Neat Desk Quotes

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And then Holt, the Queen's Guard, placed his maps on the desk, neatly so they would not fall, tipped Thiel over one shoulder, tipped Death over the other, and stood under his load. In the astonished silence that followed, Holt lumbered toward Runnemood, who, understanding, let out a snort and stalked from the room of his own accord. Then Holt carried his outraged burdens away on either shoulder, just as they got their voices back. Bitterblue could hear them screaming their indignation all the way down the stairs.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
A few weeks later, I’m in a fluorescent-lit classroom in Chelsea awaiting the start of the official Mensa test. I’m sitting next to a guy who’s doing a series of elaborate neck stretches, like we’re about to engage in a vigorous rugby match. He’s neatly laid out four types of gum on his Formica desk: Juicy Fruit, Wrigley Spearmint, Big Red, and Eclipse. I hate this guy. I hope to God he’s not a genius.
A.J. Jacobs (The Know-It-All)
Out of absolutely nowhere I felt a sudden, sweet shot of joy, piercing and distilled as the jolt I imagine heroin users get when the fix hits the vein. It was my partner bracing herself on her hands as she slid fluidly off the desk, it was the neat practiced movement of flipping my notebook shut one-handed, it was my superintendent wriggling into his suit jacket and covertly checking his shoulders for dandruff, it was the garishly lit office with a stack of marker-labeled case files sagging in the corner and evening rubbing up against the window. It was the realization, all over again, that this was real and it was my life. Maybe Katy Devlin, if she had made it that far, would have felt this way about blisters on her toes, the pungent smell of sweat and floor wax in the dance studios, the early-morning breakfast bells raced down echoing corridors. Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
Tana French (In the Woods (Dublin Murder Squad, #1))
Sugar leans her chin against the knuckles of the hand that holds the pen. Glistening on the page between her silk-shrouded elbows lies an unfinished sentence. The heroine of her novel has just slashed the throat of a man. The problem is how, precisely, the blood will flow. Flow is too gentle a word; spill implies carelessness; spurt is out of the question because she has used the word already, in another context, a few lines earlier. Pour out implies that the man has some control over the matter, which he most emphatically doesn’t; leak is too feeble for the savagery of the injury she has inflicted upon him. Sugar closes her eyes and watches, in the lurid theatre of her mind, the blood issue from the slit neck. When Mrs Castaway’s warning bell sounds, she jerks in surprise. Hastily, she scrutinises her bedroom. Everything is neat and tidy. All her papers are hidden away, except for this single sheet on her writing-desk. Spew, she writes, having finally been given, by tardy Providence, the needful word.
Michel Faber (The Crimson Petal and the White)
MARCH, 1846-- I have at last got the little room I have wanted so long, and am very happy about it. It does me good to be alone, and Mother has made it very pretty and neat for me. My work-basket and desk are by the window, and my closet is full of dried herbs that smell very nice. The door that opens into the garden will be very pretty in summer, and I can run off to the woods when I like.
Louisa May Alcott
One corner was filled by an elderly flat-top desk; the papers on it were neatly in order. Near it, on its own stand, was a small electric calculator.
Robert A. Heinlein (The Year of the Jackpot)
That’s because stacked on and around her desk, in neat skyscraper-high columns, are books. About three dozen of them. For a moment, I freeze, my mouth open and my eyes wide with shock. Then, inanely, I wonder how the hell she got them all up here. Kate weighs a buck-ten at best. There’s got to be several hundred pounds of pages in this room. It’s then that her shiny dark head emerges over the horizon. And, once again, she smiles. Like a cat with a mouthful of bird.
Emma Chase (Tangled (Tangled, #1))
At some time all cities have this feel: in London it's at five or six on a winer evening. Paris has it too, late, when the cafes are closing up. In New York it can happen anytime: early in the morning as the light climbs over the canyon streets and the avenues stretch so far into the distance that it seems the whole world is city; or now, as the chimes of midnight hang in the rain and all the city's longings acquire the clarity and certainty of sudden understanding. The day coming to an end and people unable to evade any longer the nagging sense of futility that has been growing stronger through the day, knowing that they will feel better when they wake up and it is daylight again but knowing also that each day leads to this sense of quiet isolation. Whether the plates have been stacked neatly away or the sink is cluttered with unwashed dishes makes no difference because all these details--the clothes hanging in the closet, the sheets on the bed--tell the same story--a story in which they walk to the window and look out at the rain-lit streets, wondering how many other people are looking out like this, people who look forward to Monday because the weekdays have a purpose which vanishes at the weekend when there is only the laundry and the papers. And knowing also that these thoughts do not represent any kind of revelation because by now they have themselves become part of the same routine of bearable despair, a summing up that is all the time dissolving into everyday. A time in the day when it is possible to regret everything and nothing in the same breath, when the only wish of all bachelors is that there was someone who loved them, who was thinking of them even if she was on the other side of the world. When a woman, feeling the city falling damp around her, hearing music from a radio somewhere, looks up and imagines the lives being led behind the yellow-lighted windows: a man at his sink, a family crowded together around a television, lovers drawing curtains, someone at his desk, hearing the same tune on the radio, writing these words.
Geoff Dyer (But Beautiful: A Book About Jazz)
On Memory: Imagine a desk covered with papers. That is everything you are thinking about. Now imagine a stack of file drawers behind it. That is everything you know. The trick is to keep the desk and the file drawers as close to one another as possible, and the papers neatly stacked.
