“
I think we've been through a period where too many people have been given to understand that if they have a problem, it's the government's job to cope with it. 'I have a problem, I'll get a grant.' 'I'm homeless, the government must house me.' They're casting their problem on society. And, you know, there is no such thing as society. There are individual men and women, and there are families. And no government can do anything except through people, and people must look to themselves first. It's our duty to look after ourselves and then, also to look after our neighbour. People have got the entitlements too much in mind, without the obligations. There's no such thing as entitlement, unless someone has first met an obligation.
”
”
Margaret Thatcher
“
Well, Steve [Jobs]… I think it’s more like we both had this rich neighbour named Xerox and I broke into his house to steal the TV set and found out that you had already stolen it.
”
”
Bill Gates
“
A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life's end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?
”
”
Charles Dickens (A Tale of Two Cities)
“
I remember when the houses used to whiz by as I walked—nearly running—to and from home. Ma would ask me afterwards about what I’d seen, whether certain neighbours were out, what I thought about someone’s new garden wall. I’d never noticed; it had all gone past in a flash. Now I have plenty of time to look at everything, and no one to tell what I’ve seen.
”
”
Emma Healey (Elizabeth Is Missing)
“
In the first place, Cranford is in possession of the Amazons; all the holders of houses above a certain rent are women. If a married couple come to settle in the town, somehow the gentleman disappears; he is either fairly frightened to death by being the only man in the Cranford parties, or he is accounted for by being with his regiment, his hip, or closely engaged in business all the week in the great neighbouring commercial town of Drumble, distant only twenty miles on a railroad. In short, whatever does become of the gentlemen, they are not at Cranford.
”
”
Elizabeth Gaskell (Cranford)
“
If your lot makes you cry and be wretched, get rid of it and take another; strike out for yourself; don't listen to the shriek of your relations...don't be afraid of public opinion in the shape of the neighbours in the next house, when all the world is before you new and shining, and everything is possible, if you will only be energetic and independent and seize opportunity by the scruff of the neck.
”
”
Elizabeth von Arnim (Elizabeth and Her German Garden (Elizabeth))
“
If you really want to make a friend, go round someone's house with a freshly baked loaf of sourdough bread!
”
”
Chris Geiger
“
My neighbour is the very famous Johnny Depp, who looks away should I ever appear. When my seven-year tenure at Sweetzer ends, Johnny Depp will buy the house for use as a guest annex.
”
”
Morrissey (Autobiography)
“
Three hundred years ago people in England were putting witches to death. Was that what you call the 'Rule of Human Nature or Right Conduct?’ But surely the reason we do not execute witches is that we do not believe there are such things. If we did—if we really thought that there were people going about who had sold themselves to the devil and received supernatural powers from him in return and were using these powers to kill their neighbours or drive them mad or bring bad weather—surely we would all agree that if anyone deserved the death penalty, then these filthy quislings did? There is no difference of moral principle here: the difference is simply about matter of fact. It may be a great advance in knowledge not to believe in witches: there is no moral advance in not executing them when you do not think they are there. You would not call a man humane for ceasing to set mousetraps if he did so because he believed there were no mice in the house.
”
”
C.S. Lewis (Mere Christianity)
“
... go down to the country, take a house, get interested in local politics, in local scandal, in village gossip. Take an inquisitive and violent interest in your neighbours.
”
”
Agatha Christie (The Moving Finger (Miss Marple, #3))
“
In the beginning…
But of course we never see the beginning. We come in in the middle, after the lights have gone down, and try to make some sense of the story so far. Whisper to our neighbours “Who’s he? Who’s she? Have they met each other before?”
We get by.
”
”
Neil Gaiman (The Sandman, Vol. 2: The Doll's House)
“
Once I realized that I inevitably fail whenever I try to navigate borders, I decided to stay within the confines of my house as much as possible. And since this house has many windows, through which the neighbours and their children can easily see me, and catch me trespassing borders even when I’m in my own house, I hung the curtains, although I’ll inevitably forget to close them sometimes.
”
”
Adania Shibli (Minor Detail)
“
Well, surely, you will agree that a great improvement could be made simply by cutting down those trees that crowd about the house so much and darken every room? They grow just as they please – just where the acorn or seed fell, I suppose.” “What?” asked Strange, whose eyes had wandered back to his book during the latter part of the conversation. “The trees,” said Henry. “Which trees?” “Those,” said Henry, pointing out of the window to a whole host of ancient and magnificent oaks, ashes and beech trees. “As far as neighbours go, those trees are quite exemplary. They mind their own affairs and have never troubled me. I rather think that I will return the compliment.” “But they are blocking the light.” “So are you, Henry, but I have not yet taken an axe to you.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
We're a lukewarm people for all our feast days and hard work. Not much touches us, but we long to be touched. We lie awake at night willing the darkness to part and show us a vision. Our children frighten us in their intimacy, but we make sure they grow up like us. Lukewarm like us. On a night like this, hands and faces hot, we can believe that tomorrow will show us angels in jars and that the well-known woods will suddenly reveal another path. Last time we had a bonfire, a neighbour tried to pull down the boards of his house. [...] I sometimes wonder why none of us tried to stop him. I think we wanted him to do it, to do it for us. To tear down our long-houred lives and let us start again. Clean and simple with open hands.
”
”
Jeanette Winterson (The Passion)
“
To the person who has anything to conceal—to the person who wants to lose his identity as one leaf among the leaves of a forest—to the person who asks no more than to pass by and be forgotten, there is one name above others which promises a haven of safety and oblivion. London. Where no one knows his neighbour. Where shops do not know their customers. Where physicians are suddenly called to unknown patients whom they never see again. Where you may lie dead in your house for months together unmissed and unnoticed till the gas-inspector comes to look at the meter. Where strangers are friendly and friends are casual. London, whose rather untidy and grubby bosom is the repository of so many odd secrets. Discreet, incurious and all-enfolding London.
”
”
Dorothy L. Sayers (Unnatural Death (Lord Peter Wimsey, #3))
“
The author of these Travels, Mr. Lemuel Gulliver, is my ancient and intimate friend; there is likewise some relation between us on the mother's side. About three years ago, Mr. Gulliver growing weary of the concourse of curious people coming to him at his house in Redriff, made a small purchase of land, with a convenient house, near Newark, in Nottinghamshire, his native country; where he now lives retired, yet in good esteem among his neighbours.
”
”
Jonathan Swift (Gulliver's Travels)
“
Work done off the paid job is looked down upon if not ignored. autonomous activity threatens the employment level, generates deviance, and detracts from the GNP...Work no longer means the creation of a value perceived by the worker but mainly a job, which is a social relationship. Unemployment means sad idleness, rather than the freedom to do things that are useful for oneself or for one's neighbour. An active woman who runs a house and brings up children and takes in those of others is distinguished from a woman who 'works,' no matter how useless or damaging the product of this work might be.
”
”
Ivan Illich (The Right to Useful Unemployment: And Its Professional Enemies)
“
It is entirely undesirable that on modern housing estates only one type of citizen should live,’ he argued. ‘If we are to enable citizens to lead a full life, if they are each to be aware of the problems of their neighbours, then they should all be drawn from different sectors of the community. We should try to introduce what was always the lovely feature of English and Welsh villages, where the doctor, the grocer, the butcher and the farm labourer all lived in the same street.
”
”
Owen Jones (Chavs: The Demonization of the Working Class)
“
I think we have gone through a period when too many children and people have been given to understand 'I have a problem, it is the government's job to cope with it!' or 'I have a problem, I will go and get a grant to cope with it!'; 'I am homeless, the government must house me!' and so they are casting their problems on society and who is society?
"There is no such thing! There are individual men and women and there are families, and no government can do anything except through people and people look to themselves first.
"It is our duty to look after ourselves and then also to help look after our neighbour and life is a reciprocal business and people have got the entitlements too much in mind without the obligations.
”
”
Margaret Thatcher
“
I built myself a house of glass:
It took my years to make it:
And I was proud. But now, alas!
Would God someone would break it.
But it looks too magnificent.
No neighbour casts a stone
From where he dwells, in tenement
Or palace of glass, alone.
”
”
Edward Thomas
“
The large rooms are too cramped and close. She cannot endure their restraint, and will walk alone in a neighbouring garden.
”
”
Charles Dickens (Bleak House (AmazonClassics Edition))
“
When he reached the yard gate and found the padlock seized with frost, he felt the strain of being alive and wished he had stayed in bed, but he made himself carry on and crossed to a neighbour’s house, whose light was on.
”
”
Claire Keegan (Small Things Like These)
“
Most people do not mind having a house that is smaller and/or a car that is cheaper than their neighbours’, as long as they each earn and have more money than their neighbours, and, equally important, their neighbours know that.
