Never Dwell On The Past Quotes

Just that dwelling and planning is bullshit, you dwell on the past, you can’t move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life. Live in the moment, where everything is just right, take your time and limit your bad memories and you’ll get wherever it is you’re going a lot faster and with less bumps in the road along the way.

To dwell in the here and now does not mean you never think about the past or responsibly plan for the future. The idea is simply not to allow yourself to get lost in regrets about the past or worries about the future. If you are firmly grounded in the present moment, the past can be an object of inquiry, the object of your mindfulness and concentration. You can attain many insights by looking into the past. But you are still grounded in the present moment.

People screw up. People screw up a lot. We allow our own selfishness to overpower us at times. It happens. But you can’t allow that to tear you down. You can’t keep dwelling on your past choices, and your past actions, or else you’ll never learn from them.

Here dwell together still two men of note Who never lived and so can never die: How very near they seem, yet how remote That age before the world went all awry. But still the game’s afoot for those with ears Attuned to catch the distant view-halloo: England is England yet, for all our fears– Only those things the heart believes are true. A yellow fog swirls past the window-pane As night descends upon this fabled street: A lonely hansom splashes through the rain, The ghostly gas lamps fail at twenty feet. Here, though the world explode, these two survive, And it is always eighteen ninety-five.

I'd never really thought past the whole dying-for-the-sake-of-the-world part of things. When you're alive, you don't dwell on how you're going to spend your time once you're dead. You just figure you're gone, and the rest will pretty much take care of itself.

It does not to dwell on dreams and forget to live, but it is equally foolish to ignore the past – never forget.

A mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never break through the walls it builds.

As a fallen warrior, you feel like nothing has been going your way lately, and that you do not have any fight left. Do not dwell on the past or what is thrown at you; instead, use it as fuel to be a powerful fighter! As you become a powerful fighter, learn how to balance and focus on your inner peace. Keep a steady, positive mind and remind yourself that nobody has the power or authority to bring you down.

Well, it’s more like a sentence on life,” he said, grinning. “I live by three rules: Don’t dwell on the past, present, or future, party hard, and never fall in love. Easy.

We will never move out of the present and into the future with all God has planned for us if we cling to dwell in the past.

You took thoughts, choosing them out of your store, and then, not dwelling on them, you let them slip through the fingers of your mind, never clutching at them, never dwelling on them, no concentration…just letting them drift gently past.

Never waste your energy to dwell on the past failures and mistakes. May you find renewed energy, courage and hope to pursue new adventures.

The doctors say that it will take me a long time to get over this illness. But I don’t want to get over it. I want to turn the clocks back to a time before it, when all the future was sunny. Then I could do it all again, but do it right. There’d be no illness, no need to find the courage it takes to recover. For I know I don’t have that courage within me, and I know I never will. The doctors disagree, of course. They tell me I don’t need to go back to move forward, to stop dwelling on the past and concentrate on what’s ahead. They make it sound so simple. But what do they know? Seriously, what do they know? They break my heart.

There will be times in which things appear hopeless. You will begin to doubt everything around you. You will even begin to doubt yourself. You will think things will never look up and you may be in the deepest, darkest, loneliest place in the world. Everything which had once been infused with wonder may appear disappointing and harsh. You may grow cynical and come to believe that this is simply the way the world is...that one must bear with the unforgiving realities of the world and only hope that it doesn’t get worse. You might grow suspicious of others, as adults tend to do, and close yourself off from the rest of the world. You might just look to the past and reminisce about better days...or you might just dwell in one place for a little too long and become nostalgic for the future. Just remember—regardless of where you are, what experiences you have, and who you have become—that there will always be those who have loved you. Those whom you may have taken for granted, but have nonetheless, always had you in their hearts and in their hopes and wishes. Lives that you have touched: whether you realize it or not. To separation you may venture, but indissolubly in union shall you drift...you will always be at the whims of forces, both great and small, and far beyond your capacity to control. That’s how all our stories go. Innumerable arcs intersect and scatter into a vast indefinite sea.

A wise man never dwells in the past because he knows he belongs to the future.

Unconditional love doesn't dwell on what someone has done to us. It does not bring up someone's past when they wrong us. Uncondtional love forgives even if the person never asks for forgiveness.

But there is no truth except truth in relation, and heavenly relation is composed of wheels in motion, tilting axes, turning dials; it is a clockwork orchestration that alters every minute, never repeating, never still. We are no longer sheltered in a cloistered reminiscence of the past. We now look outward, through the phantasm of our own convictions: we see the world as we wish to perfect it, and we imagine dwelling there.

He refused to think about it. Qian’s words echoed to him: “A mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never break through the walls it builds.” Milo

Your life is written in indelible ink. There's no going back to erase the past, tweak your mistakes, or fill in missed opportunities. When the moment's over, your fate is sealed. But if look closer, you notice the ink never really dries on any our experiences. They can change their meaning the longer you look at them. Klexos. There are ways of thinking about the past that aren't just nostalgia or regret. A kind of questioning that enriches an experience after the fact. To dwell on the past is to allow fresh context to trickle in over the years, and fill out the picture; to keep the memory alive, and not just as a caricature of itself. So you can look fairly at a painful experience, and call it by its name. Time is the most powerful force in the universe. It can turn a giant into someone utterly human, just trying to make their way through. Or tell you how you really felt about someone, even if you couldn't at the time. It can put your childhood dreams in context with adult burdens or turn a universal consensus into an embarrassing fad. It can expose cracks in a relationship that once seemed perfect. Or keep a friendship going by thoughts alone, even if you'll never see them again. It can flip your greatest shame into the source of your greatest power, or turn a jolt of pride into something petty, done for the wrong reasons, or make what felt like the end of the world look like a natural part of life. The past is still mostly a blank page, so we may be doomed to repeat it. But it's still worth looking into if it brings you closer to the truth. Maybe it's not so bad to dwell in the past, and muddle in the memories, to stem the simplification of time, and put some craft back into it. Maybe we should think of memory itself as an art form, in which the real work begins as soon as the paint hits the canvas. And remember that a work of art is never finished, only abandoned.

