "My feelings for him have no bearing on his ability to do his job." I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again. "I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?" "No." I shook my head. "We never dated. We were never anything." I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you." "But I suppose you think you are?" I asked with a sarcastic laugh. "No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough." "You think Finn doesn't?" I asked, standing up straight. "Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will." The truth of his words stung harder than I'd thought they would, and I swallowed hard. "And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even." He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe. "But you're wrong." I shook my head. "I don't deserve that much." "On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give." I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else. "I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment. I looked away from Loki quickly and grabbed the vacuum cleaner. "Just get as much down there as you can," I told Duncan. "I'll try." He scooped up another load of bedding to send downstairs. Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone. "You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?" Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation. "I'll take that as a maybe later!" Loki shouted over it.
Amanda Hocking (Ascend (Trylle, #3))
when the wine is gone and you remove your tired body from your steaming bath, come to bed. do not worry about putting on your night clothes, naked you'll come as you know the moon loves the sight of your bare flesh through the window. the sheets are calling your name my dear. come as you are. there is enough love in me to birth an entirely new universe and to it we can run whenever this world becomes too heavy for our shaking shoulders.
Christopher Poindexter (Naked Human)
At some time all cities have this feel: in London it's at five or six on a winer evening. Paris has it too, late, when the cafes are closing up. In New York it can happen anytime: early in the morning as the light climbs over the canyon streets and the avenues stretch so far into the distance that it seems the whole world is city; or now, as the chimes of midnight hang in the rain and all the city's longings acquire the clarity and certainty of sudden understanding. The day coming to an end and people unable to evade any longer the nagging sense of futility that has been growing stronger through the day, knowing that they will feel better when they wake up and it is daylight again but knowing also that each day leads to this sense of quiet isolation. Whether the plates have been stacked neatly away or the sink is cluttered with unwashed dishes makes no difference because all these details--the clothes hanging in the closet, the sheets on the bed--tell the same story--a story in which they walk to the window and look out at the rain-lit streets, wondering how many other people are looking out like this, people who look forward to Monday because the weekdays have a purpose which vanishes at the weekend when there is only the laundry and the papers. And knowing also that these thoughts do not represent any kind of revelation because by now they have themselves become part of the same routine of bearable despair, a summing up that is all the time dissolving into everyday. A time in the day when it is possible to regret everything and nothing in the same breath, when the only wish of all bachelors is that there was someone who loved them, who was thinking of them even if she was on the other side of the world. When a woman, feeling the city falling damp around her, hearing music from a radio somewhere, looks up and imagines the lives being led behind the yellow-lighted windows: a man at his sink, a family crowded together around a television, lovers drawing curtains, someone at his desk, hearing the same tune on the radio, writing these words.
Geoff Dyer (But Beautiful: A Book About Jazz)
There, on a low bed, the sheet flung back, dressed in a pair of pink one-piece zippyjamas, lay Lenina, fast asleep and so beautiful in the midst of her curls, so touchingly childish with her pink toes and her grave sleeping face, so trustful in the helplessness of her limp hands and melted limbs, that the tears came to his eyes.
Aldous Huxley (Brave New World)
It was the world-without-adults daydream. In my dream I'd never quite figured out where the adults went but we kids were free to roam, to help ourselves to anything we wanted. We'd pick up a Merc from a showroom when we wanted wheels, and when it ran out of petrol we'd get another one. We'd change cars the way I change socks. We'd sleep in different mansions every night, going to new houses instead of putting new sheets on the beds. Life would be one long party. Yes, that had been the dream.
John Marsden (The Dead of Night (Tomorrow, #2))
Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank you, in the name of your Son, Jesus Christ, Amen.” Before
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
How to describe the things we see onscreen, experiences we have that are not ours? After so many hours (days, weeks, years) of watching TV—the morning talk shows, the daily soaps, the nightly news and then into prime time (The Bachelor, Game of Thrones, The Voice)—after a decade of studying the viral videos of late-night hosts and Funny or Die clips emailed by friends, how are we to tell the difference between them, if the experience of watching them is the same? To watch the Twin Towers fall and on the same device in the same room then watch a marathon of Everybody Loves Raymond. To Netflix an episode of The Care Bears with your children, and then later that night (after the kids are in bed) search for amateur couples who’ve filmed themselves breaking the laws of several states. To videoconference from your work computer with Jan and Michael from the Akron office (about the new time-sheet protocols), then click (against your better instincts) on an embedded link to a jihadi beheading video. How do we separate these things in our brains when the experience of watching them—sitting or standing before the screen, perhaps eating a bowl of cereal, either alone or with others, but, in any case, always with part of us still rooted in our own daily slog (distracted by deadlines, trying to decide what to wear on a date later)—is the same? Watching, by definition, is different from doing.
Noah Hawley (Before the Fall)
These I have loved: Pork with apple sauce; tea in a heavy mug; The smell of new books, and musty ones; A girl with red coils for curls --Her scream--Her smile; The slap of a blonde dog's tongue Against my face; and an old face--Nana's; A broken fence--a secret pathway between two houses; The sinking into a familiar bed; Sheets white and crispy clean; The return of a woman in a green coat-- Imperfect and human; The sound of poetry; And of pencil lead scuffing the page as I write; Made-up stores; and Truth. These I have loved.
Sarah Crossan (Apple and Rain)
Moses?” I said softly. “Yeah?” His eyes lifted from the canvas briefly. “There’s a new law in Georgia.” “Does it directly contradict one of the laws of Moses?” “Yes. Yes it does,” I confessed. “Hmm. Let’s hear it.” He set his brush down, wiped his hands on a cloth and approached the bed where I was positioned, draped in a sheet like a Rubenesque Madonna. I learned the term from him, and he seemed to think it was a good thing. “Thou shall not paint,” I commanded sternly. He leaned over me, one knee on the bed, his strong arms bracketing my head, and I turned slightly, looking up at him. “Ever?” He smiled. I watched his head descend and his lips brushed mine. But his golden-green eyes stayed open, watching me as he kissed me. My toes curled and my eyes fluttered, the sensation of lips tasting lips pulling me under. “No. Not ever, just sometimes,” I sighed. “Just when I’m in Georgia?
Amy Harmon (The Law of Moses (The Law of Moses, #1))
Sometimes Edith came into the room and sat on the bed beside him and they talked. They talked of trivial things—of people they knew casually, of a new building going up on the campus, of an old one torn down; but what they said did not seem to matter. A new tranquility had come between them. It was a quietness that was like the beginning of love; and almost without thinking, Stoner knew why it had come. They had forgiven themselves for the harm they had done each other, and they were rapt in a regard of what their life together might have been. Almost without regret he looked at her now; in the soft light of late afternoon her face seemed young and unlined. If I had been stronger, he thought; if I had known more; if I could have understood. And finally, mercilessly, he thought: if I had loved her more. As if it were a long distance it had to go, his hand moved across the sheet that covered him and touched her hand. She did not move; and after a while he drifted into a kind of sleep.
