“
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just...want to see it again. Want to see you awake.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Mama, Mama, help me get home
I'm out in the woods, I am out on my own.
I found me a werewolf, a nasty old mutt
It showed me its teeth and went straight for my gut.
Mama, Mama, help me get home
I'm out in the woods, I am out on my own.
I was stopped by a vampire, a rotting old wreck
It showed me its teeth and went straight for my neck.
Mama, Mama, put me to bed
I won't make it home, I'm already half-dead.
I met an Invalid, and fell for his art
He showed me his smile, and went straight for my heart.
-From "A Child's Walk Home," Nursery Rhymes and Folk Tales
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
She craved a presence beside her, solid. Fingertips light at the nape of her neck and a voice meeting hers in the dark. Someone who would wait with an umbrella to walk her home in the rain, and smile like sunshine when he saw her coming. Who would dance with her on her balcony, keep his promises and know her secrets, and make a tiny world wherever he was, with just her and his arms and his whisper and her trust.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
Her unexpected outburst rocked Flaminius to his core. Suddenly, she didn't seem so angelic. Her face twisted with rage; veins in her neck throbbed with fury in a scene all too familiar. Her reaction switched him off to her instantly as all his worst fears came to life.
”
”
Therisa Peimer (Taming Flame)
“
I’ll be your family now,” he says.
“I love you,” I say.
I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it. Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me.
I am his, and he is mine, and it has been that way all along.
He stares at me. I wait with my hands clutching his arms for stability as he considers his response.
He frowns at me. “Say it again.”
“Tobias,” I say, “I love you.”
His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips.
“I love you, too,” he says.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"
At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.
Of course I told him about you," Liesel said.
”
”
Markus Zusak (The Book Thief)
“
I'll come back to you," I say. "I promise you, if it's the last thing I do, I'll come back to you."
Her face is buried in my neck. She nods.
"I'll count the minutes until you do." she says.
”
”
Pittacus Lore (I Am Number Four (Lorien Legacies, #1))
“
Ash brushed the hair from my neck and leaned close to my ear, his voice so soft not even Grimalkin could’ve heard it. “I love you,” he murmured, and my heart nearly burst out of my chest. “Whatever happens, we’re together now.
Always.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
Aelin took a step forward.
One step, as if in a daze.
She loosed a shuddering breath, and a small, whimpering noise came out of her - a sob.
And then she was sprinting down the alley, flying as though the winds themselves pushed at her heels.
She flung herself on the male, crashing into him hard enough that anyone else might have gone rocking back into the stone wall.
But the male grabbed her to him, his massive arms wrapping around her tightly and lifting her up. Nesryn made to approach, but Aedion stopped her with a hand on her arm.
Aelin was laughing as she cried, and the male was just holding her, his hooded head buried in her neck. As if he were breathing her in.
"Who is that?" Nesryn asked.
Aedion smiled. "Rowan.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I told you," he whispers back. I can feel his breath just tickling the space behind my ear, making my hair prick up on my neck. "I like you."
"You don't know me," I say quickly.
"I want to, though.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
Try it again," I said. "Kiss me."
"No," he said.
"Kiss me."
"No," And then he smiled. "You kiss me."
I placed my hand on the back of his neck. I pulled him toward me. And kissed him. I kissed him. And I kissed him. And I kissed him. And I kissed him. And he kept kissing me back.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
I am supposed to be touched. I can’t wait to find the person who will come into the kitchen just to smell my neck and get behind me and hug me and breathe me in and make me turn around and make me kiss his face and put my hands in his hair even with my soapy dishwater drips. I am a lovely woman. Who will come into my kitchen and be hungry for me?
”
”
Jenny Slate (Little Weirds)
“
if they put an iron circle around your neck I will bite it away
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Funeral Blues
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.
”
”
W.H. Auden (Another Time)
“
Do you really have any idea how important you are to me? Any concept at all of how much I love you?" He pulled me tighter against his hard chest, tucking my head under his chin.
I pressed my lips against his snow-cold neck. "I know how much I love you," I answered.
You compare one small tree to the entire forest."