Don’t just think about what you missed! Don’t continue to dwell on your past mistakes. You shall always miss something in life, consciously or unconsciously! You shall never be able to do all things excellently in life though you must try to! The lesson from what you missed and its application for a better tomorrow is what matter! Move your thought! Move your body!

Suddenly feeling overwhelmed, Talon said, 'It doesn’t matter. They are all dead.' He felt moisture gathering in his eyes and blinked. 'It’s been a while since I’ve felt that.' Caleb nodded. 'It never goes away, completely. But you’ll discover other things in life.

Forward only, never back. Do not, in your mind, keep a tally of past horrors. Do not question decisions that cannot be unmade, dwell on actions that can not be undone. The power to equivocate is no power at all, and that you've ever thought it to be is your weakness.

Awaken, be free, be yourself. You are the joy of the world. The light that shines in darkness. You are a blessing to the universe. Love yourself always. When you love yourself, you love God. Forget about the past. Never dwell on the past. Remember, time and space does not exist. (p. 202)

Do not dwell on the past. Focus on the precious moments and gracious future.

Mark followed him, determined to stop dwelling on the past. He had to focus on the future or he’d never reach it.

Dwelling on the past and worrying about the future will only rob you of the present's joy.

Every second you dwell on the past you steal from your future. Every minute you spend focusing on your problems you take away from finding your solutions. And thinking about all those things that you wish never happened to you is actually blocking all the things you want to happen from entering into your life. Given the timeless truth that holds that you become what you think about all day long, it makes no sense to worry about past events or mistakes unless you want to experience them for a second time. Instead, use the lessons you have learned from your past to rise to a whole new level of awareness and enlightenment.

Milo pushed the scene from his mind. He refused to think about it. Qian’s words echoed to him: “A mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never break through the walls it builds.

Forward only, never back. Do not, in your mind, keep a tally of past horrors. Do not question decisions that cannot be unmade, dwell on actions that cannot be undone. The power to equivocate is no power at all, and that you've ever though it to be is your weakness.

The Germans have another kind of parenthesis, which they make by splitting a verb in two and putting half of it at the beginning of an exciting chapter and the other half at the end of it. Can any one conceive of anything more confusing than that? These things are called “separable verbs.” The German grammar is blistered all over with separable verbs; and the wider the two portions of one of them are spread apart, the better the author of the crime is pleased with his performance. A favorite one is reiste ab—which means departed. Here is an example which I culled from a novel and reduced to English: “The trunks being now ready, he de- after kissing his mother and sisters, and once more pressing to his bosom his adored Gretchen, who, dressed in simple white muslin, with a single tuberose in the ample folds of her rich brown hair, had tottered feebly down the stairs, still pale from the terror and excitement of the past evening, but longing to lay her poor aching head yet once again upon the breast of him whom she loved more dearly than life itself, parted.” However, it is not well to dwell too much on the separable verbs. One is sure to lose his temper early; and if he sticks to the subject, and will not be warned, it will at last either soften his brain or petrify it. Personal pronouns and adjectives are a fruitful nuisance in this language, and should have been left out. For instance, the same sound, sie, means you, and it means she, and it means her, and it means it, and it means they, and it means them. Think of the ragged poverty of a language which has to make one word do the work of six—and a poor little weak thing of only three letters at that. But mainly, think of the exasperation of never knowing which of these meanings the speaker is trying to convey. This explains why, whenever a person says sie to me, I generally try to kill him, if a stranger.

Let go of your past, dwell not on your mistakes. If your playing small didn't work out in the past, it most likely won't work now. Release the fear, the anger, the troubles, the worries. They will only make you weak and unable to move ahead. Evaluate your life, discard what is not working. Shed your old skin and never look back.

A fool falls in love. One who dwells in indifference dwells at a distance from love, from its unexpected currents and the lonesome tumbling that causes a person to fall on her knees, if she falls. And there is never any reason to fall, to become so attached to another that one is driven to say, “I once fell in love,’ followed by an ellipsis, ‘…’, a trail leading down a path into—what? Some fatal dream? One grows weak from conflating the future and past, and the ellipsis, ‘…’, always leads into an exposed empty vat, the interior of an urn whose lid has been removed, whose ashes have been spread into water where, in time, everything dissolves, giving way to the past.

One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.

The more subtle inheritance of my strange childhood was the feeling, which we all shared to some extent, of believing we were never quite going about things correctly. Had I said the right thing? Had I worn the right clothes? Was I attractive? These questions were unsettling and self-absorbing, even overwhelming at times, and remained so throughout much of my adult life, until, at last, I grew impatient with dwelling on the past.

You dwell on the past, you can't move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life." His eyes lock on mine. "Live in the moment," he says as if making a serious point, "where everything is just right, take your time and limit your bad memories and you'll get wherever it is you'r going alot faster and with less bumps in the road along the way.

You dwell on the past, you can’t move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life.” His eyes lock on mine. “Live in the moment,” he says as if making a serious point, “where everything is just right, take your time and limit your bad memories and you’ll get wherever it is you’re going a lot faster and with less bumps in the road along the way.

The phrase was so simple and for most women, so generic. Any other female would have laughed off such a question from a boy she had no interest in. But in my case, it was a landmark moment in my life. Number 23 had gone where no other man had gone before. Until then, my history with men had been volatile. Instead of a boyfriend or even a drunken prom date, my virginity was forfeited to a very disturbed, grown man while I was unconscious on a bathroom floor. The remnants of what could be considered high school relationships were blurry and drug infused. Even the one long-lasting courtship I held with Number 3 went without traditional dating rituals like Valentine’s Day, birthdays, anniversary gifts, or even dinner. Into young adulthood, I was never the girl who men asked on dates. I was asked on many fucks. I was a pair of tits to cum on, a mouth to force a cock down, and even a playmate to spice up a marriage. At twenty-four, I had slept with twenty-two men, gotten lustfully heated with countless more, but had never once been given flowers. With less than a handful of dates in my past, romance was something I accepted as not being in the cards for me. My personality was too strong, my language too foul, and my opinions too outspoken. No, I was not the girl who got asked out on dates and though that made me sad at times, I buried myself too deeply in productivity to dwell on it. But, that day, Number 23 sparked a fuse. That question showed a glimmer of a simplistic sweetness that men never gave me. Suddenly he went from being some Army kid to the boyfriend I never had.

