Neck Love Quotes

We've searched our database for all the quotes and captions related to Neck Love. Here they are! All 200 of them:

There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet. "Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!" Ron and Hermione broke apart, their arms still around each other. "I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?" "Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?" "Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just...want to see it again. Want to see you awake.
Veronica Roth (Divergent (Divergent, #1))
Mama, Mama, help me get home I'm out in the woods, I am out on my own. I found me a werewolf, a nasty old mutt It showed me its teeth and went straight for my gut. Mama, Mama, help me get home I'm out in the woods, I am out on my own. I was stopped by a vampire, a rotting old wreck It showed me its teeth and went straight for my neck. Mama, Mama, put me to bed I won't make it home, I'm already half-dead. I met an Invalid, and fell for his art He showed me his smile, and went straight for my heart. -From "A Child's Walk Home," Nursery Rhymes and Folk Tales
Lauren Oliver (Delirium (Delirium, #1))
She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Her unexpected outburst rocked Flaminius to his core. Suddenly, she didn't seem so angelic. Her face twisted with rage; veins in her neck throbbed with fury in a scene all too familiar. Her reaction switched him off to her instantly as all his worst fears came to life.
Therisa Peimer (Taming Flame)
I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.
Veronica Roth (Insurgent (Divergent, #2))
Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?" At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting. Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death. Of course I told him about you," Liesel said.
Markus Zusak (The Book Thief)
I'll come back to you," I say. "I promise you, if it's the last thing I do, I'll come back to you." Her face is buried in my neck. She nods. "I'll count the minutes until you do." she says.
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
Aelin took a step forward. One step, as if in a daze. She loosed a shuddering breath, and a small, whimpering noise came out of her - a sob. And then she was sprinting down the alley, flying as though the winds themselves pushed at her heels. She flung herself on the male, crashing into him hard enough that anyone else might have gone rocking back into the stone wall. But the male grabbed her to him, his massive arms wrapping around her tightly and lifting her up. Nesryn made to approach, but Aedion stopped her with a hand on her arm. Aelin was laughing as she cried, and the male was just holding her, his hooded head buried in her neck. As if he were breathing her in. "Who is that?" Nesryn asked. Aedion smiled. "Rowan.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Ash brushed the hair from my neck and leaned close to my ear, his voice so soft not even Grimalkin could’ve heard it. “I love you,” he murmured, and my heart nearly burst out of my chest. “Whatever happens, we’re together now. Always.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I told you," he whispers back. I can feel his breath just tickling the space behind my ear, making my hair prick up on my neck. "I like you." "You don't know me," I say quickly. "I want to, though.
Lauren Oliver (Delirium (Delirium, #1))
I am supposed to be touched. I can’t wait to find the person who will come into the kitchen just to smell my neck and get behind me and hug me and breathe me in and make me turn around and make me kiss his face and put my hands in his hair even with my soapy dishwater drips. I am a lovely woman. Who will come into my kitchen and be hungry for me?
Jenny Slate (Little Weirds)
Try it again," I said. "Kiss me." "No," he said. "Kiss me." "No," And then he smiled. "You kiss me." I placed my hand on the back of his neck. I pulled him toward me. And kissed him. I kissed him. And I kissed him. And I kissed him. And I kissed him. And he kept kissing me back.
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
Warmth radiated from her skin in waves. Her pulse beneath his fingertips. The telltale flutter in her neck. Life. It mattered, was precious. And could be taken away in an instant.
J. Rose Black (Losing My Breath)
if they put an iron circle around your neck I will bite it away
Toni Morrison (Beloved)
Funeral Blues Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead Scribbling on the sky the message He is Dead, Put crêpe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood; For nothing now can ever come to any good.
W.H. Auden (Another Time)
Do you really have any idea how important you are to me? Any concept at all of how much I love you?" He pulled me tighter against his hard chest, tucking my head under his chin. I pressed my lips against his snow-cold neck. "I know how much I love you," I answered. You compare one small tree to the entire forest." I rolled my eyes, but he couldn't see. "Impossible.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Yesterday we obeyed kings and bent our necks before emperors. But today we kneel only to truth, follow only beauty, and obey only love.
Kahlil Gibran (The Vision: Reflections on the Way of the Soul (Compass))
The police called it choking, but I called it a two-handed neck hug. That’s how I knew she really loved me.
Jarod Kintz (Whenever You're Gone, I'm Here For You)
Women want to be loved like roses. They spend hours perfecting their eyebrows and toes and inventing irresistible curls that fall by accident down the back of their necks from otherwise austere hair-dos. They want their lover to remember the way they held a glass. They want to haunt.
Eve Babitz (Slow Days, Fast Company: The World, the Flesh, and L.A.)
Unending Love I seem to have loved you in numberless forms, numberless times... In life after life, in age after age, forever. My spellbound heart has made and remade the necklace of songs, That you take as a gift, wear round your neck in your many forms, In life after life, in age after age, forever. Whenever I hear old chronicles of love, it's age old pain, It's ancient tale of being apart or together. As I stare on and on into the past, in the end you emerge, Clad in the light of a pole-star, piercing the darkness of time. You become an image of what is remembered forever. You and I have floated here on the stream that brings from the fount. At the heart of time, love of one for another. We have played along side millions of lovers, Shared in the same shy sweetness of meeting, the distressful tears of farewell, Old love but in shapes that renew and renew forever. Today it is heaped at your feet, it has found its end in you The love of all man's days both past and forever: Universal joy, universal sorrow, universal life. The memories of all loves merging with this one love of ours - And the songs of every poet past and forever.
Rabindranath Tagore (Selected Poems)
Ivy turned. 'He bit you on the neck?' she said, deadpan serious but for her eyes. 'Oh, then it's got to be love. She won't let me bite her neck.
Kim Harrison (Dead Witch Walking (The Hollows, #1))
Nudge threw her arms around my neck. 'I love you Max! I love all of us too!' Yeah, me too,' Said the Gasman. 'I don't care if we have our house, or a cliff ledge, or a cardboard box. Home is wherever we all are, together.
James Patterson
Do you still distrust me?” “No. Take your necklace with you so you can think of me when I’m not there.”
Brown brought the necklace over to her and put it on her neck.
“I think it rather suits me,” she laughed and left.
Brown didn’t understand what had made him insist she wear the necklace. Maybe it
was the readiness with which she had made love, or her frequent disappearances lately,
he was just curious. There was no harm in checking, before he parted with the money.
Later that evening, before going to sleep he decided to have a look at her location and
he was in for a surprise. She had not left Central City at all. In fact she was at the same
friend’s address as she had been the last time.
Max Nowaz (The Arbitrator)
My nails dug into his back, and he trailed his lips down the edge of my chin, down the center of my neck. He kept going until he reached the bottom of the dress’s V-neck. I let out a small gasp, and he kissed all around the neckline, just enough to tease.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I'm afraid they're in love," he said, concerned. "They don't want to leave you." He lifted one hand from her waist to gently brush a pair from her neck, where their wings fanned against her jaw. Melancholy, he said, "I know just how they feel.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
It's not reasonable to love people who are only going to die," she said. Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement. "I have two responses to that," He said at last. "First, everyone is going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reason I loved my father." He looked at her keenly. "Did you love yours?" "Yes," she whispered. He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do.
Kristin Cashore (Fire (Graceling Realm, #2))
Arin pulled her onto his lap. He held her shaking form, tucked his face into the crook of her cold neck as she sobbed against him. He murmured that he loved her more than he could say. He promised that he would always choose her first.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
If you kiss someone on the back of the neck, it spreads.
H. Jackson Brown Jr.
For God's sake, let's take the word 'possess' and put a brick round its neck and drown it ... We can't possess one another. We can only give and hazard all we have.
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
When evening fell the boy would bring the girl a glass of tea, a slice of lemon cake, an apple blossom floating in a blue cup. He would kiss her neck and whisper new names in her ear: beauty, beloved, cherished, my heart.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
What was a kiss without a kiss?" It was a tablecloth tugged from beneath a party service, everything jumbled against everything else in just a few chaotic moments. Fingers in hair. Hands cupping necks. Mouths dragged on cheeks and chins in dangerous proximity.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
His noise is getting quieter, but I can still see it there still- See how he feels the skin of my hand against his, see how he wants to take it and press it against his mouth, how he wants to breathe in the smell of me and how beautiful I look to him, how strong after all that illness, and how he wants to just lightly touch my neck, just there, and how he wants to take me in his arms and- "Oh, God," he says, looking away suddenly. "Viola, I'm sorry, I didn't mean-" But I just put my hand to the back of his neck- And he says, "Viola-?" And I pull myself towards him- And I kiss him. And it feels like, finally.
Patrick Ness (Monsters of Men (Chaos Walking, #3))
i don't know when love became elusive what i know, is that no one i know has it my fathers arms around my mothers neck fruit too ripe to eat, a door half way open when your name is a just a hand i can never hold everything i have ever believed in, becomes magic. i think of lovers as trees, growing to and from one another searching for the same light, my mothers laughter in a dark room, a photograph greying under my touch, this is all i know how to do, carry loss around until i begin to resemble every bad memory, every terrible fear, every nightmare anyone has ever had. i ask did you ever love me? you say of course, of course so quickly that you sound like someone else i ask are you made of steel? are you made of iron? you cry on the phone, my stomach hurts i let you leave, i need someone who knows how to stay.