I rolled my eyes, but he couldn't see. "Impossible.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Yesterday we obeyed kings and bent our necks before emperors. But today we kneel only to truth, follow only beauty, and obey only love.
”
”
Kahlil Gibran (The Vision: Reflections on the Way of the Soul (Compass))
“
The police called it choking, but I called it a two-handed neck hug. That’s how I knew she really loved me.
”
”
Jarod Kintz (Whenever You're Gone, I'm Here For You)
“
Unending Love
I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.
”
”
Rabindranath Tagore (Selected Poems)
“
Women want to be loved like roses. They spend hours perfecting their eyebrows and toes and inventing irresistible curls that fall by accident down the back of their necks from otherwise austere hair-dos. They want their lover to remember the way they held a glass. They want to haunt.
”
”
Eve Babitz (Slow Days, Fast Company: The World, the Flesh, and L.A.)
“
Ivy turned. 'He bit you on the neck?' she said, deadpan serious but for her eyes. 'Oh, then it's got to be love. She won't let me bite her neck.
”
”
Kim Harrison (Dead Witch Walking (The Hollows, #1))
“
Nudge threw her arms around my neck. 'I love you Max! I love all of us too!'
Yeah, me too,' Said the Gasman. 'I don't care if we have our house, or a cliff ledge, or a cardboard box. Home is wherever we all are, together.
”
”
James Patterson
“
My nails dug into his back, and he trailed his lips down the edge of my chin, down the center of my neck. He kept going until he reached the bottom of the dress’s V-neck. I let out a small gasp, and he kissed all around the neckline, just enough to tease.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
I'm afraid they're in love," he said, concerned. "They don't want to leave you." He lifted one hand from her waist to gently brush a pair from her neck, where their wings fanned against her jaw. Melancholy, he said, "I know just how they feel.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
It's not reasonable to love people who are only going to die," she said.
Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
"I have two responses to that," He said at last. "First, everyone is going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reason I loved my father." He looked at her keenly. "Did you love yours?"
"Yes," she whispered.
He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Arin pulled her onto his lap. He held her shaking form, tucked his face into the crook of her cold neck as she sobbed against him. He murmured that he loved her more than he could say. He promised that he would always choose her first.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
If you kiss someone on the back of the neck, it spreads.
”
”
H. Jackson Brown Jr.
“
For God's sake, let's take the word 'possess' and put a brick round its neck and drown it ... We can't possess one another. We can only give and hazard all we have.
”
”
Dorothy L. Sayers (Busman's Honeymoon (Lord Peter Wimsey, #13))
“
Do you still distrust me?”
“No. Take your necklace with you so you can think of me when I’m not there.”
Brown brought the necklace over to her and put it on her neck.
“I think it rather suits me,” she laughed and left.
Brown didn’t understand what had made him insist she wear the necklace. Maybe it
was the readiness with which she had made love, or her frequent disappearances lately,
he was just curious. There was no harm in checking, before he parted with the money.
Later that evening, before going to sleep he decided to have a look at her location and
he was in for a surprise. She had not left Central City at all. In fact she was at the same
friend’s address as she had been the last time.
”
”
Max Nowaz (The Arbitrator)
“
Warmth radiated from her skin in waves. Her pulse beneath his fingertips. The telltale flutter in her neck. Life. It mattered, was precious. And could be taken away in an instant.
”
”
J. Rose Black (Losing My Breath)
“
His noise is getting quieter, but I can still see it there still-
See how he feels the skin of my hand against his, see how he wants to take it and press it against his mouth, how he wants to breathe in the smell of me and how beautiful I look to him, how strong after all that illness, and how he wants to just lightly touch my neck, just there, and how he wants to take me in his arms and-
"Oh, God," he says, looking away suddenly. "Viola, I'm sorry, I didn't mean-"
But I just put my hand to the back of his neck-
And he says, "Viola-?"
And I pull myself towards him-
And I kiss him.
And it feels like, finally.
”
”
Patrick Ness (Monsters of Men (Chaos Walking, #3))
“
When evening fell the boy would bring the girl a glass of tea, a slice of lemon cake, an apple blossom floating in a blue cup. He would kiss her neck and whisper new names in her ear: beauty, beloved, cherished, my heart.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
What was a kiss without a kiss?"