As for sanctity - why are the highways and byways of our world littered with unfinished saints; why is it that so few Christians actually radiate Christ; why is it that two thousand years after grace enough has been merited to sanctify ten thousand times ten thousand worlds, so few humans achieve that full human maturity which is called sainthood? There is one very telling answer: we do not take our time! We either live too much in a future which has not yet come - and may not; or dwell in a past which can never return; neglecting all the while "His hour" which is "our time" - the ever present now.

Raven had been shunned and abandoned throughout his life. Friends often came and went without a word or worse, they toyed with his emotions and shared his secrets with those he chose to distrust. His loneliness was inevitable and his secrets were damaging enough. Through all of his largely brief but emotionally involved friendships and infatuations, the depression and the darkness of his past, there had been one place to which he could go for solitude—either in thought or in person—and he never shared the knowledge of its existence or its secrets with anyone. That place dwelled within him even all of these years since the summer when he was nine and all that could ever have gone wrong, did.

MY PARENTS WEREN‘T obstinate or antiauthoritarian; they were thinkers. They had learned what happens when hatred and inhumanity are accepted. Both my father and my mother were brave people who lived by their values. They had personally experienced what happens when an entire country chooses not to see something simply because it is not what they wish to see. As a result, they never accepted anything at face value. When something doesn’t feel right, they taught us, you must question it—whether it is an instruction from an authority or what a teacher says in class. At the same time, my parents didn’t dwell on the past or on things that were done to them. They didn’t forget the past, and they definitely learned from it, but Ilse and Werner Heumann moved forward. Especially Ilse. She was an optimist. And a fighter. And so am I.

I gave it up and walked down to the Sphynx. After years of waiting, it was before me at last. The great face was so sad, so earnest, so longing, so patient. There was a dignity not of earth in its mien, and in its countenance a benignity such as never any thing human wore. It was stone, but it seemed sentient. If ever image of stone thought, it was thinking. It was looking toward the verge of the landscape, yet looking at nothing—nothing but distance and vacancy. It was looking over and beyond every thing of the present, and far into the past. It was gazing out over the ocean of Time—over lines of century-waves which, further and further receding, closed nearer and nearer together, and blended at last into one unbroken tide, away toward the horizon of remote antiquity. It was thinking of the wars of departed ages; of the empires it had seen created and destroyed; of the nations whose birth it had witnessed, whose progress it had watched, whose annihilation it had noted; of the joy and sorrow, the life and death, the grandeur and decay, of five thousand slow revolving years. It was the type of an attribute of man—of a faculty of his heart and brain. It was MEMORY—RETROSPECTION—wrought into visible, tangible form. All who know what pathos there is in memories of days that are accomplished and faces that have vanished—albeit only a trifling score of years gone by—will have some appreciation of the pathos that dwells in these grave eyes that look so steadfastly back upon the things they knew before History was born—before Tradition had being—things that were, and forms that moved, in a vague era which even Poetry and Romance scarce know of—and passed one by one away and left the stony dreamer solitary in the midst of a strange new age, and uncomprehended scenes.

Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.

How easy it is to blame the present on the past, and allow history to shape the future. How many of us justify our current behaviour by reference to events long gone? Is this true within your relationship? Are you allowing past mistakes to dictate your destiny? If pain has been inflicted by a loved one, you may search for reasons and explanations that simply can’t be found. You pick away at the scar that is trying to heal, and cause the blood to flow again. You seek reassurances that you may never truly believe. The scar becomes ragged and ugly to all who can see it, and you become the walking wounded, waiting to be hurt again. Accept that your history has changed you. Rejoice in your survival. Let the wounds heal to form a stronger, more resilient you, and remember that forgiveness is not something we do for other people—we do it for ourselves. So forgive yourself for being a victim. Look positively to the here and now. Put the past behind you and think of it as somewhere you once visited, and possibly didn’t like very much. “Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.” Buddha

If you want to secure Dhyana, let go of your anxieties and failures in the past; let bygones be bygones; cast aside enmity, shame, and trouble, never admit them into your brain; let pass the imagination and anticipation of future hardships and sufferings; let go of all your annoyances, vexations, doubts, melancholies, that impede your speed in the race of the struggle for existence. As the miser sets his heart on worthless dross and accumulates it, so an unenlightened person clings to worthless mental dross and spiritual rubbish, and makes his mind a dust-heap. Some people constantly dwell on the minute details of their unfortunate circumstances, to make themselves more unfortunate than they really are; some go over and over again the symptoms of their disease to think themselves into serious illness; and some actually bring evils on them by having them constantly in view and waiting for them. A man asked Poh Chang (Hyaku-jo): "How shall I learn the Law?" "Eat when you are hungry," replied the teacher; " sleep when you are tired. People do not simply eat at table, but think of hundreds of things; they do not simply sleep in bed, but think of thousands of things."[FN#239]

To the Highland Girl of Inversneyde SWEET Highland Girl, a very shower Of beauty is thy earthly dower! Twice seven consenting years have shed Their utmost bounty on thy head: And these gray rocks, this household lawn, These trees—a veil just half withdrawn, This fall of water that doth make A murmur near the silent lake, This little bay, a quiet road That holds in shelter thy abode; In truth together ye do seem Like something fashion’d in a dream; Such forms as from their covert peep When earthly cares are laid asleep! But O fair Creature! in the light Of common day, so heavenly bright I bless Thee, Vision as thou art, I bless thee with a human heart: God shield thee to thy latest years! I neither know thee nor thy peers: And yet my eyes are fill’d with tears. With earnest feeling I shall pray For thee when I am far away; For never saw I mien or face In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scatter’d, like a random seed, Remote from men, Thou dost not need The embarrass’d look of shy distress, And maidenly shamefacédness: Thou wear’st upon thy forehead clear The freedom of a mountaineer: A face with gladness overspread, Soft smiles, by human kindness bred; And seemliness complete, that sways Thy courtesies, about thee plays; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brook’d, a strife That gives thy gestures grace and life! So have I, not unmoved in mind, Seen birds of tempest-loving kind, Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways, and dress, A shepherd, thou a shepherdess! But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea: and I would have Some claim upon thee, if I could, Though but of common neighbourhood. What joy to hear thee, and to see! Thy elder brother I would be, Thy father, anything to thee. Now thanks to Heaven! that of its grace Hath led me to this lonely place: Joy have I had; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl! from thee to part; For I, methinks, till I grow old As fair before me shall behold As I do now, the cabin small, The lake, the bay, the waterfall; And Thee, the spirit of them all