Warsan Shire
So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I was washing the dishes and the sneaky bastard crept up behind me and wrapped his arms around my waist. And kissed me. Right here.” I pointed angrily to my neck. “Can I not have him committed or something?” Dr. Pritchard snorted. “For loving you?” I drew back, shaking my head in disgust. “Dr. Pritchard,” I admonished softly. “Whose side are you on?” “Braden’s.
Samantha Young (On Dublin Street (On Dublin Street, #1))
In spite of everything I loved you, and will go on loving you―on my knees, with my shoulders drawn back, showing my heels to the headsman and straining my goose neck―even then. And afterwards―perhaps most of all afterwards―I shall love you, and one day we shall have a real, all-embracing explanation, and then perhaps we shall somehow fit together, you and I, and turn ourselves in such a way that we form one pattern, and solve the puzzle: draw a line from point A to point B... without looking, or, without lifting the pencil... or in some other way... we shall connect the points, draw the line, and you and I shall form that unique design for which I yearn. If they do this kind of thing to me every morning, they will get me trained and I shall become quite wooden.
Vladimir Nabokov
I caught his hand. “What do you want me to do?” Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
A moment passed, perhaps half a second when their faces said what they felt, and then Emma was smiling, laughing, her arms around his neck.
David Nicholls (One Day)
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
Henry Rollins
Do. You. Still. Love. Me?” I enunciate every word and lean right into his space just to prove that I’m not intimidated by him. He cups the back of my neck and pulls me within inches of his face—close enough to kiss. “I could reach the rank of Maven, lead armies of dark wielders against everyone we care for, and watch every vein in my body turn red as I channel all the power in the Continent, and I would still love you. What I did doesn’t change that. I’m not sure anything can.
Rebecca Yarros (Onyx Storm (The Empyrean #3))
In Mexico people wear hummingbird amulets around their necks to show they are searching for love. Here people pretend that they aren’t. Searching.
Francesca Lia Block
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
She leaned toward me, offering her neck, and I kissed her just behind her ear.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
I hold the bottle out into the rain and watch as the steady flow slowly fills it. When there is enough, enough that Beth can clearly see, I close the bottle and hand it to her. She raises a skeptical eyebrow, but accepts the bottle. "It's our rain Beth." Her head barely shakes to show her confusion while I rub the back of my neck and search for my courage. "I told you I loved you in this rain and when you doubt my words, I want you to look at this bottle.
Katie McGarry (Dare You To (Pushing the Limits, #2))
...When I get you back, I’m gonna put that necklace back around your neck and pin you.” He tries to hold my eyes with his own. 'Like the 1950s.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I can't leave you," he says hoarsely. "I can't leave you either," I say, shaking my head. "I can't." "Then don't," he says, and grabs me behind the neck and kisses me again, and the world is tilting, and everything goes black.
Cynthia Hand (Boundless (Unearthly, #3))
A smile tugged at her mouth. “You couldn’t stand me back then.” “Doesn’t matter. You were still mine.” I curled my hand around the back of her neck while keeping my thumb on her lip. “Mine to fight with. Mine to protect. Mine to fuck.” My voice dropped. “Mine to love.
Ana Huang (Twisted Games (Twisted, #2))
People say I love you all the time - when they say, ‘take an umbrella, it’s raining,’ or ‘hurry back,’ or even ‘watch out, you’ll break your neck.’ There are hundreds of ways of wording it - you just have to listen for it, my dear.
John Patrick (The Curious Savage)
Does a crow become a salmon simply because it wished to? You do not know the first thing about mortality, prince-who-is-not. Why would you want to become like them?" "Because," Grimalkin answered before I could say anything, "he is in love." "Ahhh." The Witch looked at me and shook her head. "I see. Poor creature. Then you will not hear a word I have to say" I was in love. With a human. I smiled bitterly at the thought. The old Ash, if faced with such a suggestion, would've either laughed scornfully or removed the offender's head from his neck.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her soft cheek was glowing against mine. "Darling, darling," she murmured, "I live in you; and you would die for me, I love you so." I started from her. She was gazing on me with eyes from which all fire, all meaning had flown, and a face colorless and apathetic. "Is there a chill in the air, dear?" she said drowsily. "I almost shiver; have I been dreaming? Let us come in. Come; come; come in.
J. Sheridan Le Fanu (Carmilla)
Once he had me panting for breath he broke the kiss and burried his head in the curve of my neck. "I fucking love you." I giggled. That was a very cage response.
Abbi Glines (While It Lasts (Sea Breeze, #3))
I need to check in with Seth before I--" he burrowed his face into the side of her neck, his breath almost painfully warm on her throat--"give in to my unconscionable desire to put my hands on you properly.
Melissa Marr (Ink Exchange (Wicked Lovely, #2))
My older self knows that you must stop—in the middle of the chaos—to take in the world around you. To breathe in deeply, smell the sunscreen and the rubber of the ball, let the breeze blow across your neck, feel the warmth of the sun on your skin. In this respect, I love the way the world has aged me.
Taylor Jenkins Reid (Carrie Soto Is Back)
You’re the most beautiful thing on earth,” he whispers against my neck, peppering kisses there as he meets my gaze in the mirror. “I’m lucky you allowed me in your life.” Kiss. “I’m lucky you love me.” Kiss. “I’m lucky you’re letting me fight your demons with you.
Rina Kent (God of Fury (Legacy of Gods, #5))
It's always hard to remember love - years pass and you say to yourself, Was I really in love, or was I just kidding myself? Was I really in love, or was I just pretending he was the man of my dreams? Was I really in love, or was I just desperate?
Nora Ephron (I Feel Bad About My Neck and Other Thoughts on Being a Woman)
I want to talk to her. I want to have lunch with her. I want her to give me a book she just read and loved. She is my phantom limb, and I just can’t believe I’m here without her.”- on losing her best friend
Nora Ephron (I Feel Bad About My Neck and Other Thoughts on Being a Woman)
Next to me, Saiman smiled. "We all want what we can't have, Kate. I want you, you want love, and he wants to break my neck.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
That’s all of life. All we can hope for. You mustn’t think about the fact that it might end, because then you live like a coward, you never love too much or sing too loudly. You have to take it for granted, the artist thinks, the whole thing: sunrises and slow Sunday mornings and water balloons and another person’s breath against your neck. That’s the only courageous thing a person can do.
Fredrik Backman (My Friends)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
I pity the woman who will love you when I am done. She will show up to your first date with a dustpan and broom, ready to pick up all the pieces I left you in. She will hear my name so often it will begin to dig holes in her. That is where doubt will grow. She will look at your neck, your thin hips, your mouth, wondering at the way I touched you. She will make you all the promises I did and some I never could. She will hear only the terrible stories. How I drank. How I lied. She will wonder (as I have) how someone as wonderful as you could love a monster like the woman who came before her. Still, she will compete with my ghost. She will understand why you do not look in the back of closets. Why you are afraid of what’s under the bed. She will know every corner of you is haunted by me.
Clementine von Radics
contiguous, adj. I felt silly for even mentioning it, but once I did, I knew I had to explain. "When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are." For a moment, you were quiet. And then you nestled in and whispered. "Contiguous." And I knew you understood.
David Levithan (The Lover's Dictionary)
She looked up from closing it to find Jace watching her through hooded eyes. “And one last thing,” he said. He reached over and pulled the sparking pins out of her hair, so that it fell in warm heavy curls down her neck. The sensation of hair tickling her bare skin was unfamiliar and oddly pleasant. “Much better,” he said, and she thought this time that maybe his voice was uneven too.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I wanted him. I arched my back, fully aware of how vulnerable that made me and that I was giving him an invitation. He accepted it and laid me back against the table, bringing his body down on top of mine. That crushing kiss of his moved from my mouth to the nape of my neck. He pushed down the edge of my dress and the bra strap underneath, exposing my shoulder and giving his lips more skin to conquer.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
he dared to explore her withered neck w/his fingertips…her hips w/their decaying bones, her thighs with their aging veins.
Gabriel García Márquez (Love in the Time of Cholera)
When they made love Geryon liked to touch in slow succession each of the bones of Herakles' back as it arched away from him into who knows what dark dream of its own, running both hands all the way down from the base of the neck to the end of the spine which he can cause to shiver like a root in the rain.
Anne Carson (Autobiography of Red)
Love, they say, enslaves and passion is a demon and many have been lost for love. I know this is true, but I know too that without love we grope the tunnels of our lives and never see the sun. When I fell in love it was as though I looked into a mirror for the first time and saw myself. I lifted my hand in bewilderment and felt my cheeks, my neck. This was me. And when I had looked at myself and grown accustomed to who I was, I was not afraid to hate parts of me because I wanted to be worthy of the mirror bearer.
