Network Movie Quotes

We've searched our database for all the quotes and captions related to Network Movie. Here they are! All 100 of them:

Politeness is the first thing people lose once they get the power.
Amit Kalantri (Wealth of Words)
You need mountains, long staircases don't make good hikers.
Amit Kalantri (Wealth of Words)
All worries are less with wine.
Amit Kalantri (Wealth of Words)
The job of feets is walking, but their hobby is dancing.
Amit Kalantri (Wealth of Words)
Great losses are great lessons.
Amit Kalantri (Wealth of Words)
Take care of your costume and your confidence will take care of itself.
Amit Kalantri (Wealth of Words)
Anger gets you into trouble, ego keeps you in trouble.
Amit Kalantri (Wealth of Words)
Seeing the mud around a lotus is pessimism, seeing a lotus in the mud is optimism.
Amit Kalantri (Wealth of Words)
Be a worthy worker and work will come.
Amit Kalantri (Wealth of Words)
Father has a strengthening character like the sun and mother has a soothing temper like the moon.
Amit Kalantri (Wealth of Words)
Hunger gives flavour to the food.
Amit Kalantri (Wealth of Words)
Arrogant men with knowledge make more noise from their mouth than making a sense from their mind.
Amit Kalantri (Wealth of Words)
Respect cannot be inherited, respect is the result of right actions.
Amit Kalantri (Wealth of Words)
In your name, the family name is at last because it's the family name that lasts.
Amit Kalantri (Wealth of Words)
The decision is your own voice, an opinion is the echo of someone else's voice.
Amit Kalantri (Wealth of Words)
Some people when they see cheese, chocolate or cake they don't think of calories.
Amit Kalantri (Wealth of Words)
Mixing old wine with new wine is stupidity, but mixing old wisdom with new wisdom is maturity.
Amit Kalantri (Wealth of Words)
Common man's patience will bring him more happiness than common man's power.
Amit Kalantri (Wealth of Words)
Some of us can live without a society but not without a family.
Amit Kalantri (Wealth of Words)
A farmer is a magician who produces money from the mud.
Amit Kalantri (Wealth of Words)
If you can't impress them with your argument, impress them with your actions.
Amit Kalantri (Wealth of Words)
During your struggle society is not a bunch of flowers, it is a bunch of cactus.
Amit Kalantri (Wealth of Words)
Networking isn't how many people you know, it's how many people know you.
Amit Kalantri (Wealth of Words)
With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
Fail soon so that you can succeed sooner.
Amit Kalantri (Wealth of Words)
Parents expect only two things from their children, obedience in their childhood and respect in their adulthood.
Amit Kalantri (Wealth of Words)
Travelling the road will tell you more about the road than the google will tell you about the road.
Amit Kalantri
Today it is cheaper to start a business than tomorrow.
Amit Kalantri (Wealth of Words)
If thinking should precede acting, then acting must succeed thinking.
Amit Kalantri (Wealth of Words)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
During a conversation, listening is as powerful as loving.
Amit Kalantri (Wealth of Words)
Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.
Amit Kalantri (Wealth of Words)
He who sacrifices his respect for love basically burns his body to obtain the light.
Amit Kalantri (Wealth of Words)
Good becomes better by playing against better, but better doesn't become the best by playing against good.
Amit Kalantri (Wealth of Words)
The mistakes of the world are warning message for you.
Amit Kalantri (Wealth of Words)
In the business people with expertise, experience and evidence will make more profitable decisions than people with instinct, intuition and imagination.
Amit Kalantri (Wealth of Words)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
The smell of the sweat is not sweet, but the fruit of the sweat is very sweet.
Amit Kalantri (Wealth of Words)
Be a true traveller, don't be a temporary tourist.
Amit Kalantri
In general, poor is polite and rich is rude.
Amit Kalantri (Wealth of Words)
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
If the farmer is rich, then so is the nation.