It was a tablecloth tugged from beneath a party service, everything jumbled against everything else in just a few chaotic moments. Fingers in hair. Hands cupping necks. Mouths dragged on cheeks and chins in dangerous proximity.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
i don't know when love became elusive
what i know, is that no one i know has it
my fathers arms around my mothers neck
fruit too ripe to eat, a door half way open
when your name is a just a hand i can never hold
everything i have ever believed in, becomes magic.
i think of lovers as trees, growing to and
from one another searching for the same light,
my mothers laughter in a dark room,
a photograph greying under my touch,
this is all i know how to do, carry loss around until
i begin to resemble every bad memory,
every terrible fear,
every nightmare anyone has ever had.
i ask did you ever love me?
you say of course, of course so quickly
that you sound like someone else
i ask are you made of steel? are you made of iron?
you cry on the phone, my stomach hurts
i let you leave, i need someone who knows how to stay.
”
”
Warsan Shire
“
So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed.
He brought his face toward mine. “You are to me.”
And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
In spite of everything I loved you, and will go on loving you―on my knees, with my shoulders drawn back, showing my heels to the headsman and straining my goose neck―even then. And afterwards―perhaps most of all afterwards―I shall love you, and one day we shall have a real, all-embracing explanation, and then perhaps we shall somehow fit together, you and I, and turn ourselves in such a way that we form one pattern, and solve the puzzle: draw a line from point A to point B... without looking, or, without lifting the pencil... or in some other way... we shall connect the points, draw the line, and you and I shall form that unique design for which I yearn. If they do this kind of thing to me every morning, they will get me trained and I shall become quite wooden.
”
”
Vladimir Nabokov
“
I was washing the dishes and the sneaky bastard crept up behind me and wrapped his arms around my waist. And kissed me. Right here.” I pointed angrily to my neck. “Can I not have him committed or something?”
Dr. Pritchard snorted. “For loving you?”
I drew back, shaking my head in disgust. “Dr. Pritchard,” I admonished softly. “Whose side are you on?”
“Braden’s.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
A moment passed, perhaps half a second when their faces said what they felt, and then Emma was smiling, laughing, her arms around his neck.
”
”
David Nicholls (One Day)
“
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
”
”
Henry Rollins
“
I caught his hand. “What do you want me to do?”
Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.
”
”
Priya Ardis (My Merlin Awakening (My Merlin, #2))
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
I hold the bottle out into the rain and watch as the steady flow slowly fills it. When there is enough, enough that Beth can clearly see, I close the bottle and hand it to her.
She raises a skeptical eyebrow, but accepts the bottle.
"It's our rain Beth."
Her head barely shakes to show her confusion while I rub the back of my neck and search for my courage. "I told you I loved you in this rain and when you doubt my words, I want you to look at this bottle.
”
”
Katie McGarry (Dare You To (Pushing the Limits, #2))
“
I can't leave you," he says hoarsely.
"I can't leave you either," I say, shaking my head. "I can't."
"Then don't," he says, and grabs me behind the neck and kisses me again, and the world is tilting, and everything goes black.
”
”
Cynthia Hand (Boundless (Unearthly, #3))
“
Does a crow become a salmon simply because it wished to? You do not know the first thing about mortality, prince-who-is-not. Why would you want to become like them?"
"Because," Grimalkin answered before I could say anything, "he is in love."
"Ahhh." The Witch looked at me and shook her head. "I see. Poor creature. Then you will not hear a word I have to say"
I was in love. With a human.
I smiled bitterly at the thought. The old Ash, if faced with such a suggestion, would've either laughed scornfully or removed the offender's head from his neck.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
A smile tugged at her mouth. “You couldn’t stand me back then.” “Doesn’t matter. You were still mine.” I curled my hand around the back of her neck while keeping my thumb on her lip. “Mine to fight with. Mine to protect. Mine to fuck.” My voice dropped. “Mine to love.