”
”
Mokokoma Mokhonoana
“
He carried me to a neighbouring house, put me to bed, gave me food, waited upon me, consoled me, flattered me; he told me that he had never seen any one so beautiful as I, and that he never so much regretted the loss of what it was impossible to recover.
”
”
Voltaire (Candide)
“
I could see similar townhouses on the opposite side of the street. There were six of them in a row, and the front of each had been painted a slightly different colour, to prevent a resident climbing the wrong steps and entering a neighbour’s house by mistake.
”
”
Kazuo Ishiguro (Klara and the Sun)
“
The pressure of public opinion can do in the town what the law cannot accomplish. There is no lane so vile that the scream of a tortured child, or the thud of a drunkard's blow, does not beget sympathy and indignation among the neighbours, and then the whole machinery of justice is ever so close that a word of complaint can set it going, and there is but a step between the crime and the dock. But look at these lonely houses, each in its own fields, filled for the most part with poor ignorant folk who know little of the law. Think of the deeds of hellish cruelty, the hidden wickedness which may go on, year in, year out, in such places, and none the wiser.
”
”
Arthur Conan Doyle (The Complete Sherlock Holmes (Illustrated))
“
I have got my leave. Bid me farewell, my brothers! I bow to you all and take my departure.
Here I give back the keys of my door---and I give up all claims to my house. I only ask for last kind words from you.
We were neighbours for long, but I received more than I could give. Now the day has dawned and the lamp that lit my dark corner is out. A summons has come and I am ready for my journey.
”
”
Rabindranath Tagore (Gitanjali)
“
But Nick still had one person left to speak to. Mark. “How did you survive?” he asked as Mark left Simi, who was licking her fingers and joined them by the truck. Mark flashed him a grin. “What? Did you forget the first rule I taught you, boy?” Nick scowled as he tried to remember Mark’s various rules for survival. “Duck urine chases away every living and unliving thing?”
“Nah, that’s number six. Rule number one: I don’t have to outrun the zombie. I just have to outrun you. How you think Eric and Tabitha got captured?” Tabitha laughed. “Oh please. Inspector Gadget over there made a blowtorch out of Eric’s art sealant and a lighter. I’m not sure the house is stil standing, but he got us out of there and Simi covered the rest of our retreat. We’d have gotten away completely had Eric not tripped and I made the mistake of going back for him while Mark was hot-wiring a neighbour’s car.” Nick laughed at more proof Mark wasn’t completely insane.
Never go back for the fallen unless you want to be captured or killed. Unless the fallen was Bubba, who usually had a larger calibre of weapons. Mark sighed. “By the time I realized they weren’t behind me, they were gone and I was sick over it. I really thought they’d gotten eaten. But luckily I saw your girlfriend under attack and, with Simi’s help, was able to get her to safety.
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
Thou shalt not covet thy neighbour’s house, thou shalt not covet thy neighbour’s wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor anything that is thy neighbour’s.” This is a thought crime. Not only is it in violation of the most basic of all American principles, it could also be argued that coveting thy neighbor’s goods is the primary motivation behind our capitalist economy. There
”
”
Aron Ra (Foundational Falsehoods of Creationism)
“
but one day, as I was standing at a neighbour’s shop window, and there cursing and swearing, and playing the madman, after my wonted manner, there sate within, the woman of the house, and heard me; who, though she also was a very loose and ungodly wretch, yet protested that I swore and cursed at that most fearful rate, that she was made to tremble to hear me; and told me further, that I was the ungodliest fellow for swearing, that she ever heard in all her life; and that I, by thus doing, was able to spoil all the youth in the whole town, if they come but in my company.
”
”
John Bunyan (Grace Abounding to the Chief of Sinners)
“
I was not a great man whose history has been recorded for children to study in school. No bells will ring for me, no flags descend upon their mast. For I was an ordinary man, my son, one of many, with ordinary hopes and ordinary dreams and ordinary fears. I, too, dreamed of wealth and riches, health and strength. I, too, feared hunger and poverty, war and weakness. I was the neighbour who lived in the next house. The man standing in the subway on his way to work: who held a match to his cigarette: who walked with his dog. I was the soldier shaking with fear: the man berating the umpire at the ball game: the citizen in the privacy of the voting booth, happily electing the worthless candidate. I was the man who lived a thousand times and died a thousand times in all man’s six thousand years of record. I was the man who sailed with Noah in his ark, who was the multitude that crossed the sea that Moses held apart, who hung from the cross next to Christ. I was the ordinary man about whom songs are never written, stories are never told, legends are never remembered.
”
”
Harold Robbins (A Stone for Danny Fisher)
“
In the distant past, in what might be described as the Golden Days of War, the business of wreaking havoc on your neighbours (these being the only people you could logistically expect to wreak havoc upon) was uncomplicated. You—the King—pointed at the next-door country and said, “I want me one of those!” Your vassals—stalwart fellows selected for heft and musculature rather than brain—said, “Yes, my liege,” or sometimes, “What’s in it for me?” but broadly speaking they rode off and burned, pillaged, slaughtered and hacked until either you were richer by a few hundred square miles of forest and farmland, or you were rudely arrested by heathens from the other side who wanted a word in your shell-like ear about cross-border aggression. It was a personal thing, and there was little doubt about who was responsible for kicking it off, because that person was to be found in the nicest room of a big stone house wearing a very expensive hat.
”
”
Nick Harkaway (The Gone-Away World)
“
Her partner now drew near, and said, "That gentleman would have put me out of patience, had he stayed with you half a minute longer. He has no business to withdraw the attention of my partner from me. We have entered into a contract of mutual agreeableness for the space of an evening, and all our agreeableness belongs solely to each other for that time. Nobody can fasten themselves on the notice of one, without injuring the rights of the other. I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principal duties of both; and those men who do not choose to dance or marry themselves, have no business with the partners or wives of their neighbours."
But they are such very different things!"
-- That you think they cannot be compared together."
To be sure not. People that marry can never part, but must go and keep house together. People that dance only stand opposite each other in a long room for half an hour."
And such is your definition of matrimony and dancing. Taken in that light certainly, their resemblance is not striking; but I think I could place them in such a view. You will allow, that in both, man has the advantage of choice, woman only the power of refusal; that in both, it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of its dissolution; that it is their duty, each to endeavour to give the other no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbours, or fancying that they should have been better off with anyone else. You will allow all this?"
Yes, to be sure, as you state it, all this sounds very well; but still they are so very different. I cannot look upon them at all in the same light, nor think the same duties belong to them."
In one respect, there certainly is a difference. In marriage, the man is supposed to provide for the support of the woman, the woman to make the home agreeable to the man; he is to purvey, and she is to smile. But in dancing, their duties are exactly changed; the agreeableness, the compliance are expected from him, while she furnishes the fan and the lavender water. That, I suppose, was the difference of duties which struck you, as rendering the conditions incapable of comparison."
No, indeed, I never thought of that."
Then I am quite at a loss. One thing, however, I must observe. This disposition on your side is rather alarming. You totally disallow any similarity in the obligations; and may I not thence infer that your notions of the duties of the dancing state are not so strict as your partner might wish? Have I not reason to fear that if the gentleman who spoke to you just now were to return, or if any other gentleman were to address you, there would be nothing to restrain you from conversing with him as long as you chose?"
Mr. Thorpe is such a very particular friend of my brother's, that if he talks to me, I must talk to him again; but there are hardly three young men in the room besides him that I have any acquaintance with."
And is that to be my only security? Alas, alas!"
Nay, I am sure you cannot have a better; for if I do not know anybody, it is impossible for me to talk to them; and, besides, I do not want to talk to anybody."
Now you have given me a security worth having; and I shall proceed with courage.
”
”
Jane Austen (Northanger Abbey)
“
April yields to March, then February, and meanwhile Iris reads of refusals to speak, of unironed clothes, of arguments with neighbours, of hysteria, of unwashed dishes and unswept floors, of never wanting marital relations or wanting them too much or not enough or not in the right way or seeking them elsewhere. Of husbands at the end of their tethers, of parents unable to understand the women their daughters have become, of fathers who insist, over and over again, that she used to be such a lovely little thing. Daughters who just don’t listen. Wives who one day pack a suitcase and leave the house, shutting the door behind them, and have to be tracked down and brought back.
”
”
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
“
Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that's true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? It was the fact that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts - what is man's first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation!
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
You cannot build your own house, while busy destroying your neighbour’s.
”
”
Gift Gugu Mona
“
The house was bay-windowed, clinging to its original features the way a pensioner clung to her handbag on pension day. The neighbours had put up a pierced cement wall,
”
”
Sarah Hilary (Tastes Like Fear (DI Marnie Rome, #3))
“
Remember: You don’t want to be meeting your neighbours for the first time in the middle of the night when your house is burning
”
”
Michael D. Watkins (The First 90 Days: Proven Strategies for Getting Up to Speed Faster and Smarter)
“
Hi, Lady Jane!" A large grey cat leaped from some neighbouring shelf on his shoulder and startled us all.