Amit Kalantri (Wealth of Words)
Think of what it must have been like in the Scholomance for all those years it was closed,” said Dru, her eyes gleaming with horror-movie delight. “All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows . . .” "If you want to think about somewhere scary, think about the Bone City,” said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters. “I’d like to go to the Scholomance,” interrupted Ty. “I wouldn’t,” said Livvy. “Centurions aren’t allowed to have parabatai.” “I’d like to go anyway,” said Ty. “You could come too if you wanted.” “I don’t want to go to the Scholomance,” said Livvy. “It’s in the middle of the Carpathian Mountains. It’s freezing there, and there are bears.” Ty’s face lit up as it often did at the mention of animals. “There are bears?” “Enough chatter,” said Diana.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
What luck has gave you will probably leave you.
Amit Kalantri (Wealth of Words)
Passion makes you good, but pride stops you to get better.
Amit Kalantri (Wealth of Words)
A professional who doesn't deliver as committed is not just lazy, he is a liar.
Amit Kalantri (Wealth of Words)
In a democracy, there will be more complaints but less crisis, in a dictatorship more silence but much more suffering.
Amit Kalantri (Wealth of Words)
Power does not pardon, power punishes.
Amit Kalantri (Wealth of Words)
Texting is not talking and a phone is not a friend.
Amit Kalantri (Wealth of Words)
I keep thinking about all the kids who got wiped out by seventeen years of war movies before coming to Vietnam to get wiped out for good. You don’t know what a media freak is until you’ve seen the way a few of those grunts would run around during a fight when they knew that there was a television crew nearby; they were actually making war movies in their heads, doing little guts-and-glory Leatherneck tap dances under fire, getting their pimples shot off for the networks. They were insane, but the war hadn’t done that to them. Most combat troops stopped thinking of the war as an adventure after their first few firefights, but there were always the ones who couldn’t let that go, these few who were up there doing numbers for the cameras… We’d all seen too many movies, stayed too long in Television City, years of media glut had made certain connections difficult.
Michael Herr (Dispatches)
When you were making excuses someone else was making enterprise.
Amit Kalantri (Wealth of Words)
A true professional not only follows but loves the processes, policies and principles set by his profession.
Amit Kalantri (Wealth of Words)
In united families, they might sleep with half filled stomach but no one sleeps with empty stomach.
Amit Kalantri (Wealth of Words)
You cannot choose your face but you can choose your dress.
Amit Kalantri (Wealth of Words)
Before we complicated life with money, machines and missiles we did well with morals, manpower and meetings.
Amit Kalantri (Wealth of Words)
With discipline, you can lose weight, you can excel in work, you can win the war.
Amit Kalantri (Wealth of Words)
A good swordsman is more important than a good sword.
Amit Kalantri (Wealth of Words)
Don't mention your move before you make a move.
Amit Kalantri (Wealth of Words)
Hands can cook, hands can create, hands can kill. There is no better tool than our hands.
Amit Kalantri (Wealth of Words)
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
Ability to find the answers is more important than ability to know the answers.
Amit Kalantri
If where you are is worthwhile then where you are from doesn't matter.
Amit Kalantri (Wealth of Words)
Creativity without discipline will struggle, creativity with discipline will succeed.
Amit Kalantri (Wealth of Words)
An assembly is extra slow in taking actions.
Amit Kalantri (Wealth of Words)
Prudence is precaution, prudence is protection.
Amit Kalantri (Wealth of Words)
A powerful process automatically takes care of progress, productivity and profits.
Amit Kalantri (Wealth of Words)
An invention is a responsibility of the individual, society cannot invent, it can only applaud the invention and inventor.
Amit Kalantri (Wealth of Words)
Let someone else be the most powerful country, make ours the most peaceful country.
Amit Kalantri (Wealth of Words)
You can take the Indian out of the family, but you cannot take the family out of the Indian.
Amit Kalantri (Wealth of Words)
To a farmer dirt is not a waste, it is wealth.