”
”
Ana Huang (Twisted Games (Twisted, #2))
“
People say I love you all the time - when they say, ‘take an umbrella, it’s raining,’ or ‘hurry back,’ or even ‘watch out, you’ll break your neck.’ There are hundreds of ways of wording it - you just have to listen for it, my dear.
”
”
John Patrick (The Curious Savage)
“
It's always hard to remember love - years pass and you say to yourself, Was I really in love, or was I just kidding myself? Was I really in love, or was I just pretending he was the man of my dreams? Was I really in love, or was I just desperate?
”
”
Nora Ephron (I Feel Bad About My Neck, And Other Thoughts on Being a Woman)
“
I have been in love with no one, and never shall," she whispered, "unless it should be with you."
How beautiful she looked in the moonlight!
Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled.
Her soft cheek was glowing against mine. "Darling, darling," she murmured, "I live in you; and you would die for me, I love you so."
I started from her.
She was gazing on me with eyes from which all fire, all meaning had flown, and a face colorless and apathetic.
"Is there a chill in the air, dear?" she said drowsily. "I almost shiver; have I been dreaming? Let us come in. Come; come; come in.
”
”
J. Sheridan Le Fanu (Carmilla)
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
I pity the woman who will love you
when I am done. She will show up
to your first date with a dustpan
and broom, ready to pick up all the pieces
I left you in. She will hear my name so often
it will begin to dig holes in her. That
is where doubt will grow. She will look
at your neck, your thin hips, your mouth,
wondering at the way I touched you.
She will make you all the promises I did
and some I never could. She will hear only
the terrible stories. How I drank. How I lied.
She will wonder (as I have) how someone
as wonderful as you could love a monster
like the woman who came before her. Still,
she will compete with my ghost.
She will understand why you do not look
in the back of closets. Why you are afraid
of what’s under the bed. She will know
every corner of you is haunted
by me.
”
”
Clementine von Radics
“
contiguous, adj.
I felt silly for even mentioning it, but once I did, I knew I had to explain.
"When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are."
For a moment, you were quiet. And then you nestled in and whispered.
"Contiguous."
And I knew you understood.
”
”
David Levithan (The Lover's Dictionary)
“
Do. You. Still. Love. Me?” I enunciate every word and lean right into his space just to prove that I’m not intimidated by him. He cups the back of my neck and pulls me within inches of his face—close enough to kiss. “I could reach the rank of Maven, lead armies of dark wielders against everyone we care for, and watch every vein in my body turn red as I channel all the power in the Continent, and I would still love you. What I did doesn’t change that. I’m not sure anything can.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
“
My older self knows that you must stop—in the middle of the chaos—to take in the world around you. To breathe in deeply, smell the sunscreen and the rubber of the ball, let the breeze blow across your neck, feel the warmth of the sun on your skin. In this respect, I love the way the world has aged me.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
She looked up from closing it to find Jace watching her through hooded eyes. “And one last thing,” he said. He reached over and pulled the sparking pins out of her hair, so that it fell in warm heavy curls down her neck. The sensation of hair tickling her bare skin was unfamiliar and oddly pleasant. “Much better,” he said, and she thought this time that maybe his voice was uneven too.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I wanted him. I arched my back, fully aware of how vulnerable that made me and that I was giving him an invitation. He accepted it and laid me back against the table, bringing his body down on top of mine. That crushing kiss of his moved from my mouth to the nape of my neck. He pushed down the edge of my dress and the bra strap underneath, exposing my shoulder and giving his lips more skin to conquer.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Love, they say, enslaves and passion is a demon and many have been lost for love. I know this is true, but I know too that without love we grope the tunnels of our lives and never see the sun. When I fell in love it was as though I looked into a mirror for the first time and saw myself. I lifted my hand in bewilderment and felt my cheeks, my neck. This was me. And when I had looked at myself and grown accustomed to who I was, I was not afraid to hate parts of me because I wanted to be worthy of the mirror bearer.
”
”
Jeanette Winterson
“
When they made love
Geryon liked to touch in slow succession each of the bones of Herakles' back
as it arched away from him into who knows what dark dream of its own, running both hands all the way down
from the base of the neck
to the end of the spine which he can cause to shiver like a root in the rain.