Jeanette Winterson
I want to touch with my mouth. His mouth, with my mouth. Maybe his neck, too. But first things first: Make him aware I exist. It’s possible that he is already aware, if only in a ‘don't step on the small girl’ kind of way.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Did I ever tell you that Alex loves you so much he got your name tattooed all over his body? Hell, he even got your name branded into the back of his neck." "They say 'LB,' Carlos. The initials for Latino Blood." "No, no, no. You've got it all wrong. He wants everyone to think that, but in reality it means Lover of Brittany. LB, get it?
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.” “Noted.” “Then where?” “Steiner’s.” “The jewelry store?” “Yep.” “Why, Travis?” Shepley said, his voice more stern than before. “You’ll see.” He shook his head. “Are you trying to run her off?” “It’s going to happen, Shep. I just want to have it. For when the time is right.” “No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?” My teeth clenched at the thought. “I won’t ask her until I know she’s ready.” Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.” “Wait until you see the rock I’m getting.” Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart." He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little." "Why?" "For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Did you read the part that says, 'Your hair is like a flock of goats'? How romantic is that? Or that other line, 'Your neck is like the tower of David.' Oh, now, that sounds real attractive! If some guy tried those lines on me, I'm sure I'd fall instantly in love with him.
Robin Jones Gunn (As You Wish (Christy and Todd: College Years #2))
You were still mine.” I curled my hand around the back of her neck while keeping my thumb on her lip. “Mine to fight with. Mine to protect. Mine to fuck.” My voice dropped. “Mine to love.
Ana Huang (Twisted Games (Twisted, #2))
Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.  He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.
J. Rose Black (Losing My Breath)
My grandfather used to say the placement of a birthmark was the story of how a person lost the battle in their past life. I guess you got stabbed in the neck. Bet it was a quick death, though.
Colleen Hoover (Ugly Love)
Please don't go." He let out an uneven breath. "You'll be fine without me. You always have been." Maybe once, but not now. "How can I convince you to stay?" "You can't." She threw down the torch. "Do you want me to beg, is that it?" "No-never." "Then tell me-" "What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.” “But why? Why can’t you let it go?” He grabbed her shoulders and shook her. “Because I love you!” Her mouth fell open. “I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” The only sounds were their breathing, an uneven beat against the rushing of the sewer river. “You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you." And then she kissed him.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
Do you have any idea how much I love you?" he asked. "Enough to accept my apologies?" I suggested in a small voice. "Heck no," he said, and pushed off from the wall, stalking forward. When he reached me, he put his hands up and touched the sides of my neck with the tips of his fingers--as if I were something fragile. "No apologies from you," he told me, his voice soft enough to melt my knees and most of my other parts.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
Sleep, my love," He whispered, smoothing her long hair, lifting the damp locks away from the back of her neck. "I'll be here to watch over you." "You sleep too," she said groggily, her hand creeping to the center of his chest. "No." McKenna smiled and pressed a soft kiss against her temple. His voice was husky with wonder. "Not when staying awake is better than anything I could find in a dream.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Ham turned back, still smiling. "You make it sound so desperate, El." Elend looked over at him. "The Assembly is a mess, a half-dozen warlords with superior armies are breathing down my neck, barely a month passes without someone sending assassins to kill me, and the woman I love is slowly driving me insane." Vin snorted at this last part. "Oh is that all?" Ham said. "See? It's not so bad after all. I mean, we could be facing an immortal god and his all-powerful priests instead.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?
James Baldwin (Giovanni’s Room)
Liv or love?" she asks. I brush her hair away from her neck and rest my hand there, feeling the beating of her pulse. "Either," I answer. "They're the same to me.
Veronica Rossi (Roar and Liv (Under the Never Sky, #0.5))
Then I whispered, “I love you, my Lahn,” and heard the swift hiss of his intake of breath. Then he buried his face in my neck and whispered back, “Loot kay hansahnalay na, my Circe.” And I love you, my Circe.
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck.
Graham Greene (The End of the Affair)
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
Toni Morrison (Beloved)
Sam," she said. "I'm trying!" "Sam," she repeated. "No," he spat, hearing her tone. "No!" He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough. "Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't." She knew he wasn't speaking to her. The water hit her neck. "Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words. "Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn't know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole's hand touched my neck, thumb pressed into the skin next to my jaw. It wasn't a touch that said I need more. It was a touch that said I want this. It was all completely soundless. I didn't think either of us was breathing. Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered. He said, "That's how I would kiss you, if I loved you.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
This is where you belong, Calla.” He pulled me closer, tilting my chin up. “Be with me. Tell me it’s what you want.” I couldn’t tear my eyes from his. “What I want?” “Yes. Anything, everything you need, I’ll give you. Always. I promise. Just tell me one thing.” “What?” “That you want this, us.” His voice dropped so low I could barely hear him. “That someday you’ll love me.” My hands began to tremble where they rested around his neck. “Ren, you know we’re going to be together. We’ve both known that for a long time.” He gave me a hard look. “That’s not what I’m talking about.” “Why are you asking me this?” I tried to pull back, but he held me against him. The glimmer of a smile appeared on his lips. “Why not?” My temper flared. “Are you trying to say that you love me?” I meant it as a challenge rather than a serious question, but his eyes seemed to catch fire. “What do you think?” He touched his lips to mine, softly at first, gradually building pressure, parting them.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
He was the owner of the moonlight on the ground, he fell in love with the most beautiful of the trees, he made wreaths of leaves and strung them around his neck.
Tove Jansson (Tales from Moominvalley (The Moomins, #7))
I kissed her neck and shoulders. I felt faint with loving her so much.
Ernest Hemingway (A Farewell to Arms)
Her hands crept around his neck, tangling in his hair to keep him closer, even though she knew that beautiful boys with expiration dates couldn't be held, only borrowed for a time.
Martina Boone
For us who choose our dreams over our love the only thing we can do for love is perhaps to release the lock around our necks. Through that, the pain may vanish.
Ai Yazawa
We sleep to time's hurdy-gurdy; we wake, if ever we wake, to the silence of God. And then, when we wake to the deep shores of time uncreated, then when the dazzling dark breaks over the far slopes of time, then it's time to toss things, like our reason, and our will; then it's time to break our necks for home. There are no events but thoughts and the heart's hard turning, the heart's slow learning where to love and whom. The rest is merely gossip, and tales for other times.
Annie Dillard (Holy the Firm)
She had no mercy. He looked at her neck and thought how he would like to jab it with the knife he had for his muffin. He knew enough anatomy to make pretty certain of getting the carotid artery. And at the same time he wanted to cover her pale, thin face with kisses.
W. Somerset Maugham (Of Human Bondage)
Aren’t you worn out from running?” His lips follow a tear down my neck, and then he brushes my face with his hand. “I don’t want to live without you another day. I’m begging you for another chance. Please.
Willow Aster (True Love Story)
It was as though our love were a small creature caught in a trap and bleeding to death: I had to shut my eyes and wring its neck.
Graham Greene (The End of the Affair)
And my personal favorite, your lips." He smiled as a pink flush crept up my neck. "Full and sensual, puckered, and always turned down at the corners. They kind of make me want to kiss them until they smile.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
What would you like to do with my neck?’ I asked. ‘Seduce me with your words. Feel free.
James Lusarde (The Train of Arousal)
The moment the door closed behind him, Tessa was in Will's arms, her hands locked about his neck. "Oh, by the Angel," she said. "That was mortifying." Will slid his hands into her hair and was kissing her, kissing her eyelids and her cheeks and then her mouth, quickly but with fervor and concentration, as if nothing could be more important. "Listen to you," he said. "You said 'by the angel.' Like a Shadowhunter." He kissed the side of her mouth. "I love you. God, I love you. I waited so long to say it.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I have not had one word from her Frankly I wish I were dead When she left, she wept a great deal; she said to me, "This parting must be endured, Sappho. I go unwillingly." I said, "Go, and be happy but remember (you know well) whom you leave shackled by love "If you forget me, think of our gifts to Aphrodite and all the loveliness that we shared "all the violet tiaras, braided rosebuds, dill and crocus twined around your young neck "myrrh poured on your head and on soft mats girls with all that they most wished for beside them "while no voices chanted choruses without ours, no woodlot bloomed in spring without song...
Sappho
This was perfect. I was about a ten on the poison scale. If he needed venom, I could inject it directly into his neck.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
She places her hands around my neck and rests her head on my shoulder. I can smell the sex on her, and my hope is that she can smell the love on me.
Markus Zusak (I Am the Messenger)
don't say no to me you can't say no to me because it's such a relief to have love again and to lie in bed and be held and touched and kissed and adored and your heart will leap when you hear my voice and see my smile and feel my breath on your neck and your heart will race when I want to see you and I will lie to you from day one and use you and screw you and break your heart because you broke mine first and you will love me more each day until the weight is unbearable and your life is mine and you'll die alone because I will take what I want then walk away and owe you nothing it's always there it's always been there and you cannot deny the life you feel fuck that life fuck that life fuck that life I have lost you now.
Sarah Kane (Crave)
Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little bit mad, but I'm a good girl, and honest, and I work hard, I'm kind of cute, I have nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me, I'll end up going somewhere else.
Haruki Murakami (Norwegian Wood)
Girls blush, sometimes, because they are alive, Half wishing they were dead to save the shame. The sudden blush devours them, neck and brow; They have drawn too near the fire of life, like gnats, And flare up bodily, wings and all. What then? Who's sorry for a gnat... or a girl?