Amit Kalantri (Wealth of Words)
An entrepreneur with strong network makes money even when he is asleep.
Amit Kalantri (Wealth of Words)
Failure was a luxury we couldn't afford, all chained together as we were, our fates locked up tight. One box office flop from a female director and no one wanted "girl" movies, one stock market plunge from a company with a woman CEO and women couldn't lead, one false accusation and we were liars, all of us. Because when we failed it was because of our chromosomes, it wasn't because of a market dip or an ineffective advertising campaign or plain bad luck.
Chandler Baker (Whisper Network)
The next phase of the Digital Revolution will bring even more new methods of marrying technology with the creative industries, such as media, fashion, music, entertainment, education, literature, and the arts. Much of the first round of innovation involved pouring old wine—books, newspapers, opinion pieces, journals, songs, television shows, movies—into new digital bottles. But new platforms, services, and social networks are increasingly enabling fresh opportunities for individual imagination and collaborative creativity. Role-playing games and interactive plays are merging with collaborative forms of storytelling and augmented realities. This interplay between technology and the arts will eventually result in completely new forms of expression and formats of media. This innovation will come from people who are able to link beauty to engineering, humanity to technology, and poetry to processors. In other words, it will come from the spiritual heirs of Ada Lovelace, creators who can flourish where the arts intersect with the sciences and who have a rebellious sense of wonder that opens them to the beauty of both.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Where once universities, corporations, movie studios, and the like had been governed by a combination of relatively simple chains of command and informal patronage networks, we now have a world of funding proposals, strategic vision documents, and development team pitches—allowing for the endless elaborations of new and ever more pointless levels of managerial hierarchy, staffed by men and women with elaborate titles, fluent in corporate jargon, but who either have no firsthand experience of what it's like to do the work they are supposed to be managing, or who have done everything in their power to forget it.
David Graeber (Bullshit Jobs: A Theory)
instead.” “Do you really have to curse so much? And are you serious when you use terms like hit the pavement? This isn’t a movie or one of those weekly cop shows. Policemen and women, and investigators like Lizzy, don’t need to ‘hit the pavement’ now that so much information is at their fingertips. It’s not stupid. It’s life in the modern world. Pretty soon they won’t need to chase after criminals in high-speed chases either. The police will tag a car with a laser-guided GPS tracking system. Once the transmitter is attached to the fleeing car, the police can track the suspect over a wireless network, then hang back and let the crook believe he’s outrun
T.R. Ragan (Dead Weight (Lizzy Gardner, #2))
TV movie announced by USA Network also occupied Mary Kay's time and though she didn't
Gregg Olsen (If Loving You is Wrong)
Trekking means a travelling experience with a thrilling excitement.
Amit Kalantri
In a democracy government is the God.
Amit Kalantri (Wealth of Words)
No tricks, no tools, but talent makes a task truly top class.
Amit Kalantri (Wealth of Words)
State first, subject second, statesman last.
Amit Kalantri (Wealth of Words)
Action achieves ambition.
Amit Kalantri (Wealth of Words)
Simplicity saves strength.
Amit Kalantri (Wealth of Words)
Most of the people readily accept the principle but resist its practice.
Amit Kalantri (Wealth of Words)
Anything which you have in profusion is poison
Amit Kalantri (Wealth of Words)
Fear of failure is fiction, face this fact and fear will fall.
Amit Kalantri (Wealth of Words)
Making a product is just an activity, making a profit on a product is the achievement.
Amit Kalantri (Wealth of Words)
A poor, who hates power, once become powerful, hates poor.
Amit Kalantri (Wealth of Words)
It is the sweat of the servants that make their squire look smart.
Amit Kalantri (Wealth of Words)
In any game, the game itself is the prize, no matter who wins, ultimately both lose the game.
Amit Kalantri (Wealth of Words)
Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.
