Needles Back To The Future Quotes

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Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
When I came out of the wagon, he had her in a dramatic dip and was giving her a kiss. I set the needle and thread next to my shirt and waited. It seemed like a good kiss. I watched with a calculating eye, dimly aware that at some point in the future I might want to kiss a lady. If i did, I wanted to do a decent job of it. After a moment my father noticed me and stood my mother back on her feet."That will be ha'penny for the show, Master Voyeur,"he laughed. "What are you still here for, boy? I'll bet you the same ha'penny that a question slowed you down.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life. Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared.
Stephen Lee
I watch these kids. They don't seem entirely unhappy. A few times I've even circled the Free Clinic on foot, trying to catch a closer glimpse of these kids and their lives as they pop in and out of the clinic's Sputnik-era, gone-to-seed building--Lancaster's future trolls and Popeyes loitering out back having hushed paranoid conversations. And once I even went to have a look where they hang out in a big way, out in the delivery bay behind the now-closed Donut Hut, the delivery bay grotto out back with a floor spongy with pigeon shit, chewing gum, cigarette ashes, and throat oysters--dank and sunless. I went to visit this place once when all the druggies were away, having their druggy lives downtown doing their druggy things: yelling at parked cars and having conversations with amber lights. I visited this place and I was confused: confused and attracted. Who do these people think they are? How can they not care about the future or hot running water or clean sheets or cable TV? These people. And on the walls down at the delivery bay, do you know what they had written? Written in letters several hands high, letters built of IV needles attached to the cement with soiled bandages and wads of chewing gum? They had written the words WE LIKE IT.
Douglas Coupland
— Aye, Charlene's fucked off. She's goat this boyfriend. He's just gittin back oot the jail. Renton taps up a vein in his wrist. — Well that ain't gonna help. — It isnae aboot helping, it's aboot being. If being Scottish is about one thing, it's aboot gittin fucked up, Renton explains, working the needle slowly into his flesh. — Tae us intoxication isnae just a huge laugh, or even a basic human right. It's a way ay life, a political philosophy. Rabbie burns said it: whisky and freedom gang thegither. Whatever happens in the future tae the economy, whatever fucking government's in power, rest assured we'll still be pissin it up and shootin shit intae ourselves, he announces, pulsing with glorious anticipation as he sucks his dark blood back into the barrel, then lets his ravenous veins drink the concoction.
Irvine Welsh (Skagboys (Mark Renton, #1))
In the first few hours of driving we moved through flattened cow-sprinkled hills and leaf trees and dead elm skeletons, then into the needle trees and the cuttings dynamited in pink and gray granite and the flimsy tourist cabins, and the signs saying GATEWAY TO THE NORTH, at least four towns claim to be that. The future is in the North, that was a political slogan once; when my father heard it he said there was nothing in the North but the past and not much of that either. Wherever he is now, dead or alive and nobody knows which, he’s no longer making epigrams. They have no right to get old. I envy people whose parents died when they were young, that’s easier to remember, they stay unchanged. I was sure mine would anyway, I could leave and return much later and everything would be the same. I thought of them as living in some other time, going about their own concerns closed safe behind a wall as translucent as Jell-O, mammoths frozen in a glacier. All I would have to do was come back when I was ready but I kept putting it off, there would be too many explanations.
Margaret Atwood (Surfacing)
OTHER RELAXATION TECHNIQUES There are many other stress management techniques that can help you to “bring yourself down” quickly when you are highly stressed. You can use them before a situation where anticipation raises tensions that do not automatically subside after a few minutes. You also can use them during an interaction or when a surprise threatens to escalate your stress out of control. Or use them after an encounter has raised your stress level, if it is not subsiding naturally. Mental Imagery You experimented with mental imagery in the previous chapter on goal-setting. The use of mental imagery also can be an effective tool for anxiety control. Think of it as a new application of skills you already have: memory and imagination. When I asked you earlier to recall how many windows there are in your bedroom, you used imagery to retrieve the information. Mentally, you went into the room, looked from wall to wall, and counted. That process is mental imagery. From a relaxation perspective, your nervous system cannot distinguish between reality and imagery. Material passed from the body to the senses, whether real or imagined, is processed the same way. Therefore, imagery can play an important role in inducing internal self-regulation and relaxation. If there is a particular image—such as the warm, sandy beach of the previous exercise, a cool forest clearing covered with a blanket of pine needles, or even