Jedediah Berry (The Manual of Detection)
At the end of the presentation someone asked whether he thought they should do some market research to see what customers wanted. “No,” he replied, “because customers don’t know what they want until we’ve shown them.” Then he pulled out a device that was about the size of a desk diary. “Do you want to see something neat?” When he flipped it open, it turned out to be a mock-up of a computer that could fit on your lap, with a keyboard and screen hinged together like a notebook. “This is my dream of what we will be making in the mid-to late eighties,” he said. They were building a company that would invent the future.
Walter Isaacson (Steve Jobs)
Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.
Catherynne M. Valente (Palimpsest)
Shinsuke still remembers the stink of varnish from the used desk they bought him. Actually, with its green baize surface and shiny silver-colored drawer pulls, the desk had a nice, neat look to it at first glance, but the cloth was worn thin, and the drawers never opened smoothly. This piece of furniture was not so much a desk as a symbol of the entire household, a symbol of the constant struggle to keep up appearances.
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
The room was small, but as neat as his necktie and as clean as his collar. The fireplace was swept; the floor was bare and polished. Books crowded bookshelves in every possible space. One corner was filled by an elderly flat-top desk; the papers on it were neatly in order. Near it, on its own stand, was a small electric calculator. To her right, french windows gave out on a tiny porch over the garage. Beyond it she could see the sprawling city, where a few neon signs were already blinking.
Robert A. Heinlein (The Year of the Jackpot (The Galaxy Project))
I had been nervous about not doing well in college. During my first class, I looked at the notes the boy next to me was taking. His supply and demand curves seemed more neatly drawn than mine. Nearly everyone appeared to have gone to preparatory schools and already knew such odd things as the fact that there was no inflation during the Middle Ages. Very few, however, were willing to work the way I did. When I would come out of Firestone Library at two in the morning, walk past the strange statues scattered around campus, and then sit at my desk in my room till the trees in the yard appeared out of the darkness, I felt that I was achieving something, that every hour I worked was generating almost physical value, as if I could touch the knowledge I was gaining through my work. One weekend, I came home to my parents and worked all Saturday night. In the morning, my mother saw me at my desk and brought me a glass of milk. Later, in Birju’s room, she said to him, “Your brother can eat pain. He can sit all day at his desk and eat pain.
Akhil Sharma (Family Life)
It’s a red letter day, too: the new set of science textbooks has finally arrived. This may not seem much to you but I feel like bringing in champagne to celebrate or asking the Head for a half day’s holiday. In the past, we have shared one dirty, dog-eared textbook between two or even three children and it’s a book which doesn’t even cover the right topics for our syllabus. These new ones are written by the people who set the exam, so they must cover the relevant stuff. The Head of Department arrives carrying the books and hands them out to the kids, handling them with great reverence. ‘These books are brand new,’ he intones solemnly, placing one neatly on my desk. ‘They must be treated with great respect and care so that others may use them in the future.
Frank Chalk (It's Your Time You're Wasting)
The fact is, nobody would have known from looking. An outsider walking past my cubicle that morning would have seen a petite woman of thirty-four with long, light brown hair pulled back in a barrette, neat and orderly-looking. Closer inspection would have suggested a perfectionistic, polished exterior, a careful attention to detail: a young woman with well-manicured nails and black leggings and Italian shoes; a daily list of things to do sitting on the desk, written in perfect print, several items already neatly ticked off; a workspace so compulsively tidy that one of my staff writers used to say you could fly a plane over my desk and it would look like a map of the Midwest, everything at perfect right angles. Colleagues saw me as smart and introspective, a little reserved maybe, and a paragon of efficiency at work: organized, professional, productive.
Caroline Knapp (Drinking: A Love Story)
Pie?" I narrowed my eyes at her, and then down at the container in her hands, where there were chocolate hand pies lined up in neat rows. The So Sorry Blondies were all gone by then, devoured between me and Paul and the rest of the dive team, and the memory of their deliciousness was too fresh for me to resist another Pepper Evans creation. I took one of the mini pies with a wary hand, just as she pulled out her phone, tapped it a few times, and smirked. I stopped chewing. "Did you just tweet?" I asked, my mouth full of chocolate. Pepper swept her bangs back with her fingers, and this time the gesture was calculated and breezy. "Did I?" I scowled into my phone screen, lowering it under my desk so Mrs. Fairchild wouldn't see. This one was just a GIF of Regina George from Mean Girls--- "Why are you so obsessed with me?" "At least your pie is better than your tweets," I mumbled. But the smirk on Pepper's face only deepened. "Those are from the Big League Burger bargain menu, by the way." My mouth dropped open. Pepper turned her eyes back to her textbook, burying her smirk in it. "Enjoy.
Emma Lord (Tweet Cute)
Isis in Darkness, he writes. The Genesis. It exalts him simply to form the words. He will exist for her at last, he will be created by her, he will have a place in her mythology after all. It will not be what he once wanted: not Osiris, not a blue-eyed god with burning wings. His are humbler metaphors. He will only be the archaeologist; not part of the main story, but the one who stumbles upon it afterwards, making his way for his own obscure and battered reasons through the jungle, over the mountains, across the desert, until he discovers at last the pillaged and abandoned temple. In the ruined sanctuary, in the moonlight, he will find the Queen of Heaven and Earth and the Underworld lying in shattered white marble on the floor. He is the one who will sift through the rubble, groping for the shape of the past. He is the one who will say it has meaning. That too is a calling, that also can be a fate. He picks up a filing-card, jots a small footnote on it in his careful writing, and replaces it neatly in the mosaic of paper he is making across his desk. His eyes hurt. He closes them and rests his forehead on his two fisted hands, summoning up whatever is left of his knowledge and skill, kneeling beside her in the darkness, fitting her broken pieces back together.