”
”
Charles Dickens (Bleak House)
“
That evening Mr. Utterson came home to his bachelor house in sombre spirits and sat down to dinner without relish. It was his custom of a Sunday, when this meal was over, to sit close by the fire, a volume of some dry divinity on his reading-desk, until the clock of the neighbouring church rang out the hour of twelve, when he would go soberly and gratefully to bed. On this night, however, as soon as the cloth was taken away, he took up a candle and went into his business-room. There he opened his safe, took from the most private part of it a document endorsed on the envelope as Dr. Jekyll’s Will, and sat down with a clouded brow to study its contents. The will was holograph, for Mr. Utterson, though he took charge of it now that
”
”
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
“
House-watching is an art. You have to develop a way of seeing how a building sits in its landscape or streetscape. You have to discover how much room it takes up in the world, how much of the world it displaces. Number 81, for instance, is a house that cannily disappears into its neighbours: there are other houses that are grander, some are plainer, but few are more discreet.
”
”
Edmund de Waal (The Hare With Amber Eyes: A Family's Century of Art and Loss)
“
This woman and I, though we came together as poor as poor might be (not having so much household stuff as a dish or a spoon betwixt us both), yet this she had for her part: The Plain Man’s Pathway to Heaven and The Practice of Piety; which her father had left her when he died. In these two books I would sometimes read with her, wherein I also found some things that were somewhat pleasing to me (but all this while I met with no conviction). She also would be often telling of me what a godly man her father was, and how he would reprove and correct vice, both in his house, and among his neighbours; what a strict and holy life he lived in his days, both in word and deed.
”
”
John Bunyan (Grace Abounding to the Chief of Sinners)
“
In order that we may start afresh, and go to Meg’s wedding with free minds, it will be well to begin with a little gossip about the Marches. And here let me premise, that if any of the elders think there is too much ‘lovering’ in the story, as I fear they may (I’m not afraid the young folks will make that objection), I can only say with Mrs March, ‘What can you expect when I have four gay girls in the house, and a dashing young neighbour over the way?
”
”
Louisa May Alcott (Good Wives (Little Women, #1.5))
“
the guard house of the bloodiest valley in Britain. One is not surprised to learn that an early owner was boiled alive by impatient neighbours; there is a menace about the massive walls, about the rain-soaked hillside, about the dreary gurgle of the river.
”
”
George MacDonald Fraser (The Steel Bonnets: The Story of the Anglo-Scottish Border Reivers)
“
Live life so well that, even if you die, the empty seats behind you will tell the story that, "yea, this soul did what God sent him/her to do". Give life and hope into your family, village, community, country, continent and the world at large. You can do it!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
I turn on my computer to search Craigslist for apartment listings. The wireless window pops up, and I realize with some regret that all I know about my neighbours is their wireless network names: Krypton, Space balls, Couscous, and Scarlet. From this I can tell little else than that they're fans of Superman, Mel Brooks, Middle Eastern cuisine, and the colour red. I look out my window, wondering whose house is whose and what private food and entertainment consumption occurs in each and how I will never get to know.
”
”
Jonathan Goldstein (I'll Seize the Day Tomorrow)
“
Standing in front of the girl's house, Mama yelled up at the windows, "Katie Adams, you whore, give me my husband back!" When Miss Adams' neighbours complained about all the noise Mama was making, my father came down to quiet her. He kissed her until she cried, but didn't come home.
”
”
Ami McKay (The Virgin Cure)
“
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
”
”
Robert Louis Stevenson (Treasure Island)
“
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
”
”
Dan Needles (True Confessions from the Ninth Concession)
“
Our life is like a journey…’ – and so the journey seems to me less an adventure and a foray into unusual realms than a concentrated likeness of our existence: residents of a city, citizens of country, beholden to a class or a social circle, member of a family and clan and entangled by professional duties, by the habits of an ‘everyday life’ woven from all these circumstances, we often feel too secure, believing our house built for all the future, easily induced to believe in a constancy that makes ageing a problem for one person and each change in external circumstances a catastrophe for another. We forget that this is a process, that the earth is in constant motion and that we too are affected by ebbs and tides, earthquakes and events far beyond our visible and tangible spheres: beggars, kings, figures in the same great game. We forget it for our would-be peace of mind, which then is built on shifting sand. We forget it so as not to fear. And fear makes us stubborn: we call reality only what we can grasp with our hands and what affects us directly, denying the force of the fire that’s sweeping our neighbour’s house, but not yet ours. War in other countries? Just twelve hours, twelve weeks from our borders? God forbid – the horror that sometimes seizes us, you feel it too when reading history books, time or space, it doesn’t matter what lies between us and it.
But the journey ever so slightly lifts the veil over the mystery of space – and a city with a magical, unreal name, Samarkand the Golden, Astrakhan or Isfahan, City of Rose Attar, becomes real the instant we set foot there and touch it with our living breath.
”
”
Annemarie Schwarzenbach (All the Roads Are Open: The Afghan Journey (The Swiss List))
“
The giant, once buried, now stirs. When soon he rises, as surely he will, the friendly bonds between us will prove as knots young girls make with the stems of small flowers. Men will burn their neighbours' houses by night. Hang children fro trees at dawn. The rivers will stink with corpses bloated from their days of voyaging. And even as they move on, our armies will grow larger, swollen by anger and thirst for vengeance. For you Britons, it'll be as a ball of fire rolls towards you. You'll flee or perish. And country by country, this will become a new land, a Saxon land, with no more trace of your people's time here than a flock or two of sheep wandering the hills untended.
”
”
Kazuo Ishiguro (The Buried Giant)
“
When the clowns of British politics - arch-Brexiteer cartoon characters 'Boorish Johnson' and 'JackOff Grease-Smug' advocate ad infinitum that Britain should leave the EU in order to be free to sign her own trade deals; they seem to have overlooked the towering elephant in the room, namely the current occupant of the White House (another clown) - who appears hell-bent on destabilising world trade via crude protectionist policies. Both Tories, despite receiving the best British education money can buy, would do well to revisit their post war history books and be reminded of one of the key objectives of the European Project and in due course the European Union - specifically to promote peace and prosperity amongst previously warring neighbours by forming a unified trading bloc which in time, due to its effective size, also acted as a useful counterweight to US hegemony. Go find another circus for your buffoonery and leave the deadly serious business of politics to principled individuals with the true national interest at heart !
”
”
Alex Morritt (Lines & Lenses)
“
For years, walking round London, I had been aware of the actual land, lying concealed but not entirely changed or destroyed, beneath the surface of the nineteenth- and twentieth-century city. It has been said that 'God made the country and man made the town', but that is not true: the town is simply disguised countryside. Main roads, some older than history itself, still bend to avoid long-dried marshes, or veer off at an angle where the wall of a manor house once stood. Hills and valleys still remain; rivers, even though entombed in sewer pipes, still cause trouble in the foundations of neighbouring buildings and become a local focus for winter mists. Garden walls follow the line of hedgerows; the very street-patterns have been determined by the holdings of individual farmers and landlords, parcels of land some of which can be traced back to the Norman Conquest. The situation of specific buildings - pubs, churches, institutions - often dates from long distant decisions and actions on the part of men whose names have vanished from any record.
”
”
Gillian Tindall (The Fields Beneath)
“
Romantic literature often presents the individual as somebody caught in a struggle against the state and the market. Nothing could be further from the truth. The state and the market are the mother and father of the individual, and the individual can survive only thanks to them. The market provides us with work, insurance and a pension. If we want to study a profession, the government’s schools are there to teach us. If we want to open a business, the bank loans us money. If we want to build a house, a construction company builds it and the bank gives us a mortgage, in some cases subsidised or insured by the state. If violence flares up, the police protect us. If we are sick for a few days, our health insurance takes care of us. If we are debilitated for months, social security steps in. If we need around-the-clock assistance, we can go to the market and hire a nurse – usually some stranger from the other side of the world who takes care of us with the kind of devotion that we no longer expect from our own children. If we have the means, we can spend our golden years at a senior citizens’ home. The tax authorities treat us as individuals, and do not expect us to pay the neighbours’ taxes. The courts, too, see us as individuals, and never punish us for the crimes of our cousins.
Not only adult men, but also women and children, are recognised as individuals. Throughout most of history, women were often seen as the property of family or community. Modern states, on the other hand, see women as individuals, enjoying economic and legal rights independently of their family and community. They may hold their own bank accounts, decide whom to marry, and even choose to divorce or live on their own.