John Williams (Stoner)
While the water was heating, Sam whipped the sheet off her bed again, but this time it was empty. Gingerly, she checked the mattress for bumps but they had changed it. The foam bounced back under her hand. A new mattress. At least that meant no bedbugs. She didn’t mind reptiles, as she’d already slept with a few, but there was real intent behind her unpleasant visitor. Who was behind it? Someone who didn’t want her on site. It
P.J. Skinner (The Pink Elephants (A Sam Harris Adventure #4))
Indeed, it is worth noting that most uses of the words "heaven" or "heavenly" in the New Testament bear little relation to the meanings we have so unscripturally attached to them. For us, heaven is an unearthly, humanly irrelevant condition in which bed-sheeted, paper-winged spirits sit on clouds and play tinkly music until their pipe-cleaner halos drop off from boredom. As we envision it, it contains not one baby's bottom, not one woman's breast, not even one man's bare chest - much less a risen basketball game between glorified "shirts" and "skins." But in Scripture, it is a city with boys and girls playing in the streets; it is buildings put up by a Department of Public Works that uses amethysts for cinder blocks and pearls as big as the Ritz for gates; and indoors, it is a dinner party to end all dinner parties at the marriage supper of the Lamb. It is, in short, earth wedded, not earth jilted. It is the world as the irremovable apple of God's eye.
Robert Farrar Capon (Kingdom, Grace, Judgment: Paradox, Outrage, and Vindication in the Parables of Jesus)
CHRISTMAS FUSS IN BARBADOS IN THE 70’S Ginger immersed in the brewed sorrel was always tempting. There was also the aroma of the red English apples on the table, and ripe golden apples smelling heavenly. The smell of the new cloth, from the curtains reminded us that it was Christmas. There was also the smell of the oil skin tablecloth on our varnished table, the smell of new sheets on our bed, and not forgetting the smell of the big shaddock which sat in the center of the table.
Charmaine J. Forde (Over In Away: A Collection of Stories and Poems)
The women in that ward were simple, ordinary refugee women. They came from villages or very small towns. Even before becoming refugees, they had been poor. They had no education. They had no notion of an outside world where life might be different. They were being treated for various ailments, but in the end, their gender was their ailment. In the first bed, a skinny fourteen-year-old girl lay rolled into her sheets in a state of almost catatonic unresponsiveness, eyes closed, not speaking even in reply to the doctor’s gentle greeting. Her family had brought her to be treated for mental illness, the doctor explained with regret. They had recently married her to a man in his seventies, a wealthy and influential personage by their standards. In their version of things, something had started mysteriously to go wrong with her mind as soon as the marriage was agreed upon – a case of demon possession, her family supposed. When, after repeated beatings, she still failed to cooperate gracefully with her new husband’s sexual demands, he had angrily returned her to her family and ordered them to fix this problem. They had taken the girl to a mullah, who had tried to expel the demon through prayers and by writing Quranic passages on little pieces of paper that had to be dissolved in water and then drunk, but this had brought no improvement, so the mullah had abandoned his diagnosis of demon possession and decided that the girl was sick. The family had brought her to the clinic, to be treated for insanity.
Cheryl Benard (Veiled Courage: Inside the Afghan Women's Resistance)
I made it until the threes before a new problem, in addition to my possible haunting, came up. I had to pee. Three hours fifty-two minutes. I tried crossing my legs and thinking dry desert thoughts. I wasn't going to make it until six a.m. No way. That left me two choices: 1. Stay here and pee the bed. This option was fraught with a whole load of downsides, not the least being forced to sit in a puddle of my own urine for hours (three hours forty-seven minutes to be exact). Then there would be the morning humiliation to consider. Dick's great-grandmother probably made this bed by collecting feathers off her pet goose. He would shit if I peed in it. He would make me sleep on rubber sheets as long as I lived here. Plus Nathaniel would know. I would be his spastic stepsister with an incontinence problem. 2. Leave the bed and make a run for the bathroom. This had the upside of not getting me a year's subscription to Bedwetters Anonymous. The downside was obvious. I had to leave the safety of the covers and risk the dead girl grabbing ahold of me.
Eileen Cook (Unraveling Isobel)
It was spring, and while my new house was cramped and humble, it was on the sand and the ocean still came to the front door. At dawn I'd roll out of bed, not even bothering to change clothes, and walk. Squalls came and went. Storm surges carried huge swells into the cove, and as rain inebriated the coast, the thick stub of a rainbow pushed out of the sea like a green thumb on the horizon. After, the dark blue sheet of water turned metallic, and I wondered: What in nature is not a mirror, does not give back a true image of mind?
Gretel Ehrlich (A Match to the Heart: One Woman's Story of Being Struck By Lightning)
With one final flip the quarter flew high into the air and came down on the mattress with a light bounce. It jumped several inches off the bed, high enough for the instructor to catch it in his hand. Swinging around to face me, the instructor looked me in the eye and nodded. He never said a word. Making my bed correctly was not going to be an opportunity for praise. It was expected of me. It was my first task of the day, and doing it right was important. It demonstrated my discipline. It showed my attention to detail, and at the end of the day it would be a reminder that I had done something well, something to be proud of, no matter how small the task. Throughout my life in the Navy, making my bed was the one constant that I could count on every day. As a young SEAL ensign aboard the USS Grayback, a special operation submarine, I was berthed in sick bay, where the beds were stacked four high. The salty old doctor who ran sick bay insisted that I make my rack every morning. He often remarked that if the beds were not made and the room was not clean, how could the sailors expect the best medical care? As I later found out, this sentiment of cleanliness and order applied to every aspect of military life. Thirty years later, the Twin Towers came down in New York City. The Pentagon was struck, and brave Americans died in an airplane over Pennsylvania. At the time of the attacks, I was recuperating in my home from a serious parachute accident. A hospital bed had been wheeled into my government quarters, and I spent most of the day lying on my back, trying to recover. I wanted out of that bed more than anything else. Like every SEAL I longed to be with my fellow warriors in the fight. When I was finally well enough to lift myself unaided from the bed, the first thing I did was pull the sheets up tight, adjust the pillow, and make sure the hospital bed looked presentable to all those who entered my home. It was my way of showing that I had conquered the injury and was moving forward with my life. Within four weeks of 9/11, I was transferred to the White House, where I spent the next two years in the newly formed Office of Combatting Terrorism. By October 2003, I was in Iraq at our makeshift headquarters on the Baghdad airfield. For the first few months we slept on Army cots. Nevertheless, I would wake every morning, roll up my sleeping bag, place the pillow at the head of the cot, and get ready for the day.