Elizabeth Barrett Browning (A Little Book of Love Poems)
The horse’s ears twitched as she spoke. “I hope you’ll forgive any of my rookie mistakes. You see, I’ve become both a novice rancher and a fake widow today.” She tilted her head, loosening the tense muscles in her neck. “How many people can say that, huh?
Cricket Rohman (Colorado Takedown (The McAllister Brothers, #1))
I'm a mess," he said, halfway joking but halfway not. "I'm demanding and temperamental and I'm terribly high maintenance." I laughed without even meaning to. "Do you honestly think I don't know all that by now?" "Then how could you possibly love me?" I held him tighter, kept kissing his neck. "How can I not?
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
Catch me, Seth," she invited. He paused. "Faeries chase," he said, an then , with a flirtatious smile, he turned away, but before he could take a second step, she was behind him, arms around him, lips pressed against his neck. "I seem caught," he murmured. The Summer Queen whispered, "Me too." And They fell together in a bed of flowers that now covered the floor
Melissa Marr (Darkest Mercy (Wicked Lovely, #5))
I never want to be apart from you,” he said. “I’m going to buy an island and take you there. A ship will come once a month with supplies. The rest of the time it will be just the two of us, wearing leaves and eating exotic fruit and making love on the beach . . .” You’d start a produce export business and organize a local economy within a month,” she said flatly. Harry groaned as he recognized the truth of it. “God. Why do you tolerate me?” Poppy grinned and slid her arms around his neck. “I like the side benefits,” she told him. “And really, it’s only fair since you tolerate me.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
She put her arms around his waist and looked up at his face. “I did? What did I take?” He bent down to kiss her. She stood to meet him halfway. His lips softly touched her lips and her neck as his hands became tangled in her hair. “I believe it was my heart.
Aleatha Romig (Consequences (Consequences, #1))
I want to tell you something today, something that I have known for a long while, and you know it too; but perhaps you have never said it to yourself. I am going to tell you now what it is that I know about you and me and our fate. You, Harry, have been an artist and a thinker, a man full of joy and faith, always on the track of what is great and eternal, never content with the trivial and petty. But the more life has awakened you and brought you back to yourself, the greater has you need been and the deeper the sufferings and dread and despair that have overtaken you, till you were up to your neck in them. And all that you once knew and loved and revered as beautiful and sacred, all the belief you once had in mankind and our high destiny, has been of no avail and has lost its worth and gone to pieces. Your faith found no more air to breathe. And suffocation is a hard death. Is that true, Harry? Is that your fate?
Hermann Hesse (Steppenwolf)
She's easy to use." Laszlo pointed at the doll's neck. "You remove the clamp, insert the small funnel, select two quarts of your favorite blood from Romatech Industries, and fill her up." I see. Does she light up when she's running low?" Laszlo frowned. "I suppose I could put in an indicator light-
Kerrelyn Sparks (How to Marry a Millionaire Vampire (Love at Stake, #1))
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
James Patterson (Maximum Ride Five-Book Set)
She had watched other women with infants and eventually understood what she craved: the boundless permission-no, the absolute necessity- to hold and kiss and stroke this tiny person. Cradling a swaddled infant in their arms, mothers would distractedly touch their lips to their babies' foreheads. Passing their toddlers in a hall, mothers would tousle their hair even sweep them up in their arms and kiss them hard along their chins and necks until the children squealed with glee. Where else in life, Mabel wondered, could a woman love so openly and with such abandon?
Eowyn Ivey (The Snow Child)
Bryn?" Chase's voice was a whisper in my mind, and the sensation sent a single chill up my spine. "Yes?" "You asked me what I liked, before." He paused, and all the silence tickled my mind, the chill in my spine climbing its way to the hairs on the back of my neck. "Before, I loved cars, Yeats, having a bedroom that locked from the inside, and you.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
I want your heart, Catalina.” Both of his hands rose to my shoulders, trailing up my neck and cupping my face. “I want it for myself, just how I have given you mine.” It’s yours, you beautiful and blind man, I wanted to tell him. Take it. I don’t want it anymore, I wanted to scream at him and anyone that would listen.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
He doesn’t have to say it, I feel it too; it’s not subtle - like every bell for miles and miles is ringing at once, loud and clanging, hungry ones and tiny, happy, chiming ones, all of them sounding off in this moment. I put my hands around his neck, pull him to me, and then he’s kissing me hard and so deep, and i am flying, sailing, soaring…
Jandy Nelson (The Sky Is Everywhere)
She used to place her pretty arms about my neck, draw me to her, and laying her cheek to mine, murmur with her lips near my ear, “Dearest, your little heart is wounded; think me not cruel because I obey the irresistible law of my strength and weakness; if your dear heart is wounded, my wild heart bleeds with yours. In the rapture of my enormous humiliation I live in your warm life, and you shall die—die, sweetly die—into mine. I cannot help it; as I draw near to you, you, in your turn, will draw near to others, and learn the rapture of that cruelty, which yet is love; so, for a while, seek to know no more of me and mine, but trust me with all your loving spirit.” And when she had spoken such a rhapsody, she would press me more closely in her trembling embrace, and her lips in soft kisses gently glow upon my cheek.
J. Sheridan Le Fanu
It wasn't a little kiss, Not like your first peck or like the time you made out with your junior high boyfriend behind the movie theater. It was throw-your-arms-around-his-neck, bury-your-fingers-in-his-hair, why-haven't-we-done-this-before kissing
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
Can I..." He stopped and his jaw flexed. "Can I kiss you?" I didn't answer, and he didn't wait for me to. His hands caught me gently behind the neck and he pressed his mouth to mine, softly but firmly. Then he moved one arm around my waist and pulled me closer to him.
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
I waited for him to say something more, but he was quiet. "Was there something you wanted?" I asked. He didn't answer right away, but I could feel him struggling, so I waited. "If I asked you something, would you tell me the truth?" It was my turn to hesitate. "I don't know everything," I hedged. "You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right." Melanie was suddenly very in my head. Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean." Melanie sighed. I said nothing to either of them. "I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest. "Does it, Wanda?" "Why won't you answer me?" Jamie was really crying now but trying to muffle the sound. I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck. "Is Melanie still alive, Wanda? Please?" He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses. Jamie's body shook beside me. Melanie cried. She battered ineffectually at my control. But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now. "She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?" Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel." "She loves you, too. She's so happy that you're here and safe." He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
Stephenie Meyer (The Host (The Host, #1))
I know that to you everything has changed for the worse over the last weeks. But for me..." Elias pauses. rests his forehead into the curve of my neck. "Before you my life was nothing but wandering and solitude and death. Now with you there's possibility." He pulls back until we're looking into each other's eyes. "I'm falling inn love with you, Gabrielle. Not with the person you used to be, but you.
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
All of us sport an invisible sign around our necks -- “AS IS.” It means, take me as I am. I may not become what you want me to be. And I’m far, far from perfect. But I have some great qualities, too, as well as my share of faults. You will have to take me “AS IS” and I’ll take you that way, too.
Steve Goodier
Start by pulling him out of the fire and hoping that he will forget the smell. He was supposed to be an angel but they took him from that light and turned him into something hungry, something that forgets what his hands are for when they aren’t shaking. He will lose so much, and you will watch it all happen because you had him first, and you would let the world break its own neck if it means keeping him. Start by wiping the blood off of his chin and pretending to understand. Repeat to yourself “I won’t leave you, I won’t leave you” until you fall asleep and dream of the place where nothing is red. When is a monster not a monster? Oh, when you love it. Oh, when you used to sing it to sleep. Here are your upturned hands. Give them to him and watch how he prays like he is learning his first words. Start by pulling him out of another fire, and putting him back together with the pieces you find on the floor. There is so much to forgive, but you do not know how to forget. When is a monster not a monster? Oh, when you are the reason it has become so mangled. Here is your humble offering, obliterated and broken in the mouth of this abandoned church. He has come back to stop the world from turning itself inside out, and you love him, you do, so you won’t let him. Tell him that you will never know any better.
Caitlyn Siehl
I was a heavy heart to carry My beloved was weighed down My arms around his neck My fingers laced to crown. I was a heavy heart to carry My feet dragged across ground And he took me to the river Where he slowly let me drown My love has concrete feet My love's an iron ball Wrapped around your ankles Over the waterfall
Florence Welch
For the next couple of weeks she held Peter like a secret in her heart, lying right under her necklace. I could see him written on her face, and Tik Tok, too, seemed to catch shadows of him, because he'd stop to stare at her, puzzled, as if he'd just seen the boy flit across her eyes-seen the ghost of the kiss lingering for a second on the skin of her neck before disappearing.
Jodi Lynn Anderson (Tiger Lily)
He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes. But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
It's not reasonable to love people who are only going to die," she said. Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement. "I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?" "Yes," she whispered. He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do." She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before. "You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother." "Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there." "You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away." He shrugged. "I don't mind you pushing me away if it means you love me, little sister.