But the liberation of the individual comes at a cost. Many of us now bewail the loss of strong families and communities and feel alienated and threatened by the power the impersonal state and market wield over our lives. States and markets composed of alienated individuals can intervene in the lives of their members much more easily than states and markets composed of strong families and communities. When neighbours in a high-rise apartment building cannot even agree on how much to pay their janitor, how can we expect them to resist the state?
The deal between states, markets and individuals is an uneasy one. The state and the market disagree about their mutual rights and obligations, and individuals complain that both demand too much and provide too little. In many cases individuals are exploited by markets, and states employ their armies, police forces and bureaucracies to persecute individuals instead of defending them. Yet it is amazing that this deal works at all – however imperfectly. For it breaches countless generations of human social arrangements. Millions of years of evolution have designed us to live and think as community members. Within a mere two centuries we have become alienated individuals. Nothing testifies better to the awesome power of culture.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
Royal summoned mourners. They came from the village, from the neighbouring hills and, wailing like dogs at midnight, laid siege to the house. Old women beat their heads against the walls, moaning men prostrated themselves: it was the art of sorrow, and those who best mimicked grief were much admired. After the funeral everyone went away, satisfied that they'd done a good job.
”
”
Truman Capote (Breakfast at Tiffany's (Little Clothbound Classics))
“
It’s not much of a place: only a loft; but, having a loft, I always say, is one of the great conveniences of living in a mews; and till this coach-house and stable gets a better let, we live here cheap. There’s plenty of sweet hay up there, belonging to a neighbour; and it’s as clean as hands, and Meg, can make it. Cheer up! Don’t give way. A new heart for a New Year, always!
”
”
Charles Dickens (The Complete Works of Charles Dickens)
“
She observed the dumb-show by which her neighbour was expressing her passion for music, but she refrained from copying it. This was not to say that, for once that she had consented to spend a few minutes in Mme. de Saint-Euverte's house, the Princesse des Laumes would not have wished (so that the act of politeness to her hostess which she had performed by coming might, so to speak, 'count double') to shew herself as friendly and obliging as possible. But she had a natural horror of what she called 'exaggerating,' and always made a point of letting people see that she 'simply must not' indulge in any display of emotion that was not in keeping with the tone of the circle in which she moved, although such displays never failed to make an impression upon her, by virtue of that spirit of imitation, akin to timidity, which is developed in the most self-confident persons, by contact with an unfamiliar environment, even though it be inferior to their own. She began to ask herself whether these gesticulations might not, perhaps, be a necessary concomitant of the piece of music that was being played, a piece which, it might be, was in a different category from all the music that she had ever heard before; and whether to abstain from them was not a sign of her own inability to understand the music, and of discourtesy towards the lady of the house; with the result that, in order to express by a compromise both of her contradictory inclinations in turn, at one moment she would merely straighten her shoulder-straps or feel in her golden hair for the little balls of coral or of pink enamel, frosted with tiny diamonds, which formed its simple but effective ornament, studying, with a cold interest, her impassioned neighbour, while at another she would beat time for a few bars with her fan, but, so as not to forfeit her independence, she would beat a different time from the pianist's.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Florence lives alone in the great dreary house, and day succeeded day, and still she lived alone; and the blank walls looked down upon her with a vacant stare, as if they had a Gorgon-like mind to stare her youth and beauty into stone.
No magic dwelling-place in magic story, shut up in the heart of a thick wood, was ever more solitary and deserted to the fancy, than was her father's mansion in its grim reality, as it stood lowering on the street: always by night, when lightd were shining from neighbouring windows, a blot upon its scanty brightness; always by day, a frown upon its never-smiling face.
There were not two dragon sentries keeping ward before the gate of this above, as in magic legend are usually found on duty over the wronged innocence imprisoned; but besides a glowering visage, with its thin lips parted wickedly, that surveyed all comers from above the archway of the door, there was a monstrous fantasy of rusty iron, curling and twisting like a petrification of an arbour over threshold, budding in spikes and corkscrew points, and bearing, one on either side, two ominous extinguishers, that seemed to say, 'Who enter here, leave light behind!
”
”
Charles Dickens (Dombey and Son)
“
We’re still standing outside the front gate of the shell cottage as a boy in football socks stomps down his driveway to retrieve a wheelie bin. Now we watch as he drags it up through the laurel and back to the house. All his gestures are exaggeratedly huffy, though there’s no one to witness his protest, no one but you and me, and the boy didn’t even see us.
We walk from the thistles to where the cliff drops into open Atlantic and there’s nothing but luscious, jumping blue all the way to America. I’m still thinking of the boy in the driveway, of how he doesn’t realise how lucky he is to live here where there’s space to run and the salt wind ruddies his cheeks each day, how he takes it all for normal and considers himself entitled to be huffy with the wheelie bin. Now I wonder was I was lucky too, and never grateful? Sometimes a little hungry and sometimes a little cold, but not once sick or struck and every day with the sea to ruddy me. Perhaps I was lucky my father took me back when the neighbour woman rang his doorbell, lucky he never drove away and left me on the road again. But it’s too late to be grateful now. It’s too late now for everything but regret.
”
”
Sara Baume (Spill Simmer Falter Wither)
“
Henry tried again. “Well, surely, you will agree that a great improvement could be made simply by cutting down those trees that crowd about the house so much and darken every room? They grow just as they please – just where the acorn or seed fell, I suppose.” “What?” asked Strange, whose eyes had wandered back to his book during the latter part of the conversation. “The trees,” said Henry. “Which trees?” “Those,” said Henry, pointing out of the window to a whole host of ancient and magnificent oaks, ashes and beech trees. “As far as neighbours go, those trees are quite exemplary. They mind their own affairs and have never troubled me. I rather think that I will return the compliment.” “But they are blocking the light.” “So are you, Henry, but I have not yet taken an axe to you.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
The ideal of quiet and of genteel retirement, in 1835, was found in Washington Square, where the Doctor built himself a handsome, modern, wide-fronted house, with a big balcony before the drawing-room windows, and a flight of marble steps ascending to a portal which was also faced with white marble. This structure, and many of its neighbours, which it exactly resembled, were supposed, forty years ago, to embody the last results of architectural science, and they remain to this day very solid and honourable dwellings. In front of them was the Square, containing a considerable quantity of inexpensive vegetation, enclosed by a wooden paling, which increased its rural and accessible appearance; and round the corner was the more august precinct of the Fifth Avenue, taking its origin at this point with a spacious and confident air which already marked it for high destinies. I know not whether it is owing to the tenderness of early associations, but this portion of New York appears to many persons the most delectable. It has a kind of established repose which is not of frequent occurrence in other quarters of the long, shrill city; it has a riper, richer, more honourable look than any of the upper ramifications of the great longitudinal thoroughfare—the look of having had something of a social history.
”
”
Henry James (Washington Square)
“
The news that she had gone of course now spread rapidly, and by lunch time Riseholme had made up its mind what to do, and that was hermetically to close its lips for ever on the subject of Lucia. You might think what you pleased, for it was a free country, but silence was best. But this counsel of perfection was not easy to practice next day when the evening paper came. There, for all the world to read were two quite long paragraphs, in "Five o'clock Chit-Chat," over the renowned signature of Hermione, entirely about Lucia and 25 Brompton Square, and there for all the world to see was the reproduction of one of her most elegant photographs, in which she gazed dreamily outwards and a little upwards, with her fingers still pressed on the last chord of (probably) the Moonlight Sonata. . . . She had come up, so Hermione told countless readers, from her Elizabethan country seat at Riseholme (where she was a neighbour of Miss Olga Bracely) and was settling for the season in the beautiful little house in Brompton Square, which was the freehold property of her husband, and had just come to him on the death of his aunt. It was a veritable treasure house of exquisite furniture, with a charming music-room where Lucia had given Hermione a cup of tea from her marvellous Worcester tea service. . . . (At this point Daisy, whose hands were trembling with passion, exclaimed in a loud and injured voice, "The very day she arrived!") Mrs. Lucas (one of the Warwickshire Smythes by birth) was, as all the world knew, a most accomplished musician and Shakespearean scholar, and had made Riseholme a centre of culture and art. But nobody would suspect the blue stocking in the brilliant, beautiful and witty hostess whose presence would lend an added gaiety to the London season.
”
”
E.F. Benson (Lucia in London (The Mapp & Lucia Novels, #3))
“
It’s quiet in the suburbs. It’s too cold for people to be in their gardens; and it’s not a thoroughfare so few cars drive by. I look past decaying roses and through the first flush of Michelmas daisies, blazing a glorious purple, into the darkened windows of the houses we walk by. Who lives here? Are they watching us? Did one of our neighbours do something seven years ago that he now regrets? How little we know of the people who surround us.
”
”
Sanjida Kay (The Stolen Child)
“
Meetings constitute the charm of travelling. Who does not know the joy of coming, five hundred leagues from one's native land, upon a Parisian, a college friend, or a neighbour in the country? Who has not spent a night, unable to sleep, in the little jingling stage-coach of countries where steam is still unknown, beside a strange young woman, half seen by the gleam of the lantern when she clambered into the carriage at the door of a white house in a little town?