Brian Koppelman
Trends working at least marginally towards the implantation of a very narrow range of attitudes, memories and opinions include control of major television networks and newspapers by a small number of similarly motivated powerful corporations and individuals, the disappearance of competitive daily newspapers in many cities, the replacement of substantive debate by sleaze in political campaigns, and episodic erosion of the principle of the separation of powers. It is estimated (by the American media expert Ben Bagditrian) that fewer than two dozen corporations control more than half of the global business in daily newspapers, magazines, television, books and movies!
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
My mother showed her gratitude for her life in exile by alluding to India’s modernity: the expansive railway network; the Bollywood movies she came to love for their tumultuous stories which ultimately conceded to the cardinal guidelines she held in her own life- love, family and duty. Still, it was Tibet’s antiquity that anchored her in exile. It was phayul she longed for when her skin was scorched by the summer heat of India’s plains. When she drank milk she compared it to the milk of her childhood for such sweetness and creaminess was not easily forgotten, and when she felt nauseous riding the buses that weaved their way around curvaceous mountain roads she spoke of the horses she had loved to ride.
Tsering Wangmo Dhompa (A Home in Tibet)
SOCIAL/GENERAL ICEBREAKERS 1. What do you think of the movie/restaurant/party? 2. Tell me about the best vacation you’ve ever taken. 3. What’s your favorite thing to do on a rainy day? 4. If you could replay any moment in your life, what would it be? 5. What one thing would you really like to own? Why? 6. Tell me about one of your favorite relatives. 7. What was it like in the town where you grew up? 8. What would you like to come back as in your next life? 9. Tell me about your kids. 10. What do you think is the perfect age? Why? 11. What is a typical day like for you? 12. Of all the places you’ve lived, tell me about the one you like the best. 13. What’s your favorite holiday? What do you enjoy about it? 14. What are some of your family traditions that you particularly enjoy? 15. Tell me about the first car you ever bought. 16. How has the Internet affected your life? 17. Who were your idols as a kid? Have they changed? 18. Describe a memorable teacher you had. 19. Tell me about a movie/book you’ve seen or read more than once. 20. What’s your favorite restaurant? Why? 21. Tell me why you were named ______. What is the origin of your last name? 22. Tell me about a place you’ve visited that you hope never to return to. get over your mom’s good intentions. 23. What’s the best surprise you’ve ever received? 24. What’s the neatest surprise you’ve ever planned and pulled off for someone else? 25. Skiing here is always challenging. What are some of your favorite places to ski? 26. Who would star as you in a movie about your life? Why that person? 27. Who is the most famous person you’ve met? 28. Tell me about some of your New Year’s resolutions. 29. What’s the most antiestablishment thing you’ve ever done? 30. Describe a costume that you wore to a party. 31. Tell me about a political position you’d like to hold. 32. What song reminds you of an incident in your life? 33. What’s the most memorable meal you’ve eaten? 34. What’s the most unforgettable coincidence you’ve experienced or heard about? 35. How are you able to tell if that melon is ripe? 36. What motion picture star would you like to interview? Why? 37. Tell me about your family. 38. What aroma brings forth a special memory? 39. Describe the scariest person you ever met. 40. What’s your favorite thing to do alone? 41. Tell me about a childhood friend who used to get you in trouble. 42. Tell me about a time when you had too much to eat or drink. 43. Describe your first away-from-home living quarters or experience. 44. Tell me about a time that you lost a job. 45. Share a memory of one of your grandparents. 46. Describe an embarrassing moment you’ve had. 47. Tell me something most people would never guess about you. 48. What would you do if you won a million dollars? 49. Describe your ideal weather and why. 50. How did you learn to ski/hang drywall/play piano?
Debra Fine (The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills and Leave a Positive Impression!)