Kristin Cashore (Fire (Graceling Realm, #2))
We Americans claim to be a peace-loving people. We hate bloodshed; we are opposed to violence. Yet we go into spasms of joy over the possibility of projecting dynamite bombs from flying machines upon helpless citizens. We are ready to hang, electrocute, or lynch anyone, who, from economic necessity, will risk his own life in the attempt upon that of some industrial magnate. Yet our hearts swell with pride at the thought that America is becoming the most powerful nation on earth, and that she will eventually plant her iron foot on the necks of all other nations. Such is the logic of patriotism.
Emma Goldman
Oh. My. God. You're Rose Hathaway aren't you?" "Yeah." I said with surprise. "Do you know me?" "Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath. "Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch. Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her. "What's your name?" I asked. "Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me." "Right." I said, hiding a smile. "I figured it out." "I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape. "I don't know." I said. "You should talk to Christian Ozera." She gaped. "Would he talk to me?" "If you bring up fighting the establishment, yeah he'll talk to you." "Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly. "Yeah." I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?" "Yeah." I wondered where he was. Talking to Jill was exhausting. "Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?" "Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties. "I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'" I laughed in spite of myself. "I think you're giving me more credit than I deserve." "No way. And I don't believe any of those stories, you know." "Um, stories?" "Yeah about you beating up Christian Ozera." "Thanks." I said.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
Casting back her head, Arya gazed up at the twinkling sky, her long neck gold with firelight, her face pale with the radiance of the heavenx. "Do you ask out of friendly concern or your own self-interest?" She gave an abrupt, choked laugh, the sound of water falling over cold rocks. "Never mind. The night air has addled me. It has undone my sense of courtesy and left me free to say the most spiteful things that occur to me." "No matter." "It does matter, because I regret it, and I shall not tolerate it. Did I love Faolin? How would you define love? For over twenty years, we traveled together, the only immortals to walk among the short-lived races. We were companions...and friends.
Christopher Paolini
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: 'I’ll go take a hot bath.' I meditate in the bath.The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck. I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders. I never feel so much myself as when I’m in a hot bath.
Sylvia Plath (The Bell Jar)
I did it," I gasp, still reeling from the thrill and the fear. "I really-" Quince's mouth is on mine in an instant. His arms around my waist, mine around his neck. It's the fear, i know it's the fear. And the bond. And the adrenaline. That whole i-was-this-close-to-death-and-really-really-really-glad-to-be-alive emotional response. Anxiety and relief and joy swirl between us until i can't tell which are his and which are mine. I can't not be kissing him right now. The urgency in his kiss tells me he feels the same.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
And then . . . we’re going to get in my car.” I waited for him to elaborate on a destination. “And?” He gently kissed the nape of my neck. “What do you think?” I couldn’t help a small gasp of delight. “Oh, wow.” “I know, right? I was racking my brain for the best present ever, and then I realized that nothing was going to rock your world more than you and me in your favorite place in the entire world.” I swallowed. “I’m kind of embarrassed at how excited I am about that.” Never had I guessed my love of cars would play a role in my sex life. Eddie was right. Something had happened to me. “It’s okay, Sage. We’ve all got our turn-ons.” “You kind of ruined the surprise, though.” “Nah. It’s part of the gift: you getting to think about it for the next three days.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Her hands brushed Shane's, and he let go of the cards and took hold. And then somehow she was in his lap, and he was kissing her. Hadn't meant to do that but...well. She couldn't exactly be sorry about it, because he tasted amazing, and his lips were so soft and his hands were so strong... He leaned back, eyes half shut, and he was smiling. Shane didn't smile all that much, and it always left her breathless and tingling. There was a secrecy about it like he only ever smiled at her, and it just felt... perfect. 'Claire, you're being careful right?' He smoothed hair back from her face. 'Seriously. You'd tell me if you got into trouble?' 'No trouble,' She lied, thinking about Monica's not-so veiled threats, and that glimpse of Shane's dad seated across from Oliver in the coffee shop.'No trouble at all.' 'Good.' He kissed her again, then moved down her jawline to her neck, and, wow neck nibbles took her breath away. She closed her eyes and buried her fingers in his warm hair, trying to tell him through every touch how much she liked this, like him, loved... Her eyes came open, fast. She did not just think about that. Shane’s warm hands moved up her sides, thumbs grazing the sides of her breasts again, and he traced his fingers across the thin skin of her collarbone...down to where the neck of her T-shirt stopped him. Teasing. Pulling it down an inch, then two. And then, maddeningly, he let go and leaned back, lips damp. He licked them, watching her, and then gave her that slow crazy, sexy smile again. 'Go to bed' he said. 'Before I decide to come with.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Her voice was so melancholy that Gansey was struck all at once by what he and Blue really lost by keeping their relationship a secret. Blue radiated psychic energy for others, but touch was where she gained hers back. She was always hugging her mother or holding Noah’s hand or linking her elbow in Adam’s or resting her boots on Ronan’s legs as they sat on the sofa. Touching Gansey’s neck just between his hair and his collar. This worry in her tone demanded fingers braided together, arms on shoulders, cheeks rested against chests. But because Gansey was too cowardly to tell Adam about falling in love with her, she had to stand there with her sadness by herself. Aurora took Blue’s hand.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
His lips come too close. "But I love you." "No you don't." His eyes close. He leans his forehead against mine. "You have no idea what you do to me." "I hate you." He shakes his head very slowly. Dips down. His nose brushes the nape of my neck and I stifle a horrified shiver that he misunderstands. His lips touch my skin and I actually whimper. "God, I'd love to just take a bite out of you.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Charlie threads his fingers through mine and lifts the back of my hand to his lips. “For what it’s worth,” he says, “I doubt I will ever like anyone else in the world as much as I like you.” I slip my arms around his neck and climb into his lap, kissing his temples, his jaw, his mouth. Love, I think, a tremor in my hands as they move into his hair, as he kisses me. The last-page ache. The deep breath in after you’ve set the book aside. When he walks me to the door sometime later, he takes my face in his hands and says, “You, Nora Stephens, will always be okay.
Emily Henry (Book Lovers)
I want to tell you this story without having to confess anything, without having to say that I ran out into the street to prove something, that he didn't love me, that I wanted to be possessed, thrown over, that I wanted to have the wounds nailed shut. I want to tell you this story without having to be in it: Max in the wrong clothes. Max at the party, drunk again. Max in the kitchen, in refrigerator Ught, his hands around the neck of a beer. Tell me we're dead and I'll love you even more. I'm surprised that I say it with feeling. There's a thing in my stomach about this. A simple thing. The last rung.
Richard Siken (Crush)
I changed your life.” She looked down at the peach they shared. “You changed min. I’m glad of it.” And back into his eyes. “Every day. I’m glad of it. I’d like a pond, and maybe something to sit on so we could watch the creepy, interesting fish.” “That would suit me very well.” She linked her arms around his neck, laid her cheek on his. Love finds a way, she thought.
J.D. Robb (Treachery in Death (In Death, #32))
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
David Wojnarowicz
Well, sir, do you mean to remain there, commending my father’s taste in wine, or do you mean to accompany me to Ashtead?” “Set off for Ashtead at this hour, when I have been traveling for two days?” said Sir Horace. “Now, do, my boy, have a little common sense! Why should I?” “I imagine that your parental feeling, sir, must provide you with the answer! If it does not, so be it! I am leaving immediately!” “What do you mean to do when you reach Lacy Manor?” asked Sir Horace, regarding him in some amusement. “Wring Sophy’s neck!” said Mr. Rivenhall savagely. “Well, you don’t need my help for that, my dear boy!” said Sir Horace, settling himself more comfortably in his chair.
Georgette Heyer (The Grand Sophy)
I love you," I said, gripping the back of her neck and bringing her mouth to mine. My hand trailed down her side, naked and smooth and covered in goose bumps. "We're really doing this, aren't we?" she asked, pulling back just enough to meet my eyes. "We're really doing this." "Officially." "A hundred percent. Dinners, dates, introducing you as my girlfriend. The whole thing." "Think I like the sound of that," she said, her cheeks pink.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
Listen,” he says, pulling a curled fist out of his pocket. He takes one of Alex’s hands and turns it to press something small and heavy into his palm. “I want you to know, I’m sure. A thousand percent.” He removes his hand and there, sitting in the center of Alex’s callused palm, is the signet ring. “What?” Alex’s eyes flash up to search Henry’s face and find him smiling softly. “I can’t—” “Keep it,” Henry tells him. “I’m sick of wearing it.” It’s a private airstrip, but it’s still risky, so he folds Henry in a hug and whispers fiercely, “I completely fucking love you.” At cruising altitude, he takes the chain off his neck and slides the ring on next to the old house key. They clink together gently as he tucks them both under his shirt, two homes side by side.
Casey McQuiston (Red, White & Royal Blue)
Cole,” I said, “do you think I’m lovable?” “As in ‘cuddly and’?” “As in ‘able to be loved,’” I said. Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.” I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.” Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry. Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into the skin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.” It was all completely soundless. I didn’t think either of us was breathing. Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered. He said, “That’s how I would kiss you, if I loved you.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
I've seen ye so many times," he said, his voice whispering warm in my ear. "You've come to me so often. When I dreamed sometimes.When I lay in fever. When I was so afraid and so lonely I knew I must die. When I needed you, I would always see ye, smiling, with your hair curling up about your face. But ye never spoke. And ye never touched me." "I can touch you now." I reached up and drew my hand gently down his temple, his ear, the cheek and jaw that I could see. My hand went to the nape of his neck, under the clubbed bronze hair, and he raised his head at last, and cupped his face between my hands, love glowing strong in the dark blue eyes. "Dinna be afraid," he said softly, "There's the two of us now.