Margaret Atwood (Wilderness Tips)
You know what Dex has everyone calling me now?” she asked. “I’m sure you’d be proud of him.” “The Mysterious Lady F?” Ro guessed. “Ugh, I wish. Nope, it’s… Lady Fos-Boss.” The confession was almost worth it when Keefe couldn’t help giving her a quick smirk. “I knew I liked that boy,” Ro announced. “In fact, I even tried out one of his little tricks—see?” She pointed to Sophie’s desk, and it took Sophie a second to figure out what she meant. “You changed Iggy’s color?” she asked, heading over to his cage, where, sure enough, the tiny imp had yet another new look. His neatly trimmed, gold, sparkly fur was now a much poofier ice blue with tiny crimps. “Huh, I figured he’d be pink and purple,” Sophie admitted, pointing to Ro’s colorful pigtails. Ro tossed her head, swishing her hair in the process. “Uh, no, I’m not sharing my fabulous style with anyone—much less a creature who spent the last hour eating his own toenails. But I thought it was only right to save your imp from being sparkle-fied—and I was going to be nice and turn him your favorite color. But apparently your favorite color is teal—and yeah, yeah, we all know why. But, um, do you realize how many of the nastiest little microbes are that color?” She shuddered. “I couldn’t do that to you—or the little dude. So I went with a nice ice blue. The kind of color you can’t help but love. Classic. Reliable—
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.
Alain de Botton (The Art of Travel)
The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Keeping out the mirror, water, and the towel, he put the other things away in the box and replaced it on the shelf. Another box held articles of a more technical nature. He pulled them all out and set them up neatly on the desk like a surgeon lining up his instruments before commencing an operation. He covered his shoulders and front with the towel and then sketched out what he wanted to do on a piece of paper. He applied spirit gum to his nose and tapped it with his finger to make it sticky. He then quickly added a bit of a cotton ball to the surface before the adhesive dried out. He used a Popsicle stick to remove from a jar a small quantity of nose putty mixed with Derma Wax. He rubbed the putty into a ball, warming it with his body heat, making it easier to manipulate. He
David Baldacci (The Escape (John Puller #3))
Remembering what the Princess had told me about histories, I had to grin as I replaced the dusty book for what would probably be another hundred years. So now where? Of course I knew where. I turned toward the corner, staring at the tapestries to the little alcove where the memoirs for the heirs were stored. Bunching my skirts in either hand so they wouldn’t rustle, I moved stealthily to the tapestry and stood listening. No voices, certainly, and no sounds beyond the drumming of the rain against the near windows. So I lifted the tapestry--and looked across the room into a pair of familiar gray eyes. Dressed splendidly in black and gold, as if for Court, Shevraeth knelt at the desk, writing. For the third time that day, my face went hot. Resolutely reminding myself of my promise not to initiate any quarrels, I said, “Harantha Chamadis. Thirav Astiar. The Treaty of Seven Rivers. Is there a record?” Shevraeth didn’t say a word. He lifted his pen, pointed at a particular shelf, then bent his head and went right back to his task. For a moment I watched his pen traversing swiftly over the paper in close lines. Then my gaze traveled to the smooth yellow hair, neatly tied back, and from there to the lines of his profile. For the very first time I saw him simply as a person and not as an adversary, but I did not give myself the space to gauge my reactions. The curl of danger, of being caught at my observations and once again humiliated, caused me to drag my gaze away, and I trod to the shelf to which I’d been directed. A few swift glances through the books, and I found the memoirs of the queen of that time. A quick glance through showed the names I wanted repeated on a number of pages. Gripping the book in one hand and brushing back a strand of my wet hair with the other, I said, “Do you need my reason--” He cut in, lightly enough: “Just put it back when you’re done.” He kept his gaze on his writing, and his pen scarcely paused. Scrawl, dip, scrawl, dip. Two or three more words--then the pen stopped, and he glanced up again. “Was there something else?” he asked. Still polite, but very remote. I realized I’d been staring for a protracted time, my reactions frozen as if behind a layer of ice. I said in a rush, “The party, for Bran and Nee. Do you--should I send you--” He smiled just a little. “It would cause a deal of talk if you were to avoid inviting any of my family.” “Oh.” I gulped. “Yes. Indeed.” He dipped his pen, bent his head, and went back to his task. I slipped out the door and fled.
Sherwood Smith (Court Duel (Crown & Court, #2))
■ A presentable and reliable automobile ■ Neat and professional-looking clothing that is not ostentatious ■ Office space in your home with a desk and file cabinet ■ Fax machine and computer ■ Office telephone line ■ Smart phone with e-mail and Internet access and all multimedia features ■ Printed business cards and brochures ■ At least a basic website that is
James L. Ferry (How to Start a Home-Based Senior Care Business (Home-Based Business Series))
WHAT MAKES A GOOD TEACHERS – As a Student and Teacher I realised Teaching continues to undefinable profession which has a great impact on many of people, our students they are more honest not prejudiced against any one, I was interacting with many of my students they say they do not remember what really we taught with seriousness that at the end of the day, it’s not about the lesson plan. It’s not about the fancy stuff, colourful Power points we teachers make — the crafts we do, the stories we read, the papers we value. No, that’s not really it. That’s not what matters most.. They won’t remember how organized your bulletin boards are. How straight and neat are the desk rows. Certainly they remember our selfless actions As Medical teachers we can contribute best of empathy to suffering of humanity. Our kindness. Our empathy our care and concern. They’ll remember that you took the time to listen to their problems. If we look with wisdom never forget our Students are the future care takers of the Profession, when they say Good bye when leaving the department or college I say Be KIND TO SOME ONE EVERY DAY THAT IS WHAT OUR TEACHERS TOLD AND I AM PROUD TO LIVE IN THE SYSTEM WITH MANY TURBULANCES. BE ATEACHER TO LIFE JUST NOT YOUR SPECALITY? Dr.T.V.Rao MD
T.V. Rao
The goal of the method shared in this book is not just to have a nice neat desk but to begin a dialogue with yourself through tidying - to discover what you value by exploring why you are working in the first place and what of working style you want. This process will help you see how each task you do is linked to a joyful future.