A flamenco dancer, lurking under a shadow, prepares of the terror of her dance. Somebody has wounded her with words, alluding to the fact that she has no fire, or ‘duende’. She knows she has to dance her way past her limitations, and that this may destroy her forever. She has to fail, or she has to die. I want to dwell for a little while on this dancer because, though a very secular example, she speaks very well for the power of human transcendence. I want you to imagine this frail woman. I want you to see her in deep shadow, and fear. When the music starts, she begins to dance, with ritual slowness. Then she stamps out the dampness from her soul. Then she stamps fire into her loins. She takes on a strange enchanted glow. With a dark tragic rage, shouting, she hurls her hungers, her doubts, her terrors, and her secular prayer for more light into the spaces around her. All fire and fate, she spins her enigma around us, and pulls into the awesome risk of her dance. She is taking herself apart before our sceptical gaze. She is disintegrating, shouting and stamping and dissolving the boundaries of her body. Soon, she becomes a wild unknown force, glowing in her death, dancing from her wound, dying in her dance. And when she stops – strangely gigantic in her new fiery stature – she is like one who has survived the most dangerous journey of all. I can see her now as she stands shining in celebration of her own death. In the silence that follows, no one moves. The fact is that she has destroyed us all. Why do I dwell on this dancer? I dwell on her because she represents for me the courage to go beyond ourselves. While she danced she became the dream of the freest and most creative people we had always wanted to be, in whatever it is we do. She was the sea we never ran away to, the spirit of wordless self-overcoming we never quite embrace. She destroyed us because we knew in our hearts that rarely do we rise to the higher challenges in our lives, or our work, or our humanity. She destroyed us because rarely do we love our tasks and our lives enough to die and thus be reborn into the divine gift of our hidden genius. We seldom try for that beautiful greatness brooding in the mystery of our blood. You can say in her own way, and in that moment, that she too was a dancer to God. That spirit of the leap into the unknown, that joyful giving of the self’s powers, that wisdom of going beyond in order to arrive here – that too is beyond words. All art is a prayer for spiritual strength. If we could be pure dancers in spirit, we would never be afraid to love, and we would love with strength and wisdom. We would not be afraid of speech, and we would be serene with silence. We would learn to live beyond words, among the highest things. We wouldn't need words. Our smile, our silences would be sufficient. Our creations and the beauty of our functions would be enough. Our giving would be our perpetual gift.

Perhaps the immobility of the things around us is imposed on them by our certainty that they are themselves and not anything else, by the immobility of our mind confronting them. However that may be, when I woke thus, my mind restlessly attempting, without success, to discover where I was, everything revolved around me in the darkness, things, countries, years. My body, too benumbed to move, would try to locate, according to the form of its fatigue, the position of its limbs so as to deduce from this the direction of the wall, the placement of the furniture, so as to reconstruct and name the dwelling in which it found itself. Its memory, the memory of its ribs, its knees, its shoulders, offered in succession several of the rooms where it had slept, while around it the invisible walls, changing place according to the shape of the imagined room, spun through the shadows. And even before my mind, hesitating on the thresholds of times and shapes, had identified the house by reassembling the circumstances, it—my body—would recall the kind of bed in each one, the location of the doors, the angle at which the light came in through the windows, the existence of a hallway, along with the thought I had had as I fell asleep and that I had recovered upon waking. My stiffened side, trying to guess its orientation, would imagine, for instance, that it lay facing the wall in a big canopied bed and immediately I would say to myself: “Why, I went to sleep in the end even though Mama didn’t come to say goodnight to me,” I was in the country in the home of my grandfather, dead for many years; and my body, the side on which I was resting, faithful guardians of a past my mind ought never to have forgotten, recalled to me the flame of the night-light of Bohemian glass, in the shape of an urn, which hung from the ceiling by little chains, the mantelpiece of Siena marble, in my bedroom at Combray, at my grandparents’ house, in faraway days which at this moment I imagined were present without picturing them to myself exactly and which I would see more clearly in a little while when I was fully awake.

DREAMLAND             BY a route obscure and lonely,             Haunted by ill angels only,             Where an Eidolon, named NIGHT,             On a black throne reigns upright,             I have reached these lands but newly             From an ultimate dim Thule— From a wild weird clime that lieth, sublime                 Out of SPACE—out of TIME.             Bottomless vales and boundless floods,             And chasms, and caves, and Titan woods             With forms that no man can discover             For the dews that drip all over; WHERE AN EIDOLON NAMED NIGHT ON A BLACK THRONE REIGNS UPRIGHT         Mountains toppling evermore         Into seas without a shore;         Seas that restlessly aspire,         Surging, unto skies of fire;         Lakes that endlessly outspread         Their lone waters—lone and dead,         Their still waters—still and chilly         With the snows of the lolling lily.         By the lakes that thus outspread         Their lone waters, lone and dead,—         Their sad waters, sad and chilly         With the snows of the lolling lily,—         By the mountains—near the river         Murmuring lowly, murmuring ever,—         By the grey woods,—by the swamp         Where the toad and the newt encamp,—         By the dismal tarns and pools                 Where dwell the Ghouls,—         By each spot the most unholy—         In each nook most melancholy,—         There the traveller meets aghast         Sheeted Memories of the Past—         Shrouded forms that start and sigh         As they pass the wanderer by—         White-robed forms of friends long given,         In agony, to the Earth—and Heaven.         For the heart whose woes are legion         ’Tis a peaceful, soothing region—         For the spirit that walks in shadow         ’Tis—oh, ’tis an Eldorado!         But the traveller, travelling through it,         May not—dare not openly view it;         Never its mysteries are exposed         To the weak human eye unclosed;         So wills its King, who hath forbid         The uplifting of the fringèd lid;         And thus the sad Soul that here passes         Beholds it but through darkened glasses.         By a route obscure and lonely,         Haunted by ill angels only,         Where an Eidolon, named NIGHT,         On a black throne reigns upright,         I have wandered home but newly         From this ultimate dim Thule.