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Footsteps came to her, nearly invisible in the worn carpet. There were no words, just the creaking of old joints as they approached the bed, the lifting of expensive and fragrant sheets, and an understanding between two living ghosts. Jahns's breath caught in her chest. Her hand groped for a wrist as it clutched her sheets. She slid over on the small convertible bed to make room, and pulled him down beside her. Marnes wrapped his arms around her back, wiggled beneath her until she was lying on his side, a leg draped over his, her hands on his neck. She felt his moustach brush against her cheek, heard his lips purse and peck the corner of hers. Jahns held his cheeks and burrowed her face into his shoulder. She cried, like a schoolchild, like a new shadow who felt lost and afraid in the wilderness of a strange and terrifying job. She cried with fear, but that soon drained away. It drained like the soreness in her back as his hands rubbed her there. It drained until numbness found its place, and then, after what felt like a forever of shuddering sobs, sensation took over. Jahns felt alive in her skin. She felt the tingle of flesh touching flesh, of just her forearm against his hard ribs, her hands on his shoulder, his hands on her hips. And then the tears were some joyous release, some mourning of the lost time, some welcomed sadness of a moment long delayed and finally there, arms wrapped around it and holding tight. She fell asleep like that, exhausted from far more than the climb, nothing more than a few trembling kisses, hands interlocking, a whispered word of tenderness and appreciation, and then the depths of sleep pulling her down, the weariness in her joints and bones succumbing to a slumber she didn't want but sorely needed. She slept with a man in her arms for the first time in decades, and woke to a bed familiarly empty, but a heart strangely full.
Hugh Howey (Wool Omnibus (Silo, #1))
IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you can ever hope to give them and whose visits are only too brief.
Anonymous
went off, without waiting for serving men, and unsaddled my horse, and washed such portions of his ribs and his spine as projected through his hide, and when I came back, behold five stately circus tents were up—tents that were brilliant, within, with blue, and gold, and crimson, and all manner of splendid adornment! I was speechless. Then they brought eight little iron bedsteads, and set them up in the tents; they put a soft mattress and pillows and good blankets and two snow-white sheets on each bed. Next, they rigged a table about the centre-pole, and on it placed pewter pitchers, basins, soap, and the whitest of towels—one set for each man; they pointed to pockets in the tent, and said we could put our small trifles in them for convenience, and if we needed pins or such things, they were sticking every where. Then came the finishing touch—they spread carpets on the floor! I simply said, "If you call this camping out, all right—but it isn't the style I am used to; my little baggage that I brought along is at a discount." It grew dark, and they put candles on the tables—candles set in bright, new, brazen candlesticks. And soon the bell—a genuine, simon-pure bell—rang, and we were invited to "the saloon." I had thought before that we had a tent or so too many, but now here was one, at least, provided for; it was to be used for nothing but an eating-saloon. Like the others, it was high enough for a family of giraffes to live in, and was very handsome and clean and bright-colored within. It was a gem of a place. A table for eight, and eight canvas chairs; a table-cloth and napkins whose whiteness and whose fineness laughed to scorn the things we were used to in the great excursion steamer; knives and forks, soup-plates, dinner-plates—every thing, in the handsomest kind of style. It was wonderful! And they call this camping out. Those stately fellows in baggy trowsers and turbaned fezzes brought in a dinner which consisted of roast mutton, roast chicken, roast goose, potatoes, bread, tea, pudding, apples, and delicious grapes; the viands were better cooked than any we had eaten for weeks, and the table made a finer appearance, with its large German silver candlesticks and other finery, than any table we had sat down to for a good while, and yet that polite dragoman, Abraham, came bowing in and apologizing for the whole affair, on account of the unavoidable confusion of getting under way for a very long trip, and promising to do a great deal better in future! It is midnight, now, and we break camp at six in the morning. They call this camping out. At this rate it is a glorious privilege to be a pilgrim to the Holy Land.
Mark Twain (The Innocents Abroad - Mark Twain [Modern library classics] (Annotated))
What can he tell them? He, who knows nothing. Ibn al Mohammed has not planned atrocities nor committed them. He has never been in the presence of terrorists. Yet Satan’s agents suspect him. He is dark-complected. His hair and beard are black. His name is Muslim. Body tall and slender, hands large, their fingers long and tapered. Dark eyes sunken in a narrow face. Irises like obsidian. He prays on hands and knees, forehead touching the floor. Thoughtlessly aligned, his cage obliges him to face a white plastic wall to bow toward Mecca. No matter; Ibn al Mohammed requires no sight of ocean or sky to know his place in the universe. He knows himself as one chosen, beloved of God. A man whose devotion will allow him to be saved. Standing at the bars, he stares at the plastic wall. Modesty panel, they call it. The detainee wills nothing, attempts nothing, merely stares at blankness as his mind opens toward such signs as might appear. Something, nothing. However little, however great, whatever God vouchsafes is sufficient. The least sign is enough. A crease in the plastic. A shadow cast against its insensate skin, then fleeing, gone. A raindrop: trickling through the roof, one small drop might touch the wall, leave a transparent streak, a tear without sorrow to confirm his understanding of what is and must be. Recognition. Acceptance. By such a sign he will know he is not forsaken. That God notices and prepares a place. He will not serve in the harvest. He will eat the food, drink the water, ride the bus. He will not pick the berries so prized by his captors. Droids will cajole and threaten; perhaps they will beat him. If so, they incriminate themselves. He relishes their degradation together with God’s tasking, this new test of will and faith. To suffer in silence, as meek as a lamb. Ibn al Mohammed will remove himself from himself. Self fading into background, his presence will diminish. His body will persist; corporeally, he must endure. But his self will become absent. Mind and its thought, heart and all emotion will disperse smoke-like into nothingness and in its vanishing forestall injury, indignity, all pain. Does God approve? Does God see? A mere token will assure Ibn al Mohammed for a lifetime. Standing at the bars, he watches. Minutes pass. How long must he wait? God speaks at His leisure to those with patience to attend. What does it mean, to have enough patience to attend to God? It is a discipline to expect nothing because you deserve nothing and merit only death. Ibn al Mohammed has waited all his life. What has he seen? His father taken away. His mother and sisters scrounging in a desert. He himself is confined in-cage. Squats on a stool, shits in a pail. Rain rattles across sheet tin, pock-pock-pock-pock. Food is delivered on a tray. A damp bed beneath his body, a white wall before his eyes. What does Ibn al Mohammed see? He sees nothing. [pp. 203-204]
John Lauricella i 2094 i
My typical day began at five o'clock in the morning when I would finish reading scripts by the side of Rebecca's bed until she woke up at seven. It was thrilling to find a script that I loved, something I desperately wanted to make. And when I found one, my day was made by seven A.M. If I didn't have a script to finish, I had notes to make on those I had read. And if I'd finished my notes, I went downstairs to exercise. After mornings with Rebecca, I'd arrive at the office at nine-thirty. The phone calls had started long before I got there. By ten o'clock I was in a staff meeting, and depending on the day of the week, it was either a production, marketing/distribution or business-affairs meeting. By eleven-thirty, I might be in a meeting with an executive about a particular movie or problem. By twelve, I was meeting with a director I was trying to seduce back to the studio. By twelve forty-five, I'd get in my car and drive across town to a lunch meeting with an agent, a producer, a writer or a movie star. While driving, I'd start to return the phone calls that had started before I ever arrived at my office. At two-thirty, I was back in the car, returning more phone calls, the calls from early morning, from mid-morning, plus East Coast and Europe calls that came in during lunch. At two forty-five, I was back in the office. Inevitably, there were people waiting to see me, executives with personal problems, political problems, and/or production problems. In between, I returned and made more phone calls. At three-thirty, there could be a meeting with someone I was trying to bring to the studio. At four-thirty, there was a script meeting with an executive, writer, producer and/or director. At five o'clock, there were selected dailies of the movies we were shooting. And if I hadn't finished watching them by six-thirty, the rest were put on tape for me to watch later at home. At six-thirty, I'd jump into my car and return more phone calls on my drive home. The call sheet numbered one hundred to one hundred and fifty calls a day. And I always felt it was very important to return every call. The lesson here is people remember when you don't call them back. I'd go home to be with Rebecca. If I didn't have a business dinner or a sneak preview of one of our movies, I had to go to a black-tie event. There was at least one of them a week, honoring someone from our industry. I went out of respect for the talent involved and my counterparts at the other studios. So Rebecca would keep me company while I washed off my makeup, put on new makeup, dressed in black tie, kissed her good-bye and shot out the door. That's where men really have it good: they just put on a tux and go. After I got home at ten-thirty, I would sit on the chair next to Rebecca's bed. Watching her sleep dissolved all the stress in my body. Then I would get up, either finish watching the dailies, or read a script, wash my face and fall into bed at eleven-thirty. But the part of my workday that made me the happiest was when I was closest to the actual making of a movie.