Diana Gabaldon (Voyager (Outlander, #3))
Jesus," I said. "That was bad." Seth looked startled—and then hurt. "Bad?" "No, not performance bad—more like dirty, wicked bad. The kind of stuff that gets an R rating." "What, we can't do that?" He stepped forward and wrapped his arms around my waist, nuzzling my neck. "Well, yeah...er, well, damn it. We're not supposed to be. Not at all. It's just that last time, it was like...I don't know. It was making love. This time it was..." "Fucking?" he supplied. "Oh God," I groaned. "Seth Mortensen just said 'fucking' out loud. The end times are near.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
I didn't know that would be the last time I'd see him, his neck scar lit blue by the diner's neon marquee. To see that little comma again, to put my mouth there, let my shadow widen the scar until, at last, there was no scar to be seen at all, just a vast and equal dark sealed by my lips. A comma superimposed by a period the mouth so naturally makes. Isn't that the saddest thing in the world, Ma? A comma forced to be a period?
Ocean Vuong (On Earth We're Briefly Gorgeous)
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me? Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.” “You are!” “No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn’t well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again: Oh, boy–they sure picked the wrong guy to lynch _that_ time! And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes. The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels. So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was. And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Typical!” he said to Sophie. “ I break my neck to get here, and I find you peacefully tidying up!” Sophie looked up at him. As she had feared, the hard black-and white light coming through the broken wall showed her that Howl had not bothered to shave or tidy his hair. His eyes were still red-rimmed and his black sleeves were torn in several place. There was not much to choose between Howl and the scarecrow. Oh, dear! Sophie thought. He must love Miss Angorian very much. “I came for Miss Angorian,” she explained. “And I thought if I arranged for your family to visit you, it would keep you quiet for once!” Howl said disgustedly. “But no---“.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I don’t …” I sound like I am being strangled. “My family is all dead, or traitors; how can I …” I am not making any sense. The sobs take over my body, my mind, everything. He gathers me to him, and bathwater soaks my legs. His hold is tight. I listen to his heartbeat and, after a while, find a way to let the rhythm calm me. “I’ll be your family now,” he says. “I love you,” I say. I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me. I am his, and he is mine, and it has been that way all along. He stares at me. I wait with my hands clutching his arms for stability as he considers his response. He frowns at me. “Say it again.” “Tobias,” I say, “I love you.” His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips. “I love you, too,” he says.
Veronica Roth (Insurgent (Divergent, #2))
Sudden Light I have been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the lights around the shore. You have been mine before,— How long ago I may not know: But just when at that swallow's soar Your neck turn'd so, Some veil did fall,—I knew it all of yore. Has this been thus before? And shall not thus time's eddying flight Still with our lives our love restore In death's despite, And day and night yield one delight once more?
Dante Gabriel Rossetti (The Complete Poetical Works Of Dante Gabriel Rossetti)
Again," I whisper. The corner of his mouth lifts, and then I kiss him. Not so gently this time. His hands drop from my face and grab my waist and pull me to him. A small soft groan excapes him, and that noise makes me feel absolutely crazy. I lose it. I wind my hands around his neck and kiss him without holding anything back. I can feel his heart thundering like mine, his breath coming faster, his arms tightening around me. And then I can feel what he feels. He's waited for this moment. He loves how I feel in his arms. He loves the smell of my hair. He loves the way I looked at him just now, flushed and wanting more from him. He loves the color of my lips and now the taste of my mouth is making his knees feel weak and he doesn't want to seem weak in front of me. So i draw back, and his breath comes out in a rush. His arms drop away from me.
Cynthia Hand (Unearthly (Unearthly, #1))
He laughs again. “You’re different, Caymen.” “Different than what?” “Than any other girl I’ve met.” Considering most of the girls he’d met probably had fifty times as much money as I did, that wasn’t a hard feat to accomplish. Thinking about that makes my eyes sting. “It’s refreshing. You make me feel normal.” “Huh. I better work on that because you’re far from normal.” He smiles and pushes my shoulder playfully. My heart slams into my ribs. “Caymen.” I take another handful of dirt and smash it against his neck then try to make a quick escape. He grabs me from behind, and I see his hand, full of dirt, coming toward my face when the warning beeps of the tractor start up. “Saved by the gravediggers,” he says.
Kasie West (The Distance Between Us (Old Town Shops, #1))
If I could speak, I would tell Cal that I'm sorry, that I love him, that I need him. But the wind and the drop steal my breath away. I have no more words. His touch is achingly familiar, one hand at my neck, imploring me to look at him. Like me, he can't speak. But I hear his apology all the same, and he understands mine. We see nothing but each other. Not the lights of Corvium on the horizon, the ground ringing up to meet us, or the fate we're about to find. There is nothing but his eyes. Even in darkness, they glow.
Victoria Aveyard (Glass Sword (Red Queen, #2))
You know,' she confessed, 'I've always loved your dimples.' 'I know.' He smirked. 'You were so obvious with your love at first sight.' 'It was not love at first sight.' She huffed. 'I only said I like your dimples at the start.' She dropped her hand from his cheek. 'I didn't even like you. I thought you were terrible.' 'And yet.' He grabbed her hand again and wrapped it around his neck. 'You kept staring.' Well...' She wrapped her other hand around his neck before sliding her fingers back into his hair. She really loved his hair. 'I might not have liked you, but you were always ridiculously handsome.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
I love you, Eve.” She looked away from the sun, the ocean, and into his eyes. And it was wonderful, and for the moment, it was simple. “I missed you.” She pressed her cheek to his and held him tightly. “I really missed you. I wore one of your shirts.” She could laugh at herself now because he was here. She could smell him, touch him. “I actually went into your closet and stole one of your shirts—one of the black silk ones you have dozens of. I put it on, then snuck out of the house like a thief so Summerset wouldn’t catch me.” Absurdly touched, he nuzzled her neck. “At night, I’d play your transmissions over, just so I could look at you, hear your voice.” “Really?” She giggled, a rare sound from her. “God, Roarke, we’ve gotten so sappy.” “We’ll keep it our little secret.” “Deal.” She leaned back to look at his face.
J.D. Robb (Glory in Death (In Death, #2))
Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
Sarah Kay
Sylvie's sort of pregnant. Well not sort of. She is. Pregnant. Actually pregnant with a baby.' 'Oh Dexter! Do you know the father? I'm kidding! Congratulations, Dex. God, aren't you meant to space your bombshells out a bit. Not just drop them all at once?' She held his face in both hands, looked at it. 'You're getting married?-' 'Yes' -'And you're going to be a father?' 'I know! Fuck me a father!' 'Is that allowed? I mean will they let you?' 'Apparently' 'I think it's wonderful. Fucking hell, Dexter, I turn my back for one minute...!' She hugged him once again her arms high round his neck. She felt drunk, full of affection and a certain sadness too, as if something was coming to an end. She wanted to say something along these lines, but thought it best to do this through a joke. 'Of course you've destroyed any chance I had of future happiness, but I'm delighted for you, really.
David Nicholls (One Day)
And I told you that one night wan't enough." Loki leaned down, kissing me deeply and pressing me to him. I didn't even attempt to resist. I wrapped my arms around his neck. It wasn't the we had kissed before, not as hungry or fevered. This was something different, nicer. We were holding onto each other, knowing this might be the last time we could. It felt sweet and hopeful and tragic all at once. When he stopped kissing me he rested his forehead against mine. He breathed as if struggling to catch his breath. i reached up and touched his face, his skin smooth and cool beneath my hand. Loki lifted his head so he could look me in the eyes, and I saw something in them, something I'd never seen before. Something pure and unadulterated, and my heart seemed to grow with the warmth of my love for him. I didn't know how it happened or when it had, but I knew it with complete certainty. I had fallen in love with Loki, more intensely than anything I had felt for anyone before.
Amanda Hocking (Ascend (Trylle, #3))
I promise I'll never tell." "Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?" "No." "Promise me." "No!" "I will possess your heart." Heat flared along the back of my neck. "What did you say?" "My favorite song. 'I Will Possess Your Heart.'" "By Death Cab for Cutie?" He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie." ... "Why? What's wrong with it?" "Nothing, but it doesn't seem to fit you. It's kind of a sad song." "No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'" A nervous laugh bubbled up. "You will, huh?" His fingers brushed my cheek, then slid into my hair. "I will.
Jeri Smith-Ready (Shade (Shade, #1))
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
nerves twitching in the sheets -- to face the sunlight again, that's clearly trouble. I like the city better when the neon lights are going and the nudies dance on top of the bar to the mauling music. I'm under this sheet thinking. me nerves are hampered by history -- the most memorable concern of mankind is the guys it takes to face the sunlight again. love begins at the meeting of two strangers. love for the world is impossible. I'd rather stay in bed and sleep. dizzied by the days and the streets and the years I pull the sheets to my neck. I turn my ass to the wall. I hate the mornings more than any man.