a clear blue sky—that represents relaxation to you, it would be valuable for you to be able to tune in to it whenever stress threatens to interfere with your life. Be sure to conjure up the reactions of all five senses: Imagine the look, sound, smell, taste, and feel of your surroundings. Mental gateways are a valuable part of the relaxation exercise we just went through. And it is important to be aware that your nervous system—which is what overreacts in a stressful situation—cannot distinguish between reality and imagination. Here’s how to use mental imagery to create a mental getaway: (a) Choose a favorite place, a pleasant, relaxing setting that you have enjoyed in the past or one you would enjoy visiting in the future. (b) Close your eyes and think about the scene. Use your senses of hearing, smell, sight, taste, and touch to develop the scene. Put yourself there. If your mind wanders a bit, that’s okay. You’ll drift back to the scene after a short while.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Where the bloody hell is my wife?” Godric yelled into the aether. As if in response, a footman came up the stairs and handed Cedric a slip of paper. Dumbfounded, Cedric opened it and read it aloud. My Dear Gentlemen, We await you in the dining room. Please do not join us until you have decided upon a course of action regarding the threat to Lord Sheridan. We will be more than delighted to offer our opinions on the matter, but in truth, we suspect you do not wish to hear our thoughts. It is a failing of the male species, and we shan’t hold it against you. In the future, however, it would be advisable not to lock us in a room. We simply cannot resist a challenge, something you should have learned by now. Intelligent women are not to be trifled with. Fondest Regards, ~ The Society of Rebellious Ladies ~ “Fondest regards?” Lucien scoffed. A puzzled Jonathan added, “Society of Rebellious Ladies?” “Lord help us!” Ashton groaned as he ran a hand through his hair. “They’ve named themselves.” “I’ll wager a hundred pounds that Emily’s behind this. Having a laugh at our expense,” Charles said in all seriousness. “Let’s go and see how rebellious they are when we’re done with them.” Cedric rolled up the sleeves of his white lawn shirt as he and the others stalked down the stairs to the dining room. They found it empty. The footman reappeared and Cedric wondered if perhaps the man had never left. At the servant’s polite cough he handed Cedric a second note. “Another damn note? What are they playing at?” He practically tore the paper in half while opening it. Again he read it aloud. Did you honestly believe we’d display our cunning in so simple a fashion? Surely you underestimated us. It is quite unfair of you to assume we could not baffle you for at least a few minutes. Perhaps you should look for us in the place where we ought to have been and not the place you put us. Best Wishes, ~ The Society of Rebellious Ladies ~ “I am going to kill her,” Cedric said. It didn’t seem to matter which of the three rebellious ladies he meant. The League of Rogues headed back to the drawing room. Cedric flung the door open. Emily was sitting before the fire, an embroidery frame raised as she pricked the cloth with a fine pointed needle. Audrey was perusing one of her many fashion magazines, eyes fixed on the illustrated plates, oblivious to any disruption. Horatia had positioned herself on the window seat near a candle, so she could read her novel. Even at this distance Lucien could see the title, Lady Eustace and the Merry Marquess, the novel he’d purchased for her last Christmas. For some reason, the idea she would mock him with his own gift was damned funny. He had the sudden urge to laugh, especially when he saw a soft blush work its way up through her. He’d picked that particular book just to shock her, knowing it was quite explicit in parts since he’d read it himself the previous year. “Ahem,” Cedric cleared his throat. Three sets of feminine eyes fixed on him, each reflecting only mild curiosity. Emily smiled. "Oh there you are.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
My little man,” she said. “No.” She stretched out her hand to him. “Come.” “I can’t,” he said. “Sam, I’m your mother. I love you. Come with me.” “Mom…” “Just reach out to me. I’m safe. I can carry you away, out of this place.” Sam shook his head slowly, slowly, like he was drowning in molasses. Something was happening to time. Astrid wasn’t breathing. Nothing was moving. The whole world was frozen. “It will be like it was,” his mother said. “It was never…,” he began. “You lied to me. You never told me…” “I never lied,” she said, and frowned at him, disappointed. “You never told me I had a brother. You never told—” “Just come with me,” she said, impatient now, jerking her hand a little like she would when he was a little kid and refused to take her hand to cross the street. “Come with me now, Sam. You’ll be safe and out of this place.” He reacted instinctively, the little boy again, reacted to the “mommy” voice, the “obey me” voice. He reached for her, stretched his hand out to her. And pulled it back. “I can’t,” Sam whispered. “I have someone I have to stay here for.” Anger flashed in his mother’s eyes, a green light, surreal, before she blinked and it was gone. And then, out of the bleached, unreal world, Caine stepped into the eerie light. Sam’s mother smiled at Caine, and he stared at her wonderingly. “Nurse Temple,” Caine said. “Mom,” she