”
”
Guy de Maupassant (88 More Stories)
“
Mestre. Say the word without hissing the conurbated villain, and pitying its citizens. As quickly as they can, two million tourists pass through, or by, Mestre each year, and each one will be struck by the same thought as they wonder at the aesthetic opposition that it represents. Mestre is an ugly town but ugly only in the same way that Michael Jackson might be desccribed as eccentric or a Tabasco Vindaloo flambéed in rocket fuel might be described as warm. Mestre is almost excremental in its hideousness: a fetid, fly-blown, festering, industrial urbanization, scarred with varicose motorways, flyovers, rusting railway sidings and the rubbish of a billion holidaymakers gradually burning, spewing thick black clouds into the Mediterranean sky. A town with apparently no centre, a utilitarian ever-expandable wasteland adapted to house the displaced poor, the shorebound, outpriced, domicile-deprived exiles from its neighbouring city. For, just beyond the condom- and polystyrene-washed, black-stained, mud shores of Marghera, Mestre's very own oil refinery, less than a mile away across the waters of the lagoon in full sight of its own dispossessed citizens, is the Jewel of Adriatic. Close enough for all to feel the magnetism, there stands the most beautiful icon of Renaissance glory and, like so much that can attract tourism, a place too lovely to be left in the hands of its natives, the Serenissima itself, Venice.
”
”
Marius Brill (Making Love: A Conspiracy of the Heart)
“
The largest wooden old town in the Nordic countries, Vanha Rauma deserves its Unesco World Heritage status. Its 600 houses might be museum pieces, but they also form a living centre: residents tend their flower boxes and chat to neighbours, while visitors meander in and out of the low-key cafes, shops, museums and artisans’ workshops. Rauman giäl, an old sailors’ lingo that mixes up a host of languages, is still spoken here, and the town’s medieval lace-making heritage is celebrated during Pitsiviikko (Rauma Lace Week).
”
”
Lonely Planet Finland
“
Cavendish was "Avonlea" to a certain extent. "Lover's Lane" was a very beautiful lane through the woods on a neighbour's farm. It was a beloved haunt of mine from my earliest days. The "Shore Road" has a real existence, between Cavendish and Rustico. But the "White Way of Delight," "Wiltonmere," and "Violet Vale" were transplanted from the estates of my castles in Spain. "The Lake of Shining Waters" is generally supposed to be Cavendish Pond. This is not so. The pond I had in mind is the one at Park Corner, below Uncle John Campbell's house.
”
”
L.M. Montgomery (The Alpine Path: The Story of My Career)
“
Aurora made her appearance bringing gladness to the earth but sadness to Sancho Panza, for he found that his Dapple was missing, and seeing himself bereft of him he began the saddest and most doleful lament in the world, so loud that Don Quixote awoke at his exclamations and heard him saying, “O son of my bowels, born in my very house, my children’s plaything, my wife’s joy, the envy of my neighbours, relief of my burdens, and lastly, half supporter of myself, for with the six-and-twenty maravedis thou didst earn me daily I met half my charges.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
He has no friends that I know of, and his few neighbours consider him a bit of a weirdo, but I like to think of him as my friend as he will sometimes leave buckets of compost outside my house, as a gift for my garden. The oldest tree on my property is a lemon, a sprawling mass of twigs with a heavy bow. The night gardener once asked me if I knew how citrus trees died: when they reach old age, if they are not cut down and they manage to survive drought, disease and innumerable attacks of pests, fungi and plagues, they succumb from overabundance. When they come to the end of their life cycle, they put out a final, massive crop of lemons. In their last spring their flowers bud and blossom in enormous bunches and fill the air with a smell so sweet that it stings your nostrils from two blocks away; then their fruits ripen all at once, whole limbs break off due to their excessive weight, and after a few weeks the ground is covered with rotting lemons. It is a strange sight, he said, to see such exuberance before death. One can picture it in animal species, those million salmon mating and spawning before dropping dead, or the billions of herrings that turn the seawater white with their sperm and eggs and cover the coasts of the northeast Pacific for hundreds of miles. But trees are very different organisms, and such displays of overripening feel out of character for a plant and more akin to our own species, with its uncontrolled, devastating growth. I asked him how long my own citrus had to live. He told me that there was no way to know, at least not without cutting it down and looking inside its trunk. But, really, who would want to do that?
”
”
Benjamín Labatut (When We Cease to Understand the World)
“
Look, look,’ the count continued, grasping each of the two young men by the hand. ‘Look, because I swear to you, this is worthy of your curiosity. Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that’s true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? Do you know what resigned him to his fate? It was the fact that another man would share his anguish, that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts – what is man’s first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation!’ He
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
But why did she come back and take her card away?" asked Miss Mackintosh. "I told Florence that Miss Mapp had heard something dreadful about her. And how did she know that Lady Deal was coming here at all? The house was taken in my name."
"That's just what we all long to find out," said Diva eagerly. "She said that somebody in London told her."
"But who?" asked Miss Mackintosh. "Florence only settled to come at lunch time that day, and she told her butler to ring up Susie and say she would be arriving."
Diva's eyes grew round and bright with inductive reasoning.
"I believe we're on the right tack," she said. "Could she have received Lady Deal's butler's message, do you think? What's your number?"
"Tilling 76," said Miss Mackintosh.
Evie gave three ecstatic little squeaks.
"Oh, that's it, that's it!" she said. "Elizabeth Mapp is Tilling 67. So careless of them, but all quite plain. And she did hear it from somebody in London. Quite true, and so dreadfully false and misleading, and so like her. Isn't it, Diva? Well, it does serve her right to be found out."
Miss Mackintosh was evidently a true Tillingite.
"How marvellous!" she said.
”
”
E.F. Benson (Miss Mapp (Lucia, #2))
“
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
”
”
Sarah Winman (Tin Man)
“
In a town of moderate size, two men lived in neighbouring houses; but they had not been there very long before one man took such a hatred of the other, and envied him so bitterly, that the poor man determined to find another home, hoping that when they no longer met every day his enemy would forget all about him. So he sold his house and the little furniture it contained, and moved into the capital of the country, which was luckily at no great distance. About half a mile from this city he bought a nice little place, with a large garden and a fair-sized court, in the centre of which stood an old well.
”
”
Anonymous (The Arabian Nights Entertainments)
“
Miss Mackintosh waved her arms wildly.
"Oh, please stop, and let me guess," she cried. "I shall go crazy with joy if I'm right. It was an old Peerage, and so she found that Lady Deal was Helena Herman--"
"Whom she had seen ten years ago at a music hall as a male impersonator," cried Diva.
"And didn't want to know her," interrupted Miss Mackintosh.
"Yes, that's it, but that is not all. I hope you won't mind, but it's too rich. She saw you this morning coming out of your house in your bath-chair, and was quite sure that you were that Lady Deal."
The three ladies rocked with laughter. Sometimes one recovered, and sometimes two, but they were re-infected by the third, and so they went on, solo and chorus, and duet and chorus, till exhaustion set in.
"But there's still a mystery," said Diva at length, wiping her eyes. "Why did the Peerage say that Lady Deal was Helena Herman?"
"Oh, that's the last Lady Deal," said Miss Mackintosh. "Helena Herman's Lord Deal died without children and Florence's Lord Deal, my Lady Deal, succeeded. Cousins."
"If that isn't a lesson for Elizabeth Mapp," said Diva. "Better go to the expense of a new Peerage than make such a muddle. But what a long call we've made. We must go.
”
”
E.F. Benson (Miss Mapp (Lucia, #2))
“
been a miser from his youth, and lived down in the sunken world of Arroyo Hondo in the barest poverty, though he was supposed to be very rich. He used to boast that his house was as poor as a burro’s stable. His bed, his crucifix, and his bean-pot were his furniture. He kept no live-stock but one poor mule, on which he rode over to Taos to quarrel with his friend Martinez, or to get a solid dinner when he was hungry. In his casa every day was Friday—unless one of his neighbour women cooked a chicken and brought it in to him out of pure compassion. For his people liked him. He was grasping, but not oppressive, and he wrung more
”
”
Willa Cather (Death Comes for the Archbishop: The Original 1927 Unabridged and Complete Edition (Willa Cather Classics))
“
The End”
It is time for me to go, mother; I am going.
When in the paling darkness of the lonely dawn you stretch out your arms for your baby in the bed, I shall say, “Baby is not there!”—mother, I am going.
I shall become a delicate draught of air and caress you; and I shall be ripples in the water when you bathe, and kiss you and kiss you again.
In the gusty night when the rain patters on the leaves you will hear my whisper in your bed, and my laughter will flash with the lightning through the open window into your room.