Why does the mind habitually deny or resist the Now? Because it cannot function and remain in control without time, which is past and future, so it perceives the timeless Now as threatening. Time and mind are in fact inseparable. Imagine the Earth devoid of human life, inhabited only by plants and animals. Would it still have a past and a future? Could we still speak of time in any meaningful way? The question “What time is it?” or “What’s the date today?” — if anybody were there to ask it — would be quite meaningless. The oak tree or the eagle would be bemused by such a question. “What time?” they would ask. “Well, of course, it’s now. The time is now. What else is there?” Yes, we need the mind as well as time to function in this world, but there comes a point where they take over our lives, and this is where dysfunction, pain, and sorrow set in. The mind, to ensure that it remains in control, seeks continuously to cover up the present moment with past and future, and so, as the vitality and infinite creative potential of Being, which is inseparable from the Now, becomes covered up by time, your true nature becomes obscured by the mind. An increasingly heavy burden of time has been accumulating in the human mind. All individuals are suffering under this burden, but they also keep adding to it every moment whenever they ignore or deny that precious moment or reduce it to a means of getting to some future moment, which only exists in the mind, never in actuality. The accumulation of time in the collective and individual human mind also holds a vast amount of residual pain from the past. If you no longer want to create pain for yourself and others, if you no longer want to add to the residue of past pain that still lives on in you, then don’t create any more time, or at least no more than is necessary to deal with the practical aspects of your life. How to stop creating time? Realize deeply that the present moment is all you ever have. Make the Now the primary focus of your life. Whereas before you dwelt in time and paid brief visits to the Now, have your dwelling place in the Now and pay brief visits to past and future when required to deal with the practical aspects of your life situation. Always say “yes” to the present moment. What could be more futile, more insane, than to create inner resistance to something that already is? What could be more insane than to oppose life itself, which is now and always now? Surrender to what is. Say “yes” to life — and see how life suddenly starts working for you rather than against you.

O God of heaven! The dream of horror, The frightful dream is over now; The sickened heart, the blasting sorrow, The ghastly night, the ghastlier morrow, The aching sense of utter woe. The burning tears that would keep welling, The groan that mocked at every tear, That burst from out their dreary dwelling, As if each gasp were life expelling, But life was nourished by despair. The tossing and the anguished pining, The grinding teeth and starting eye; The agony of still repining, When not a spark of hope was shining From gloomy fate's relentless sky. The impatient rage, the useless shrinking From thoughts that yet could not be borne; The soul that was for ever thinking, Till nature maddened, tortured, sinking, At last refused to mourn. It's over now—and I am free, And the ocean wind is caressing me, The wild wind from the wavy main I never thought to see again. Bless thee, bright Sea, and glorious dome, And my own world, my spirit's home; Bless thee, bless all—I cannot speak; My voice is choked, but not with grief, And salt drops from my haggard cheek Descend like rain upon the heath. How long they've wet a dungeon floor, Falling on flagstones damp and grey: I used to weep even in my sleep; The night was dreadful like the day. I used to weep when winter's snow Whirled through the grating stormily; But then it was a calmer woe, For everything was drear to me. The bitterest time, the worst of all, Was that in which the summer sheen Cast a green lustre on the wall That told of fields of lovelier green. Often I've sat down on the ground, Gazing up to the flush scarce seen, Till, heedless of the darkness round, My soul has sought a land serene. It sought the arch of heaven divine, The pure blue heaven with clouds of gold; It sought thy father's home and mine As I remembered it of old. Oh, even now too horribly Come back the feelings that would swell, When with my face hid on my knee, I strove the bursting groans to quell. I flung myself upon the stone; I howled, and tore my tangled hair; And then, when the first gust had flown, Lay in unspeakable despair. Sometimes a curse, sometimes a prayer, Would quiver on my parchèd tongue; But both without a murmur there Died in the breast from whence they sprung. And so the day would fade on high, And darkness quench that lonely beam, And slumber mould my misery Into some strange and spectral dream, Whose phantom horrors made me know The worst extent of human woe. But this is past, and why return O'er such a path to brood and mourn? Shake off the fetters, break the chain, And live and love and smile again. The waste of youth, the waste of years, Departed in that dungeon thrall; The gnawing grief, the hopeless tears, Forget them—oh, forget them all!

If you constantly dwell on matters of the past, you will never move on with your life.

I dont have an on/off switch. Even when I sleep or dream I am thinking intensely. I want to sleep now but like always I have to burn out to pass out. I want to sleep yet I see so many pathways for tomorrow's and how it connects to the past. Avoid the future to create the present. Remember the past to shape the Future. Strike out in all directions. Extrapolate from a grain of sand and build an entire universe. Walk into the darkness and release the light within ourselves. A new sun is born. A new space to dwell in. Let there be light from the nothingness of ideas. But be careful: You get to close to the sun and it will enflame you & burn out your eyes. And maybe your essence of life. So many avenues of cerebral adventure constantly holding me awake. I learn and it never seems enough. The time to do so is never enough. I want to sleep. To be at peace. To not be a bio-machine. Nor an organic computer. I just want to be a simple man.

she had gone through so much a heart full of love meet the wrong touch the pain dwell on her past and a broken arm at last expectation pin her down depression has come she stayed sane on her own taking hills , being lonesome but life never gave up on her neither does she climbs up the well of suffer return to life's ecstasy accidently we known eachother through my random dm on twitter i used to call you sister just because i dont know your age number time pass by on its own a hello became deep conversation been a while since a girl caught my interest with less expectation turns to the fullest

Thousands of years of wandering stripped the Central Australian aboriginal of independent ability toplan a future, and made him master only of the moment. His dwellings always have been temporary crude things of sticks and leaves and grass, built in a few hours and abandoned at the mystic call of far-away food, water, or tribal ceremony. He gorged himself today, starved tomorrow, and shared his temporary possessions. He believed in his descent from spirit and dream forms of totemic ancestors in an amazingly intricate and ceremonial network, which still baffles many of the world’s foremost anthropologists. A curiously talented race, with the minds of designing mathematicians yet little ability to count; whose great strength and past lay back in the ages of legend and ceremony; whose future was never their own concern, but the pawn of circumstance; a people who could not think ahead, but feverishly worshipped the traditions of the past.