Dawn Steel (They Can Kill You..but They Can't Eat You)
I woke up last night, with a strange tingling in my stomach, and a warm bubbling in my throat. My fingers lingered on the sheets of my bed, and I gazed wondrously at the plain ceiling, a s if I was seeing something new and beautiful. The new day was silent, dark, and the grave loneliness that normally engulfed me in its cover was nothing but a protruding memory. What was this? Slowly, I pulled myself to sit, pressing my knees to my chest, my body curling at the feel of my own heart beating. There was an energy in me, a humming that swam through my bones and radiated my skin. I felt light, so unconstrained and airy, and it was new, it was so new I had no way of understanding it. My chest, the vast enclosing that hoarded my sorrows, losses, my loneliness and hurt, was empty of its burdens. Free. Hard as I tried, I could not get myself to understand why what I cared for for so long suddenly didn't mean anything to me. Where had all that sadness ran to? Where was it? Like water, the warm realization hit me. This was the absence of my sorrows. This was me, the sound of my heart pulsing, the feel of the universe embracing me, kissing me awake - this was happiness. This was it.
Rana Mohamad
IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you
Anonymous
turned around, wrapping my arms around myself, chilled from the early morning breeze that blew through the open window. Hayden lay sprawled out on his stomach with one leg hanging off the bed. He had had another nightmare last night, one that shook him so deep he woke up thinking he was back in the desert during the war. I carefully crawled over him, pulling the sheet up to his waist. In his sleep, he reached out for me, wrapping his arm around my side. I wiggled close to him, tracing his tattoos with my finger until I drifted back to sleep.   * * *   “Riss,” Hayden said an hour later. “We need to workout.” I pretended to be asleep. I was comfortable and didn’t want to get up, let alone get up and do physical work. Not yet at least. “Riss,” he repeated. The closet door closed. “Get up. We have the new A1s with us today.” Begrudgingly, I opened my eyes. Hayden stood by the bed wearing black athletic shorts and a white t-shirt with the sleeves cut off. He had an iPod in his hand. “I’m up,” I grumbled and went to the closet, yanking a tank top off
Emily Goodwin (The Truth is Contagious (The Contagium, #4))
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s gaze slid over her body, lingering a fraction too long on her breasts before looking back into her eyes. “He said he could make more money, but there was only one of her. In the end, his family relented, and he whisked her into Chicago high society.” “It sounds like a fairy tale.” “It was,” Mitch said, his tone low and private. The story and his voice wrapped her in a safe cocoon where the world outside this room didn’t exist. “In the sixty years they were together, they never spent more than a week a part. He died of a heart attack and she followed two months later.” She studied the bedspread, picking at a piece of lint. “I guess if you’re going to get married, that’s the way to do it.” “Any
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s
Jennifer Dawson (Take a Chance on Me (Something New, #1))
We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.
Terri Irwin (Steve & Me)
She showed him to the guest bedroom down the hall. There were a few boxes of first-aid kits and three kerosene heaters in the room, but she’d been keeping this room mostly clear and the bed made with fresh sheets every week for over thirty years. There was a void—which still existed, just better concealed these days—left in her home after Evanelle’s husband died. During those sad days following his death, Lorelei would spend the night with Evanelle, but she stopped as she got older and wilder. Then Claire would stay the night sometimes when she was young, but she liked to stay at home mostly. Evanelle never imagined Fred would be staying here one day. But surprises were nothing new to her. Like opening a can of mushroom soup and finding tomato instead; be grateful and eat it anyway.
Sarah Addison Allen (Garden Spells (Waverly Family #1))
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Once, after I’d left him, I stayed in bed for three days with a stack of novels and several packets of custard creams and I bled without restraint. I wanted to see how much of a gorgeous, spicy mess one womb-governed body could make. I wanted to turn the bed sheet into a Rorschach test, a map, a missive, a squeeze, a jubilant shout. I made scabs and poppies. I bred silky scarlet gloop and jammy crusts, liver spots, dropped plums. Then I let it dry and pinned it up on the wall. I spent a lot of time looking at it, deciphering the shapes. There were horses, waves, church spires, tulips, crocuses, lotus flowers, fiery dragoons. It was really quite beautiful and energising to see it hung like a painting, exuding the vague scents of malt, seaweed and yeast. It made me feel quite empowered. All that blood. All my thick, rich healthy blood. All those clever stains I’d created.