If you lie awake, thinking of your baby till late into the night, I shall sing to you from the stars, “Sleep, mother, sleep.”
On the straying moonbeams I shall steal over your bed, and lie upon your bosom while you sleep.
I shall become a dream, and through the little opening of your eyelids I shall slip into the depths of your sleep; and when you wake up and look round startled, like a twinkling firefly I shall flit out into the darkness.
When, on the great festival of puja, the neighbours’ children come and play about the house, I shall melt into the music of the flute and throb in your heart all day.
Dear auntie will come with puja-presents and will ask, “Where is our baby, sister?” Mother, you will tell her softly, “He is in the pupils of my eyes, he is in my body and in my soul.
”
”
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
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Little girls ought to be taught and brought up with boys, so that they might be always together. A woman ought to be trained so that she may be able, like a man, to recognise when she's wrong, or she always thinks she's in the right. Instil into a little girl from her cradle that a man is not first of all a cavalier or a possible lover, but her neighbour, her equal in everything. Train her to think logically, to generalise, and do not assure her that her brain weighs less than a man's and that therefore she can be indifferent to the sciences, to the arts, to the tasks of culture in general. The apprentice to the shoemaker or the house painter has a brain of smaller size than the grown-up man too, yet he works, suffers, takes his part in the general struggle for existence. We must give up our attitude to the physiological aspect, too -- to pregnancy and childbirth, seeing that in the first place women don't have babies every month; secondly, not all women have babies; and, thirdly, a normal countrywoman works in the fields up to the day of her confinement and it does her no harm. Then there ought to be absolute equality in everyday life. If a man gives a lady his chair or picks up the handkerchief she has dropped, let her repay him in the same way. I have no objection if a girl of good family helps me to put on my coat or hands me a glass of water --
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Anton Chekhov
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The great thing is to direct the malice to his immediate neighbours whom he meets every day and to thrust his benevolence out to the remote circumference, to people he does not know. The malice thus becomes wholly real and the benevolence largely imaginary. There is no good at all in inflaming his hatred of Germans if, at the same time, a pernicious habit of charity is growing up between him and his mother, his employer, and the man he meets in the train. Think of your man as a series of concentric circles, his will being the innermost, his intellect coming next, and finally his fantasy. You can hardly hope, at once, to exclude from all the circles everything that smells of the Enemy: but you must keep on shoving all the virtues outward till they are finally located in the circle of fantasy, and all the desirable qualities inward into the Will. It is only in so far as they reach the will and are there embodied in habits that the virtues are really fatal to us. (I don’t, of course, mean what the patient mistakes for his will, the conscious fume and fret of resolutions and clenched teeth, but the real centre, what the Enemy calls the Heart.) All sorts of virtues painted in the fantasy or approved by the intellect or even, in some measure, loved and admired, will not keep a man from our Father’s house: indeed they may make him more amusing when he gets there.
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C.S. Lewis (The Screwtape Letters)
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But as yet, the neighbourhood was shy to own the Railroad. One or two bold speculators had projected streets; and one had built a little, but had stopped among the mud and ashes to consider farther of it. A bran-new Tavern, redolent of fresh mortar and size, and fronting nothing at all, had taken for its sign The Railway Arms; but that might be rash enterprise—and then it hoped to sell drink to the workmen. So, the Excavators’ House of Call had sprung up from a beer shop; and the old-established Ham and Beef Shop had become the Railway Eating House, with a roast leg of pork daily, through interested motives of a similar immediate and popular description. Lodging-house keepers were favourable in like manner; and for the like reasons were not to be trusted. The general belief was very slow. There were frowzy fields, and cow-houses, and dunghills, and dustheaps, and ditches, and gardens, and summer-houses, and carpet-beating grounds, at the very door of the Railway. Little tumuli of oyster shells in the oyster season, and of lobster shells in the lobster season, and of broken crockery and faded cabbage leaves in all seasons, encroached upon its high places. Posts, and rails, and old cautions to trespassers, and backs of mean houses, and patches of wretched vegetation stared it out of countenance. Nothing was the better for it, or thought of being so. If the miserable waste ground lying near it could have laughed, it would have laughed it to scorn, like many of the miserable neighbours.
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Charles Dickens (Dombey and Son)
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The marriage coverlet is woven and embroidered for the happy pair, the house is built in a few summer weeks by the meitheal of neighbours, the last twist and stitch is put to the thatch, and in they go, the fortunate couple, with strength and purpose – and at length the house is desolate and empty with only rain for a roof, the stranger comes and opens the rotted hope chest, and puts their fingers to the folded coverlet, which falls from their hand in mouldy fragments. And that’s all we can say about it, the shortness, the swiftness, and the strange unimportance of life. But when June is queen, eternally in the grasses, in the wood pigeons, in the dank rooks, in the potato gardens, in the cabbage patches, wild dreams are given birth to with all the mighty energy of the full-blowing year.
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Sebastian Barry (Annie Dunne (Dunne Family #2))
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And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It
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Elton John (Me)
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Spite houses are buildings constructed or modified to antagonize neighbours or landowners, usually by blocking access or light. They have one purpose, and one purpose only; although technically ‘houses’, these buildings are often symbols of defiance rather than genuine attempts at a home. When building a spite house, the comfort and safety of someone living inside are secondary considerations at best. What does it matter if the bedroom is too narrow to fit a bed? What does it matter if there’s no electricity or gas or running water? What does it matter if there’s no ventilation or natural light? If the house is awkward and dark and damp, if the house rattles in the wind or leaks in the rain, if the house presses its bare walls to your shoulder as you walk through the rooms? If the house is not, in fact, a usable home–then the spite burns all the stronger.
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Mahvesh Murad (The Djinn Falls in Love & Other Stories)
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After Tom leaves for work, I take Evie to the park, we play on the swings and the little wooden rocking horses, and when I put her back into her buggy she falls asleep almost immediately, which is my cue to go shopping. We cut through the back streets towards the big Sainsbury’s. It’s a bit of a roundabout way of getting there, but it’s quiet, with very little traffic, and in any case we get to pass number thirty-four Cranham Road. It gives me a little frisson even now, walking past that house—butterflies suddenly swarm in my stomach, and a smile comes to my lips and colour to my cheeks. I remember hurrying up the front steps, hoping none of the neighbours would see me letting myself in, getting myself ready in the bathroom, putting on perfume, the kind of underwear you put on just to be taken off. Then I’d get a text message and he’d be at the door, and we’d have an hour or two in the bedroom upstairs.
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Paula Hawkins (The Girl on the Train)
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She had better have stayed at home,” cried Elizabeth; “perhaps she meant well, but, under such a misfortune as this, one cannot see too little of one’s neighbours. Assistance is impossible; condolence insufferable. Let them triumph over us at a distance, and be satisfied.” She then proceeded to inquire into the measures which her father had intended to pursue, while in town, for the recovery of his daughter. “He meant I believe,” replied Jane, “to go to Epsom, the place where they last changed horses, see the postilions and try if anything could be made out from them. His principal object must be to discover the number of the hackney coach which took them from Clapham. It had come with a fare from London; and as he thought that the circumstance of a gentleman and lady’s removing from one carriage into another might be remarked he meant to make inquiries at Clapham. If he could anyhow discover at what house the coachman had before set down his fare, he determined
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Jane Austen (Pride and Prejudice)
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For example, one man said to me, ‘Three hundred years ago people in England were putting witches to death. Was that what you call the Rule of Human Nature or Right Conduct?’ But surely the reason we do not execute witches is that we do not believe there are such things. If we did—if we really thought that there were people going about who had sold themselves to the devil and received supernatural powers from him in return and were using these powers to kill their neighbours or drive them mad or bring bad weather—surely we would all agree that if anyone deserved the death penalty, then these filthy quislings did? There is no difference of moral principle here: the difference is simply about matter of fact. It may be a great advance in knowledge not to believe in witches: there is no moral advance in not executing them when you do not think they are there. You would not call a man humane for ceasing to set mousetraps if he did so because he believed there were no mice in the house.
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C.S. Lewis (Mere Christianity)
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And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It wasn’t Uncle Reg’s fault. That was just the mindset of the times: that happiness was somehow less important than keeping up appearances.