I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.

He refused to think about it. Qian’s words echoed to him: “A mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never break through the walls it builds.

IT WAS ALMOST December, and Jonas was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep, sickening feeling of something terrible about to happen. Frightened was the way he had felt a year ago when an unidentified aircraft had overflown the community twice. He had seen it both times. Squinting toward the sky, he had seen the sleek jet, almost a blur at its high speed, go past, and a second later heard the blast of sound that followed. Then one more time, a moment later, from the opposite direction, the same plane. At first, he had been only fascinated. He had never seen aircraft so close, for it was against the rules for Pilots to fly over the community. Occasionally, when supplies were delivered by cargo planes to the landing field across the river, the children rode their bicycles to the riverbank and watched, intrigued, the unloading and then the takeoff directed to the west, always away from the community. But the aircraft a year ago had been different. It was not a squat, fat-bellied cargo plane but a needle-nosed single-pilot jet. Jonas, looking around anxiously, had seen others—adults as well as children—stop what they were doing and wait, confused, for an explanation of the frightening event. Then all of the citizens had been ordered to go into the nearest building and stay there. IMMEDIATELY, the rasping voice through the speakers had said. LEAVE YOUR BICYCLES WHERE THEY ARE. Instantly, obediently, Jonas had dropped his bike on its side on the path behind his family’s dwelling. He had run indoors and stayed there, alone. His parents were both at work, and his little sister, Lily, was at the Childcare Center where she spent her after-school hours. Looking through the front window, he had seen no people: none of the busy afternoon crew of Street Cleaners, Landscape Workers, and Food Delivery people who usually populated the community at that time of day. He saw only the abandoned bikes here and there on their sides; an upturned wheel on one was still revolving slowly. He had been frightened then. The sense of his own community silent, waiting, had made his stomach churn. He had trembled. But it had been nothing. Within minutes the speakers had crackled again, and the voice, reassuring now and less urgent, had explained that a Pilot-in-Training had misread his navigational instructions and made a wrong turn. Desperately the Pilot had been trying to make his way back before his error was noticed. NEEDLESS TO SAY, HE WILL BE RELEASED, the voice had said, followed by silence. There was an ironic tone to that final message, as if the Speaker found it amusing; and Jonas had smiled a little, though he knew what a grim statement it had been. For a contributing citizen to be released from the community was a final decision, a terrible punishment, an overwhelming statement of failure.

A woman of faith does not dwell on her past mistakes. She walks past them and triumphs as if she never made mistakes.

My mother always cautioned me against dwelling on the past and the future. What happened will never unhappen, she liked to say; what is to happen will happen--better you focus on what's happening in front of you.

We dwell on the past thinking we could have been better or done something better. The reality is that you could never be better or do something better because some people never change and whatever is meant to be, will be.

Celebrate the present moment and never dwell on what happened in the past if you want to enjoy life.

Only those who are worthy. Who have enough energy. There is no judgment but that: whether a soul possesses enough residual power to make a hearty meal, both for myself and for the Dead Gate. As their souls pass through the Dead Gate, I take a … bite or two.” Hunt cringed inwardly. Maybe he had been too hasty in deeming the being before him not evil. The Under-King went on, “The rituals were all invented by you. Your ancestors. To endure the horror of the offering.” “But Danika was here. She answered me.” Bryce’s voice broke. “She was here. She and all of the newly dead from the past several centuries. Just long enough that their living descendants and loved ones either forget or don’t come asking. They dwell here until then in relative comfort—unless they make themselves a nuisance and I decide to send them into the Gate sooner. But when the dead are forgotten, their names no longer whispered on the wind … then they are herded through the Gate to become firstlight. Or secondlight, as it is called when the power comes from the dead. Ashes to ashes and all that.” “The Sleeping City is a lie?” Hunt asked. His mother’s face flashed before him. “A comforting one, as I have said.” The Under-King’s voice again became sorrowful. “One for your benefit.” “And the Asteri know about this?” Hunt demanded. “I would never presume to claim what the holy ones know or don’t know.” “Why are you telling us any of this?” Bryce blanched with horror. “Because he’s not letting us leave here alive,” Hunt breathed. And their souls wouldn’t live on, either. The light vanished entirely, and the voice of the Under-King echoed around them. “That is the first intelligent thing you’ve said.

A Fallen warrior with the power of …” Aidas’s groomed brows lifted in surprise. His blue opal eyes narrowed to slits—then simmered like the hottest flame. “What are you doing with a black crown around your brow?” Hunt didn’t dare let his surprise at the question show. He’d never heard it called that before—a black crown. Halo, witch-ink, mark-of-shame, but never that. Aidas looked between them now. Carefully. He didn’t bother to let Hunt answer his question before that awful smile returned. “The seven princes dwell in darkness and do not stir. We have no interest in your realm.” “I’d believe it if you and your brethren hadn’t been rattling the Northern Rift for the past two decades,” Hunt said. “And if I hadn’t been cleaning up after it.” Aidas sucked in a breath, as if tasting the air on which Hunt’s words had been delivered to him. “You do realize that it might not be my people? The Northern Rift opens to other places—other realms, yes, but other planets as well. What is Hel but a distant planet bound to yours by a ripple in space and time?” “Hel is a planet?” Hunt’s brows lowered. Most of the demons he’d killed and dealt with hadn’t been able to or inclined to speak. Aidas shrugged with one shoulder. “It is as real a place as Midgard, though most of us would have you believe it wasn’t.” The prince pointed to him. “Your kind, Fallen, were made in Midgard by the Asteri. But the Fae, the shifters, and many others came from their own worlds. The universe is massive. Some believe it has no end. Or that our universe might be one in a multitude, as bountiful as the stars in the sky or the sand on a beach.