Marie Kondō (Joy at Work: Organizing Your Professional Life)
The trick is to imagine in vivid, motion-picture detail what your whole day will look like after you finish tidying up. That image should include three elements: the physical environment, your behavior, and your feelings. Visualize what your workspace looks like, such as your neat and tidy desk and where everything is stored; what you do there, including such things as enjoying a cup of coffee or refreshing aromas; and what you feel when you do that: for example, excited, fulfilled, or content.
Marie Kondō (Joy at Work: Organizing Your Professional Life)
As a rule, don’t store anything on top of your desk. Your desktop is a work surface, not a storage cupboard, so the rule of thumb is to store nothing on it. Pick a spot in your drawers and on your shelves for each item or category. As much as possible, the only things on your desk should be whatever you need right now for the project you are working on. Keep this image of a clear desktop in your mind when you start storing. People who do so usually finish with only a laptop and an ornament or potted plant on their desk. Designate a storage space even for things you use daily, such as a pen or memo pad. My clients are often surprised to find that it’s not inconvenient at all to store these things out of sight when not in use. Once they experience how a neat and tidy desk enables them to focus on their work, they quickly become addicted to that state.
Marie Kondō (Joy at Work: Organizing Your Professional Life)
Despite my misgivings, I was addicted to the cachet and perks of my job. Cold-pressed fruit juices lined up in neat colourful rows in the office drinks fridge, free gym membership, vouchers for massages and facials that would suddenly appear on my desk as part of the employee welfare program. The never-ending supply of free tickets to Broadway shows or prime seats at sports games. And, most importantly, the money they dangled in front of us. It all gave me temporary amnesia, or perhaps wilful blindness, at the damage we wrought on the lives of the nameless people at that factory in Michigan, or a hundred other places affected by our decisions. We used profit as justification for shattering lives. It was that simple.
Megan Goldin (The Escape Room)
So Holtzman, a Harvard law school graduate and a future DA in Brooklyn, decided to visit the agency’s Manhattan office to examine the case files herself. The files were laid out for her neatly on a metal desk, dozens of dusty folders with Nazi atrocities hidden inside. The first one contained accusations that an American immigrant had been a Nazi police officer involved in the massacre of Jews.
Eric Lichtblau (The Nazis Next Door: How America Became a Safe Haven for Hitler's Men)
Yes,” I call. “Sky,” the receptionist says quietly. I pick up the handset. “Yes,” I say again. “What’s up?” “There’s a really hunky guy standing in front of me, and he’s asking for you,” she whispers into the phone. What hunky guy would be asking about me? “What does he look like?” “He’s about six two,” she starts. “Six three,” I hear someone say. “Oh, six three,” she says. “He’s a big one.” She giggles. My heart jumps. “What color is his hair?” “Blond. And long.” It’s Matt. Oh shit. It’s Matt. “I’ll be right there,” I say. But my heart is thumping like crazy. What is Matt doing here? I hunt around under my desk for my shoes and slide them on. Then I straighten my skirt and run a hand down my hair to smooth it. A minute ago, I had it held up with a pencil. It’s just Matt, I tell myself. It’s Matt. “Do you want me to send him back?” the receptionist asks. She laughs again. “Or I can just keep him?” Definitely not. He’s mine. “I’ll be right there,” I repeat. I look down at my business suit. I hope I look all right. I guess it’s too late now to worry about it. I walk into the reception area and find Matt leaning against the glass doorway. He turns to face me and smiles. “Hi,” he says quietly. I walk toward him, my legs shaky. “What are you doing here?” I ask, but I’m grinning, too. I stop in front of him, one move short of leaning into him for a hug. The receptionist is watching really closely. “I came to see if you want to go to lunch.” He shrugs. He’s wearing black jeans and lace-up boots. A black T-shirt is stretched across his broad chest, and it’s tucked neatly into his jeans. I can see his tattoos. A piece of hair has fallen from his ponytail, and I want to reach up and tuck it behind his ear. “How did you find out where I work?” I ask. I motion for him to follow me. Thank you, I mouth at the receptionist, and she winks at me and gives me a thumbs-up. I shake my head, and Matt walks quietly behind me. “I texted Seth,” he says. “Traitor,” I say, but inside, I’m thrilled. “Did I come at a bad time?” he asks. He looks down at his wrist, even though there’s no watch on it. “I can come back later.” “No, no.” I don’t want him to leave. Ever. I lean against the edge of my desk. “I’m glad you’re here.” His voice is deep and soft when he responds. “I’ve been thinking about you all morning.” He shrugs, looking a little sheepish. “So I figured I’d drop by. I totally understand if you’re too busy, though.” He looks into my eyes. “I might cry if you send me away, but I’ll go.” I’m not going to send him away. Not a chance. “I don’t want you to go,” I say. He grins. “Good.” He looks around my office. “Do you have time for lunch?” “Oh!” I cry. “I thought you were just going to stand there and let me look at you. You actually want to go somewhere?” He laughs. “Yeah. I told you. I’m going to make you fall in love with me. Lunch is step one.” “What’s step two?” I ask impulsively. “If I told you, it wouldn’t work.” I nod. I want it to work. “Don’t tell me.” “Guy’s got to have some secrets.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Lincoln reached over his shoulder and neatly snagged a laptop off his desk. “Got her computer. I haven’t found anything yet. Most of her work is password-protected, and she used rotating binary generator accounts to give random pass codes. Based on the Bernoulli equation.” Taylor shook her head. “Huh?” “Bernoulli’s principle? Increases in velocity, decreases in pressure create lift. Commonly taught as why airplanes fly, though it would have to be a perfect world for that particular equation to work. It’s just easy to explain. The binary generator uses the velocity equation from Bernoulli to—” Taylor started laughing. Despite the urbane exterior, Lincoln was a computer genius, a regular geek at heart. “What you’re saying is this is pretty sophisticated stuff for a reporter?” “For anyone, actually. There’s something in here she doesn’t want anyone to read, that’s for sure.