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Elton John (Me)
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In other words, money isn’t a material reality – it is a psychological construct. It works by converting matter into mind. But why does it succeed? Why should anyone be willing to exchange a fertile rice paddy for a handful of useless cowry shells? Why are you willing to flip hamburgers, sell health insurance or babysit three obnoxious brats when all you get for your exertions is a few pieces of coloured paper? People are willing to do such things when they trust the figments of their collective imagination. Trust is the raw material from which all types of money are minted. When a wealthy farmer sold his possessions for a sack of cowry shells and travelled with them to another province, he trusted that upon reaching his destination other people would be willing to sell him rice, houses and fields in exchange for the shells. Money is accordingly a system of mutual trust, and not just any system of mutual trust: money is the most universal and most efficient system of mutual trust ever devised. What created this trust was a very complex and long-term network of political, social and economic relations. Why do I believe in the cowry shell or gold coin or dollar bill? Because my neighbours believe in them. And my neighbours believe in them because I believe in them. And we all believe in them because our king believes in them and demands them in taxes, and because our priest believes in them and demands them in tithes. Take a dollar bill and look at it carefully. You will see that it is simply a colourful piece of paper with the signature of the US secretary of the treasury on one side, and the slogan ‘In God We Trust’ on the other. We accept the dollar in payment, because we trust in God and the US secretary of the treasury. The crucial role of trust explains why our financial systems are so tightly bound up with our political, social and ideological systems, why financial crises are often triggered by political developments, and why the stock market can rise or fall depending on the way traders feel on a particular morning.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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In my country, we all participated. It is not enough to say that Hitler dragged the rest of us, kicking and screaming, to do his bidding. We did it willingly. That will be the scar that will never heal. Nor should it. We betrayed our neighbours, we took the precious possessions of those people the system deemed to be not in keeping with the perfect Aryan ideal – we did it. Us. The German people. The country that created Wagner and Dürer and Nietzsche also created Himmler, Goebbels and Göring. They didn’t drop from the sky, something alien. No. They were of my people, the Brownshirts who smashed up Jewish property, who humiliated Jews in the streets, who shipped them off to die in conditions that do not even bear thinking about – we all did it. We drove the trains, we sold their clothes, we moved into their houses, we spent their money. And even if we didn’t do those things, we kept our heads down while it all went on around us. All but a small few of us have blood on our hands, and now and for the rest of time, we must pay.
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Jean Grainger (Return to Robinswood (Robinswood #2))
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When My Sorrow Was Born When my Sorrow was born I nursed it with care, and watched over it with loving tenderness. And my Sorrow grew like all living things, strong and beautiful and full of wondrous delights. And we loved one another, my Sorrow and I, and we loved the world about us; for Sorrow had a kindly heart and mine was kindly with Sorrow. And when we conversed, my Sorrow and I, our days were winged and our nights were girdled with dreams; for Sorrow had an eloquent tongue, and mine was eloquent with Sorrow. And when we sang together, my Sorrow and I, our neighbors sat at their windows and listened; for our songs were deep as the sea and our melodies were full of strange memories. And when we walked together, my Sorrow and I, people gazed at us with gentle eyes and whispered in words of exceeding sweetness. And there were those who looked with envy upon us, for Sorrow was a noble thing and I was proud with Sorrow. But my Sorrow died, like all living things, and alone I am left to muse and ponder. And now when I speak my words fall heavily upon my ears. And when I sing my songs my neighbours come not to listen. And when I walk the streets no one looks at me. Only in my sleep I hear voices saying in pity, “See, there lies the man whose Sorrow is dead.” And When My Joy was Born And when my Joy was born, I held it in my arms and stood on the house-top shouting, “Come ye, my neighbours, come and see, for Joy this day is born unto me. Come and behold this gladsome thing that laugheth in the sun.” But none of my neighbours came to look upon my Joy, and great was my astonishment. And every day for seven moons I proclaimed my Joy from the house-top—and yet no one heeded me. And my Joy and I were alone, unsought and unvisited. Then my Joy grew pale and weary because no other heart but mine held its loveliness and no other lips kissed its lips. Then my Joy died of isolation. And now I only remember my dead Joy in remembering my dead Sorrow. But memory is an autumn leaf that murmurs a while in the wind and then is heard no more.
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Kahlil Gibran (The Complete Works of Kahlil Gibran: All poems and short stories (Global Classics))
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The state and the market are the mother and father of the individual, and the individual can survive only thanks to them. The market provides us with work, insurance and a pension. If we want to study a profession, the government’s schools are there to teach us. If we want to open a business, the bank loans us money. If we want to build a house, a construction company builds it and the bank gives us a mortgage, in some cases subsidised or insured by the state. If violence flares up, the police protect us. If we are sick for a few days, our health insurance takes care of us. If we are debilitated for months, national social services steps in. If we need around-the-clock assistance, we can go to the market and hire a nurse – usually some stranger from the other side of the world who takes care of us with the kind of devotion that we no longer expect from our own children. If we have the means, we can spend our golden years at a senior citizens’ home. The tax authorities treat us as individuals, and do not expect us to pay the neighbours’ taxes. The courts, too, see us as individuals, and never punish us for the crimes of our cousins.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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A monk lived near the temple of Shiva. In the house opposite lived a prostitute. Noticing the large number of men who visited her, the monk decided to speak to her.
‘You are a great sinner,’ he said sternly. ‘You reveal your lack of respect for God every day and every night. Do you never stop to think about what will happen to you after your death?’
The poor woman was very shaken by what the monk said. She prayed to God out of genuine repentance, begging His forgiveness. She also asked the Almighty to help her to find another means of earning her living.
But she could find no other work and, after going hungry for a week, she returned to prostitution.
But each time she gave her body to a stranger, she would pray to the Lord for forgiveness.
Annoyed that his advice had had no effect, the monk thought to himself:
‘From now on, I’m going to keep a count of the number of men who go into that house, until the day the sinner dies.’
And from that moment on, he did nothing but watch the comings and goings at the prostitute’s house, and for each man who went in, he added a stone to a pile of stones by his side.
After some time, the monk again spoke to the prostitute and said:
‘You see that pile of stones? Each stone represents a mortal sin committed by you, despite all my warnings. I say to you once more: do not sin again!’
Seeing how her sins accumulated, the woman began to tremble. Returning home, she wept tears of real repentance and prayed to God:
‘O Lord, when will Your mercy free me from this wretched life?’
Her prayer was heard. That same day, the angel of death came to her house and carried her off. On God’s orders, the angel crossed the street and took the monk with him too.
The prostitute’s soul went straight up to Heaven, while the devils bore the monk down into Hell. They passed each other on the way, and when the monk saw what was happening, he cried out:
‘Is this Your justice, O Lord? I spent my whole life in devotion and poverty and now I am carried off into Hell, while that prostitute, who lived all her life steeped in sin, is borne aloft up to Heaven!’
Hearing this, one of the angels replied:
Angels are always just. You thought that God’s love meant judging the behaviour of your neighbour. While you filled your heart with the impurity of another’s sin, this woman prayed fervently day and night. Her soul is so light after all the tears she has shed that we can easily bear her up to Paradise. Your soul is so weighed down with stones it is too heavy to lift.
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Paulo Coelho
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Romantic literature often presents the individual as somebody caught in a struggle against the state and the market. Nothing could be further from the truth. The state and the market are the mother and father of the individual, and the individual can survive only thanks to them. The market provides us with work, insurance and a pension. If we want to study a profession, the government’s schools are there to teach us. If we want to open a business, the bank loans us money. If we want to build a house, a construction company builds it and the bank gives us a mortgage, in some cases subsidised or insured by the state. If violence flares up, the police protect us. If we are sick for a few days, our health insurance takes care of us. If we are debilitated for months, national social services steps in. If we need around-the-clock assistance, we can go to the market and hire a nurse – usually some stranger from the other side of the world who takes care of us with the kind of devotion that we no longer expect from our own children. If we have the means, we can spend our golden years at a senior citizens’ home. The tax authorities treat us as individuals, and do not expect us to pay the neighbours’ taxes. The courts, too, see us as individuals, and never punish us for the crimes of our cousins.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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Romantic literature often presents the individual as somebody caught in a struggle against the state and the market. Nothing could be further from the truth. The state and the market are the mother and father of the individual, and the individual can survive only thanks to them. The market provides us with work, insurance and a pension. If we want to study a profession, the government’s schools are there to teach us. If we want to open a business, the bank loans us money. If we want to build a house, a construction company builds it and the bank gives us a mortgage, in some cases subsidised or insured by the state. If violence flares up, the police protect us. If we are sick for a few days, our health insurance takes care of us. If we are debilitated for months, national social services steps in. If we need around-the-clock assistance, we can go to the market and hire a nurse – usually some stranger from the other side of the world who takes care of us with the kind of devotion that we no longer expect from our own children. If we have the means, we can spend our golden years at a senior citizens’ home. The tax authorities treat us as individuals, and do not expect us to pay the neighbours’ taxes. The courts, too, see us as individuals, and never punish us for the crimes of our cousins. Not
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Yuval Noah Harari (Sapiens and Homo Deus: The E-book Collection: A Brief History of Humankind and A Brief History of Tomorrow)
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Books are an absolute necessity. I always have at least two with me wherever I go, to say nothing of my digital collection, and whenever I can get my hands on a delicious new reading piece, I will finish it at a slackened pace, to savour it with all the esteem it deserves, gratulating in its pleasance, deliciating in every word with ardent affection. I have an extensive library that I could never do without, and there are at least four books decorating every surface in my house. A table is not properly set without a book to furnish it. Half of my great collection is non-fiction, mostly science and history books, ranging from the archaeological to the agricultural, and my fiction section is dedicated to the classics, mostly books published before the world forgot about exquisite prose. I have all the greats in hardcover, but I do not read those: hardcover is for smelling and touching only. For all my favourite authors, I have reading copies, which I might take with me anywhere, to read in cafes or to be used as a swatting tool for unwanted visitors, but books are always fashionable even as ornaments; everyone likes a reader, for a good collection of books betrays a intellectualism that is becoming at anytime. Never succumb to the friable wills of those who reject the majesty of books: there is nothing so repelling as willful illiteracy.