Being mindful of the moment doesn't mean that we give up savoring memories or setting goals. I like to quote Thich Nhat Hanh: 'To dwell in the here and now does not mean you never think about the past or responsibly plan for the future,' he says. 'The idea is simply not to allow yourself to get lost in regrets about the past or worries about the future. If you are firmly grounded in the present moment, the past can be an object of inquiry, the object of your mindfulness and concentration. You can attain many insights by looking into the past. But you are still grounded in the present moment.

I read a poem today that reminded me of you.” He gave her another sideways glance, as if confessing something naughty. “Would you like to hear it?” Her knees quivered beneath her skirts. Perhaps he did feel something for her. Perhaps he is now going to declare himself! “Yes, I would.” “Your chaperone is watching us from the parapets. It would be better for me to recite it more privately.” With gentle force, he guided her behind a tall hedge. Lydia’s belly fluttered as Deveril took both her hands. His hair gleamed like an angel’s wing. Would he tell her he couldn’t let her go, that they didn’t have to go to London? That instead they could remain here…together? “She walks in beauty, like the night,” he whispered. “Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies.” Vincent’s eyes were like a turbulent sea in a moonlit storm. He gazed at her as though she was something precious. Lydia sighed as his long fingers removed a pin from her hair. “One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress,” Her breath caught as he twirled a lock of her hair. “Or softly lightens o’er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place.” His hand crept up to caress her cheek, his intent gaze never wavering. “And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow,” His lips curved in a sensual smile as he concluded. “But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!” For an eternity, they stared as if peering into each other’s souls. His fingers slid past her cheek and threaded once more through her hair, sending the remaining pins scattering into the grass. “Lydia,” he whispered. Then his lips were on hers, warm, silken, teasing.

I read a poem today that reminded me of you.” He gave her another sideways glance, as if confessing something naughty. “Would you like to hear it?” Her knees quivered beneath her skirts. Perhaps he did feel something for her. Perhaps he is now going to declare himself! “Yes, I would.” “Your chaperone is watching us from the parapets. It would be better for me to recite it more privately.” With gentle force, he guided her behind a tall hedge. Lydia’s belly fluttered as Deveril took both her hands. His hair gleamed like an angel’s wing. Would he tell her he couldn’t let her go, that they didn’t have to go to London? That instead they could remain here…together? “She walks in beauty, like the night,” he whispered. “Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies.” Vincent’s eyes were like a turbulent sea in a moonlit storm. He gazed at her as though she was something precious. Lydia sighed as his long fingers removed a pin from her hair. “One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress,” Her breath caught as he twirled a lock of her hair. “Or softly lightens o’er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place.” His hand crept up to caress her cheek, his intent gaze never wavering. “And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow,” His lips curved in a sensual smile as he concluded. “But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!” For an eternity, they stared as if peering into each other’s souls. His fingers slid past her cheek and threaded once more through her hair, sending the remaining pins scattering into the grass. “Lydia,” he whispered. Then his lips were on hers, warm, silken, teasing. Her limbs melted. Intoxicating heat unfurled low in her body. Lydia reached up to pull him closer, to demand more. Vincent pulled back before she could grasp him. He took a deep, shuddering breath. “And that is your most important lesson in courtship, Lydia. Never allow a man to get you off alone, especially if he desires to recite poetry, and particularly Lord Byron’s verses.” A strangled gasp caught in her throat at his duplicity. It had all been part of the game! “You…you…” He held up a hand. “Now slap me with your fan in retaliation for taking such liberties.” Reeling in outrage, she fumbled in the pockets of her cloak for the ineffectual weapon. Vincent shrugged, undaunted at her ire. “That is why you should keep your fan at the ready.” Seizing the bundle of cloth-covered sticks, she smacked him soundly on the arm, much harder than Miss Hobson had instructed. “You are lucky I did not have my gun,” she hissed. How could he? To

Our traditions teach us the past is not forgot, yet the past repeats the future believe it or not. If we dwell on the negative, we continue to make, an unhealthy life we must never forsake. Our fairy ring teaches us cause and effect, what we give to the world, returns to us direct!” Chepi, Meet the Little People…An Enchanting Adventure

A mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never break through the walls it builds.” Milo

Are you facing giants today? Does your problem look too big? Do your dreams seem impossible? You need to get your staff out. Instead of going around discouraged, and thinking it’s never going to work out, start dwelling on your victories. Start thinking about how you killed the lion and bear in your own life. Start remembering how far God has brought you. Rehearse all the times He opened doors, gave you promotions, healed your family members, and put you in the right places with the right people. Don’t forget your victories. On a regular basis go back over your memorial stones, and read the victories etched on your staff. When those negative memories come up, they come to all of us--the things that didn’t work out, your hurts, your failures, and your disappointments. Many people mistakenly stay on that channel and they end up stuck in a negative rut and do not expect anything good. Remember, that’s not the only channel--get your remote control and switch over to the victory channel. Expect breakthroughs. Expect problems to turn around. Expect to rise to new levels. You haven’t seen your greatest victories. You haven’t accomplished your greatest dreams. There are new mountains to climb, new horizons to explore. Don’t let past disappointments steal your passion. Don’t let the way somebody treated you sour you on life. God is still in control. It may not have happened in the past, but it can happen in the future. Draw a line in the sand and say, “That’s it. I’m done with low expectations. I’m not settling for mediocrity. I expect favor, increase, and promotion. I expect blessings to chase me down. I expect this year to be my best so far.” If you raise your level of expectancy, God will take you places you’ve never dreamed. He’ll open doors no man can shut. He will help you overcome obstacles that looked insurmountable, and you will see His goodness in amazing ways.

Thich Nhat Hanh: “To dwell in the here and now does not mean you never think about the past or responsibly plan for the future,” he says. “The idea is simply not to allow yourself to get lost in regrets about the past or worries about the future.

The big life we long to live can so often be hijacked by setbacks or stumbles, unexpected bumps in the road. But if we spend our time looking to or dwelling on the past, we may never meet the God appointment waiting for us in the future.