”
”
Anne Carson (Autobiography of Red)
“
Did I ever tell you that Alex loves you so much he got your name tattooed all over his body? Hell, he even got your name branded into the back of his neck."
"They say 'LB,' Carlos. The initials for Latino Blood."
"No, no, no. You've got it all wrong. He wants everyone to think that, but in reality it means Lover of Brittany. LB, get it?
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.”
“Noted.”
“Then where?”
“Steiner’s.”
“The jewelry store?”
“Yep.”
“Why, Travis?” Shepley said, his voice more stern than before.
“You’ll see.”
He shook his head. “Are you trying to run her off?”
“It’s going to happen, Shep. I just want to have it. For when the time is right.”
“No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?”
My teeth clenched at the thought. “I won’t ask her until I know she’s ready.”
Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.”
“Wait until you see the rock I’m getting.”
Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?”
I smiled.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart."
He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little."
"Why?"
"For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
”
”
Charles Frazier (Cold Mountain)
“
Please don't go."
He let out an uneven breath. "You'll be fine without me. You always have been."
Maybe once, but not now. "How can I convince you to stay?"
"You can't."
She threw down the torch. "Do you want me to beg, is that it?"
"No-never."
"Then tell me-"
"What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.”
“But why? Why can’t you let it go?”
He grabbed her shoulders and shook her. “Because I love you!”
Her mouth fell open.
“I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
“You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
Do you have any idea how much I love you?" he asked.
"Enough to accept my apologies?" I suggested in a small voice.
"Heck no," he said, and pushed off from the wall, stalking forward.
When he reached me, he put his hands up and touched the sides of my neck with the tips of his fingers--as if I were something fragile.
"No apologies from you," he told me, his voice soft enough to melt my knees and most of my other parts.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
Sleep, my love," He whispered, smoothing her long hair, lifting the damp locks away from the back of her neck. "I'll be here to watch over you."
"You sleep too," she said groggily, her hand creeping to the center of his chest.
"No." McKenna smiled and pressed a soft kiss against her temple. His voice was husky with wonder. "Not when staying awake is better than anything I could find in a dream.
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
Ham turned back, still smiling. "You make it sound so desperate, El."
Elend looked over at him. "The Assembly is a mess, a half-dozen warlords with superior armies are breathing down my neck, barely a month passes without someone sending assassins to kill me, and the woman I love is slowly driving me insane."
Vin snorted at this last part.
"Oh is that all?" Ham said. "See? It's not so bad after all. I mean, we could be facing an immortal god and his all-powerful priests instead.
”
”
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
“
I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck.
”
”
Graham Greene (The End of the Affair)
“
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn't know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth.
It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole's hand touched my neck, thumb pressed into the skin next to my jaw. It wasn't a touch that said I need more. It was a touch that said I want this.
It was all completely soundless. I didn't think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, "That's how I would kiss you, if I loved you.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
This is where you belong, Calla.” He pulled me closer, tilting my chin up. “Be with me. Tell me it’s what you want.”
I couldn’t tear my eyes from his. “What I want?”
“Yes. Anything, everything you need, I’ll give you. Always. I promise. Just tell me one thing.”
“What?”
“That you want this, us.” His voice dropped so low I could barely hear him. “That someday you’ll love me.”
My hands began to tremble where they rested around his neck. “Ren, you know we’re going to be together. We’ve both known that for a long time.”
He gave me a hard look. “That’s not what I’m talking about.”
“Why are you asking me this?” I tried to pull back, but he held me against him.
The glimmer of a smile appeared on his lips. “Why not?”
My temper flared. “Are you trying to say that you love me?”
I meant it as a challenge rather than a serious question, but his eyes seemed to catch fire.
“What do you think?” He touched his lips to mine, softly at first, gradually building pressure, parting them.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
Sam," she said.
"I'm trying!"
"Sam," she repeated.
"No," he spat, hearing her tone. "No!"
He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough.
"Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't."
She knew he wasn't speaking to her.
The water hit her neck.
"Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words.
"Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
We sleep to time's hurdy-gurdy; we wake, if ever we wake, to the silence of God. And then, when we wake to the deep shores of time uncreated, then when the dazzling dark breaks over the far slopes of time, then it's time to toss things, like our reason, and our will; then it's time to break our necks for home.
There are no events but thoughts and the heart's hard turning, the heart's slow learning where to love and whom. The rest is merely gossip, and tales for other times.
”
”
Annie Dillard (Holy the Firm)
“
You do not,’ cried Giovanni, sitting up, ‘love anyone! You never have loved anyone, I am sure you never will! You love your purity, you love your mirror—you are just like a little virgin, you walk around with your hands in front of you as though you had some precious metal, gold, silver, rubies, maybe diamonds down there between your legs! You will never give it to anybody, you will never let anybody touch it—man or woman. You want to be clean. You think you came here covered with soap and you think you will go out covered with soap—and you do not want to stink, not even for five minutes, in the meantime.’ He grasped me by the collar, wrestling and caressing at once, fluid and iron at once: saliva spraying from his lips and his eyes full of tears, but with the bones of his face showing and the muscles leaping in his arms and neck. ‘You want to leave Giovanni because he makes you stink. You want to despise Giovanni because he is not afraid of the stink of love. You want to kill him in the name of all your lying little moralities. And you—you are immoral. You are, by far, the most immoral man I have met in all my life. Look, look what you have done to me. Do you think you could have done this if I did not love you? Is this what you should do to love?
”
”
James Baldwin (Giovanni’s Room)
“
The moment the door closed behind him, Tessa was in Will's arms, her hands locked about his neck. "Oh, by the Angel," she said. "That was mortifying."
Will slid his hands into her hair and was kissing her, kissing her eyelids and her cheeks and then her mouth, quickly but with fervor and concentration, as if nothing could be more important. "Listen to you," he said. "You said 'by the angel.' Like a Shadowhunter." He kissed the side of her mouth. "I love you. God, I love you. I waited so long to say it.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
don't say no to me you can't say no to me because it's such a relief to have love again and to lie in bed and be held and touched and kissed and adored and your heart will leap when you hear my voice and see my smile and feel my breath on your neck and your heart will race when I want to see you and I will lie to you from day one and use you and screw you and break your heart because you broke mine first and you will love me more each day until the weight is unbearable and your life is mine and you'll die alone because I will take what I want then walk away and owe you nothing it's always there it's always been there and you cannot deny the life you feel fuck that life fuck that life fuck that life I have lost you now.
”
”
Sarah Kane (Crave)
“
I have not had one word from her
Frankly I wish I were dead
When she left, she wept
a great deal; she said to me, "This parting must be
endured, Sappho. I go unwillingly."
I said, "Go, and be happy
but remember (you know
well) whom you leave shackled by love
"If you forget me, think
of our gifts to Aphrodite
and all the loveliness that we shared
"all the violet tiaras,
braided rosebuds, dill and
crocus twined around your young neck
"myrrh poured on your head
and on soft mats girls with
all that they most wished for beside them
"while no voices chanted
choruses without ours,
no woodlot bloomed in spring without song...
”
”
Sappho
“
Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little bit mad, but I'm a good girl, and honest, and I work hard, I'm kind of cute, I have nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me, I'll end up going somewhere else.
”
”
Haruki Murakami (Norwegian Wood)
“
I never want to be apart from you,” he said. “I’m going to buy an island and take you there. A ship will come once a month with supplies. The rest of the time it will be just the two of us, wearing leaves and eating exotic fruit and making love on the beach . . .”
You’d start a produce export business and organize a local economy within a month,” she said flatly.
Harry groaned as he recognized the truth of it. “God. Why do you tolerate me?”
Poppy grinned and slid her arms around his neck. “I like the side benefits,” she told him. “And really, it’s only fair since you tolerate me.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
My mother tells me
that when I meet someone I like,
I have to ask them three questions:
1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?
of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”
me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.
”
”
Caitlyn Siehl (What We Buried)
“
Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.
He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.
