Never Backtrack Quotes

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I feel like I took a wrong turn but went so far down the road I didn't have the energy to turn back. Please, Martin, you must remember this. It's never too late to turn back if you make a wrong turn. Even if it takes you a decade to backtrack, you must do it. Don't get stuck because the road back seems too long or too dark. Don't be afraid to have nothing.
Steve Toltz (A Fraction of the Whole)
Camille said, “Your trouble is, you’re backtracking. I heard you, saying the Estates would save the country. Two years ago you said nothing was possible unless we got rid of the monarchy first. Which is it, which is it to be? No, don’t answer. And will there be an inquiry into the cause of these riots? No. A few people will be hanged, that’s all. Why? Because nobody dares to ask what happened—not Louis, not Necker, not even the Duke himself. But we all know that Réveillon’s chief crime was to stand for the Estates against the candidate put up by the Duke of Orléans.” There was a hush. “One should have guessed,” Charpentier said. “One never anticipated the scale of it,” Brissot whispered. “It was planned, yes, and people were paid—but not ten thousand people. Not even the Duke could pay ten thousand people. They acted for themselves.” “And that upsets your plans?
Hilary Mantel (A Place of Greater Safety)
Adults tend to forget – or perhaps never appreciated in the first place if lifelong non-readers themselves – what a vital part of the process rereading is for children. As adults, rereading seems like backtracking at best, self-indulgence at worst. Free time is such a scarce resource that we feel we should be using it only on new things. But for children, rereading is absolutely necessary. The act of reading is itself still new. A lot of energy is still going into (not so) simple decoding of words and the assimilation of meaning. Only then do you get to enjoy the plot – to begin to get lost in the story. And only after you are familiar with the plot are you free to enjoy, mull over, break down and digest all the rest. The beauty of a book is that it remains the same for as long as you need it. It’s like being able to ask a teacher or parent to repeat again and again some piece of information or point of fact you haven’t understood with the absolute security of knowing that he/she will do so infinitely. You can’t wear out a book’s patience. And for a child there is so much information in a book, so much work to be done within and without. You can identify with the main or peripheral character (or parts of them all). You can enjoy the vicarious satisfaction of their adventures and rewards. You also have a role to play as interested onlooker, able to observe and evaluate participants’ reactions to events and to each other with a greater detachment, and consequent clarity sometimes, than they can. You are learning about people, about relationships, about the variety of responses available to them and in many more situations and circumstances (and at a much faster clip) than one single real life permits. Each book is a world entire. You’re going to have to take more than one pass at it.
Lucy Mangan (Bookworm: A Memoir of Childhood Reading)
…I was startled out of my concentration by the sound of malicious hissing. Waddling toward me with remarkable speed were two huge white geese, their heads thrust forward, mouths open like snakes with their tongues protruding, emitting a terrifying sound. I gave a low involuntary cry and began to backtrack toward my car, afraid to take my eyes off them. They covered the ground between us at a pace that forced me into a run. I barely reached my car before they caught up with me. I wrenched the door open and slammed it again with a panic I hadn't felt in years. I locked both doors, half expecting the viperous birds to batter at my windows until they gave way. For a moment they balanced, half lifted, wings flapping, black eyes bright with ill-will, their hissing faces even with mine. And then they lost interest and waddled off, honking and hissing, pecking savagely at the grass. Until that moment, it had never even occurred to me to include crazed geese among my fears, but they had suddenly shot straight to the top of the list along with worms and water bugs.
Sue Grafton (A Is for Alibi (Kinsey Millhone #1))
I have a funny story about your dad,” John says, looking at me sideways. I groan. “Oh no. What did he do?” “It wasn’t him; it was me.” He clears his throat. “This is embarrassing.” I rub my hands together in anticipation. “So, I went over to your house to ask you to eighth grade formal. I had this whole extravagant plan.” “You never asked me to formal!” “I know, I’m getting to that part. Are you going to let me tell the story or not?” “You had a whole extravagant plan,” I prompt. John nods. “So I gathered a bunch of sticks and some flowers and I arranged them into the letters FORMAL? in front of your window. But your dad came home while I was in the middle of it, and he thought I was going around cleaning people’s yards. He gave me ten bucks, and I lost my nerve and I just went home.” I laugh. “I…can’t believe you did that.” I can’t believe that this almost happened to me. What would that have felt like, to have a boy do something like that for me? In the whole history of my letters, of my liking boys, not once has a boy liked me back at the same time as I liked him. It was always me alone, longing after a boy, and that was fine, that was safe. But this is new. Or old. Old and new, because it’s the first time I’m hearing it. “The biggest regret of eighth grade,” John says, and that’s when I remember--how Peter once told me that John’s biggest regret was not asking me to formal, how elated I was when he said it, and then how he quickly backtracked and said he was only joking.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Having Nostalgia is romantic. It's the ability to Never forget something you love
Erin La Rosa (The Backtrack)