The idea of morphogenetic fields has been widely adopted in developmental biology. But the nature of these fields has remained obscure. Some biologists think of them as useful turns of phrase but in reality consisting of no more than "complex spatio-temporal patterns of physico-chemical interaction not yet fully understood." Others think of these fields as governed by morphogenetic field equations that exist in a Platonic realm of eternal mathematical forms. Thus the morphogentic field equations for the dinosaurs, for example, always existed, even before the Big Bang. The equations were not affected by the evolution of the dinosaurs or by their extinction. The morphogenetic field equations for all past, present, and future species, and indeed for all possible species (many of which may never actually exist), somehow dwell eternally in a transcendant mathematical realm. These mathematical truths are beyond time; they cannot evolve and are not affected by anything that actually happens in the physical world. They are like ideal designs for all possible organisms in the mind of a mathematical God.

The moment that you take your first step towards your dream goal is the moment you move forward and away from a fearful past that has been holding you back" Live your life with forward thinking and forward doing....never rest on your laurels or dwell on your failures". There is a whole world of opportunity waiting for you to arrive!

Milo pushed the scene from his mind. He refused to think about it. Qian’s words echoed to him: “A mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never

One of the things I’ve learned over the last couple of years is this—allowing yourself to live in the past will never allow you to move forward. It’s not productive to dwell in the days that have gone by, but rather learn from them. It’ll take time, but there’s always room for forgiveness.

mind that dwells in the past builds a prison it cannot escape. Control your mind, or it will control you, and you will never break through the walls it builds.

Focus on your destiny and never waste too much time dwelling on past events.

Our traditions teach us the past is not forgot, yet the past repeats the future believe it or not. If we dwell on the negative, we continue to make, an unhealthy life we must never forsake. Our fairy ring teaches us cause and effect, what we give to the world, returns to us direct!” Chepi, See the Little People…An Enchanting Adventure

Never meditate nor dwell on the past

I’ve never been prone to dwelling on the past, but I can’t help wishing that I could somehow rewind the clock, undo the unintended consequences of my fucked-up choices.

 We dream of the future and dwell in the past. We never think about the present.

I was talking to a homeless man at a laundromat recently, and he said when we reduce Christian spirituality to math, we defile the holy. I thought that was very beautiful and comforting. Because I have never been good at math. Many of our attempts to understand christian faith have only cheapened it. I can no more understand the totality of God than a pancake I made for breakfast understands the complexity of me. The little we do understand, that grain of sand our minds are capable of grasping, those ideas, such as “God is good”, “God feels”, “God knows all”, are enough to keep our hearts dwelling on his majesty and otherness forever. This past summer I made the point to catch sunsets...fire in the clouds. I never really wanted to make the trip...but once I got up there, I always loved it...all that beauty happens right above the heads of more than a million people who never notice it. Here is what I’ve started thinking. All the wonder of God happens right above our arithmetic and formula. The more I climb outside my pat answers, the more invigorating the view; the more my heart enters into worship. When we worship God, we worship a being our experience does not give us the tools to understand. If we could, God would not inspire awe.” —Blue Like Jazz, by Donald Miller

One side will have before its eyes the blessings of the past and the hope of similar joy in the future; their thoughts will dwell less on the comparatively brief pain of battle than on what they may have to endure forever, they, their children, and all their posterity. The other side has nothing to inspire it with courage except the weak urge of greed, which fades before danger and which can never be so keen, it seems to me, that it will not be dismayed by the least drop of blood from wounds.

It can never change that peace is endangered if one man tries to reserve to himself some Right which he will not share with everyone else, or if, in cases of revenge, men dwell on the greatness of the evil past, instead of thinking of the greatness of the good to follow, and so let private vendetta grow into public ruin.

Your Past never ever move you into the next level if you remind and dwell in them...

a woman’s life can be an assault course of avoiding male attention. I’ve encountered this as much as any city-dwelling woman, but as for the reason it happens – I’d never really got past ‘men are pigs’. NOT ALL MEN.

you’ll never change what you’ve done, but you can change what you’re going to do. Your past will always be a part of you, but so’s your appendix, and you sure as hell don’t need that. Sure, remind yourself it exists from time to time, but don’t get hung up on it. You don’t have enough life to live to dwell on the bad stuff.

Welcome to my home.” He said the words softly, wrapping her up in them as if they were firelight or sunshine. Very slowly, reluctantly, he allowed her feet to touch the threshold. Mikhail reached past her to open the door, then stepped back. “Do you enter my home of your own free will?” He asked it formally, his eyes burning on her face, over it, dwelling on her soft mouth before returning to her large blue eyes. She was frightened, he could read it easily, a captive wild thing wanting to trust him yet unable to, run to the ground, cornered, but still willing to fight with her last breath. She needed him almost as much as he needed her. She touched the door frame with a fingertip. “If I say no, will you take me back to the inn?” Why did she want to be with him when she knew he was so dangerous? He wasn’t pushing her; she had too much talent of her own not to know. He looked so alone, so proud, yet his eyes burned over her with hungry need. He didn’t answer her, didn’t try to persuade her, simply stood in silence, waiting. Raven sighed softly, knowing she was defeated. She had never known another human being she could just sit and talk with, even touch, without the bombardment of thoughts and emotions. That in itself was a type of seduction. She started across the threshold. Mikhail caught her arm. “Your own free will; say it.” “My own free will.” She stepped into his home, her lashes sweeping down. Raven missed the look of savage joy that lit his dark, chiseled features, but she felt the floor shift beneath her feet. An old, obscure myth rose up to haunt her. Never enter the home of a vampire of your own free will. It gives him power over you.

For the planets have changed places against the wheeling canvas of the stars. The Sun has advanced one-twelfth along the tilted wheel of her ecliptic path, and with that motion comes a new world order, a new perspective on the whole. With the Sun in Capricorn we were reserved, exacting, and lofty in our distance. When we looked upon Man, we sought to fix him: we mourned his failures and measured his gifts. We could not imagine what he might have been, had he been tempted to betray his very nature—or had he betrayed himself without temptation, better still. But there is no truth except truth in relation, and heavenly relation is composed of wheels in motion, tilting axes, turning dials; it is a clockwork orchestration that alters every minute, never repeating, never still. We are no longer sheltered in a cloistered reminiscence of the past. We now look outward, through the phantasm of our own convictions: we see the world as we wish to perfect it, and we imagine dwelling there.