corrected. “It’s time for both my boys to join me, to come away with me. Out of this place.” Caine seemed spellbound, unable to tear his gaze away from the gentle, smiling face, the piercing blue eyes. “Why?” Caine asked in a small child’s voice. Their mother said nothing. Once again, for just a heartbeat, her blue eyes glowed a toxic green before returning to cool, icy blue. “Why him and not me?” Caine asked. “It’s time to come with me now,” their mother insisted. “We’ll be a family. Far from here.” “You first, Sam,” Caine said. “Go with your mother.” “No,” Sam said. Caine’s face darkened with rage. “Go, Sam. Go. Go. Go with her.” He was shouting now. He seemed to want to grab Sam physically, push him toward the mother they had not quite shared, but his movements were odd, disjointed, a jerky stick figure in a dream. Caine gave up trying. “Jack told you,” he said dully. “No one told me anything,” Sam said. “I have things I have to do here.” Their mother extended her arms to them, angry, demanding to be heeded. “Come to me. Come to me.” Caine shook his head slowly. “No.” “But you’re the man of the house now, Sam,” his mother wheedled. “My little man. Mine.” “No,” Sam said. “I’m my own man.” “And I was never yours,” Caine sneered. “Too late now, Mother.” The face of their mother wavered. The tender flesh seemed to break apart in jigsaw-puzzle pieces. The gently smiling, pleading mouth melted, collapsed inward. In its place a mouth ringed with needle-sharp teeth. Eyes filled with green fire. “I’ll have you yet,” the monster raged with sudden violence. Caine stared in horror. “What are you?” “What am I?” the monster mocked him savagely. “I’m your future. You’ll come to me on your own in the dark place, Caine. You will come willingly to me.
Michael Grant
If you’d kept your mouth closed rather than screaming like some crazed banshee back there on the hill, the horses never would have spooked—that is ‘horse.’ One horse, and an ass.” Jane pushed a sodden lock of hair from her face and narrowed her eyes at him. She was colder than she’d ever been before. Her legs ached from straddling Fickle’s monstrously wide back. And now that she’d destroyed any future with Lord Needles, this was as good as life was going to get. In fact, it might only grow worse. “My fault? Is that so? Well, perhaps you’ll keep your hands off my ass from now on?” Lucas
Stefanie Sloane (One Perfect Christmas: Novella)
Heaven would be a comfy armchair….You’d get a great, private phonograph, and all of eternity to listen to your life’s melody. You could isolate your one life out of the cacophonous galaxy—the a cappella version—or you could play it back with its accompaniment, embedded in the brass and strings of mothers, fathers, sisters, windfalls and failures, percussion cities of strangers. You could play it forward or backward, back and back, and listen to the future of your past. You could lift the needle at whim, defeating Time.
Karen Russell (Swamplandia!)
Former and future nerdistocracy slowly, and to look at them you’d think reluctantly, filtering back out into the street, into the long September which has been with them in a virtual way since spring before last, continuing only to deepen. Putting their street faces back on for it. Faces already under silent assault, as if by something ahead, some Y2K of the workweek that no one is quite imagining, the crowds drifting slowly out into the little legendary streets, the highs beginning to dissipate, out into the casting-off of veils before the luminosities of dawn, a sea of T-shirts nobody’s reading, a clamor of messages nobody’s getting, as if it’s the true text history of nights in the Alley, outcries to be attended to and not be lost, the 3:00 am kozmo deliveries to code sessions and all-night shredding parties, the bedfellows who came and went, the bands in the clubs, the songs whose hooks still wait to ambush an idle hour, the day jobs with meetings about meetings and bosses without clue, the unreal strings of zeros, the business models changing one minute to the next, the start-up parties every night of the week and more on Thursdays than you could keep track of, which of these faces so claimed by the time, the epoch whose end they’ve been celebrating all night—which of them can see ahead, among the microclimates of binary, tracking earthwide everywhere through dark fiber and twisted pairs and nowadays wirelessly through spaces public and private, anywhere among cybersweatshop needles flashing and never still, in that unquiet vastly stitched and unstitched tapestry they have all at some time sat growing crippled in the service of—to the shape of the day imminent, a procedure waiting execution, about to be revealed, a search result with no instructions on how to look for it?
Thomas Pynchon (Bleeding Edge)
With a quick jab, I prick my fingertip using a sewing needle and squeeze a single red pearl into the liquid, focusing on the first question at hand. “Nahmthalahsh. Where is Warek, Finn’s father?” The water will only show me the present—not the past and never the future. I must also know what I’m looking for. Exactly. Staring at the glimmering surface, I conjure a thought of Warek. The water turns violet, then ripples like a puddle disrupted by a stone. An image forms, and I let out a deep breath. Warek sits near his horse with his back to a large boulder. He’s slumped over, legs outstretched, an empty flask lying in the dirt, inches from his hand. Mother was right. Too much drink.
