Neptune Deep Quotes

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Percy tried to remember. He really did. For some reason, Annabeth and he had visited a spa and decided to destroy it. He couldn't imagine why. Maybe they hadn't like the deep-tissue massage? Maybe they'd gotten bad manicures?
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
They took turns looking deep, deep into the universe: Saturn like a knee that had been dipped in iodine, Neptune like a peach covered in mold, Jupiter like a half sucked jawbreaker, Mercury like a large shooter marble, galaxies like crushed candy, galaxies like the suds from a bubble bath blown off the palm of your hand.
Heather O'Neill (The Lonely Hearts Hotel)
Curl moaned. Mattie rocked. Propelled by the sound, Mattie rocked her out of that bed, out of that room, into a blue vastness just underneath the sun and above time. She rocked her over Aegean seas so clean they shine like crystal, so clear the fresh blood of sacrificed babies torn from their mothers arms and given to Neptune could be seen like pink froth on the water. She rocked her on and on, past Dachau, where soul-gutted Jewish mothers swept their children's entrails off laboratory floors. They flew past the spilled brains of Senegalese infants whose mothers had dashed them on the wooden sides of slave ships. And she rocked on. She rocked her into her childhood and let her see murdered dreams. And she rocked her back, back into the womb, to the nadir of her hurt, and they found it-a slight silver splinter, embedded just below the surface of her skin. And Mattie rocked and pulled-and the splinter gave way, but its roots were deep, gigantic, ragged, and they tore up flesh with bits of fat and muscle tissue clinging to them. They left a huge hole, which was already starting to pus over, but Mattie was satisfied. It would heal.
Gloria Naylor (The Women of Brewster Place)
They took turns looking deep, deep into the universe: Saturn like a knee that had been dipped in iodine, Neptune like a peach covered in mold, Jupiter like a half-sucked jawbreaker, Mercury like a large shooter marble, galaxies like crushed candy, galaxies like the suds from a bubble bath blown off the palm of your hand.
Heather O'Neill
People with the Moon in hard aspect to Mars, Saturn, Uranus, Neptune or Pluto may still harbour a deep fear that they will destroy or lose those they love. They may have—way in the back of their minds—the idea that if they love something they will destroy it. It could be that as children they felt angry towards the mother and then the next day she fell ill or had to go away for some reason, and the children are left thinking that they have caused that. Or sometimes this pattern is there for children who have been breast fed and then for some reason they lose the breast—the milk dries up or the mother becomes ill. These children may be left feeling that their greed exhausted the breast. Later in life, they still have a nebulous fear that those they love will die, or leave them, or be driven away.
Liz Greene (The Development of Personality: Seminars in Psychological Astrology (Seminars in Psychological Astrology ; V. 1))
Ceil moaned. Mattie rocked. Propelled by the sound, Mattie rocked her out of that bed, out of that room, into a blue vastness just underneath the sun and above time. She rocked her over Aegean seas so clean they shine like crystal, so clear the fresh blood of sacrificed babies torn from their mothers arms and given to Neptune could be seen like pink froth on the water. She rocked her on and on, past Dachau, where soul-gutted Jewish mothers swept their children's entrails off laboratory floors. They flew past the spilled brains of Senegalese infants whose mothers had dashed them on the wooden sides of slave ships. And she rocked on. She rocked her into her childhood and let her see murdered dreams. And she rocked her back, back into the womb, to the nadir of her hurt, and they found it-a slight silver splinter, embedded just below the surface of her skin. And Mattie rocked and pulled-and the splinter gave way, but its roots were deep, gigantic, ragged, and they tore up flesh with bits of fat and muscle tissue clinging to them. They left a huge hole, which was already starting to pus over, but Mattie was satisfied. It would heal.
Gloria Naylor (The Women of Brewster Place)
This is the mighty and branching tree called mythology which ramifies round the whole world whose remote branches under separate skies bear like colored birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forest and buried amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths and he who has no sympathy with myths has no sympathy with men. But he who has most Sympathy with myths will most fully realize that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say 'I believe in Jupiter and Juno and Neptune,' etc., as he stands up and says 'I believe in God the Father Almighty' and the rest of the Apostles' Creed.... Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name, or some noble memory in moments that are themselves noble and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice....A child pretending there is a goblin in a hollow tree will do a crude and material thing like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history did come when St. Paul declared to them whom they had worshipped. The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all..... There is nothing in Paganism whereby one may check his own exaggerations.... The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull’s blood, as did Julian the Apostate.