J.T. Ellison (14 (Taylor Jackson, #2))
What the bloody hell is this? Where’s Reggie?” “Who’s Reggie?” It had already been a difficult morning. Robin was not above returning fire with rudeness where rudeness had been offered. “Who are you, come to that?” A pair of blue eyes narrowed. They were the only mark of colour in the man’s countenance—indeed, in his entire appearance. His clothes were neat, expensively tailored, but all in shades as unremarkable and drab as his dishwasher hair. “I’m the Queen of Denmark,” he said, coldly sardonic. Robin clasped his hands on the desk to prevent himself from clinging to the edge of it. He was the one who belonged here, much as he wished otherwise. “And I’m Leonardo da Vinci.
Freya Marske (A Marvellous Light (The Last Binding, #1))
Balance praise and criticism Worry more about praise, less about criticism—but above all be sincere We learn more from our mistakes than our successes, more from criticism than from praise. Why, then, is it important to give more praise than criticism? Several reasons. First, it guides people in the right direction. It’s just as important to let people know what to do more of as what to do less of. Second, it encourages people to keep improving. In other words, the best praise does a lot more than just make people feel good. It can actually challenge them directly. Some professionals say you need to have a praise-to-criticism ratio of 3:1, 5:1, or even 7:1. Others advocate the “feedback sandwich”—opening and closing with praise, sticking some criticism in between. I think venture capitalist Ben Horowitz got it right when he called this approach the “shit sandwich.” Horowitz suggests that such a technique might work with less-experienced people, but I’ve found the average child sees through it just as clearly as an executive does. In other words, the notion of a “right” ratio between praise and criticism is dangerous, because it can lead you to say things that are unnatural, insincere, or just plain ridiculous. If you think that you must come up with, say, two good things for every bad thing you tell somebody, you’ll find yourself saying things like, “Wow, the font you chose for that presentation really blew me away. But the content bordered on the obvious.… Still, it really impresses me how neat your desk always is.” Patronizing or insincere praise like that will erode trust and hurt your relationships just as much as overly harsh criticism. In the case of criticism, most people are nervous about hurting someone’s feelings, so they often say nothing. In the case of praise, some people are eager to please those around them, so they always say something—sometimes inane things. Other people just aren’t in the habit of giving praise. If I’m not firing you, it means you’re doing fine. That’s not good enough.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
And like many lies, this one revealed a wish. How lovely it would have been, I thought, to have had some time just to sink into misery. To not have to deal with family or school. To be surrounded by people whose job it was to keep you safe from your suicidal hand. And to have the circumstances of your life truly reflect what had happened to it. A mental hospital seemed to make a lot more sense than neat rows of chairs and desks, than football bleachers, than that white-lined running track.
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
I reached a point in my own life where I had enough. There was so much stuff around me that I just wanted to scream. I started to get really distressed when looking around my home at all the unnecessary things laying around. At first I took to “tidying up”, putting things away in neat little plastic boxes and lining these boxes up in perfect rows in my closets, desk and other storage areas. This didn’t do it for me, because the clutter would always return and I felt like I wasn’t getting to the root of the issue. I realized that my issue wasn’t just wasn’t the disorganization, but it was the matter of why I had all this stuff to begin with. In my mind, throwing stuff away became less wasteful than having acquired it in the first place. It was almost like this stuff I had acquired was a crutch. The expensive stuff I had was a way to tell myself that I am successful. The activity items, like cookbooks and sports equipment, was a way of pretending that I am consistently an active and dynamic person. The redundant items, like extra jackets and clothing, kitchen supplies, and books were a security blanket guarding against an unknown future (i.e. “you never know”). I suspect that the sentimental items from my past were also a way of holding on to what I know and a fear of moving forward.