Sarah Eyre (The New Abject: Tales of Modern Unease)
God’s Word is the most critical tool you could use. The Bible is the inspired Word of God. This means that God spoke to everyone that wrote a book in the Bible on what he wanted an account of. In the same manner, God has inspired me to write this book and has helped me to know what to include. Scripture is meant to edify, teach, correct, encourage, inspire, and give hope to all who hear and read it. Throughout this book I have shared scripture to back up what I was saying. God reveals things in scripture to those who seek it out. You can read the same passage of scripture for years, and then one day it seems a light bulb goes on. He will show you something deeper about that verse. God is multifaceted. He is not limited to one way of speaking to you, nor does he limit His Word to one message. What I mean by that is one scripture can teach you something, and then at another time, God may reveal even more meaning to that scripture. It is like there are layers to passages of scripture, just as you may pull back layers of wallpaper. Each layer is different and reveals a bit more. As you seek to draw closer to God, He will start to peel back those layers and teach you more and more, as you are able to receive it. If you are new to reading the Bible, it may seem a bit intimidating at first. Where do you start? What should you read? I suggest researching scripture that applies to what you are going through. If you are suffering from fear, then research fear. Once you have found some scriptures, read a few of the verses before and after the verse you chose to help you learn the context in which it was written. You may also want to read from Proverbs daily, consider the Psalms and the Gospels: Matthew, Mark, Luke and John. May I also suggest you consider finding a Bible study group to join or at the very least purchase a beginner’s Bible study guide. Next, choose a few of the scriptures you researched that really spoke to you and write them down on a 3x5 index card. Or you may want to print each verse out on a sheet of paper. Then hang them up where you will see them, such as your bathroom mirror, above your desk at home, or even throughout your house. If you can, take a few to work with you. Each day, multiple times a day, speak those scriptures out loud. I suggest at a minimum speak them when you get up in the morning and before you go to bed at night. The spoken Word is so powerful. As I mentioned before, it is a weapon against the devil. He loses power every time you speak scripture. It also triggers your mind to believe what you say. That is why it is so important to be very careful about anything you speak. Negative thoughts start to become real to you when you speak them. These steps are things I have practiced through the years and found them to be very helpful. If you are struggling with multiple negative thoughts, it may be easier to find scripture for one at a time. Don’t overwhelm yourself with trying to deal with everything at once. You can switch out the verses or add to them as time goes on. Do what works for you.
Kathy Bates (Broken Spirit to Boundless Joy: How to Break Through Your Hurts and Take Back Your Life)
Indeed there is something comforting about an ordered life, kept agreements, and the simple act of cleaning up after one's self. The smooth surface of a clean sheet, pulled taut over the mattress is refreshing. It feels better than laying in a bed of wrinkles. That the mind could be as clear as a freshly ironed sheet! (From "The Handkerchief" in New to North America)
Elise Marie Ficarra
Can I stay here?" In response, Mary smiled and opened the door wide. Tianna walked inside. Flames flickered in the hearth, and the smell of popcorn wrapped around her. Shannon and Todd looked up in surprise when they saw her. Shannon ran to her with arms spread as wide as wings, and Todd did happy wheelies around the room. Hours later, stomach filled with popcorn and Pepsi, Tianna crawled onto the soft cotton-flowered sheet and pulled the comforter over her head. Her bed smelled fresh and new, and she had a cozy feeling that she hadn't felt for a long time. Tears stung her eyes. She missed her parents and Jamie, but now at least she had a chance to start to live a normal life after so many years of running and living on the street. She stared out the window at the dark night sky and touched the amulet hanging around her neck. "Goddess," she murmured. The word felt so right.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Bring a nice blanket, something soft and cozy that feels like the inside of an Ugg boot or a Care Bear’s vagina. Hospital bedding does not spark joy. The sheets have a thread count of three and there’s always some sort of plastic lining underneath to protect the mattress from all the new moms leaking juice everywhere.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets & Advice for Living Your Best Life)
hate being alone, but when I wake up in some guy's bed with dry come on the sheets underneath me and he's snoring like a garbage truck, I go, let me out of here. I slip out and crawl around the floor groping for my clothes, trying to untangle his blue jeans from mine, my bra from his Jockeys—Skip wears boxers, of course—and trying to be quiet at the same time, then slide out the door laughing like a seal escaping from the zoo and race home to where Jeannie has been warming the bed all night. Jumping in between the sheets and she wakes up and
Jay McInerney (How It Ended: New and Collected Stories)
JENNA SMILED WHEN Easy walked into the bedroom, carrying what appeared to be half the refrigerator on a bowing cookie sheet. How much more sweet could he be? He glanced between her and Sara like he was unsure what to do next. Jenna pulled the covers back so the surface would be flat and patted the bed next to her. “Put it anywhere.” Easy set the makeshift tray down and rubbed a hand over his head. “I tried to think of things that would be gentle on your stomach,” he said in a low voice. “But if you want something different—” “No, this looks perfect.” Her gaze settled on a tall glass of . . . She gasped. “You made me a milk shake?” At that, Sara patted her on the knee. “Okay, I’m gonna go. Let me know if you need anything?” “Oh, uh, Shane was making you all something to eat,” Easy said. Sara smiled. “Good timing. This is making me hungry,” she said, gesturing to the tray. Jenna grabbed up the milk shake and hugged the glass against her chest. “Get your own.” Holding up her hands in surrender, Sara smiled. “All yours. Besides, Nick and Jeremy have the world’s biggest sweet tooths. There’s an endless supply of ice cream downstairs. I’m not even joking. So there’s more where that came from.” She squeezed Easy’s arm. “You know where to find me if you need me,” she said. And then they were alone. Jenna was glad. Not because having Easy here warded off her panic and fear but because she just wanted to be with him. She fished a spoon out from between two plates and took a taste of her treat. Freaking heaven. “Oh, my God,” she said, scooping another big bite. “This is so good. I can’t believe you made me a milk shake.” Even when her father had been alive, no one was really taking care of Jenna. So maybe Easy’s thoughtfulness wouldn’t have been so earthshaking to someone else, but to her, it meant everything. She peered up at him, which made her realize he was still standing. Crisscrossing her legs, she pointed at the foot of the bed. “Come sit down. Some of this has to be for you, right?” “Yeah,” Easy said. “You sure this is okay?” “It’s great, really. I can’t even remember the last time I ate, so this is like filet mignon and Maine lobster rolled into one. Seriously.” She exchanged the milk shake for the bowl of soup, and the warm, salty broth tasted every bit as good. They ate in companionable silence for a while, then he asked, “So, what are you studying in school?” “International business,” Jenna said around a spoonful of soup. “I always wanted to travel.” And, to put it more plainly, she’d always wanted to get the hell out of here. “Sounds ambitious,” Easy said. “Did you have to learn languages?” Jenna nodded. “I minored in Spanish, and I’ve taken some French, too. What I’d really like to learn is Chinese since there are so many new markets opening up there. But I’ve heard it’s really hard. Do you speak any other languages?” Wiping his mouth with a napkin, Easy nodded. “Hablo español, árabe, y Dari.” Grinning, Jenna reached for her bagel. She’d thought him hard to resist just being his usual sexy, thoughtful, protective self. If he was going to throw speaking to her in a foreign language into the mix, she’d be a goner. “What is Dari?” “One of the main languages in Afghanistan,” he said. “Oh. Guess that makes sense. Are Arabic and Dari hard to learn?” “Yeah. Where I grew up in Philly, there were a lot of Hispanic kids, so Spanish was like a second language. But coming to languages as an adult about kicked my ass. Cultural training is a big part of Special Forces training, though. We’re not out there just trying to win battles, but hearts and minds, too. . .” He frowned. “Or, we were, anyway.