Sometime in the fifties I remember seeing On the Waterfront in the movies with Mary and thinking that I’m at least as bad as that Marlon Brando character and that some day I’d like to get in union work. The Teamsters gave me good job security at Food Fair. They could only fire you if they caught you stealing. Let me put it another way, they could only fire you if they caught you stealing and they could prove it. • chapter eight • Russell Bufalino In 1957 the mob came out of the closet. It came out unwillingly, but out it came. Before 1957 reasonable men could differ over whether an organized network of gangsters existed in America. For years FBI director J. Edgar Hoover had assured America that no such organization existed, and he deployed the FBI’s greatest resources to investigate suspected Communists. But as a result of the publicity foisted on the mob in 1957, even Hoover came on board. The organization was dubbed “La Cosa Nostra,” meaning “this thing of ours,” a term heard on government wiretaps. Ironically,
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
- Family Tell me about your family. Does everyone live in the area? What do you like best about being a father/mother/son/aunt, etc.? -Occupation What got you into your current job? How did you come up with that idea? What are some of the toughest challenges in your job? If you could change one thing about your job, what would it be? How has the Internet impacted your business/industry? - Recreation What do you do for fitness? What kinds of things does your family do for fun? How do you spend your leisure time? What’s been your favorite vacation? - Miscellaneous Have you seen any good movies lately? What do you think about ————— [news event]? Are you reading anything you really enjoy?
Debra Fine (The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills and Leave a Positive Impression!)
Starting with a Statement •What a beautiful day.What’s your favorite season of the year? •I was truly touched by that movie.How did you like it? Why? •This is a wonderful restaurant.What is your favorite restaurant? Why? •What a great conference! Tell me about the sessions you attended. •I was absent last week.What did I miss? •That was an interesting program after lunch.What did you think? •Presidential campaigns seem to start immediately after the inauguration.What do you think of the campaign process? •I am so frustrated with getting this business off the ground.Do you have any ideas? •I am excited about our new mayor.How do you think her administration will be different from her predecessor’s? •Your lawn always looks so green.What is your secret? •We’ve been working together for months now.I’d like to get to know you better.Tell me about some of your outside interests. •You worked pretty hard on that stair stepper.What other equipment do you use? •You always wear such attractive clothes.What are your favorite stores? •What a beautiful home.How do you manage to run a house with four children? •I read in the newspaper that our governor has taken another trip overseas.What do you think of all his travel?
Debra Fine (The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills and Leave a Positive Impression!)
My sisters and I giggled at “Dance: Ten; Looks: Three” (“Tits and ass / bought myself a fancy pair / tightened up the derriere”) while our parents sat in the front of the car—my father at the wheel, my mom in the passenger seat—both distracted and nonplussed. We flipped through the Jacqueline Susann and Harold Robbins hardbacks in my grandmother’s bookshelf and watched The Exorcist on the Z Channel (the country’s first pay-cable network that premiered in LA in the mid-’70s) after our parents sternly told us not to watch it, but of course we did anyway and got properly freaked out. We saw skits about people doing cocaine on Saturday Night Live, and we were drawn to the allure of disco culture and unironic horror movies. We consumed all of this and none of it ever triggered us—we were never wounded because the darkness and the bad mood of the era was everywhere, and when pessimism was the national language, a badge of hipness and cool. Everything was a scam and everybody was corrupt and we were all being raised on a diet of grit. One could argue that this fucked us all up, or maybe, from another angle, it made us stronger. Looking back almost forty years later, it probably made each of us less of a wuss. Yes, we were sixth and seventh graders dealing with a society where no parental filters existed. Tube8.com was not within our reach, fisting videos were not available on our phones, nor were Fifty Shades of Grey or gangster rap or violent video games, and terrorism hadn’t yet reached our shores, but we were children wandering through a world made almost solely for adults. No one cared what we watched or didn’t, how we felt or what we wanted, and we hadn’t yet become enthralled by the cult of victimization. It was, by comparison to what’s now acceptable when children are coddled into helplessness, an age of innocence.