”
”
J. Rose Black (Losing My Breath)
“
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
”
”
James Patterson (Maximum Ride Five-Book Set)
“
I want to tell you something today, something that I have known for a long while, and you know it too; but perhaps you have never said it to yourself. I am going to tell you now what it is that I know about you and me and our fate. You, Harry, have been an artist and a thinker, a man full of joy and faith, always on the track of what is great and eternal, never content with the trivial and petty. But the more life has awakened you and brought you back to yourself, the greater has you need been and the deeper the sufferings and dread and despair that have overtaken you, till you were up to your neck in them. And all that you once knew and loved and revered as beautiful and sacred, all the belief you once had in mankind and our high destiny, has been of no avail and has lost its worth and gone to pieces. Your faith found no more air to breathe. And suffocation is a hard death. Is that true, Harry? Is that your fate?
”
”
Hermann Hesse (Steppenwolf)
“
She used to place her pretty arms about my neck, draw me to her, and laying her cheek to mine, murmur with her lips near my ear, “Dearest, your little heart is wounded; think me not cruel because I obey the irresistible law of my strength and weakness; if your dear heart is wounded, my wild heart bleeds with yours. In the rapture of my enormous humiliation I live in your warm life, and you shall die—die, sweetly die—into mine. I cannot help it; as I draw near to you, you, in your turn, will draw near to others, and learn the rapture of that cruelty, which yet is love; so, for a while, seek to know no more of me and mine, but trust me with all your loving spirit.”
And when she had spoken such a rhapsody, she would press me more closely in her trembling embrace, and her lips in soft kisses gently glow upon my cheek.
”
”
J. Sheridan Le Fanu
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
aren’t shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
“I won’t leave you, I won’t leave you”
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you won’t let him.
Tell him that you will never know any better.
”
”
Caitlyn Siehl
“
He steps back, still looking. In the painting, Willem's torso is directed toward the viewer, but his face is turned to the right so that he is almost in profile, and he is leaning towards something or someone and smiling. And because he knows Willem's smiles, he knows that Willem has been captured looking at something he loves, he knows Willem in that instant is happy. Willem's face and neck dominate the canvas and although the background is suggested rather than shown, he knows that Willem is at their table. He knows it from the way that JB has drawn the light and shadows on Willem's face. He has the sense that if he says Willem's name that the face in the painting will turn toward him and answer; he has the sense that if he stretches his hand out and strokes the canvas he will feel beneath his fingertips Willem's hair, his fringe of eyelashes.
But he doesn't do this, of course, just looks up at last and sees JB smiling at him, sadly. "The title card's been mounted already," JB says, and he goes slowly to the wall behind the painting and sees its title - "Willem Listening to Jude Tell a Story, Greene Street"-and he feels his beneath abandon him; it feels as if his heart is made of something oozing and cold, like ground meat, and it is being squeezed inside a fist so that chunks of it are falling, plopping to the ground near his feet.
”
”
Hanya Yanagihara (A Little Life)
“
It's not reasonable to love people who are only going to die," she said.
Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
"I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?"
"Yes," she whispered.
He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do."
She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before.
"You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother."
"Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there."
"You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away."
He shrugged. "I don't mind you pushing me away if it means you love me, little sister.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Oh. My. God. You're Rose Hathaway aren't you?"
"Yeah." I said with surprise. "Do you know me?"
"Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath.
"Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch.
Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her.
"What's your name?" I asked.
"Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me."
"Right." I said, hiding a smile. "I figured it out."
"I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape.
"I don't know." I said. "You should talk to Christian Ozera."
She gaped. "Would he talk to me?"
"If you bring up fighting the establishment, yeah he'll talk to you."
"Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly.
"Yeah."
I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?"
"Yeah." I wondered where he was. Talking to Jill was exhausting.
"Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?"
"Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties.
"I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'"
I laughed in spite of myself. "I think you're giving me more credit than I deserve."
"No way. And I don't believe any of those stories, you know."
"Um, stories?"
"Yeah about you beating up Christian Ozera."
"Thanks." I said.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Her hands brushed Shane's, and he let go of the cards and took hold.
And then somehow she was in his lap, and he was kissing her. Hadn't meant to do that but...well. She couldn't exactly be sorry about it, because he tasted amazing, and his lips were so soft and his hands were so strong...