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
She let out a rough laugh, close enough that it warmed his face. “Just sleep in the bed,” she said. “I don’t feel like digging up bedding for the couch.” Maybe it was the laugh, or the silver lining her eyes, but he said, “Fine.” Fool—he was such a stupid fool when it came to her. He made himself add, “But it sends a message, Aelin.” She lifted her brows in a way that usually meant fire was going to start flickering—but none came. Both of them were trapped in their bodies, stranded without magic. He’d adapt; he’d endure. “Oh?” she purred, and he braced himself for the tempest. “And what message does it send? That I’m a whore? As if what I do in the privacy of my own room, with my body, is anyone’s concern.” “You think I don’t agree?” His temper slipped its leash. No one else had ever been able to get under his skin so fast, so deep, in the span of a few words. “But things are different now, Aelin. You’re a queen of the realm. We have to consider how it looks, what impact it might have on our relationships with people who find it to be improper. Explaining that it’s for your safety—” “Oh, please. My safety? You think Lorcan or the king or whoever the hell else has it in for me is going to slither through the window in the middle of the night? I can protect myself, you know.” “Gods above, I know you can.” He’d never been in doubt of that. Her nostrils flared. “This is one of the stupidest fights we’ve ever had. All thanks to your idiocy, I might add.” She stalked toward her closet, her hips swishing as if to accentuate every word as she snapped, “Just get in bed.” He loosed a tight breath as she and those hips vanished into the closet. Boundaries. Lines. Off-limits. Those were his new favorite words, he reminded himself as he grimaced at the silken sheets, even as the huff of her breath still touched his cheek.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
She stood with sheets in her hands: chores didnt stop, just as the light didnt stop. Having made the bed and folded her nightgown under the pillow, she headed up to the cliS to sit by the graves a while. She tended the new one with great care, wondering whether the fedgling rosemarywould take. She pulled a fewweeds from around the two older crosses, now finely cr)'stalled with years of salt, the rosemary growing doggedly despite the gdes.
M.L. Stedman
Word Silence" There's a flame like the flame of fucking that longs to be put out: words are filings drawn toward a vast magnetic silence. The loins ask their usual question concerning loneliness. The answer is always a mountaintop erasing itself in a cloud. It's as if the mind keeps flipping a coin with a lullaby on one side and a frightening thrill on the other, and if it lands it's back in the air at once. A word can rub itself rosy against its cage of context, starting a small fire in the sentence and trapping for a moment the twin scents of now and goodbye. The sexual mimicry always surprises me: the long dive the talky mind makes into the pleasures of its native dark. Like pain, such joy is locked in forgetfulness, and the prisoner must shout for freedom again and again. Is that what breaks the sentences apart and spreads their embers in a cooling silence? The pen lies in the bleach of sunlight fallen on the desk, ghost-sheet of a bed turned back. If I look for a long time into its wordlessness, I can see the vestiges of something that I knew dissolving. Something that I no longer know. And there I sleep like an innocent
Chase Twichell (Horses Where the Answers Should Have Been: New and Selected Poems (Kingsley Tufts Poetry Award))
Then he imposed a set of new rules: nobody touch anything, especially not his toothbrush. (He had a longtime fear of being poisoned, one reason why he liked to eat at McDonald’s—nobody knew he was coming and the food was safely premade.) Also, he would let housekeeping know when he wanted his sheets done, and he would strip his own bed.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Take out a piece of blank paper. Draw four columns on your page, titled “Spend,” “Save,” “Invest,” and “Give.” Follow the steps below to come up with a 24-hour time budget tailored just for you. Spend Write down the amount of hours you spend in a day on “non-negotiable” commitments such as school, sleep, and getting ready each morning. Tally up the total. Save List some of your favorite ways to spend “me time” and how long each idea takes. For example, reading a novel for one hour, going for a 30-minute run, or winding down before bed (go to 60-Minute Wind-Down). Invest Tally up how long you need each day to reach your goals and accomplish tasks. Taking a drawing class for one hour or spending two hours on homework are great examples. Give Consider how much time you’d like to spend each day on others: whether it’s volunteering, spending quality time with your family, or hanging out with your friends. Complete Your Schedule Now comes the challenging part: trying to fit all your ideas into 24 hours! On a new sheet of paper, create an hour-by-hour schedule for one day. Once you’ve completed it, you’ll become more aware of how you are spending your time. When you have a good idea of how you’re spending 24 hours, you can move up to creating a weeklong time budget.
Aubre Andrus (Project You: More Than 50 Ways to Calm Down, De-Stress, and Feel Great (Switch Press:))
When I am gone Karly- I think back on it my great x4 Grandmother Hope went to school on black and wood 1919 Ford Model T Ford, I don’t get that, there were not even windows in the piece of crap. And then I can get my car. My dad was telling me this unbelievable story. About this old car like a red 28 ford coupe or so he thought. My dad was showing me the roof from it, somewhere down the line someone thought it was okay to cut up this cute little car just to be a d*ick about it, it must have been my great x4 granddad baby that someone was jealous of, saying he wanted to pass it down yet never to Neveah, so he junked it out for parts, and that explains why someone wanted the rooftop. Maybe someone thought it was going to go to her and the sisters’ family cut it up, really- I think that is how I got these parts. Emallie- I feel that my little nine-year-old sisters are in her room as I am at school, however since that day she’s never once stepped foot in my room. It’s a bummer she more freaked up than me in some ways is it not? Like- since she never surprises me by fixing up my sheets anymore, she leaves all that should be folded laundry or a new sundress on my bed like she did when I was in middle school, yet all messy and crap, but at least I know she’s not rooting through my drawers while I’m at school, looking for my sex toys or thongs. ‘If you want to come out here, why do you drag me? I’ll get the thermometer, and crap and say I'm sick,’ she says, she is- very- hyperactive and more! She needs to be on Methylphenidate or (Ritalin) as they call it. She does something that I don’t like yet that what they say is needed. Her name is Judcël. Yet we just call her Judie, she hates that just say I am the boy she said, she not yet she might want to be on this crap. ‘I don’t think I have a temperature.’ There’s a yell kicking and screaming my mom hitting my mom in the face, pushed in the wall, and punched off is how I lost my hearing that to this little brat… I was fine until she was impetus out of my mother. She should have had a d*ick it would have been a lot easier, than putting up with this… and get this mom is single, and on her own now with her. I think sex before marriage is not a sin. I think the big deal should be about SEX BEFORE LOVE. If you have been with somebody for a long time and you can easily see yourself growing old with them, getting married, maybe having children, then sure, I think it would be fine to make love. Sex is a natural desire found in all animals. Why should we deny Mother Nature's ways? (Of course, I respect all religions and beliefs, and I mean no offense if you believe in abstinence until marriage.) Well... uh, for one thing, you can get diseases. And then if you’re not married before having sex, what's keeping the guy from leaving you? Nothing... He'll use you then leave. I think it's pretty dumb that you think it's no big deal...