Samuel J. Strauss (The 30-Day Clutter Challenge: Guide To Reducing Anxiety and Letting Go Of What's Holding You Back)
I woke up every morning at six to study—because it was easier to focus in the mornings, before I was worn out from scrapping. Although I was still fearful of God’s wrath, I reasoned with myself that my passing the ACT was so unlikely, it would take an act of God. And if God acted, then surely my going to school was His will. The ACT was composed of four sections: math, English, science and reading. My math skills were improving but they were not strong. While I could answer most of the questions on the practice exam, I was slow, needing double or triple the allotted time. I lacked even a basic knowledge of grammar, though I was learning, beginning with nouns and moving on to prepositions and gerunds. Science was a mystery, perhaps because the only science book I’d ever read had had detachable pages for coloring. Of the four sections, reading was the only one about which I felt confident. BYU was a competitive school. I’d need a high score—a twenty-seven at least, which meant the top fifteen percent of my cohort. I was sixteen, had never taken an exam, and had only recently undertaken anything like a systematic education; still I registered for the test. It felt like throwing dice, like the roll was out of my hands. God would score the toss. I didn’t sleep the night before. My brain conjured so many scenes of disaster, it burned as if with a fever. At five I got out of bed, ate breakfast, and drove the forty miles to Utah State University. I was led into a white classroom with thirty other students, who took their seats and placed their pencils on their desks. A middle-aged woman handed out tests and strange pink sheets I’d never seen before. “Excuse me,” I said when she gave me mine. “What is this?” “It’s a bubble sheet. To mark your answers.” “How does it work?” I said. “It’s the same as any other bubble sheet.” She began to move away from me, visibly irritated, as if I were playing a prank. “I’ve never used one before.” She appraised me for a moment. “Fill in the bubble of the correct answer,” she said. “Blacken it completely. Understand?” The test began. I’d never sat at a desk for four hours in a room full of people. The noise was unbelievable, yet I seemed to be the only person who heard it, who couldn’t divert her attention from the rustle of turning pages and the scratch of pencils on paper. When it was over I suspected that I’d failed the math, and I was positive that I’d failed the science. My answers for the science portion couldn’t even be called guesses. They were random, just patterns of dots on that strange pink sheet. I drove home. I felt stupid, but more than stupid I felt ridiculous. Now that I’d seen the other students—watched them march into the classroom in neat rows, claim their seats and calmly fill in their answers, as if they were performing a practiced routine—it seemed absurd that I had thought I could score in the top fifteen percent. That was their world. I stepped into overalls and returned to mine.
Tara Westover (Educated)
She watched carefully as yellow steam surged along a twisty maze of tubing and eventually condensed as one large, sticky droplet. She caught it neatly on the end of a glass spoon and very carefully tipped it into a tiny glass phial. Esk watched her through her tears. “What’s that?” she asked. “It’s a neveryoumind,” said Granny, sealing the phial’s cork with wax. “A medicine?” “In a manner of speaking.” Granny pulled her writing set toward her and selected a pen. Her tongue stuck out of the corner of her mouth as she very carefully wrote out a label, with much scratching and pausing to work out the spellings. “Who’s it for?” “Mrs. Herapath, the glassblower’s wife.” Esk blew her nose. “He’s the one who doesn’t blow much glass, isn’t he?” Granny looked at her over the top of the desk. “How do you mean?” “When she was talking to you yesterday she called him Old Mister Once A Fortnight.” “Mmph,” said Granny. She carefully finished the sentence: “Dylewt in won pint warter and won droppe in hys tee and be shure to wear loose clowthing allso that no vysitors exspected.” One day, she told herself, I’m going to have to have that talk with her.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
he said, and straighten his life out. Georgie and I felt good about helping Mr. Potter reform. Lissa’s answer disappointed Georgie. “I think I’ll just go to bed and read for a while,” she said. “I’m tired, Daddy.” He yawned. “I’m pretty done in myself. We’ve had a big day.” The kitchen light went off and the bathroom light came on. In a few moments, the light in the small bedroom came on, too. Without a word, Georgie and I sneaked across the yard to Lissa’s room. We’d peeked in the windows many times before, often with pranks in mind. To make things easier, we’d hidden cinder blocks in strategic places. Standing on them, we could look in any window except the one in the bathroom, which was higher than the others. Of course, we wouldn’t have looked in the bathroom even if we could have. People deserve some privacy. Lissa was already in bed. The grumpy old men caretakers had used her room for storage, but now it was clean and neat. A green and yellow rag rug covered most of the old linoleum tile. A small desk, a narrow bookcase, and a white dresser with a mirror were crammed into the tiny space, along with Lissa’s bed, painted white to match the dresser. She’d made a little nest of pillows and quilts and stuffed animals, and she looked cozy and comfortable snuggled
Mary Downing Hahn (The Old Willis Place)
After the Hardys’ craft had been safely moored in their boathouse, Tony headed the Napoli out into the bay. He turned and followed the shoreline to the long jetties where the freighters were docked. Soon the Napoli passed under the gray bow of a big cutter moored at the Coast Guard pier. Tony made his boat fast, and the six boys climbed up a steel ladder onto the dock. They entered the small, neat station office, which had a short-wave tower on its roof. The officer on duty rose from his desk. “Hello, Frank—Joe—fellows,” he greeted them. The personnel at the Bayport station knew the Hardys well. More than once they had cooperated with the boys and their father on cases.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