Charles Bukowski (Burning in Water, Drowning in Flame)
Madison looked from Jason, who jerked his head toward the gate, signaling her to get moving, to Longbranch, whose cold, direct gaze said Jason would pay in blood for any kind of double-cross. One thing was clear: Jason Haley had been lying to her since the moment he set foot on her porch. Was he really plotting with the Roses? Or had he decided to sacrifice himself to get her into the sanctuary? Madison threw her arms around Jason's neck as if she couldn't face being parted from him and whispered fiercely in his ear, "You lying lunatic bastard. They're going to kill you." "I love you too," he murmured. "Go find Seph. Help him.
Cinda Williams Chima (The Dragon Heir (The Heir Chronicles, #3))
Bramble's lips were tight. Her fists still shook. "Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!" Teddie drew himself up to his full, towering taffy height. "N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!" The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white. "Young man," said the King gently. "Your ship leaves soon?" Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved. "Do you mean it?" Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow. "Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!" "Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!" In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh...my," said Clover. No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
Heather Dixon Wallwork (Entwined)
When they finally left the shed, he reached out to stop her before she headed back to her house. He pulled her close and began to kiss her. First her lips, then her cheek, and then her neck. Her skin was like fire, as if she'd been lying in the sun for hours, and when he kissed her lips again, he felt her fold her body into his. He buried his hands in her hair, continuing to kiss her as he slowly backed her against the wall of the workshop. He loved her, he wanted her, and as they continued to kiss, he could feel her arms moving over his back and shoulders. Her touch was electric against his skin, her breath hot against his, and he felt himself slipping away to a place governed only by his senses.
Nicholas Sparks (The Last Song)
In these downbeat times, we need as much hope and courage as we do vision and analysis; we must accent the best of each other even as we point out the vicious effects of our racial divide and pernicious consequences of our maldistribution of wealth and power. We simply cannot enter the twenty-first century at each other's throats, even as we acknowledge the weighty forces of racism, patriarchy, economic inequality, homophobia, and ecological abuse on our necks. We are at a crucial crossroad in the history of this nation--and we either hang together by combating these forces that divide and degrade us or we hang separately. Do we have the intelligence, humor, imagination, courage, tolerance, love, respect, and will to meet the challenge? Time will tell. None of us alone can save the nation or world. But each of us can make a positive difference if we commit ourselves to do so.
Cornel West (Race Matters)
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
During the nuit blanche I think: Henry, my love, I can love you better now that you cannot hurt me. I can love you more gaily. More loosely. I can endure space and distance and betrayals. Only the best, the best and the strongest. Henry, my love, the wanderer, the artist, the faithless one who has loved me so well. Believe me, nothing has changed in me toward you except my courage. I cannot walk with one love ever. My head is strong, my head, but to walk, to walk into love I need miracles, the miracles of excess, and white heat, and two-ness! Lie here, breathing into my hair, over my neck. No hurt will come from me. No criticalness, no judgment. I bear you in my womb.
Anaïs Nin (Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934)
Tell me again about the girl whose hands have no color. Whose hands are completely white. This time make them damned, or untouched, or have her open a red umbrella or point at some maple leaves and damned near cry. Those hands. As freakish goes, I wish I had a tail. Maybe then you’d know how much I like you. It shakes me through, damn through. It shakes me. When she carries a peacock feather. When she touches her neck or thighs. You’re a person. It’s not so bad. You have hands. You are a person with hands to hold things. Things you like. Tremendous things. Tell me what you will hold today. I know there is room for everything. There is no need to be ceremonious. Tell what gets let go.
Rebecca Wadlinger
He smiled, setting his forehead to hers. "you are very bad for me. I am trying to turn over a new leaf--I am trying to be more gentlemanly." "But what if I want you to stay a rake?" she teased, her fingers trailing down his neck and chest, fingering the buttons on his waistcoat. "A libertine, even?" she slipped one fastening from its seat and he grabbed her errant hand, bringing it to his lips for a swift kiss. "Callie," he said, his voice thick with warning as she set her free hand to the second button on his coat. "What if I want the rogue, Gabriel?" the question was soft and sweet. "What are you saying?" She kissed across the firm square line of his jaw and whispered to him, shyness in her shaking voice, "Take me to bed, Gabriel. Give me a taste of scandal.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Then she laughed for real, and put her hands around my neck. 'I am never, ever going to make things easy for you Seaweed Brain. Get used to it.' When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, 'Well it's about time!' Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. 'Oh, come on!' I complained. 'Is there no privacy?' 'The lovebirds need to cool off!' Clarisse said with glee. 'The canoe lake!' Conner Stoll shouted. With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red. We held hands right up to the moment they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
That night we played truth or dare. You said that after a while you stopped trying to earn your mother's affection." I pause. "Why didn't you give up with me, too?" "You know why," he says quietly. I close my eyes. I do know, but I'm not sure if I'm ready to hear it. But some part of me must be, because I wouldn't have asked the question otherwise, not of Bishop, the boy who never chooses to say something easy just because the truth is hard. Maybe I want to hear it so that i will know, once and for all, that there is no going back. "Because I'm in love with you, Ivy," he whispers. "Giving up on you isn't an option." He lifts my hair away from the back of my neck and kisses the delicate skin there. My breath shudders out of me. The silence spirals into the dark room, and maybe it was foolish to ask the question, but I'm not sorry. I uncurl his hand and kiss his palm, his skin cool and dry. I place his hand over my heart, cover it with my own. We fall asleep that way. His lips on my neck. My heart in his hand.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
Nick laughs and wraps his arms around me. ‘Okay, fine, I love you more than my dogs.’ ‘Good.’ ‘I love you more than anyone, actually.’ He says this a little quieter. I move my head out from the crook of his neck so I can meet his eyes. ‘Is that weird?’ he continues, and then huffs out a small laugh. ‘I’m only eighteen.’ ‘I don’t know,’ I say. ‘Maybe.’ It is weird. We both know it’s weird. We both know we’re weird, we’re not like other couples our age. It’s weird that we hang out every single day, it’s weird that we’d rather just be with each other all the time. Every day we wonder when we’re going to stop feeling like this and get over our teenage relationship. But it never happens. We just keep on going. Because it’s good too. God, it’s so good. ‘I’m weird too,’ I say, because saying ‘I love you more than anyone too’ back to him doesn’t feel quite adequate, even though I honestly love him more than anyone else in the entire world. Nick squeezes me and says, ‘Yeah,’ because he already knows.
Alice Oseman (Nick and Charlie)
We kissed again. It grew deeper; Alex wrapped his arms around me, drawing me close against him. His back was smooth and warm. I ran my hands over it as we kissed, loving the feel of his skin, and almost went faint as his lips moved briefly to my neck and then found my mouth again. In my entire life, nothing had ever felt as good as Alex kissing me like that. When we finally pulled apart, both our hearts were pounding. I cleared my throat, skimming my fingers along his forearm. "Alex, you, um...you know that I've never--" "I know," he broke in softly. He reached for my hand, linking his fingers through mine. "Willow, it's OK. We'll do whatever you want. I just want to be with you; I don't care.
L.A. Weatherly (Angel (Angel, #1))
Poem from Rev. Jim Cotter, as listed on the opening pages of “Anatomy of the Spirit” by Caroline Myss: ~ God be in my head and in my understanding. God be in my eyes and in my looking. God be in my mouth and in my speaking. God be in my tongue and in my tasting. God be in my lips and in my greeting. ~ God be in my nose and in my smelling/inhaling. God be in my ears and in my hearing. God be in my neck and in my humbling. God be in my shoulders and in my bearing. God be in my back and in my standing. ~ God be in my arms and in my reaching/receiving. God be in my hands and in my working. God be in my legs and in my walking. God be in my feet and in my grounding. God be in my knees and in my relating. ~ God be in my gut and in my feeling. God be in my bowels and in my forgiving. God be in my loins and in my swiving. God be in my lungs and in my breathing. God be in my heart and in my loving. ~ God be in my skin and in my touching. God be in my flesh and in my paining/pining. God be in my blood and in my living. God be in my bones and in my dying. God be at my end and at my reviving.
Caroline Myss (Anatomy of the Spirit: The Seven Stages of Power and Healing)
He steps back, still looking. In the painting, Willem’s torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning toward something or someone and smiling. And because he knows Willem’s smiles, he knows Willem has been captured looking at something he loves, he knows Willem in that instant was happy. Willem’s face and neck dominate the canvas, and although the background is suggested rather than shown, he knows that Willem is at their table; he knows it from the way JB has drawn the light and shadows on Willem’s face. He has the sense that if he says Willem’s name, the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas, he will feel beneath his fingertips Willem’s hair, his fringe of eyelashes. But he doesn’t do this, of course, just looks up at last and sees JB smiling at him, sadly. “The title’s card’s been mounted already,” JB says, and he goes slowly to the wall behind the painting and sees its title—Willem Listening to Jude Tell a Story, Greene Street—and he feels his breath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
Hanya Yanagihara (A Little Life)
Dorian strokes my exposed back with the tips of his fingers, sending shockwaves up and down my spine. I gasp from the contact, resisting the urge to beg him for more. He brings his face down to my neck, letting his lips brush my earlobe. “Gabriella, I would love to bend you over this desk right now and pull your dress up past your thighs and over your ass,” he murmurs, sex dripping from his soft lips. “That sounds good to me,” I breathe, turning my head a fraction. “What’s stopping you?” Never in my life have I been this bold and eager with a man but Dorian has awakened the sleeping sex giant within me. If my days are numbered, I want to at least die happy. “Oh, I would do it. But I know Aurora will come looking for me and I don’t want to be disturbed when I… ruin you.” Ruin me? It sounds so threatening and violent. I love it.