G.K. Chesterton (The Everlasting Man)
Percy looked over at the praetor’s table. Most of the senior officers were in deep conversation with Reyna. Nico and his two captives, Don and Vitellius, stood on the periphery. Dakota was
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
I tell her I’ve missed her, and she asks me what specifically I’ve missed. ‘I got all my scientific facts from you, for one thing. ‘I’m a total brain because of the information you gave me. Ask me a question. I’ll prove it.’ ‘Name the nine planets,’ she says. She watches me thinking. ‘You look like you’re in pain.’ ‘That’s my look of absolute genius. You don’t have a similar look?’ ‘I hope not,’ she says. ‘Well, that probably means you’re not an absolute genius. Okay. Nine planets: Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune.’ ‘That’s eight.’ ‘Thanks to information you gave me in Year 7, I know that was a trick question. There are only eight planets. Pluto is a dwarf planet.’ ‘Impressive,’ she says. ‘You should kiss me.’ ‘I should name the eight planets more often.
Cath Crowley (Words in Deep Blue)
At the Southport pier there was laughter and excitement mixed with a certain amount of tenseness. Mr. and Mrs. Hardy, Aunt Gertrude, the Mortons, and the Hoopers had gathered to watch the departure of the Father Neptune. Mr. McClintock, who had invited Biff, was already aboard and kept running around, getting in the crew’s way until finally the first mate suggested firmly that he go to his stateroom. Presently a whistle blew. The boys hurried up the gangplank. Minutes later tugs pushed the freighter away from the dock. Out in the deep water the tugs cast off, and the ship’s engines began to throb steadily. Soon she swung off through the gap at the mouth of Southport Bay and headed out to sea.
Franklin W. Dixon (The Phantom Freighter (Hardy Boys, #26))
The private ballroom, with its elaborate plasterwork scenes of Neptune, mermaids, porpoises, and fish, was a perfect backdrop for Vivien. She resembled a mermaid herself, wearing a green silk gown that clung to every curve of her body. The deep neckline and hem of the gown were trimmed with ruchings of white satin and dark green gauze, and the sleeves were mere wisps of gauze at the shoulders. It did not escape Grant's or any other man's attention that Vivien had dampened her skirts to cling more closely to her legs and hips, heedless of the bitter clime outside. That first sight of her was like a blow to the stomach. She wasn't classically beautiful, but she was as vibrant as a flame, with an intriguing combination of sweetness and witchery in her face. Her mouth was a fantasy come true, tender, full, and unmistakably carnal. The mass of her sunset-red curls had been pinned at the crown of her head, exposing a vulnerable neck and the most beautiful ivory shoulders Grant had ever seen.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Death has more in common with Love than you can imagine
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Ciel moaned. Mattie rocked. Propelled by the sound, Mattie rocked her out of that bed, out of that room, into a blue vastness just underneath the sun and above time. She rocked her over Aegean seas so clean they shone like crystal, so clear the fresh blood of sacrificed babies torn from their mother’s arms and given to Neptune could be seen like pink froth on the water. She rocked her on and on, past Dachau, where soul-gutted Jewish mothers swept their children’s entrails off laboratory floors. They flew past the spilled brains of Senegalese infants whose mothers had dashed them on the wooden sides of slave ships. And she rocked on. She rocked her into her childhood and let her see murdered dreams. And she rocked her back, back into the womb, to the nadir of her hurt, and they found it—a slight silver splinter, embedded just below the surface of the skin. And Mattie rocked and pulled—and the splinter gave way, but its roots were deep, gigantic, ragged, and they tore up flesh with bits of fat and muscle tissue clinging to them. They left a huge hole, which was already starting to pus over, but Mattie was satisfied. It would heal.
Gloria Naylor (The Women of Brewster Place)