Charissa Weaks (The Witch Collector (Witch Walker #1))
What’s perhaps strange to say is that I’m not sure I would have gotten there without the period of enforced stillness and the steadiness I found inside of knitting. I’d had to go small in order to think big again. Shaken by the enormity of everything that was happening, I’d needed my hands to reintroduce me to what was good, simple, and accomplishable. And that turned out to be a lot. I now knit while talking to my mom on the phone, during Zoom meetings with my team from the office, and on summer afternoons when friends come to sit on our back patio. Knitting has made watching the evening news a little less stressful. It has made certain hours of the day less lonely, and it’s helped me think more reasonably about the future. I’m not here to tell you that knitting is a cure for anything. It won’t end racism or demolish a virus or vanquish depression. It won’t create a just world or slow climate change or heal anything big that’s broken. It’s too small for that. It’s so small that it hardly seems to matter. And this is part of my point. I’ve come to understand that sometimes the big stuff becomes easier to handle when you deliberately put something small alongside it. When everything starts to feel big and therefore scary and insurmountable, when I hit a point of feeling or thinking or seeing too much, I’ve learned to make the choice to go toward the small. On days when my brain apprehends nothing but monolithic catastrophe and doom, when I feel paralyzed by not-enoughness and my agitation begins to stir, I pick up the knitting needles and give my hands a chance to take over, to quietly click us out of that hard place. In knitting, when you create the first stitch of a new project, you cast on. When an item is finished, you bind off. Both of these actions, I’ve found, are incredibly satisfying—the bookends of something manageable and finite. They give me a sense of completion in a world that will always and forever feel chaotic and incomplete.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
The reason we all came to accept this dehumanizing system so wholeheartedly is because society made an implicit promise to its citizens in the Age of Standardization: if you can follow the straight path to its destination, you will be granted employment, social status, and financial security. ... According to the terms of this Standardization Covenant, society will bestow its rewards upon you as long as you abandon the individual pursuit of personal fulfillment for the standardized pursuit of professional excellence. ... The Standardization Covenant demands that we follow the Standard Formula to attain excellence, which will then lead to fulfillment—somehow. Dark horses, meanwhile, harness their individuality in the pursuit of fulfillment, which creates the optimal conditions for attaining excellence. ... The Standardization Covenant is holding all of us back. Though its views of talent and success are easy to grasp and reassuringly familiar, there is no future for a society devoted to the proposition that the pursuit of standardized excellence leads to fulfillment. The dark horse mindset, meanwhile, opens onto an unbounded social universe of achievement and joy. ... Every standardized institution, by definition and design, is focused on efficiency above all else, and generic motives and universal motives are efficient ways of moving the needle—on average, at least. But they’re horrible for your own fulfillment. Not only do standardized views of motivation ignore everything that is important about who you are, but by incessantly focusing all of our attention on a small set of institutionally ordained motives, the Standardization Covenant constrains our thinking about what a personal motive can even be. Fortunately, dark horses reveal the hidden truth about motivation ... Under the covenant, your chosen form of standardized excellence became your destination. Dark horses take a different perspective. When they consider excellence, they presume that individuality matters. ... The Standardization Covenant’s assurance that the pursuit of excellence leads to fulfillment was always a false promise. ... Only by prioritizing your own fulfillment can you advance toward your peak excellence, and only by advancing toward your peak excellence can you experience fulfillment. You need the energy of self-engineered passion and the direction of self-engineered purpose to scale the mountain of excellence, and you need the pride, self-worth, and sense of meaningful accomplishment from self-engineered achievement to experience the full flush of fulfillment. When you apply the four elements of the dark horse mindset in your own life, fulfillment and excellence come under your conscious control. You are no longer a puppet of fate, but the master of your destiny. When you focus on getting better at the things you care about most, you are not wandering. ... Now we have the chance to ratify a Dark Horse Covenant, predicated upon the belief that everyone possesses the potential for their own variety of merit and endorsing a core value of fulfillment, leading to a system of opportunity where anyone and everyone can succeed. This democratic meritocracy will be enforced by individuals, with the consent of individuals.
Todd Rose (Dark Horse: Achieving Success Through the Pursuit of Fulfillment)
Sometimes Stella sat by her grandmother’s bed and held her hand, and it was the only attachment Elinor Sparrow had to this world: the thread that pulled her back. Sometimes Jenny brought her water or tea, and this was the only attachment: the needle that pulled the thread. Sometimes it was Brock Stewart, carrying her out to the garden so she could feel sunlight, and this was the attachment she had to this world, the cloth that covered her and held her in place, so that she stayed with them like a leaf caught between branches, rattling, paper-thin, so translucent you could see right through into the next world.
Alice Hoffman (The Probable Future)