S.L. Jennings (Dark Light (Dark Light, #1))
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them. "Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years." "Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?" "That's right." "OK, I got one word to ask you, a one word question, ready?" "Uh huh." "Dinosaurs." You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point: And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!" "I'm sure gonna mention this in my book," Luke said. "Well, I'm sure gonna mention it in my book," Matthew said. But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!" Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes: "God put those here to test our faith." "I think God put you here to test my faith, dude. I think I've figured this out." Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter: "Did you believe in dinosaurs?" "Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!" "You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!" "It seemed so plausible, aaaaaahh!" "Enjoy the lake of fire, fucker!" They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it. Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet. "Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
I thought I was going to die. I wanted to die. And I thought if I was going to die I would die with you. Someone like you, young as I am, I saw so many dying near me in the last year. I didn’t feel scared. I certainly wasn’t brave just now. I thought to myself, We have this villa this grass, we should have lain down together, you in my arms, before we died. I wanted to touch that bone at your neck, collarbone, it’s like a small hard wing under your skin. I wanted to place my fingers against it. I’ve always liked flesh the colour of rivers and rocks or like the brown eye of a Susan, do you know what that flower is? Have you seen them? I am so tired, Kip, I want to sleep. I want to sleep under this tree, put my eye against your collarbone I just want to close my eyes without thinking of others, want to find the crook of a tree and climb into it and sleep. What a careful mind! To know which wire to cut. How did you know? You kept saying I don’t know I don’t know, but you did. Right? Don’t shake, you have to be a still bed for me, let me curl up as if you were a good grandfather I could hug, I love the word ‘curl,’ such a slow word, you can’t rush it...
Michael Ondaatje (The English Patient)
You shall suffer for ever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea; the formless and multiform streams; the place where you shall not be; the lover whom you shall not know; flowers of monstrous shape; perfumes that cause delirium; cats that shudder, swoon and curl up on pianos and groan like women, with a voice that is hoarse and gentle! And you shall be loved by my lovers, courted by my courtiers. You shall be the queen of all men that have green eyes, whose necks also I have clasped in my nocturnal caresses; of those who love the sea, the sea that is immense, tumultuous and green, the formless and multiform streams, the place where they are not, the woman whom they do not know, sinister flowers that resemble the censers of a strange religion, perfumes that confound the will; and the savage and voluptuous animals which are the emblems of their dementia.
Charles Baudelaire
Why Just ask the donkey in me To speak to the donkey in you, When I have so many other beautiful animals And brilliant colored birds inside That are longing to say something wonderful And exciting to your heart? Let's open all the locked doors upon our eyes That keep us from knowing the Intelligence That begets love And a more lively and satisfying conversation With the Friend. Let's turn loose our golden falcons So that they can meet in the sky Where our spirits belong-- Necking like two Hot kids. Let's hold hands and get drunk near the sun And sing sweet songs to God Until He joins us with a few notes From his own sublime lute and drum. If you have a better idea Of how to pass a lonely night After your glands may have performed All their little magic Then speak up sweethearts, speak up, For Hafiz and all the world will listen. Why just bring your donkey to me Asking for stale hay And a boring conference with the idiot In regards to this precious matter-- Such a precious matter as love, When I have so many other divine animals And brilliant colored birds inside That are all longing To so sweetly Greet You!
Hafez (The Gift)
Oh, those are all our very best moments, when we’re wasting our lives. It’s an act of magnificent rebellion to do meaningless things, to waste time, to swim and drink soda and sleep late. To be silly and frivolous, to laugh at stupid little jokes and tell stupid little stories. Or to paint big paintings, the biggest you can manage, and to try to learn to whisper in color. To look for a way to show other people: this was me, these were my humans, these were our farts. These were our bodies, and they were small, far too small, because they couldn’t contain all our love. That’s all of life. All we can hope for. You mustn’t think about the fact that it might end, because then you live like a coward, you never love too much or sing too loudly. You have to take it for granted, the artist thinks, the whole thing: sunrises and slow Sunday mornings and water balloons and another person’s breath against your neck. That’s the only courageous thing a person can do.
Fredrik Backman (My Friends)
An idea hit me so fast I didn't pause to analyse it. I just acted. My body might be constrained, but my head and neck had just enough freedom to shift up-and kiss him. My lips met his, and I learned a few things. One was that it was possible to catch him totally by surprise. His body froze and locked up, shocked at the sudden turn of events. I also realized that he was just as good a kisser as I recalled. The last time we'd kissed had been when he was a Strigoi. There had been an eerie sexiness to that, but it didn't compare to the heat and energy of being alive. His lips were just like a remembered from out time at St. Vladimir's, both soft and hungry at the same time. Electricity spread through the rest of my body as he kissed me back. It was both comforting and exhilarating. And that was was the third thing I discovered. He was kissing me back. Maybe, just maybe, Dimitri wasn't as resolved as he claimed to be. Maybe under all that guilt and certainty that he couldn't love again, he still wanted me. I would have liked to have found out. But I didn't have the time. Instead, I punched him.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.
Tiffany Reisz (The Angel (The Original Sinners, #2))
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath. There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily. Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides. I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection. Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back. I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.
Tom Robbins (Still Life with Woodpecker)
My eyes had been closed for a few minutes when he said it: "I love you," he muttered, so quiet, like a prayer whispered into my neck. "Hmm?" I was nearly asleep myself, edges blurring; I was one hundred percent sure I'd misheard. "I love you." He said it again, clearer this time, right into my ear, breath tickling. I felt like a hydrogen bomb. I tried to be very still, but I knew he could feel my entire body tensing, a runner ready to begin a race -- Get set-- Go. I opened my mouth, shut it again. Oh God. I did love him, is the awfulness of it. I'd loved Sawyer since the seventh grade, when Allie and I began keeping a list of the places we spotted him. I loved his quick, blistered musician hands and the honest soul he kept hidden safe under all his bravado, and I loved how I was still, every day, learning him. I loved his silly, secret goofy side and the way he had of making me feel like I was a tall tree, just from the way he looked at my face. I loved Sawyer LeGrande so much that sometimes I couldn't sit still for the fullness of it, but when I opened up my mouth to tell him so, nothing came out. I could do anything for him, I realized suddenly. I could give him anything. But not that. If I said that to him, I knew I could never get it back. "Go to sleep," I whispered, and he didn't say it again.
Katie Cotugno (How to Love)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I'm broken. I like to break things. Sometimes I want to break you.' 'Then break me, Jacks.' His fingers tensed against her neck. 'For once I want to do the right thing. I can't do this. I can't watch you die again.' The word again scraped against her like a thorn. 'What do you mean, again?' 'You died, Evangeline.' Jacks pulled her closer until she could feel the ragged rise and fall of his chest as he rasped. 'I held you in my arms as it happened.' 'Jacks... I don't know what you're talking about. I never died.' 'Yes, you did. The night you opened the Valory. The first time you did it, I didn't go with you.' He went silent for a moment and then she heard him think, I couldn't say goodbye. 'It was only you and Chaos,' he whispered. 'As soon as his helm was off, he killed you. I tried to stop him- I tried to save you- but-' Jacks opened and shut his mouth as if he could barely get the words out. 'I couldn't. When I got there, he had already bitten you- and he'd already taken too much blood. You died as soon as you were in my arms. The only thing I could do was use the stones to turn back time. I was warned that it would cost me something. But I thought it would cost me. I didn't imagine it would take from you.' I'm sorry, he thought. 'You don't need to be sorry, Jacks.' 'It's my fault,' he gritted out. 'No, it's not. I didn't lose my memories because you turned back time. I lost them because Apollo took them from me.' Jacks looked murderous for a second. Then just as quickly he shook off her words. 'It doesn't matter. What matters is that you died. And if you die again, I cannot bring you back.' 'So you'd rather live without me?' 'I'd rather you live.' 'I am living, Jacks, and I am not going to die anytime soon.' Evangeline closed her eyes and then she kissed him.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.' Tears slip down my face. 'Yes,' I murmur. Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes. I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.' Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck. No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.' I'm sure I don't know what you mean.' she says, sounding uncertain for the first time. That's why they were able to take you. They found your fear.' And what, pray, was it?' Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.' I am not like them. I am their hope. I sustain them.' No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.' Circe laughts, a splintered cackle that finds a way under my skin. And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?' I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.' And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone. It's as if she's delivered a blow to my heart. My hand falters. 'I-I...' Gemma, you're not alone,' Circe gasps, and my hand touches metal. No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))