Bret Easton Ellis (White)
Nope. Look. The Raft is a media event. But in a much more profound, general sense than you can possibly imagine." "Huh?" "It's created by the media in that without the media, people wouldn't know it was here, Refus wouldn't come out and glom onto it the way they do. And it sustains the media. It creates a lot of information flow-movies, news reports - - you know." "So you're creating your own news event to make money off the information flow that it creates?" says the journalist, desperately trying to follow. His tone of voice says that this is all a waste of videotape. His weary attitude suggests that this is not the first time Rife has flown off on a bizarre tangent. "Partly. But that's only a very crude explanation. It really goes a lot deeper than that. You've probably heard the expression that the Industry feeds off of biomass, like a whale straining krill from the ocean." "I've heard the expression, yes." "That's my expression. I made it up. An expression like that is just like a virus, you know -- it's a piece of information -- data -- that spreads from one person to the next. Well, the function of the Raft is to bring more biomass. To renew America. Most countries are static, all they need to do is keep having babies. But America's like this big old clanking, smoking machine that just lumbers across the landscape scooping up and eating everything in sight. Leaves behind a trail of garbage a mile wide. Always needs more fuel... "Now I have a different perspective on it. America must look, to those poor little buggers down there, about the same as Crete looked to those poor Greek suckers. Except that there's no coercion involved. Those people down there give up their children willingly. Send them into the labyrinth by the millions to be eaten up. The Industry feeds on them and spits back images, sends out movies and TV programs, over my networks, images of wealth and exotic things beyond their wildest dreams, back to those people, and it gives them something to dream about, something to aspire to. And that is the function of the Raft. It's just a big old krill carrier." Finally the journalist gives up on being a journalist, just starts to slag L. Bob Rife openly. He's had it with this guy. "That's disgusting. I can't believe you can think about people that way." "Shit, boy, get down off your high horse. Nobody really gets eaten. It's just a figure of speech. They come here, they get decent jobs, find Christ, buy a Weber grill, and live happily ever after. What's wrong with that?
Neal Stephenson (Snow Crash)
The US traded its manufacturing sector’s health for its entertainment industry, hoping that Police Academy sequels could take the place of the rustbelt. The US bet wrong. But like a losing gambler who keeps on doubling down, the US doesn’t know when to quit. It keeps meeting with its entertainment giants, asking how US foreign and domestic policy can preserve its business-model. Criminalize 70 million American file-sharers? Check. Turn the world’s copyright laws upside down? Check. Cream the IT industry by criminalizing attempted infringement? Check. It’ll never work. It can never work. There will always be an entertainment industry, but not one based on excluding access to published digital works. Once it’s in the world, it’ll be copied. This is why I give away digital copies of my books and make money on the printed editions: I’m not going to stop people from copying the electronic editions, so I might as well treat them as an enticement to buy the printed objects. But there is an information economy. You don’t even need a computer to participate. My barber, an avowed technophobe who rebuilds antique motorcycles and doesn’t own a PC, benefited from the information economy when I found him by googling for barbershops in my neighborhood. Teachers benefit from the information economy when they share lesson plans with their colleagues around the world by email. Doctors benefit from the information economy when they move their patient files to efficient digital formats. Insurance companies benefit from the information economy through better access to fresh data used in the preparation of actuarial tables. Marinas benefit from the information economy when office-slaves look up the weekend’s weather online and decide to skip out on Friday for a weekend’s sailing. Families of migrant workers benefit from the information economy when their sons and daughters wire cash home from a convenience store Western Union terminal. This stuff generates wealth for those who practice it. It enriches the country and improves our lives. And it can peacefully co-exist with movies, music and microcode, but not if Hollywood gets to call the shots. Where IT managers are expected to police their networks and systems for unauthorized copying – no matter what that does to productivity – they cannot co-exist. Where our operating systems are rendered inoperable by “copy protection,” they cannot co-exist. Where our educational institutions are turned into conscript enforcers for the record industry, they cannot co-exist. The information economy is all around us. The countries that embrace it will emerge as global economic superpowers. The countries that stubbornly hold to the simplistic idea that the information economy is about selling information will end up at the bottom of the pile. What country do you want to live in?
Cory Doctorow (Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future)