A throat cleared. “Earth to Arik. Come in, boss.” With brows drawn, Arik glared at his beta. “What?” “I was asking what had your boxers in a knot.” “You know I go commando.” “Usually, but something obviously has your panties in a twist. Spill.” Oh, he spilled all right. Arik yanked off the hat and flung it against the wall and then swiveled his chair to get it over with. Indrawn breath. A snicker. A full-on guffaw. Arik swirled again and tossed deadly visual daggers at his second. “I fail to see the humor in my butchered mane.” “Dude. Have you seen it? It is bad. What did you do to piss Dominic off? Seduce one of his daughters?” “Actually one of his granddaughters did this to me!” He couldn’t help the incredulous note. The effrontery of the act still got to him. A thump and a shake of the wall as Hayder hit it, his shoulders shaking with laughter. “A girl did that to you?” His beta convulsed with mirth, not at all daunted by Arik’s glower and tapping fingers. “This is not amusing.” “Oh, come on, dude. Of all the people to have a hair mishap, you are the worst.” “I look like an idiot.” “Only because you didn’t let her finish hacking the rest off.” His fingers froze as he took his gaze off the screen for a moment to address the travesty. “Cut off my mane?” Was his beta delusional? “Well, yeah. You know, to even it out so it doesn’t show.” A growl rumbled forth, more beast than man, his lion not at all on board with any more trimming. “Okay, if you’re not keen on that, then what about a hair weave? Maybe we could get you a platinum one, or pink for contrast since you’re being such a prissy princess about it.” That did it. A lion could take only so much. Arik dove over his desk and tackled his beta. Over they went with a thump and a tangle of limbs. As he was slamming Hayder’s head off the floor, snarling, “Take it back!” to his beta’s chortled, “We’ll get your nails done while they’re weaving,” Leo strode in. A giant of a man, he didn’t even have to strain as he grabbed them each by a shoulder and yanked them apart. But he didn’t stop there. He slammed their heads together before shoving them down. Arik and Hayder sat on the carpeted floor, nursing robin’s eggs, united in their glare for the pride’s omega, also known as the peacemaker. Of course, Leo’s version of peace wasn’t always gentle, which was why he was perfect for the pride. The behemoth with the mellow outlook on life took a seat in a chair, which groaned ominously. “You do know that the staff two floors down can hear the pair of you acting like ill-behaved cubs.” “He started it!” Arik stabbed a finger at his beta. He had no problem assigning blame. Delegation was something an alpha did well. Hayder didn’t even deny his guilt. “I did. But can you blame me? He was pissing and moaning about this precious mane. All I did was offer a solution, and he took offense.” “I assume we’re talking about the missing chunk of hair on our esteemed leader’s head?” Leo shook his neatly trimmed dark crown. “I keep telling you that vanity is your weakness.” “And chocolate chip ice cream is yours. We all have our vices,” Arik grumbled as he heaved himself off the floor and into his leather-padded seat— with built-in heating pad and massager because a man in his position did enjoy his luxuries. “My vice is beautiful women,” Hayder announced with a grin, adopting a lounging pose on the floor. Felines were king when it came to acting as if embarrassing positions weren’t accidental at all. “Don’t talk to me about women right now. I’m still angry at the one who did this.” “I think I’m missing a key point,” Leo stated. It didn’t take long to bring Leo up to speed. To his credit, the pride omega didn’t laugh— long.
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
Santa, himself, was sitting behind his desk when I walked in. "Hello," he greeted me. He looked exactly as one would expect. Long white beard and a thick head of white hair. His cheeks were rosy and he truly did look jolly when he smiled at me. "You're the new Karma." "Yes," I smiled back all the while waiting for the scolding. "Would you care for a cookie?" He motioned to the heaped plate on the corner of his desk. "No thanks." I didn't want to get thrown out mid-bite. He was Santa. He knew everything. Any second, he'd tell me to get the hell out of his office, throwing coal at me as I ran. He stood up from his chair and walked around to the fireplace that blazed in the corner, lending the space a warm light. "Would you like to sit?" He motioned to the two well-stuffed chairs in front of it. "I don't want to take up too much of your time. I can see you're busy." I made a step backward toward the door. "I got time for you." Guess I was going to have to see this thing out until the coal started flying. I watched as he sat. He was still smiling. I took the seat across from him. Maybe he didn't know. "I know why you're nervous." Well, there went that. "Karma, sometimes there are gray areas in life. Things that don't fit neatly into wrong vs right.
Donna Augustine (Jinxed (Karma, #2))
Yes, she continued, imagining the words in neat double-spaced type on her college professor’s desk. Nihilists are angry, self-deluding assholes who would sooner deny all meaning than take responsibility for the condition of their world. If life is meaningless, they’re off the hook; they can do any goddamn thing they like and not be taken to task for it, because nothing means anything anyway, and what difference does it make in the gaping black pit of infinity? Just sit back, pick your scabs, and pass the buck.
Chet Williamson (A Haunting of Horrors: A Twenty-Novel eBook Bundle of Horror and the Occult)
The president of a brush-manufacturing company I visited recently had this maxim neatly framed on his desk facing the visitor’s chair: “Give me a Good Word or none at all.” I complimented him, saying that I thought the maxim was a clever way to encourage people to be optimistic. He smiled and said, “It is an effective reminder. But from where I sit this is even more important.” He turned the frame around so I could see it from his side of the desk. It said, “Give them a Good Word or none at all.
David J. Schwartz (The Magic of Thinking Big)
It was flawless, correct, and beautiful. 'This is mine,' he said to himself. He felt tears well up in his eyes, tears of joy. Oh, what a blessing it was to be a man, to create, to labor and produce such a great thing - to be alive! It was a splendid thing he had done! He rose from his desk and looked down on the neat pile of paper before him with a smile and eyes narrowed in fierce, immaculate greed. He raised his arms in triumph, fists clenched, and laughed once. What a glorious thing is pride! It is almost an end in itself! No wonder churchmen preached against it! A truly proud man is not to be found in their flocks of souls humbled by the rumor of a great invisible wizard and the inexplicable! If it is a sin to feel such pride, then it is a sin to be a man!
Edward Cline (Hugh Kenrick (Sparrowhawk, #2))
Room eight contained a neatly made bed, a wash basin on a chest of drawers, and a desk, each piece of furniture simple but sturdy. Joe moved to the window and paused, looking out at the wreckage of Glipwood with a pang of sadness. Below the window lay what remained of Shaggy’s Tavern. The stone chimney stood like the trunk of an old petrified tree, the ground littered with planks, broken stools, and shattered bottles. Wincing at the creak of his footsteps on the wooden floor, he crept to the chest of drawers and slid it away from the wall. Behind the bureau was a small doorway. Joe looked around one last time and ducked inside, pulling the chest back into place behind him.