Marcel Ray Duriez (Nevaeh They Call Out)
Already, a few petals had fallen, heavy and waxen, to the pavement after a windy night. The air was fresh but not too cold. A night's buffeting had left the new day feeling rumpled but clean, like a fresh sheet on the bed
Alice Castle (The Murder Mystery (A Beth Haldane Mystery #1))
In the bedroom I put on a sweatsuit I've had since high school, take the sheets off my bed, pick clothes up from the floor - dirty or clean it doesn't matter - put them all in the hamper, put clean sheets on the bed, pause to retch and weep, gather all the pillows and blankets from the rest of my apartment, get my computer, cocoon myself, watch TV. I order a pizza. I drift in and out of consciousness, letting their reality be my reality, eat the pizza, fall asleep with the TV on, wake up with the TV on, in and out, in and out, alone and lonely like I like it.
Halle Butler (The New Me)
Since I’m new down here, I’m going to need directions on how to make you squirm. Do you like this?” I taunted, sucking her nub into my mouth. She didn’t say a word, I could barely hear her breathing. “Or…” I sucked her clit, moving my head side-to-side. “Like this.” She loudly moaned that time, which earned her a smile. I didn’t even try to hide it. “Feels good, yeah?” “Yes...” With my index and middle finger, I pushed through her pussy. “Oh, God…” Feeling like the king of the fucking world, I continued my sweet torture with my tongue on her clit. “Lala is slippery when wet.” She ground her hips against what I was doing. “I’m going to taste you now, Mila.” A whimper escaped her lips as I dove my tongue as far as it would go into her core, loving the taste of her. She melted against my tongue, into my touch, coming apart from everything I was doing. Sucking her clit harder and faster, I was relentless in my pursuit to have her come over and over again on my fingers and in my mouth. “Oh, God, right there.” Pushing in and out with a steady rhythm, I worked her over. “Right there?” I mocked, pushing harder against that rigid spot inside of her. Her back arched off the bed again, fisting the sheets. Her impending orgasm completely consuming her. “Stop talking and… right there…” “Here?” “Oh god, yes—there…” “You feel that?” I huskily groaned, appreciating the sight and feel of her getting off.
M. Robinson (The Kiss (Playboy Pact, #1))
I miss cooking. I miss chopping fresh food, the smell vegetables give up when you first slice into them. I miss the smell of the unwashed skins of fruit, the sight of fresh produce piled high in grocery stores. I miss grocery stores, the shelves of bright colors and the glossy tile floors and the strangers wandering the aisles. I miss people. I miss the experience of meeting new people and getting to know them, learning about a life different from my own, hearing about things people experienced that I haven't. I miss the sound of children playing, which always sounds the same no matter their language. I miss the sound of people talking and laughing in another room. I miss rooms. I miss doors and door frames and the creak of wood floorboards when people walk around in old buildings. I miss sitting on my couch, sitting on a chair, sitting on a bar stool. I miss the feeling of resting after opposing gravity all day. I miss the rustle of papers, the flap of book pages turning. I miss drinking from a glass. I miss setting things down on a table and having them stay there. I miss the sudden chill of wind on my back, the warmth of sun on my face. I miss showers. I miss running water in all its forms: washing my face, washing my hands. I miss sleeping in a bed - the feel of sheets, the heft of a comforter, the welcoming curve of a pillow. I miss the colors of clouds at different times of day and the variety of sunrises and sunsets on Earth.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
Within a year Ballou, whom Steinbeck would eventually consider a “fine” and “sensitive” man, but too gentlemanly to fight New York publishing battles, remaindered both The Pastures of Heaven and To a God Unknown and rejected Steinbeck’s Tortilla Flat manuscript as unsuitable. For a while Steinbeck was back in a familiar situation: writing under stressful circumstances (both his parents were seriously ill) and trying not to worry about publication. Arguably, the time he and Carol spent caring first for his mother, then for his father, probably did as much as anything else to end Steinbeck’s interest in heroic, larger-than-life literary characters. Frequent interruptions to clean his mother’s bed-pans and wash loads of soiled sheets, and later to witness his father’s decline into senility, refocused Steinbeck’s attention on common life, on the realm of “clerks” who, when they broke through reality at all, broke into a far more limited, even dubious, kind of heroism than Henry Morgan’s or Joseph Wayne’s. Steinbeck had already struck that chord in Pastures, but it would be with In Dubious Battle and with Of Mice and Men that a gritty style and an uncompromising vision of beleaguered humans caught in overwhelming circumstances would carry his “new conception of realities” to yet another stage of achievement.
John Steinbeck (To a God Unknown)
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
Final checklist To significantly increase the quantity and quality of ideas that you generate, reading this book isn’t enough. You need to make principles from this book a part of your own habits. Below you will find the 7 most fundamental principles of creating successful business ideas. Write them down on a sheet of paper and hang it near the desk where you work or near your bed. Over the next 3 weeks, think for at least 15-30 minutes per day about ideas using these principles. These can be ideas that will help you improve your business, achieve your dreams or make your life more interesting. I promise you that by the end of these 3 weeks you will notice a significant jump in your creative performance. 1. Collect raw materials. Ideas are combinations or modifications of other ideas. The more you know the ideas of other people and the more life experiences you expose yourself to, the more creative raw materials you have. The more creative raw materials you have, the more combinations your subconscious mind will be able to make and the more likely you are to create new valuable and interesting ideas. 2. Set the task for the subconscious mind. Your subconscious mind is a powerful thinking mechanism, but it remains idle if you haven’t given it a task. Once you begin giving your subconscious questions to think about regularly, you will notice how the quantity and quality of your ideas will skyrocket. 3. Separate analyzing and generating ideas. When you are analyzing ideas, your analytical brain blocks your superfast creative brain from thinking. To let the creative brain do its work, separate the processes of analyzing and generating ideas. 4. Think and rest. The most effective thinking algorithm is the following: think about a problem for an extensive period of time, forget about the problem and rest, occasionally think about the problem for few minutes and forget about it again. The incubation period when you don’t think about the problem is essential for your subconscious mind to process millions of thoughts and combinations of ideas, however to give it a task you need to think for some time about the problem consciously. 5. Generate many ideas. In creative thinking, quantity equals quality. You can’t generate one great idea. However, you can generate many ideas and select one or several great ideas out of them. 6. Have fun. Your subconscious mind thinks most effectively when you have fun. When you are serious, you are very unlikely to create really creative and valuable ideas. 7. Believe and desire. Believe that you will generate great ideas and have a burning desire to generate them. If you do, great ideas will come to you in abundance and sooner or later the problem will be solved. Once you have made these 7 principles a part of your own creative habits, glance through the book again and practice other principles and techniques. In a year’s time of practicing generating ideas regularly, you will become a world-class creative thinker. The skill of creating ideas will make your business successful and your life an adventure. I wish you good luck in creating successful ideas and in achieving all your dreams in business.