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Michelle Franklin (I Hate Summer: My tribulations with seasonal depression, anxiety, plumbers, spiders, neighbours, and the world.)
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In the end, the cats were rounded up and put into a room. My father went into the room with his First World War revolver, more reliable, he said, than a shotgun. The gun sounded again, again, again, again. The cats that were still uncaught had sensed their fate and were raging and screaming all over the bush, with people after them. My father came out of the room at one point, very white, with tight angry lips and wet eyes. He was sick.
Then he swore a good deal, then he went back into the room and the shooting continued. At last he came out. The servants went in and carried off the corpses to the disused well. Some of the cats had escaped – three never came back at all to the murderous household, so they must have gone wild and taken their chances.
When my mother returned from her trip, and the neighbour who had brought her had gone, she walked quiet and uncommenting through the house where there was now one cat, her old favourite, asleep on her bed. My mother had not asked for this cat to be spared, because it was old, and not very well. But she was looking for it; and she sat a long time stroking and talking to it. Then she came out to the verandah.
There sat my father and there I sat, murderers, and feeling it. She sat down. He was rolling a cigarette. His hands were still shaking. He looked up at her and said: ‘That must never happen again.’ And I suppose it never did.
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Doris Lessing (On Cats)
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It seems to Marithe that her life has undergone two changes: one, when her father left. And two, about a year ago, when she turned thirteen, when her life and the way she felt about it and the way she viewed it suddenly tilted; like the deck of a ship in a storm.
At first it seemed to her that her house, her family, her dogs, her accordion, her books, her room with its geology samples, its display of feathers, its pictures of foxes and wolves, all took on an unreal aspect. Everything felt like a stage set: she kept viewing herself as if from the outside. Instead of just acting, just doing, just running or speaking or playing or collecting, she would feel this sense of externalisation: and so, a voice inside her head would comment, you are running. Do you need to run? Where are you going? You're picking up that rock but do you want it, do you really need it, are you going to carry it home?
[...]
And her body! Some mornings she woke and it was as if lead weights had been attached to her limbs by some ill-meaning fairy. Even if she had the urge to walk across the paddock to feed the neighbours' horses -- which she hardly ever did any more, she didn't know why -- she wouldn't have the energy, the sap in her to do it.
She wanted it returned to her, Marithe did, that sense of security in her life, of certainty, of knowing who she was and what she was about. Would it ever come back?
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Maggie O'Farrell (This Must Be the Place)
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How did wheat convince Homo sapiens to exchange a rather good life for a more miserable existence? What did it offer in return? It did not offer a better diet. Remember, humans are omnivorous apes who thrive on a wide variety of foods. Grains made up only a small fraction of the human diet before the Agricultural Revolution. A diet based on cereals is poor in minerals and vitamins, hard to digest, and really bad for your teeth and gums. Wheat did not give people economic security. The life of a peasant is less secure than that of a hunter-gatherer. Foragers relied on dozens of species to survive, and could therefore weather difficult years even without stocks of preserved food. If the availability of one species was reduced, they could gather and hunt more of other species. Farming societies have, until very recently, relied for the great bulk of their calorie intake on a small variety of domesticated plants. In many areas, they relied on just a single staple, such as wheat, potatoes or rice. If the rains failed or clouds of locusts arrived or if a fungus infected that staple species, peasants died by the thousands and millions. Nor could wheat offer security against human violence. The early farmers were at least as violent as their forager ancestors, if not more so. Farmers had more possessions and needed land for planting. The loss of pasture land to raiding neighbours could mean the difference between subsistence and starvation, so there was much less room for compromise. When a foraging band was hard-pressed by a stronger rival, it could usually move on. It was difficult and dangerous, but it was feasible. When a strong enemy threatened an agricultural village, retreat meant giving up fields, houses and granaries. In many cases, this doomed the refugees to starvation. Farmers, therefore, tended to stay put and fight to the bitter end.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—
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Jerome K. Jerome (Three Men in a Boat)
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She remembers her name. She remembers the name of the president. She remembers the name of the president’s dog. She remembers what city she lives in. And on which street. And in which house. The one with the big olive tree where the road takes a turn. She remembers what year it is. She remembers the season. She remembers the day on which you were born. She remembers the daughter who was born before you – She had your father’s nose, that was the first thing I noticed about her – but she does not remember that daughter’s name. She remembers the name of the man she did not marry – Frank – and she keeps his letters in a drawer by her bed. She remembers that you once had a husband, but she refuses to remember your ex-husband’s name. That man, she calls him.
She does not remember how she got the bruises on her arms or going for a walk with you earlier this morning. She does not remember bending over, during that walk, and plucking a flower from a neighbour’s front yard and slipping it into her hair. Maybe your father will kiss me now. She does not remember what she ate for dinner last night, or when she last took her medicine. She does not remember to drink enough water. She does not remember to comb her hair.
She remembers the rows of dried persimmons that once hung from the eaves of her mother’s house in Berkeley. They were the most beautiful shade of orange. She remembers that your father loves peaches. She remembers that every Sunday morning, at ten, he takes her for a drive down to the sea in the brown car. She remembers that every evening, right before the eight o’clock news, he sets two fortune cookies on a paper plate and announces to her that they are having a party. She remembers that on Mondays he comes home from the college at four, and if he is even five minutes late she goes out to the gate and begins to wait for him. She remembers which bedroom is hers and which is his. She remembers that the bedroom that is now hers was once yours. She remembers that it wasn’t always like this...
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Julie Otsuka
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One day, because I was bored in our usual spot, next to the merry-go-round, Françoise had taken me on an excursion – beyond the frontier guarded at equal intervals by the little bastions of the barley-sugar sellers – into those neighbouring but foreign regions where the faces are unfamiliar, where the goat cart passes; then she had gone back to get her things from her chair, which stood with its back to a clump of laurels; as I waited for her, I was trampling the broad lawn, sparse and shorn, yellowed by the sun, at the far end of which a statue stands above the pool, when, from the path, addressing a little girl with red hair playing with a shuttlecock in front of the basin, another girl, while putting on her cloak and stowing her racket, shouted to her, in a sharp voice: ‘Good-bye, Gilberte, I’m going home, don’t forget we’re coming to your house tonight after dinner.’ That name, Gilberte, passed by close to me, evoking all the more forcefully the existence of the girl it designated in that it did not merely name her as an absent person to whom one is referring, but hailed her directly; thus it passed close by me, in action so to speak, with a power that increased with the curve of its trajectory and the approach of its goal; – transporting along with it, I felt, the knowledge, the notions about the girl to whom it was addressed, that belonged not to me, but to the friend who was calling her, everything that, as she uttered it, she could see again or at least held in her memory, of their daily companionship, of the visits they paid to each other, and all that unknown experience which was even more inaccessible and painful to me because conversely it was so familiar and so tractable to that happy girl who grazed me with it without my being able to penetrate it and hurled it up in the air in a shout; – letting float in the air the delicious emanation it had already, by touching them precisely, released from several invisible points in the life of Mlle Swann, from the evening to come, such as it might be, after dinner, at her house; – forming, in its celestial passage among the children and maids, a little cloud of precious colour, like that which, curling over a lovely garden by Poussin,15 reflects minutely like a cloud in an opera, full of horses and chariots, some manifestation of the life of the gods; – casting finally, on that bald grass, at the spot where it was at once a patch of withered lawn and a moment in the afternoon of the blonde shuttlecock player (who did not stop launching the shuttlecock and catching it again until a governess wearing a blue ostrich feather called her), a marvellous little band the colour of heliotrope as impalpable as a reflection and laid down like a carpet over which I did not tire of walking back and forth with lingering, nostalgic and desecrating steps, while Françoise cried out to me: ‘Come on now, button up your coat and let’s make ourselves scarce’, and I noticed for the first time with irritation that she had a vulgar way of speaking, and alas, no blue feather in her hat.
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Marcel Proust (In Search of Lost Time: Swann's Way)