Andrew Peterson (North! or Be Eaten)
in his stocking feet so as not to awaken Emilee or the children, Hans padded into the living room, walked past the Christmas tree, and moved into the small vestibule that served as his home office. Only then did he turn on a small desk lamp. He opened the drawer of his desk and withdrew the leatherbound book he had placed there earlier that day. He opened it to the first page and looked at the neatly lettered inscription: To My Beloved Hans Merry Christmas, 1932 From Emilee, Alisa, Jolanda, Hans Otto, Enrika, & Nikolaus Your Adoring Family Hans smiled and reread the handwritten message on the inside cover. Hans: A brief note of explanation. I can hear you saying to yourself as you read this: “Really? A journal? My
Gerald N. Lund (Out of the Smoke (Fire and Steel #5))
In my study, next to my desk, is a locked bookcase that contains a collection of volumes I value more than any of the hundreds of other books that fill a multitude of shelves in our home. Of these precious publications, the most prized and well-guarded is a slim first edition of 104 pages, simply titled Jungle Stories by Jim Corbett. The cover is of plain brown paper, with no illustrations or colouring. This thin little book was privately printed by Corbett, for family and friends, at the London Press in Nainital in 1935. Only a hundred copies were produced, of which very few remain. My copy came to me through my parents. They were given it by friends, who had once been Corbett’s neighbours in Nainital. By the time I received it, the book had been covered with a protective sleeve of clear plastic. The title page is signed by Jim Corbett, in a neat, fastidious hand. Several years after Jungle Stories was published, Lord Linlithgow, Viceroy of India from 1936-43, requested a copy. He had met Corbett, who assisted in organizing viceregal shoots in the terai and was already regarded as a legendary shikari and raconteur. After reading the book, Linlithgow recommended that it be published by the Oxford University Press in Bombay. Jungle Stories is, essentially, the first draft of Man-eaters of Kumaon. Several of the chapters are identical, including stories of ‘The Pipal Pani Tiger’ and ‘The Chowgarh Tigers’, as well as an angling interlude, ‘The Fish of My Dreams.’ Corbett expanded this book into its present form by adding six more tales, including an account of the first man-eater he killed in 1907, near Champawat. This tigress was responsible for the deaths of 436 victims and her destruction helped cement Corbett’s reputation as a hunter. In recognition of his success, Sir J. P. Hewett, Lieutenant Governor of the United Provinces, presented him with a .275 Rigby-Mauser rifle. An engraved citation on a silver plaque was fixed to the stock. Corbett later bequeathed this weapon to the Oxford University Press, who sent it to their head offices in England. Eventually, the gun was confiscated by the police in Oxford because the publishers didn’t have a licence. For a number of years, John Rigby & Co., gunsmiths, displayed the rifle at their showroom in London, along with a copy of Jungle Stories. In February 2016, Corbett’s rifle was purchased at auction by an American hunter for $250,000. Following this, the rifle was brought to India for a week and briefly displayed at Corbett Tiger Reserve, as part of a promotional event. The editor at OUP, who shepherded Man-eaters of Kumaon to publication, was R. E. ‘Hawk’ Hawkins, himself a legend, who contributed greatly to India’s canon of nature writing. In his introduction to a collection of Corbett’s stories, Hawkins describes how this book came into his hands:
Jim Corbett (Man-eaters of Kumaon)
Bradley Thomson?” John said calmly. He lifted the papers from his desk and straightened them before neatly placing them back down on the corner of the table. He turned in his chair and looked down out the window at the cars that drove past. Average people driving average cars, heading to average jobs.
J.D. Weston (Stone Cold (Stone Cold, #1))
Willie wrote one asking her when she was going to meet him at the barn. At the bottom of the note, he drew a really neat spider in a web. Then he folded the sheet up small, addressed it, and passed it to the kid next to him. Milton was sitting along the postal route. The note got to him just as Mrs. Tealso stepped out of the room to talk to the teacher across the hall. Willie couldn’t believe it when he saw Milton unfolding the note. “Hey, Marla,” Milton said loud enough to get the whole class’s attention. “Willie wants to know if you’ll meet him in the barn. Will ya, huh?” Boys hooted as if the question meant something dirty. When Willie saw Marla cringing in her seat, he went berserk. He hurdled a desk and jumped Milton to grab the note away from him, but Milton turned and hunched over so that Willie found himself hoisted onto Milton’s back with his feet off the ground. Just then Mrs. Tealso returned. She caught Willie clinging to Milton as if he were stuck midway in a leapfrog game. “Willie Feldman! What has gotten into you? Step outside in the hall and stay there until I finish taking attendance.” Out in the hall, Willie leaned against the door, which Mrs. Tealso had firmly shut behind him. Some friend Milton was turning out to be! Boy, would Willie be in trouble if Dad heard about this. The instant Mrs. Tealso gave him a chance, before she could decide it was all his fault, Willie had better spit out a convincing explanation.
C.S. Adler (Willie, the Frog Prince)
Barthemius took a neatly bound book from a nearby desk, its boarders trimmed in brass with a lattice of orichalium woven between the vizstones imbedded on its front and back covers. He opened the book to the middle and a waterfall of softly glowing text and diagrams spilled down the pages.
Mark William Chase (The Case Files of Aldicus Vescard)
On one visit to the Oval Office to meet with his successor, Lyndon Johnson couldn’t believe how neat and functionally lacking Nixon’s desk was; he had always prided himself on a massive desktop telephone apparatus that allowed him to instantly connect with people at all levels of the government and was confounded to see Nixon’s tiny telephone with just three direct-connect buttons: “Just one dinky little phone to keep in touch with his people,” he related in wonder to guests at dinner afterward. “That’s all—just three buttons and they all go to Germans!
Garrett M. Graff (Watergate: A New History)
where the desks looked as they normally did – Reggie’s neat and tidy, Ox’s like a vacuum cleaner and a recycling bin had fought to the death over a takeaway order.
C.K. McDonnell (Love Will Tear Us Apart (Stranger Times, #3))