Andrii Sedniev (The Business Idea Factory: A World-Class System for Creating Successful Business Ideas)
The windows had been thrown open to the summer breezes, and as Brisbane pressed me down onto the bed, I smelled the roses at the casement surrendering their perfume at the end of the long day. He put his hands through my hair and the lavender wreath, broken to bits by the exertions of dancing, scattered like so much confetti across the sheets. What followed...well, there are words to describe such a thing, but they are known only to poets. I believed I loved him before that night; I believed I understood what passes between a man and a woman before that night. I believed I knew all there was of intimacy and pleasure and passion and perfect satisfaction. I was wrong. I went into the room the woman I had always been, but I emerged the next day exactly as Marigold had described—a new creation. I mourned the loss of the beautiful pale violet corset Brisbane had destroyed in his haste, but it was the only casualty of his loss of control, and as I stared mournfully at the shreds of French lace, I marvelled that I had driven him to take it apart with his bare hands. There was power in him, but gentleness as well, and he had given me both.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
Any given room, behind any given door, someone else’s life was on fire. Not the life lived at home, not the cable-and-bed-by-9: 00-p.m. life, waiting around to die. The hotel life: boundless, foreign, debaucherous, freshly laundered, exploratory, scantily clad, imaginative, frightening, expensive, and brand fucking new. I wandered the hallways every day like a guard keeper in the house of reinvention. Whatever these people were getting into, whatever their lives had become, I made sure that if they vacated the room for an hour’s time, they had clean sheets to do it on, new soap to scrub it off with, fresh towels to wipe it down, a clean robe to cover it up, and a fresh pillow to sleep it off on.
Jacob Tomsky (Heads in Beds: A Reckless Memoir of Hotels, Hustles, and So-Called Hospitality)
By April 23, 2014, thirty-four cases and six deaths from Ebola in Liberia were recorded. By mid-June, 16 more people died. At the time it was thought to be malaria but when seven more people died the following month tests showed that was the Ebola virus. The primary reason for the spreading of the Ebola virus was the direct contact from one person to the next and the ingesting of bush meat. Soon doctors and nurses also became infected. On July 2, 2014, the head surgeon of Redemption Hospital was treated at the JFK Medical Center in Monrovia, where he died from the disease. His death was followed by four nurses at Phebe Hospital in Bong County. At about the same time two U.S. health care workers, Dr. Kent Brantly and a nurse were also infected with the disease. However, they were medically evacuated from Liberia to the United States for treatment where they made a full recovery. Another doctor from Uganda was not so lucky and died from the disease. Arik Air suspended all flights between Nigeria and Liberia and checkpoints were set up at all the ports and border crossings. In August of 2014, the impoverished slum area of West Point was cordoned off. Riots ensued as protesters turned violent. The looting of a clinic of its supplies, including blood-stained bed sheets and mattresses caused the military to shoot into the crowds. Still more patients became infected, causing a shortage of staff and logistics. By September there had been a total of 3,458 cases of which there were 1,830 deaths according to the World Health Organization. Hospitals and clinics could no longer handle this crisis and patients who were treated outside died before they could get help. There were cases where the bodies were just dumped into the Mesurado River. The Ivory Coast out of compassion, opened carefully restricted humanitarian routes and resumed the previously suspended flights to Liberia. Ellen Johnson Sirleaf the president of Libera sent a letter to President Barack Obama concerning the outbreak of Ebola that was on the verge of overrunning her country. The message was desperate, “I am being honest with you when I say that at this rate, we will never break the transmission chain and the virus will overwhelm us.” Having been a former finance minister and World Bank official, Johnson Sirleaf was not one for histrionics however she recognized the pandemic as extremely dangerous. The United States responded to her request and American troops came in and opened a new 60-bed clinic in the Sierra Leone town of Kenema, but by then the outbreak was described as being out of control. Still not understanding the dangerous contagious aspects of this epidemic at least eight Liberian soldiers died after contracting the disease from a single female camp follower. In spite of being a relatively poor country, Cuba is one of the most committed in deploying doctors to crisis zones. It sent more than 460 Cuban doctors and nurses to West Africa. In October Germany sent medical supplies and later that month a hundred additional U.S. troops arrived in Liberia, bringing the total to 565 to assist in the fight against the deadly disease. To understand the severity of the disease, a supply order was placed on October 15th for a 6 month supply of 80,000 body bags and 1 million protective suits. At that time it was reported that 223 health care workers had been infected with Ebola, and 103 of them had died in Liberia. Fear of the disease also slowed down the functioning of the Liberian government. President Sirleaf, had in an emergency announcement informed absent government ministers and civil service leaders to return to their duties. She fired 10 government officials, including deputy ministers in the central government who failed to return to work.
Hank Bracker
Where are all my clothes?” I jerked awake, knocking my elbow against the headboard. Any hopes of it all being a dream were dashed by the sight of Tristan, his arms full of colorful silk dresses, storming about the room. Both my maids and a grey-clad manservant stood in a row, their heads lowered. Covers tucked up around my shoulders, I watched Tristan dash into the closet and emerge with another armload of dresses. He threw them in a pile on the floor. “Why is my closet full of dresses?” “Are they mine?” I asked with interest. Silver eyes fixed on me. “Well, they certainly are not mine. Unless you imagine that I dress up in ladies’ clothing and prance about the palace when the mood strikes me?” A giggle slipped out of Élise, which she promptly smothered with a hand over her mouth. “You consider this a laughing matter?” Tristan glowered at the girl. “Sorry, my lord,” she said. “Your clothes are in the other closet.” “Why?” “Her Grace thought the larger closet more appropriate for her ladyship’s gowns, my lord.” “She did, did she?” He stormed back into the closet, returning with another armload. “That’s the last of them.” “You are wrinkling my dresses,” I said. “Zoé and Élise will waste their entire day pressing them.” “And then they can hang them somewhere else,” he snapped. “You’re creating an enormous amount of unnecessary work.” “It is the role of the aristocracy to create work,” he said, kicking the pile of gowns. “Necessary or otherwise. Without us, who knows what would happen to productivity.” I rolled my eyes and climbed out of bed. Catching the corner of a sheet, I set to making the bed. “What are you doing?” Tristan shouted. “What does it look like I’m doing?” “Ladies do not make their own beds! It shows initiative, which is broadly considered most unladylike!” My temper rising, I whirled about. “Dear me,” I shouted. “I must have forgotten that my new purpose in life is to create work.” Jerking all the blankets off the bed, I threw them on the floor. The pillows followed next, and I proceeded to run around the room taking all the cushions off the chairs and tossing them about the room. The last I deliberately aimed at Tristan’s head. It froze midair. “You are making quite the mess of my room.” “Our room!” I shouted back.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))