I wouldn't want this to turn into a generic Asian hodgepodge, for example. Or a brand where the Korean part is no longer core to the business. Or the branding is offensive. Remember when Abercrombie and Fitch had all those offensive Asian T-shirts a few years back? I wouldn't want that to happen." Wyatt slurped his straw. "Jessie, sometimes you really overthink it all. For a company your size, the offer is more than fair. You'll have so much money, you can go invest it somewhere and retire on a secluded beach. These guys, Rich and Tommy, they have vision! They make magic happen with any business they acquire. Their Persian Eats cookbook based on their Netflix series has held the number one spot on the bestseller list for three months. The author is this fancy Culinary Institute of the Arts instructor. Dudley something; I forget his name, some English dude. Tommy, didn't you tell me he was chomping at the bit to do a splashy Seoul Sistas cookbook?" My whole body tensed. "We already have one coming out. And did you just say a White dude would be writing a Korean Seoul Sistas cookbook?" He backtracked in the most Wyatt-like way. "I never said that exactly. And I didn't say he was White." "With a name like Dudley, he's not exactly a sista." The silence in the room was palpable. Wyatt asked, "So no deal? Any smart business leader would jump at this opportunity." My God. Was he serious? "No deal." I looked at Daniel, pleading for any lifeline he could throw me to get me out of there. He stood from his chair. "Rich, Tommy, as always, it's been a pleasure working with you these last few weeks, but my contract ends now, at five P.M. And Wyatt, I'm respectfully declining your offer of full-time employment." Wyatt's mouth formed a perfect O. "But... why?" "I have a new client to counsel. Jessie Kim. And effective immediately, we'll be declining your offer and evaluating all of our options for selling or retaining her business." I stood and pushed the chair back with my leg. "Thank you so much for finding time to meet with me, and it was great meeting you, Rich and Tommy." Shooting a death stare at Wyatt, I continued, "As a smart business leader in a new and growing category, it's best for me now to consider my options and explore alternatives.
Suzanne Park (So We Meet Again)
But within two years, seeing an opening with a conflicting patent, South Carolina refused to make the three installment payments and sued for recovery of the initial $20,000; it eventually backtracked and rescinded the suit, but not before Whitney was made to feel like a “felon, a swindler, and a villain.” While this was going on, Miller died, never getting the full satisfaction of the final settlements. The state of Georgia went even further. It accused Whitney’s patent rights of being the device of Yankee “extortion.” Whitney’s interests would be litigated in Georgia courts for the better part of a decade.
Bhu Srinivasan (Americana: A 400-Year History of American Capitalism)
Still I walked into the snow, moving to keep warm, burning precious energy searching for an answer I couldn’t think of. I didn’t turn back, compelled to continue without the trail. I didn’t want to risk futilely backtracking. If I couldn’t find the trail before dark, I could wake tomorrow disoriented and desperate, without having even made any new miles; my loss of the PCT should have distressed me, but a new instinct led me forward. In this moment of despair I was refusing to stop fighting. I asked the mountains for some guidance, the strength to get myself out of here, and pulled wild power from within myself I’d never known I’d had. I was no longer following a trail. I was learning to follow myself.
Aspen Matis (Girl in the Woods: A Memoir)
Oh, no,” said Hermione, stopping abruptly. “Turn back, turn back, I don’t want to talk to Moaning Myrtle —” “Who?” said Harry as they backtracked quickly. “She haunts one of the toilets in the girls’ bathroom on the first floor,” said Hermione. “She haunts a toilet?” “Yes. It’s been out of order all year because she keeps having tantrums and flooding the place. I never went in there anyway if I could avoid it; it’s awful trying to have a pee with her wailing at you —
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
It's better to know it up front. Backtracking a road that you should never have traveled can be mighty painful.
Bette Lee Crosby (Emily, Gone)
I didn't want to waste my time. I didn't want someone who wouldn't understand when I reference Tony Stark, Mal Reynolds, and Alexander Hamilton in the same breath―all handsome rogues, obviously. I wanted someone who didn't need me to backtrack and explain everything. Someone who would escort me to midnight showings but never ask me to dress up to attend. Someone who knew that I always, always, always wanted a Slurpee, but especially when it was snowing.
Lily Anderson
I thought you might be dead when that bomb went off. Do you think it would have hurt me less, because of your scars?” “It’s not like that—” I protest. She’s having none of it. “It’s exactly like that. You think you’re worth less than me. These don’t make you worth less than any other man. If anything, they show how much better you are than most people. You’re one of the best people I’ve ever met. And maybe I’m selfish, but that’s why I want you, all for myself.” “It’s not just the scars. It’s…” I lick my lips. I’m not good with words. “You’re so good. And pretty. And delicate. That’s not an insult,” I backtrack. “I just mean—when you’ve served, all civilians seem delicate. And soft. The things I remember, the places I’ve been… they’ve made me hard. The shit I’ve seen feels too dark and dirty for someone so normal. I’m not as bad as Matt, but I still have nightmares. I still have the memories. It feels like there’s this part of me that I have to keep away from you. It’s too dark. And you don’t need that in your life.” “Oh, Glen,” she says softly. A warm hand touches my face. “You know everything you just said is complete bullshit, right? I’m not good, or pure, or delicate, and you’re not damaged, or dirty, or hard. You’ve been through hell. And you’re right; I will never truly understand all the places that you’ve been.” She runs her hand down the side of my face. “But that doesn’t mean we can’t be together. It doesn’t mean I can’t love you.” “Okay,” I tell her. “Okay. I believe you. I—love you, too.
Lily Gold (Triple-Duty Bodyguards)
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