He leaned back, eyes half shut, and he was smiling. Shane didn't smile all that much, and it always left her breathless and tingling. There was a secrecy about it like he only ever smiled at her, and it just felt... perfect. 'Claire, you're being careful right?' He smoothed hair back from her face. 'Seriously. You'd tell me if you got into trouble?'
'No trouble,' She lied, thinking about Monica's not-so veiled threats, and that glimpse of Shane's dad seated across from Oliver in the coffee shop.'No trouble at all.'
'Good.' He kissed her again, then moved down her jawline to her neck, and, wow neck nibbles took her breath away. She closed her eyes and buried her fingers in his warm hair, trying to tell him through every touch how much she liked this, like him, loved...
Her eyes came open, fast.
She did not just think about that.
Shane’s warm hands moved up her sides, thumbs grazing the sides of her breasts again, and he traced his fingers across the thin skin of her collarbone...down to where the neck of her T-shirt stopped him. Teasing. Pulling it down an inch, then two.
And then, maddeningly, he let go and leaned back, lips damp. He licked them, watching her, and then gave her that slow crazy, sexy smile again.
'Go to bed' he said. 'Before I decide to come with.
”
”
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
“
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
”
”
Ali Hazelwood (Love on the Brain)
“
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: 'I’ll go take a hot bath.'
I meditate in the bath.The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck.
I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders.
I never feel so much myself as when I’m in a hot bath.
”
”
Sylvia Plath (The Bell Jar)
“
Cole,” I said, “do you think I’m lovable?”
“As in ‘cuddly and’?”
“As in ‘able to be loved,’” I said.
Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.”
I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.”
Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry.
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into the
skin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.”
It was all completely soundless. I didn’t think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, “That’s how I would kiss you, if I loved you.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
”
”
David Wojnarowicz
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low.
But the Gospels actually taught this:
Before you kill somebody, make absolutely sure he isn’t well connected. So it goes.
The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again:
Oh, boy–they sure picked the wrong guy to lynch _that_ time!
And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes.
The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels.
So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was.
And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
I don’t …” I sound like I am being strangled. “My family is all dead, or traitors; how can I …”
I am not making any sense. The sobs take over my body, my mind, everything. He gathers me to him, and bathwater soaks my legs. His
hold is tight. I listen to his heartbeat and, after a while, find a way to let the rhythm calm me.
“I’ll be your family now,” he says.
“I love you,” I say.
I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it.
Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I
think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me.
I am his, and he is mine, and it has been that way all along.
He stares at me. I wait with my hands clutching his arms for stability as he considers his response.
He frowns at me. “Say it again.”
“Tobias,” I say, “I love you.”
His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his
face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips.
“I love you, too,” he says.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
Once there was a boy,” said Jace.
Clary interrupted immediately. “A Shadowhunter boy?”
“Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky.
“The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father.
“He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen.
“He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud.
“Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’
“Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Bramble's lips were tight. Her fists still shook.
"Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!"
Teddie drew himself up to his full, towering taffy height.
"N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!"
The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white.
"Young man," said the King gently. "Your ship leaves soon?"
Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved.
"Do you mean it?"
Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow.
"Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!"
"Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!"
In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his.
"Oh...my," said Clover.
No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
”
”
Heather Dixon Wallwork (Entwined)
“
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
”
”
André Breton (Poems of André Breton: A Bilingual Anthology)
“
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them.
"Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years."
"Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?"
"That's right."
"OK, I got one word to ask you, a one word question, ready?"
"Uh huh."
"Dinosaurs."
You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point:
And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!"
"I'm sure gonna mention this in my book," Luke said.
"Well, I'm sure gonna mention it in my book," Matthew said.
But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!"
Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes:
"God put those here to test our faith."
"I think God put you here to test my faith, dude. I think I've figured this out."
Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter:
"Did you believe in dinosaurs?"
"Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!"
"You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!"
"It seemed so plausible, aaaaaahh!"
"Enjoy the lake of fire, fucker!"
They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it.
Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet.
"Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
”
”
Bill Hicks (Love All the People: Letters, Lyrics, Routines)